Amelia’s Magazine | Shea Alchemy: Natural Handmade Skincare

Joe Worricker by Karina Yarv
Joe Worricker by Karina Yarv.

Joe Worricker was indeed wearing stars on his face, generic as declared on twitter twenty minutes before I arrived at his gig. I could hear Joe’s idiosyncratic voice even as I raced into this industry thick showcase at new venue XOYO, buy located just behind the main Old Street thoroughfare. He was also wearing the same clothes that he sports in his Finger-Waggers video (digital download out this week, sales though as Joe was only too happy to admit, easily downloadable somewhere online for free.)

Joe Worricker-XOYO-Photo by Amelia Gregory
Joe Worricker at XOYO. All photography by Amelia Gregory.

Joe Worricker by Sarah Ushurhe
Joe Worricker by Sarah Ushurhe.

A whole 45 minutes later I was still somewhat struggling to describe Joe, who sings with a session-type band that wouldn’t look out of place on the X Factor – but then this is the lad who auditioned for that very show… and was turned down. “I think they were scared of my voice” he told me in our earlier interview. And he does indeed have an almighty set of curiously old-fashioned lungs, somewhat at odds with his outwardly trendy demeanour.

Joe Worricker by Fay Morrow
Joe Worricker by Fay Morrow.

He swung through a set which included some slow tempo tales of weddings and fairytales, before returning to his trademark upbeat tracks. “We’ve got two fun ones now, don’t worry,” he told his many friends in the audience, including what I can only presume was his granny sat pride of place in the front row, and another relative who was doing his best impression of the funky chicken.

Joe Worricker at XOYO. All photography by Amelia Gregory.
Joe Worriker by Sarah Ushurhe
Joe Worricker by Sarah Ushurhe.

Joe Worricker is an intriguing proposition for Rough Trade. He’s poppy – he fronts a band without an instrument – dance-y, and a whole lot of soulful. Who knows where he fits into the current market place, but that distinctive voice paired with some jaunty tunes could well make him the next big thing. One thing’s for sure, anyone who puts their granny in the front row at their debut gig gets my vote. And bless, being the polite lad he is, he even thanked me on twitter.

Joe Worricker XOXO granny

Go check him out. And read my interview with him here.
Joe Worricker was indeed wearing stars on his face, about it as declared on twitter twenty minutes before I arrived at his gig. I could her Joe’s idiosyncratic voice even as I raced into this industry thick showcase at new venue XOYO, viagra 100mg located just behind the main Old Street thoroughfare. He was also wearing the same clothes that he sports in his Finger-Waggers video (digital download out this week, though as Joe was only too happy to admit, easily downloadable somewhere online for free.)

A whole 45 minutes later I was still somewhat struggling to describe Joe, who sings with a session-type band that wouldn’t look out of place on the X Factor – but then this is the lad who auditioned for that very show… and was turned down. “I think they were scared of my voice” he told me in our earlier interview. And he does indeed have an almighty set of curiously old-fashioned lungs, somewhat at odds with his outwardly trendy demeanour.

He swung through a set which included some slow tempo tales of weddings and fairytales, before returning to his trademark upbeat tracks. “We’ve got two fun ones now, don’t worry,” he told his many friends in the audience, including what I can only presume was his granny sat pride of place in the front row, and another relative who was doing his best impression of the funky chicken.

Joe Worricker is an intriguing proposition for Rough Trade. He’s poppy – he fronts a band without an instrument – dance-y, and a whole lot of soulful. I’m not entirely sure where he fits into the current market place, but that distinctive voice paired with some jaunty tunes could well make him the next big thing. One thing’s for sure, anyone who puts their granny in the front row at their debut gig gets my vote. Go check him out.

Being the polite lad he is, he even thanked me for coming on twitter.

Joe Worricker was indeed wearing stars on his face, this site as declared on twitter twenty minutes before I arrived at his gig. I could her Joe’s idiosyncratic voice even as I raced into this industry thick showcase at new venue XOYO, recipe located just behind the main Old Street thoroughfare. He was also wearing the same clothes that he sports in his Finger-Waggers video (digital download out this week, though as Joe was only too happy to admit, easily downloadable somewhere online for free.)

A whole 45 minutes later I was still somewhat struggling to describe Joe, who sings with a session-type band that wouldn’t look out of place on the X Factor – but then this is the lad who auditioned for that very show… and was turned down. “I think they were scared of my voice” he told me in our earlier interview. And he does indeed have an almighty set of curiously old-fashioned lungs, somewhat at odds with his outwardly trendy demeanour.

He swung through a set which included some slow tempo tales of weddings and fairytales, before returning to his trademark upbeat tracks. “We’ve got two fun ones now, don’t worry,” he told his many friends in the audience, including what I can only presume was his granny sat pride of place in the front row, and another relative who was doing his best impression of the funky chicken.

Joe Worricker is an intriguing proposition for Rough Trade. He’s poppy – he fronts a band without an instrument – dance-y, and a whole lot of soulful. I’m not entirely sure where he fits into the current market place, but that distinctive voice paired with some jaunty tunes could well make him the next big thing. One thing’s for sure, anyone who puts their granny in the front row at their debut gig gets my vote. And bless, being the polite lad he is he even thanked me on twitter.

Go check him out. And read my interview with him here.
Joe Worricker was indeed wearing stars on his face, story as declared on twitter twenty minutes before I arrived at his gig. I could her Joe’s idiosyncratic voice even as I raced into this industry thick showcase at new venue XOYO, story located just behind the main Old Street thoroughfare. He was also wearing the same clothes that he sports in his Finger-Waggers video (digital download out this week, buy information pills though as Joe was only too happy to admit, easily downloadable somewhere online for free.)

