Amelia’s Magazine | Swedish School of Textiles: London Fashion Week S/S 2014 Catwalk Review part two

Emma Lindqvist by Novemto Komo
Emma Lindqvist by Novemto Komo.

Following on from part one of my review I present the next six graduates to show on the catwalk with the Swedish School of Textiles at Fashion Scout in Freemasons’ Hall. As always, there were some ace looks to grace the runway…

Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Saina Koohnavard was enamoured of brocade and optical geometric prints in Chickipedia, using the lines to emphasise womanly curves in puff sleeved dresses and bodiced playsuits.

Swedish school of textiles by-Antonia-Parker
Emelie Arvidsson by Antonia Parker.

Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Emelie Arvidsson‘s End of Line played with sportswear styling: oversizing the familiar stripes on maxi dresses and jackets.

Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
For Duo Klara Hobbs played with simple panels of fabric that exposed the unexpected.

Swedish School Of Textiles SS14 2 by Gareth A Hopkins
Gustav Falgen by Gareth A Hopkins.

Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Gustav Falgen looked to multiple subcultures to create a bleached, puffered, braced and booted collection that was not for the faint hearted. Bears on the Loose, indeed.

Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Emma Lindqvist had fun layering abstract prints on different opacities of fabrics to create optical illusions as the clothes moved.

Swedish School of Textiles SS14 by Vicky Ink
Karolina Persson by Vicky Ink.

Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Karolina Persson took next season’s favourite powder pink and spruced it up for colder climes. Her incredibly clever collection featured a round shouldered coat that had been quilted to resemble a chunky knit. Further garments played with this tromp l’oeil effect, emphasising cables with print and stitch. It was a great collection to end on. Graduates of the Swedish School of Textiles never fail to impress.

All photography by Amelia Gregory. Watch a video featuring all of the designers below:

Categories ,Antonia Parker, ,Bears on the Loose, ,Chickipedia, ,Duo, ,Emelie Arvidsson, ,Emma Lindqvist, ,End of Line, ,Exit 13, ,Fashion Scout, ,Freemasons’ Hall, ,graduate, ,Gustav Falgen, ,Karolina Persson, ,Klara Hobbs, ,london, ,London Fashion Week, ,Novemto Komo, ,review, ,Saina Koohnavard, ,Swedish, ,Swedish School of Textiles, ,textiles, ,Vicky Ink

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Amelia’s Magazine | London Fashion Week S/S 2012 Menswear Day Catwalk Review: James Small


James Small S/S 2012 by Milly Jackson

I arrived at the James Small show pretty early – such is the bonkers London Fashion Week schedule that some shows overlap and then you’re left with huge gaps in your day. I joined the small but perfectly formed queue and waited for a pal to arrive. The show was delayed, prescription I was informed, because of the knock-on effect of late-runners throughout the day. The queue eventually began moving a mere 20 minutes late, and just as we were about to be let in, we were halted by an impossibly gorgeous PR girl. Her colleague came over and whispered ‘Kate’s imminent, we should hold the queue‘. Now, I don’t know if it was the pint I’d just enjoyed or the onset stir-crazy sensation I was experiencing after 6 days of shows, but I started sweating profusely. It couldn’t be, could it? ‘Calm down, Matt’ I internally repeated. It can’t be. She wouldn’t. It might be a code word. It might be Kate Adie.


Kate Moss by Antonia Parker

Eventually, after much discussion, it was decided that we should be allowed in because this mysterious Kate hadn’t yet arrived. We were escorted individually up the grand staircase of the Freemasons Hall, this Vauxhall Fashion Scout venue, and assigned seats on the front row. Seating was heavily policed, and I enjoyed the personal escort, but it was taking bloody ages and another show downstairs was set to take place pretty soon afterwards. Jaime Winstone, looking incredible with a silver grandma up-do and vertiginous heels, entered the room and was seated with little fuss. Now I love Jaime Winstone, but if ‘Kate’ was a codename for Jaime Winstone, I was about to go berserk.


Kate Moss by Claire Kearns


Kate Moss by Gilly Rochester

The personal escort service soon turned into a scrum; somebody had clearly realised that it just wasn’t practical. I let out a huge sigh as I said to my friend ‘Well, Kate clearly isn’t coming.’ ‘What?’ my friend replied, ‘she’s over there!’ I turned to my left to study the front row. Somehow I had missed the arrival of Meg Matthews, Sadie Frost, Annabelle Neilson, James Brown, Jamie Hince and… Kate Moss. Kate FREAKIN’ Moss!


