Amelia’s Magazine | Review: An evening class at the London Jewellery School

London Jewellery School 2011 -photography by Amelia Gregory
All photography by Amelia Gregory.

A couple of weeks ago I went along to the London Jewellery School for a night of cupcakes and cocktail rings, otherwise known as a lesson in how to make wire wrap beaded jewellery.

London Jewellery School 2011 -photography by Amelia Gregory
At the work table each seat was laid with an individual jewellery kit but all attention was immediately drawn to the twinkling assortment of glass beads in the centre of the table. I am sure that anyone with a magpie mind can appreciate the lure…

London Jewellery School 2011 -photography by Amelia Gregory
We were soon dipping into the beads, pulling out our desired options to start the first project, a wire wrap bracelet made on bouncy pre-shaped wire. This was extremely simple, with the most taxing part choosing the right combination of beads, not too small and not too heavy, to produce the right look. Many of the others settled on tasteful monochrome pieces, but as usual I could not resist something a bit more colourful, a heathery palette of purples, blues, deep reds and greens.

London Jewellery School 2011 -photography by Amelia Gregory
Our tutor was Chu-Mei, who runs Grace & Firefly. She was super helpful and funny, immediately on hand to help with out any problems or advise on design decisions.

London Jewellery School 2011 -photography by Amelia Gregory
Once we had all managed to create a bracelet it was straight on to the next project, a blingy wire wrap ring. This required a more concentrated mind, as the rings were constructed from wire to fit our fingers perfectly and then clusters of beads were piled on top of each other to create the final cocktail ring. I managed to produce three different over the top creations that featured an assortment of brightly coloured, gold and pearlised beads.

London Jewellery School 2011 -photography by Amelia Gregory
London Jewellery School 2011 -photography by Amelia Gregory
London Jewellery School 2011 -photography by Amelia Gregory
Who needs Accessorise when you can create something utterly unique in under half an hour, and so much satisfaction comes from the creation process itself? I think that we were all quite pleased and pleasantly surprised with the amount of booty that we each managed to produce during the class. And one of the best things about the evening? The chance to meet other talented jewellers and find out a bit more about the London Jewellery School.

Afro deco upcycled watch pendant
Natasha Williams is Afro Deco, a jeweller who specialises in upcycling jewellery with added resin details – beautiful and unusual.

London Jewellery School 2011 -photography by Amelia Gregory
Another lady was an expert in polymer clay, the far classier descendent of Fimo. Remember Fimo? The new stuff is streets ahead, just check out the beautiful necklace above. Mary Ann of Zarafa Designs was also very helpful when I ran into trouble with my designs.

London Jewellery School 2011 -photography by Amelia Gregory
The London Jewellery School fits into a surprisingly compact room in Hatton Garden. Classes are incredibly diverse, in everything from perspex to gold – you an even make your own wedding bands (what a lovely idea!) I even learnt about the charms of Dichroic Glass, which can do all sorts of fabulous things (see below).

London Jewellery School 2011 -photography by Amelia Gregory
Coming up before Christmas the London Jewellery School is running a few classes where you can make bespoke Crimbo presents, and they have just announced news of a Set up your own Jewellery Business Distance Learning Course. In another life I quit this internet malarkey and concentrate on making things myself, so if you, like me, have always wondered whether you can make something you love into a career then this course could be just the ticket for you. The London Jewellery School was set up by young entrepreneur Jessica Rose who herself learnt the trade by doing short courses, so she is well equipped to talk about these kind of things.

Whether you have plans for a small pocket-money operation, a full time job or an even larger business employing others, the course is designed to guide you through all the basics of running a successful jewellery business. The course pack contains a 50-page glossy workbook, supporting case study booklet and more than 80 minutes of video footage with advice from jewellery business expert and course tutor Jessica Rose. ‘ If you pre-order this comprehensive course before the official release date on Friday 9th December then you can get the whole kit for just £99.

Categories ,Accessorise, ,Afro Deco, ,Beading, ,Bling, ,Bracelet, ,Christmas, ,Chu-Mei, ,Classes, ,Cocktail Rings, ,cupcakes, ,Dichroic Glass, ,Fimo, ,Gold, ,Grace & Firefly, ,Hatton Garden, ,Jessica Rose, ,London Jewellery School, ,Mary Ann, ,Natasha Williams, ,Perspex, ,Polymer Clay, ,Resin, ,review, ,Set up your own Jewellery Business Distance Learning Course, ,Short Courses, ,Silver, ,Upcyled, ,Wedding Rings, ,Wire Wrap, ,Zarafa Designs

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Amelia’s Magazine | Swatch Watches Over the Rainbow and Be Black, designed by artist Jean-Michel Othoniel

Jean-Michel Othoniel Over the Rainbow swatch by catherine stone
Jean-Michel Othoniel Over the Rainbow Swatch by Catherine Stone.