A whole 45 minutes later I was still somewhat struggling to describe Joe, who sings with a session-type band that wouldn’t look out of place on the X Factor – but then this is the lad who auditioned for that very show… and was turned down. “I think they were scared of my voice” he told me in our earlier interview. And he does indeed have an almighty set of curiously old-fashioned lungs, somewhat at odds with his outwardly trendy demeanour.

He swung through a set which included some slow tempo tales of weddings and fairytales, before returning to his trademark upbeat tracks. “We’ve got two fun ones now, don’t worry,” he told his many friends in the audience, including what I can only presume was his granny sat pride of place in the front row, and another relative who was doing his best impression of the funky chicken.

Joe Worricker is an intriguing proposition for Rough Trade. He’s poppy – he fronts a band without an instrument – dance-y, and a whole lot of soulful. I’m not entirely sure where he fits into the current market place, but that distinctive voice paired with some jaunty tunes could well make him the next big thing. One thing’s for sure, anyone who puts their granny in the front row at their debut gig gets my vote. And bless, being the polite lad he is he even thanked me on twitter.

Go check him out. And read my interview with him here.
Shea Alchemy by Cat Palairet
Shea Alchemy by Cat Palairet.

I am a big fan of cottage industries – after all, cialis 40mg I am one myself. In the first of an ongoing series that will profile ethical skincare and makeup brands, let me introduce you to Shea Alchemy founder Sally Mumford. Having discovered her creams some years ago (at a market) I can indeed testify that they are very yummy… Here she talks about how she set up her business and why it is possible to avoid spending a fortune on good quality natural skincare.

Shea Alchemy founder Sally Mumford by Charlotte Hoyle
Shea Alchemy founder Sally Mumford by Charlotte Hoyle.

What did you do before you set up Shea Alchemy?
I was marketing manager at Random House publishers. Absolutely nothing to do with skincare. After having my kids I wanted to be around at home more so I went freelance from home as a graphic designer and copywriter. This all sounds totally unrelated but has actually helped me set up the business as I haven’t had to pay designers or marketing people which would have cost a fortune and I did know about running a business.

Shea Alchemy pots

What prompted you to set up shop? Where did you learn how to make skincare products and where would you recommend that budding skin magicians go to train?
I went to stay with a friend in the States when I was a freelance designer and met a woman who was really into natural skincare who told me all about all the rubbish that is in so many commercial skin creams. I was pretty horrified and bought some ‘natural’ creams made by a company called Arbonne. I loved them but they were INCREDIBLY expensive. When they ran out I looked at the ingredients list and, being a practical kind of person, (and miserly), I thought I’m sure I could make this myself and save myself £100’s. So, I bought a natural beauty recipe book from Amazon and with Claire, my daughter, I set off to Neal’s Yard and spent a fortune on natural ingredients (far more than £100 in the end) and came home and had fun in the kitchen. We squashed beetroot through sieves, blocked the sink with melted beeswax and made all kinds of weird and wonderful concoctions. That was just the beginning but I got hooked on it. I did loads of reading, experimenting and talking to various chemists and toxicologists. I researched ingredient properties and finally, once I had decided I wanted to sell my creams, rather than just giving them to friends and family as I had been – I went on a course run by Aromantic in Fulham to find out how to make sure they didn’t curdle or go off and to learn about the legal side of things.

Shea Alchemy by Alison Day
Shea Alchemy by Alison Day.

Why Shea Butter? Do you ever feel tempted to throw another substitute product in the mix?
On that first Neal’s Yard trip in 2003 we bought some shea butter just because it was in one of the recipes I fancied making. I really liked its texture and the feel of it on my skin. When I read about its properties I decided to make it the theme of my creams. Shea butter is fantastically good for the skin and has been used for centuries in Africa as a natural skin moisturiser. It helps heal scars, offers natural sun protection, soothes eczema and a whole range of dry skin conditions and is also used as a hair conditioner. We mix it with other ingredients though as in its basic unrefined form it is hard and wax like and needs warming before use.

How do you source your shea butter? What led you to Ghana?
We get our fairtrade, unrefined shea butter via a child rights organisation in Ghana called Afrikids and it is made in a woman’s fairtrade cooperative. Ghana is the main place for Shea butter and as a friend of mine had some Ghanaian contacts it seemed the natural place to head for.

SheaAlchemyBottleIllustration_by_JessGu
Illustration by Jess Gurr.

What other products do you add to the shea butter and where do you find these?
We use organic oils such as olive, apricot kernel, thistle and avocado, aloe vera, horse chestnut extract and cocoa butter. We use spring water which we get from my cousin’s farm in Northants where they have a natural spring. They bottle and sell their water and I am sure this is why our creams are so good for sensitive skins because our water is SOOOO pure. We use an emulsifier – cetyl alcohol, which comes from coconut oil – to blend the fats and the water together. We scent the creams with organic essential oils. All our ingredients are sourced from different companies.

Can you explain a bit of the process behind the making your products?
It’s a cross between cooking and chemistry! Lots of heating, cooling, whisking and stirring. Heating has to be very precise and timing is crucial. In the early days we had loads of disasters with curdled messes in saucepans but now we have it down to a fine art. The cooks in the company are Prue (my sister), Emma (my oldest friend) and me. Emma has a science background and that helps a lot.

Shea Alchemy by Karina Yarv
Shea Alchemy market stall by Karina Yarv.

