Amelia’s Magazine | Shea Alchemy: Natural Handmade Skincare

Joe Worricker by Karina Yarv
Joe Worricker by Karina Yarv.

Joe Worricker was indeed wearing stars on his face, generic as declared on twitter twenty minutes before I arrived at his gig. I could hear Joe’s idiosyncratic voice even as I raced into this industry thick showcase at new venue XOYO, buy located just behind the main Old Street thoroughfare. He was also wearing the same clothes that he sports in his Finger-Waggers video (digital download out this week, sales though as Joe was only too happy to admit, easily downloadable somewhere online for free.)

Joe Worricker-XOYO-Photo by Amelia Gregory
Joe Worricker at XOYO. All photography by Amelia Gregory.

Joe Worricker by Sarah Ushurhe
Joe Worricker by Sarah Ushurhe.

A whole 45 minutes later I was still somewhat struggling to describe Joe, who sings with a session-type band that wouldn’t look out of place on the X Factor – but then this is the lad who auditioned for that very show… and was turned down. “I think they were scared of my voice” he told me in our earlier interview. And he does indeed have an almighty set of curiously old-fashioned lungs, somewhat at odds with his outwardly trendy demeanour.

Joe Worricker by Fay Morrow
Joe Worricker by Fay Morrow.

He swung through a set which included some slow tempo tales of weddings and fairytales, before returning to his trademark upbeat tracks. “We’ve got two fun ones now, don’t worry,” he told his many friends in the audience, including what I can only presume was his granny sat pride of place in the front row, and another relative who was doing his best impression of the funky chicken.

Joe Worricker at XOYO. All photography by Amelia Gregory.
Joe Worriker by Sarah Ushurhe
Joe Worricker by Sarah Ushurhe.

Joe Worricker is an intriguing proposition for Rough Trade. He’s poppy – he fronts a band without an instrument – dance-y, and a whole lot of soulful. Who knows where he fits into the current market place, but that distinctive voice paired with some jaunty tunes could well make him the next big thing. One thing’s for sure, anyone who puts their granny in the front row at their debut gig gets my vote. And bless, being the polite lad he is, he even thanked me on twitter.

Joe Worricker XOXO granny

Go check him out. And read my interview with him here.
Joe Worricker was indeed wearing stars on his face, about it as declared on twitter twenty minutes before I arrived at his gig. I could her Joe’s idiosyncratic voice even as I raced into this industry thick showcase at new venue XOYO, viagra 100mg located just behind the main Old Street thoroughfare. He was also wearing the same clothes that he sports in his Finger-Waggers video (digital download out this week, though as Joe was only too happy to admit, easily downloadable somewhere online for free.)

A whole 45 minutes later I was still somewhat struggling to describe Joe, who sings with a session-type band that wouldn’t look out of place on the X Factor – but then this is the lad who auditioned for that very show… and was turned down. “I think they were scared of my voice” he told me in our earlier interview. And he does indeed have an almighty set of curiously old-fashioned lungs, somewhat at odds with his outwardly trendy demeanour.

He swung through a set which included some slow tempo tales of weddings and fairytales, before returning to his trademark upbeat tracks. “We’ve got two fun ones now, don’t worry,” he told his many friends in the audience, including what I can only presume was his granny sat pride of place in the front row, and another relative who was doing his best impression of the funky chicken.

Joe Worricker is an intriguing proposition for Rough Trade. He’s poppy – he fronts a band without an instrument – dance-y, and a whole lot of soulful. I’m not entirely sure where he fits into the current market place, but that distinctive voice paired with some jaunty tunes could well make him the next big thing. One thing’s for sure, anyone who puts their granny in the front row at their debut gig gets my vote. Go check him out.

Being the polite lad he is, he even thanked me for coming on twitter.

Joe Worricker was indeed wearing stars on his face, this site as declared on twitter twenty minutes before I arrived at his gig. I could her Joe’s idiosyncratic voice even as I raced into this industry thick showcase at new venue XOYO, recipe located just behind the main Old Street thoroughfare. He was also wearing the same clothes that he sports in his Finger-Waggers video (digital download out this week, though as Joe was only too happy to admit, easily downloadable somewhere online for free.)

A whole 45 minutes later I was still somewhat struggling to describe Joe, who sings with a session-type band that wouldn’t look out of place on the X Factor – but then this is the lad who auditioned for that very show… and was turned down. “I think they were scared of my voice” he told me in our earlier interview. And he does indeed have an almighty set of curiously old-fashioned lungs, somewhat at odds with his outwardly trendy demeanour.

