Amelia’s Magazine | Amelia’s Compendium of Fashion Illustration launch party … by Jess


All photography of Lily Vanilli goodies by Sally Mumby-Croft.

“So what do you do for Amelia?” a gentleman partygoer asks me. I tell him I’m one of her writers, buy cialis 40mg and he nods: “I’m Amelia’s father. I’m making myself useful, pharmacy ” he laughs, tadalafil pointing to the camera around his neck. See, we all want to be part of Amelia’s world, and last Friday many of us were gathered under one roof. Illustrators, writers, bloggers and friends were all there to celebrate the launch of Amelia Gregory’s latest creation – Amelia’s Compendium of Fashion Illustration.

ACOFI Lily Vanilli cakes by Andrea Peterson
ACOFI Lily Vanilli cakes by Andrea Peterson.

123 Bethnal Green Road was already buzzing when I arrived, slightly late due to some last-minute fretting over my hair. I’m usually the wash-n-go type, but after following the steadily building party buzz on Twitter all day I’d started to realise some effort was required as this party was going to be of the colourful kind. Just have a flick through the book and you will see it couldn’t be any other ways, really – ACOFI is a riot of colour, creativity and inspiration.


MattBramford_ACOFI_Naomi and Jessica
Naomi Law and myself. Photography by Matt Bramford.

Despite having worked with several of the illustrators present, not knowing who was who made introductions a little tricky. But some were pretty recognisable from their self-drawn portraits, such as Abby Wright, Zarina Liew and Naomi Law.

MattBramford_ACOFI_anastasiaduck, ellen
Michael of AnastasiaDuck and Ellen of the Real Runway.

MattBramford_ACOFI_antonia,joana,abby
Antonia Parker, Joana Faria and Abby Wright. Photography by Matt Bramford.

After catching up with fellow Amelia’s Magazine writers Matt Bramford and Sally Mumby-Croft, I finally got to meet Helen Martin, Amelia’s new music editor, who had come from Bristol with her boyfriend.

HANNAH BULLIVANT by Natasha-Thompson
Hannah Bullivant by Natasha Thompson.

After running into crafts columnist Hannah Bullivant and her husband, our little group hit the dance floor – enjoying a fantastic mix of music ranging from Bruce Springsteen to Mariah Carey. I had to make do without my boyfriend though, who had to take his coughing home to an early night. But that didn’t mean I couldn’t enjoy 6 Day Riot, a new discovery for me, and some excellent dancey tunes from The Pipettes and Will from Mystery Jets.

The Pipettes by Andrea Peterson
The Pipettes by Andrea Peterson.

Will from the Mystery Jets DJs
Will from the Mystery Jets DJs.

An open bar served up Adnams beer and Vodka O – generously poured by bar boys and girls with some enviable dancing skills. The vodka was kicking the next morning, and I clearly remembered why I‘d sworn off the potato spirit years earlier. But all well worth it to see in this excellent book and meet the people who made it happen. Well done, Amelia – and thanks so much for having us.

Categories ,123 Bethnal Green Road, ,6 Day Riot, ,Adnams, ,Amelia Gregory, ,Amelia’s Compendium of Fashion Illustration, ,Andrea Peterson, ,book launch, ,Hannah Bullivant, ,Helen Martin, ,Lily Vanilli, ,Matt Bramford, ,Mystery Jets, ,Naomi Law, ,Natasha Thompson, ,Sally Mumby-Croft, ,The Pipettes, ,Vodka O

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Amelia’s Magazine | Amelia’s Compendium of Fashion Illustration launch party … by Jess


All photography of Lily Vanilli goodies by Sally Mumby-Croft.

“So what do you do for Amelia?” a gentleman partygoer asks me. I tell him I’m one of her writers, buy cialis 40mg and he nods: “I’m Amelia’s father. I’m making myself useful, pharmacy ” he laughs, tadalafil pointing to the camera around his neck. See, we all want to be part of Amelia’s world, and last Friday many of us were gathered under one roof. Illustrators, writers, bloggers and friends were all there to celebrate the launch of Amelia Gregory’s latest creation – Amelia’s Compendium of Fashion Illustration.

ACOFI Lily Vanilli cakes by Andrea Peterson
ACOFI Lily Vanilli cakes by Andrea Peterson.

123 Bethnal Green Road was already buzzing when I arrived, slightly late due to some last-minute fretting over my hair. I’m usually the wash-n-go type, but after following the steadily building party buzz on Twitter all day I’d started to realise some effort was required as this party was going to be of the colourful kind. Just have a flick through the book and you will see it couldn’t be any other ways, really – ACOFI is a riot of colour, creativity and inspiration.


MattBramford_ACOFI_Naomi and Jessica
Naomi Law and myself. Photography by Matt Bramford.

Despite having worked with several of the illustrators present, not knowing who was who made introductions a little tricky. But some were pretty recognisable from their self-drawn portraits, such as Abby Wright, Zarina Liew and Naomi Law.

MattBramford_ACOFI_anastasiaduck, ellen
Michael of AnastasiaDuck and Ellen of the Real Runway.

MattBramford_ACOFI_antonia,joana,abby
Antonia Parker, Joana Faria and Abby Wright. Photography by Matt Bramford.

After catching up with fellow Amelia’s Magazine writers Matt Bramford and Sally Mumby-Croft, I finally got to meet Helen Martin, Amelia’s new music editor, who had come from Bristol with her boyfriend.

HANNAH BULLIVANT by Natasha-Thompson
Hannah Bullivant by Natasha Thompson.

After running into crafts columnist Hannah Bullivant and her husband, our little group hit the dance floor – enjoying a fantastic mix of music ranging from Bruce Springsteen to Mariah Carey. I had to make do without my boyfriend though, who had to take his coughing home to an early night. But that didn’t mean I couldn’t enjoy 6 Day Riot, a new discovery for me, and some excellent dancey tunes from The Pipettes and Will from Mystery Jets.

The Pipettes by Andrea Peterson
The Pipettes by Andrea Peterson.

Will from the Mystery Jets DJs
Will from the Mystery Jets DJs.

An open bar served up Adnams beer and Vodka O – generously poured by bar boys and girls with some enviable dancing skills. The vodka was kicking the next morning, and I clearly remembered why I‘d sworn off the potato spirit years earlier. But all well worth it to see in this excellent book and meet the people who made it happen. Well done, Amelia – and thanks so much for having us.

Categories ,123 Bethnal Green Road, ,6 Day Riot, ,Adnams, ,Amelia Gregory, ,Amelia’s Compendium of Fashion Illustration, ,Andrea Peterson, ,book launch, ,Hannah Bullivant, ,Helen Martin, ,Lily Vanilli, ,Matt Bramford, ,Mystery Jets, ,Naomi Law, ,Natasha Thompson, ,Sally Mumby-Croft, ,The Pipettes, ,Vodka O

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Amelia’s Magazine | Think Act Vote presents The Future We Choose Pop Up Radical Think Tank and Book Launch Party

Think Act Vote The Future We Choose Book Launch stack of books

On the 25th of July I had the pleasure of attending – unfortunately only a part of – the launch event organised by Think Act Vote (?!X) at The Arch Gallery for their new book titled The Future We Choose. This book project was initiated by Think Act Vote (?!X) in order to create a new conversation around democracy and how we create the future we choose. Revolving around ‘The Futures Interview’, The Future We Choose brings together over 200 forward thinking voices from the general public mixed in with those more well known, from fashion designers to historians, campaigners to presenters, all of whom share their vision of the world they want to live in with their ideas of how to create it.

