cycling – AmeliasMagazine

Amelia’s Magazine | Rapha and Paul Smith Collaborative Cycling Collection

In my second round up of fabulous ideas from twitter friends for late Christmas gift shoppers I bring you the best of art, more about for sale jewellery and homewares.

Firebird Lesley Barnes
Lesley Barnes Firebird horse

We love Lesley Barnes, decease oh yes we do! The Firebird concertina epitomises the way that Lesley has embraced colour since I *forced* her to design my Amelia’s Anthology of Illustration end pages in full colour only a year ago. This is a stunning narrative piece that is designed to be interacted with, but if you’re not feeling quite so adventurous there are also some simpler Lesley prints available at a cheaper price available from the ace Soma Gallery (as well as work from some other great artists).

Alice Potter polar bear

There are loads of fabulous illustrators and artists producing screenprints that are available via their shopping sites, but I’ve tried to steer clear of them here as we’ve talked about them a lot on the blog recently… and there’s only so much room on your average wall. But I do like Alice Potter‘s polar bear.

Platform License to Spill postcards

For someone who cares about the world and prefers a gift with meaning, why not buy a collection of postcards from Platform, supporting art activism? The Liberate Tate: Collected Works postcard book contains lovingly reproduced images from some great direct actions against oil sponsorship of the arts (read more about the ongoing campaign in our blog here) All proceeds will go towards Platform’s new crowd funding initiative, Licence to Spill – a five day participatory exhibition to explore how we kick oil out of the arts.

Ana Montiel wallpaper

I’m really impressed by Ana Montiel‘s designs. She’s got that continuing to be trendy despite the years passing scrawled biro thing down a treat, and I like the fact that she’s not just rehashing florals. Printed on high quality sustainably sourced paper from Finland, this wallpaper would be one for that stylish someone with plans to redecorate their space.

Simon Wild-Fantastical Flying Machines

Illustrator Simon Wild has just published his first book, and it’s a veritable feast for the eyes and senses. Fantastical Flying Machines features a pop up race between the likes of a hot air balloon, a flying tea cup and a bubblegum rocket, and in this age of pop up shops and exhibitions it’s a welcome reminder of the simple brilliance of pop up books. Definitely one for the child in your life!

handmadebyemily

Or Handmade by Emily does a great range of recycled floral fabric owl cushions and mice. Ideal for a child’s bedroom.

Ella necklace Georgia Coote

Onto the jewellery: always a winner for Christmas… just be sure you know the recipient’s tastes. Georgia Coote makes adorable necklaces out of vintage buttons that she has scoured from charity shops. I like the way they become entire statements themselves as in this Ella necklace.

Stark at Beads headband

For those retro stylistically inclined there are also Stark at Beads vintage plastic flower head bands, based in Lisbon.

Summer Garden earrings chain of daisies

I have an unhealthy love of sparkly earrings – I hardly wear them but that doesn’t stop me hankering after the nicest pairs I see. From Chain of Daisies, Neptune Earrings are made out of gorgeous vintage gems as are the lovely Amelia Earrings – I had to mention them didn’t I?! And Summer Garden are made of vintage German plastic cabochons.

eve tv screen necklace

For something that makes a bit more of a statement how about this necklace from Eve at Howkapow, featuring recycled TV screen beads of all things. How fantastic! This is where all TVs should go to die. The Howkapow website features some great up and coming designers and is definitely worth checking out in detail.

Tatty Devine gin bottle cufflinks

Or you could try the newly reworked miniature bestselling Pegasus Necklace from Tatty Devine, or for a boy, these utterly charming Gin bottle cufflinks created in collaboration with cult Shoreditch artists Gilbert and George. You can find them on their newly revamped men’s section For Chaps – why not take a gander.

handcrafted black ninja

Boys, I find, are always a bugger. If the man in your life is a fan of small collectible toys these little hand crafted ninjas from Lilley might just be the thing for you to give him, attached to a keyring, or not – especially since they eschew the usual factory production for Etsy handmade status.

Emma loves Retro cushions

Homewares: Emma Loves Retro does a great job of recycling bold vintage fabrics into scatter cushions, and she has a wide colour and design range to choose from.

london kills me placemats

London Kills Me do all their own screenprinting in London, producing everything from ties and cushions to Christmas decorations. I really like the reclaimed slate planters and some of the printed dresses are very very cute.

meera lee sushi sets

Illustrator Meera Lee creates decorated sushi tea sets from upcycled crockery, which are very pretty but delicate – only for those who are happy to handwash! However the maker is stateside so only for those the other side of the pond at this late stage in the day.

Carlotta Morandini rug

Carlotta Morandini makes amazing sea creature inspired rugs. When I see stuff like this how I wish I had a bit of money! But maybe you do, and if so this would be the making of a room.

Carrie Reichardt plate

Carrie Reichardt sells at new eco fashion store 123 Bethnal Green Road: I just love her reworked crockery – what a find for the anarchist in your life. Unfortunately these are not online at the 123 Bethnal Green Road website, but I highly recommend a visit to their shop, choc-a-bloc with upcycled goodies at just the right price point for Christmas shopping.

Amelia's Compendium of Fashion Illustration

And of course, how could I finish this blog without mention of my own book? Amelia’s Compendium of Fashion Illustration – perfect for the book/illustration/fashion lover in your life. Having had confirmation that the wondrous Royal Mail has already delivered the first copies of Amelia’s Compendium of Fashion Illustration, sent out on Friday, I now feel a bit more confident that you will still be able to take delivery of any of the mentioned gifts above should you decide to order them very soon for Christmas. You can order my book here.

Illustration by Timothy Hunt.

In my second round up of fabulous ideas from twitter friends for late Christmas gift shoppers I bring you the best of art, viagra dosage jewellery and homewares.

Firebird Lesley Barnes
Lesley Barnes Firebird horse

We love Lesley Barnes, approved oh yes we do! The Firebird concertina epitomises the way that Lesley has embraced colour since I *forced* her to design my Amelia’s Anthology of Illustration end pages in full colour only a year ago. This is a stunning narrative piece that is designed to be interacted with, information pills but if you’re not feeling quite so adventurous there are also some simpler Lesley prints available at a cheaper price available from the ace Soma Gallery (as well as work from some other great artists).