He swung through a set which included some slow tempo tales of weddings and fairytales, before returning to his trademark upbeat tracks. “We’ve got two fun ones now, don’t worry,” he told his many friends in the audience, including what I can only presume was his granny sat pride of place in the front row, and another relative who was doing his best impression of the funky chicken.

Joe Worricker is an intriguing proposition for Rough Trade. He’s poppy – he fronts a band without an instrument – dance-y, and a whole lot of soulful. I’m not entirely sure where he fits into the current market place, but that distinctive voice paired with some jaunty tunes could well make him the next big thing. One thing’s for sure, anyone who puts their granny in the front row at their debut gig gets my vote. And bless, being the polite lad he is he even thanked me on twitter.

Go check him out. And read my interview with him here.
Joe Worricker was indeed wearing stars on his face, story as declared on twitter twenty minutes before I arrived at his gig. I could her Joe’s idiosyncratic voice even as I raced into this industry thick showcase at new venue XOYO, story located just behind the main Old Street thoroughfare. He was also wearing the same clothes that he sports in his Finger-Waggers video (digital download out this week, buy information pills though as Joe was only too happy to admit, easily downloadable somewhere online for free.)

A whole 45 minutes later I was still somewhat struggling to describe Joe, who sings with a session-type band that wouldn’t look out of place on the X Factor – but then this is the lad who auditioned for that very show… and was turned down. “I think they were scared of my voice” he told me in our earlier interview. And he does indeed have an almighty set of curiously old-fashioned lungs, somewhat at odds with his outwardly trendy demeanour.

He swung through a set which included some slow tempo tales of weddings and fairytales, before returning to his trademark upbeat tracks. “We’ve got two fun ones now, don’t worry,” he told his many friends in the audience, including what I can only presume was his granny sat pride of place in the front row, and another relative who was doing his best impression of the funky chicken.

Joe Worricker is an intriguing proposition for Rough Trade. He’s poppy – he fronts a band without an instrument – dance-y, and a whole lot of soulful. I’m not entirely sure where he fits into the current market place, but that distinctive voice paired with some jaunty tunes could well make him the next big thing. One thing’s for sure, anyone who puts their granny in the front row at their debut gig gets my vote. And bless, being the polite lad he is he even thanked me on twitter.

Go check him out. And read my interview with him here.
Shea Alchemy by Cat Palairet
Shea Alchemy by Cat Palairet.

I am a big fan of cottage industries – after all, cialis 40mg I am one myself. In the first of an ongoing series that will profile ethical skincare and makeup brands, let me introduce you to Shea Alchemy founder Sally Mumford. Having discovered her creams some years ago (at a market) I can indeed testify that they are very yummy… Here she talks about how she set up her business and why it is possible to avoid spending a fortune on good quality natural skincare.

Shea Alchemy founder Sally Mumford by Charlotte Hoyle
Shea Alchemy founder Sally Mumford by Charlotte Hoyle.

What did you do before you set up Shea Alchemy?
I was marketing manager at Random House publishers. Absolutely nothing to do with skincare. After having my kids I wanted to be around at home more so I went freelance from home as a graphic designer and copywriter. This all sounds totally unrelated but has actually helped me set up the business as I haven’t had to pay designers or marketing people which would have cost a fortune and I did know about running a business.

Shea Alchemy pots

What prompted you to set up shop? Where did you learn how to make skincare products and where would you recommend that budding skin magicians go to train?
I went to stay with a friend in the States when I was a freelance designer and met a woman who was really into natural skincare who told me all about all the rubbish that is in so many commercial skin creams. I was pretty horrified and bought some ‘natural’ creams made by a company called Arbonne. I loved them but they were INCREDIBLY expensive. When they ran out I looked at the ingredients list and, being a practical kind of person, (and miserly), I thought I’m sure I could make this myself and save myself £100’s. So, I bought a natural beauty recipe book from Amazon and with Claire, my daughter, I set off to Neal’s Yard and spent a fortune on natural ingredients (far more than £100 in the end) and came home and had fun in the kitchen. We squashed beetroot through sieves, blocked the sink with melted beeswax and made all kinds of weird and wonderful concoctions. That was just the beginning but I got hooked on it. I did loads of reading, experimenting and talking to various chemists and toxicologists. I researched ingredient properties and finally, once I had decided I wanted to sell my creams, rather than just giving them to friends and family as I had been – I went on a course run by Aromantic in Fulham to find out how to make sure they didn’t curdle or go off and to learn about the legal side of things.