Why is selling in markets so important to you, and which markets do you sell in?
Selling at markets is great because it really keeps you in touch with the people who buy our stuff and what they want. We love the feedback and because we are a tiny company we can actually act on it. If people say they love the smell of geranium for example – we go and get organic essential oil of geranium and add it to stuff. If people show interest in hemp oil for example or blackcurrant seed or blackseed oil etc (as they have done) we can add it to products. We do have to get every recipe toxicology tested though before selling it so its not totally ad hoc. We sell at Broadway Market in London Fields every Saturday and Brick Lane Upmarket in the Truman Brewery on Sundays. We also do one off markets in York (we are there loads over Christmas), Suffolk, Brighton etc. Our website is regularly updated with our plans for the next month and every Friday we confirm our venues via twitter. I chose Broadway and Brick Lane as regular markets because they are GREAT venues and I love being there! Lots of people, lots of great stalls and really friendly stall holders. If I am going to spend my weekends working I want to make sure I am going to enjoy myself.

How do you work between Crouch End and York?
I am based in Crouch End and make stuff in my kitchen and sell at markets in London. Emma makes it in her kitchen in York,  services most of the web orders and sells at York markets. My sister, Prue, makes creams in her kitchen in Northants and brings batches of cream up to me on a weekly basis.

SheaAlchemy by Reena Makwana
Illustration by Reena Makwana.

What are your new products?
Our new products are Cyclists’ Sore Bits Cream and Cyclists All Weather Face protection because we have had loads of cyclists asking for specialist creams – particularly on Broadway market. We also do a blusher and tinted moisturiser because it is simple to just add mineral tints to our existing creams. We don’t have plans to extend the make up range but these two products fit comfortably with the rest of our products.

All your products come in distinctive little tins and pots – why have you decided to package them in this way and what inspired the distinctive bright design?
I just liked the idea of tins because they are really practical, unsquashable and have a kind of basic honesty about them – no fake bottoms here. I did some basic market research before becoming a Ltd company and the results of the survey I did showed that people wanted something a bit different that would stand out from the endless white boxes. I design all our packaging myself and I love bright colours. I looked at lots of Ghanaian batiks for inspiration and the borders of all our tins are based on a batik I liked.

Shea Alchemy Stall by Charlotte Hoyle
Shea Alchemy Stall by Charlotte Hoyle.

Why are gift boxes such a good idea for a small brand like yours?
I think people like to buy presents that are packaged in some way so it made sense to put combinations of creams together. I have to admit I love little bags, boxes, tissue and ribbon so it gave me a great excuse to go and spend loads of money at the packaging factory!

What are your dreams for the future of your brand?
Oh wow … Well, I think we want to stay small. This company is a lifestyle for us rather than an ambition to make mega bucks. We like messing around in the kitchen and making lovely products. If we were to go into shops and get big, our recipes would have to be made in a factory, we would need a distribution network and a production line and who wants to spend their days dealing with all that hassle and the stress of borrowing large amounts of money? If we just sell online and at markets the other great thing is we can keep our prices very competitive because our overheads are massively reduced.  We do want to make a bit more money than we do at the moment though … I think online sales are the way to go. So check out our website www.sheaalchemy.co.uk and start doing your christmas shopping!

Categories ,Afrikids, ,Alison Day, ,aloe vera, ,apricot kernel, ,Arbonne, ,Aromantic, ,Avocado, ,Brick Lane, ,Broadway Market, ,Cat Palairet, ,Charlotte Hoyle, ,Chemistry, ,Cocoa Butter, ,course, ,Crouch End, ,cycling, ,fairtrade, ,ghana, ,horse chestnut extract, ,Jess Gurr, ,Karina Yarv, ,Kitchen, ,Market Stalls, ,Neal’s Yard, ,Olive Oil, ,organic, ,Random House, ,Reena Makwana, ,Sally, ,Sally Mumford, ,Shea Alchemy, ,Shea Butter, ,Skincare, ,Sunday Upmarket, ,Thistle, ,Truman Brewery, ,York

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Amelia’s Magazine | Shea Alchemy: Natural Handmade Skincare

Shea Alchemy by Cat Palairet
Shea Alchemy by Cat Palairet.

I am a big fan of cottage industries – after all, I am one myself. In the first of an ongoing series that will profile ethical skincare and makeup brands, let me introduce you to Shea Alchemy founder Sally Mumford. Having discovered her creams some years ago (at a market) I can indeed testify that they are very yummy… Here she talks about how she set up her business and why it is possible to avoid spending a fortune on good quality natural skincare.

Shea Alchemy founder Sally Mumford by Charlotte Hoyle
Shea Alchemy founder Sally Mumford by Charlotte Hoyle.

What did you do before you set up Shea Alchemy?
I was marketing manager at Random House publishers. Absolutely nothing to do with skincare. After having my kids I wanted to be around at home more so I went freelance from home as a graphic designer and copywriter. This all sounds totally unrelated but has actually helped me set up the business as I haven’t had to pay designers or marketing people which would have cost a fortune and I did know about running a business.

Shea Alchemy pots

What prompted you to set up shop? Where did you learn how to make skincare products and where would you recommend that budding skin magicians go to train?
I went to stay with a friend in the States when I was a freelance designer and met a woman who was really into natural skincare who told me all about all the rubbish that is in so many commercial skin creams. I was pretty horrified and bought some ‘natural’ creams made by a company called Arbonne. I loved them but they were INCREDIBLY expensive. When they ran out I looked at the ingredients list and, being a practical kind of person, (and miserly), I thought I’m sure I could make this myself and save myself £100’s. So, I bought a natural beauty recipe book from Amazon and with Claire, my daughter, I set off to Neal’s Yard and spent a fortune on natural ingredients (far more than £100 in the end) and came home and had fun in the kitchen. We squashed beetroot through sieves, blocked the sink with melted beeswax and made all kinds of weird and wonderful concoctions. That was just the beginning but I got hooked on it. I did loads of reading, experimenting and talking to various chemists and toxicologists. I researched ingredient properties and finally, once I had decided I wanted to sell my creams, rather than just giving them to friends and family as I had been – I went on a course run by Aromantic in Fulham to find out how to make sure they didn’t curdle or go off and to learn about the legal side of things.