Alice Potter polar bear

Platform License to Spill postcards

Ana Montiel wallpaper

Simon Wild-Fantastical Flying Machines

handmadebyemily

Or Handmade by Emily does a great range of recycled floral fabric owl cushions and mice. Ideal for a child’s bedroom.

Ella necklace Georgia Coote

Stark at Beads headband

For those retro stylistically inclined there are also Stark at Beads vintage plastic flower head bands, based in Lisbon.

Summer Garden earrings chain of daisies

eve tv screen necklace

Tatty Devine gin bottle cufflinks

handcrafted black ninja

Emma loves Retro cushions

Homewares: Emma Loves Retro does a great job of recycling bold vintage fabrics into scatter cushions, and she has a wide colour and design range to choose from.

london kills me placemats

meera lee sushi sets

Carlotta Morandini rug

Carlotta Morandini makes amazing sea creature inspired rugs. When I see stuff like this how I wish I had a bit of money! But maybe you do, and if so this would be the making of a room.

Carrie Reichardt plate

Amelia's Compendium of Fashion Illustration

Illustration by Timothy Hunt.

A couple of days ago *ahem, viagra more like a week* I put a callout on twitter for people to send me their fabulous ideas for Christmas presents – here, medications finally is a round up of the best clothing and skincare gifts alongside some of my own recommendations. My second post will cover art, homewares and jewellery.

Bonbi Forest equus scarf

Lee May Foster of Bonbi Forest never fails to produce delightful stuff, my current favourite of which is this stunning Equus scarf, new just in time for Crimbo. It comes in either a pink or blue colour way and will certainly catch people’s attention with it’s lovely sustainably handprinted pattern of horses and zebras.

Natasha Rae Richardson hankie

At the upper end of the market check out this rabbit skeleton organic cotton hankie from Natalie Rae Richardson at Tout Nouveau, a website which offers the work of some fantastic emerging designers – perfect for a super stylish man to flourish when out and about.

Natasha Wood cardigan

I wish I had discovered ethical clothing designer Natasha Wood in time to include her in my book… but alas it is too late. These upcycled leather trousers are made from old leather jackets and above is her special two cardigans coatigan. Just fab.

Bradley Beanie Hat and Bow Brook Top by Maria del Carmen Smith.

Continuing on an ethical clothing bent I really do love the simple good designs of Liv. I’ve been wearing her delightful Bow Brook top non stop this winter, and her Bradley knitted beanie is oh so cute. Liv works exclusively in fairtrade and organic materials. Better still she is running a wee Christmas competition – just join her on Facebook for the chance to win a lovely Shell Ford Cardi in her Berrrry Christmas competition. (but make sure you do it this morning as the offer ends at noon today)

Dr Hauschka bath care kit interior

Over on the beauty gift set side of life I recommend the Dr. Hauschka bath oils set – I am a real sucker for a hot steaming sweetly smelling bath and these smell just divine. A Bath Care Kit contains small starter versions of the oils and costs just £12.50. What a blooming’ bargain for the bath lover in your life. Dr. Hauschka is running a similar chance for a Facebook fan to win a beautiful make up set. Just join their Facebook page before noon.

Dr Hauschka rose tea

Many of Dr. Hauschka’s lotions make use of the wondrous properties of rose, and I particularly like the Rose Body Hamper Body Moisturiser Gift Set, which includes Organic Loose Tea with Rose Petals – since I started drinking black tea on it’s own I’ve discovered that rose tea is absolutely my favourite, yet it is still relatively hard to come by in your average supermarket, making this gift all the more special.

Pai serenity kit

As you can probably tell I am a big fan of a long luxurious bath, especially in this cold weather. Pai Skincare is another fabulous organic brand that has produced a bath care kit – and the Serenity Bath and Body Collection will go down a treat with anyone like me.

Savonnerie-Naughty Weekend Kit

For the lover in your life, there’s always the Savonnerie Ever So Slightly Naughty Weekend Kit. Why wait for the wedding anniversary or Valentine’s Day when you can drop a ginormous hint at Christmas? This boxed kit includes yummy Love Soak bath bits, Vetiver massage oil, a tender kissing glaze… and a blindfold and feather for a truly erotic experience. All this pleasure for both you and the recipient comes at a very reasonable price.

Savonnerie-soaps

Savonnerie specialises in high end hand made soaps encrusted with all sorts of delicious goodies, and their beautifully packaged luxury handmade soap box makes the perfect gift. They are based over in Brushfield Street near Spitalfields Market so if you live in London there is still plenty of time to go and visit them. Yum yum yum.

For fans of yummy skincare products there are plenty more Christmas gift suggestions in some of my previous blog posts about ethical beauty brands, so do go check them out.

Illustration by Timothy Hunt.

In my second round up of fabulous ideas from twitter friends for late Christmas gift shoppers I bring you the best of art, health jewellery and homewares.

Firebird Lesley Barnes
Lesley Barnes Firebird horse

We love Lesley Barnes, oh yes we do! The Firebird concertina epitomises the way that Lesley has embraced colour since I *forced* her to design my Amelia’s Anthology of Illustration end pages in full colour only a year ago. This is a stunning narrative piece that is designed to be interacted with, but if you’re not feeling quite so adventurous there are also some simpler Lesley prints available at a cheaper price available from the ace Soma Gallery (as well as work from some other great artists).

Alice Potter polar bear

Platform License to Spill postcards

Ana Montiel wallpaper

Simon Wild-Fantastical Flying Machines

handmadebyemily

Or Handmade by Emily does a great range of recycled floral fabric owl cushions and mice. Ideal for a child’s bedroom.

Ella necklace Georgia Coote

Stark at Beads headband

For those retro stylistically inclined there are also Stark at Beads vintage plastic flower head bands, based in Lisbon.

