Amelia’s Magazine | Uncivilisation 2011, The Dark Mountain Festival: Sunday Review

Sacred by Elizabeth Hudson
Sacred by Elizabeth Hudson.

On Sunday at Uncivilisation the main marquee was packed out for a discussion around where next for Dark Mountain, cheap both the festival and the movement. Dark Mountain was started by two writers as a literary endeavour and as it attracts many interested newcomers from different fields it is inevitably straining at the seams. Thus it was good that this conversation was held in the round, buy allowing many voices to be heard equally, contributing constructive and helpful suggestions.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.

uncivilisation-jim-design
Uncivilisation by James Clarkson of Jim Design.

Founders Dougald Hine and Paul Kingsnorth are happy to admit that they are two very fraught men, trying incredibly hard to maintain their core philosophies whilst struggling with the infrastructure and admin of Dark Mountain. ‘Basically we are two guys going broke and mad… with a few volunteers.’ Now they need to decide just how much they are willing to let go in order to allow Dark Mountain the space it needs to grow.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Sam Duckworth of Get Cape. Wear Cape. Fly. who played on Friday evening.

Between festival goers there is conflict between how that should happen: it was clear that many would like to see more of a concrete movement for change, whilst others relish the looseness of a gathering that allows for new conversations and stories that may not find space elsewhere. For my part I think that any future Uncivilisation should allow for the exploration of emotional and physical ideas that may be nebulous to the intellect: giving a space for new ways of thinking to flourish.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
the visitors - rima staines
The Visitors by Rima Staines.

At this year’s event my friend Zoe Young held a sacred space in her Bright Valleys workshop. Those I met who attended this were very thankful, and I highly recommend that you read Zoe’s thoughts on the Dark Mountain experience in her excellent blog.

Uncivilisation 2011. All photography by Amelia Gregory. zoe young
Zoe Young with Chanterelles.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
I decided to instead attend an unscheduled talk from Simon Fairlie – author of Meat: A Benign Extravagance – on how veganism and the industrial livestock farming system are converging. He envisages a future where to be a vegan is to live as unsustainably and technologically removed from the land as those who eat mass factory farmed food products. I can easily believe it.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.

I’ve heard Simon speak several times and his writings are always incredibly interesting: George Monbiot and many others listen to him because not only does he exercise his intellect but he also walks the walk: farming the land at Monkton Wyld Court to demonstrate his theories.

Dark mountains by Thomas Bird
Dark Mountains by Thomas Bird.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.

I rounded up my time at Uncivilisation with a talk by John Mitchinson, a writer for QI and founder of Unbound, which is a new way to crowd fund books without going through the usual rigmarole of publishing. It was fascinating to hear from someone who used to work in mainstream publishing and intimately knows the problems facing the industry. Of course it was especially interesting to myself, as someone who has self-published and knows just how bloody hard it is to stay afloat.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Benny Wenda by Caroline Pratt
Benny Wenda by Caroline Pratt.

This unfortunately meant that I missed a talk from Benny Wenda and author Jay Griffiths, who spoke about the struggles of local peoples against corporations in West Papua. It was by all accounts incredibly moving.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.

We finished Uncivilisation with a farewell folk song before everyone dispersed into the afternoon sunshine. The festival provided a great focal meeting point for like minded people; enabling me to reconnect with old friends and make new acquaintances. It also reminded me that there are many people, all over the world, who are tackling different but related ideas around life beyond collapse. And that we must continue reaching out to include more people from all parts of society in the discussions that we are having.

Uncivilisation Dark Mountain 2011 - Dougald Hine
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation Dark Mountain 2011  Paul Kingsnorth
Uncivilisation 2011. All photography by Amelia Gregory.

As Alabaster Crippens says in his blog: ‘Nobody has many answers about what to do next apart from look after yourself, pay attention, listen to stories, tell your stories, and learn how to live with less.’ There is so much more to do but creating understandable narratives is undoubtedly at the heart of what the Dark Mountain movement can contribute. Although I say it with some trepidation I look forward to what the future brings.

Uncivilisation 2011. All photography by Amelia Gregory.
The Hexayurt, a cheaply built shelter for use in disaster zones.