Shea Alchemy by Alison Day
Shea Alchemy by Alison Day.

Why Shea Butter? Do you ever feel tempted to throw another substitute product in the mix?
On that first Neal’s Yard trip in 2003 we bought some shea butter just because it was in one of the recipes I fancied making. I really liked its texture and the feel of it on my skin. When I read about its properties I decided to make it the theme of my creams. Shea butter is fantastically good for the skin and has been used for centuries in Africa as a natural skin moisturiser. It helps heal scars, offers natural sun protection, soothes eczema and a whole range of dry skin conditions and is also used as a hair conditioner. We mix it with other ingredients though as in its basic unrefined form it is hard and wax like and needs warming before use.

How do you source your shea butter? What led you to Ghana?
We get our fairtrade, unrefined shea butter via a child rights organisation in Ghana called Afrikids and it is made in a woman’s fairtrade cooperative. Ghana is the main place for Shea butter and as a friend of mine had some Ghanaian contacts it seemed the natural place to head for.

SheaAlchemyBottleIllustration_by_JessGu
Illustration by Jess Gurr.

What other products do you add to the shea butter and where do you find these?
We use organic oils such as olive, apricot kernel, thistle and avocado, aloe vera, horse chestnut extract and cocoa butter. We use spring water which we get from my cousin’s farm in Northants where they have a natural spring. They bottle and sell their water and I am sure this is why our creams are so good for sensitive skins because our water is SOOOO pure. We use an emulsifier – cetyl alcohol, which comes from coconut oil – to blend the fats and the water together. We scent the creams with organic essential oils. All our ingredients are sourced from different companies.

Can you explain a bit of the process behind the making your products?
It’s a cross between cooking and chemistry! Lots of heating, cooling, whisking and stirring. Heating has to be very precise and timing is crucial. In the early days we had loads of disasters with curdled messes in saucepans but now we have it down to a fine art. The cooks in the company are Prue (my sister), Emma (my oldest friend) and me. Emma has a science background and that helps a lot.

Shea Alchemy by Karina Yarv
Shea Alchemy market stall by Karina Yarv.

Why is selling in markets so important to you, and which markets do you sell in?
Selling at markets is great because it really keeps you in touch with the people who buy our stuff and what they want. We love the feedback and because we are a tiny company we can actually act on it. If people say they love the smell of geranium for example – we go and get organic essential oil of geranium and add it to stuff. If people show interest in hemp oil for example or blackcurrant seed or blackseed oil etc (as they have done) we can add it to products. We do have to get every recipe toxicology tested though before selling it so its not totally ad hoc. We sell at Broadway Market in London Fields every Saturday and Brick Lane Upmarket in the Truman Brewery on Sundays. We also do one off markets in York (we are there loads over Christmas), Suffolk, Brighton etc. Our website is regularly updated with our plans for the next month and every Friday we confirm our venues via twitter. I chose Broadway and Brick Lane as regular markets because they are GREAT venues and I love being there! Lots of people, lots of great stalls and really friendly stall holders. If I am going to spend my weekends working I want to make sure I am going to enjoy myself.

How do you work between Crouch End and York?
I am based in Crouch End and make stuff in my kitchen and sell at markets in London. Emma makes it in her kitchen in York,  services most of the web orders and sells at York markets. My sister, Prue, makes creams in her kitchen in Northants and brings batches of cream up to me on a weekly basis.

SheaAlchemy by Reena Makwana
Illustration by Reena Makwana.

What are your new products?
Our new products are Cyclists’ Sore Bits Cream and Cyclists All Weather Face protection because we have had loads of cyclists asking for specialist creams – particularly on Broadway market. We also do a blusher and tinted moisturiser because it is simple to just add mineral tints to our existing creams. We don’t have plans to extend the make up range but these two products fit comfortably with the rest of our products.

All your products come in distinctive little tins and pots – why have you decided to package them in this way and what inspired the distinctive bright design?
I just liked the idea of tins because they are really practical, unsquashable and have a kind of basic honesty about them – no fake bottoms here. I did some basic market research before becoming a Ltd company and the results of the survey I did showed that people wanted something a bit different that would stand out from the endless white boxes. I design all our packaging myself and I love bright colours. I looked at lots of Ghanaian batiks for inspiration and the borders of all our tins are based on a batik I liked.

Shea Alchemy Stall by Charlotte Hoyle
Shea Alchemy Stall by Charlotte Hoyle.

Why are gift boxes such a good idea for a small brand like yours?
I think people like to buy presents that are packaged in some way so it made sense to put combinations of creams together. I have to admit I love little bags, boxes, tissue and ribbon so it gave me a great excuse to go and spend loads of money at the packaging factory!

What are your dreams for the future of your brand?
Oh wow … Well, I think we want to stay small. This company is a lifestyle for us rather than an ambition to make mega bucks. We like messing around in the kitchen and making lovely products. If we were to go into shops and get big, our recipes would have to be made in a factory, we would need a distribution network and a production line and who wants to spend their days dealing with all that hassle and the stress of borrowing large amounts of money? If we just sell online and at markets the other great thing is we can keep our prices very competitive because our overheads are massively reduced.  We do want to make a bit more money than we do at the moment though … I think online sales are the way to go. So check out our website www.sheaalchemy.co.uk and start doing your christmas shopping!