Summer Garden earrings chain of daisies

eve tv screen necklace

Tatty Devine gin bottle cufflinks

handcrafted black ninja

Emma loves Retro cushions

Homewares: Emma Loves Retro does a great job of recycling bold vintage fabrics into scatter cushions, and she has a wide colour and design range to choose from.

london kills me placemats

meera lee sushi sets

Carlotta Morandini rug

Carlotta Morandini makes amazing sea creature inspired rugs. When I see stuff like this how I wish I had a bit of money! But maybe you do, and if so this would be the making of a room.

Carrie Reichardt plate

Amelia's Compendium of Fashion Illustration

You can check out my ethical fashion and skincare suggestions on this blog here.

Rapha/Paul Smith scarf and cap by Sandra Contreras.

In need of a last minute man gift? Is he a stylish cyclist? If so help could be here in the form of the new Rapha and Paul Smith cycling collection. Rapha are purveyors of high performance roadwear (which means they know what they are doing) and Paul Smith is of course the doyen of all things stylish. As well as the simple good design of the main collection – which includes a highly technical jacket, page knitted winter hat, more about leather town gloves and a jaunty polka dot scarf – I am particularly enamoured of their collaborative wash bag which comes in two fun Paul Smith colourful cycling inspired prints, complete with sturdy leather details.

Paul Smith Rapha wash bag
Paul Smith wash bag

Years ago Paul Smith gave me a wash bag as a gift – and not only is it by far the best quality wash bag I have ever owned (don’t you find that cheap ones fall apart ridiculously quickly?) but my boyfriend has had his eagle eye on it ever since we met, even with the remnants of girl make up scattered across its insides. The collection also features a shoulder bag and a courier bag for those more inclined to show off their stylish wares in public.

Paul Smith by Sandra Contreras.

So, if you’re still really stuck on what to get the man in your life check out the Rapha and Paul Smith range for something stylish and eminently practical (plus, shhh, he doesn’t even need to be a fully technical cyclist to enjoy the bags). The collection will be added to next year, and I’m keeping my fingers crossed it might include something for the lady cyclist.

Written by Amelia Gregory on Tuesday December 21st, 2010 11:48 am

Categories ,cycling, ,Knitted Winter Hat, ,Leather Town Gloves, ,menswear, ,Paul Smith, ,Polka Dot Gentlemen’s Hat, ,Rapha, ,Sandra Contreras, ,Silk Scarf, ,Technical, ,Wash bag

Amelia’s Magazine | Two wheels good: London’s Borisbike cycle hire scheme proves its worth

Kotki Dwa gig
london borisbike by daria hlazatova
Illustration by Daria Hlazatova

To be honest, remedy I was skeptical of the idea of a bike rental scheme before the launch. If we are going to spend £140 million on cycling I’d rather see we build more bike lanes, cheap I thought. London needs to make roads safer for cyclists, and in my experience, this is the number one reason why people are put off getting bikes.

But in the weeks since 30 July’s launch, when 6000 solid, bright blue bikes where installed in 315 docking stations, my objections have been put to shame. Now, as I roll into London Bridge every morning on my trusty hybrid bike, I invariably find myself accompanied by city workers scurrying around on rental bikes. And I swear the number of ‘regular’ bikes have increased as well – the profile of cycling has shot up as everyone loves the ‘Borisbike’.

Borisbikes by Mina Bach
Mayor Boris Johnson by Mina Bach

While the need for more bike lanes prevails, there is safety in numbers as every extra bike on the road makes it safer to cycle. Over a million rides were made on the Borisbikes in the first three months, the Greater London Authority declared as it held the first appraisal of the scheme on 12 October. Once implementation costs are covered within three years, the scheme is expected to become profitable – in fact it will then be the only London transport system not to run at a loss. Only five bikes have so far been stolen, a fact the Police Cycle Task Force attributes to a sense of ‘community ownership’ among Londoners. And I think that’s true – having spoken to numerous people about this, there is a feeling that these are ‘our’ bikes. In a sometimes very anonymous city like London, where being spoken to on the tube by a stranger can actually feel intrusive, the bikes are becoming a symbol that after all, we are all Londoners.

london bike rental by genie espinosa
Illustration by Genie Espinosa

Mayor Boris Johnson‘s introduction of the bike scheme grants London a place in a worldwide club of bike rental cities. But the Borisbikes, and the the 12 cycle ‘superhighways’, were actually the suggestion of former mayor Ken Livingstone, following a visit to Paris to see the city’s ‘Vélib’ cycling scheme. This is the biggest in the world with 17,000 bikes, suggesting this is only the beginning for London’s 6000 bikes. Our numbers are soon to reach 8000, however, as the system expands beyond central London to cover all of Tower Hamlets and more of Hackney, in time for the 2012 Olympics. The bikes themselves are identical to Montreal’s ‘Bixi’ rental bikes; 23 kilos would be excessively heavy for a regular bike, but for a rental it makes it a very stable and durable ride, plus very unattractive to steal. Vandals are further deterred as most of the wires have been placed inside the frame, and the bikes also boast extra-strong tires and dynamo lights.

London bike scheme by Carla Bromhead
Cycle superhighway by Carla Bromhead

So as Londoners get on their bikes – here’s a quick guide to safe cycling in traffic:

* Claim your space. Make sure drivers can see you, and ride a good foot’s distance from the kerb. Signal clearly and look behind you before turning, and they will respect you for it.

* Watch out for cars turning left. If you see vehicles indicating to the left, stay behind, or, if there’s time, get far in front where they can see you.

* Overtake on the right if you can. Instinct will have you overtake queuing vehicles on their left – this places you in a blind spot so only do this if there’s plenty of space.

* Avoid lorries. Stay behind, or overtake on the right. But as statistics dictate that if you get injured while cycling it will be from a lorry, it’s best to just steer clear.

* Follow the traffic rules. Cyclists who plow into pedestrians to get ahead give us all a bad name. But every now and again, it might just be safer to get ahead of heavy traffic by jumping a light. But be extremely sure before you do this – and mind those pedestrians.