Think Act Vote The Future We Choose Book Launch Amy at the book stand

Think Act Vote (?!X) is run by a powerhouse of volunteers, interns (such as Amy Haworth Johns pictured above) and a vibrant community of collaborators and supporters. The Future We Choose has been brought to life through the work of all those contributors, while the design of the book was devised also collaboratively by a team made up of Joana Casaca Lemos, Ella Britton, Matthieu Becker and Amisha Ghadiali.

Think Act Vote The Future We Choose Book Launch Amelia Gregory Quote

In the book one can find hugely inspiring quotes by the numerous contributors who completed ‘The Futures Interview’, categorised into Thinks, Acts and Votes. Here is one by Amelia’s Magazine editor Amelia Gregory.

Think Act Vote The Future We Choose Book Launch illustrations spread 1

Think Act Vote The Future We Choose Book Launch illustrations spread 2

Since early 2010, when Think Act Vote (?!X) started compiling responses from ‘The Futures Interview’ participants, it invited 50 different artists to bring words from the interviews to life and selected 52 final illustrations. A large number of these images have been created by illustrators who regularly contribute to Amelia’s Magazine too! Some of them are Abby Wright, Abi Daker, Ailish Sullivan, Antonia Makes, Alison Day, Amber Cassidy, Bryone Crane, Claire Kearns, Celine Elliott, Erica Sharp, Faye West, Gemma Sheldrake, Gilly Rochester, Harriet Gray, Jo Cheung, June Chanpoomidole, Jenny Robins, Katie Harnett, Laura Frame, Yelena Bryksenkova, Luke Waller, Michelle Urvall Nyrén, Nanae Kawahara, Natalia Nazimek, Natalie Hughes, Sam Parr, Vicky Ink aka Vicky Fallon and Slowly The Eggs aka moi… A lot of the illustrations appear in the book, as seen above, but Think Act Vote (?!X) is also sharing them online, one every week of 2012, this way gradually creating an illustrated Futures Calendar! You can also see all the illustrations together in this online gallery.

Think Act Vote The Future We Choose Book Launch spread from book

Think Act Vote The Future We Choose Book Launch bit from Futures Interview

You can take part in ‘The Futures Interview’ here.

Think Act Vote The Future We Choose Book Launch Peter Gregson

The Future We Choose book launch at The Arch Gallery was split into an afternoon pop up radical think tank, featuring a selection of contributors including Lucie Barat, Ed Gillespie, Annegret Affolderback, Emily Wilkie, Melissa Sterry, Chris Arnold and Olivia Sprinkel each speaking for five minutes on an idea they shared in the book. When I arrived Peter Gregson, pictured above, was giving a talk on ‘Defending Your Tastes’.

Think Act Vote The Future We Choose Book Launch Paul Hilder

Paul Hilder on ‘Making Things Right’.

Think Act Vote The Future We Choose Book Launch Amisha Ghadiali

Amisha Ghadiali on her Rules to Dress By.

Think Act Vote The Future We Choose Book Launch Alan Wolfson

Performance Poetry by Alan Wolfson.

Think Act Vote The Future We Choose Book Launch Michael Norton

Michael Norton on 365 Ways To Change The World. This hugely inspiring man also talked about another splendid book he has written titled Click 2 Change, in which you can find ways to change the world from the comfort of your seat.

Think Act Vote The Future We Choose Book Launch Jessi Baker

Jessi Baker on ‘Data and Visualisation’.

Think Act Vote The Future We Choose Book Launch Christina Rebel

Christina Rebel on ‘Empathy’.

Think Act Vote The Future We Choose Book Launch Spencer Maybe Pearce

Music from Spencer Maybe Pearce.

Think Act Vote The Future We Choose Book Launch happy audience

Think Act Vote The Future We Choose Book Launch Zoe and Amisha in the audience

Think Act Vote The Future We Choose Book Launch Interviews workshop 1

Think Act Vote The Future We Choose Book Launch Interviews workshop 2

The talks were followed by a ‘A Futures Interviews Workshop’, during which we sat in groups to talk about Thinks, Acts and Votes.

Think Act Vote The Future We Choose Book Launch Zoe Robinson

The lovely Zoe Robinson of Think Style and The Good Wardrobe among the attendees.

Think Act Vote The Future We Choose Book Launch Amisha signing a book

From 6.30pm there was a party featuring a collective book reading, words from Sam Roddick and live music from cellist Peter Gregson, folk noir band Delirium Tremens and electro pop songstress Sharliza Jelita.

The book is now on sale through Think Act Vote’s etsy store, where you can purchase the limited edition that has been printed in the UK on recycled paper. You can request to have your copy signed and personalised too. The Hardback and e-book editions will be available in Autumn. If you would like to request an e-version review copy, please e-mail info@thinkactvote.org

You can also read Part One and part Two of an interview Sally Mumby-Croft did a while ago for Amelia’s Magazine with Think Act Vote’s founder Amisha Ghadiali.

All photography by Maria Papadimitriou

Categories ,Abby Wright, ,Abi Daker, ,ACOFI, ,Ailish Sullivan, ,Alan Wolfson, ,Alison Day, ,Amber Cassidy, ,Amelia’s Compendium of Fashion Illustration, ,Amisha Ghadiali, ,Annegret Affolderback, ,Antonia Makes, ,book launch, ,Bryone Crane, ,Celine Elliott, ,Chris Arnold, ,Christina Rebel, ,Claire Kearns, ,Delirium Tremens, ,Ed Gillespie, ,Ella Britton, ,Emily Wilkie, ,Erica Sharp, ,Faye West, ,Futures Interview, ,Gemma Sheldrake, ,Gilly Rochester, ,Harriet Gray, ,illustration, ,Jenny Robins, ,Jessi Baker, ,Jo Cheung, ,Joana Casaca Lemos, ,Jonathan Bartley, ,June Chanpoomidole, ,Katie Harnett, ,Laura Frame, ,Lucie Barat, ,Lucy Gilliam, ,Luke Waller, ,Maria Papadimitriou, ,Matthieu Becker, ,Melissa Sterry, ,Michael Norton, ,Michelle Urvall Nyrén, ,Nanae Kawahara, ,Natalia Nazimek, ,Olivia Sprinkel, ,Patrick Hussy, ,Paul Hilder, ,Peter Gregson, ,Sally Mumby-Croft, ,Sam Parr, ,Sam Roddick, ,Sharliza Jelita, ,Slowly the Eggs, ,Spencer Maybe Pearce, ,The Arch Gallery, ,The Future We Choose, ,Think Act Vote, ,Vicky Fallon, ,Vicky Ink, ,Yelena Bryksenkova, ,Zoë Robinson

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Amelia’s Magazine | Lazy Gramophone Press: The Book of Apertures

teebobmarley

All Images Courtesy of African Apparel

After recieving African Apparel’s Freddie Mercury T-shirt for Christmas I became interested in the company. I liked the playful name and the artwork that they have on their t-shirts. I got in touch with them and find out a little bit more about the label.