Categories ,Afrikids, ,Alison Day, ,aloe vera, ,apricot kernel, ,Arbonne, ,Aromantic, ,Avocado, ,Brick Lane, ,Broadway Market, ,Cat Palairet, ,Charlotte Hoyle, ,Chemistry, ,Cocoa Butter, ,course, ,Crouch End, ,cycling, ,fairtrade, ,ghana, ,horse chestnut extract, ,Jess Gurr, ,Karina Yarv, ,Kitchen, ,Market Stalls, ,Neal’s Yard, ,Olive Oil, ,organic, ,Random House, ,Reena Makwana, ,Sally, ,Sally Mumford, ,Shea Alchemy, ,Shea Butter, ,Skincare, ,Sunday Upmarket, ,Thistle, ,Truman Brewery, ,York

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Amelia’s Magazine | Christmas Gift Ideas 2012: 12 Top Kitchenware Designs

productofyourenvironment jammie dodger plate
I’ve brought you the best cushions, the best mugs and the best tea towels, and now here is the best of the rest of the homewares I found whilst scouring craft fairs and the web for interesting and unique gifts.

If you love slightly kitsch tableware you’ll love these Jammie Dodger biscuit serving plates, created by product designer Rebecca Chitty of productofyourenvironment.

lucentia plastic bowls
I am a little bit in love with these unusual marble effect bowls made out of recycled material originally used for sunglasses frames: created by Lucentia using an innovative in-house process. These awesome bowls are sent out within a week so get ordering.

Jim Bob art Mr Fox coffee cups
Jim Bob Art is still hard at work creating his amazing animal plates, but he is also now hand painting these brilliant sets of coffee cups: which work to perfection when stacked. He is currently holding court in his own shop on Columbia Road, so why not visit in the run up to Christmas?

Lush designs vegetable oven gloves
I’ve already mentioned Lush Designs once but I’m going to mention them again because their quirky print designs are right up my street. I love these vegetable oven gloves – sprouts, carrots and beetroot make such a great seasonal colour combo.

mini modem plates
You can always count on Mini Moderns for a slice of great design: check out these marvellous backgammon tea plates.

Silicone-Trivets-Royal VKB Haus London
Recently discovered: I love Smak, Grum, Blub and Slisss silicone animal shaped trivets by Ontwerperk at Haus London – based on pre-historic rock art. One to please the men too I think.

Grande Dame Madam & Eve Limited Edition Porcelain Dinner Plate
For beautiful decorative porcelain plates I always come back to the inimitable designs of Burnt Offerings by Grande Dame: Tiff McGinnis is an American expat and in honour of New York recognising same sex marriage she has created this wonderful range of plates. Choose from Madam and Eve or Adam and Steve. Get 30% off using the code SANTASALE before Dec 20th!

london plane chopping boards by Hampson Woods
Also in stock at Haus London are these beautiful wooden chopping boards created in a Hackney workshop by Hampson Woods from fallen London Plane trees. Gloriously smooth and sexy to the touch (I’m not making it up, I’ve touched one). Each board comes with a tag explaining the provenance of the tree it came from.

rob-ryan-set-of-4-this-was-our-place-china-plates
Rob Ryan of course deserves a mention, now that he designs such a wide range of ceramic wares. I particularly like this set of four plates titled ‘This Was Our Place‘, available at Soma Gallery.

marcus walters tray howkapow
And to round off my tips for fabulous kitchenware purchases: three beautiful laminated wooden trays, all made from sustainably sourced Scandinavian birch wood. The biggest tray is a retro design by Marcus Walters for Howkapow.

mouse tray by darling clementine soma gallery
Or try this sweet mouse tray by Darling Clementine at Soma Gallery.

Jonna Saarinen Wooden Breakfast and Picnic Trays
And to round off my selection: pick one of these fabulous abstract neon splatter designs by Swedish RCA graduate Jonna Saarinen.

Stay tuned: more to come soon!

Categories ,Adam and Steve, ,Blub, ,Burnt Offerings, ,ceramics, ,Chopping board, ,Christmas, ,Columbia Road, ,Craft Fair, ,Darling Clementine, ,gifts, ,Grande Dame, ,Grum, ,hackney, ,Hampson Woods, ,Haus London, ,Homeware, ,Howkapow, ,Jammie Dodger, ,Jim Bob Art, ,Jonna Saarinen, ,Kitchen, ,Kitchenware, ,London Plane, ,Lucentia, ,Lush Designs, ,Madam and Eve, ,Marcus Walters, ,Mini Moderns, ,Ontwerperk, ,Plates, ,productofyourenvironment, ,rca, ,Rebecca Chitty, ,recycled, ,rob ryan, ,Silicone trivet, ,Slisss, ,Smak, ,Soma Gallery, ,Sunglasses, ,sustainable, ,This Was Our Place, ,Tiff McGinnis, ,Wooden tray

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Amelia’s Magazine | Glastonbury 2010 Climate Camp Tripod Stage Review: Sunday

Illustration by Dan Heffer, ask pharm Hat by Angela Bruce; The Hedgerow Collection

I’m not sure if it’s the wedding’s I’ve been too recently or the press attention regarding ladies hats at certain summer races (hello Ascot) or whether it’s as simple as the sun being out, but recently I’ve been paying more attention to headwear. It was therefore a great pleasure to be invited to Kensington and Chelsea College’s End of Year Millinery exhibition.

Who could resist Anna Pulleyn’s Forgotten Garden Collection?