Don’t forget to check in with Saturday’s review of Uncivilisation too! Musician Marmaduke Dando has also written an interesting blog.

Categories ,2011, ,Alabaster Crippens, ,Benny Wenda, ,Bright Valleys, ,Caroline Pratt, ,Crowd Funding, ,Dark Mountain, ,Dougald Hine, ,Elizabeth Hudson, ,George Monbiot, ,Get Cape. Wear Cape. Fly., ,Hexayurt, ,James Clarkson, ,Jay Griffiths, ,Jim Design, ,John Mitchinson, ,Marmaduke Dando, ,Meat: A Benign Extravagance, ,Monkton Wyld Court, ,Paul Kingsnorth, ,publishing, ,QI, ,review, ,Rima Staines, ,Sam Duckworth, ,Simon Fairlie, ,stories, ,Thomas Bird, ,Unbound, ,Uncivilisation Festival, ,Veganism, ,West Papua, ,Zoe Young

Similar Posts:






Amelia’s Magazine | Uncivilisation 2011, The Dark Mountain Festival: Sunday Review

Sacred by Elizabeth Hudson
Sacred by Elizabeth Hudson.

On Sunday at Uncivilisation the main marquee was packed out for a discussion around where next for Dark Mountain, cheap both the festival and the movement. Dark Mountain was started by two writers as a literary endeavour and as it attracts many interested newcomers from different fields it is inevitably straining at the seams. Thus it was good that this conversation was held in the round, buy allowing many voices to be heard equally, contributing constructive and helpful suggestions.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.

uncivilisation-jim-design
Uncivilisation by James Clarkson of Jim Design.

Founders Dougald Hine and Paul Kingsnorth are happy to admit that they are two very fraught men, trying incredibly hard to maintain their core philosophies whilst struggling with the infrastructure and admin of Dark Mountain. ‘Basically we are two guys going broke and mad… with a few volunteers.’ Now they need to decide just how much they are willing to let go in order to allow Dark Mountain the space it needs to grow.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Sam Duckworth of Get Cape. Wear Cape. Fly. who played on Friday evening.

Between festival goers there is conflict between how that should happen: it was clear that many would like to see more of a concrete movement for change, whilst others relish the looseness of a gathering that allows for new conversations and stories that may not find space elsewhere. For my part I think that any future Uncivilisation should allow for the exploration of emotional and physical ideas that may be nebulous to the intellect: giving a space for new ways of thinking to flourish.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
the visitors - rima staines
The Visitors by Rima Staines.

At this year’s event my friend Zoe Young held a sacred space in her Bright Valleys workshop. Those I met who attended this were very thankful, and I highly recommend that you read Zoe’s thoughts on the Dark Mountain experience in her excellent blog.

Uncivilisation 2011. All photography by Amelia Gregory. zoe young
Zoe Young with Chanterelles.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
I decided to instead attend an unscheduled talk from Simon Fairlie – author of Meat: A Benign Extravagance – on how veganism and the industrial livestock farming system are converging. He envisages a future where to be a vegan is to live as unsustainably and technologically removed from the land as those who eat mass factory farmed food products. I can easily believe it.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.

I’ve heard Simon speak several times and his writings are always incredibly interesting: George Monbiot and many others listen to him because not only does he exercise his intellect but he also walks the walk: farming the land at Monkton Wyld Court to demonstrate his theories.

Dark mountains by Thomas Bird
Dark Mountains by Thomas Bird.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.

I rounded up my time at Uncivilisation with a talk by John Mitchinson, a writer for QI and founder of Unbound, which is a new way to crowd fund books without going through the usual rigmarole of publishing. It was fascinating to hear from someone who used to work in mainstream publishing and intimately knows the problems facing the industry. Of course it was especially interesting to myself, as someone who has self-published and knows just how bloody hard it is to stay afloat.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Benny Wenda by Caroline Pratt
Benny Wenda by Caroline Pratt.

This unfortunately meant that I missed a talk from Benny Wenda and author Jay Griffiths, who spoke about the struggles of local peoples against corporations in West Papua. It was by all accounts incredibly moving.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.