Shea Alchemy by Alison Day
Shea Alchemy by Alison Day.

Why Shea Butter? Do you ever feel tempted to throw another substitute product in the mix?
On that first Neal’s Yard trip in 2003 we bought some shea butter just because it was in one of the recipes I fancied making. I really liked its texture and the feel of it on my skin. When I read about its properties I decided to make it the theme of my creams. Shea butter is fantastically good for the skin and has been used for centuries in Africa as a natural skin moisturiser. It helps heal scars, offers natural sun protection, soothes eczema and a whole range of dry skin conditions and is also used as a hair conditioner. We mix it with other ingredients though as in its basic unrefined form it is hard and wax like and needs warming before use.

How do you source your shea butter? What led you to Ghana?
We get our fairtrade, unrefined shea butter via a child rights organisation in Ghana called Afrikids and it is made in a woman’s fairtrade cooperative. Ghana is the main place for Shea butter and as a friend of mine had some Ghanaian contacts it seemed the natural place to head for.

SheaAlchemyBottleIllustration_by_JessGu
Illustration by Jess Gurr.

What other products do you add to the shea butter and where do you find these?
We use organic oils such as olive, apricot kernel, thistle and avocado, aloe vera, horse chestnut extract and cocoa butter. We use spring water which we get from my cousin’s farm in Northants where they have a natural spring. They bottle and sell their water and I am sure this is why our creams are so good for sensitive skins because our water is SOOOO pure. We use an emulsifier – cetyl alcohol, which comes from coconut oil – to blend the fats and the water together. We scent the creams with organic essential oils. All our ingredients are sourced from different companies.

Can you explain a bit of the process behind the making your products?
It’s a cross between cooking and chemistry! Lots of heating, cooling, whisking and stirring. Heating has to be very precise and timing is crucial. In the early days we had loads of disasters with curdled messes in saucepans but now we have it down to a fine art. The cooks in the company are Prue (my sister), Emma (my oldest friend) and me. Emma has a science background and that helps a lot.

Shea Alchemy by Karina Yarv
Shea Alchemy market stall by Karina Yarv.

Why is selling in markets so important to you, and which markets do you sell in?
Selling at markets is great because it really keeps you in touch with the people who buy our stuff and what they want. We love the feedback and because we are a tiny company we can actually act on it. If people say they love the smell of geranium for example – we go and get organic essential oil of geranium and add it to stuff. If people show interest in hemp oil for example or blackcurrant seed or blackseed oil etc (as they have done) we can add it to products. We do have to get every recipe toxicology tested though before selling it so its not totally ad hoc. We sell at Broadway Market in London Fields every Saturday and Brick Lane Upmarket in the Truman Brewery on Sundays. We also do one off markets in York (we are there loads over Christmas), Suffolk, Brighton etc. Our website is regularly updated with our plans for the next month and every Friday we confirm our venues via twitter. I chose Broadway and Brick Lane as regular markets because they are GREAT venues and I love being there! Lots of people, lots of great stalls and really friendly stall holders. If I am going to spend my weekends working I want to make sure I am going to enjoy myself.

How do you work between Crouch End and York?
I am based in Crouch End and make stuff in my kitchen and sell at markets in London. Emma makes it in her kitchen in York,  services most of the web orders and sells at York markets. My sister, Prue, makes creams in her kitchen in Northants and brings batches of cream up to me on a weekly basis.

SheaAlchemy by Reena Makwana
Illustration by Reena Makwana.

What are your new products?
Our new products are Cyclists’ Sore Bits Cream and Cyclists All Weather Face protection because we have had loads of cyclists asking for specialist creams – particularly on Broadway market. We also do a blusher and tinted moisturiser because it is simple to just add mineral tints to our existing creams. We don’t have plans to extend the make up range but these two products fit comfortably with the rest of our products.

All your products come in distinctive little tins and pots – why have you decided to package them in this way and what inspired the distinctive bright design?
I just liked the idea of tins because they are really practical, unsquashable and have a kind of basic honesty about them – no fake bottoms here. I did some basic market research before becoming a Ltd company and the results of the survey I did showed that people wanted something a bit different that would stand out from the endless white boxes. I design all our packaging myself and I love bright colours. I looked at lots of Ghanaian batiks for inspiration and the borders of all our tins are based on a batik I liked.

Shea Alchemy Stall by Charlotte Hoyle
Shea Alchemy Stall by Charlotte Hoyle.

Why are gift boxes such a good idea for a small brand like yours?
I think people like to buy presents that are packaged in some way so it made sense to put combinations of creams together. I have to admit I love little bags, boxes, tissue and ribbon so it gave me a great excuse to go and spend loads of money at the packaging factory!