Illustration by Krister Selin

Illustration by Lauren Macaulay

The quality of the work on display was unmistakable and the sculptural and innovative shapes a joy to look at. Each Milliner created a story around their final collection, the materials used were inspired by Japanese textile techniques, mechanics and traditional stories; for example Rachel Fallon’s take on Alice in Wonderland.

Illustration by Rachael Price

Another classic text revisited was the greek tragedy of Narcissus. Hannah-Kates Morgan collection was inspired by the story of a man simultaneously in in love with and in turmoil with the sight of his own reflection, coining the term Narcissism. A comment perhaps towards the trend in fashion to be socially elite both towards people and the different mediums of the trade?

Beth Simpson’s collection was inspired by the collection of the Marchesa Casati. Beth describes the collection’s muse as “extravagant, eccentric and bizarre, who for the first three decades of the 20th Century astounded Europe.”

Kate Underdown’s collection was inspired by medical specimens and the anatomical drawings by the Victorians sourced from the Hunerian and Grant Museums of Medicine.

Illustration by Charlotte Gibson

Elaine Lax’s wonderful Mechanical Movement collection created from the building blocks of machinery, that is required to keep our way of life moving.

Congratulations to all the students for a wonderful show and to Kate Underdown, Awon Golding, Rebecca Coffee, Angela Bruce, Ellen Bowden, and Mandy Mcgregor whose hats were selected to be exhibited at Fenwicks.

Photographs by Sally Mumby-Croft

Illustration by Dan Heffer, diagnosis Hat by Angela Bruce; The Hedgerow Collection

I’m not sure if it’s the wedding’s I’ve been too recently or the press attention regarding ladies hats at certain summer races (hello Ascot) or whether it’s as simple as the sun being out, buy but recently I’ve been paying more attention to headwear. Therefore it was a great pleasure to be invited to Kensington and Chelsea College’s End of Year Millinery exhibition.

Who could resist Anna Pulleyn’s Forgotten Garden Collection?

Illustration by Krister Selin

Illustration by Lauren Macaulay

The quality of the work on display was unmistakable and the sculptural and innovative shapes a joy to look at. Each Milliner created a story around their final collection, pharmacy the materials used were inspired by Japanese textile techniques, mechanics and traditional stories; for example Rachel Fallon’s take on Alice in Wonderland.

Illustration by Rachael Price

Hannah-Kates Morgan’s collection – revisited another classic text; Narcissus or Narcissim – was inspired by the greek tragedy. A comment perhaps towards the trend in fashion to be socially elite both towards people and the different mediums of the trade?

Beth Simpson’s collection was inspired by the collection of the Marchesa Casati. Beth describes the collection’s muse as “extravagant, eccentric and bizarre, who for the first three decades of the 20th Century astounded Europe.”

Kate Underdown’s collection was inspired by medical specimens and the anatomical drawings by the Victorians sourced from the Hunerian and Grant Museums of Medicine.

Illustration by Charlotte Gibson

Illustration by Charlotte Gibson

Elaine Lax’s wonderful Mechanical Movement collection created from the building blocks of machinery, that is required to keep our way of life moving.

Congratulations to all the students for a wonderful show and to Kate Underdown, Awon Golding, Rebecca Coffee, Angela Bruce, Ellen Bowden, and Mandy McGregor whose hats were selected to be exhibited at Fenwicks.

Photographs by Sally Mumby-Croft

Illustration by Dan Heffer, viagra 60mg Hat by Angela Bruce; The Hedgerow Collection

I’m not sure if it’s the wedding’s I’ve been too recently or the press attention regarding ladies hats at certain summer races (hello Ascot) or whether it’s as simple as the sun being out, sickness but recently I’ve been paying more attention to headwear. It was therefore a great pleasure to be invited to Kensington and Chelsea College’s End of Year Millinery exhibition.

Who could resist Anna Pulleyn’s Forgotten Garden Collection?

Illustration by Krister Selin

Illustration by Lauren Macaulay

The quality of the work on display was unmistakable and the sculptural and innovative shapes a joy to look at. Each Milliner created a story around their final collection, the materials used were inspired by Japanese textile techniques, mechanics and traditional stories; for example Rachel Fallon’s take on Alice in Wonderland.

Illustration by Rachael Price

Another classic text revisited was the greek tragedy of Narcissus. Hannah-Kates Morgan collection was inspired by the story of a man simultaneously in in love with and in turmoil with the sight of his own reflection, coining the term Narcissism. A comment perhaps towards the trend in fashion to be socially elite both towards people and the different mediums of the trade?

Beth Simpson’s collection was inspired by the collection of the Marchesa Casati. Beth describes the collection’s muse as “extravagant, eccentric and bizarre, who for the first three decades of the 20th Century astounded Europe.”

Kate Underdown’s collection was inspired by medical specimens and the anatomical drawings by the Victorians sourced from the Hunerian and Grant Museums of Medicine.

Illustration by Charlotte Gibson

Illustration by Charlotte Gibson

Elaine Lax’s wonderful Mechanical Movement collection created from the building blocks of machinery, that is required to keep our way of life moving.

Congratulations to all the students for a wonderful show and to Kate Underdown, Awon Golding, Rebecca Coffee, Angela Bruce, Ellen Bowden, and Mandy McGregor whose hats were selected to be exhibited at Fenwicks.

Photographs by Sally Mumby-Croft

Illustration by Dan Heffer, thumb Hat by Angela Bruce; The Hedgerow Collection

I’m not sure if it’s the wedding’s I’ve been too recently or the press attention regarding ladies hats at certain summer races (hello Ascot) or whether it’s as simple as the sun being out, dosage but recently I’ve been paying more attention to headwear. Therefore it was a great pleasure to be invited to Kensington and Chelsea College’s End of Year Millinery exhibition.