Mayor Boris Johnson by Daria Hlazatova

Sign up for the London bike hire scheme here. Read more about the scheme in Amelia Wells’ article about the launch, or have a look at our tips for getting ready for winter cycling here.

Written by Jessica Furseth on Monday November 22nd, 2010 9:07 am

Categories ,bike rental, ,Bixi, ,Boris Johnson, ,Borisbike, ,Carla Bromhead, ,cycle superhighway, ,cycling, ,Daria Hlazatova, ,Genie Espinosa, ,Greater London Authority, ,hackney, ,Ken Livingstone, ,london, ,Mina Bach., ,Montreal, ,Olympics, ,paris, ,Tower Hamlets, ,Vélib

Amelia’s Magazine | Life Cycles: an interview with cyclist, world record breaker and author Julian Sayarer

We have been following the adventures of Julian Sayarer for several years, since I first met him in the now defunct (and much missed) Foundry Pub in Old Street. This week sees the official launch of his debut travelogue Life Cycles at cult cafe Look Mum No Hands, so we caught up with him to find out more about cycling, breaking records and writing books.

It’s been a while since you cycled around the world – would you do it again? And what would you do differently if you set off on a similarly long cycle ride?
I’ll definitely be cycling a long way again sometime in the future. There are vague plans for riding to Beijing in 2015, and Latin America still has a really strong appeal. The chances are that, if I set out again, there wouldn’t be a world record involved. Once you get into a routine, riding 110 miles a day isn’t quite as daunting as it sounds, the element of a race did add some fun, and I really like the intensity of all those fleeting impressions, but that said, I wouldn’t mind going a bit slower… it’d be nice to stop for longer in the really amazing places, and not having to cut short some of the encounters.

How did you find a publisher for your book, and what would you recommend to other would be travel writers looking for a deal?
I went for the Writers & Artists yearbook, which includes a directory of agents, and submitted the standard first thirty pages to those that sounded suitable. A handful offered to represent me, and I went with my instinct, and the advice that most people in the industry had given: to go with whichever agency I felt most comfortable with. I’ve got a good relationship/friendship with my agent now… he’s really helped me to develop my writing, and gives me a lot of time of day, and feedback, that I don’t think the bigger agencies I turned down would’ve had much interest in helping with.

In retrospect, I potentially could have got a publisher with just a sample chapter and a covering letter of what I’d done, but that isn’t always the case. Although the agent takes a cut, they certainly open up options that quite probably wouldn’t otherwise exist, and allow you to focus on the creative side of the work.

I think the main thing, with any sort of writing, and however cliché, is just to do it for the love of it. It’s a slow and poorly paid world, and unless you simply love the act of writing, it’d soon get a bit dispiriting.

What is the book about and who do you think it will appeal most to?
Human scenery… the politics of the world at 12mph? I’d like to think it would appeal to anyone with an interest in the world or writing, really. There are a lot of cycle touring books that just describe headwinds and hills and mechanical problems… it ends up a bit of a list of everything that happened (with a dash of self-help and motivational stuff thrown in) and that’s really off-putting to me. I try and create places and experiences with the words, and only really mention the bicycle when it’s really necessary. I always loved writing, and storytelling in particular, so it was always my intention to go for something that tried to be a bit literary, creative, experimental. I’m not sure how much that’s been done before, on this subject.

What do you love most about the act of writing?
The absolute freedom of a page, the fact that it’s mine to create anything I want with. The fact that I can put all of my thoughts into words and then, for good or bad, they lose their weightiness and become only a form upon a piece of paper. My writing has become a really good friend to me, it’s helped me through a lot.

You are also making films and I believe that you recently spent time living with the Moken sea gypsies – can you tell us more about this particular adventure?
I’d written a series on the EU financial crisis, for the New Statesman, as I cycled through Europe to Istanbul in 2012. A producer had read the articles, really liked them, and got in touch in search of a writer for a documentary project in Asia and the Pacific. The Moken are an indigenous people of southeast asia, they live on the water, but that life, and the islands they move between, are all being threatened by the usual advances of modernity: land speculation, overfishing, mass tourism, oil exploration, border disputes between Myanmar and Thailand.

The documentary is still in post production, but Aeon Magazine commissioned an article from the trip. I looked a lot at indigenous culture, the way that economically developed countries can fetishise it. The Moken lead a hard life, many of them would perhaps like it to be easier, many young Moken are abandoning their traditional ways of life to move to the mainland, but often experience a lot more difficulties than they do on the water. It’s not to say that anything or anyone is timeless, Moken included, but development and change should be sensitive to culture, and too often it isn’t.

You have also been involved with arts projects – have you got anymore of these in the pipeline and if so what?
I’ve exhibited photography, and am a trustee with a charity that does participatory arts workshops with youngsters who are marginalised by either poverty or social stigma. I don’t know really, I think writing is more my natural calling, and it probably helps to focus on one thing. I’ve got a few ideas for exhibitions, but they’re kept company by lots of other ideas, most of which are unlikely to come to fruition, or will crystallise into something that right now I don’t see coming!

How much do you cycle today and what kind of bike do you ride?
How much I cycle depends a lot on where I am. Sometimes I’m cycling somewhere and working on a piece of travel writing, sometimes commuting on a bicycle in London, sometimes in a city without a bicycle and just walking around a lot. To be honest, I do miss it when I don’t ride at all for a while… cycling really gets me thinking, somehow looking at the world differently, and I think the exercise is good for the brain as much as the body.

I have a steel frame touring bicycle which was given to me as sponsorship, and I generally find too expensive to leave anywhere. I also find it hard to get attached to things that are worth a lot of money. I cycle around London on a shabby old fixed gear that must have done just as many miles, on the streets of the city.. I find that one much more charming.

I hear there is a second book in the wings… can you tell us more about it?
I spent three years working as a cycle courier in London, and if I see the first book as the story of the world on a bicycle, the second is the story of the city, plus a bit of me adjusting to standing around with strangers in lifts, while I could still remember riding through deserts in central Asia.