What are your dreams for the future of your brand?
Oh wow … Well, I think we want to stay small. This company is a lifestyle for us rather than an ambition to make mega bucks. We like messing around in the kitchen and making lovely products. If we were to go into shops and get big, our recipes would have to be made in a factory, we would need a distribution network and a production line and who wants to spend their days dealing with all that hassle and the stress of borrowing large amounts of money? If we just sell online and at markets the other great thing is we can keep our prices very competitive because our overheads are massively reduced.  We do want to make a bit more money than we do at the moment though … I think online sales are the way to go. So check out our website www.sheaalchemy.co.uk and start doing your christmas shopping!

Categories ,Afrikids, ,Alison Day, ,aloe vera, ,apricot kernel, ,Arbonne, ,Aromantic, ,Avocado, ,Brick Lane, ,Broadway Market, ,Cat Palairet, ,Charlotte Hoyle, ,Chemistry, ,Cocoa Butter, ,course, ,Crouch End, ,cycling, ,fairtrade, ,ghana, ,horse chestnut extract, ,Jess Gurr, ,Karina Yarv, ,Kitchen, ,Market Stalls, ,Neal’s Yard, ,Olive Oil, ,organic, ,Random House, ,Reena Makwana, ,Sally, ,Sally Mumford, ,Shea Alchemy, ,Shea Butter, ,Skincare, ,Sunday Upmarket, ,Thistle, ,Truman Brewery, ,York

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Amelia’s Magazine | Shea Alchemy: Natural Handmade Skincare

Shea Alchemy by Cat Palairet
Shea Alchemy by Cat Palairet.

I am a big fan of cottage industries – after all, I am one myself. In the first of an ongoing series that will profile ethical skincare and makeup brands, let me introduce you to Shea Alchemy founder Sally Mumford. Having discovered her creams some years ago (at a market) I can indeed testify that they are very yummy… Here she talks about how she set up her business and why it is possible to avoid spending a fortune on good quality natural skincare.

Shea Alchemy founder Sally Mumford by Charlotte Hoyle
Shea Alchemy founder Sally Mumford by Charlotte Hoyle.

What did you do before you set up Shea Alchemy?
I was marketing manager at Random House publishers. Absolutely nothing to do with skincare. After having my kids I wanted to be around at home more so I went freelance from home as a graphic designer and copywriter. This all sounds totally unrelated but has actually helped me set up the business as I haven’t had to pay designers or marketing people which would have cost a fortune and I did know about running a business.

Shea Alchemy pots

What prompted you to set up shop? Where did you learn how to make skincare products and where would you recommend that budding skin magicians go to train?
I went to stay with a friend in the States when I was a freelance designer and met a woman who was really into natural skincare who told me all about all the rubbish that is in so many commercial skin creams. I was pretty horrified and bought some ‘natural’ creams made by a company called Arbonne. I loved them but they were INCREDIBLY expensive. When they ran out I looked at the ingredients list and, being a practical kind of person, (and miserly), I thought I’m sure I could make this myself and save myself £100’s. So, I bought a natural beauty recipe book from Amazon and with Claire, my daughter, I set off to Neal’s Yard and spent a fortune on natural ingredients (far more than £100 in the end) and came home and had fun in the kitchen. We squashed beetroot through sieves, blocked the sink with melted beeswax and made all kinds of weird and wonderful concoctions. That was just the beginning but I got hooked on it. I did loads of reading, experimenting and talking to various chemists and toxicologists. I researched ingredient properties and finally, once I had decided I wanted to sell my creams, rather than just giving them to friends and family as I had been – I went on a course run by Aromantic in Fulham to find out how to make sure they didn’t curdle or go off and to learn about the legal side of things.

Shea Alchemy by Alison Day
Shea Alchemy by Alison Day.

Why Shea Butter? Do you ever feel tempted to throw another substitute product in the mix?
On that first Neal’s Yard trip in 2003 we bought some shea butter just because it was in one of the recipes I fancied making. I really liked its texture and the feel of it on my skin. When I read about its properties I decided to make it the theme of my creams. Shea butter is fantastically good for the skin and has been used for centuries in Africa as a natural skin moisturiser. It helps heal scars, offers natural sun protection, soothes eczema and a whole range of dry skin conditions and is also used as a hair conditioner. We mix it with other ingredients though as in its basic unrefined form it is hard and wax like and needs warming before use.