Who could resist Anna Pulleyn’s Forgotten Garden Collection?

Illustration by Krister Selin

Illustration by Lauren Macaulay

The quality of the work on display was unmistakable and the sculptural and innovative shapes a joy to look at. Each Milliner created a story around their final collection, cheapest the materials used were inspired by Japanese textile techniques, mechanics and traditional stories; for example Rachel Fallon’s take on Alice in Wonderland.

Illustration by Rachael Price

Another classic text revisited was the greek tragedy of Narcissus. Hannah-Kates Morgan collection was inspired by the story of a man simultaneously in in love with and in turmoil with the sight of his own reflection, coining the term Narcissism. A comment perhaps towards the trend in fashion to be socially elite both towards people and the different mediums of the trade?

Beth Simpson’s collection was inspired by the collection of the Marchesa Casati. Beth describes the collection’s muse as “extravagant, eccentric and bizarre, who for the first three decades of the 20th Century astounded Europe.”

Kate Underdown’s collection was inspired by medical specimens and the anatomical drawings by the Victorians sourced from the Hunerian and Grant Museums of Medicine.

Illustration by Charlotte Gibson

Illustration by Charlotte Gibson

Elaine Lax’s wonderful Mechanical Movement collection created from the building blocks of machinery, that is required to keep our way of life moving.

Congratulations to all the students for a wonderful show and to Kate Underdown, Awon Golding, Rebecca Coffee, Angela Bruce, Ellen Bowden, and Mandy McGregor whose hats were selected to be exhibited at Fenwicks.

Photographs by Sally Mumby-Croft

Illustration by Dan Heffer, help Hat by Angela Bruce; The Hedgerow Collection

I’m not sure if it’s the wedding’s I’ve been too recently or the press attention regarding ladies hats at certain summer races (hello Ascot) or whether it’s as simple as the sun being out, sale but recently I’ve been paying more attention to headwear. Therefore it was a great pleasure to be invited to Kensington and Chelsea College’s End of Year Millinery exhibition.

Who could resist Anna Pulleyn’s Forgotten Garden Collection?

Illustration by Krister Selin

Illustration by Lauren Macaulay

The quality of the work on display was unmistakable and the sculptural and innovative shapes a joy to look at. Each Milliner created a story around their final collection, the materials used were inspired by Japanese textile techniques, mechanics and traditional stories; for example Rachel Fallon’s take on Alice in Wonderland.

Illustration by Rachael Price

Hannah-Kates Morgan’s Narcissism collection, revisited another classic text; the greek tragedy of Narcissus.

Beth Simpson’s collection was inspired by the collection of the Marchesa Casati. Beth describes the collection’s muse as “extravagant, eccentric and bizarre, who for the first three decades of the 20th Century astounded Europe.”

Kate Underdown’s collection was inspired by medical specimens and the anatomical drawings by the Victorians sourced from the Hunerian and Grant Museums of Medicine.

Illustration by Charlotte Gibson

Illustration by Charlotte Gibson

Elaine Lax’s wonderful Mechanical Movement collection created from the building blocks of machinery, that is required to keep our way of life moving.

Congratulations to all the students for a wonderful show and to Kate Underdown, Awon Golding, Rebecca Coffee, Angela Bruce, Ellen Bowden, and Mandy McGregor whose hats were selected to be exhibited at Fenwicks.

Photographs by Sally Mumby-Croft

Glastonbury 2010 Climate Camp Lulu and the Lampshades

On Sunday we lost a few and gained a few. Pete Lawrie called by with terrible hayfever to say he couldn’t sing for fear of losing his voice but kindly volunteered to perform at another Climate Camp benefit. Of course I made him stand in front of our banners so I could get a photo anyway.

Glastonbury 2010 Climate Camp Pete Lawrie
Pete Lawrie.

Robinson just didn’t turn up. I missed a phone call whilst doing an impromptu Green Kite Midnight gig at the Greenpeace Stage, price which laughably requested that I get on the radios to sort out a vehicle escort to meet them from their Acoustic Stage gig (erm, website like this did you read any of my emails?) They then ignored all my later frantic calls. Professional. Still, they probably wouldn’t have had much of an audience, what with them clashing with that embarrassing worldcup football match and all.

Glastonbury 2010 Climate Camp Pete the Temp

I missed most of Pete the Temp but managed to catch him performing some fun mashed up covers dressed in a tutu from our grand raffle.

katie-harnett-lulu and the lampshades
Lulu and the Lampshades by Katie Harnett.
Glastonbury 2010 Climate Camp Lulu and the Lampshades

Lulu and the Lampshades decided to play at the last minute once their Glastonbury tickets were confirmed. Fronted by my former art editor, the super talented Luisa Gerstein, I am ashamed to say that this was the first time I had seen them perform live. I had previously only visited them on myspace, which really doesn’t do justice to their ace live performance. Playing on a variety of strange string instruments, an old typewriter and an assortment of pots, pans and donating buckets scoured from the Climate Camp kitchen, they were incredibly inventive.

katie-harnett-lulu and the lampshades
Lulu and the Lampshades by Katie Harnett.

Both myself and Luisa have camped extensively with Forest School Camps, and her glorious melodies reflect the mix of traditional English, Irish, Scottish and American Bluegrass music that we love to sing around campfires.

Glastonbury 2010 Climate Camp Lulu and the Lampshades
Glastonbury 2010 Climate Camp Lulu and the Lampshades

Lulu and the Lampshades ended on an acapella version of traditional gospel song You’re Gonna Miss Me When I’m Gone – here performed with just two of the band members and some old yoghurt pots (another trick I suspect she learnt around the campfire). A cult classic if ever I saw one – there are already multiple tributes on youtube.

