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Amelia’s Magazine | An interview with fashion designer Ramil Makinano

Ramil Makinano‘s Graduate Collection illustrated by Milly Jackson

I first saw the weird and wonderful work of Ramil Makinano at the Toni&Guy Hair Show during London Fashion Week last month. The show, which I very much enjoyed, was all about hair as you can imagine; the clothes were selected to compliment the hairstyles and were pretty basic. That is, except for the final pieces. Vibrant colours and odd shapes flooded the runway, and as a result of my review, Ramil got in touch to introduce himself. I couldn’t wait to find out more about this unique designer.

I met Ramil on a chilly Monday evening at Bar Music Hall in Shoreditch. It had been hard to pin him down, and I was about to find out why. Born and raised in the Philippines, Ramil moved to London fifteen years ago on a nursing scholarship with the NHS, despite being thoroughly passionate about fashion from an early age. ‘It was a good way to move away,’ Ramil told me as we took a seat with our beers. ‘I was interviewed in Manilla, and was one of the first few people to be brought over by the NHS.’ Ramil’s passion for nursing and inevitable need to fund his collections still see him working at St Thomas’ Hospital at weekends.

Ramil Makinano‘s Graduate Collection illustrated by Maria del Carmen Smith

After 8 years working as a nurse after qualifying in London, Ramil decided to return to his desire to become a fashion designer and had naturally heard of the world’s most famous fashion school – Central Saint Martins. By this time Ramil had obtained British citizenship and secured a place on the foundation course, professing to the degree specialising in print.

It was whilst studying at Saint Martins on a sandwich course that Ramil undertook placements with some of fashion’s greatest talent, experiences that he remembers very fondly. Internships at Matthew Williamson, Elisa Palomino and Diane Von Furstenberg allowed Ramil to fully explore his penchant for print. As I rub my hands together hoping for some juice on these fashion figures, I’m only slightly disappointed when Ramil has nothing but great things to say about the designers. He tells me a story about Von Furstenberg calling all the interns to the rooftop apartment of her 14th Street studios for lunch. ‘We were just sitting there, having lunch, on the roof, with Diane Von Furstenberg. It was INCREDIBLE!’ he exclaims. He attributes his successes whilst studying to course lecturer Natalie Gibson. ‘I owe her so much,’ he tells me, ‘she’s an incredible woman.’

Ramil Makinano‘s Graduate Collection illustrated by Estelle Morris

We move on to talk about Ramil’s breathtaking final collection that I saw at the Toni&Guyshow and that he presented during the CSM presentations in the summer. He digs out his portfolio and comes across a little nervous when talking me through it. ‘I feel like it’s a job interview!’ says Ramil. I feel like Diane Von Furstenberg for a mere moment, and I’m not complaining. Ramil’s inspiration for his collection came from two disparate sources – Medieval armour and Margaret Thatcher. Well, not that disparate when you consider satirical cartoons of the Iron Lady in Medieval garb, I suppose.

Pages from Ramil Makinano’s sketchbooks

His obsession with colour, texture and the aesthetic properties of materials is all over this collection. It’s fascinating to see where a designer started with their research and where they finished; where the collection has come from. Ramil leafs through page after page of design inspiration; vibrant patterns, sketches of Thatcher, photocopies of Medieval source material, grabs from movies like 2001: A Space Odyssey and Star Wars. His journey began at the Tower of London, and it is the armoury he saw there, with its bold silhouettes and sense of purpose that inspired Ramil so much. Throw in a powerful woman like Thatcher and you’ve got a seriously ambitious collection on your hands. ‘I didn’t want it to be serious, though,’ Ramil informs me. ‘I wanted to keep it playful; to be fun.’ Even the hardest-nosed critics would have trouble not finding any fun in this set of outfits.

Shapes in the collection are visibly inspired by the curves and sculpture of armoury, constructed from neoprene using techniques Ramil created himself. These are presented in a variety of bold colours, and the ensembles feature playful, almost childlike, prints of rockets and spaceships. It wasn’t a easy task by any means. ‘I had to make at least 8 toilles per garment,’ Ramil explains. ‘I am always seeking perfection.’ We discuss the surge in digital printing. ‘I do like digital prints, but I prefer traditional methods. I spent hours in the studio matching colours, testing colours – I like the interaction between fabrics and dyes that you don’t get with digital methods. I spent my whole student life in the print room, but I have no regrets. It’s not glamorous either, it’s dirty work!’

Ramil Makinano‘s Graduate Collection illustrated by Milly Jackson

So who does he admire? ‘Matthew [Williamson] and Diane [Von Furstenberg] especially – people who are successful in fashion but have their feet firmly on the ground.’ He also likes labels that continue to employ traditional methods – only Eley Kishimoto and Zandra Rhodes, he believes. What else does he get up to? It’s a pretty packed week, researching Monday to Friday and nursing at the weekends. ‘I love London galleries!’ he tells me, ‘because there’s so much to see. The Design Museum, the V&A, the National Gallery – they are all so wonderful.’ He try to persuade me to get a National Trust membership, one of his favoured possessions.

Pages from Ramil Makinano’s sketchbooks

He tells me he’s a ‘child of the MTV era’ and finds much inspiration in the graphics of music videos. It was an MTV show, House of Style, and Style with Elsa Klensch, that are amongst his earliest fashion memories. He tells me ‘I used to fight with my brother all the time because Elsa Klensch‘s show was on at the same time as American Basketball!’

So what’s next for Ramil? He’s currently researching his next collection – A/W 2012 – which promises to be ‘something completely different.’ It will most likely be print-based, but that’s all Ramil can tell me at this stage. One thing he is certain on is that he’s staying put here in London, and currently applying to various fashion bodies in the hope of a debut solo show during fashion week next September. I look forward to seeing his name on the schedule.