How do you source your shea butter? What led you to Ghana?
We get our fairtrade, unrefined shea butter via a child rights organisation in Ghana called Afrikids and it is made in a woman’s fairtrade cooperative. Ghana is the main place for Shea butter and as a friend of mine had some Ghanaian contacts it seemed the natural place to head for.

SheaAlchemyBottleIllustration_by_JessGu
Illustration by Jess Gurr.

What other products do you add to the shea butter and where do you find these?
We use organic oils such as olive, apricot kernel, thistle and avocado, aloe vera, horse chestnut extract and cocoa butter. We use spring water which we get from my cousin’s farm in Northants where they have a natural spring. They bottle and sell their water and I am sure this is why our creams are so good for sensitive skins because our water is SOOOO pure. We use an emulsifier – cetyl alcohol, which comes from coconut oil – to blend the fats and the water together. We scent the creams with organic essential oils. All our ingredients are sourced from different companies.

Can you explain a bit of the process behind the making your products?
It’s a cross between cooking and chemistry! Lots of heating, cooling, whisking and stirring. Heating has to be very precise and timing is crucial. In the early days we had loads of disasters with curdled messes in saucepans but now we have it down to a fine art. The cooks in the company are Prue (my sister), Emma (my oldest friend) and me. Emma has a science background and that helps a lot.

Shea Alchemy by Karina Yarv
Shea Alchemy market stall by Karina Yarv.

Why is selling in markets so important to you, and which markets do you sell in?
Selling at markets is great because it really keeps you in touch with the people who buy our stuff and what they want. We love the feedback and because we are a tiny company we can actually act on it. If people say they love the smell of geranium for example – we go and get organic essential oil of geranium and add it to stuff. If people show interest in hemp oil for example or blackcurrant seed or blackseed oil etc (as they have done) we can add it to products. We do have to get every recipe toxicology tested though before selling it so its not totally ad hoc. We sell at Broadway Market in London Fields every Saturday and Brick Lane Upmarket in the Truman Brewery on Sundays. We also do one off markets in York (we are there loads over Christmas), Suffolk, Brighton etc. Our website is regularly updated with our plans for the next month and every Friday we confirm our venues via twitter. I chose Broadway and Brick Lane as regular markets because they are GREAT venues and I love being there! Lots of people, lots of great stalls and really friendly stall holders. If I am going to spend my weekends working I want to make sure I am going to enjoy myself.

How do you work between Crouch End and York?
I am based in Crouch End and make stuff in my kitchen and sell at markets in London. Emma makes it in her kitchen in York,  services most of the web orders and sells at York markets. My sister, Prue, makes creams in her kitchen in Northants and brings batches of cream up to me on a weekly basis.

SheaAlchemy by Reena Makwana
Illustration by Reena Makwana.

What are your new products?
Our new products are Cyclists’ Sore Bits Cream and Cyclists All Weather Face protection because we have had loads of cyclists asking for specialist creams – particularly on Broadway market. We also do a blusher and tinted moisturiser because it is simple to just add mineral tints to our existing creams. We don’t have plans to extend the make up range but these two products fit comfortably with the rest of our products.

All your products come in distinctive little tins and pots – why have you decided to package them in this way and what inspired the distinctive bright design?
I just liked the idea of tins because they are really practical, unsquashable and have a kind of basic honesty about them – no fake bottoms here. I did some basic market research before becoming a Ltd company and the results of the survey I did showed that people wanted something a bit different that would stand out from the endless white boxes. I design all our packaging myself and I love bright colours. I looked at lots of Ghanaian batiks for inspiration and the borders of all our tins are based on a batik I liked.

Shea Alchemy Stall by Charlotte Hoyle
Shea Alchemy Stall by Charlotte Hoyle.

Why are gift boxes such a good idea for a small brand like yours?
I think people like to buy presents that are packaged in some way so it made sense to put combinations of creams together. I have to admit I love little bags, boxes, tissue and ribbon so it gave me a great excuse to go and spend loads of money at the packaging factory!

What are your dreams for the future of your brand?
Oh wow … Well, I think we want to stay small. This company is a lifestyle for us rather than an ambition to make mega bucks. We like messing around in the kitchen and making lovely products. If we were to go into shops and get big, our recipes would have to be made in a factory, we would need a distribution network and a production line and who wants to spend their days dealing with all that hassle and the stress of borrowing large amounts of money? If we just sell online and at markets the other great thing is we can keep our prices very competitive because our overheads are massively reduced.  We do want to make a bit more money than we do at the moment though … I think online sales are the way to go. So check out our website www.sheaalchemy.co.uk and start doing your christmas shopping!