All photography by Matt Bramford

There was little fuss as I struggled to fight the urge to jump out of my seat, leap across the catwalk, gather Kate up in my arms and force her to take my hand in marriage. It all happened so quickly, and of course, now Kate had arrived, the show must go on.


James Small S/S 2012 by Gabriel Ayala

It was tricky to concentrate on the show knowing that My Kate was mere feet away, but being the consummate professional that I am, I took up my camera and started to study the clothes, being carefully to take a picture of Kate in between each look. The fashion on offer was actually great, and I don’t know why I was thinking that it might not be. The secondary venue at Fashion Scout is actually much nicer – a dark wood arch divides the old stone room, dark wood lines the floor and majestic chandeliers hover above the revellers. Models appear almost out of nowhere. You do lose sight of the models as they bound through the arch, unfortunately, but this ensured enough time to snap Kate excessively.


James Small S/S 2012 by Sam Parr

Hysteria mounted thanks to the special guests: Kate and her entourage whooped and cheered every look and wolf-whistled translucent shirts, which sent roars of laughter through the room. Last season’s sharp tailoring continued this time around, but had been given a more casual feel for the discerning gentleman who manages to looking devastatingly cool without any real effort during the summer months.


James Small S/S 2012 by Milly Jackson

Small’s mainstay silk shirts had been jazzed up with the aforementioned translucency, and romantic florals with an air of Liberty were the most aesthetically appealing pieces in the collection, particularly a shirt/shorts combination with identical print. I’m not sure I’d get away with it, but the model did with aplomb.

Small‘s sharp tailoring was dressed down with white ankle-high sports socks and Vans in varying colours – when I read this on the press release I wasn’t so sure about it, but seeing it in the flesh allowed it to make sense. Rich colours: plum and royal blue, and luxe materials: silk and velvet, made this collection Small‘s most sophisticated yet. Retaining an edge above his competitors with leopard print and camouflage short shorts, it’s Small’s sharp cuts and sophisticated tailoring that really set him above the rest. That and his stellar front row, of course.

Categories ,Annabelle Neilson, ,Antonia Parker, ,catwalk, ,Claire Kearns, ,combat, ,fashion, ,Floral prints, ,Freemasons’ Hall, ,Front Row, ,Gabriel Ayala, ,Gilly Rochester, ,illustration, ,James Brown, ,James Small, ,Jamie Hince, ,Kate Moss, ,Leopard Print, ,liberty, ,London Fashion Week, ,Meg Matthews, ,menswear, ,MenswearSS12, ,Milly Jackson, ,review, ,S/S 2012, ,Sadie Frost, ,Sam Parr, ,Silks, ,tailoring, ,The Kills, ,Translucent, ,Vans, ,Vauxhall Fashion Scout

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Amelia’s Magazine | MOSCHINO: London Collections: Men S/S 2015 Catwalk Review

MOSCHINO_SS15_2_by_Krister Selin
Moschino S/S 2015 by Krister Selin

Moschino was the hottest ticket during London Collections: Men, and the 300-strong queue outside Lindley Hall was testament to that. Inside, the wall had been branded with a huge Moschino decal; cameras whirled above our heads on enormous tripods. The noise was deafening. Everybody seemed a bit sexier and they all had Moschino french fries iPhone cases.

MattBramford_LondonCollectionsMen_SS15_MOSCHINO_126

My naivety, and inability to attend fashion weeks other than London-based ones, meant that I felt like I had been transported to a Versace show in Milan in the 1990s. My absolute favourite kind of fashion is trashy Italian fashion – the style of unashamed glamour that the Italians do so well, introduced in the 1980s and infamous in the 1990s. It brought us supermodels, leather chaps on the runway and more ghetto gold than you can shake a stick at. So when I found out that Moschino were to show at London Collections: Men, in our great city for the first time, I knew I’d bend over backwards to get in. Luckily I didn’t have to do that.