It’s a bit of an unseen London really; my brother delivered flowers to the MP who was stabbed by a young constituent in Whitechapel, I had the painful experience of delivering flowers to congratulate Cameron and his wife when they formed the government in 2010. I delivered administration notices to Lehman Brothers in 2008. There’s a really strong subculture to the couriers, I wouldn’t say I’m one of them as such, but there’s a really tender sense of kin there, and it’s valuable to work with the sort of people that it’s all too easy not to come into contact with in society… bicycles are good for that in general.

I know a courier who occasionally rode around with a beer can, with pierced holes in the side, where normally you keep a water bottle. He used the can to smoke crack, clear as day, off a fairly busy street in Soho. There are a few riders who’ve done time in jail, a lot of them have perhaps made their lives harder than they needed to be, and a lot of them were probably just born into lives that were always going to be difficult. They’re all incredibly good, tender people, and the job and the culture of London’s roads is hard enough that it can really harden your soul. I don’t know, I think we live inside a system that doesn’t honour human beings as it should, and I want to make some small mark against that, by chronicling a lot of the realities of cities, poverty, class. It’s probably quite ambitious, but you’ve gotta try.

You can buy Life Cycles from Hive here, and help support independent bookshops. Julian will launch the book at Look Mum No Hands at 49 Old Street, London on Thursday 5th June at 7.30pm and all are welcome, join the facebook event here. He will be on tour in the autumn too, so look out for him then!

Written by Amelia Gregory on Wednesday June 4th, 2014 9:10 am

Categories ,Aeon Magazine, ,Album Launch, ,Author, ,beijing, ,book, ,Cycle Courier, ,cycling, ,Foundry Pub, ,Hive, ,interview, ,Istanbul, ,Julian Sayarer, ,Latin America, ,Launch, ,Life Cycles, ,london, ,Look Mum No Hands, ,Moken, ,Myanmar, ,New Statesman, ,Record Breaker, ,review, ,Thailand, ,travel, ,Travelogue, ,Writers & Artists

Amelia’s Magazine | Shea Alchemy: Natural Handmade Skincare

Joe Worricker by Karina Yarv.

Joe Worricker was indeed wearing stars on his face, generic as declared on twitter twenty minutes before I arrived at his gig. I could hear Joe’s idiosyncratic voice even as I raced into this industry thick showcase at new venue XOYO, buy located just behind the main Old Street thoroughfare. He was also wearing the same clothes that he sports in his Finger-Waggers video (digital download out this week, sales though as Joe was only too happy to admit, easily downloadable somewhere online for free.)

Joe Worricker-XOYO-Photo by Amelia Gregory
Joe Worricker at XOYO. All photography by Amelia Gregory.

Joe Worricker by Sarah Ushurhe.

A whole 45 minutes later I was still somewhat struggling to describe Joe, who sings with a session-type band that wouldn’t look out of place on the X Factor – but then this is the lad who auditioned for that very show… and was turned down. “I think they were scared of my voice” he told me in our earlier interview. And he does indeed have an almighty set of curiously old-fashioned lungs, somewhat at odds with his outwardly trendy demeanour.

Joe Worricker by Fay Morrow.

He swung through a set which included some slow tempo tales of weddings and fairytales, before returning to his trademark upbeat tracks. “We’ve got two fun ones now, don’t worry,” he told his many friends in the audience, including what I can only presume was his granny sat pride of place in the front row, and another relative who was doing his best impression of the funky chicken.

Joe Worricker at XOYO. All photography by Amelia Gregory.
Joe Worriker by Sarah Ushurhe
Joe Worricker by Sarah Ushurhe.

Joe Worricker is an intriguing proposition for Rough Trade. He’s poppy – he fronts a band without an instrument – dance-y, and a whole lot of soulful. Who knows where he fits into the current market place, but that distinctive voice paired with some jaunty tunes could well make him the next big thing. One thing’s for sure, anyone who puts their granny in the front row at their debut gig gets my vote. And bless, being the polite lad he is, he even thanked me on twitter.

Joe Worricker XOXO granny

Go check him out. And read my interview with him here.
Joe Worricker was indeed wearing stars on his face, about it as declared on twitter twenty minutes before I arrived at his gig. I could her Joe’s idiosyncratic voice even as I raced into this industry thick showcase at new venue XOYO, viagra 100mg located just behind the main Old Street thoroughfare. He was also wearing the same clothes that he sports in his Finger-Waggers video (digital download out this week, though as Joe was only too happy to admit, easily downloadable somewhere online for free.)

Joe Worricker is an intriguing proposition for Rough Trade. He’s poppy – he fronts a band without an instrument – dance-y, and a whole lot of soulful. I’m not entirely sure where he fits into the current market place, but that distinctive voice paired with some jaunty tunes could well make him the next big thing. One thing’s for sure, anyone who puts their granny in the front row at their debut gig gets my vote. Go check him out.

Being the polite lad he is, he even thanked me for coming on twitter.

Joe Worricker was indeed wearing stars on his face, this site as declared on twitter twenty minutes before I arrived at his gig. I could her Joe’s idiosyncratic voice even as I raced into this industry thick showcase at new venue XOYO, recipe located just behind the main Old Street thoroughfare. He was also wearing the same clothes that he sports in his Finger-Waggers video (digital download out this week, though as Joe was only too happy to admit, easily downloadable somewhere online for free.)

Go check him out. And read my interview with him here.
Joe Worricker was indeed wearing stars on his face, story as declared on twitter twenty minutes before I arrived at his gig. I could her Joe’s idiosyncratic voice even as I raced into this industry thick showcase at new venue XOYO, story located just behind the main Old Street thoroughfare. He was also wearing the same clothes that he sports in his Finger-Waggers video (digital download out this week, buy information pills though as Joe was only too happy to admit, easily downloadable somewhere online for free.)

Go check him out. And read my interview with him here.

Shea Alchemy by Cat Palairet.