Last week I was invited to Venice to find out about the newest Swatch watch: created by the artist Jean-Michel Othoniel. Swatch fell in love with his decorative use of Murano glass in incredible jewelled artworks that began life for an exhibition at the Peggy Guggenheim gallery in Venice itself. Jean-Michel was told there was no official space in which he was able to showcase artworks due to strict instructions left in Peggy Guggenheim‘s will, viagra but looking around he wondered whether the branches of a tree in the gallery courtyard could be exempt from this rule and his aerial bound sculptures began to take shape. Jean-Michel Othoniel draped strung baubles in the tree at the Guggenheim and the rest, as they say, is history. He has continued to work in the same way using all the colours of the Murano glass rainbow to create ethereal installations more akin to giant jewellery than art.

Jean-Michel Othoniel jewels
Jean-Michel Othoniel sculpture
Jean-Michel Othoniel sculpture
Jean-Michel Othoniel Guggenheim
Some of Jean-Michel Othoniel‘s art, including the necklace draped over the Guggenheim Venice.

Venice Biennale 2011 Swatch review
Venice Biennale 2011 Swatch review Jean Michel Othoniel
Venice Biennale 2011 Swatch review Jean Michel Othoniel
Jean-Michel Othoniel showcases his Over the Rainbow watch.

On the glorious sunny rooftop of the Biennale building in Venice the soft spoken artist described how pleased he was to be asked to create a little piece of art that will be available to lots of people. Ever the romantic he hopes that wearing one of his watches will offer the wearer that bit of otherworldly magic and wonder that he aims for in his sculptures. He described how using Murano glass within the design was key, because the beads look like beautiful precious stones.

Venice Biennale 2011 Swatch review-jean michel othoniel over the rainbow
Venice Biennale 2011 Swatch review-jean michel othoniel over the rainbow
Venice Biennale 2011 Swatch review-jean michel othoniel over the rainbow

I can certainly appreciate this in the sparkling Murano beads of the colourful Over the Rainbow limited edition version which is slightly oversized so that it can be worn on the wrist the wrong way round – as Jean-Michel demonstrated this to me I was most taken (as a non watch wearer myself) with the idea of wearing a private timepiece which on the exterior just looks like a pretty bracelet. It comes presented in a beautiful blown glass bubble – difficult to achieve but an absolute necessity for Jean-Michel Othoniel, who conceives his watch as art. The Be Black version sports slightly bigger and more manly black beads with a clasp, though both are unisex watches.

SWATCH in Venice Be Black by Abi Heyneke jean michel othoniel
SWATCH in Venice. Jean-Michel Othoniel‘s Be Black by Abi Heyneke.

swatch Be Black by Laura Godfrey
Swatch Be Black by Laura Godfrey.

Venice Biennale 2011 Swatch review Madame Emch wears Jean Michel Othoniel
Swatch president Madame Emch wears Jean-Michel Othoniel’s Be Black watch.

Even though the watches (which use the Swatch Skin model as a base) cost a very reasonable £190.50 for Over the Rainbow and £76 for Be Black, both Swatch and Jean-Michel very much hope that these will be more than throwaway watches – instead they are designed to become fetishistic charms, reminders of the need for fantasy and fairytales. Sound far-fetched? With the light glinting gleefully off the Murano beads in the Venice sunshine, a world of enchantment doesn’t seem that far away.

swatch by Daria Hlazatova
Swatch by Daria Hlazatova.

Categories ,Abi Heyneke, ,artist, ,Be Black, ,Beads, ,Bracelet, ,Catherine Stone, ,Daria Hlazatova, ,Glass, ,Jean-Michel Othoniel, ,jewellery, ,Launch, ,Laura Godfrey, ,Limited Edition, ,Madame Emch, ,Murano, ,Over the Rainbow, ,Peggy Guggenheim, ,review, ,Swatch, ,Swatch Skin, ,Venice, ,Venice Biennale, ,Watch

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