MOSCHINO_SS15_1_by_Krister Selin
Moschino S/S 2015 by Krister Selin

Nobody seemed to be getting in from outside, and as I stood next to a woman dressed head-to-toe in that ridiculous, brilliant McDonald’s inspired ensemble, I envisaged a mass scrum and hours of waiting. I was surprised the show began a mere 20 minutes late. What happened after this is a bit of a blur, the atmosphere was so electric that I think I may have blacked out from excitement at one point.

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MattBramford_LondonCollectionsMen_SS15_MOSCHINO_013

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MattBramford_LondonCollectionsMen_SS15_MOSCHINO_001
All photography by Matt Bramford

Dishy models that must have been shipped in from Italy, or perhaps paradise, strode out to the sounds of a 1990s playlist. The first section turned soft drinks and pop culture into suits, t-shirts and swimwear. Then came brightly coloured tops, sweatshirts and bikinis emblazoned with enormous Moschino type.

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MattBramford_LondonCollectionsMen_SS15_MOSCHINO_023

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MattBramford_LondonCollectionsMen_SS15_MOSCHINO_033

Chanel 2.55 knock offs with gold Moschino letters replacing the interlocking C’s eveloped one model (above), one of my favourite looks from this show.

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MattBramford_LondonCollectionsMen_SS15_MOSCHINO_037

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MattBramford_LondonCollectionsMen_SS15_MOSCHINO_058

Next, on the World Cup bandwagon and a 1990s tip, models wore prints that were happy hardcore smiley faces featuring international flags. More 90s ephemera came in the form of oversized sweatshirts, nylon bomber jackets and black mesh pieces, with a yellow tailcoat tuxedo thrown in for good measure, naturally.

MattBramford_LondonCollectionsMen_SS15_MOSCHINO_059

Then came a sort of homage to a range of luxury fashion houses – a mock Louis Vuitton monogram print appeared on jackets and trousers, the LVs replaced with serif Ms. A ‘Fauxchino‘ motif, added to my wishlist, looked so trashy that it could have been bought from a seaside market.

MattBramford_LondonCollectionsMen_SS15_MOSCHINO_083

MattBramford_LondonCollectionsMen_SS15_MOSCHINO_088

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MattBramford_LondonCollectionsMen_SS15_MOSCHINO_099

Want to dress like an Hermès carrier bag? Well now you can with Moschino‘s bright orange denim jacket and jeans with black Moschino logo strips. If Hermès isn’t your bag, perhaps a Versace-esque black and gold suit will suffice?

MattBramford_LondonCollectionsMen_SS15_MOSCHINO_102

MattBramford_LondonCollectionsMen_SS15_MOSCHINO_106

MattBramford_LondonCollectionsMen_SS15_MOSCHINO_109

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Rhinestone dollar signs and logo sweaters completed this collection:

MattBramford_LondonCollectionsMen_SS15_MOSCHINO_116

MattBramford_LondonCollectionsMen_SS15_MOSCHINO_117

I love the shocking, shameless abuse of other designer brands to glorious end. That’s a somewhat difficult sentence to type amidst outrageous alleged cases of high street copycats and even fashion powerhouses ripping off London designers, but Jeremy Scott and the label pull off the plagiarism with such panache that nobody seems to bat an eyelid. This blatant disregard for intellectual property has been at the heart of the brand since Franco Moschino launched his eponymous label in 1983. And, if this collection is anything to go by, Scott is without doubt the best person to take the Moschino crown. I’m praying he brings his army of merry men and women back next year.

Categories ,1990s, ,catwalk, ,fashion, ,Gucci, ,Hermés, ,Italian, ,Jeremy Scott, ,LCM, ,LCMSS2015, ,Lindley Hall, ,London Collections Men, ,Louis Vuitton, ,menswear, ,Monogram, ,Moschino, ,pop culture, ,review, ,SS15, ,Swimwear, ,Versace, ,Womenswear

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Amelia’s Magazine | Osman: London Fashion Week S/S 2013 Catwalk Review


Osman S/S 2013 by Krister Selin

And so it was to Osman to ‘close’ my fashion week, as it were. It was getting late on the Tuesday and, frankly, I couldn’t be arsed to trek to Somerset House. I had a heap of work to do and the thought of going all that way to watch models walk in front of me twice for five minutes was almost too much to bear. In the end, I decided to go, obviously; I’m so glad I did.