Categories ,Afrikids, ,Alison Day, ,aloe vera, ,apricot kernel, ,Arbonne, ,Aromantic, ,Avocado, ,Brick Lane, ,Broadway Market, ,Cat Palairet, ,Charlotte Hoyle, ,Chemistry, ,Cocoa Butter, ,course, ,Crouch End, ,cycling, ,fairtrade, ,ghana, ,horse chestnut extract, ,Jess Gurr, ,Karina Yarv, ,Kitchen, ,Market Stalls, ,Neal’s Yard, ,Olive Oil, ,organic, ,Random House, ,Reena Makwana, ,Sally, ,Sally Mumford, ,Shea Alchemy, ,Shea Butter, ,Skincare, ,Sunday Upmarket, ,Thistle, ,Truman Brewery, ,York

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Amelia’s Magazine | Lammas Low Impact Courses and Conferences

Lammas Low Impact Aurelia Lange
Illustration by Aurelia Lange

Wales – the land of soaring song, viagra turf-churning scrums and cunning cross-dressing rioters – is today at the forefront of sustainable, information pills ecological development. In 2009 the Welsh Assembly Government announced a national sustainable development scheme, buy One Wales: One Planet, which led last year to Technical Advice Note (TAN) 6: One Planet Development. The objective of the One Planet Development policy is truly laudable: for Wales to be using only its fair and sustainable share of the earth’s resources – which was measured in 2003 at 1.88 global hectares per person – within the space of a single generation. To this end, One Planet Developments must be zero carbon in both their construction and use, and within five years sit on land that provides for the inhabitants’ basic needs of income, food, energy and waste assimilation. Developments can take the form of single homes, co-operative communities or larger settlements.

Tir y Gafel Hub Outside
Low-impact building The Hub at Tir y Gafel

Roundhouse in construction at Tir y Gafel
A family’s roundhouse under construction at Tir y Gafel

Tree Planting sign at Tir y Gafel
Crafted wooden sign at sustainable settlement in West Wales, Tir y Gafel

One such community is Tir y Gafel, nestled in 76 acres of dizzyingly beautiful ex-farmland mixed pasture and woodland deep within the Pembrokeshire hills. Tir y Gafel is the first eco village to be birthed by Lammas – a cooperative trust that exists to support the development of eco villages in West Wales – following efforts by its founders, members and fellow low-impact supporters to gain planning permission for such developments. Currently under construction by the residents and volunteers, within a few years Tir y Gafel will comprise nine residential smallholdings created using the latest innovations in permaculture, environmental design and green technology. And, of course, they’ll be completely off-grid: water will be sourced from Tir y Gafel’s existing spring; on-site renewables such as the village hydro-electric facility will provide the sparks; fuel supplies will exist in the form of willow and ash; and organic waste will prove food for the village’s abundance of plant life.

Tir y Gafel flowers decorate The Hub
Tir y Gafel flowers decorate village meeting and celebration space, The Hub

Tir y Gafel Cat
Two of Tir y Gafel’s diverse range of residents

The people of Tir y Gafel will not just live off the land, but will nourish it, enriching their plots to the end that the land can support a range of livelihoods, from the growth of cash crops such as blueberries to crafts conjured from the woven hair of malamutes. The completion of the village community building The Hub is also in sight.

For many gazing in awe at the energy, vision and strength of pioneering spirit exhibited by Lammas and the Tir y Gafel residents, a relocation to Mars can seem more reachable than a move to a One Planet lifestyle, with all the land issues and lifestyle transformations it might involve. One of the guiding principles of Lammas, though, is to create a model for sustainable eco living that can be replicated across Wales – and, hopefully, outside it. Education plays a central role in the current life of Tir y Gafel, with courses and conferences inviting people to experience and explore low-impact living, and while doing so help make this groundbreaking example a reality. WWOOFers and other volunteers have been a driving force in the building of The Hub, exchanging enthusiasm and sweat for experience of low-impact building and a role in the future of sustainable living.

Footprints in the farmhouse
Lammas: Steps in the right direction

Building a timber-frame barn wall at Tir y Gafel
Building a timber-frame barn wall at Tir y Gafel

Carving joists for timber-frame barn wall at Tir y Gafel
Joy of joists: getting to grips with timber-framing at Tir y Gafel

Aside from a regular rotation of passionate volunteers, attendees of courses held at Tir y Gafel go on to spread the word, objectives and feasibility of One Planet lifestyles such as those that they experience and learn about through Lammas. The Eco Village Conference will bring those inspired by Lammas’s work and eager to grapple with the practicalities of creating an eco home or village together between 9-11 September, when the folks behind Lammas will impart advice on everything from land-based livelihoods to legal details. Other courses currently booking include a weekend covering willow planting, harvesting and sculpture.