We finished Uncivilisation with a farewell folk song before everyone dispersed into the afternoon sunshine. The festival provided a great focal meeting point for like minded people; enabling me to reconnect with old friends and make new acquaintances. It also reminded me that there are many people, all over the world, who are tackling different but related ideas around life beyond collapse. And that we must continue reaching out to include more people from all parts of society in the discussions that we are having.

Uncivilisation Dark Mountain 2011 - Dougald Hine
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation Dark Mountain 2011  Paul Kingsnorth
Uncivilisation 2011. All photography by Amelia Gregory.

As Alabaster Crippens says in his blog: ‘Nobody has many answers about what to do next apart from look after yourself, pay attention, listen to stories, tell your stories, and learn how to live with less.’ There is so much more to do but creating understandable narratives is undoubtedly at the heart of what the Dark Mountain movement can contribute. Although I say it with some trepidation I look forward to what the future brings.

Uncivilisation 2011. All photography by Amelia Gregory.
The Hexayurt, a cheaply built shelter for use in disaster zones.

Don’t forget to check in with Saturday’s review of Uncivilisation too! Musician Marmaduke Dando has also written an interesting blog.

Categories ,2011, ,Alabaster Crippens, ,Benny Wenda, ,Bright Valleys, ,Caroline Pratt, ,Crowd Funding, ,Dark Mountain, ,Dougald Hine, ,Elizabeth Hudson, ,George Monbiot, ,Get Cape. Wear Cape. Fly., ,Hexayurt, ,James Clarkson, ,Jay Griffiths, ,Jim Design, ,John Mitchinson, ,Marmaduke Dando, ,Meat: A Benign Extravagance, ,Monkton Wyld Court, ,Paul Kingsnorth, ,publishing, ,QI, ,review, ,Rima Staines, ,Sam Duckworth, ,Simon Fairlie, ,stories, ,Thomas Bird, ,Unbound, ,Uncivilisation Festival, ,Veganism, ,West Papua, ,Zoe Young

Similar Posts:






Amelia’s Magazine | David Bramwell introduces his upcoming book to be published with Unbound: No.9 Bus to Utopia

No9 Bus to utopia cover
I first heard David Bramwell talk about his upcoming book No.9 Bus to Utopia at Wilderness Festival last summer, where he spoke engagingly about his adventures whilst searching for happiness and meaning in communities across the world. In a neat turn of affairs I also heard John Mitchinson speak passionately about his revolutionary new crowd funded publishing company at Dark Mountain festival last summer. So when Unbound got in touch to ask whether I’d like to interview David about No.9 Bus to Utopia I of course said yes.

david bramwell and swan
What is the No 9 Bus to Utopia about and why should people support the project?
It’s a book that chronicles a year spent visiting seven extraordinary communities in Europe and America after a relationship breakup. It was undertaken partly to learn how to be better at sharing and also just for the sheer adventure. Over the twelve months I visited sexual arcadias, a new city being built in the Arizona Desert, ashrams, anarchist communes and a place in the Italian Alps straight out of the pages of a sci-fi novel. I returned home full of inspiration from the people I’d met and wanting to make a difference in my hometown of Brighton by helping strengthen my local community through an event called Zocalo. Zocalo takes place one day each year when we encourage people to leave their houses and sit on a chair outside as a way of saying: I’m a friendly neighbour, come and have a natter. It’s been steadily growing over the years and is an informal street party all over the city. Better still it’s mercifully free of fund-raising, council approval, red tape or Union Jack bunting. It was dreamt up by a local guy, David Burke, and is a simple way of getting people talking to their neighbours again and re-kindling a sense of community. There’s lots of good will for it in Brighton and I can honestly say I now consider many of the people in my street as friends as a consequence. We hope that Zocalo will spread around the country. I learned from my adventures and experiences in communities that generosity and compromise are at the heart of all good relationships.

oddfellows band picture
What kind of people do you hope will read it?
I love humorous travel writers like Bill Bryson and hope people will find it entertaining, personable and funny. It’s for anyone who’s ever wondered if the way they live could be better and how we can make a difference as individuals in the way our cities function (as well as our relationships). I was offered the chance to do the No9 Bus to Utopia as a TED talk last year which might be a good way for readers to get a taster of what the full story is about.