I am a big fan of cottage industries – after all, cialis 40mg I am one myself. In the first of an ongoing series that will profile ethical skincare and makeup brands, let me introduce you to Shea Alchemy founder Sally Mumford. Having discovered her creams some years ago (at a market) I can indeed testify that they are very yummy… Here she talks about how she set up her business and why it is possible to avoid spending a fortune on good quality natural skincare.

Shea Alchemy founder Sally Mumford by Charlotte Hoyle.

What did you do before you set up Shea Alchemy?
I was marketing manager at Random House publishers. Absolutely nothing to do with skincare. After having my kids I wanted to be around at home more so I went freelance from home as a graphic designer and copywriter. This all sounds totally unrelated but has actually helped me set up the business as I haven’t had to pay designers or marketing people which would have cost a fortune and I did know about running a business.

Shea Alchemy pots

What prompted you to set up shop? Where did you learn how to make skincare products and where would you recommend that budding skin magicians go to train?
I went to stay with a friend in the States when I was a freelance designer and met a woman who was really into natural skincare who told me all about all the rubbish that is in so many commercial skin creams. I was pretty horrified and bought some ‘natural’ creams made by a company called Arbonne. I loved them but they were INCREDIBLY expensive. When they ran out I looked at the ingredients list and, being a practical kind of person, (and miserly), I thought I’m sure I could make this myself and save myself £100’s. So, I bought a natural beauty recipe book from Amazon and with Claire, my daughter, I set off to Neal’s Yard and spent a fortune on natural ingredients (far more than £100 in the end) and came home and had fun in the kitchen. We squashed beetroot through sieves, blocked the sink with melted beeswax and made all kinds of weird and wonderful concoctions. That was just the beginning but I got hooked on it. I did loads of reading, experimenting and talking to various chemists and toxicologists. I researched ingredient properties and finally, once I had decided I wanted to sell my creams, rather than just giving them to friends and family as I had been – I went on a course run by Aromantic in Fulham to find out how to make sure they didn’t curdle or go off and to learn about the legal side of things.

Shea Alchemy by Alison Day.

Why Shea Butter? Do you ever feel tempted to throw another substitute product in the mix?
On that first Neal’s Yard trip in 2003 we bought some shea butter just because it was in one of the recipes I fancied making. I really liked its texture and the feel of it on my skin. When I read about its properties I decided to make it the theme of my creams. Shea butter is fantastically good for the skin and has been used for centuries in Africa as a natural skin moisturiser. It helps heal scars, offers natural sun protection, soothes eczema and a whole range of dry skin conditions and is also used as a hair conditioner. We mix it with other ingredients though as in its basic unrefined form it is hard and wax like and needs warming before use.

How do you source your shea butter? What led you to Ghana?
We get our fairtrade, unrefined shea butter via a child rights organisation in Ghana called Afrikids and it is made in a woman’s fairtrade cooperative. Ghana is the main place for Shea butter and as a friend of mine had some Ghanaian contacts it seemed the natural place to head for.

SheaAlchemyBottleIllustration_by_JessGu
Illustration by Jess Gurr.

What other products do you add to the shea butter and where do you find these?
We use organic oils such as olive, apricot kernel, thistle and avocado, aloe vera, horse chestnut extract and cocoa butter. We use spring water which we get from my cousin’s farm in Northants where they have a natural spring. They bottle and sell their water and I am sure this is why our creams are so good for sensitive skins because our water is SOOOO pure. We use an emulsifier – cetyl alcohol, which comes from coconut oil – to blend the fats and the water together. We scent the creams with organic essential oils. All our ingredients are sourced from different companies.

Can you explain a bit of the process behind the making your products?
It’s a cross between cooking and chemistry! Lots of heating, cooling, whisking and stirring. Heating has to be very precise and timing is crucial. In the early days we had loads of disasters with curdled messes in saucepans but now we have it down to a fine art. The cooks in the company are Prue (my sister), Emma (my oldest friend) and me. Emma has a science background and that helps a lot.

Shea Alchemy by Karina Yarv
Shea Alchemy market stall by Karina Yarv.

Why is selling in markets so important to you, and which markets do you sell in?
Selling at markets is great because it really keeps you in touch with the people who buy our stuff and what they want. We love the feedback and because we are a tiny company we can actually act on it. If people say they love the smell of geranium for example – we go and get organic essential oil of geranium and add it to stuff. If people show interest in hemp oil for example or blackcurrant seed or blackseed oil etc (as they have done) we can add it to products. We do have to get every recipe toxicology tested though before selling it so its not totally ad hoc. We sell at Broadway Market in London Fields every Saturday and Brick Lane Upmarket in the Truman Brewery on Sundays. We also do one off markets in York (we are there loads over Christmas), Suffolk, Brighton etc. Our website is regularly updated with our plans for the next month and every Friday we confirm our venues via twitter. I chose Broadway and Brick Lane as regular markets because they are GREAT venues and I love being there! Lots of people, lots of great stalls and really friendly stall holders. If I am going to spend my weekends working I want to make sure I am going to enjoy myself.

How do you work between Crouch End and York?
I am based in Crouch End and make stuff in my kitchen and sell at markets in London. Emma makes it in her kitchen in York, services most of the web orders and sells at York markets. My sister, Prue, makes creams in her kitchen in Northants and brings batches of cream up to me on a weekly basis.

SheaAlchemy by Reena Makwana
Illustration by Reena Makwana.

What are your new products?
Our new products are Cyclists’ Sore Bits Cream and Cyclists All Weather Face protection because we have had loads of cyclists asking for specialist creams – particularly on Broadway market. We also do a blusher and tinted moisturiser because it is simple to just add mineral tints to our existing creams. We don’t have plans to extend the make up range but these two products fit comfortably with the rest of our products.

All your products come in distinctive little tins and pots – why have you decided to package them in this way and what inspired the distinctive bright design?
I just liked the idea of tins because they are really practical, unsquashable and have a kind of basic honesty about them – no fake bottoms here. I did some basic market research before becoming a Ltd company and the results of the survey I did showed that people wanted something a bit different that would stand out from the endless white boxes. I design all our packaging myself and I love bright colours. I looked at lots of Ghanaian batiks for inspiration and the borders of all our tins are based on a batik I liked.

Shea Alchemy Stall by Charlotte Hoyle.

Why are gift boxes such a good idea for a small brand like yours?
I think people like to buy presents that are packaged in some way so it made sense to put combinations of creams together. I have to admit I love little bags, boxes, tissue and ribbon so it gave me a great excuse to go and spend loads of money at the packaging factory!

What are your dreams for the future of your brand?
Oh wow … Well, I think we want to stay small. This company is a lifestyle for us rather than an ambition to make mega bucks. We like messing around in the kitchen and making lovely products. If we were to go into shops and get big, our recipes would have to be made in a factory, we would need a distribution network and a production line and who wants to spend their days dealing with all that hassle and the stress of borrowing large amounts of money? If we just sell online and at markets the other great thing is we can keep our prices very competitive because our overheads are massively reduced. We do want to make a bit more money than we do at the moment though … I think online sales are the way to go. So check out our website www.sheaalchemy.co.uk and start doing your christmas shopping!

Written by Amelia Gregory on Wednesday November 17th, 2010 4:07 pm

Categories ,Afrikids, ,Alison Day, ,aloe vera, ,apricot kernel, ,Arbonne, ,Aromantic, ,Avocado, ,Brick Lane, ,Broadway Market, ,Cat Palairet, ,Charlotte Hoyle, ,Chemistry, ,Cocoa Butter, ,course, ,Crouch End, ,cycling, ,fairtrade, ,ghana, ,horse chestnut extract, ,Jess Gurr, ,Karina Yarv, ,Kitchen, ,Market Stalls, ,Neal’s Yard, ,Olive Oil, ,organic, ,Random House, ,Reena Makwana, ,Sally, ,Sally Mumford, ,Shea Alchemy, ,Shea Butter, ,Skincare, ,Sunday Upmarket, ,Thistle, ,Truman Brewery, ,York

Amelia’s Magazine | Shea Alchemy: Natural Handmade Skincare

Shea Alchemy by Cat Palairet.

I am a big fan of cottage industries – after all, I am one myself. In the first of an ongoing series that will profile ethical skincare and makeup brands, let me introduce you to Shea Alchemy founder Sally Mumford. Having discovered her creams some years ago (at a market) I can indeed testify that they are very yummy… Here she talks about how she set up her business and why it is possible to avoid spending a fortune on good quality natural skincare.

Shea Alchemy founder Sally Mumford by Charlotte Hoyle.

Shea Alchemy pots

Shea Alchemy by Alison Day.

SheaAlchemyBottleIllustration_by_JessGu
Illustration by Jess Gurr.

Shea Alchemy by Karina Yarv
Shea Alchemy market stall by Karina Yarv.

SheaAlchemy by Reena Makwana
Illustration by Reena Makwana.

Shea Alchemy Stall by Charlotte Hoyle.

Written by Amelia Gregory on Wednesday November 17th, 2010 4:07 pm

Amelia’s Magazine | Anna Glowinski’s AnaNichoola – Girls Allowed!

All photographs courtesy of ananichoola.co.uk

AnaNichoola, stuff a label created by avid cyclist Anna Glowinski, is fast growing fashion brand with a simple idea; attractive, affordable and convenient fashion for female cyclists. With the growing popularity of cycling as a means of exercise, being eco friendly, and indeed for fun, her range of clothing and accessories has catered to a market close to her heart. As Anna explains; ‘We (female cyclists) don’t want to apologise for who we are, or hide our pony tails under our helmets; feminine style doesn’t mean kissing goodbye to performance, and that is what AnaNichoola is trying to embrace.’ I met up with Anna to chat about her designs and passion for the sport.

What made you start designing cycle fashion for women?

It was sort-of an accident, I mean, I’ve always had conversations with women about the lack of nice, practical female cycle clothing. It was always just too practical. So I handmade some fun bits and pieces – the LoveLocks and SPD heels for fun, and people loved them, so I decided to try and do more stuff. Once I committed myself to the plan, the ideas kept on coming! It was obviously a suppressed desire from being a vain lady cyclist my whole life!

With all the media attention you have been getting, have you noticed an increase in sales?

Yes, I have. AnaNichoola is still in the baby stages, so sales are often an after thought. The press happens, the hits to my website go up, someone important e.g. a shop, asks me about my ability to mass produce, I start thinking about that, and then suddenly a member of the public wants something and I’m like, oh yeah, that’s what this is about. Up to Christmas sales increased so I reckon people who saw AnaNichoola two months ago probably held off until later to buy. Ultimately, I’m really glad for the press coverage because for one, it is nice that they believe in my products, and for two, I can’t afford any advertising right now.

Do you have new designs for combating these winter months?

I launched my technical designs at this year’s Cycle Show in October, so it’s quite a funny time to launch. I have tried to think about who will be buying right now, for example, Harrods stock The Curve jacket, but I changed the lining from the one at the show to have a more thermal winter lining. My next range is aimed at Spring/Summer, although some pieces will simply have the technical aspects of the same designs changed.

With people trying to be more environmentally friendly, what would you advise new cyclists, especially when travelling around cities?

I’d advise any new, or experienced, cyclist to get cycle training. I’ve ridden on the roads my whole life and was very confident going for training rides as a young teenager on fast moving roads, but I had cycle training when I was 20 and I can’t bear to think about how I used to ride before! Cycle training was developed after a group of people looked at the stats of cycle incidents, deaths and injuries and they worked out strategies for cyclists to avoid dangerous situations. I think that every cyclist should have it. If they don’t, then the biggest thing I would recommend is never, ever undertake a lorry or a bus- they can’t see you!

Where do you get inspiration for your designs from?

The technical side comes from my experience as a racing cyclist; when you ride hard or for long hours it becomes very evident what a “bad” piece of cycle clothing is. I want my things to be technical, to perform and to look good. I keep up to date with mainstream fashion trends and try to combine that with the performance. I also get inspired by things I like; there is no market strategy, it’s just a thought that I like it, my Mum likes, and my mates like, then I’ll go with it.