A couple of Lammas course attendees tour the land
People power: Lammas Low Impact Experience course attendees tour the land

Group cooking at Tir y Gafel
The community that cooks together…

Tir y Gafel volunteer spades

Foraged blackberries at Tir y Gafel
Foraged blackberries at Tir y Gafel

Later in the month comes another of the enormously influential Low Impact Experience weeks, which have so far seen dozens of eco-conscious minds enter Tir y Gafel curious and leave – a week and countless incredible vegetarian meals later – with fresh skills spanning cob building, bread baking, stem wall forming, foraging, escapee hen catching and beyond. Led by Hoppi Wimbush and James Giddings, the most recent Low Impact Experience Week, held in August, was for this writer an inspirational reminder of the joyful warm ache of limbs worked sawing barn wall joists; of the rich pleasure – irate wasps and all – of a permaculture landscape; and of the timeless worth of a mental store of stories to tell while rain batters darkened windows. Above all, though, the Low Impact Experience Week re-affirmed the significance of community to our selves, our health and our happiness – and not just because the attendees shared our foraged wood sorrel.

Foraging for wood sorrel at Tir y Gafel
Foraged Tir y Gafel wood sorrel during the Low Impact Experience Week

Baking bread at Tir y Gafel
Future kneads: The Low Impact Experience bake-off

Banquet at The Hub, Tir y Gafel
Banqueting at The Hub, Tir y Gafel

Fire at Tir y Gafel ceilidh

Long gone are the days when it was considered avant-garde to believe that the future health and happiness of our communities rests on the success and extended positive influence of low-impact living initiatives such as those that Lammas is pioneering at Tir y Gafel. As the people of Lammas and Tir y Gafel are showing through their courses and conferences, if we are willing to share knowledge, skills, sweat and time as part of a wider ecologically minded and responsible community, the future can look very, very bright. Even if it is lit via homemade solar panels.

Categories ,Agriculture, ,Aurelia Lange, ,Baking, ,Biodiversity, ,camping, ,Cat, ,Centre for Alternative Technology, ,Co-operative, ,cob building, ,community, ,composting, ,Conference, ,Coppicing, ,course, ,Eco-village, ,Education, ,Farming, ,Grass roof, ,Hoppi Wimbush, ,Hydro electric, ,James Giddings, ,Lammas, ,Land-based Livelihood, ,Livestock, ,Living Roof, ,Low impact, ,Malamute, ,One Planet Development, ,Paul Wimbush, ,Pembrokeshire, ,Planning Permission, ,Polytunnel, ,Renewable Technologies, ,Renewables, ,Roundhouse, ,Self-build, ,Solar panels, ,solar power, ,Straw bale building, ,sustainable living, ,TAN 6, ,Timber framing, ,Tir y Gafel, ,Tony Wrench, ,Tree planting, ,vegetarian, ,Volunteering, ,wales, ,Welsh Assembly Government, ,Wild Foraging, ,Willow weaving, ,Wind power, ,Wood crafts, ,Wool crafts, ,WWOOF, ,zero carbon

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Amelia’s Magazine | Interference: Art for Activism at Artsadmin

Cameramen dashed about as streams of high-heeled, information pills information pills fake-tanned fashionistas paraded through the glass doors of the GAS flagship store on the King’s Road, try each feeling and looking altogether important. Both intrigued and slightly amused, my colleague and I shot straight for the free Bellini Bar, situated between racks of very-samey garments.

Glass in one hand bruschetta in the other we weaved through the crowds towards tables of folded vests and spangly gold swimsuits. Despite tones of Diesel in the denim section of the display, our overall consensus: the selection veered more towards H&M, but in a not-quite-so-cool way. Linens and cottons prevailed, with the odd speck of diamante here and there. High-necked shirts were a favoured item, the finely pressed cotton succeeded in giving the collection a much classier feel, though unfortunately these pieces were few and far between.

Downstairs, the first menswear rail boasted tangerine-lime-and-cyan Hawaiian shirts, which were up against a significant amount of beige? That’s what I thought. A shimmering goldthread and white shirt hung alongside some smartly tailored trousers on the far side of the room, the subtlety of which was a welcomed sight.