Osman S/S 2013 by Antonia Parker

I had a rubbish seat but enjoyed watching people skid on Kuoni-sponsored A3 Osman lookbooks as I waited for the show to start. The catwalk had been adorned with a huge black rope, crossing above the bit where the models come out and trailing up both sides of the catwalk. Osman‘s got a bit of a reputation for putting on a good show and I liked the drama that this backdrop was already creating. There was a lot of fuss on the catwalk before proceedings began – Corinne Bailey Rae was one of many guests that had photographers in a flash bulb frenzy. But it was Osman‘s unique and vibrant colour palette and fashion-forward sense of shape that would really get the crowd going.


All photography by Matt Bramford

Incredible hues of pink and blue appeared before us. Osman Yousefzada always has a crafted ability to whet our appetites for the next summer while the current one is slipping away from us. Strong and dynamic shape was this season’s key theme – angular cuts were aplenty. Kimono shapes with a modern twist were teamed with high-waisted shorts, followed by tailored coats that curved to reveal more short shorts.


Osman S/S 2013 by Krister Selin

The collection progressed with embroidered love heart patterns. The same bold silhouettes were decorated with this beautiful design, having a slightly religious effect on certain dramatic overcoats. Brightly coloured hearts brought black garments to life while complimenting the blue and pink numbers.

More drama came later with Osman‘s unique forms: scooping necklines, wide sleeves, geometric patterns on tops, thick strips of fabric wrapped around models’ shoulders like shawls, sexily revealing only the collarbone.


Osman S/S 2013 by Antonia Parker

Less rigid looks followed with flowing skirts and fabric casually slung around models’ necks, but never without a hint of structure – tapered and cropped trousers defining many looks.

A few all black numbers heightened the drama towards the end – I particularly liked an all-in-one cape worn like a hood over skin-tight shiny trousers and a racy dress cut all the way up to the hip with bondage-like corsetry.

My favourite look was the penultimate outfit consisting of a white upper half with fabric draped all the way to the floor, following the model as she swaggered. It had all the qualities of Osman exuberance – femininity, drama and masses of sex appeal. I bet Osman fans new and old can’t bloody wait to get this stuff on come next year.

Categories ,Antonia Parker, ,BFC, ,Blue, ,Bondage, ,catwalk, ,colour, ,Corinne Bailey Rae, ,embroidery, ,hearts, ,Krister Selin, ,Kuoni, ,London Fashion Week, ,Matt Bramford, ,Osman Yousefzada, ,pink, ,review, ,S/S 2013, ,Somerset House, ,SS13, ,Tuesday, ,Womenswear

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Amelia’s Magazine | London Fashion Week S/S 2012 Menswear Day Catwalk Review: Ones to Watch Posthuman Wardrobe

Posthuman Wardrobe S/S 2012 by HoBoJoBo
Posthuman Wardrobe S/S 2012 by HoBoJoBo.

Driven by a desire to offer clothing that is rich with intellectual analysis as well as aesthetics, sale Posthuman Wardrobe delivered a thoroughly summery collection for Ones to Watch menswear at Fashion Scout. Designer Nimesha Gadhia is a pharmaceutical scientist turned Saville Row trained tailor and within this collection he looked at aspects of the interaction between people and furniture when lounging or sitting, malady incorporating upholstery fabrics.

Ones to Watch men Posthuman Wardrobe SS 2012 review-photo by Amelia Gregory
Ones to Watch men Posthuman Wardrobe SS 2012 review-photo by Amelia Gregory
Ones to Watch men Posthuman Wardrobe SS 2012 review-photo by Amelia Gregory
Ones to Watch men Posthuman Wardrobe SS 2012 review-photo by Amelia Gregory
All photography by Amelia Gregory.

Posthuman Wardrobe S/S 2012 Dennis Brix
Posthuman Wardrobe S/S 2012 Dennis Brix.

For All Systems Gone there was a mixture of tailored and casual separates in a range of dust and pastel blues, cream, stone and grey with slashes of blood red as highlights. A loosely tailored trenchcoat was worn with rolled up sleeves and double breasted buttoning. Hooding was incorporated into jackets with sporty striped detailing but also featured as snood like accessories. A long coat came with an interesting ruched back, a bit like a waterfall. There was also plenty of men with bare chests – perhaps not a look to emulate but always a rather nice additional feature.