YouTube Preview Image

Luisa’s best bit about playing the Tripod Stage: our make-shift drum-kit from the catering tent.
Luisa’s best bit about Glastonbury this year: Sunday evening: Mountain Man in the Crow’s Nest followed by Dirty Projectors followed by Stevie Wonder; twas dreamy. 
 
You can catch Lulu and the Lampshades at Bestival later this year.

Glastonbury 2010 Climate Camp Cats and Cats and Cats

Cats and Cats and Cats then borrowed a number of instruments from Lulu and the Lampshades to play another exclusive for the Tripod Stage, lead singer Ben George having come down from his parent’s pottery stand in the Green Fields to offer us the gig. Quite fortuitously Cats and Cats and Cats have their debut album If I’d Had An Atlas out next week, so we were treated to stripped down versions of a range of songs which I’ve since been able to listen to on record.

cats and cats and cats
Cats and Cats and Cats by Farzeen Jabbar.

When and where was the album recorded?
If I’d Had An Atlas was recorded over 11 days in deepest darkest Wales (Giant Wafer Studios in the Brecon Beacons), it was great to be so far away from any bustling cities and we could really concentrate there. We also did some recordings of extra instruments (tuba, cello, accordion etc.) in Folkestone at Barewires Studios.

What inspired the name If I’d Had An Atlas?
The name is from a lyric in the title track which reads “I don’t know, if I’d had an atlas, where we would be,” which fell out of my brain at some point and I scribbled it down. I like the imagery of someone imagining that if they’d had a map they would have done things differently but of course there is no map and life is chaotic and that’s why it’s amazing.

What was the best bit about playing on the Tripod Stage?
I really enjoyed just turning up and using what instruments we could gather to piece together a set and then managing to pull it off! Thanks loads to Lulu and the Lampshades for lending us their equipment and also for being really brilliant. The only bad point was when I dedicated a song to my brother only to find he’d run off to watch Nora Jones!

What was your favourite part of Glastonbury this year?
I saw some of my favourite Glastonbury performances this year by bands like: Boxcar Aldous Huxley, Tubelord, the Dirty Projectors, Meursault and Imogen Heap; I was also gobsmacked at the lightning men and amounts of fire in Arcadia. But I have to say the weather, I was there for 8 days and I didn’t see a drop of rain. Amazing.

What other festivals are you playing at?
We’ve got a couple more lined up in July: Lounge on the Farm in Canterbury on Friday 9th (at 12pm) and 2000 Trees Festival in Cheltenham on Saturday 17th. Then we’ll be playing a farewell show for our violin player in London at some point as she’s leaving the band, but we’ll be back on the scene in October for a UK tour. Hopefully see you soon.

Glastonbury 2010 Climate Camp Cats and Cats and Cats

Ben has one of those voices that delights in the slightly out of the tune: it shouldn’t work but most of the time it somehow does: his wailing vocals become a feature in themselves, especially when offset against such a lush backdrop: brass, strings, entire orchestras, choirs, all have their place on this album – occasionally screeching to a standstill that echoes the offkilter vocals. It’s all great fun. Stand out single A Boy Called Haunts is a triumphant melody about… a boy who is trying to impress a girl, so he dresses up as a ghost on Halloween. Only trouble is that he then becomes a real ghost and discovers that she spends her free time having sex with men in porn films. As you do. Ben has been learning Japanese for 3 years so he decided to write a song in Japanese “half to see if I could and half to show off”.

Glastonbury 2010 Climate Camp Cats and Cats and Cats

Towards the end of the album curveball Suizokukanni works surprisingly well, even if the subject matter is equally bonkers. In it Ben’s fictional brother talks to the fish in the garden pond so he gets shunned. One day Ben hears the fish in the garden calling his name and realises he can talk to them. The last line roughly translates to “Lets go to the aquarium together and never return!”. This is followed by the beautiful The Smallest Song, a much quieter and more subdued affair, even as the brass section kicks in. The next single will be If I’d Had Antlers, which features sawed and plucked violin melded to trademark awkward beats and a surprisingly delicate melody. Watch out for the animated video. Cats and Cats and Cats might be an acquired taste, but they’re wonderfully original and definitely a grower. Well worth checking out.

carolyn-alexander-attila the stockbroker
Attila the Stockbroker by Carolyn Alexander.

Our final performer was another late booking – Attila the Stockbroker, pint in hand, gave us some grand punk beat poetry. 60 years old and able to give any number of youngsters a run for their money. I’d like to see more of him one day.

Glastonbury 2010 Climate Camp Attila the Stockbroker

And so ended my Tripod Stage musical line-up. And what a joy it was. Here’s hoping we can do as well next year…

Categories ,2000 Trees Festival, ,Acapella, ,Acoustic Stage, ,Arcadia, ,Attila the Stockbroker, ,bestival, ,Bluegrass, ,Boxcar Aldous Huxley, ,brass, ,Carolyn Alexander, ,Cats and Cats and Cats, ,Climate Camp, ,Crow’s Nest, ,dirty projectors, ,Farzeen Jabbar, ,folk, ,Forest School Camps, ,Green Fields, ,Greenpeace, ,Imogen Heap, ,Katie Harnett, ,Kitchen, ,Lounge on the Farm, ,Luisa Gerstein, ,Lulu and the Lampshades, ,Meursault, ,Mountain Man, ,Pete Lawrie, ,Pete the Temp, ,Pottery, ,Robinson, ,Stevie Wonder, ,Traditional Music, ,Tripod Stage, ,Tubelord, ,wales

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