YouTube Preview Image
What was your biggest surprise discovery from visiting all these utopian communities?
A place in Italy called Damanhur which has built the world’s largest underground temple. It’s the most incredible place I’ve ever visited. The temple is about the size of St Paul’s Cathedral and was built in secret at night with little professional knowledge in how to accomplish such a feat. There are chambers where, if you press a certain stone slab in the wall, there’s a great whooshing sound and the wall slides away to reveal more secret rooms. It’s real Indiana Jones material. Visiting it took my breath away. Ok, if I’m really honest it actually moved me to tears!

one of the chambers in the Damanhur temple
Damunhur cross section of temple
Would you go back to any of them for any length of time, if so which one?
I’d return to all of them given the chance. The one I have been back to is Damanhur. I went a second time with a friend, Teowa, and we got to take part in some incredible rituals deep inside the temple. I even got the chance to jam with a rubber plant called Hellie, who the Damanhurians claim to have taught to make music. Hellie has even released a seven inch single. And no, I’m not making this stuff up.

hellie singing plant
What has the process of publishing your book been like and how did you hook up with Unbound?
Unbound was recommended by my friend Tom Hodgkinson from the Idler. They’re a hugely supportive and personable publishing company run on a crowd-funding ethos. We’ve raised a quarter of the money for the book so far in a short space of time, made a promotional video and I’m currently looking for opportunities to do the No9 Bus as a storytelling show/lecture. I’ve already spoken about it on TED, 5×15, Alain de Botton’s School of Life and the Idler Academy and it seems the best way to get people interested in reading the book.

oddfellows album cover
You’re a bit of a Renaissance Man – how do you divide your time up between all of your different activities?
I made a conscious decision to get rid of my telly many years ago and no longer read papers or follow the news. I felt I could do better things with my time and fill my head with more life-affirming information and ideas, rather than that sense of righteous indignation the news headlines seem to instil in us. I admit, I’d struggle to identify Nick Clegg in an identity parade but I do have more time now to dedicate to pursue my passions and causes like Zocalo. I also teach music part time so I’m blessed with lots of paid holidays and free time.

zocalo poster
Any news about Zocalo? Is it spreading around the country yet?
This year Zocalo has spread out of our neighbourhood of 3,000 houses to several other areas of Brighton. We’re hoping for our biggest ever turnout (weather permitting!) and have had lots of offers from local people wanting to run Zocalos in their streets. It’s yet to spread around the country but our long-term plan is a national holiday called Zocalo Day where everyone in the UK takes the day off work to sit outside their houses drinking tea and eating cake with their neighbours. OK, it’s an ambitious dream but why not?!

zocalo
zocalo
Are there any special festivities planned this Sep 9th?
To keep it simple we encourage people to bring their own entertainment to Zocalo on the day. We’ve had spontaneous table football tournaments, families cooking and sharing dinners out in the streets and sometimes people dragging their entire living room out onto the pavement, complete with stag’s head and Persian rug.

zocalo
zocalo
Why have you made Brighton your home? (I studied there and love it)
I grew up in Doncaster and studied in Coventry, so coming to Brighton for the first time was like stumbling upon an oasis. I’ve been here twenty years and still feel like I’m on some extended family holiday. It’s a liberal, bohemian party town where anything goes and to top it all, there’s a beach. Sure it’s also overcrowded and expensive but I only need go back and visit my home town of Doncaster to remind myself what an exceptional city I live in.

YouTube Preview ImageZocalo promo video

How would you describe your band?
Oddfellow’s Casino specialise in orchestrated melancholic pop with songs about nature, death and hauntings. The music seems to evoke the bleak English landscape, both pastoral and industrial. It’s something to do with being Northern I’m sure. It’s that same ethereal sonic quality that I find appealing in bands like Joy Division. It probably comes from eating too many pies and walking the Pennines in the drizzle. We’ve been making records for ten years now and have a strong, cultish following all over Europe from Estonia to Norway. 2012 has been a good year for us. We released a new album in May, The Raven’s Empire (on the theme of death) and had terrific radio play and support from Cerys Mathews, Gideon Coe and Lauren Laverne. We just released a new single, We Will Be Here, which is an anthem for the dead and was filmed in the Shell Grotto in Margate. We’ve got a handful of videos on youtube as well as a short film on our website that we made with former Dali model Drako Zarhazar.