Photographs courtesy of Ramil Makinano

Written by Matt Bramford on Friday October 28th, 2011 5:11 pm

Categories ,2001 A Space Odyssey, ,A/W 2012, ,American Basketball, ,Armour, ,Armoury, ,Bar Music Hall, ,catwalk, ,Central Saint Martins, ,CSM, ,Design Museum, ,Diane Von Furstenberg, ,Eley Kishimoto, ,Elisa Palomino, ,Elsa Klensch, ,Estelle Morris, ,fashion, ,House of Style, ,interview, ,Iron Lady, ,London Fashion Week, ,margaret thatcher, ,Maria del Carmen Smith, ,Matt Bramford, ,Matthew Williamson, ,medieval, ,Milly Jackson, ,MTV, ,Natalie Gibson, ,National gallery, ,National Trust, ,NHS, ,print, ,Ramil Makinano, ,shoreditch, ,Star Wars, ,textiles, ,Toni&Guy, ,Tower of London, ,va, ,Womenswear, ,Zandra Rhodes

Amelia’s Magazine | Spirited away by Graham Carter prints

Graham Carter’s joyful prints reference many of the most loved images in modern culture: the characters from Star Wars or the eerie but manageable magic of Spirited Away. The artistic sensibilities stop these nostalgic influences from turning into twee: the gorgeously rendered digital art glows with vibrant colours and many of the works are made 3-dimensional with painstakingly applied wood veneers, find sale or cut-out perspex shapes that lend shadows to a noir city scene.

This is the kind of art you’d love to have in your own house (I made enquiries! Prices average at around £150). The small details show wit and add a lovely personal feeling to the prints: a towerblock soars above a city landscape but is made friendly by a pair of eyes and a winning smile. When you spot a tiny figure peeping out of the digital grass you fall in love with the world in the picture. Each picture tells a story that you can imagine going on far beyond the edges of the frame, like that of the little girl and her huge Samurai friend, pictured below.

seeking%20samuraiblog.jpg

Amelia’s Magazine interviewed the artist to find out more.

AM: Tell me a bit more about the title of the exhibition, “East Meets West”.

GC: It was an intentionally open title really, to try and represent my current fascination with Eastern culture whilst also allowing me to continue experimenting with elements of early American design, which have been creeping into my work of late. I should point out that my work is never extensively researched (as you can probably tell) as I prefer to make things up – or put my own spin on things. The world as I would like it to be and not really how it is…
Towards the end of its development I wanted the show to almost be a kind of travel diary/scrapbook; a couple of recurring characters making their way from one city to the next (New York to Tokyo, via New Yokyo, a hybrid of the two). And in some pictures in the distance you can spot elements of previous images (something I always tend to do).

Ever%20Redblog.jpg

AM: You are obviously inspired by screen culture (especially Sci Fi!) Could you tell me about why these influences appeal to you? The original influences are quite tech-y and macho but your works are really whimsical and beautiful, they remind me more of Hayao Miyazaki than Michael Bay.

GC: I’ve always loved sci-fi films so I guess it was only a matter of time before elements crept into my work. It’s largely the machines that fascinate me rather than the action. My favourite parts of the film are usually when the protagonists are just sitting around/hiding/waiting inside their pods/spaceships without the stress of battle!
I have been watching a lot of Miyazaki of late. He and Wes Anderson are my favourite film makers as they have created their own little worlds that seem to make perfect sense despite all the unusual happenings on screen.
I’m also a sucker for a robot.

New%20Yokyo%20Air%20Bugblog.jpg

AM: Some of your works are printed on wood or made of inlaid wood. What is it about wood as a material that appeals to you? Is it very hard work getting the solid wood pieces manufactured? How are they made?

GC: A phase I am going through largely, but one I am constantly fascinated with. From getting one thing laser cut, it has opened me up into a whole new way of seeing my work and the possibilities are pretty huge.
The texture of wood appeals to me and also the ‘natural’ connotations. I love the idea that someone may have constructed a working robot from found wood for example. Wood also has that old-fashioned appeal. I’m more enamoured with the look of bygone toys and their clock-work components than anything sleek and soulless.
I worked with a company called Heritage Inlay on the laser cut images and the inlaid pieces. Usually I design them and they construct them. But in some cases I like to order the separate components and put them together myself as in the case of the 3 images composed of laser-cut perspex, silkscreen backing and screen-printed glass [see image below].

cenral%20parkblog.jpg

AM: I loved the perspex “landscape” pieces. Is it very different creating something 3D to making a print?

GC: I treat the process the same way as a 2D piece really. They all start out life as a digital layered file on my computer so I can see roughly how they will work. I’m never entirely sure how the 3D piece will work until I have a finished one, due to unforeseen elements such as shadows running over parts of the background print etc. That’s why I find it an exciting way to work.

Graham Carter@The Coningsby Gallery
www.coningsbygallery.com
August 31 – September 12
30 Tottenham Street , London, W1T 4RJ

If you’d like to see an online array of Carter’s works, investigate e-gallery Boxbird.

Written by Satu Fox on Thursday September 3rd, 2009 2:52 pm

Categories ,Boxbird, ,Coningsby Gallery, ,Graham Carter, ,illustration, ,Japan, ,Miyazaki, ,print

Amelia’s Magazine | STACK Magazine Subscription Service: an interview with founder Steve Watson

Stack Magazines by Jo Cheung

There is something about print magazines; the aroma of them, sometimes thick and woody, sometimes fresh and glossy. There is something undeniably comforting about holding a magazine in your hands, the texture: solid and reassuring beneath your fingers. A magazine is something real and tangible that your eyes and tips can really get to grips with. There’s no feeling in world like getting your mitts on a virgin mag, previously unopened, your eye-balls the first to drink in the words and pictures of that copy. Even the ink-dust that sticks to your fingers on some mags; that’s something that I love, to have words physically rub off on my fingers. What could be better than that?

Little White Lies

For all these reasons, subscribing to Stack, a magazine subscription service which sends out a different independent magazine to its customers each month, is one of my indulgences. Every 30 days or so, I get an envelope in the mail. I collect it from the welcome mat and I bring it upstairs to digest. I open it like a kid at Christmas, cheeks flushed with excitement. I love the smell of magazines in the morning.

Stack Magazines

In the last year they’ve sent out: Boat, a magazine which transports itself to a new city for each issue; The Ride Journal, a magazine which weaves together the anecdotes of cyclists the world over; your new friend Oh Comely, a mag that wants to keep your curiosity alive. Old favourites such as Anorak, the kid’s magazine with a difference, make an appearance too. These are the mags that cross the divide between zine and art and with cover prices as high as £10.50 you’re likely to get your money’s worth if you subscribe.

Stack Magazines

With June came sun, and also Port Magazine, food lover’s heaven. Stylish and chic, it has a hint of glossy men’s mag about it. Kicking off with an open letter to Old Fulton Fish Market and complete with a pinch of Nigella Lawson, this mag will whet your appetite for future issues.