Andy Devine. African Apparel originally started as a band, thumb what happened to that?

African Apparell. Our act still exist under different names, see lately we’ve been called Postman Pat and Goblin Comb . We started the project as we wanted to play raw fucked up ethnic music. I got into the Sublime Frequencies label thing and was researching loads of different folk music from around the world but what I prefer was always the raw stuff, viagra buy old tribal chief grawling playing a one string luth. The real stuff, no pissing about. So we tried to recreate that in our own style. It sounds funny but we’re pretty serious about  it.

DSC_1626

AD. Is the name just a dig at American Apparell or is there something else behind it?

AA. Well I needed a name for this band. Our music doesnt sound anything near what guys who are into American Apparel would like  so I  just thought African Apparel would be a good name for it so yeah I guess it is a dig  in a way

FREDDIE 1

AD. Was it always intended to become a clothing label or did it happen organically?

AA. Not at all, it was only when I posted the Bob Marley design online and everybody asked me where they could buy it , that I decided to print it. From then, I used the cash to print other shirts from others artists I like. It was more our band t shirt at the beginnning.

DSC_1686

AD. Is there any sort of philosophy behind the label?

AA. Put out tees by artists I like who do stuff differently. Taking risks.

emperortee

AD. How/why did you choose the artists/designs you’ve released so far?

AA. Some of them are people I know and like, some of them are people I have discovered through zines, net or books. There is not a recipe, just people who I think are good and do things their own way.

emperor teee

AD. Could you tell us a little bit about the two new designs you have coming out?

AA. I have three actually. One by Milo Brennan, a piece he did for an exhibition which is a collage inspired by Beavis & Butthead called SkullRockDeath. Another design is by Belgian Artist Brecht Vandenbroucke, I really dig his stuff,  awesome paintings and drawings. Google him! Finally, the third one by Ryan Riss a.k.a Craptical from Seattle who is really pissed off cos Lil Wayne has been jailed. Same again google him, mindblowing stuff.

AD. Do you think you’ll start producing other clothing items other than t-shirts?

AA. I’m not sure really, I’m thinking of having sweaters too and balaclavas but dunno when that’ll happen. I like to keep it simple.

newborn

AD. Can any artists submit ideas to you or do you have a specific idea of who you want to work with next?

AA. Well, I do have a specific idea of what I want but if people think they’ll fit they can submit stuff  but we’re already collaborating with others artists for upcoming releases.

AD. If they can where would they send them?

AA. Afroapparatus@gmail.com

lil weezy

AD. How succesful have you been so far, I own two of the three t-shirts you’ve done so far and they always get a great reaction from people?

AA. I’m not sure what you mean by “successful”. We’ve been selling our tees around the globe from Rio de Janeiro to Tokyo, Moscow , Berlin , NY , Melbourne, Paris etc… So i guess people do like them and its pretty satisfying to think people are wearing your tees around the world . Financially I get enough money to get new tees done and promoting them, thats all that counts so far.

All T-shirts can be purchased from the African Apparel site here.

teebobmarley

All Images Courtesy of African Apparel

After recieving African Apparel’s Freddie Mercury T-shirt for Christmas I became interested in the company. I liked the playful name and the artwork that they have on their t-shirts. I got in touch with them and find out a little bit more about the label.

Andy Devine. African Apparel originally started as a band, order what happened to that?

African Apparell. Our act still exist under different names, cost lately we’ve been called Postman Pat and Goblin Comb . We started the project as we wanted to play raw fucked up ethnic music. I got into the Sublime Frequencies label thing and was researching loads of different folk music from around the world but what I prefer was always the raw stuff, old tribal chief grawling playing a one string luth. The real stuff, no pissing about. So we tried to recreate that in our own style. It sounds funny but we’re pretty serious about  it.

DSC_1626

AD. Is the name just a dig at American Apparell or is there something else behind it?

AA. Well I needed a name for this band. Our music doesnt sound anything near what guys who are into American Apparel would like  so I  just thought African Apparel would be a good name for it so yeah I guess it is a dig  in a way

FREDDIE 1

AD. Was it always intended to become a clothing label or did it happen organically?

AA. Not at all, it was only when I posted the Bob Marley design online and everybody asked me where they could buy it , that I decided to print it. From then, I used the cash to print other shirts from others artists I like. It was more our band t shirt at the beginnning.

DSC_1686

AD. Is there any sort of philosophy behind the label?

AA. Put out tees by artists I like who do stuff differently. Taking risks.

emperortee

AD. How/why did you choose the artists/designs you’ve released so far?

AA. Some of them are people I know and like, some of them are people I have discovered through zines, net or books. There is not a recipe, just people who I think are good and do things their own way.

et

AD. Could you tell us a little bit about the two new designs you have coming out?

AA. I have three actually. One by Milo Brennan, a piece he did for an exhibition which is a collage inspired by Beavis & Butthead called SkullRockDeath. Another design is by Belgian Artist Brecht Vandenbroucke, I really dig his stuff,  awesome paintings and drawings. Google him! Finally, the third one by Ryan Riss a.k.a Craptical from Seattle who is really pissed off cos Lil Wayne has been jailed. Same again google him, mindblowing stuff.

AD. Do you think you’ll start producing other clothing items other than t-shirts?

AA. I’m not sure really, I’m thinking of having sweaters too and balaclavas but dunno when that’ll happen. I like to keep it simple.

newborn

AD. Can any artists submit ideas to you or do you have a specific idea of who you want to work with next?

AA. Well, I do have a specific idea of what I want but if people think they’ll fit they can submit stuff  but we’re already collaborating with others artists for upcoming releases.

AD. If they can where would they send them?

AA. Afroapparatus@gmail.com

lil weezy

AD. How succesful have you been so far, I own two of the three t-shirts you’ve done so far and they always get a great reaction from people?

AA. I’m not sure what you mean by “successful”. We’ve been selling our tees around the globe from Rio de Janeiro to Tokyo, Moscow , Berlin , NY , Melbourne, Paris etc… So i guess people do like them and its pretty satisfying to think people are wearing your tees around the world . Financially I get enough money to get new tees done and promoting them, thats all that counts so far.

All T-shirts can be purchased from the African Apparel site here.

5All images courtesy of Lazy Gramophone Press

Two years in production, cost The Book of Apertures is the fourth publication by Lazy Gramophone Press; an arts collective whose emphasis lies embedded in collaboration – as a process to produce original, nurse personal, prescription and pragmatic works – by any aspiring artist or writer who feels like getting involved.

1

At the launch of The Book of Apertures, there was an honest and reverent sense of a team effort, with a mutual respect for each contributor’s offering; be it a short story, an illustration, or a poem. As Phil Levine, a founding member of Lazy Gramophone explained of the project, “it feels like everyone has had their own part in it, like an original hand-made arts and crafts feel.” And it is this sort of grassroots method that has combined and juxtaposed creativity to make for a wonderful environment of ideas and imaginings.