LFW_SS12_OnestoWatchMen_PostHumanWardrobe_MattBramford
LFW_SS12_OnestoWatchMen_PostHumanWardrobe_MattBramford
LFW_SS12_OnestoWatchMen_PostHumanWardrobe_MattBramford
LFW_SS12_OnestoWatchMen_PostHumanWardrobe_MattBramford
LFW_SS12_OnestoWatchMen_PostHumanWardrobe_MattBramford
LFW_SS12_OnestoWatchMen_PostHumanWardrobe_MattBramford
LFW_SS12_OnestoWatchMen_PostHumanWardrobe_MattBramford
LFW_SS12_OnestoWatchMen_PostHumanWardrobe_MattBramford
All photography by Matt Bramford.

Posthuman Wardrobe S/S 2012 by Gareth A Hopkins
Posthuman Wardrobe S/S 2012 by Gareth A Hopkins
Posthuman Wardrobe S/S 2012 by Gareth A Hopkins.

Ones to Watch men Posthuman Wardrobe SS 2012 review-photo by Amelia Gregory
Ones to Watch men Posthuman Wardrobe SS 2012 review-photo by Amelia Gregory
Ones to Watch men Posthuman Wardrobe SS 2012 review-photo by Amelia Gregory
Ones to Watch men Posthuman Wardrobe SS 2012 review-photo by Amelia Gregory
Ones to Watch men Posthuman Wardrobe SS 2012 review-photo by Amelia Gregory
All photography by Amelia Gregory.

Categories ,All Systems Gone, ,Dennis Brix, ,Fashion Scout, ,Freemasons’ Hall, ,Gareth A Hopkins, ,HoBoJoBo, ,Intellectual, ,London Fashion Week, ,Matt Bramford, ,menswear, ,Nimesha Gadhia, ,Ones To Watch, ,Posthuman Wardrobe. LFW, ,review, ,S/S 2012, ,Saville Row, ,Scientist, ,Sitting, ,Upholstery

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Amelia’s Magazine | Myrza de Muynck: London Fashion Week A/W 2012 Catwalk Review

Myrza de Muynck A/W 2012 by Faye West
Myrza de Muynck A/W 2012 by Faye West.

Myrza de Muynck is a Dutch designer showing for the first time as part of Fashion Scout’s Ones to Watch. She graduated from Central Saint Martins this year and her focus is on combining luxury embellishments with a youthful sports inspired silhouette – using lots of handpainted prints, embroidery and an 80s-esque pastel palette.

Ones to Watch Myrza de Muynck AW 2012  photo by Amelia Gregory
Ones to Watch Myrza de Muynck AW 2012  photo by Amelia Gregory
Ones to Watch Myrza de Muynck AW 2012  photo by Amelia Gregory
Ones to Watch Myrza de Muynck AW 2012  photo by Amelia Gregory
Ones to Watch Myrza de Muynck AW 2012  photo by Amelia Gregory
Myrza de Muynck A/W 2012 by Faye West
Myrza de Muynck A/W 2012 by Faye West.

Stomping down the catwalk, ponytails swinging, girls wore minty tracksuit combos, scallop edged puff collared cardigans and loosely knitted leggings. Lightweight cream zippered jackets and skinny shorts might not be everyone’s winter taste, but when paired with bursts of pillar box red or black I can see how they would work for a certain brave kind of woman.

Ones to Watch Myrza de Muynck AW 2012  photo by Amelia Gregory
Ones to Watch Myrza de Muynck AW 2012  photo by Amelia Gregory
Ones to Watch Myrza de Muynck AW 2012  photo by Amelia Gregory
Ones to Watch Myrza de Muynck AW 2012  photo by Amelia Gregory
Myrza de Muynck AW 2012 by Rebecca Strickson
Myrza de Muynck A/W 2012 by Rebecca Strickson.

Categories ,A/W 2012, ,catwalk, ,Central Saint Martins, ,embroidery, ,Fashion Scout, ,Faye West, ,lfw, ,Luxe, ,Myrza de Muynck, ,Ones To Watch, ,pastels, ,Rebecca Strickson, ,review, ,sportswear

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Amelia’s Magazine | Pam Hogg: London Fashion Week A/W 2013 Catwalk Review

Pam Hogg A/W 2013 by Gaarte
Pam Hogg A/W 2013 by Gaarte.