The July delivery brought me the music edition of Wooden Toy Quarterly, which not only came inside album-like packaging but also had little sister typography mag Lyrics and Type tucked inside. Put together by Kaleidoscope Festival co-founder Timba Smits, WTQ is a visual delight.

WTQ Music Issue Cover

Wooden Toy Quarterly Music Issue

Lyrics and Type

September brought issue 4 of Juke. With some of the adverts made in collaboration between brand and mag, this music magazine (with a side of fashion) takes a walk on the wild side. The editorial informs me that “it’s time to get your weird on” and it’s hard not to follow Juke through to obscurity and beyond.

Stack Magazines by Karen Brotherton

Very Nearly Almost, a Stack staple, came one chilly October. Issue 20 was so devoted to its main subject matter: graffiti, that I initially thought that the name of the mag was Retna, one of the graffiti artists it covered. This mag caught hold of my imagination, filled with street art, this is an urban art mag at its best and strong visuals made up a large bulk of this publication.

VNA

These are just a few of the mags that have been sent to me in the post since I subscribed. August presented an issue of Rouleur packed to the rafters with “the world’s finest cycle racing reportage”, and Delayed Gratification, “the slow journalism” magazine also made an appearance in my mailbox around Xmas.

Delayed Gratification

Stack really is revolutionary. Each magazine comes with a letter which explains why the mag was picked and what it has to offer. In one side of A4 it tells you a bit about the contents, whether it’s some info about the mag creators, or how Stack stumbled across the mag. This gives the service a personal element and really helps you connect with the issue in-hand as well as get to know the team over at Stack headquarters. Most letters also make you privy to the ‘message’ of the mag, meaning that you have a little insight before you crick its back.

The founder of Stack, Steven Watson is a guy with a real lust for magazines; “magazines are constellations of ideas,” he says. He had the brainwave to start Stack in September 2008; merging the t-shirt subscription model with a blog post he read about consuming different independent magazines as a way to stay interesting. Stack was launched pretty soon after and was up-and-running by December 2008.

Rouleur

Steve‘s love for mags stems from their ability to display the bigger picture, “with a print mag you can glance at a spread and focus in on a small detail. They’re read in a different way…they haven’t quite got this with iPad and tablet mags yet.” He’s a passionate printy himself “I love the fact some of these are mags being made by people not getting paid, sometimes not even breaking even; they are just hugely passionate about the subject matter.”

Stack Magazines

He identifies a Stack Magazine as, “a mag with something to say, with a distinctive point of view and a stylish way of saying it”. He goes on to elaborate further saying the mags they choose are “niche but welcoming”.

His passion for the print stuff started when he was off sick from school and his mum got him a copy of Smash Hits. During his teens this progressed to a love for FHM and Steve currently works for The Church of London, the Creative Agency which makes Little White Lies (which coincidentally began life in Amelia’s house when publisher Danny Miller lived there.)

He notes that over time a lot has changed and Stack now have around 1,200 subs and hope to break 2,000 by the end of 2013. He explains that they sometimes send out additional mags “but it mainly depends on the weight. When we started, we had 300 or so subscribers and it was ok, but now our circulation’s higher, it’s harder to convince mags to send us more than a thousand copies for free.”

DogEar
These additional mags are varied and include DOGEAR, which is both a magazine and a bookmark, and boasts illustration, poetry and fiction in its miniature pages. Each instalment comes on a different shade of pastel coloured card and the pieces in this nifty little bookmark are often short and pithy and many even take advantage of the mag’s small stature with their layout.

Your Days Are Numbered

I’ve also received a visually striking issue of Your Days Are Numbered which featured an interview in French which I think (although my French is a little rusty) is with Bastien Vives. This little mag is a real gem with a comic book slant and one of the pages gets up-close and personal with a member of the Judge Dredd team.

Shellsuit Zombie

Issue 3 of Shellsuit Zombie opens with a Trainspotting-style speech, and does not shy away from a well-placed profanity or two. A healthy shot of illustration and a young creative vibe give this mag its edge, making me draw comparisons to The Skinny because of both its colour newspaper format and street-savvy tone. These are just some of the mags which have been included with the main mag gratuit.

It’s been around a year since I subscribed to Stack. It’s been an emotional journey for me, whether it’s pulling apart a magazine and using the sheets to wrap my Christmas presents, as with the November 2012 delivery, issue 6 of Wrap magazine, or ohhing and ahhing over the vinyl like cover of Wooden Toy Quarterly, subscribing to Stack has been one of my highlights of the last 12 months.

Wrap

Each month with the service is a surprise and all you know before you get the tell-tale envelope in the post is that you’ll be getting one of the best independent English-language mags out there. I can’t recommend it enough, whether you’re a word lover, a design fanatic, an illustrator looking for inspiration, or you just want something interesting to get your teeth into each month; this is the best purchase I’ve made in years. If you want a fresh perspective or you just want to make sure that your coffee table is the most beautiful of them all, then Stack is for you. Sign up on their website here.

The Ride Journal

People have been throwing round the phase lately that ‘print is dead’. And while it might be declining, I like to think that it will rise up in pulp zombie form and take on digital in a fight to the death. Stack is part of the changing evolution of print distribution and evidence that the last rasping gasp the papers have been shouting about might in fact have just been a yawn, while it waited for something like Stack to come along and shake it up a little. (Amelia: If only STACK had existed before I decided to stop producing Amelia’s Magazine in print: distribution through the usual channels was an absolute nightmare and one of the reasons I decided to pull out of print back in 2008.)

Steven Watson by Rosemary Kirton
Steve Watson illustration by Rosemary Kirton

Written by Jessica Cook on Thursday March 7th, 2013 7:15 pm

Categories ,Amelia’s Magazine, ,Church of London, ,circulation, ,Danny Miller, ,design, ,DOGEAR, ,illustration, ,Jessica Cook, ,Jo Cheung, ,journalism, ,Juke, ,Karen Brotherton, ,Little White Lies, ,Love Letter to Print Magazines, ,Magazines, ,Oh Comely, ,Port, ,print, ,Rosemary Kirton, ,Shellsuit Zombie, ,Stack Magazines, ,Steve Watson, ,Subscription, ,Very Nearly Almost, ,Wrap

Amelia’s Magazine | Valentine’s Day- Pas Pour Moi?