Overall, a little too much hype for minimal visual stimulation, the phrase ‘all mouth and no trousers’ springs to mind.
Arriving at the Finsbury Town Hall in jeans and a jumper, price hair bedraggled and mascara running down my cheeks, I was initially there to help set up, but within minutes I had been roped into dancing with the band (Cut-A-Shine), drinking far too much Red Stripe and forgetting that I was at a single’s night after all… Welcome to Barndating Heaven!

We do-si-soed ‘til the cows came home, with flowers in our hair and our cheeks blushed… Amelia was carried through the cheering crowd to call some dances and following her instructions couples entwined and herds of people trampled on each other’s feet and laughed and drank and kissed and laughed and everything was bloomin’ marvelous!

If you haven’t been to the Finsbury Town Hall before I advise that you do so – it is a beautiful space with original décor and eccentric light fittings (random, I know but true). The ceilings are soooo high yet still, the place was bulging with crazy faces by 10pm – men were donning handmade bows and women wore elasticated beards and everyone was having a jolly old knees up to some rocking country sounds. In the corner of the hall was a Romancer’s Retreat (beautifully designed and manned by an East-end creative duo Lightning and Kinglyface) where couples could go to ‘gaze into one another’s eyes…’ There were a few snoggers and a certain amount of loving was most certainly kicking off but by the end of the evening a few people were having a kip in there. Notes of confession were pegged onto strings in this haven of love, a certain pencil-scribble stuck in my head and read ‘yesterday when you called, I pretended I was asleep’ – ah it makes your heart sink doesn’t it!? But others weren’t quite so romantic, and more explicit, and bloody hilarious…

The evening was heady yet relaxed and I remember I spent a lot of time twirling around in my gingham dress and probably looking slightly mad, hence I didn’t spot my nice young farmer (haha) but the night was brilliant and I hope there’ll be many more to come… Cut-a-shine – you rock. All in all a very groovy night. (Sorry – groovy, maybe not the right word) All in all a foot-stamping, dress-twirling hoe-down which left me aching and laughing for days…
‘Glass Gun 2′ by Julie Hill

A couple of days ago my housemate returned home bursting with a tale that he’d been carrying around with him all day. What he had witnessed on his well-trodden route to work that morning had seemed to pervade the conditioned air of his office in the hours that followed, viagra approved reruns of the scene played out in windowpane reflections and on the inside of mid-blink eyelids. He had been inspired.

‘Breath Should Be Held’ by Julie Hill

The action that had my friend so roused wasn’t overtly political. Nor was it spectacularly en-masse. It was a man. Alone. Dancing at 8am in the centre of one of Bristol city centre’s busiest junctions, this multiple lanes of traffic whirring around unrestrained flying limbs like mechanical rings of chorus girls, help their metallic bodywork sparkling.

The root of this act, and the results of it, we can only guess at. Was his rush hour spinning a signal that the rest of us should slow down? A statement on the vulnerability of the pedestrian or the mindlessness of the daily grind? Maybe he just fancied a dance.

CRASH at Artsadmin: experimenting with sustainable alternatives to financial and ecological crises CRASH at Artsadmin: experimenting with sustainable alternatives to financial and ecological crises

As my friend’s impassioned regaling of the scene evidenced, whatever its grounds, form or situation, art is an enormously affecting class of action. And it’s being increasingly embraced as a method of political expression beyond homemade banners or gallery walls, because we can all be arts activists. The only thing that’s required is a little imagination.

Image courtesy of Artsadmin: ‘Quantitative Teasing- A benchmark in post-capitalism’

Two artist activists are on hand later this month to help spark that imagination via Interference, a free five-day workshop to encourage people to develop new ways of working collectively to make a difference to the causes they care about. Beth Whelan (who last year played a large part in the Mainshull Solidarity Camp) and Julie Hill will be working with participants to develop art-related strategies for both acting towards and reacting against change, using such tools as story-telling and myth making, climbing and reclaiming public space, urban foraging, self-publishing and night biking. Interference runs from 21st to 25th June at Artsadmin’s Toynbee Studios in London, but is limited to just 20 places, so if you want one of them Artsadmin asks that you write a short paragraph explaining why you want to get involved, and send it to heather@artsadmin.co.uk.

Beth Whelan at CRASH

Open to people from all backgrounds and experiences, Interference is an invitation to those who want to go beyond just thinking about change; to act via art to be part of, or begin, an empowering, engaging and positive political movement. You never know, it might even be one that stops traffic.

Categories ,activism, ,art, ,Artsadmin, ,Beth Whelan, ,course, ,Julie Hill, ,night riding, ,storytelling, ,workshop

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