4

The premise of the group’s new book was that each contributor was given the theme of the unexplainable; focusing on elements of life that just don’t make sense… and to run with it. What was produced were some fantastically remarkable works. Some to make you laugh – The Kidnapping of Little Wallet, by Guy J Jackson had me giggling away in inappropriate circumstances; and some will make you cry, or muse, or just smile (the opening poem, Moment’s Notice by Helena Santos is just lovely). It is this variety that makes the book – the personality of each contributor is exhumed, as Levine reflected proudly (and rightly so). “There is such a wide variety of people that everyone’s got their own style so you can’t directly compare any of the stories, they are all very individual.”

3

Sam Rawlings, who edited the collection, was equally beaming with the end result. Of particular significance seemed to be the fluidity with which the whole process evolved. Speaking at the launch, Rawlings elucidated that “the idea went out and we didn’t know how many people would respond, it could have been one or two or it could have been more – it turned out that we had about 22 or 23 people, so it was great. It wasn’t everyone at the start – people heard about what was going on and kind of joined in half way, and it started growing and morphing.”

2

Illustrated throughout, The Book of Apertures combines artists renditions; another dais by which talent seeps from the pages. The book is aesthetically pleasing to the extreme, a myriad of perfectionists jigsawed together amidst a slightly obscure semiotic whole. Dan Prescott, who designed and typeset the book, has produced an impeccable labour of love.

6

The Lazy Gramophone group as a collective have demonstrated a remarkable and inspiring ethos throughout this project, and their willingness to provide a means of expression is second to none – as Levine said: “there should be a platform for where it would be easier to put work out there, so our work can get out to a wider audience… The emphasis is really on collaborations, anyone who wants to get involved, be it the creative side, the technical side, or even the business side, anything, a mixture of people doing their own thing, and we want as many people involved as possible.”

7

Several of the writers in The Book of Apertures will be holding readings in and around London prior to the official on sale date, April 6th. Filled with intricacies, I would happily recommend the book to anyone. On asking about their next project, it appears there are more collaborative projects to come – however, as Rawlings joked, “this took two years so don’t hold your breath!”

Categories ,Arts, ,Arts Collective, ,book launch, ,books, ,illustration, ,illustrators, ,Lazy Gramophone, ,limited edition prints, ,literature, ,poetry, ,press, ,print, ,Sam Rawlings, ,Small press

Similar Posts:






Amelia’s Magazine | Lazy Gramophone Press: The Book of Apertures

teebobmarley

All Images Courtesy of African Apparel

After recieving African Apparel’s Freddie Mercury T-shirt for Christmas I became interested in the company. I liked the playful name and the artwork that they have on their t-shirts. I got in touch with them and find out a little bit more about the label.

Andy Devine. African Apparel originally started as a band, thumb what happened to that?

African Apparell. Our act still exist under different names, see lately we’ve been called Postman Pat and Goblin Comb . We started the project as we wanted to play raw fucked up ethnic music. I got into the Sublime Frequencies label thing and was researching loads of different folk music from around the world but what I prefer was always the raw stuff, viagra buy old tribal chief grawling playing a one string luth. The real stuff, no pissing about. So we tried to recreate that in our own style. It sounds funny but we’re pretty serious about  it.

DSC_1626

AD. Is the name just a dig at American Apparell or is there something else behind it?

AA. Well I needed a name for this band. Our music doesnt sound anything near what guys who are into American Apparel would like  so I  just thought African Apparel would be a good name for it so yeah I guess it is a dig  in a way

FREDDIE 1

AD. Was it always intended to become a clothing label or did it happen organically?

AA. Not at all, it was only when I posted the Bob Marley design online and everybody asked me where they could buy it , that I decided to print it. From then, I used the cash to print other shirts from others artists I like. It was more our band t shirt at the beginnning.

DSC_1686

AD. Is there any sort of philosophy behind the label?

AA. Put out tees by artists I like who do stuff differently. Taking risks.

emperortee

AD. How/why did you choose the artists/designs you’ve released so far?

AA. Some of them are people I know and like, some of them are people I have discovered through zines, net or books. There is not a recipe, just people who I think are good and do things their own way.

emperor teee

AD. Could you tell us a little bit about the two new designs you have coming out?

AA. I have three actually. One by Milo Brennan, a piece he did for an exhibition which is a collage inspired by Beavis & Butthead called SkullRockDeath. Another design is by Belgian Artist Brecht Vandenbroucke, I really dig his stuff,  awesome paintings and drawings. Google him! Finally, the third one by Ryan Riss a.k.a Craptical from Seattle who is really pissed off cos Lil Wayne has been jailed. Same again google him, mindblowing stuff.

AD. Do you think you’ll start producing other clothing items other than t-shirts?

AA. I’m not sure really, I’m thinking of having sweaters too and balaclavas but dunno when that’ll happen. I like to keep it simple.

newborn

AD. Can any artists submit ideas to you or do you have a specific idea of who you want to work with next?

AA. Well, I do have a specific idea of what I want but if people think they’ll fit they can submit stuff  but we’re already collaborating with others artists for upcoming releases.

AD. If they can where would they send them?

AA. Afroapparatus@gmail.com

lil weezy

AD. How succesful have you been so far, I own two of the three t-shirts you’ve done so far and they always get a great reaction from people?

AA. I’m not sure what you mean by “successful”. We’ve been selling our tees around the globe from Rio de Janeiro to Tokyo, Moscow , Berlin , NY , Melbourne, Paris etc… So i guess people do like them and its pretty satisfying to think people are wearing your tees around the world . Financially I get enough money to get new tees done and promoting them, thats all that counts so far.

All T-shirts can be purchased from the African Apparel site here.

teebobmarley

All Images Courtesy of African Apparel

After recieving African Apparel’s Freddie Mercury T-shirt for Christmas I became interested in the company. I liked the playful name and the artwork that they have on their t-shirts. I got in touch with them and find out a little bit more about the label.

Andy Devine. African Apparel originally started as a band, order what happened to that?

African Apparell. Our act still exist under different names, cost lately we’ve been called Postman Pat and Goblin Comb . We started the project as we wanted to play raw fucked up ethnic music. I got into the Sublime Frequencies label thing and was researching loads of different folk music from around the world but what I prefer was always the raw stuff, old tribal chief grawling playing a one string luth. The real stuff, no pissing about. So we tried to recreate that in our own style. It sounds funny but we’re pretty serious about  it.

DSC_1626

AD. Is the name just a dig at American Apparell or is there something else behind it?

AA. Well I needed a name for this band. Our music doesnt sound anything near what guys who are into American Apparel would like  so I  just thought African Apparel would be a good name for it so yeah I guess it is a dig  in a way

FREDDIE 1

AD. Was it always intended to become a clothing label or did it happen organically?

AA. Not at all, it was only when I posted the Bob Marley design online and everybody asked me where they could buy it , that I decided to print it. From then, I used the cash to print other shirts from others artists I like. It was more our band t shirt at the beginnning.

DSC_1686

AD. Is there any sort of philosophy behind the label?

AA. Put out tees by artists I like who do stuff differently. Taking risks.

emperortee

AD. How/why did you choose the artists/designs you’ve released so far?

AA. Some of them are people I know and like, some of them are people I have discovered through zines, net or books. There is not a recipe, just people who I think are good and do things their own way.

et

AD. Could you tell us a little bit about the two new designs you have coming out?