Illustration courtesy of Mari Mitsumi

Valentine’s Day is soon to creep upon us and discharge its usual bile inducing or saccharine coated brand of bland commercial overload. What is a uniquely dedicated love-fest can make or break couples… How revealing the choice of a particular date night or specific card can be! Who said Lovers’ Day had to be like everyone else’s? The following suggestions of places to take her or presents to give him are for those who enjoy a good dose of self-parody or do care to treat their special loved one to a rare gift as cute as those lovely dimples!

Photograph courtesy of Shauna Richardson.

Spine-chillingly Cuddly Valentine:

In Shauna Richardson’s Crochetdermy, doctor the Endangered craft of crochet fashions life sized endangered species. Knitting has never looked so eerily attractive! For more information, no rx contact the artist here.

Photograph courtesy of Handmadebymachine

Unleash the Geek in You!:

He or she is a type lover? The Just My Type gift set is a series of postcards that will delight the typography nut in your life. Get them at Handmade By Machine

Illustration courtesy of Mari Mitsumi

Lovelorn Ones Need not Be Alone!

Resist the Vitamin Love deficiency blues with Abe’s Penny: the one and only postcard magazine. Why pay for martinis at the bar to drown your sorry ass when you can shake or stir at home for (at least $2) less? And send them postcards to all those trusted friends who stuck by you through thick and thin? Subscribe here.

Vancouver Island Marmot print courtesy of Molly Schaffer and Jenny Kendler

And a Big Hug for the Furry Ones:

Warm the heart of your animal lover companion! Molly Schaffer and Jenny Kendler’s latest illustration project plans to raise awareness and funds for critically endangered species. 100% of the proceeds of The Endangered Species Print Project (ESPP)’s limited-edition art prints support the species they depict. Prints are limited to the species’ remaining population count. For example only 37 Seychelles Sheath-tailed bats remain in the wild, recipe so for this edition only 37 prints will ever be made. These two artists desire to operate outside this white-wall system and use their artistic talents to directly support conservation efforts and biodiversity on Planet Earth. They aimed to craft a project that would use drawing (the thing they were best at and most enjoyed doing) to positively impact the natural world (the thing they cared most about and most enjoyed experiencing).

Photograph courtesy of Incredible Things

Bilmey! Your Birthday is the 14^th!

Well, those Lego Blockz birthday candles are unlike any other and fun! Get them at Incredible Things.

Image courtesy of Oriel Myrddin Gallery

Reap and Sew my Heart Stronger:

Twelve makers from a range of craft disciplines have been invited to participate in ‘Reap & Sew’, an exhibition to open on the 27^th of February. All use nature as an inspiration for their creative output. In the mid-time, a selection of beautiful craft and design objects influenced by gardens and growth are available to purchase now at the shop. And don’t forget, you and your Nature Lover are invited to join the folks at Oriel Myrddin Gallery for A Garden Party – plants, cakes, beekeeping and bunting…

Saturday 20^th March 2-4pmOriel Myrddin Gallery, Church Lane, Carmarthen SA31 1LH/ Lôn Llan, Caerfyrddin SA31 1LH

Photograph courtesy of Stylisheve

Love me Tender:

Stylish Eve is an online craft website with wonderful tutorials. Her current selection of Handmade Romantic gift ideas is perfectly suited to those wanting to transform simple and cheap ideas into matchless treats for Valentine! Learn here how to make soap yummy!

Photograph courtesy of Wrong Love

Torture me Tender:

WRONG LOVE is a naughty orgy of performances, site-specific installation, video and live music set within A Foundation, Liverpool galleries. Featuring 40 artists who will seduce a Valentine’s night crowd with explorations of romance, sexuality, and unconventional love. WRONG LOVE is the first happening produced by the new live arts event collective LAND and aims to showcase thought-provoking works from local, national and international artists. The night will include a bespoke hour filled with ‘wrong’ love poetry and short story readings from BRICKFACE press, a team of young, independent writers and self-publishers as well as performances and installations by Samantha Sweeting, Kimbal Bumstead, Shelly Nadashi, Baptiste Croze, Unit 4, Fools Proof Theatre and many more.

For a full listing of the artists involved visit the WRONG LOVE website. Tickets £10/ £6 concession on sale here. ?Saturday 13 February 2010 ?9pm-3am

Photograph courtesy of Mossonline

Flowers are Nasty:

…When they are polluted with insecticides and other repellent things! You should know already because you’ve read the Earth article today! Well, these ones are handmade and good for your heart. Nymphenburg Treasure Box of 7 unique handmade and hand painted flowers by designer Franz Joseph Ess available here

Illustrations courtesy of The School of Life

Learn to love life:

At the The School of Life Love Week End , be guided through love’s joys and pitfalls. You will explore some essential questions: How can lovers have better conversations? How important is sex? How can love be made to last? What can science usefully tell us about love? You’ll draw on ideas from philosophy, psychoanalysis, literature and art and discover what Plato, Shakespeare, Freud and others had to say about compassion, empathy and self. How institutions of love, such as courtship and marriage, have changed over the centuries and where that legacy leaves us now?

For further details and to book your place on the Love Weekend please click here.

Price: £125.00

Illustration courtesy of Rob Ryan

I think you are Lovely:

Loveliness has never been so artily crafted! Get Rob Ryan’ s hand printed silk screens and say it with a “Leaf Kiss”.

Written by Valerie Pezeron on Tuesday February 9th, 2010 4:58 pm

Categories ,A Foundation, ,Abe’s Penny, ,art, ,Biodiversity, ,conservation, ,craft, ,design, ,ecology, ,events, ,Franz Joseph Ess, ,Hand Painted, ,handmade, ,illustration, ,knitting, ,Lego Blockz birthday candles, ,Liverpool galleries, ,magazine, ,Mari Mitsumi, ,Molly Schaffer and Jenny Kendler, ,Oriel Myrddin Gallery, ,Postcard Art, ,print, ,rob ryan, ,screen-printing, ,Stylisheve, ,Taxidermy, ,The Endangered Species Print Project, ,The School of Life, ,tutorials, ,Valentine’s Day, ,Wrong Love

Amelia’s Magazine | Valentine’s Day- Pas Pour Moi?

Illustration courtesy of Mari Mitsumi

Photograph courtesy of Shauna Richardson.