YouTube Preview ImageWe Will Be Here

What has been your favourite festival experience this year?
Taking part in a Friday night spelling test at Port Eliot hosted by The Wire‘s Dominic West had to rank as the most surreal festival experience this year. I also took part in a record-breaking attempt for skinny dipping at Wilderness Festival. Sadly we were 200 people short of breaking the record. When I got out, I couldn’t find my towel and was a lone naked man wandering through crowds of fully-attired, drunk festival-goers.

YouTube Preview ImageWinter in a Strange Town

Have you discovered any other great acts that you could recommend to us?
Favourite festival band this year was We Were Evergreen, a Parisian trio who won over the crowds with their energy, humour and exquisite power-pop, led by ukulele. Current favourite artists are Alt J and Other Lives.

YouTube Preview ImageThe Crows and the Rooks

Finally, what next? And have you found true love again?
I’ve just made a short program for Radio 3 about a man, David King, who provides accurate long-term weather forecasts by reading nature. I’ve got a new talk on the history of pranks and mischief coming up at the Idler Academy in October and I’m hosting TEDx Brighton on my home turf in October. True love, I hope, is waiting in the wings, armed with a box of quality biscuits and good tale to tell.

You can support the No9 Bus to Utopia on Unbound by pre-ordering a copy. Find out more about how to run a Zocalo here. Keep up with David Bramwell at www.drbramwell.com.

Categories ,5×15, ,Alain de Botton’s School of Life, ,Alt J, ,Bill Bryson, ,book, ,brighton, ,Damanhur, ,Dark Mountain, ,David Bramwell, ,David Burke, ,David King, ,Dominic West, ,Drako Zarhazar, ,Idler Academy, ,John Mitchinson, ,joy division, ,No.9 Bus to Utopia, ,Oddfellow’s Casino, ,Other Lives, ,Port Eliot, ,Radio 3, ,TED, ,TEDx Brighton, ,The Crows and the Rooks, ,The Idler, ,The Raven’s Empire, ,Tom Hodgkinson, ,Unbound, ,We Were Evergreen, ,We Will Be Here, ,Wilderness Festival, ,Winter in a Strange Town, ,Zocalo

Similar Posts:






Amelia’s Magazine | London Art Fair 2012 Review: Part One

London Art Fair 2012 -Andrea Mastrovito
London Art Fair 2012. Detail of Andrea Mastrovito‘s Gulliver’s Travels.

You may remember from my previous blog that the launch of The Catlin Guide for the best graduate artists took place at the London Art Fair last week. I popped along to the Islington Business Design Centre to check out the completed guide, suss out which galleries are showcasing the best new talent, and find out what trends are hot in the art world right now.

London Art Fair 2012 -Annie Whiles, detailAnnie Whiles, detail.

First up at Danielle Arnaud I loved work by Annie Whiles, using simple line to create iconic shapes.

London Art Fair 2012 -Simon Lewty, detail
Simon Lewty, detail.

Simon Lewty for Art First showed amazing inked drawings: it’s well worth checking out the rest of his work.

London Art Fair 2012 -Annie Morris, detail
Annie Morris, detail.

At Pertwee, Anderson & Gold, the first in a common theme was evident, rows of stuff: in this case hundreds of pegs, each decorated with a crudely drawn female figure. This Peg Piece was created by artist Annie Morris, who rose to fame after illustrating the children’s book The Man With the Dancing Eyes by Sophie Dahl.

Andrea mastrovito Foley Gallery
London Art Fair 2012 -Andrea Mastrovito, detail
Andrea Mastrovito, detail.

At Foley Gallery Andrea Mastrovito used intricate collaged paper for the Gulliver’s Travels series, which imagines a brightly coloured world of little people and puppet hands.

justine smith the-british-isles
Diamond dust is hot news for use in prints, favoured by the likes of Damian Hirst, Peter Blake, and Justine Smith at TAG Fine Arts. Her lovely limited edition print of a bank note British Isles features oodles of the stuff. Common glitter was also a favourite enhancement for many artists.

claire brewster flyingfinch
London Art Fair 2012 -Claire Brewster
London Art Fair 2012 -Claire Brewster
Also at TAG I loved the work of Claire Brewster. The Harbingers featured exquisitely cut and mounted birds, created from old maps: Maps are another massive trend, reworked into any manner of different outcomes. Good to see so much upcycling!