AA. I have three actually. One by Milo Brennan, a piece he did for an exhibition which is a collage inspired by Beavis & Butthead called SkullRockDeath. Another design is by Belgian Artist Brecht Vandenbroucke, I really dig his stuff,  awesome paintings and drawings. Google him! Finally, the third one by Ryan Riss a.k.a Craptical from Seattle who is really pissed off cos Lil Wayne has been jailed. Same again google him, mindblowing stuff.

AD. Do you think you’ll start producing other clothing items other than t-shirts?

AA. I’m not sure really, I’m thinking of having sweaters too and balaclavas but dunno when that’ll happen. I like to keep it simple.

newborn

AD. Can any artists submit ideas to you or do you have a specific idea of who you want to work with next?

AA. Well, I do have a specific idea of what I want but if people think they’ll fit they can submit stuff  but we’re already collaborating with others artists for upcoming releases.

AD. If they can where would they send them?

AA. Afroapparatus@gmail.com

lil weezy

AD. How succesful have you been so far, I own two of the three t-shirts you’ve done so far and they always get a great reaction from people?

AA. I’m not sure what you mean by “successful”. We’ve been selling our tees around the globe from Rio de Janeiro to Tokyo, Moscow , Berlin , NY , Melbourne, Paris etc… So i guess people do like them and its pretty satisfying to think people are wearing your tees around the world . Financially I get enough money to get new tees done and promoting them, thats all that counts so far.

All T-shirts can be purchased from the African Apparel site here.

5All images courtesy of Lazy Gramophone Press

Two years in production, cost The Book of Apertures is the fourth publication by Lazy Gramophone Press; an arts collective whose emphasis lies embedded in collaboration – as a process to produce original, nurse personal, prescription and pragmatic works – by any aspiring artist or writer who feels like getting involved.

1

At the launch of The Book of Apertures, there was an honest and reverent sense of a team effort, with a mutual respect for each contributor’s offering; be it a short story, an illustration, or a poem. As Phil Levine, a founding member of Lazy Gramophone explained of the project, “it feels like everyone has had their own part in it, like an original hand-made arts and crafts feel.” And it is this sort of grassroots method that has combined and juxtaposed creativity to make for a wonderful environment of ideas and imaginings.

4

The premise of the group’s new book was that each contributor was given the theme of the unexplainable; focusing on elements of life that just don’t make sense… and to run with it. What was produced were some fantastically remarkable works. Some to make you laugh – The Kidnapping of Little Wallet, by Guy J Jackson had me giggling away in inappropriate circumstances; and some will make you cry, or muse, or just smile (the opening poem, Moment’s Notice by Helena Santos is just lovely). It is this variety that makes the book – the personality of each contributor is exhumed, as Levine reflected proudly (and rightly so). “There is such a wide variety of people that everyone’s got their own style so you can’t directly compare any of the stories, they are all very individual.”

3

Sam Rawlings, who edited the collection, was equally beaming with the end result. Of particular significance seemed to be the fluidity with which the whole process evolved. Speaking at the launch, Rawlings elucidated that “the idea went out and we didn’t know how many people would respond, it could have been one or two or it could have been more – it turned out that we had about 22 or 23 people, so it was great. It wasn’t everyone at the start – people heard about what was going on and kind of joined in half way, and it started growing and morphing.”

2

Illustrated throughout, The Book of Apertures combines artists renditions; another dais by which talent seeps from the pages. The book is aesthetically pleasing to the extreme, a myriad of perfectionists jigsawed together amidst a slightly obscure semiotic whole. Dan Prescott, who designed and typeset the book, has produced an impeccable labour of love.

6

The Lazy Gramophone group as a collective have demonstrated a remarkable and inspiring ethos throughout this project, and their willingness to provide a means of expression is second to none – as Levine said: “there should be a platform for where it would be easier to put work out there, so our work can get out to a wider audience… The emphasis is really on collaborations, anyone who wants to get involved, be it the creative side, the technical side, or even the business side, anything, a mixture of people doing their own thing, and we want as many people involved as possible.”

7

Several of the writers in The Book of Apertures will be holding readings in and around London prior to the official on sale date, April 6th. Filled with intricacies, I would happily recommend the book to anyone. On asking about their next project, it appears there are more collaborative projects to come – however, as Rawlings joked, “this took two years so don’t hold your breath!”

Categories ,Arts, ,Arts Collective, ,book launch, ,books, ,illustration, ,illustrators, ,Lazy Gramophone, ,limited edition prints, ,literature, ,poetry, ,press, ,print, ,Sam Rawlings, ,Small press

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Amelia’s Magazine | Book launch: ‘Your voice in my head’ by Emma Forrest

Cockroach Amelia Gregory
Cockroach-tour-Science-Museum-by-Mina-Bach
Cockroach tour by Mina Bach.

A couple of months ago I was invited to visit the Science Museum to dress up as a Cockroach. How on earth could I resist such an invitation? So it was that with trepidation myself and boyfriend strolled up Exhibition Road on a Saturday afternoon. Who would be our fellow Cockroaches? Children? Families? Other slightly bewildered online journos and bloggers?

Cockroach-couple-by-Sarah-Matthews
Cockroach couple by Sarah Matthews

We arrived at the tail end of nibbles in the lecture theatre, recipe and were hastily whisked off to the Cockroach dressing room – right at the front of the museum so that interested passers by (and slightly petrified children) could watch as we donned our Cockroach regalia.

Cockroach Amelia
That’s me, medications dressed as a cockroach. Photo by Tim Adey.

Cockroach by Jessica Holt
Cockroach by Jessica Holt.

The purpose of all this Cockroach fun? Well you might ask… the Science Museum has just opened a swanky new Climate Change Science gallery, all swelling colours and interactive screens that change the digital atmosphere. (Immediate thought: what the hell is powering all this technical gadgetry? I was assured it was green energy).

cockroach tour maria papadimitriou
Cockroach tour by Maria Papadimitriou.

The Cockroach Tour is an art installation commissioned from Danish art collective Superflex – wherein my definition of art is VERY stretched – and takes groups of Cockroaches on a tour of the museum that ends up in the high reaches of the Climate Change Science gallery. The aim being to introduce people to the concept of human idiocy, as viewed through the eyes of a Cockroach, one of the oldest and most resilient life forms on the planet.

Cockroach-boy-by-Sarah-Matthews
Cockroach boy by Sarah Matthews.

For this tour we were led by a rapidly overheating actor. Ah yes, the Cockroach costumes. These are made of fibre glass and that rubbery stuff that you find in lots of kid’s toys these days. Hardly sustainably sound in itself, but very fun, even if my shell did bang rather hard against the back of my knees as I scuttled around the exhibits.

Cockroach tour car
Cockroach tour leader

Sample Cockroach talk: “Why do humans eat pizza when the box is so much more preferable?” I must confess that I really wasn’t listening very hard: it was just too damn distracting to gaze upon Cockroach Boyfriend, knowing that I looked equally ridiculous. The tour was indeed funny, but our leader could have been talking total mumbo jumbo and I would still have been chuckling like a mad woman at the looks on people’s faces. Oh how I love to dress up – we spent most of our time trying to out silly each other’s photos. Did we feel like overgrown children? Hell yes, but that’s no bad thing every once in awhile. After a few wrong turnings we arrived at our final destination, with all it’s interactive Climate Change wizardry, where we finally de-Cockroached.

Cockroach man by Sarah Matthews
Cockroach man by Sarah Matthews.

I’d like to turn a totally blind eye to the principal gallery sponsor (Shell, cough, greenwash, cough) but there has clearly been a large amount of money thrown at the Climate Change projectit was renamed the Climate Science Gallery in the wake of the Climate Scepticism controversy last year (boo, hiss) – so why not get along and enjoy it?

Amelia Cockroach from behind
That’s me showing off my shiny cockroach ass in the Climate Science Gallery.

I personally feel I know enough Climate Change Science to last a lifetime, but for somebody who hasn’t got a wide knowledge this would be a really fun way to get up to the top floor, especially if you have lots of kids in tow, and even just this brief visit reminded me just how much there is to see in the Science Museum, which I haven’t really visited since I was a child. And if you don’t believe me why not watch their very fancy video.

YouTube Preview Image

Cockroach tours are being held every weekend until December 2011, and you can find out more about them and book online here. To celebrate the launch of the tours the Science Museum is offering one lucky winner four places on a tour of the weekend 12-13 February – they will be given a hand held camera and their video will be slicky edited into a film for the winner to keep. Oo-er. More information on this link.

I’m quite tempted to go back and visit their Trash Fashion exhibition myself.

CUCARACHA  COSMOPOLITA by Geiko Louve
CUCARACHA COSMOPOLITA by Karla Pérez Manrique.

EL BAILE DE LA CUCARACHA by Karla Pérez Manrique
EL BAILE DE LA CUCARACHA by Karla Pérez Manrique.

Cockroach-tour-Science-Museum-by-Mina-Bach
Cockroach tour by Mina Bach.

A couple of months ago I was invited to visit the Science Museum to dress up as a Cockroach. How on earth could I resist such an invitation? So it was that with trepidation myself and boyfriend strolled up Exhibition Road on a Saturday afternoon. Who would be our fellow Cockroaches? Children? Families? Other slightly bewildered online journos and bloggers?

Cockroach-couple-by-Sarah-Matthews
Cockroach couple by Sarah Matthews

We arrived at the tail end of nibbles in the lecture theatre, cialis 40mg and were hastily whisked off to the Cockroach dressing room – right at the front of the museum so that interested passers by (and slightly petrified children) could watch as we donned our Cockroach regalia.

Cockroach Amelia Gregory
That’s me, dressed as a cockroach. Photo by Tim Adey.

Cockroach by Jessica Holt
Cockroach by Jessica Holt.

The purpose of all this Cockroach fun? Well you might ask… the Science Museum has just opened a swanky new Climate Change Science gallery, all swelling colours and interactive screens that change the digital atmosphere. (Immediate thought: what the hell is powering all this technical gadgetry? I was assured it was green energy).

cockroach tour maria papadimitriou
Cockroach tour by Maria Papadimitriou.

The Cockroach Tour is an art installation commissioned from Danish art collective Superflex – wherein my definition of art is VERY stretched – and takes groups of Cockroaches on a tour of the museum that ends up in the high reaches of the Climate Change Science gallery. The aim being to introduce people to the concept of human idiocy, as viewed through the eyes of a Cockroach, one of the oldest and most resilient life forms on the planet.

Cockroach-boy-by-Sarah-Matthews
Cockroach boy by Sarah Matthews.

For this tour we were led by a rapidly overheating actor. Ah yes, the Cockroach costumes. These are made of fibre glass and that rubbery stuff that you find in lots of kid’s toys these days. Hardly sustainably sound in itself, but very fun, even if my shell did bang rather hard against the back of my knees as I scuttled around the exhibits.

Cockroach tour car
Cockroach tour leader

Sample Cockroach talk: “Why do humans eat pizza when the box is so much more preferable?” I must confess that I really wasn’t listening very hard: it was just too damn distracting to gaze upon Cockroach Boyfriend, knowing that I looked equally ridiculous. The tour was indeed funny, but our leader could have been talking total mumbo jumbo and I would still have been chuckling like a mad woman at the looks on people’s faces. Oh how I love to dress up – we spent most of our time trying to out silly each other’s photos. Did we feel like overgrown children? Hell yes, but that’s no bad thing every once in awhile. After a few wrong turnings we arrived at our final destination, with all it’s interactive Climate Change wizardry, where we finally de-Cockroached.

Cockroach man by Sarah Matthews
Cockroach man by Sarah Matthews.

I’d like to turn a totally blind eye to the principal sponsor of this gallery (Shell, cough, greenwash, cough) but there has clearly been a large amount of money thrown at what has now been renamed the Climate Science Gallery in the wake of the Climate Scepticism controversy last year (boo, hiss) – so why not get along and enjoy it? Hell, why not enjoy it dressed as a Cockroach?

Amelia Cockroach from behind
That’s me showing off my shiny cockroach ass in the Climate Science Gallery.

I personally feel I know enough Climate Change Science to last a lifetime, but for somebody who hasn’t got a wide knowledge this would be a really fun way to engage any kids you might have in tow. And for the adults – even just this brief visit reminded me just how much there is to see in the Science Museum, which I haven’t really visited since I was a child. And if you don’t believe me why not watch very fancy Cockroach Tour video:

YouTube Preview Image

Cockroach tours are being held every weekend until December 2011, and you can find out more about them and book online here. To celebrate the launch of the tours the Science Museum is offering one lucky winner four places on a tour of the weekend 12-13 February – they will be given a hand held camera and their video will be slicky edited into a film for the winner to keep. Oo-er. More information on this link.

I’m quite tempted to go back and visit their Trash Fashion exhibition myself.

CUCARACHA  COSMOPOLITA by Geiko Louve
CUCARACHA COSMOPOLITA by Karla Pérez Manrique.

EL BAILE DE LA CUCARACHA by Karla Pérez Manrique
EL BAILE DE LA CUCARACHA by Karla Pérez Manrique.

Cockroach-tour-Science-Museum-by-Mina-Bach
Cockroach tour by Mina Bach.

A couple of months ago I was invited to visit the Science Museum to dress up as a Cockroach. How on earth could I resist such an invitation? So it was that with trepidation myself and boyfriend strolled up Exhibition Road on a Saturday afternoon. Who would be our fellow Cockroaches? Children? Families? Other slightly bewildered online journos and bloggers?

Cockroach-couple-by-Sarah-Matthews
Cockroach couple by Sarah Matthews

We arrived at the tail end of nibbles in the lecture theatre, thumb and were hastily whisked off to the Cockroach dressing room – right at the front of the museum so that interested passers by (and slightly petrified children) could watch as we donned our Cockroach regalia.

Cockroach Amelia Gregory
That’s me, order dressed as a cockroach. Photo by Tim Adey.

Cockroach by Jessica Holt
Cockroach by Jessica Holt.

The purpose of all this Cockroach fun? Well you might ask… the Science Museum has just opened a swanky new Climate Change Science gallery, all swelling colours and interactive screens that change the digital atmosphere. (Immediate thought: what the hell is powering all this technical gadgetry? I was assured it was green energy).

cockroach tour maria papadimitriou
Cockroach tour by Maria Papadimitriou.

The Cockroach Tour is an art installation commissioned from Danish art collective Superflex – wherein my definition of art is VERY stretched – and takes groups of Cockroaches on a tour of the museum that ends up in the high reaches of the Climate Change Science gallery. The aim being to introduce people to the concept of human idiocy, as viewed through the eyes of a Cockroach, one of the oldest and most resilient life forms on the planet.

Cockroach-boy-by-Sarah-Matthews
Cockroach boy by Sarah Matthews.

For this tour we were led by a rapidly overheating actor. Ah yes, the Cockroach costumes. These are made of fibre glass and that rubbery stuff that you find in lots of kid’s toys these days. Hardly sustainably sound in itself, but very fun, even if my shell did bang rather hard against the back of my knees as I scuttled around the exhibits.

Cockroach tour car
Cockroach tour leader

Sample Cockroach talk: “Why do humans eat pizza when the box is so much more preferable?” I must confess that I really wasn’t listening very hard: it was just too damn distracting to gaze upon Cockroach Boyfriend, knowing that I looked equally ridiculous. The tour was indeed funny, but our leader could have been talking total mumbo jumbo and I would still have been chuckling like a mad woman at the looks on people’s faces. Oh how I love to dress up – we spent most of our time trying to out silly each other’s photos. Did we feel like overgrown children? Hell yes, but that’s no bad thing every once in awhile. After a few wrong turnings we arrived at our final destination, with all it’s interactive Climate Change wizardry, where we finally de-Cockroached.

Cockroach man by Sarah Matthews
Cockroach man by Sarah Matthews.

I’d like to turn a totally blind eye to the principal sponsor of this gallery (Shell, cough, greenwash, cough) but there has clearly been a large amount of money thrown at what has now been renamed the Climate Science Gallery in the wake of the Climate Scepticism controversy last year (boo, hiss) – so why not get along and enjoy it? Hell, why not enjoy it dressed as a Cockroach?

Amelia Cockroach from behind
That’s me showing off my shiny cockroach ass in the Climate Science Gallery.

I personally feel I know enough Climate Change Science to last a lifetime, but for somebody who hasn’t got a wide knowledge this would be a really fun way to engage any kids you might have in tow. What’s more, even just this brief visit reminded me just how much there is to see in the Science Museum, which I haven’t really visited since I was a child. And if you need any more reason to get down with the Cockroaches why not check out this very fancy Cockroach Tour video:

YouTube Preview Image

Cockroach tours are being held every weekend until December 2011, and you can find out more about them and book online here. To celebrate the launch of the tours the Science Museum is offering one lucky winner four places on a tour of the weekend 12-13 February – they will be given a hand held camera and their video will be slicky edited into a film for the winner to keep. Oo-er. More information on this link.

I’m quite tempted to go back and visit their Trash Fashion exhibition myself.

CUCARACHA  COSMOPOLITA by Geiko Louve
CUCARACHA COSMOPOLITA by Karla Pérez Manrique.

EL BAILE DE LA CUCARACHA by Karla Pérez Manrique
EL BAILE DE LA CUCARACHA by Karla Pérez Manrique.

Cockroach-tour-Science-Museum-by-Mina-Bach
Cockroach tour by Mina Bach.

A couple of months ago I was invited to visit the Science Museum to dress up as a Cockroach. How on earth could I resist such an invitation? So it was that with trepidation myself and boyfriend strolled up Exhibition Road on a Saturday afternoon. Who would be our fellow Cockroaches? Children? Families? Other slightly bewildered online journos and bloggers?

Cockroach-couple-by-Sarah-Matthews
Cockroach couple by Sarah Matthews

We arrived at the tail end of nibbles in the lecture theatre, viagra order and were hastily whisked off to the Cockroach dressing room – right at the front of the museum so that interested passers by (and slightly petrified children) could watch as we donned our Cockroach regalia.

Cockroach Amelia Gregory
That’s me, more about dressed as a cockroach. Photo by Tim Adey.

Cockroach by Jessica Holt
Cockroach by Jessica Holt.

The purpose of all this Cockroach fun? Well you might ask… the Science Museum has just opened a swanky new Climate Change Science gallery, case all swelling colours and interactive screens that change the digital atmosphere. (Immediate thought: what the hell is powering all this technical gadgetry? I was assured it was green energy).

cockroach tour maria papadimitriou
Cockroach tour by Maria Papadimitriou.

The Cockroach Tour is an art installation commissioned from Danish art collective Superflex – wherein my definition of art is VERY stretched – and takes groups of Cockroaches on a tour of the museum that ends up in the high reaches of the Climate Change Science gallery. The aim being to introduce people to the concept of human idiocy, as viewed through the eyes of a Cockroach, one of the oldest and most resilient life forms on the planet.

Cockroach-boy-by-Sarah-Matthews
Cockroach boy by Sarah Matthews.

For this tour we were led by a rapidly overheating actor. Ah yes, the Cockroach costumes. These are made of fibre glass and that rubbery stuff that you find in lots of kid’s toys these days. Hardly sustainably sound in itself, but very fun, even if my shell did bang rather hard against the back of my knees as I scuttled around the exhibits.

Cockroach tour car
Cockroach tour leader

Sample Cockroach talk: “Why do humans eat pizza when the box is so much more preferable?” I must confess that I really wasn’t listening very hard: it was just too damn distracting to gaze upon Cockroach Boyfriend, knowing that I looked equally ridiculous. The tour was indeed funny, but our leader could have been talking total mumbo jumbo and I would still have been chuckling like a mad woman at the looks on people’s faces. Oh how I love to dress up – we spent most of our time trying to out silly each other’s photos. Did we feel like overgrown children? Hell yes, but that’s no bad thing every once in awhile. After a few wrong turnings we arrived at our final destination, with all it’s interactive Climate Change wizardry, where we finally de-Cockroached.

Cockroach man by Sarah Matthews
Cockroach man by Sarah Matthews.

I’d like to turn a totally blind eye to the principal sponsor of this gallery (Shell, cough, greenwash, cough) but there has clearly been a large amount of money thrown at what has now been renamed the Climate Science Gallery in the wake of the Climate Scepticism controversy last year (boo, hiss) – so why not get along and enjoy it? Hell, why not enjoy it dressed as a Cockroach?

Amelia Cockroach from behind
That’s me showing off my shiny cockroach ass in the Climate Science Gallery.

I personally feel I know enough Climate Change Science to last a lifetime, but for somebody who hasn’t got a wide knowledge this would be a really fun way to engage any kids you might have in tow. What’s more, even just this brief visit reminded me just how much there is to see in the Science Museum, which I haven’t really visited since I was a child. And if you need any more reason to get down with the Cockroaches why not check out this very fancy Cockroach Tour video:

YouTube Preview Image

Cockroach tours are being held every weekend until December 2011, and you can find out more about them and book online here. To celebrate the launch of the tours the Science Museum is offering one lucky winner four places on a tour of the weekend 12-13 February – they will be given a hand held camera and their video will be slicky edited into a film for the winner to keep. Oo-er. More information on this link.

I’m quite tempted to go back and visit their Trash Fashion exhibition myself.

CUCARACHA  COSMOPOLITA by Geiko Louve
CUCARACHA COSMOPOLITA by Karla Pérez Manrique.

EL BAILE DE LA CUCARACHA by Karla Pérez Manrique
EL BAILE DE LA CUCARACHA by Karla Pérez Manrique.


Illustration by Stephanie Thieullent

‘I’m unhappy about my Wellingtons, rxEmma Forrest says as she makes her way through the packed bookshop. ‘I thought it was going to rain and then it didn’t, diagnosis and now I’m a little embarrassed.’ She takes her seat next to David Baddiel, the novelist and comedian who will interview her later. I have to admit I tend to frown upon wellie-wearing not merited by the weather too, but I was going to let that go for Emma the wordsmith. But now it seems not only does she write lovely books full of excellent literary quirks, she has sound wellie-sense too.

Considering she’s here to read from a memoir of manic depression and bereavement, Emma is funny. While unafraid to dig into the heart of the subject matter, ‘Your voice in my head’ is at times a book that makes you laugh out loud. ‘It’s important to include humour, no matter how dark the material is,’ says Emma.


Illustration by Alexandra Rolfe

Clerkenwell Tales, the little independent bookshop on Exmouth Market, was packed to the brim with people wanting to hear Emma read. But if you Google Emma Forrest you will see what she is most famous for, and it has nothing to do with writing. She used to date a certain Hollywood actor, whose name remains hidden behind a pseudonym both in the book and during the reading. But what prompted her to write this book is that just as this all-consuming love affair ended, Emma’s beloved therapist died and left her alone to pick up the pieces. The title of the book is a reflection of her reverence for him, and the book is also a celebration of the good doctor and all the people he helped.


Illustration by Gareth A Hopkins

I first discovered Emma Forrest as she published her previous novel, ‘Cherries in the snow’. I loved the book – partially for it being an unusual take on the girl-in-the-city genre (I refuse to call it chick-lit), but also because it is beautifully written with clever turns of phrases and unique metaphors. Waiting for Emma’s next book took five years, before ‘Your voice in my head’ was published a few weeks ago. Born in the UK, Emma now lives in Los Angeles where she’s a screenwriter; ‘There is so much open sky in LA. You really get a sense that your problems aren’t any bigger than anyone else’s, and that things can be dealt with.’


Illustration by Kiran Patel at Illustrating Rain

As the Q&A session wanders from the funny towards the dark, some of the questions, both from Baddiel and the audience, turn incredibly personal. The room grows completely silent as Emma describes the mania. ‘Madness felt like trying to write about music, which is so difficult to describe. Madness and music are a similar place to be.’ And later: ‘It takes a while to be able to choose to leave mania, to choose to get better. But eventually you reach a place where you need to leave it behind, to be part of the world.’ The girl sitting in front of me nods her head gently as Emma speaks, it seems she knows it’s true.

I buy the book and Emma signs it for me; she’s tiny even in her wellie heels. I read it on the train home and miss my stop.


Illustration by Sarah Alfarhan

‘Your voice in my head’ is out now. Read Emma’s blog here.

Categories ,Alexandra Rolfe, ,Bloomsbury, ,book launch, ,Clerkenwell Tales, ,David Baddiel, ,Emma Forrest, ,Exmouth Market, ,Gareth A Hopkins, ,Illustrating Rain, ,london, ,manic depression, ,memoir, ,mental illness, ,Sarah Alfarhan, ,Stéphanie Thieullent, ,Your voice in my head

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Amelia’s Magazine | Amelia’s Anthology of Illustration Book Launch

Everything we do at Amelia’s Magazine is a collaborative and creative endeavor, viagra and this extends to the upcoming book launch of Amelia’s Anthology of Illustration (released this week) and the subsequent exhibition of 10 of the books illustrators. Seeing that the book takes pride in championing fresh new talent in the world of illustration, it makes sense that we would want Tuesdays book launch at Concrete Hermit in East London to reflect this. Letting our illustrators run riot, Concrete Hermit has turned its gallery space, and their walls over to them to bring their illustrations of renewable technologies from the Anthology to life. The results can be seen from Tuesday, 8th December onwards, and the exhibition will run until January 1st 2010.

Anthology1-Concrete-Hermit-Dec-09-001

Anthology7-Concrete-Hermit06122009-Dec-09-044

Our dedicated illustrators pitched up this Sunday to lend their unique talents to this project. Given that the gallery space is pretty compact, and that at any given time there were roughly ten illustrators, as well as Amelia’s staff on hand to document the day and decorate the outside window,  the atmosphere was relaxed, friendly and supportive – even if space was definitely at a premium! I was especially pleased to see some of the illustrators that I had been given the opportunity to interview for the Anthology, such as Jess Wilson, Craig Yamey and Chris Cox. While David Bowie played on the radio, coffee was consumed and cookies and cheese bagels were munched for much needed sustenance. I watched as white walls were transformed into bright and colourful ecological utopias, adorned with mythical creatures, talking whales and flying kites. Interesting and unexpected collaborations unfolded between many of the illustrators who were meeting each other for the first time; for example, when Chris Cox, Barbara Ana Gomez and Jess Wilson realised that their illustrations about renewable technologies all featured bodies of water such as lakes and the sea, they decided to share a large wall space, and while the illustrations are kept separate, they also seamlessly blend in with one another, each one complimenting the other. On another wall space, Karolin Schnoor (who was illustrating underwater technologies) and Andrew Merritt (whose work featured above water tech) shared the top and bottom half of the wall to weave their respective illustrations together.

Anthology2-Concrete-Hermit06122009-Dec-09-016

Anthology7-Concrete-Hermit06122009-Dec-09-064

Anthology3-Concrete-Hermit06122009-Dec-09-035

Anthology5-Concrete-Hermit06122009-Dec-09-036

Illustrating a wall space on a tight time span is a very different process to how the illustrators are used to working; while Jess revealed that the process was ”less stressful than I thought it was going to be”, others were conscious of the fact that they only had one take. Despite this, all were incredibly proud of their work for the Anthology and were delighted to be able to showcase their work at the gallery. By 5pm, there was the slightly worrying fact that due to unforeseen circumstances, part of one of the main walls still stood glaringly untouched. Undeterred, Craig, Barbara Ana and Amelia stepped in to collaborate on what was quickly termed the ‘mad panic corner’. Despite the time constraints, everyone was in good spirits, and I look forward to see how the mad panic corner has taken shape!

Anthology6-Concrete-Hermit06122009-Dec-09-041

Anthology8-Concrete-Hermit06122009-Dec-09-061

Leona Clarke adds some finishing touches

Anthology9-Concrete-Hermit06122009-Dec-09-073

Saffron Stocker gets to grips with her piece of the wall.

Anthology10-Concrete-Hermit06122009-Dec-09-085

If you are London based, please come along to the launch, which starts at 6.30 and runs until 9.30pm. Once here, you can pick up a copy of the book which will be signed by Amelia. There will also be carbon neutral beer provided by Adnams and Macs Gold Malt Lager by Madison on hand. If you can’t make it on Tuesday evening, you have a few more weeks to see the work of our super talented illustrators adorn the walls of Concrete Hermit. We are expecting it to get very busy on Tuesday night, so please turn up early!

Categories ,book launch, ,Concrete Hermit, ,exhibition, ,exhibitionreview, ,Gallery, ,illustration, ,illustrators

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