Spine-chillingly Cuddly Valentine:

In Shauna Richardson’s Crochetdermy, the Endangered craft of crochet fashions life sized endangered species. Knitting has never looked so eerily attractive! For more information, contact the artist here.

Photograph courtesy of Handmadebymachine

Unleash the Geek in You!:

He or she is a type lover? The Just My Type gift set is a series of postcards that will delight the typography nut in your life. Get them at Handmade By Machine

Illustration courtesy of Mari Mitsumi

Lovelorn Ones Need not Be Alone!

Vancouver Island Marmot print courtesy of Molly Schaffer and Jenny Kendler

And a Big Hug for the Furry Ones:

Warm the heart of your animal lover companion! Molly Schaffer and Jenny Kendler’s latest illustration project plans to raise awareness and funds for critically endangered species. 100% of the proceeds of The Endangered Species Print Project (ESPP)’s limited-edition art prints support the species they depict. Prints are limited to the species’ remaining population count. For example only 37 Seychelles Sheath-tailed bats remain in the wild, so for this edition only 37 prints will ever be made. These two artists desire to operate outside this white-wall system and use their artistic talents to directly support conservation efforts and biodiversity on Planet Earth. They aimed to craft a project that would use drawing (the thing they were best at and most enjoyed doing) to positively impact the natural world (the thing they cared most about and most enjoyed experiencing).

Photograph courtesy of Incredible Things

Bilmey! Your Birthday is the 14^th!

Well, those Lego Blockz birthday candles are unlike any other and fun! Get them at Incredible Things.

Image courtesy of Oriel Myrddin Gallery

Reap and Sew my Heart Stronger:

Saturday 20^th March 2-4pmOriel Myrddin Gallery, Church Lane, Carmarthen SA31 1LH/ Lôn Llan, Caerfyrddin SA31 1LH

Photograph courtesy of Stylisheve

Love me Tender:

Photograph courtesy of Wrong Love

Torture me Tender:

For a full listing of the artists involved visit the WRONG LOVE website. Tickets £10/ £6 concession on sale here.  Saturday 13 February 2010  9pm-3am

Photograph courtesy of Mossonline

Flowers are Nasty:

Illustrations courtesy of The School of Life

Learn to love life:

For further details and to book your place on the Love Weekend please click here.

Price: £125.00

Illustration courtesy of Rob Ryan

I think you are Lovely:

Loveliness has never been so artily crafted! Get Rob Ryan’ s hand printed silk screens and say it with a “Leaf Kiss”.

Written by Valerie Pezeron on Tuesday February 9th, 2010 4:58 pm

Amelia’s Magazine | NKOYO Silk Scarves: an interview with illustrator and print designer Alice Nyong

NKOYO by Alice Nyong.

When contributing illustrator Alice Nyong got in touch to tell me about her beautiful new printed scarf range, I had to know more… here she offers invaluable advice about setting up a label, keeping production in the UK, and best ways to wear your scarf.

nkoyo preciousstones portrait

What is the inspiration behind your new NKOYO silk scarf collection and how or where did you research the imagery?
I’d say the inspiration for the scarves is twofold, firstly, I love the traditional format of silk scarves, which I’ve always been drawn to. I love the configuration used by classic designers such as Versace, Balmain and Hermes; the use of symmetry and how your work changes so much once it’s mirrored, and then again once it’s worn always appealed to me. Secondly I’m influenced by the world around me. I grew up in london, but my mum always had a really lush and green garden, so the contrasts of those two aesthetic environments really inspired me. I love nature and the natural beauty found within it, so that informs a lot of my designs. As far as researching images, I tend to draw from real life, or photographs I’ve taken myself. I trawled through loads of old national geographic magazines for my more nature-rich designs such as the precious stones or under the sea.

NKOYO Scarves
How long has it taken you to set up the label and what has been the hardest part?
It’s been a real growing process. I started designing in October last year, and made a little online shop of my first samples, all finished by me at that time. I then realised I had to improve the way they were being made, and size them so that the designs translated correctly on the wearer. I worked with two different suppliers to get the silk and the production just right, and I’m only recently feeling totally happy with it. It’s been different for me coming from a graphics background, I was naive, and I’ve learnt as I’ve gone along. They’ve been stocked in Luna & Curious since the beginning of this year, which is great. I’d say the hardest part is the patience you have to have. With pure illustration, there is more of an immediate result, but theres a lot of waiting with what I do now. But I find the end result way more fulfilling.

NKOYO Scarves
Self portrait.

NKOYO Scarves
What has been the most rewarding part of working on the collection?
Seeing it worn on someone is so rewarding for me. I also really enjoyed seeing them through the prism of another artist when my friend, and great photographer, Alma Haser shot the lookbook images. They brought another element to my work, which was amazing. Although I enjoy running a business, and all that comes with; it doesn’t always come naturally to me, but I think picking colours, and imagining how a design is going to look on a woman does. I feel very proud of myself for the collection I’ve made.

nkoyo underthesea
NKOYO Scarves
The scarves are ethically made in the UK – how did you source production and why is it important to you to make things locally?
I started off talking to fellow young designers, and asking for advice on where to have the silk printed. I quickly became aware that so many scarves are made abroad in an unethical manner to keep costs down, and that I’d have to be in direct competition with them. So as much as I need the support of the customer that wants to buy good British design, the good British manufacturers need my support. It’s also important to me to have someone on the end of a phone or a train journey away, to talk to about how my final product will be. From a wider viewpoint, after all the work I put into my designs, I want them only to be a thing of positivity, I don’t want myself or the customer to be left with a bad taste in their mouth when considering where the product has been made.

NKOYO Scarves
How do you recommend that the different sizes of scarf are worn?
I think the great thing with scarves is they are so versatile. Recently the 90x90cm braids scarf was styled as a top for an editorial, which looked amazing. Normally I’d wear that one folded in a triangle around the neck, to show off the design at the back. I also love turbans, they suit all hair types. The long scarf comes in either 165cm x 14cm or 130cm x 30cm, so theres a few different ways to wear. I love to see either worn with a collared shirt in a pussy bow style, which I think brightens up a quite formal look. Or twisted around the head. The thicker long scarf is also great hung loosely, as the design is quite bold.

NKOYO Scarves
Where is your studio and what does it look like on a busy day at work?
I have a studio space at home in North London, which I really like. Its all focussed around a large desk and a large desktop mac. I do like to spread out, and work on quite a big scale; Drawing on A4 paper or anything smaller gives me mild anxiety. After a busy day, there’ll be a lot of pieces of paper with frantic lists and doodles, and I have a lot of magazines piled up around me, but nothing too manic. I think I’m similar to a lot of creatives, when I say I like my space how I like it. Nobody move the mess.

NKOYO Scarves
Why do you think that scarves are enjoying such a renaissance at the moment?
I think it’s because they are a blank canvas. The wearer can be daring in a much more accessible way, and there are very few outfits that don’t benefit from the addition of a scarf. There are some great artists out there, who are experimenting with the medium, and having fun with it. With promotion from shops like Liberty, they are also a very luxurious item, I think people want to spend their money wisely in this climate, and although it sounds corny, you do get a piece of art and something wearable at the same time.

NKOYO Scarves
What other projects are you working on now?
I am always working on freelance illustration and graphics projects. Soon I hope to collaborate with some friends who are starting a menswear label called heresy. As well as illustration, I really like writing, and have a writing website that I try to update as often as I can. Its a little more acerbic than my designs would suggest I suppose, but I love it. I want to write short stories when I have the time.

NKOYO Scarves
See more on the NKOYO website: www.nkoyo.co.uk or check out illustrations on http://alicenyong.com

NKOYO Scarves

Written by Amelia Gregory on Tuesday June 26th, 2012 10:32 am

Categories ,Alice Nyong, ,Alma Haser, ,Balmain, ,ethical, ,heresy, ,Hermés, ,illustration, ,Local, ,Luna & Curious, ,Luna and Curious, ,print, ,Silk Scarf, ,sustainable, ,Versace

Amelia’s Magazine | Peek-a-Boo! Boo Saville: Trolley Gallery

All artworks courtesy of Boo Saville. Indefinate series, clinic Oil on canvas, no rx 2008

Boo Saville’s show at the Trolley Gallery on Redchurch Street isn’t the kind of thing that tomes and volumes can be written about. But I’ll see how far I get. This is certainly her most confident work yet.

How do we feel?, Bleach on black cotton, 2010

The white backgrounds are gone, so has the ball-point pen. Instead we have richly dark spaces that exert magnetic and religious forces on the viewer. Where once we were separated from the subjects by a very stark distancing, we are now fully empathetic.

Bog man, Biro on paper, 2006

Subject has become self for Saville. But there’s more than just one idea here. The imagery that might zip through your mind ranges from the intensity of being buried alive to the irreverent madcap guffaws of Noel Fielding. Sometimes it’s like finding a number and jet Francis Bacon in an archaeological dig. But that’s really about it for wordy analysis; this is simply work you have to look at (unlike most of Redchurch Street at the moment).

Ghost, Monoprint, 2009

It’s great to see Saville’s CV getting better and better. Boo Saville studied at the Slade School of Art, London. From 2003 she formed part of the WOWOW! collective in south London with the artist Matthew Stone. In 2007 she was a nominee for the Sovereign Painting Prize, and in the summer of 2008 she worked on a residency in Paris at the Cite des Arts. Her first solo show was at Martin Summers Fine Art in 2008.

The Explorer, Bleach on black cotton, 2009

Her work has recently been acquired by the forthcoming Museum of New and Old Art, Tazmania. She was recently featured in Francesca Gavin’s book ‘Hell Bound: New Gothic Art’ and her forthcoming book on British artist under 35 years old. In January 2010 she was featured in Vogue’s ‘British talent’ special, ES Magazine, The Times and The Independent. After Trolley her next solo show will be at Studio Visconti, Milan in September 2010. She lives and works in London. Definitely tipped for the top. Three of these six canvases are stunning. Go see. For a virtual tour, visit here.

Shi, Biro on paper, 2008

The Boo Saville exhibition runs from Fri 05 Feb 2010 – Sat 13 Mar 2010

The address is Trolley Books, 73a Redchurch Street, London E2 7DJ tel +44(0)20 7729 6591 fax +44(0)20 7739 5948

Written by Gareth David on Tuesday February 16th, 2010 3:04 pm

Categories ,Boo Saville, ,contemporary art, ,exhibition, ,Exhibition Review, ,Francis Bacon, ,london, ,Monoprint, ,painting, ,print, ,Saatchi Gallery, ,Slade School Of Fine Art, ,Trolley Gallery

Amelia’s Magazine | Royal College of Art MA Degree Show 2011 Review: Textile Design

Emma Lundgren by Natasha Waddon.

Textiles were displayed amongst product design at the Royal College of Art 2011 degree show – fitting, health as many textile designers showed practical applications for their textiles on cushions, trunks, tables and more.

RCA MA degree show 2011-Emma Shipley
Emma Shipley had produced an intricate print collection from fine pencil drawings that captured the patterns of nature… and some curious beasties. I’d love some of this on my wall… Follow Emma Shipley on Twitter.

Emma Lundgren by Sophia O'Connor
Emma Lundgren by Sophia O’Connor.

RCA MA degree show 2011-Emma Lundgren
I loved Emma Lundgren‘s Scandinavian inspired collection of brightly coloured costume and accessories. Think traditional Sami costume meets the rainbows of the Northern Lights. Lapland reworked for the modern age. Follow Emma Lundgren on Twitter.

RCA MA degree show 2011-Yunshin Cho
I liked the striking surface patterns of Yunshin Cho‘s print, based on the skeleton of a ship. It reminds me of wood laminate and 50s design classics. But her website on her business card doesn’t work… hopefully soon?

RCA MA degree show 2011-Rachel Philpott
Rachel Philpott chose a more avante garde approach: cotton covered with glitter and folded into intricate origami shapes. I don’t know how she did it but it was pretty amazing.

Thorunn Arnadottir by Natasha Waddon.

RCA MA degree show 2011-Thorunn Arnadottir
Thorunn Arnadottir chose that favourite contemporary source of inspiration the QR code, beading it into this amazing dress. Follow Thorunn Arnadottir on twitter.

RCA MA degree show 2011-Lauren Barfoot
Dresses printed by Lauren Barfoot hung wafting in the light breeze near the window – dominated by orange and purple shades these designs were inspired by Matisse and Fauvism. She’s well up on Twitter. Go follow her.

RCA MA degree show 2011-Kit Miles
Kit Miles collided classical baroque with digital music for these bold graphical prints.

RCA MA degree show 2011-Hannah Sabapathy
An exploration between the natural and manmade was also the basis for Hannah Sabapathy‘s collection – seen here on an architectural side table.

RCA MA degree show 2011-Jonna Saarinen
Jonna Saarinen of Finland brought a Scandinvian sensibility to her Hundreds and Thousands print collection that was display to great affect on picnic ware and table cloths. Follow Jonna Saarinen on Twitter.

RCA MA degree show 2011-David Bradley
David Bradley explored printing and pleats in some extraordinary dresses. Best appreciated for their technical expertise close up.

RCA MA degree show 2011-Kitty Joseph
Kitty Joseph created saturated colour prints in Colour Immersion.

RCA MA degree show 2011-Marie Parsons
Lastly, Marie Parsons used traditional stitched quilting as the basis for her final piece – a brightly coloured trunk that juxtaposed digital embroidery and laser cutting of latex on hard and soft surfaces. Her collection was influenced by East End building sites, Mykonos Town and Paris flea market finds.

The RCA Graduate Show continues until 3rd July so I highly recommend that you check it out soon, and get on board with my other write ups.

Written by Amelia Gregory on Friday July 1st, 2011 4:06 pm

Categories ,2011, ,50s, ,baroque, ,Beading, ,Colour Immersion, ,contemporary, ,cushions, ,David Bradley, ,digital, ,Emma Lundgren, ,Emma Shipley, ,EmmaEvaCaroline, ,Fauvism, ,finland, ,Graduate Shows, ,Hannah Sabapathy, ,Hundreds and Thousands, ,Jonna Saarinen, ,Katherine Joseph, ,Kit Miles, ,Kitty Joseph, ,Lapland, ,Lauren Barfoot, ,Marie Parsons, ,matisse, ,Natasha Waddon, ,Neon, ,Northern Lights, ,origami, ,print, ,Product Design, ,QR code, ,Quilting, ,Rachel Philpott, ,rca, ,Royal College of Art, ,Sami, ,Scandinavian, ,Sophia O’Connor, ,Stitching, ,Textile Design, ,textiles, ,Thorunn Arnadottir, ,traditional, ,Trunk, ,twitter, ,Yunshin Cho

Amelia’s Magazine | Lazy Gramophone Press: The Book of Apertures

All Images Courtesy of African Apparel

After recieving African Apparel’s Freddie Mercury T-shirt for Christmas I became interested in the company. I liked the playful name and the artwork that they have on their t-shirts. I got in touch with them and find out a little bit more about the label.

Andy Devine. African Apparel originally started as a band, thumb what happened to that?

African Apparell. Our act still exist under different names, see lately we’ve been called Postman Pat and Goblin Comb . We started the project as we wanted to play raw fucked up ethnic music. I got into the Sublime Frequencies label thing and was researching loads of different folk music from around the world but what I prefer was always the raw stuff, viagra buy old tribal chief grawling playing a one string luth. The real stuff, no pissing about. So we tried to recreate that in our own style. It sounds funny but we’re pretty serious about it.

AD. Is the name just a dig at American Apparell or is there something else behind it?

AA. Well I needed a name for this band. Our music doesnt sound anything near what guys who are into American Apparel would like so I just thought African Apparel would be a good name for it so yeah I guess it is a dig in a way

AD. Was it always intended to become a clothing label or did it happen organically?

AA. Not at all, it was only when I posted the Bob Marley design online and everybody asked me where they could buy it , that I decided to print it. From then, I used the cash to print other shirts from others artists I like. It was more our band t shirt at the beginnning.

AD. Is there any sort of philosophy behind the label?

AA. Put out tees by artists I like who do stuff differently. Taking risks.

AD. How/why did you choose the artists/designs you’ve released so far?

AA. Some of them are people I know and like, some of them are people I have discovered through zines, net or books. There is not a recipe, just people who I think are good and do things their own way.

AD. Could you tell us a little bit about the two new designs you have coming out?

AA. I have three actually. One by Milo Brennan, a piece he did for an exhibition which is a collage inspired by Beavis & Butthead called SkullRockDeath. Another design is by Belgian Artist Brecht Vandenbroucke, I really dig his stuff, awesome paintings and drawings. Google him! Finally, the third one by Ryan Riss a.k.a Craptical from Seattle who is really pissed off cos Lil Wayne has been jailed. Same again google him, mindblowing stuff.

AD. Do you think you’ll start producing other clothing items other than t-shirts?

AA. I’m not sure really, I’m thinking of having sweaters too and balaclavas but dunno when that’ll happen. I like to keep it simple.

AD. Can any artists submit ideas to you or do you have a specific idea of who you want to work with next?

AA. Well, I do have a specific idea of what I want but if people think they’ll fit they can submit stuff but we’re already collaborating with others artists for upcoming releases.

AD. If they can where would they send them?

AA. Afroapparatus@gmail.com

AD. How succesful have you been so far, I own two of the three t-shirts you’ve done so far and they always get a great reaction from people?

AA. I’m not sure what you mean by “successful”. We’ve been selling our tees around the globe from Rio de Janeiro to Tokyo, Moscow , Berlin , NY , Melbourne, Paris etc… So i guess people do like them and its pretty satisfying to think people are wearing your tees around the world . Financially I get enough money to get new tees done and promoting them, thats all that counts so far.

All T-shirts can be purchased from the African Apparel site here.

All Images Courtesy of African Apparel

Andy Devine. African Apparel originally started as a band, order what happened to that?

African Apparell. Our act still exist under different names, cost lately we’ve been called Postman Pat and Goblin Comb . We started the project as we wanted to play raw fucked up ethnic music. I got into the Sublime Frequencies label thing and was researching loads of different folk music from around the world but what I prefer was always the raw stuff, old tribal chief grawling playing a one string luth. The real stuff, no pissing about. So we tried to recreate that in our own style. It sounds funny but we’re pretty serious about it.

AD. Is the name just a dig at American Apparell or is there something else behind it?

AD. Was it always intended to become a clothing label or did it happen organically?

AD. Is there any sort of philosophy behind the label?

AA. Put out tees by artists I like who do stuff differently. Taking risks.

AD. How/why did you choose the artists/designs you’ve released so far?

AD. Could you tell us a little bit about the two new designs you have coming out?

AD. Do you think you’ll start producing other clothing items other than t-shirts?

AA. I’m not sure really, I’m thinking of having sweaters too and balaclavas but dunno when that’ll happen. I like to keep it simple.

AD. Can any artists submit ideas to you or do you have a specific idea of who you want to work with next?

AA. Well, I do have a specific idea of what I want but if people think they’ll fit they can submit stuff but we’re already collaborating with others artists for upcoming releases.

AD. If they can where would they send them?

AA. Afroapparatus@gmail.com

AD. How succesful have you been so far, I own two of the three t-shirts you’ve done so far and they always get a great reaction from people?

All T-shirts can be purchased from the African Apparel site here.

All images courtesy of Lazy Gramophone Press

Two years in production, cost The Book of Apertures is the fourth publication by Lazy Gramophone Press; an arts collective whose emphasis lies embedded in collaboration – as a process to produce original, nurse personal, prescription and pragmatic works – by any aspiring artist or writer who feels like getting involved.

At the launch of The Book of Apertures, there was an honest and reverent sense of a team effort, with a mutual respect for each contributor’s offering; be it a short story, an illustration, or a poem. As Phil Levine, a founding member of Lazy Gramophone explained of the project, “it feels like everyone has had their own part in it, like an original hand-made arts and crafts feel.” And it is this sort of grassroots method that has combined and juxtaposed creativity to make for a wonderful environment of ideas and imaginings.

The premise of the group’s new book was that each contributor was given the theme of the unexplainable; focusing on elements of life that just don’t make sense… and to run with it. What was produced were some fantastically remarkable works. Some to make you laugh – The Kidnapping of Little Wallet, by Guy J Jackson had me giggling away in inappropriate circumstances; and some will make you cry, or muse, or just smile (the opening poem, Moment’s Notice by Helena Santos is just lovely). It is this variety that makes the book – the personality of each contributor is exhumed, as Levine reflected proudly (and rightly so). “There is such a wide variety of people that everyone’s got their own style so you can’t directly compare any of the stories, they are all very individual.”

Sam Rawlings, who edited the collection, was equally beaming with the end result. Of particular significance seemed to be the fluidity with which the whole process evolved. Speaking at the launch, Rawlings elucidated that “the idea went out and we didn’t know how many people would respond, it could have been one or two or it could have been more – it turned out that we had about 22 or 23 people, so it was great. It wasn’t everyone at the start – people heard about what was going on and kind of joined in half way, and it started growing and morphing.”

Illustrated throughout, The Book of Apertures combines artists renditions; another dais by which talent seeps from the pages. The book is aesthetically pleasing to the extreme, a myriad of perfectionists jigsawed together amidst a slightly obscure semiotic whole. Dan Prescott, who designed and typeset the book, has produced an impeccable labour of love.

The Lazy Gramophone group as a collective have demonstrated a remarkable and inspiring ethos throughout this project, and their willingness to provide a means of expression is second to none – as Levine said: “there should be a platform for where it would be easier to put work out there, so our work can get out to a wider audience… The emphasis is really on collaborations, anyone who wants to get involved, be it the creative side, the technical side, or even the business side, anything, a mixture of people doing their own thing, and we want as many people involved as possible.”

Several of the writers in The Book of Apertures will be holding readings in and around London prior to the official on sale date, April 6^th. Filled with intricacies, I would happily recommend the book to anyone. On asking about their next project, it appears there are more collaborative projects to come – however, as Rawlings joked, “this took two years so don’t hold your breath!”

Written by Hannah Osborne on Thursday February 4th, 2010 3:12 pm

Categories ,Arts, ,Arts Collective, ,book launch, ,books, ,illustration, ,illustrators, ,Lazy Gramophone, ,limited edition prints, ,literature, ,poetry, ,press, ,print, ,Sam Rawlings, ,Small press

Amelia’s Magazine | Lazy Gramophone Press: The Book of Apertures

All Images Courtesy of African Apparel

Andy Devine. African Apparel originally started as a band, thumb what happened to that?

AD. Is the name just a dig at American Apparell or is there something else behind it?

AD. Was it always intended to become a clothing label or did it happen organically?

AD. Is there any sort of philosophy behind the label?

AA. Put out tees by artists I like who do stuff differently. Taking risks.

AD. How/why did you choose the artists/designs you’ve released so far?

AD. Could you tell us a little bit about the two new designs you have coming out?

AD. Do you think you’ll start producing other clothing items other than t-shirts?

AA. I’m not sure really, I’m thinking of having sweaters too and balaclavas but dunno when that’ll happen. I like to keep it simple.

AD. Can any artists submit ideas to you or do you have a specific idea of who you want to work with next?

AA. Well, I do have a specific idea of what I want but if people think they’ll fit they can submit stuff but we’re already collaborating with others artists for upcoming releases.

AD. If they can where would they send them?

AA. Afroapparatus@gmail.com

AD. How succesful have you been so far, I own two of the three t-shirts you’ve done so far and they always get a great reaction from people?

All T-shirts can be purchased from the African Apparel site here.

All Images Courtesy of African Apparel

Andy Devine. African Apparel originally started as a band, order what happened to that?

AD. Is the name just a dig at American Apparell or is there something else behind it?

AD. Was it always intended to become a clothing label or did it happen organically?

AD. Is there any sort of philosophy behind the label?

AA. Put out tees by artists I like who do stuff differently. Taking risks.

AD. How/why did you choose the artists/designs you’ve released so far?

AD. Could you tell us a little bit about the two new designs you have coming out?

AD. Do you think you’ll start producing other clothing items other than t-shirts?

AA. I’m not sure really, I’m thinking of having sweaters too and balaclavas but dunno when that’ll happen. I like to keep it simple.

AD. Can any artists submit ideas to you or do you have a specific idea of who you want to work with next?

AA. Well, I do have a specific idea of what I want but if people think they’ll fit they can submit stuff but we’re already collaborating with others artists for upcoming releases.

AD. If they can where would they send them?

AA. Afroapparatus@gmail.com

AD. How succesful have you been so far, I own two of the three t-shirts you’ve done so far and they always get a great reaction from people?

All T-shirts can be purchased from the African Apparel site here.

All images courtesy of Lazy Gramophone Press

Written by Hannah Osborne on Thursday February 4th, 2010 3:12 pm

Categories ,Arts, ,Arts Collective, ,book launch, ,books, ,illustration, ,illustrators, ,Lazy Gramophone, ,limited edition prints, ,literature, ,poetry, ,press, ,print, ,Sam Rawlings, ,Small press

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