Tobias Till Picadilly tag arts
Tobias Till showed a fabulous set of prints – the London A-Z, available as a boxed set and selling very well if the red dots were anything to go by.

Witness - Detail Rachel Shaw Ashton
Witness – Detail, by Rachel Shaw Ashton.

Of course TAG also host the work of Rob Ryan (read a review of his TAG art exhibition in 2010 here). More beautiful papercutting (still a massive trend) came from Rachel Shaw Ashton, showing with JaggedArt. She layers paper with pins to create simple shapes in pure white to great affect.

London Art Fair 2012 -tracey bush
I was also drawn to the 3D sculpture by Tracey Bush. Little Clod of Earth is a clump of wild plants made from the dog ends of paper packaging – oddly beautiful and strange.

London Art Fair 2012 -francesca prieto
JaggedArt also hosts the work of Francisca Prieto, who once more works with old atlases and maps to create beautiful 3D repetitive works of art. We wrote about her recent exhibition Unbound.

London Art Fair 2012 -Charles Fazzino
London Art Fair 2012 -London Art Fair 2012 -Charles Fazzino
USA based artist Charles Fazzino creates astonishing scenes with layers of paper. He calls it 3D pop art; showing with Galerie Olivier Waltman from Paris.

London Art Fair 2012 -derrick santini
On a completely different tangent I was surprised to see the work of fashion photographer Derrick Santini, who showed lenticular artwork with Scream. Forget those cheesy Jesus postcards, these artworks feature an astonishing amount of different angles. I can see city types absolutely loving one of these on their penthouse apartment walls!

London Art Fair 2012 -karen nicol
Russian_Bear_by_Karen_Nicol
Russian Bear by Karen Nicol.

The Rebecca Hossack gallery always hosts interesting craft based artworks: Karen Nicol‘s Thread Bear utilised a vintage piece of French needlepoint as the basis, into which pieces have been embroidered and appliqued. I have a bad photo so here’s another similar piece.

London Art Fair 2012 -rebecca coles
Rebecca Coles also shows with Rebecca Hossack – you can read our extensive interview with this paper artist who specialises in butterflies here.

London Art Fair 2012 -simone lia
London Art Fair 2012 -simone lia
Rounding a corner I was pleased to see a wall of artwork by Simone Lia, who sells prints with Jealous Gallery. Her infamous Hello Sausage Hello Chicken has just been reissued in a new colour range. The gallery are also the purveyors of the prints from the Ghosts of Gone Birds exhibition, including the fab Ralph Steadman birds (read my review here).

More coming up shortly… don’t go away! *here’s part two of my review*

Categories ,2012, ,Anderson & Gold, ,Andrea Mastrovito, ,Annie Morris, ,Annie Whiles, ,art, ,Art First, ,Butterflies, ,Charles Fazzino, ,Claire Brewster, ,collage, ,craft, ,Damian Hirst, ,Danielle Arnaud, ,Derrick Santini, ,Foley Gallery, ,Francisca Prieto, ,Galerie Olivier Waltman, ,Ghosts of Gone Birds, ,Gulliver’s Travels, ,Hello Sausage Hello Chicken, ,Islington Business Centre, ,JaggedArt, ,Jealous Gallery, ,Justine Smith, ,Karen Nicol, ,Lenticular, ,Little Clod of Earth, ,London A-Z, ,London Art Fair, ,maps, ,Papercutting, ,Pegs, ,Pertwee, ,Peter Blake, ,prints, ,Rachel Shaw Ashton, ,Ralph Steadman, ,Rebecca Hossack Gallery, ,Rebecca J Coles, ,review, ,Rob Ryan TAG fine arts, ,Scream, ,Simon Lewty, ,Simone Lia, ,Sophie Dahl, ,textile, ,The Catlin Guide, ,The Harbingers, ,Thread Bear, ,Tobias Till, ,Tracey Bush, ,Unbound, ,Upcycling

Similar Posts: