Amelia’s Magazine | Pai Skincare: Organic Products for Sensitive Skin

Danielle Lloyd and Konnie Huq, treatment illustrated by Lisa Stannard

Olivia Rubin’s show was to be held at Jalouse in Hanover Square – a place I’d hear of but never actually ventured in to. It was to be my last womenswear show (although I didn’t know it at the time, page such is life!) and after a long, grueling day I needed a big drink. Luckily, these were on hand.

Outside, glamorous ladies and gents queued to get in, all throwing their tickets into the air, shouting the names of their publications or various relationships with Olivia. When I finally got inside, the Only Way is Essex girl group Lola were being ravished by a pack of pervy photographers screaming their names. To my left was Danielle Lloyd, an intriguing shade of orange; to my right, Jason Gardiner sat in a booth surrounded by a harem of orange honeyz. Konnie Huq was there. What the hell was going on? I was completely baffled. We’d featured Olivia in the past – I adored her artists-inspired collection, but I had no idea she had such an, erm, orange following.


Illustration by Fritha Strickland

There were no seats available – the show was to take place on a precarious plinth around the main area of the club, with guests littered around the plinth in sunken seats. I positioned myself by a wall and necked a cocktail. Whilst waiting for the show to start, I Twittered and checked my emails, slightly aware of somebody standing next to me but not looking up to notice. Hilariously, it was contributor Lauren, who had been stood there for a good ten minutes without either of us realising. This is the kind of thing that happens to your brain during fashion week. I could have been stood next to Naomi Campbell and wouldn’t have noticed (not that Lauren isn’t gorgeous herself).


Illustration by Michelle Urval Nyrén

The show began to rapturous applause, with the first model coming out from behind a make-shift backstage area right behind where I was standing. It was difficult to know where to look, and I missed the first few outfits due to glaring at the audience and being mesmerised by Jalouse’s crystal ceiling.

Olivia has quickly risen up the fashion ranks with her playful, vibrant prints using a whole load of inspiration. This time was no exception – brick patterns, speech bubbles, floral prints on silk and animal prints were all on display under the glittery lights. The shapes and cuts seemed a little more sophisticated this time around – Olivia’s staple playful dresses were still there in vibrant colours, but the addition of figure-hugging jersey tops and cropped trousers added a new, demure look. Lace details had been added to some pieces, sexing them up a little. Jersey and silks had been married for great effect. Sexy translucent shirts worn over lace underwear add even more kink to this fab collection.


Illustration by Jaymie O’Callaghan


Illustration by Madi Illustrates

Many of the pieces featured wrap-around details that flatter the figure – not that any of these hot models needed any flattering, but I imagine that sweeping necklines and pinched waists can be pulled off by even the most Rubenesque figure. Longer, almost floor-length numbers with vibrant graphic patterns closed the show – the final walkthrough leaving me on edge as these glamorous girls in vertiginous heels swaggered around the raised plinth.


One of the Only Way Is Essex birds, illustrated by Lisa Stannard

After the show, me and Amelia enjoyed a cocktail or two and had a bit of a gossip, keeping one eye on the attendees. We stood near the official photo point, me with my camera around my neck – one of the guests asked if I could take her picture. She didn’t ask why I was taking pictures or which publication I was from, she just wanted her photograph taken. Well, why not? Here she is – I hope she sees it (and likes it, obv).

All photography by Matt Bramford

See more of Lisa and Michelle’s illustrations in Amelia’s Compendium of Fashion Illustration.

Danielle Lloyd and Konnie Huq, illustrated by Lisa Stannard

Olivia Rubin’s show was to be held at Jalouse in Hanover Square – a place I’d hear of but never actually ventured in to. It was to be my last womenswear show (although I didn’t know it at the time, such is life!) and after a long, grueling day I needed a big drink. Luckily, these were on hand.

Outside, glamorous ladies and gents queued to get in, all throwing their tickets into the air, shouting the names of their publications or various relationships with Olivia. When I finally got inside, the Only Way is Essex girl group Lola were being ravished by a pack of pervy photographers screaming their names. To my left was Danielle Lloyd, an intriguing shade of orange; to my right, Jason Gardiner sat in a booth surrounded by a harem of orange honeyz. Konnie Huq was there. What the hell was going on? I was completely baffled. We’d featured Olivia in the past – I adored her artists-inspired collection, but I had no idea she had such an, erm, orange following.


Illustration by Fritha Strickland

There were no seats available – the show was to take place on a precarious plinth around the main area of the club, with guests littered around the plinth in sunken seats. I positioned myself by a wall and necked a cocktail. Whilst waiting for the show to start, I Twittered and checked my emails, slightly aware of somebody standing next to me but not looking up to notice. Hilariously, it was contributor Lauren, who had been stood there for a good ten minutes without either of us realising. This is the kind of thing that happens to your brain during fashion week. I could have been stood next to Naomi Campbell and wouldn’t have noticed (not that Lauren isn’t gorgeous herself).


Illustration by Michelle Urval Nyrén

The show began to rapturous applause, with the first model coming out from behind a make-shift backstage area right behind where I was standing. It was difficult to know where to look, and I missed the first few outfits due to glaring at the audience and being mesmerised by Jalouse’s crystal ceiling.

Olivia has quickly risen up the fashion ranks with her playful, vibrant prints using a whole load of inspiration. This time was no exception – brick patterns, speech bubbles, floral prints on silk and animal prints were all on display under the glittery lights. The shapes and cuts seemed a little more sophisticated this time around – Olivia’s staple playful dresses were still there in vibrant colours, but the addition of figure-hugging jersey tops and cropped trousers added a new, demure look. Lace details had been added to some pieces, sexing them up a little. Jersey and silks had been married for great effect. Sexy translucent shirts worn over lace underwear add even more kink to this fab collection.


Illustration by Jaymie O’Callaghan


Illustration by Madi Illustrates


Illustration by Maria Papadimitriou

Many of the pieces featured wrap-around details that flatter the figure – not that any of these hot models needed any flattering, but I imagine that sweeping necklines and pinched waists can be pulled off by even the most Rubenesque figure. Longer, almost floor-length numbers with vibrant graphic patterns closed the show – the final walkthrough leaving me on edge as these glamorous girls in vertiginous heels swaggered around the raised plinth.


One of the Only Way Is Essex birds, illustrated by Lisa Stannard

After the show, me and Amelia enjoyed a cocktail or two and had a bit of a gossip, keeping one eye on the attendees. We stood near the official photo point, me with my camera around my neck – one of the guests asked if I could take her picture. She didn’t ask why I was taking pictures or which publication I was from, she just wanted her photograph taken. Well, why not? Here she is – I hope she sees it (and likes it, obv).

All photography by Matt Bramford

See more of Lisa and Michelle’s illustrations in Amelia’s Compendium of Fashion Illustration.

Danielle Lloyd and Konnie Huq, troche illustrated by Lisa Stannard

Olivia Rubin’s show was to be held at Jalouse in Hanover Square – a place I’d hear of but never actually ventured in to. It was to be my last womenswear show (although I didn’t know it at the time, symptoms such is life!) and after a long, stuff grueling day I needed a big drink. Luckily, these were on hand.

Outside, glamorous ladies and gents queued to get in, all throwing their tickets into the air, shouting the names of their publications or various relationships with Olivia. When I finally got inside, the Only Way is Essex girl group Lola were being ravished by a pack of pervy photographers screaming their names. To my left was Danielle Lloyd, an intriguing shade of orange; to my right, Jason Gardiner sat in a booth surrounded by a harem of orange honeyz. Konnie Huq was there. What the hell was going on? I was completely baffled. We’d featured Olivia in the past – I adored her artists-inspired collection, but I had no idea she had such an, erm, orange following.


Illustration by Fritha Strickland

There were no seats available – the show was to take place on a precarious plinth around the main area of the club, with guests littered around the plinth in sunken seats. I positioned myself by a wall and necked a cocktail. Whilst waiting for the show to start, I Twittered and checked my emails, slightly aware of somebody standing next to me but not looking up to notice. Hilariously, it was contributor Lauren, who had been stood there for a good ten minutes without either of us realising. This is the kind of thing that happens to your brain during fashion week. I could have been stood next to Naomi Campbell and wouldn’t have noticed (not that Lauren isn’t gorgeous herself).


Illustration by Michelle Urval Nyrén

The show began to rapturous applause, with the first model coming out from behind a make-shift backstage area right behind where I was standing. It was difficult to know where to look, and I missed the first few outfits due to glaring at the audience and being mesmerised by Jalouse’s crystal ceiling.

Olivia has quickly risen up the fashion ranks with her playful, vibrant prints using a whole load of inspiration. This time was no exception – brick patterns, speech bubbles, floral prints on silk and animal prints were all on display under the glittery lights. The shapes and cuts seemed a little more sophisticated this time around – Olivia’s staple playful dresses were still there in vibrant colours, but the addition of figure-hugging jersey tops and cropped trousers added a new, demure look. Lace details had been added to some pieces, sexing them up a little. Jersey and silks had been married for great effect. Sexy translucent shirts worn over lace underwear add even more kink to this fab collection.


Illustration by Jaymie O’Callaghan


Illustration by Madi Illustrates


Illustration by Maria Papadimitriou

Many of the pieces featured wrap-around details that flatter the figure – not that any of these hot models needed any flattering, but I imagine that sweeping necklines and pinched waists can be pulled off by even the most Rubenesque figure. Longer, almost floor-length numbers with vibrant graphic patterns closed the show – the final walkthrough leaving me on edge as these glamorous girls in vertiginous heels swaggered around the raised plinth.


One of the Only Way Is Essex birds, illustrated by Lisa Stannard

After the show, me and Amelia enjoyed a cocktail or two and had a bit of a gossip, keeping one eye on the attendees. We stood near the official photo point, me with my camera around my neck – one of the guests asked if I could take her picture. She didn’t ask why I was taking pictures or which publication I was from, she just wanted her photograph taken. Well, why not? Here she is – I hope she sees it (and likes it, obv).

All photography by Matt Bramford

See more of Lisa and Michelle’s illustrations in Amelia’s Compendium of Fashion Illustration.
Sarah Brown Pai by Danielle Shepherd
Sarah Brown of Pai Skincare by Danielle Shepherd.

I’ve been a big fan of Pai Skincare for some time – and it seems I am not the only one. This small ethical beauty brand has quickly garnered a huge celebrity following that includes the likes of Natalie Portman. All products are certified organic and formulated in house by inspiring founder Sarah Brown. I asked her to answer a few questions:

You were inspired to start Pai Skincare after suffering from your own skin allergies. What were you doing previously and how did you set about creating the brand? ??
I was previously PR Manager for E & J Gallo Wines. ??The inspiration for Pai came from my personal battles with difficult skin and my disillusionment with the lack of transparency in the natural beauty sector. ??I came to the task with the mindset of a frustrated customer and fixed all the things that bothered me about the other products I’d tried on my aggravated skin and rejected. ??I’d always harboured ambitions to develop my own brand – there is something profoundly rewarding about creating something meaningful from nothing but your own hard work!???

Pai Avocado & Jojoba Hydrating Day Cream
Pai Avocado & Jojoba Hydrating Day Cream.

And how does it differ from other beauty skincare brands on the market???
The complete Pai range is certified organic by the Soil Association and is designed specifically for people with sensitive skin. ??We formulate all our own products, approved so we’re experts on ingredients and don’t compromise by adding irritating chemicals or alcohol. All the manufacturing is done in-house as well. So many other natural brands use contract manufacturers to formulate and make their products, so I think they don’t have the same connection with their products as we do at Pai.?? We also list all ingredients in plain English so you know exactly what’s in the bottle. We’re still the only beauty brand to do this. Most ingredient lists appear in the obligatory Latin, which we don’t think is particularly reader-friendly!???

Pai Avocado & Jojoba Hydrating Day Cream bottle
Pai Avocado & Jojoba Hydrating Day Cream bottle.

What have you learnt along the way and what has been the hardest part of setting up your own business???
Stick to your principles, don’t compromise and keep striving for perfection. ??The hardest part has been lack of money – the recession hit just when some investment would have been useful to get things moving. However, it has meant that Pai has been profitable from day one and it is really satisfying to have built both a brand and a business.

Ilustration by Erica Sharp
Illustration by Erica Sharp.

???Where do you source your ingredients from??
We try and source the majority of our ingredients from Europe to keep our moisturiser miles to a minimum. Some of the more unusual plant extracts do come from further afield.

????One of your latest products is the wonderfully named Fragonia and Sea Buckthorn Instant Hand Therapy Cream. Why did you decide to formulate it with these ingredients, and how did you find out about their properties?
??We designed this therapeutic cream for particularly dry, sensitive and chapped hands. ??Fragonia is an exciting new ingredient from Australia that is similar to Tea Tree oil. It has the same anti-inflammatory and antiseptic properties but without the irritation. It is far kinder on the skin and has a softer, sweeter aroma. ??Sea Buckthorn is bursting with anti-oxidants and carotenoids which nourish and regenerate damaged skin.?? What’s clever about this product is that it absorbs instantly. My central aim was to create a cream that packed a punch (from a skin conditioning perspective) but without leaving the usual greasiness you get with hand creams. I like to apply a hand cream and be able to hold a pen afterwards!???

Pai Skincare by Abigail Daker
Pai Skincare by Abigail Daker.

Your website is really clean and easy to use. How important are online sales to you???
Pretty important – it helps to give us a voice and international distribution in markets where we don’t a have physical store presence.?? We built the website ourselves to keep costs down, and manage it all in-house. We have just opened our US West Coast warehouse to make delivery a bit quicker for our fast-growing US customer-base.???

You’ve had a lot of high profile celebrity endorsement – why do you think this is (apart from your brand obviously being very good)? Do you have a high profile marketing strategy, or is it merely word of mouth?
??I think it’s a combination of marketing, word of mouth and a bit of good fortune. We have a number of make-up artists who swear by our products so word has spread quickly in Hollywood and Pai is now a regular fixture on a lot of film sets. Our Geranium & Thistle Combination Skin Cream is a great base for make-up.???

Pai Skin Care by Karolina Burdon
Pai Skin Care by Karolina Burdon.

Which celebrity would you most like to be using Pai Skincare in the future, and if they were reading this blog now how would you persuade them?
??Natalie Portman has recently declared herself a fan of our products – particularly our Chamomile & Rosehip Cream – so for me it doesn’t get much better than that. ??Kristen Scott Thomas would be a great customer to have – she seems suitably discerning. And Simon Pegg because he’d be a fun ambassador for the brand… and real men need organic skincare too.  
?
?Why is a good night’s sleep in the dark so important? ?
Total darkness stimulates the brain’s sleep chemical, melatonin. So results in a higher quality of undisturbed sleep.  

???You keep a wonderful blog – how is this important in promoting the brand and keeping in touch with what customers think and want??
My blog is really important as it gives me the chance to talk about wider skin health rather than just plug my products. I write about all sorts – from why chocolate really does give you spots to natural remedies for cold sores. Anything that interests me, and that I think (or rather hope) might be interesting to others too.

Pai by Gilly Rochester
Pai by Gilly Rochester.

???What retail outlets can people buy Pai Skincare in???
We’re stocked in a number of specialist beauty and health food chains throughout the UK e.g. the lovely CONTENT in Marylebone and Whole Foods Market. People can also buy online from our website – www.paiskincare.com.???

What is keeping you busiest at the moment, and what new ideas or products are you working on???
Ideas for new products always keeps me busy. We have some great new products in the pipeline – keep an eye on our website for more details soon. Or check out our Facebook page – for a little sneak preview.??   

Don’t forget to check in with Sarah’s wonderful blog – there are some real pearls of wisdom on there, especially if you suffer from skin problems.

Categories ,Abigail Daker, ,Beauty, ,Chamomile & Rosehip Cream, ,Content, ,Danielle Shepherd, ,E & J Gallo Wines, ,Erica Sharp, ,Fragonia, ,Fragonia and Sea Buckthorn Instant Hand Therapy Cream, ,Geranium & Thistle Combination Skin Cream, ,Gilly Rochester, ,Hollywood, ,Karolina Burdon, ,Kristen Scott Thomas, ,Marylebone, ,Natalie Portman, ,organic, ,Pai, ,Pai Avocado & Jojoba Hydrating Day Cream, ,Pai Skincare, ,Sarah Brown, ,Sea Buckthorn, ,Simon Pegg, ,Skincare, ,Soil Association, ,Whole Foods Market

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Amelia’s Magazine | Pai Skincare: Organic Products for Sensitive Skin

Danielle Lloyd and Konnie Huq, treatment illustrated by Lisa Stannard

Olivia Rubin’s show was to be held at Jalouse in Hanover Square – a place I’d hear of but never actually ventured in to. It was to be my last womenswear show (although I didn’t know it at the time, page such is life!) and after a long, grueling day I needed a big drink. Luckily, these were on hand.

Outside, glamorous ladies and gents queued to get in, all throwing their tickets into the air, shouting the names of their publications or various relationships with Olivia. When I finally got inside, the Only Way is Essex girl group Lola were being ravished by a pack of pervy photographers screaming their names. To my left was Danielle Lloyd, an intriguing shade of orange; to my right, Jason Gardiner sat in a booth surrounded by a harem of orange honeyz. Konnie Huq was there. What the hell was going on? I was completely baffled. We’d featured Olivia in the past – I adored her artists-inspired collection, but I had no idea she had such an, erm, orange following.


Illustration by Fritha Strickland

There were no seats available – the show was to take place on a precarious plinth around the main area of the club, with guests littered around the plinth in sunken seats. I positioned myself by a wall and necked a cocktail. Whilst waiting for the show to start, I Twittered and checked my emails, slightly aware of somebody standing next to me but not looking up to notice. Hilariously, it was contributor Lauren, who had been stood there for a good ten minutes without either of us realising. This is the kind of thing that happens to your brain during fashion week. I could have been stood next to Naomi Campbell and wouldn’t have noticed (not that Lauren isn’t gorgeous herself).


Illustration by Michelle Urval Nyrén

The show began to rapturous applause, with the first model coming out from behind a make-shift backstage area right behind where I was standing. It was difficult to know where to look, and I missed the first few outfits due to glaring at the audience and being mesmerised by Jalouse’s crystal ceiling.

Olivia has quickly risen up the fashion ranks with her playful, vibrant prints using a whole load of inspiration. This time was no exception – brick patterns, speech bubbles, floral prints on silk and animal prints were all on display under the glittery lights. The shapes and cuts seemed a little more sophisticated this time around – Olivia’s staple playful dresses were still there in vibrant colours, but the addition of figure-hugging jersey tops and cropped trousers added a new, demure look. Lace details had been added to some pieces, sexing them up a little. Jersey and silks had been married for great effect. Sexy translucent shirts worn over lace underwear add even more kink to this fab collection.


Illustration by Jaymie O’Callaghan


Illustration by Madi Illustrates

Many of the pieces featured wrap-around details that flatter the figure – not that any of these hot models needed any flattering, but I imagine that sweeping necklines and pinched waists can be pulled off by even the most Rubenesque figure. Longer, almost floor-length numbers with vibrant graphic patterns closed the show – the final walkthrough leaving me on edge as these glamorous girls in vertiginous heels swaggered around the raised plinth.


One of the Only Way Is Essex birds, illustrated by Lisa Stannard

After the show, me and Amelia enjoyed a cocktail or two and had a bit of a gossip, keeping one eye on the attendees. We stood near the official photo point, me with my camera around my neck – one of the guests asked if I could take her picture. She didn’t ask why I was taking pictures or which publication I was from, she just wanted her photograph taken. Well, why not? Here she is – I hope she sees it (and likes it, obv).

All photography by Matt Bramford

See more of Lisa and Michelle’s illustrations in Amelia’s Compendium of Fashion Illustration.

Danielle Lloyd and Konnie Huq, illustrated by Lisa Stannard

Olivia Rubin’s show was to be held at Jalouse in Hanover Square – a place I’d hear of but never actually ventured in to. It was to be my last womenswear show (although I didn’t know it at the time, such is life!) and after a long, grueling day I needed a big drink. Luckily, these were on hand.

Outside, glamorous ladies and gents queued to get in, all throwing their tickets into the air, shouting the names of their publications or various relationships with Olivia. When I finally got inside, the Only Way is Essex girl group Lola were being ravished by a pack of pervy photographers screaming their names. To my left was Danielle Lloyd, an intriguing shade of orange; to my right, Jason Gardiner sat in a booth surrounded by a harem of orange honeyz. Konnie Huq was there. What the hell was going on? I was completely baffled. We’d featured Olivia in the past – I adored her artists-inspired collection, but I had no idea she had such an, erm, orange following.


Illustration by Fritha Strickland

There were no seats available – the show was to take place on a precarious plinth around the main area of the club, with guests littered around the plinth in sunken seats. I positioned myself by a wall and necked a cocktail. Whilst waiting for the show to start, I Twittered and checked my emails, slightly aware of somebody standing next to me but not looking up to notice. Hilariously, it was contributor Lauren, who had been stood there for a good ten minutes without either of us realising. This is the kind of thing that happens to your brain during fashion week. I could have been stood next to Naomi Campbell and wouldn’t have noticed (not that Lauren isn’t gorgeous herself).


Illustration by Michelle Urval Nyrén

The show began to rapturous applause, with the first model coming out from behind a make-shift backstage area right behind where I was standing. It was difficult to know where to look, and I missed the first few outfits due to glaring at the audience and being mesmerised by Jalouse’s crystal ceiling.

Olivia has quickly risen up the fashion ranks with her playful, vibrant prints using a whole load of inspiration. This time was no exception – brick patterns, speech bubbles, floral prints on silk and animal prints were all on display under the glittery lights. The shapes and cuts seemed a little more sophisticated this time around – Olivia’s staple playful dresses were still there in vibrant colours, but the addition of figure-hugging jersey tops and cropped trousers added a new, demure look. Lace details had been added to some pieces, sexing them up a little. Jersey and silks had been married for great effect. Sexy translucent shirts worn over lace underwear add even more kink to this fab collection.


Illustration by Jaymie O’Callaghan


Illustration by Madi Illustrates


Illustration by Maria Papadimitriou

Many of the pieces featured wrap-around details that flatter the figure – not that any of these hot models needed any flattering, but I imagine that sweeping necklines and pinched waists can be pulled off by even the most Rubenesque figure. Longer, almost floor-length numbers with vibrant graphic patterns closed the show – the final walkthrough leaving me on edge as these glamorous girls in vertiginous heels swaggered around the raised plinth.


One of the Only Way Is Essex birds, illustrated by Lisa Stannard

After the show, me and Amelia enjoyed a cocktail or two and had a bit of a gossip, keeping one eye on the attendees. We stood near the official photo point, me with my camera around my neck – one of the guests asked if I could take her picture. She didn’t ask why I was taking pictures or which publication I was from, she just wanted her photograph taken. Well, why not? Here she is – I hope she sees it (and likes it, obv).

All photography by Matt Bramford

See more of Lisa and Michelle’s illustrations in Amelia’s Compendium of Fashion Illustration.

Danielle Lloyd and Konnie Huq, troche illustrated by Lisa Stannard

Olivia Rubin’s show was to be held at Jalouse in Hanover Square – a place I’d hear of but never actually ventured in to. It was to be my last womenswear show (although I didn’t know it at the time, symptoms such is life!) and after a long, stuff grueling day I needed a big drink. Luckily, these were on hand.

Outside, glamorous ladies and gents queued to get in, all throwing their tickets into the air, shouting the names of their publications or various relationships with Olivia. When I finally got inside, the Only Way is Essex girl group Lola were being ravished by a pack of pervy photographers screaming their names. To my left was Danielle Lloyd, an intriguing shade of orange; to my right, Jason Gardiner sat in a booth surrounded by a harem of orange honeyz. Konnie Huq was there. What the hell was going on? I was completely baffled. We’d featured Olivia in the past – I adored her artists-inspired collection, but I had no idea she had such an, erm, orange following.


Illustration by Fritha Strickland

There were no seats available – the show was to take place on a precarious plinth around the main area of the club, with guests littered around the plinth in sunken seats. I positioned myself by a wall and necked a cocktail. Whilst waiting for the show to start, I Twittered and checked my emails, slightly aware of somebody standing next to me but not looking up to notice. Hilariously, it was contributor Lauren, who had been stood there for a good ten minutes without either of us realising. This is the kind of thing that happens to your brain during fashion week. I could have been stood next to Naomi Campbell and wouldn’t have noticed (not that Lauren isn’t gorgeous herself).


Illustration by Michelle Urval Nyrén

The show began to rapturous applause, with the first model coming out from behind a make-shift backstage area right behind where I was standing. It was difficult to know where to look, and I missed the first few outfits due to glaring at the audience and being mesmerised by Jalouse’s crystal ceiling.

Olivia has quickly risen up the fashion ranks with her playful, vibrant prints using a whole load of inspiration. This time was no exception – brick patterns, speech bubbles, floral prints on silk and animal prints were all on display under the glittery lights. The shapes and cuts seemed a little more sophisticated this time around – Olivia’s staple playful dresses were still there in vibrant colours, but the addition of figure-hugging jersey tops and cropped trousers added a new, demure look. Lace details had been added to some pieces, sexing them up a little. Jersey and silks had been married for great effect. Sexy translucent shirts worn over lace underwear add even more kink to this fab collection.


Illustration by Jaymie O’Callaghan


Illustration by Madi Illustrates


Illustration by Maria Papadimitriou

Many of the pieces featured wrap-around details that flatter the figure – not that any of these hot models needed any flattering, but I imagine that sweeping necklines and pinched waists can be pulled off by even the most Rubenesque figure. Longer, almost floor-length numbers with vibrant graphic patterns closed the show – the final walkthrough leaving me on edge as these glamorous girls in vertiginous heels swaggered around the raised plinth.


One of the Only Way Is Essex birds, illustrated by Lisa Stannard

After the show, me and Amelia enjoyed a cocktail or two and had a bit of a gossip, keeping one eye on the attendees. We stood near the official photo point, me with my camera around my neck – one of the guests asked if I could take her picture. She didn’t ask why I was taking pictures or which publication I was from, she just wanted her photograph taken. Well, why not? Here she is – I hope she sees it (and likes it, obv).

All photography by Matt Bramford

See more of Lisa and Michelle’s illustrations in Amelia’s Compendium of Fashion Illustration.
Sarah Brown Pai by Danielle Shepherd
Sarah Brown of Pai Skincare by Danielle Shepherd.

I’ve been a big fan of Pai Skincare for some time – and it seems I am not the only one. This small ethical beauty brand has quickly garnered a huge celebrity following that includes the likes of Natalie Portman. All products are certified organic and formulated in house by inspiring founder Sarah Brown. I asked her to answer a few questions:

You were inspired to start Pai Skincare after suffering from your own skin allergies. What were you doing previously and how did you set about creating the brand? ??
I was previously PR Manager for E & J Gallo Wines. ??The inspiration for Pai came from my personal battles with difficult skin and my disillusionment with the lack of transparency in the natural beauty sector. ??I came to the task with the mindset of a frustrated customer and fixed all the things that bothered me about the other products I’d tried on my aggravated skin and rejected. ??I’d always harboured ambitions to develop my own brand – there is something profoundly rewarding about creating something meaningful from nothing but your own hard work!???

Pai Avocado & Jojoba Hydrating Day Cream
Pai Avocado & Jojoba Hydrating Day Cream.

And how does it differ from other beauty skincare brands on the market???
The complete Pai range is certified organic by the Soil Association and is designed specifically for people with sensitive skin. ??We formulate all our own products, approved so we’re experts on ingredients and don’t compromise by adding irritating chemicals or alcohol. All the manufacturing is done in-house as well. So many other natural brands use contract manufacturers to formulate and make their products, so I think they don’t have the same connection with their products as we do at Pai.?? We also list all ingredients in plain English so you know exactly what’s in the bottle. We’re still the only beauty brand to do this. Most ingredient lists appear in the obligatory Latin, which we don’t think is particularly reader-friendly!???

Pai Avocado & Jojoba Hydrating Day Cream bottle
Pai Avocado & Jojoba Hydrating Day Cream bottle.

What have you learnt along the way and what has been the hardest part of setting up your own business???
Stick to your principles, don’t compromise and keep striving for perfection. ??The hardest part has been lack of money – the recession hit just when some investment would have been useful to get things moving. However, it has meant that Pai has been profitable from day one and it is really satisfying to have built both a brand and a business.

Ilustration by Erica Sharp
Illustration by Erica Sharp.

???Where do you source your ingredients from??
We try and source the majority of our ingredients from Europe to keep our moisturiser miles to a minimum. Some of the more unusual plant extracts do come from further afield.

????One of your latest products is the wonderfully named Fragonia and Sea Buckthorn Instant Hand Therapy Cream. Why did you decide to formulate it with these ingredients, and how did you find out about their properties?
??We designed this therapeutic cream for particularly dry, sensitive and chapped hands. ??Fragonia is an exciting new ingredient from Australia that is similar to Tea Tree oil. It has the same anti-inflammatory and antiseptic properties but without the irritation. It is far kinder on the skin and has a softer, sweeter aroma. ??Sea Buckthorn is bursting with anti-oxidants and carotenoids which nourish and regenerate damaged skin.?? What’s clever about this product is that it absorbs instantly. My central aim was to create a cream that packed a punch (from a skin conditioning perspective) but without leaving the usual greasiness you get with hand creams. I like to apply a hand cream and be able to hold a pen afterwards!???

Pai Skincare by Abigail Daker
Pai Skincare by Abigail Daker.

Your website is really clean and easy to use. How important are online sales to you???
Pretty important – it helps to give us a voice and international distribution in markets where we don’t a have physical store presence.?? We built the website ourselves to keep costs down, and manage it all in-house. We have just opened our US West Coast warehouse to make delivery a bit quicker for our fast-growing US customer-base.???

You’ve had a lot of high profile celebrity endorsement – why do you think this is (apart from your brand obviously being very good)? Do you have a high profile marketing strategy, or is it merely word of mouth?
??I think it’s a combination of marketing, word of mouth and a bit of good fortune. We have a number of make-up artists who swear by our products so word has spread quickly in Hollywood and Pai is now a regular fixture on a lot of film sets. Our Geranium & Thistle Combination Skin Cream is a great base for make-up.???

Pai Skin Care by Karolina Burdon
Pai Skin Care by Karolina Burdon.

Which celebrity would you most like to be using Pai Skincare in the future, and if they were reading this blog now how would you persuade them?
??Natalie Portman has recently declared herself a fan of our products – particularly our Chamomile & Rosehip Cream – so for me it doesn’t get much better than that. ??Kristen Scott Thomas would be a great customer to have – she seems suitably discerning. And Simon Pegg because he’d be a fun ambassador for the brand… and real men need organic skincare too.  
?
?Why is a good night’s sleep in the dark so important? ?
Total darkness stimulates the brain’s sleep chemical, melatonin. So results in a higher quality of undisturbed sleep.  

???You keep a wonderful blog – how is this important in promoting the brand and keeping in touch with what customers think and want??
My blog is really important as it gives me the chance to talk about wider skin health rather than just plug my products. I write about all sorts – from why chocolate really does give you spots to natural remedies for cold sores. Anything that interests me, and that I think (or rather hope) might be interesting to others too.

Pai by Gilly Rochester
Pai by Gilly Rochester.

???What retail outlets can people buy Pai Skincare in???
We’re stocked in a number of specialist beauty and health food chains throughout the UK e.g. the lovely CONTENT in Marylebone and Whole Foods Market. People can also buy online from our website – www.paiskincare.com.???

What is keeping you busiest at the moment, and what new ideas or products are you working on???
Ideas for new products always keeps me busy. We have some great new products in the pipeline – keep an eye on our website for more details soon. Or check out our Facebook page – for a little sneak preview.??   

Don’t forget to check in with Sarah’s wonderful blog – there are some real pearls of wisdom on there, especially if you suffer from skin problems.

Categories ,Abigail Daker, ,Beauty, ,Chamomile & Rosehip Cream, ,Content, ,Danielle Shepherd, ,E & J Gallo Wines, ,Erica Sharp, ,Fragonia, ,Fragonia and Sea Buckthorn Instant Hand Therapy Cream, ,Geranium & Thistle Combination Skin Cream, ,Gilly Rochester, ,Hollywood, ,Karolina Burdon, ,Kristen Scott Thomas, ,Marylebone, ,Natalie Portman, ,organic, ,Pai, ,Pai Avocado & Jojoba Hydrating Day Cream, ,Pai Skincare, ,Sarah Brown, ,Sea Buckthorn, ,Simon Pegg, ,Skincare, ,Soil Association, ,Whole Foods Market

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Amelia’s Magazine | Think Act Vote presents The Future We Choose Pop Up Radical Think Tank and Book Launch Party

Think Act Vote The Future We Choose Book Launch stack of books

On the 25th of July I had the pleasure of attending – unfortunately only a part of – the launch event organised by Think Act Vote (?!X) at The Arch Gallery for their new book titled The Future We Choose. This book project was initiated by Think Act Vote (?!X) in order to create a new conversation around democracy and how we create the future we choose. Revolving around ‘The Futures Interview’, The Future We Choose brings together over 200 forward thinking voices from the general public mixed in with those more well known, from fashion designers to historians, campaigners to presenters, all of whom share their vision of the world they want to live in with their ideas of how to create it.

Think Act Vote The Future We Choose Book Launch Amy at the book stand

Think Act Vote (?!X) is run by a powerhouse of volunteers, interns (such as Amy Haworth Johns pictured above) and a vibrant community of collaborators and supporters. The Future We Choose has been brought to life through the work of all those contributors, while the design of the book was devised also collaboratively by a team made up of Joana Casaca Lemos, Ella Britton, Matthieu Becker and Amisha Ghadiali.

Think Act Vote The Future We Choose Book Launch Amelia Gregory Quote

In the book one can find hugely inspiring quotes by the numerous contributors who completed ‘The Futures Interview’, categorised into Thinks, Acts and Votes. Here is one by Amelia’s Magazine editor Amelia Gregory.

Think Act Vote The Future We Choose Book Launch illustrations spread 1

Think Act Vote The Future We Choose Book Launch illustrations spread 2

Since early 2010, when Think Act Vote (?!X) started compiling responses from ‘The Futures Interview’ participants, it invited 50 different artists to bring words from the interviews to life and selected 52 final illustrations. A large number of these images have been created by illustrators who regularly contribute to Amelia’s Magazine too! Some of them are Abby Wright, Abi Daker, Ailish Sullivan, Antonia Makes, Alison Day, Amber Cassidy, Bryone Crane, Claire Kearns, Celine Elliott, Erica Sharp, Faye West, Gemma Sheldrake, Gilly Rochester, Harriet Gray, Jo Cheung, June Chanpoomidole, Jenny Robins, Katie Harnett, Laura Frame, Yelena Bryksenkova, Luke Waller, Michelle Urvall Nyrén, Nanae Kawahara, Natalia Nazimek, Natalie Hughes, Sam Parr, Vicky Ink aka Vicky Fallon and Slowly The Eggs aka moi… A lot of the illustrations appear in the book, as seen above, but Think Act Vote (?!X) is also sharing them online, one every week of 2012, this way gradually creating an illustrated Futures Calendar! You can also see all the illustrations together in this online gallery.

Think Act Vote The Future We Choose Book Launch spread from book

Think Act Vote The Future We Choose Book Launch bit from Futures Interview

You can take part in ‘The Futures Interview’ here.

Think Act Vote The Future We Choose Book Launch Peter Gregson

The Future We Choose book launch at The Arch Gallery was split into an afternoon pop up radical think tank, featuring a selection of contributors including Lucie Barat, Ed Gillespie, Annegret Affolderback, Emily Wilkie, Melissa Sterry, Chris Arnold and Olivia Sprinkel each speaking for five minutes on an idea they shared in the book. When I arrived Peter Gregson, pictured above, was giving a talk on ‘Defending Your Tastes’.

Think Act Vote The Future We Choose Book Launch Paul Hilder

Paul Hilder on ‘Making Things Right’.

Think Act Vote The Future We Choose Book Launch Amisha Ghadiali

Amisha Ghadiali on her Rules to Dress By.

Think Act Vote The Future We Choose Book Launch Alan Wolfson

Performance Poetry by Alan Wolfson.

Think Act Vote The Future We Choose Book Launch Michael Norton

Michael Norton on 365 Ways To Change The World. This hugely inspiring man also talked about another splendid book he has written titled Click 2 Change, in which you can find ways to change the world from the comfort of your seat.

Think Act Vote The Future We Choose Book Launch Jessi Baker

Jessi Baker on ‘Data and Visualisation’.

Think Act Vote The Future We Choose Book Launch Christina Rebel

Christina Rebel on ‘Empathy’.

Think Act Vote The Future We Choose Book Launch Spencer Maybe Pearce

Music from Spencer Maybe Pearce.

Think Act Vote The Future We Choose Book Launch happy audience

Think Act Vote The Future We Choose Book Launch Zoe and Amisha in the audience

Think Act Vote The Future We Choose Book Launch Interviews workshop 1

Think Act Vote The Future We Choose Book Launch Interviews workshop 2

The talks were followed by a ‘A Futures Interviews Workshop’, during which we sat in groups to talk about Thinks, Acts and Votes.

Think Act Vote The Future We Choose Book Launch Zoe Robinson

The lovely Zoe Robinson of Think Style and The Good Wardrobe among the attendees.

Think Act Vote The Future We Choose Book Launch Amisha signing a book

From 6.30pm there was a party featuring a collective book reading, words from Sam Roddick and live music from cellist Peter Gregson, folk noir band Delirium Tremens and electro pop songstress Sharliza Jelita.

The book is now on sale through Think Act Vote’s etsy store, where you can purchase the limited edition that has been printed in the UK on recycled paper. You can request to have your copy signed and personalised too. The Hardback and e-book editions will be available in Autumn. If you would like to request an e-version review copy, please e-mail info@thinkactvote.org

You can also read Part One and part Two of an interview Sally Mumby-Croft did a while ago for Amelia’s Magazine with Think Act Vote’s founder Amisha Ghadiali.

All photography by Maria Papadimitriou

Categories ,Abby Wright, ,Abi Daker, ,ACOFI, ,Ailish Sullivan, ,Alan Wolfson, ,Alison Day, ,Amber Cassidy, ,Amelia’s Compendium of Fashion Illustration, ,Amisha Ghadiali, ,Annegret Affolderback, ,Antonia Makes, ,book launch, ,Bryone Crane, ,Celine Elliott, ,Chris Arnold, ,Christina Rebel, ,Claire Kearns, ,Delirium Tremens, ,Ed Gillespie, ,Ella Britton, ,Emily Wilkie, ,Erica Sharp, ,Faye West, ,Futures Interview, ,Gemma Sheldrake, ,Gilly Rochester, ,Harriet Gray, ,illustration, ,Jenny Robins, ,Jessi Baker, ,Jo Cheung, ,Joana Casaca Lemos, ,Jonathan Bartley, ,June Chanpoomidole, ,Katie Harnett, ,Laura Frame, ,Lucie Barat, ,Lucy Gilliam, ,Luke Waller, ,Maria Papadimitriou, ,Matthieu Becker, ,Melissa Sterry, ,Michael Norton, ,Michelle Urvall Nyrén, ,Nanae Kawahara, ,Natalia Nazimek, ,Olivia Sprinkel, ,Patrick Hussy, ,Paul Hilder, ,Peter Gregson, ,Sally Mumby-Croft, ,Sam Parr, ,Sam Roddick, ,Sharliza Jelita, ,Slowly the Eggs, ,Spencer Maybe Pearce, ,The Arch Gallery, ,The Future We Choose, ,Think Act Vote, ,Vicky Fallon, ,Vicky Ink, ,Yelena Bryksenkova, ,Zoë Robinson

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Amelia’s Magazine | An interview with Tim Plester, director of Way of the Morris

(Alt) Way of the Morris by Rosemary Cunningham
Way of the Morris by Rosemary Cunningham.

Actor and film director Tim Plester has produced a beautiful documentary film inspired by his childhood antagonism towards the reignited Adderbury village cult of Morris Dancing. Modern footage is interspersed with old recordings as Way of the Morris follows the lives of current Adderbury Village Morris Men: the film is a touching look at the current renaissance of Morris Dancing in modern lives, adiposity put together with wonderful camera work that catches the Morris Men mid motion like brightly costumed village warriors.

WOTM-Tim Plester dressed as a Morris Dancer
Tim Plester dressed as a Morris Dancer.

What inspired you to make this film? Was there one particular thing that finally kick started the idea into action, pills and if so what was it?
There’s a single Polaroid photograph that has haunted me for most of my life. Taken in April 1976, price it shows me (aged just 5-and-a-half years old), stood outside the family home in Oxfordshire, dressed-up as a Morrisman. There’s a corn-dolly pinned to my breast and there are coloured ribbons tied about my knees. The photo shows me looking towards the camera’s lens with a smile stretched across my unblemished face. But looking at that instant image now, the smile I see displayed there betrays itself as something else entirely. For looking at that photograph now, the captured smile is clearly more of a grimace. It’s a simian smile born only of fear. The rictus grin of a scared and hairless ape. The look of someone who’s unable to turn and face his own destiny. I’ve been running away from my Morris dancing roots ever since the day that photograph was first taken.

Morris Dancers by Faye West
Morris Dancers by Faye West.

What finally stopped me in my tracks and forced me to confront my birthright, was the decision I took to travel to Northern France in the summer of 2008. I’d been invited to visit The Somme as a guest of the Adderbury Village Morris Men (a revival side which my Father and Uncle helped found in the self-same year that the Polaroid image of me was taken); there to commemorate the lives of those village dancers who lost their lives in the stinking trenches of World War One. Of the young fresh-faced team that volunteered to fight for King & Country, only one was to ever return home again. Finding out about that Lost Generation of Morrismen provided me with all the kick-start I ever needed.

WOTM-brothers

How long did it take to make, and how did you manage your other career as an actor around it?
I lost 2-and-a-half years of my life making WAY OF THE MORRIS, and had to juggle any acting work around the filming and lengthy post-production period. On-screen, my hair changes colour 2 or 3 times over the course of the documentary’s 64 minute running-time; the result of a couple of roles elsewhere, that had required a significant change of appearance. I can only recall one instance when the documentary and my acting “day-job” came into direct conflict with each other. Luckily, I have a very understanding agent. And luckily the documentary won out.

Morris Dancer by Erica Sharp
Morris Dancer by Erica Sharp.

What inspired the look of the film, which features lots of old photos and videos interspersed with some new imagery that has also been given an old patina? What feeling were you hoping to achieve?
All of the vintage super-8 used in the film was shot by my late grandfather Harold Jeffrey Plester, who I was very close to. As a child, growing up in Adderbury, I spent almost as much time with him and my paternal Grandmother as I did with my own parents. There’s something potent and magical about the flicker-flicker of 8-millimetre footage. It carries with it an in-built nostalgia. A nostalgia underpinned by melancholy. A homesickness if you like. A lament for lost lands. WAY OF THE MORRIS also features contemporary super-8 footage shot by me, my Father and my Uncle James. The idea here was to keep things in the family whilst helping echo and enforce recurring motifs of circles and cycles and death and rebirth. And finally, in a bid to counteract all of that whilst also acknowledging the reckoning of time, there is some digital HD Flip camera footage to be found right at the very tail-end of the film. This being the modern home-movie equivalent of the footage my grandfather shot. If President John Fitzgerald Kennedy were to be assassinated in public today, then I’d like to think he’d be assassinated on a HD Flip camera.

WOTM-hobby horseWOTM-triv

How easy was it to research everything? Any tales of woe?
The research was the easy part of the process really. Coming from the village, and having known all the major-players my entire life gave me an unquestioned access-all-areas pass. I am extremely grateful to Barry Davis (an old school-friend of my Father’s) for allowing me to trawl though his extensive collection of archival photographs, and also to Bryan Sheppard, the long-standing Fool of the Adderbury Village Morris Men, who kept a meticulous log-book during the team’s fledgling years, and who also (along with his sister), helped unearth all of the information we have regarding that young team that went to war. One poignant aspect of the filmmaking process that I remember clearly, (though not technically a part of the research or a tale of woe) is my initial response to visiting the WW1 memorials in Northern France.

Way_of_the_Morris_1908_by_Karla_Pérez_Manrique
Way of the Morris by Karla Pérez Manrique.

I was expecting to be moved by those great towering monoliths and the far-too-many names painstakingly carved upon their stone white walls. But what actually grabbed me by the gut, was the gently rolling countryside that surrounds them on all sides. Scalped, sodomized, and maimed beyond all recognition, those farmer’s fields were left in tatters by the 4 years of abject misery rained down upon them (1914-18). And yet today, the topsoil and the wildlife have long since returned, whilst the nearby villages of Pozières and Albert have been rebuilt brick-by-brick. The old landscape was lost beneath the blood and the clay. Only to be reborn anew. Much like the Morris dancing itself.

WOTM-fiddle

Did you find it hard to direct and feature in the film together?
For this I have to give thanks to my co-director Rob Curry of Fifth Column Films. Rob was always on hand whenever I was needed on the flip-side of the camera, and therefore in danger of neglecting any directorial duties. Amongst other things, Rob must also take a lot of the credit for the way in which we ended-up shooting the raw footage of the Adderbury dancers. Rob has long held this belief that The Morris is, in some strange way, a kind of arcane English martial art. For that reason we shot the dancing mainly in close-up, and tried to capture the kinetic energy of what it’s like to be caught-up within the maelstrom of oscillating willow-sticks and flying pocket-hankies, rather than being on the outside simply looking in.

WOTM-melodeon

??What’s the best thing about coming from a small village in England? What do you have that others can only dream of or aspire to?
I left The Shire many years ago, and have lived in North London for longer than I ever lived amidst the wheatfields. But Adderbury is still the place I go to when I daydream. She’s my own private Avalon. A place where landscape and melody entwine. The locally-brewed Hook Norton beer takes some beating that’s for sure. Sweet, full-bodied and devilishly fruity, Old Hooky is a hallowed ale, brewed-up by a benevolent Malt Giant and his 9 steam-powered billow maidens. So God speed the ploughshare and drink of it deep good people. And give thanks to birthplace and to rural brotherhood. If that in any way shape or form answers your question?

WOTM-hillsidepromo

What’s the best way to encourage community, if Morris Dancing is not an option?
In an age of interactive widescreen 3D television screens, Morris dancing is definitely one way of encouraging community spirit whilst helping maintain a strong connection with one’s cultural identity. But there are certainly others. There’s egg-yarping for one. And cheese-rolling for another. Hastings has its Jack-In-The Green sacrifice, whilst Hallaton and Medbourne have their once-yearly Hare Pie scramble and bottle-kicking fixture. And then of course there’s traditional tar-barrel racing, Tutti-kissing and various seasonal Mumming activities to consider.

Adderbury Morris Dan

How’s the Morris Dancing these days?
It’s enjoying something of a renaissance, truth be told. There are a number of younger teams springing-up around the country, and in Adderbury itself there are currently more people dancing the old ancestral dances than there were during the glory days of the longhaired 1970’s. Dances to make the crops grow tall. Dances to honour the resurrection. For Herne The Hunter and spritely Robin Goodfellow. Dances to hold up the very sky. Or, in the words of the English composer Gustav Holst; Ye who dance not, know not what we are knowing. Here endeth the lesson.

Way of the Morris poster

Tim Plester’s short film ENGLISH LANGUAGE (With English Subtitles) premiered at the 2007 Los Angeles Film Festival, and has gone on to screen at over 45 film festivals worldwide, picking-up 5 awards along the way. The world premiere of Way of the Morris took place at SXSW. You can catch him at the UK premiere of Way of the Morris this Sunday 15th May at 2pm as part of the London International Documentary Festival at the Barbican, where he will also be answering a Q&A. All the details of the Way of the Morris premiere can be found in this listing here.

Watch the trailers here:

Visit the Way of the Morris website for more information on further screenings.
Keep up with the Adderbury Village Morris Men on Facebook.

Way of the Morris by Karla Pérez Manrique
Way of the Morris by Karla Pérez Manrique.

Categories ,Actor, ,Adderbury, ,Adderbury Village Morris Men, ,barbican, ,Bryan Sheppard, ,cheese-rolling, ,community, ,director, ,egg-yarping, ,ENGLISH LANGUAGE [With English Subtitles], ,Erica Sharp, ,Faye West, ,Fifth Column Films, ,film, ,Gustav Holst, ,Hallaton, ,Harold Jeffrey Plester, ,HD Flip, ,Herne The Hunter, ,Hook Norton, ,interview, ,Karla Pérez Manrique, ,London International Documentary Festival, ,Los Angeles Film Festival, ,Medbourne, ,Morris Dancing, ,Morrisman, ,Mumming, ,Old Hooky, ,Oxfordshire, ,Premiere, ,Rob Curry, ,Robin Goodfellow, ,Rosemary Cunningham, ,Super 8, ,sxsw, ,Tim Plester, ,Way of the Morris, ,Wolf Marloh, ,World War One

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Amelia’s Magazine | An interview with Tim Plester, director of Way of the Morris

(Alt) Way of the Morris by Rosemary Cunningham
Way of the Morris by Rosemary Cunningham.

Actor and film director Tim Plester has produced a beautiful documentary film inspired by his childhood antagonism towards the reignited Adderbury village cult of Morris Dancing. Modern footage is interspersed with old recordings as Way of the Morris follows the lives of current Adderbury Village Morris Men: the film is a touching look at the current renaissance of Morris Dancing in modern lives, adiposity put together with wonderful camera work that catches the Morris Men mid motion like brightly costumed village warriors.

WOTM-Tim Plester dressed as a Morris Dancer
Tim Plester dressed as a Morris Dancer.

What inspired you to make this film? Was there one particular thing that finally kick started the idea into action, pills and if so what was it?
There’s a single Polaroid photograph that has haunted me for most of my life. Taken in April 1976, price it shows me (aged just 5-and-a-half years old), stood outside the family home in Oxfordshire, dressed-up as a Morrisman. There’s a corn-dolly pinned to my breast and there are coloured ribbons tied about my knees. The photo shows me looking towards the camera’s lens with a smile stretched across my unblemished face. But looking at that instant image now, the smile I see displayed there betrays itself as something else entirely. For looking at that photograph now, the captured smile is clearly more of a grimace. It’s a simian smile born only of fear. The rictus grin of a scared and hairless ape. The look of someone who’s unable to turn and face his own destiny. I’ve been running away from my Morris dancing roots ever since the day that photograph was first taken.

Morris Dancers by Faye West
Morris Dancers by Faye West.

What finally stopped me in my tracks and forced me to confront my birthright, was the decision I took to travel to Northern France in the summer of 2008. I’d been invited to visit The Somme as a guest of the Adderbury Village Morris Men (a revival side which my Father and Uncle helped found in the self-same year that the Polaroid image of me was taken); there to commemorate the lives of those village dancers who lost their lives in the stinking trenches of World War One. Of the young fresh-faced team that volunteered to fight for King & Country, only one was to ever return home again. Finding out about that Lost Generation of Morrismen provided me with all the kick-start I ever needed.

WOTM-brothers

How long did it take to make, and how did you manage your other career as an actor around it?
I lost 2-and-a-half years of my life making WAY OF THE MORRIS, and had to juggle any acting work around the filming and lengthy post-production period. On-screen, my hair changes colour 2 or 3 times over the course of the documentary’s 64 minute running-time; the result of a couple of roles elsewhere, that had required a significant change of appearance. I can only recall one instance when the documentary and my acting “day-job” came into direct conflict with each other. Luckily, I have a very understanding agent. And luckily the documentary won out.

Morris Dancer by Erica Sharp
Morris Dancer by Erica Sharp.

What inspired the look of the film, which features lots of old photos and videos interspersed with some new imagery that has also been given an old patina? What feeling were you hoping to achieve?
All of the vintage super-8 used in the film was shot by my late grandfather Harold Jeffrey Plester, who I was very close to. As a child, growing up in Adderbury, I spent almost as much time with him and my paternal Grandmother as I did with my own parents. There’s something potent and magical about the flicker-flicker of 8-millimetre footage. It carries with it an in-built nostalgia. A nostalgia underpinned by melancholy. A homesickness if you like. A lament for lost lands. WAY OF THE MORRIS also features contemporary super-8 footage shot by me, my Father and my Uncle James. The idea here was to keep things in the family whilst helping echo and enforce recurring motifs of circles and cycles and death and rebirth. And finally, in a bid to counteract all of that whilst also acknowledging the reckoning of time, there is some digital HD Flip camera footage to be found right at the very tail-end of the film. This being the modern home-movie equivalent of the footage my grandfather shot. If President John Fitzgerald Kennedy were to be assassinated in public today, then I’d like to think he’d be assassinated on a HD Flip camera.

WOTM-hobby horseWOTM-triv

How easy was it to research everything? Any tales of woe?
The research was the easy part of the process really. Coming from the village, and having known all the major-players my entire life gave me an unquestioned access-all-areas pass. I am extremely grateful to Barry Davis (an old school-friend of my Father’s) for allowing me to trawl though his extensive collection of archival photographs, and also to Bryan Sheppard, the long-standing Fool of the Adderbury Village Morris Men, who kept a meticulous log-book during the team’s fledgling years, and who also (along with his sister), helped unearth all of the information we have regarding that young team that went to war. One poignant aspect of the filmmaking process that I remember clearly, (though not technically a part of the research or a tale of woe) is my initial response to visiting the WW1 memorials in Northern France.

Way_of_the_Morris_1908_by_Karla_Pérez_Manrique
Way of the Morris by Karla Pérez Manrique.

I was expecting to be moved by those great towering monoliths and the far-too-many names painstakingly carved upon their stone white walls. But what actually grabbed me by the gut, was the gently rolling countryside that surrounds them on all sides. Scalped, sodomized, and maimed beyond all recognition, those farmer’s fields were left in tatters by the 4 years of abject misery rained down upon them (1914-18). And yet today, the topsoil and the wildlife have long since returned, whilst the nearby villages of Pozières and Albert have been rebuilt brick-by-brick. The old landscape was lost beneath the blood and the clay. Only to be reborn anew. Much like the Morris dancing itself.

WOTM-fiddle

Did you find it hard to direct and feature in the film together?
For this I have to give thanks to my co-director Rob Curry of Fifth Column Films. Rob was always on hand whenever I was needed on the flip-side of the camera, and therefore in danger of neglecting any directorial duties. Amongst other things, Rob must also take a lot of the credit for the way in which we ended-up shooting the raw footage of the Adderbury dancers. Rob has long held this belief that The Morris is, in some strange way, a kind of arcane English martial art. For that reason we shot the dancing mainly in close-up, and tried to capture the kinetic energy of what it’s like to be caught-up within the maelstrom of oscillating willow-sticks and flying pocket-hankies, rather than being on the outside simply looking in.

WOTM-melodeon

??What’s the best thing about coming from a small village in England? What do you have that others can only dream of or aspire to?
I left The Shire many years ago, and have lived in North London for longer than I ever lived amidst the wheatfields. But Adderbury is still the place I go to when I daydream. She’s my own private Avalon. A place where landscape and melody entwine. The locally-brewed Hook Norton beer takes some beating that’s for sure. Sweet, full-bodied and devilishly fruity, Old Hooky is a hallowed ale, brewed-up by a benevolent Malt Giant and his 9 steam-powered billow maidens. So God speed the ploughshare and drink of it deep good people. And give thanks to birthplace and to rural brotherhood. If that in any way shape or form answers your question?

WOTM-hillsidepromo

What’s the best way to encourage community, if Morris Dancing is not an option?
In an age of interactive widescreen 3D television screens, Morris dancing is definitely one way of encouraging community spirit whilst helping maintain a strong connection with one’s cultural identity. But there are certainly others. There’s egg-yarping for one. And cheese-rolling for another. Hastings has its Jack-In-The Green sacrifice, whilst Hallaton and Medbourne have their once-yearly Hare Pie scramble and bottle-kicking fixture. And then of course there’s traditional tar-barrel racing, Tutti-kissing and various seasonal Mumming activities to consider.

Adderbury Morris Dan

How’s the Morris Dancing these days?
It’s enjoying something of a renaissance, truth be told. There are a number of younger teams springing-up around the country, and in Adderbury itself there are currently more people dancing the old ancestral dances than there were during the glory days of the longhaired 1970’s. Dances to make the crops grow tall. Dances to honour the resurrection. For Herne The Hunter and spritely Robin Goodfellow. Dances to hold up the very sky. Or, in the words of the English composer Gustav Holst; Ye who dance not, know not what we are knowing. Here endeth the lesson.

Way of the Morris poster

Tim Plester’s short film ENGLISH LANGUAGE (With English Subtitles) premiered at the 2007 Los Angeles Film Festival, and has gone on to screen at over 45 film festivals worldwide, picking-up 5 awards along the way. The world premiere of Way of the Morris took place at SXSW. You can catch him at the UK premiere of Way of the Morris this Sunday 15th May at 2pm as part of the London International Documentary Festival at the Barbican, where he will also be answering a Q&A. All the details of the Way of the Morris premiere can be found in this listing here.

Watch the trailers here:

Visit the Way of the Morris website for more information on further screenings.
Keep up with the Adderbury Village Morris Men on Facebook.

Way of the Morris by Karla Pérez Manrique
Way of the Morris by Karla Pérez Manrique.

Categories ,Actor, ,Adderbury, ,Adderbury Village Morris Men, ,barbican, ,Bryan Sheppard, ,cheese-rolling, ,community, ,director, ,egg-yarping, ,ENGLISH LANGUAGE [With English Subtitles], ,Erica Sharp, ,Faye West, ,Fifth Column Films, ,film, ,Gustav Holst, ,Hallaton, ,Harold Jeffrey Plester, ,HD Flip, ,Herne The Hunter, ,Hook Norton, ,interview, ,Karla Pérez Manrique, ,London International Documentary Festival, ,Los Angeles Film Festival, ,Medbourne, ,Morris Dancing, ,Morrisman, ,Mumming, ,Old Hooky, ,Oxfordshire, ,Premiere, ,Rob Curry, ,Robin Goodfellow, ,Rosemary Cunningham, ,Super 8, ,sxsw, ,Tim Plester, ,Way of the Morris, ,Wolf Marloh, ,World War One

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Amelia’s Magazine | Paint it! Make it! Party for Japan – an illustrated report by Emma Block

emma_block_tea_ceremony
Illustration by Emma Block.

In the wake of the tsunami that hit Japan in March, malady the online community rushed to find a way to help. Illustration Rally, run by Natsuki Otani, began the Ganbare Nippon Appeal, which translates as Don’t Give Up Japan.

emma_block_kimono  Paint it! Make it! Party for Japan
Illustration by Emma Block.

As part of this appeal, Illustration Rally held it’s first ever event, Paint it! Make it! Party for Japan, which I was lucky enough to attend. It was held in the super trendy The Book Club in Shoreditch, and was organised by a host of illustrators. As I walked in, I immediately saw a bunch of lovely ACOFI illustrators that I recognised, and sat down for a chat and green tea cup cake (first of many) with Jenny Robbins and June Sees.

Paint it! Make it! Party for Japan making cake
Paint it! Make it! Party for Japan making cake prints
Paint it! Make it! Party for Japan making
All photography by Emma Block.

Armed with paper, paint and pencils, these two talented ladies were offering live portraits of guests at the party. At the same time some painting was happening on a much larger scale as Mr Millerchip, Kristian Jones, Seb Burnett and Stephen Chan worked on a live drawing across one of the walls.

live drawing
june sees Paint it! Make it! Party for Japan
June Sees with her artwork.

erica_and_natsuki   Paint it! Make it! Party for Japan
Erica Sharp and Natsuki Otani who were running the show looked beautiful in their traditional kimonos, and after a cake or four, I decided to try one on myself.

The process of putting a kimono on is more complicated that I could possibly have imagined. Things were expertly wrapped and tucked and tied and twisted around me for quite some time, in order to create the finished look.

Emma Block_in_a_kimono   Paint it! Make it! Party for Japan
If you were feeling creative there was origami-making with Erica Sharp, and zine-making with Lea Wade. There was also a fantastic raffle – with prizes including some lovely ToDryFor goodies – if you were feeling lucky.

origami Paint it! Make it! Party for Japan

One of the most special parts of the day for me was being involved in a traditional tea ceremony. Milk and two sugars it was not. We knelt as green tea was carefully prepared, and the first person to drink bowed as they received it. They placed the bowl on their hand and turned it two and half times before drinking it in three sips, then turned it back two and half times, and placed it down and bowed again.

emma_block_green_tea_cake Paint it! Make it! Party for Japan
Illustration by Emma Block.

All in all it was a wonderful day, and I hope Illustration Rally have another event soon! You can find out more about the Gabare Nippon Appeal here, and visit the fundraising shop on Etsy. The resulting zine can now be bought online here for a £3 donation – go on, it’s for a great cause.

Categories ,ACOFI, ,Biscuits, ,Cake, ,Don’t Give Up Japan, ,Emma Block, ,Erica Sharp, ,Fundraiser, ,Ganbare Nippon, ,Ganbare Nippon Appeal, ,Green Tea, ,illustration, ,Illustration Rally, ,japan, ,Jenny Robbins, ,Junes Sees, ,Kimono, ,Kristian Jones, ,Lea Wade, ,Mister Millerchip, ,Natsuki Otani, ,Paint it! Make it! Party for Japan, ,Sen Burnett, ,shoreditch, ,Stephen Chan, ,tea, ,The Book Club, ,ToDryFor, ,Tsunami

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Amelia’s Magazine | Paint it! Make it! Party for Japan – an illustrated report by Emma Block

emma_block_tea_ceremony
Illustration by Emma Block.

In the wake of the tsunami that hit Japan in March, malady the online community rushed to find a way to help. Illustration Rally, run by Natsuki Otani, began the Ganbare Nippon Appeal, which translates as Don’t Give Up Japan.

emma_block_kimono  Paint it! Make it! Party for Japan
Illustration by Emma Block.

As part of this appeal, Illustration Rally held it’s first ever event, Paint it! Make it! Party for Japan, which I was lucky enough to attend. It was held in the super trendy The Book Club in Shoreditch, and was organised by a host of illustrators. As I walked in, I immediately saw a bunch of lovely ACOFI illustrators that I recognised, and sat down for a chat and green tea cup cake (first of many) with Jenny Robbins and June Sees.

Paint it! Make it! Party for Japan making cake
Paint it! Make it! Party for Japan making cake prints
Paint it! Make it! Party for Japan making
All photography by Emma Block.

Armed with paper, paint and pencils, these two talented ladies were offering live portraits of guests at the party. At the same time some painting was happening on a much larger scale as Mr Millerchip, Kristian Jones, Seb Burnett and Stephen Chan worked on a live drawing across one of the walls.

live drawing
june sees Paint it! Make it! Party for Japan
June Sees with her artwork.

erica_and_natsuki   Paint it! Make it! Party for Japan
Erica Sharp and Natsuki Otani who were running the show looked beautiful in their traditional kimonos, and after a cake or four, I decided to try one on myself.

The process of putting a kimono on is more complicated that I could possibly have imagined. Things were expertly wrapped and tucked and tied and twisted around me for quite some time, in order to create the finished look.

Emma Block_in_a_kimono   Paint it! Make it! Party for Japan
If you were feeling creative there was origami-making with Erica Sharp, and zine-making with Lea Wade. There was also a fantastic raffle – with prizes including some lovely ToDryFor goodies – if you were feeling lucky.

origami Paint it! Make it! Party for Japan

One of the most special parts of the day for me was being involved in a traditional tea ceremony. Milk and two sugars it was not. We knelt as green tea was carefully prepared, and the first person to drink bowed as they received it. They placed the bowl on their hand and turned it two and half times before drinking it in three sips, then turned it back two and half times, and placed it down and bowed again.

emma_block_green_tea_cake Paint it! Make it! Party for Japan
Illustration by Emma Block.

All in all it was a wonderful day, and I hope Illustration Rally have another event soon! You can find out more about the Gabare Nippon Appeal here, and visit the fundraising shop on Etsy. The resulting zine can now be bought online here for a £3 donation – go on, it’s for a great cause.

Categories ,ACOFI, ,Biscuits, ,Cake, ,Don’t Give Up Japan, ,Emma Block, ,Erica Sharp, ,Fundraiser, ,Ganbare Nippon, ,Ganbare Nippon Appeal, ,Green Tea, ,illustration, ,Illustration Rally, ,japan, ,Jenny Robbins, ,Junes Sees, ,Kimono, ,Kristian Jones, ,Lea Wade, ,Mister Millerchip, ,Natsuki Otani, ,Paint it! Make it! Party for Japan, ,Sen Burnett, ,shoreditch, ,Stephen Chan, ,tea, ,The Book Club, ,ToDryFor, ,Tsunami

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Amelia’s Magazine | Amelia’s Compendium of Fashion Illustration launch party illustrations: meet more illustrators!

Zarina Liew at work
ZLiew_#2_Rose&Harriet TattyDevine
My wonderful girls, rx Rosie and Harriet of Tatty Devine, sick who created the lovely Cutlass Necklace for my party.

Zarina Liew looked oh so casual during the afternoon launch party – every time I turned around there she was, chatting away, charming the guests in expert fashion. But if I thought she was shirking I could not have been more wrong – she churned out the most amazing bunch of illustrations in record time, all in stunning watercolour fashion plates – every single one of them. Wowser. This lady has so much talent it’s painful… behold her beautiful illustrations. So delightful, every single one.

ZLiew_#5_Katie antoniou LondonPlinth
Presenting the lovely Katie Antoniou of London Plinth – sometime Amelia’s Mag contributor and general all round fabulous fashion gal. Here’s her review of the night.

ZLiew_#6_Holly HollySpringett
Holly Springett wrote an absolutely fabulous blog about the launch, with some of the very prettiest photos to accompany it – go check it out here.

ZLiew_#3_Josephine&Sarah SomersetHouse
Here’s Josephine and Sarah from Somerset House, who I hope very much will be in contact soon to talk about a possible collaboration…

§ZLiew_#1_Alice TattyDevine
Alice of Tatty Devine sports some very fabulous jewellery indeed – by Tatty Devine of course.

ZLiew_#7_Gabby&Stephen GabbyYoung
Gabby Young with her boyfriend Stephen. What a lovely couple!

ZLiew_#4_Sarah ShopStyle FabSugarUK
Sarah of Fab Sugar – anyone catch her last name? I don’t think we met.

ZLiew_#8_Laura&Courtney ForwardPR
Laura and Courtney of Forward PR. Lovely lovely women, who helped me in the run up and on the night most immensely. Say hello if you see them around at LFW.

ZLiew_#10_Tara&Louisa CentMagazine
Tara and Louise of Cent Magazine – I did an interview with the lovely Louise, so fingers crossed that will be available soon.

ZLiew_#9_Matilda Ecologist
Matilda of the Ecologist – likewise they should be running a review of the book – keep an eye out and let me know if you spot it before me.

ZLiew_#11_Katie BLOWOnline
Katie Rose wrote for BLOW online.

ZLiew_#12_Alex Pukka_LondonFashionWk
Lastly but very much not leastly we have Alexandra Haddow of Pukka teas.

You can follow Zarina Liew on twitter on @cobaltcafe and don’t forget you can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Find out just how Zarina made the leap from the corporate marketing world into the creative arms of illustration: amazing inspiring stuff in this Skype interview on youtube.

YouTube Preview Image

ZLiew_#2_Rose&Harriet TattyDevine
My wonderful girls, cialis 40mg Rosie and Harriet of Tatty Devine, symptoms who created the lovely Cutlass Necklace for my party.

Zarina Liew looked oh so casual during the afternoon launch party – every time I turned around there she was, check chatting away, charming the guests in expert fashion. But if I thought she was shirking I could not have been more wrong – she churned out the most amazing bunch of illustrations in record time, all in stunning watercolour fashion plates – every single one of them. Wowser. This lady has so much talent it’s painful… behold her beautiful illustrations. So delightful, every single one.

ZLiew_#5_Katie antoniou LondonPlinth
Presenting the lovely Katie Antoniou of London Plinth – sometime Amelia’s Mag contributor and general all round fabulous fashion gal. Here’s her review of the night.

ZLiew_#6_Holly HollySpringett
Holly Springett wrote an absolutely fabulous blog about the launch, with some of the very prettiest photos to accompany it – go check it out here.

ZLiew_#3_Josephine&Sarah SomersetHouse
Here’s Josephine and Sarah from Somerset House, who I hope very much will be in contact soon to talk about a possible collaboration…

§ZLiew_#1_Alice TattyDevine
Alice of Tatty Devine sports some very fabulous jewellery indeed – by Tatty Devine of course.

ZLiew_#7_Gabby&Stephen GabbyYoung
Gabby Young with her boyfriend Stephen. What a lovely couple!

ZLiew_#4_Sarah ShopStyle FabSugarUK
Sarah of Fab Sugar – anyone catch her last name? I don’t think we met.

ZLiew_#8_Laura&Courtney ForwardPR
Laura and Courtney of Forward PR. Lovely lovely women, who helped me in the run up and on the night most immensely. Say hello if you see them around at LFW.

ZLiew_#10_Tara&Louisa CentMagazine
Tara and Louisa Lau of Cent Magazine – I did an interview with the lovely Louisa, so fingers crossed that will be available soon.

ZLiew_#9_Matilda Ecologist
Matilda of the Ecologist – likewise they should be running a review of the book – keep an eye out and let me know if you spot it before me.

ZLiew_#11_Katie BLOWOnline
Katie Rose wrote for BLOW online.

ZLiew_#12_Alex Pukka_LondonFashionWk
Lastly but very much not leastly we have Alexandra Haddow of Pukka teas.

Zarina Liew at work
Zarina Liew at work. Photography by Liz Johnson-Artur.

You can follow Zarina Liew on twitter on @cobaltcafe and don’t forget you can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Find out just how Zarina made the leap from the corporate marketing world into the creative arms of illustration: amazing inspiring stuff in this Skype interview on youtube.

YouTube Preview Image

ZLiew_#2_Rose&Harriet TattyDevine
My wonderful girls, pharmacy Rosie and Harriet of Tatty Devine, tadalafil who created the lovely Cutlass Necklace for my party.

Zarina Liew looked oh so casual during the afternoon launch party – every time I turned around there she was, chatting away, charming the guests in expert fashion. But if I thought she was shirking I could not have been more wrong – she churned out the most amazing bunch of illustrations in record time, all in stunning watercolour fashion plates – every single one of them. Wowser. This lady has so much talent it’s painful… behold her beautiful illustrations. So delightful, every single one.

ZLiew_#5_Katie antoniou LondonPlinth
Presenting the lovely Katie Antoniou of London Plinth – sometime Amelia’s Mag contributor and general all round fabulous fashion gal. Here’s her review of the night.

ZLiew_#6_Holly HollySpringett
Holly Springett wrote an absolutely fabulous blog about the launch, with some of the very prettiest photos to accompany it – go check it out here.

ZLiew_#3_Josephine&Sarah SomersetHouse
Here’s Josephine and Sarah from Somerset House, who I hope very much will be in contact soon to talk about a possible collaboration…

§ZLiew_#1_Alice TattyDevine
Alice of Tatty Devine sports some very fabulous jewellery indeed – by Tatty Devine of course.

ZLiew_#7_Gabby&Stephen GabbyYoung
Gabby Young with her boyfriend Stephen. What a lovely couple!

ZLiew_#4_Sarah ShopStyle FabSugarUK
Sarah of Fab Sugar – anyone catch her last name? I don’t think we met.

ZLiew_#8_Laura&Courtney ForwardPR
Laura and Courtney of Forward PR. Lovely lovely women, who helped me in the run up and on the night most immensely. Say hello if you see them around at LFW.

ZLiew_#10_Tara&Louisa CentMagazine
Tara and Louisa Lau of Cent Magazine – I did an interview with the lovely Louisa, so fingers crossed that will be available soon.

ZLiew_#9_Matilda Ecologist
Matilda of the Ecologist – likewise they should be running a review of the book – keep an eye out and let me know if you spot it before me.

ZLiew_#11_Katie BLOWOnline
Katie Rose wrote for BLOW online.

ZLiew_#12_Alex Pukka_LondonFashionWk
Lastly but very much not leastly we have Alexandra Haddow of Pukka teas.

Zarina Liew at work
Zarina Liew at work. Photography by Liz Johnson-Artur.

You can follow Zarina Liew on twitter on @cobaltcafe and don’t forget you can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Find out just how Zarina made the leap from the corporate marketing world into the creative arms of illustration: amazing inspiring stuff in this Skype interview on youtube.

YouTube Preview Image

rachel-destecroix-acofi-susie-bubble-portrait
Susie Bubble needs no introduction and I absolutely adore Rachel’s rendition of this infamous fashion blogger. She’s been a great supporter of Amelia’s Magazine so it was an honour to see her at the launch party. You can read her write up here. Thanks Susie!

Rachel de Ste. Croix has developed a unique style that suits both childrens’ book illustration and fashion illustration a treat. Working from life she sketches a likeness of her subject and then transfers into into her computer through a painstaking process involving a light box and lots of black felt markers. From there she messes around in photoshop to achieve a beautiful handmade look that in fact makes the most of digital special effects – something which I talked about when I mentioned her in my Digital Arts interview. Here’s her fabulous ACOFI launch party output:

rachel-desctecroix-acofi-neil-bennnett-digitalartsmag-portrait
I love the fact that Neil Bennett of Digital Arts donated his ACOFI tote bag to his daughter, order who has been using it to carry her school books, pharm much to the envy of her classmates. Check her out in this twitpic: coolest kid in town!

rachel-destecroix-acofi-katie-wright-portrait
Katie Wright writes Style My Wardrobe and she managed to grab a little bit of my time to ask a few questions at the launch – you can read her great write up here.

rachel-destecroix-acofi-sarahBvernon-portrait
Sarah Vernon is best known as SBV of essbeevee, buy information pills a lovely fashion blog. Here’s her write up.

rachel-destecroix-acofi-tigzrice-portrait
Tigz Rice is actually a friend of Rachel’s – I’ve now had the pleasure of working with more than a couple University of Westminster graduates, who are all super talented. Can’t think why. Maybe it’s because one of my bestest mates the wonderful illustrator Simone Lia teaches there. Or else it’s something in the water.

rachel-destecroix-acofi-amelia-gregory-portrait
I cheekily asked Rachel to illustrate me. Well, she did such an amazing job with everyone else I really didn’t want to be left out. Here I am wearing my Joanna Cave earrings (new season darling) and Beautiful Soul cape-let made out of an upcycled kimono. You can buy similar Beautiful Soul pieces (they’re all different obviously) at the V&A shop.

MattBramford_ACOFI_Rachel de ste croix
Rachel hard at work drawing Susie behind a curtain of hair. Photography by Matt Bramford.

You can follow Rachel de Ste. Croix on twitter on @precious_little and don’t forget you can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Here’s Rachel talking in detail about how she creates her illustrations on youtube.

YouTube Preview Image
Lily Vanilli ACOFI launch cake by Abby Wright
Lily Vanilli ACOFI launch cake by Abby Wright. This must be the most lovingly photographed and illustrated cake ever!

Ah, sickness Abby Wright. Where to begin? She has grabbed the proverbial illustration bull by the horns and run with it, big time. Never has someone still at university so inspired me. Some people just get it you know? And she’s one of them. If you’re reading this and you’re still at university wondering how you will ever get noticed, then read on and learn. I’m serious. This girl has got it going on.

Firstly – she’s all over twitter chatting to fellow illustrators up and down the country all the time, encouraging them and swapping advice. She’s so switched on she even instigated the Tea and Crayons illustration collective. Secondly – she just keeps on creating. Day after day she volunteers illustrations for Amelia’s Magazine. She’s not afraid of making mistakes in public, she puts it out there and learns, and it is a joy to watch her work developing all the time. Students all over should be inspired… just take a look at how many followers she has on twitter! Abby Wright is going places.

Which is why I asked her along to be at my ACOFI afternoon launch party. And here are the results of her doodlings:

Johann_Chan_Digital_Arts_abby_Wright
Johann Chan, art editor of Digital Arts – no doubt grinning ear to ear because he came down for the fabulous cakes (see above).

Adorngirl_Abby_Wright
Adorngirl, otherwise known as Ashanti Jason, who wrote this lovely blog about the event.

Emma_Davenport_Abby_Wright
Emma Davenport is an old friend of mine who. Inspired by a life long love of the charity shop – snap! – she has been researching the history of ethical dress and fashion at the RCA. She has a blog called Frock Conscious and you can read her party piece here.

ACOFI_launch Charles Ampadu_Abby_Wright
Charles Ampadu – fashion stylist and model scout.

Neil_Bennett_Digital_Arts_Abby_Wright
Neil Bennett – editor of Digital Arts. The one with the very cool stepdaughter, yes, that’s him again!

Nikki_Nakki_Lou_Abby_Wright
Nikki Nakki Lousuper blogger from the Wirral.

Prince_Cassius_Abby_Wright
And finishing up with socialite Prince Cassius. Oh yes, he of the dapper clothing and super fro – a delight for both illustrators and photographers alike. What a gent.

Abby Wright takes tea. Photography by Liz Johnson-Artur
Abby Wright takes tea. Photography by Liz Johnson-Artur.

You can follow Abby Wright on twitter on @abbyillustrator and don’t forget you can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Find out just how Abby gets ahead in illustration in my interview with her on youtube here.

YouTube Preview Image

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, view but not on a table, oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know. (They appeared in issue 1 of Amelia’s Magazine a long time ago…)

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour in Kent. Voila, I introduce to you Alan Flack and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are… Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion).

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though she wasn’t there, this wasn’t done from a party snap and she doesn’t appear in the book. Though doubtless she would have done if I’d met her earlier. Karina is just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past months. Thankyou so much, all of you, for being so so brilliant.

You can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Please do buy a copy if you want to ensure this website keeps going strong to support both young creatives and people doing good in the world…

Categories ,6 Day Riot, ,Abigail Daker, ,ACOFI, ,Alan Flack, ,Amelia’s Compendium of Fashion Illustration, ,Ani Saunders, ,Beautiful Soul, ,Cleide Carina, ,Courtney Blackman, ,Cyprus, ,Disneyrollergirl, ,Ellie Loughran, ,Emma Block, ,Erica Sharp, ,Faye West, ,Forward PR, ,Gareth A Hopkins, ,Gemma Milly, ,goodone, ,Hannah Bullivant, ,Illustration Rally, ,Jo Cheung, ,Joanna Cave, ,Karina Yarv, ,Katie Harnett, ,Kellie Black, ,Koral Webb, ,Lesley Barnes, ,liberty, ,Lisa Stannard, ,Martin Darby, ,Miss Pearl Grey, ,Monsoon, ,Mystery Jets, ,Natasha Thompson, ,Navaz Batliwalla, ,Nicola Woods, ,Nina Dolcetti, ,Prince Cassius, ,principal colour, ,Robots in Disguise, ,Sketchbook Magazine, ,Tamara Schlesinger, ,The Lovely Wars, ,The Pipettes, ,Will, ,Yelena Bryksenkova

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