On Saturday night I stayed later than any other day at fashion week so that I could attend the Pam Hogg show, something I have looked forward to every season since she returned to LFW: I don’t know if I will stay away late from my baby again. As usual this was a massively oversubscribed event, with plentiful rock royalty in attendance; humming and hawing at each other in the melee before the show started and then adopting a look of massive boredom for the duration of the main event, which began an hour late. Nick Rhodes, Jefferson Hack, Rankin and Princess Julia were just a few of the people in my line of sight. At this show there were named seats stretching three rows back, so I ended up far far from the action, badly positioned behind Daniel Lismore and his gigantic hat.

Pam Hogg AW 2013 photo by Amelia Gregory
Pam Hogg AW 2013 photo by Amelia Gregory
Pam Hogg AW 2013 photo by Amelia Gregory
Pam Hogg AW 2013 photo by Amelia Gregory
Pam Hogg AW 2013 photo by Amelia Gregory
Pam Hogg A/W 2013 by Daniel Alexander
Pam Hogg A/W 2013 by Daniel Alexander.

Pam Hogg is nothing if not predictable: you know what you’re going to get when she puts on a show. Catsuits? Well of course, that’s her speciality. A bit of tit and muff? Check. Some outrageous headgear? Yup, all present and correct. A semi famous model? Well, here I must confess that I don’t know if she did have a famous guest this time. If she did, they weren’t on my radar.

Pam Hogg A/W 2013 by Amy Dover
Pam Hogg A/W 2013 by Amy Dover.

Pam Hogg AW 2013 photo by Amelia Gregory
Pam Hogg AW 2013 photo by Amelia Gregory
Pam Hogg AW 2013 photo by Amelia Gregory
Pam Hogg AW 2013 photo by Amelia Gregory

This season Pam Hogg decorated her models with huge pleated cylinders and glossy boxes. Sheer panelled catsuits were worn by avante grade ballet dancers who wheeled and swooped midway down the catwalk; a muscly male stood sentinel before taking his whirl towards the cameras sporting ominous curled black nails.

Pam Hogg AW 2013 photo by Amelia Gregory
Pam Hogg AW 2013 photo by Amelia Gregory
Pam Hogg AW 2013 photo by Amelia Gregory
Pam Hogg AW 2013 photo by Amelia Gregory
Pam Hogg A/W 2013 by Daniel Alexander
Pam Hogg A/W 2013 by Daniel Alexander.

The colour palette featured more Pam Hogg staples; plentiful white, black and red. A dusky pink sequinned fabric that was used in abundance last season returned for another outing, as did other familiar shapes: the hooped dirndl of previous seasons made a reappearance, covered once more in ruched fabric and ribbons. Much has been made of a Britney Spears-esque glossy red catsuit (circa Oops! I did it again) but it was such a ‘Pam‘ look that I doubt she even realised the reference. My favourite looks were more of a break from the norm: a stunning A-line coat made dashing with sharp lines of red satin scorched on black, and a skin tight metallic dress that reminded me of the outfits in Blade Runner. The final looks came accessorised with huge furry headpieces that tumbled down the back.

Pam Hogg AW 2013 photo by Amelia Gregory
Pam Hogg AW 2013 photo by Amelia Gregory
Pam Hogg AW 2013 photo by Amelia Gregory
Pam Hogg AW 2013 photo by Amelia Gregory

When Pam Hogg came out for her final turn she too sported one of her trademark catsuits, a red and gold number that was saucily slit under the buttocks. I have it under good authority that her catsuits are superbly made and able to smooth out even the lumpiest of bodies. Maybe, at the end of the day, that’s the most important thing of all.

Pam Hogg AW 2013 photo by Amelia Gregory
Pam Hogg AW 2013 photo by Amelia Gregory
Pam Hogg AW 2013 photo by Amelia Gregory
Pam Hogg A/W 2013. All photography by Amelia Gregory.

Categories ,A/W 2013, ,Amy Dover, ,Blade Runner, ,britney spears, ,Catsuits, ,catwalk show, ,celebrities, ,Daniel Alexander, ,Daniel Lismore, ,Fashion Scout, ,Freemasons’ Hall, ,Gaarte, ,Jefferson Hack, ,London Fashion Week, ,naked, ,Nick Rhodes, ,nude, ,Oops! I did it again, ,Pam Hogg, ,Princess Julia, ,Rankin, ,review

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Amelia’s Magazine | London Fashion Week S/S 2012 Menswear Day Presentation Review: SIBLING


Sibling S/S 2012 by Antonia Parker

I had raced around the Fashion East installations in record time to ensure that I had the opportunity to have enough time to look around the Sibling presentation.


All photography by Matt Bramford

I loved the Sibling A/W 2012 collection so much – a whistle stop tour around East End boozers – that I was a little concerned that they couldn’t top it. Where do take it from there? To the fairground, physician of course! Entering the room they’d been assigned was a bit like a trip to the fairground itself: a dodgem car was positioned in one corner, drugs in which a mannequin had a TV for a head. It was all part of Sibling’s slightly mysterious world. Enormous illuminated letters spelling out S I B were casually leaning against another wall, and rollercoaster graphics adorned the walls.


Sibling S/S 2012 by Rebecca Strickson

As per usual, there wasn’t a single piece in this new offering that I wouldn’t buy instantly. Each piece evoked childhood memories of fairgrounds and all their kitsch connotations: delicious but dirty food, the rides that satisfy thrill-seekers’ pleasures and the boys you shouldn’t really fancy but who spin you on the waltzers so hard that you occasionally revisit that hot dog that you just ate.

Knitwear was on top form as usual, including cardigans with Argyll prints in edible sorbet colours and the show piece: a grey sweater with a wonderful embroidered pattern, cramming in as much fairground action as possible.

S/S brings an exciting t-shirt range, with LOVE and HATE logos, an I HEART HOT DOG motif, and various other fairground-themed designs. It was a little like fantasy shopping. I particularly like the Waltzer print on a pale blue t-shirt, should anybody wish to buy me a gift.

This season sees the trio collaborate with artist Yuko Kondo, who is responsible for the tattoo-like design on aforementioned sweater and the I HEART HOT DOG logo. Pastel-coloured leopard print sweaters are also a real winner. Playful LOVE and HATE t-shirts are sure to be everywhere come next summer, thanks to this wonderful collection. Last, but not least, I think the denim jacket with Kiss Me Quick emblem speaks for itself.


Sister by Sibling S/S 2012 by Matt Bramford

The weekend before saw the launch of womenswear line SISTER. I didn’t get much time to peruse this offering, such is the jam-packed weekend of London Fashion Week, but what I did see (a girl mounting a carousel horse) had the same fashion-as-fun ethos. Kondo’s emblems, sequins, foil prints and the dreamy leopard-print pattern in similar sorbet tones were the mainstay, proving that Sibling’s unique vision translates from menswear to womenswear with ease.

See highlights from the Sister presentation here:

Categories ,Antonia Parker, ,Argyll, ,Cozette McCreery, ,Dodgems, ,Fairgrounds, ,Hate, ,Hot dogs, ,Ice Cream, ,Joe Bates, ,Kiss Me Quick, ,knitwear, ,London Fashion Week, ,Love, ,Matt Bramford, ,menswear, ,Menswear Day, ,Newgen, ,Presentation, ,Rebecca Strickson, ,review, ,Rollercoaster, ,Sibling, ,Sid Bryan, ,Sister by Sibling, ,Somerset House, ,Sorbet, ,T-shirts, ,Waltzer, ,Womenswear, ,Yuko Knodo

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Amelia’s Magazine | New Designers 2012 Jewellery Graduates and One Year On

New Designers part one 2012 -Cassandra Pittaway
Sadly I was unable to make it to the main stands showcasing the graduate jewellery collections (Snarfle got fed up and we had to leave) but I did manage to find a few gems (hur hur) amongst the craft displays, and there were plenty of jewellers displaying their new work in the One Year On section. Here’s what I found…

New Designers part one 2012 -Cassandra Pittaway
Ceramic and metal neckpieces by Cassandra Pittaway were inspired by cars and fairgrounds. Loved those big bold shapes and colours… reminiscent of automobile style designs in Prada’s S/S 2012 collection.

New Designers part one 2012 -Hannah May Chapman
Intriguing crochet jewellery by Hannah May Chapman echoed body parts and coral forms.

New Designers part one 2012 -Mayra Cunningham
At Kensington and Chelsea College I was drawn towards enamelled acorn jewellery by Mayra Cunningham.

New Designers part one 2012 -Filipa Oliveira
New Designers part one 2012 -Filipa Oliveira
In the One Year On section a host of jewellery designers were displaying their latest designs. Bee inspiration is big in design, as seen in these honeycomb filigree designs by Filipa Oliveira.

New Designers part one 2012 -Nicola Crawford
One for typography lovers: decorative balls by Nicola Crawford revealed a seething mass of letters on closer inspection.

New Designers part one 2012 -Harriet Knightley
Harriet Knightley‘s colourful anodised rings were inspired by 60s colours and shapes.

New Designers part one 2012 -Amy Logan Jewellery
Deceptively delicate designs by Amy Logan Jewellery are inspired by the drawn line.

New Designers part one 2012 -Alexandra Tosto
Alexandra Tosto‘s colourful hexagon pipes make appealing pendants, part of the Honeycomb Dream Collection.

New Designers part one 2012 -Kate Gilliland
New Designers part one 2012 -Kate Gilliland
Kate Gilliland‘s dead animals make curiously beautiful jewellery, especially tiny jaw and spine earrings.

Next: best picks from New Designers 2012 part two: including illustration and product design.

Categories ,2012, ,Alexandra Tosto, ,Amy Logan Jewellery, ,Cabbage is King, ,Cassandra Pittaway, ,Filipa Oliveira, ,Gin Durham, ,graduate, ,Hannah May Chapman, ,Harriet Knightley, ,Hayley Dix, ,Honeycomb Dream Collection, ,jewellery, ,Kate Gilliland, ,Kensington and Chelsea College, ,Mayra Cunningham, ,New Designers, ,Nicola Crawford, ,One Year On, ,review

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Amelia’s Magazine | Patrick Li: Fashion Scout Ones to Watch A/W 2013 Catwalk Review

Patrick Li A/W 2013 by Sylwia Szyszka
Patrick Li A/W 2013 by Sylwia Szyszka.

We profiled Patrick Li as one of our favourite Ones to Watch before London Fashion Week, and now it’s time to catch up with his catwalk show.

ones to watch patrick li AW 2013-photo by Amelia Gregory
ones to watch patrick li AW 2013-photo by Amelia Gregory
ones to watch patrick li AW 2013-photo by Amelia Gregory
ones to watch patrick li AW 2013-photo by Amelia Gregory
Patrick Li A/W 2013 by Sylwia Szyszka
Patrick Li A/W 2013 by Sylwia Szyszka.

I had an inkling of what to expect from Ones to Watch stylist Rebekah Roy, who was wearing a collar fashioned out of the glittery material that Patrick Li used through out his gorgeous tailored collection. Models strode out to bassy beats in sleek ponytails and simple heels, some with a covered ankle feature all the better to show off plentiful asymmetric hemlines.

ones to watch patrick li AW 2013-photo by Amelia Gregory
ones to watch patrick li AW 2013-photo by Amelia Gregory
ones to watch patrick li AW 2013-photo by Amelia Gregory
ones to watch patrick li AW 2013-photo by Amelia Gregory
Patrick Li A/W 2013 by youdesignme
Patrick Li A/W 2013 by youdesignme.

A series of predominantly black minidresses were given the layered treatment, with glitter peeking out from beneath sharp diagonal hems, at waists or on the seams that draped across the body. Crushed velvet made an outing in dusky mink and tapered crop trousers were worn with simple white shirts. Box-shouldered coats came in crop, mid and long versions, all eminently wearable. This was a thoroughly modern collection with great sales potential, and I look forward to watching what the talented Patrick Li does next.

ones to watch patrick li AW 2013-photo by Amelia Gregory
ones to watch patrick li AW 2013-photo by Amelia Gregory
ones to watch patrick li AW 2013-photo by Amelia Gregory
ones to watch patrick li AW 2013-photo by Amelia Gregory
Susie Lau of Style Bubble checks out Ones to Watch. All photography by Amelia Gregory.

Categories ,A/W 2013, ,Fashion Scout, ,Freemasons’ Hall, ,Ones To Watch, ,Patrick Li, ,Rebekah Roy, ,review, ,Style Bubble, ,Susie Lau, ,Sylwia Szyszka, ,youdesignme

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