What is your personal favourite piece from your collection?

AHHHHH! I don’t know! The things I wear that fit best with my day-to-day living is the Curve Jacket, ball-bearing earrings and a bamboo base layer. However, I feel super cool when I wear the high-heeled SPDs or one of Shannon’s (accessories designer at AnaNichola) lairy belt buckles.

What would be your all-time dream bike to own?

Good question! I want one bike for each type of cycling. I want it to always be ready to go, with no punctures and the correct pedals on it. I need a good off-road bike right now, as I’ve been doing the season on a road bike with knobbly tyres. I need a new set of wheels, and some curly handle bars. I wouldn’t mind a tandem for going on holidays with my boyfriend. I want to re-spray my road bike pink and gold. I need to get the rust off my BMX. I want a lighter jumps bike and a newer track bike. Ooh, I also badly want a Dutch bike, or a Pashley. And maybe an electric bike for when I’m tired. And a friendly talking bike, that knows the route and sings songs to me, that can fly sometimes….

AnaNichoola designs are on sale in Harrods, or www.ananichoola.co.uk where you can read more about Anna and her team.

Written by Hannah Osborne on Monday January 11th, 2010 1:53 pm

Categories ,accessories, ,accessories designer, ,bicycles, ,BMX, ,cycle show, ,cycle training, ,cycling, ,Dutch bike, ,Eco-Design, ,ecofriendly, ,fashion, ,Fashion Clothing, ,female cycle clothing, ,Harrods, ,Pashley.

Amelia’s Magazine | Boris Turning Back Time Through Pedal Power

Victorian velocity, decease illustration by Jessica Rose Anne

So, viagra people in London have started cycling. How weird is that? Plenty of people have pointed out that cycling is the fastest form of transport which can solve both of Britain’s current crises; obesity and peak oil. You’re aware, of course, that we are all energy guzzling fatties and the only way we can be cured is through the power of the BIKE?! Two wheels good, four wheels bad. Sod the traffic and the ‘advisory’ cycle lanes; as Critical Mass proved, cyclists are taking to the streets and when they get out in force, cars have to MOVE OVER. Quite literally. The bikes might be a bit slow and only have three gears, but that’ll just help you to shift the puppy fat. A lot has been said about the awesome-osity of cycling and, alongside eating less meat, it is a move which could lead toward the saving of the world. Bikes are people-powered, just like the best revolutions, and the only contribution they make towards emissions are the heated words you might emit towards that bastard lorry driver. I’m lucky enough to live in an area where I can cycle in and out of town with minimal cycling on roads, and as soon as I get into Bristol, cycling capital of the U.K!, I can just chain my bike up and wander into the centre, barely having to navigate the dodgy traffic. London, however, is a helluva lot more dangerous for anyone not sitting inside a tonne of box-shaped steel and so this Cycle Scheme could really go both ways.

Boris, apparently, is all about getting one in five Londoners cycling, a figure which hasn’t been seen since 1904 when 20% of journeys were made by bike. He’s also keen to overtake the Paris Velib scheme, but I’ve been to France, those Parisians are nippy. Nippy and chic. According to most eyewitnesses of the London cycle scheme, the majority of users are the middle-aged wobblers who haven’t been on a bike for twenty years, and according to most of those who disparage the scheme this is a bad thing. No to aged cyclists, causing traffic accidents! The idea that it might be worthwhile for motorists to Stop, Look and Not Drive Into Cyclists is under discussion. Transport for London are offering free and subsidised cycle training for those who feel they need it (or those who get intimate with a few too many wing-mirrors) as well as ‘Exchanging Places’ if you fancy getting a lorry driver’s perspective on bicycles and blind spots. Some fuss has been made about helmets not being provided and/or being too bulky for people to carry around with them. This argument seems a little odd to me. Surely, if you want to wear a helmet in order not to DIE, then you can put up with the rather less terminal inconvenience of having a helmet on you. If you don’t want to cycle without a helmet, then, um, maybe, don’t? The choice is yours! Hopefully the scheme will see an increase in super-safe cycling, with all road users keeping an eye out for each other and attempting to avoid accidents, which will lead to more cycle lanes, more potential cyclists taking to the streets and less people using cars, eventually coming to a tipping point whereby every road user is a cyclist! (Hey, a girl can dream…) Alternately, a bunch of newby cyclists could get critically injured, thus proving all the naysayers (who probably drive 4x4s and have never seen a real cow) right.

Word on the web is that people seem to be finding that the service is either awesome! Would use again! A++! What a good idea! Few of the negative concerns from actual users seem safety orientated, but are more that the service doesn’t let them have a bike, doesn’t let them dock a bike and has that branding from a bank which might have put £25 million towards seeing people fit and healthy on the road, but also put £7300 million towards bombs, according to anti-war protestors who stickered some of the bikes shortly after their unveiling. Whether Barclays invests in war or not, they also skipped out on paying maybe £60 million in taxes, so, while they’ve done something great and kind and wise and benevolent here with the old Green front, they’re not exactly fluffy enviro-bunnies, ready with a hand-out for any out of pocket hippy who might have a hard time stumping up the £45 annual registration fee. Consider, for a moment, also, that companies are charged £3,625 a week for their ads to be biked around London aaand you have to wonder if what Barclays have done isn’t a little self-serving. In fact, you probably knew that without knowing the cost. What you might not know is that the Government let the aviation industry off around £9 billion a year on fuel tax…a sum which sure might pay for a few cycle schemes! Maybe even in other big cities! Or provide subsidies for folk who can’t afford the £45 a year registration fee! Without the need to have huge corporations slapped on their rears! (The bikes, that is. Not the Government. Although maybe that is something I would like to see…)

Boris; French onion seller, illustration by Jessica Rose Anne

£45 for an annual registration, £3 for a key, and the first half hour free generally seems quite a reasonable price compared to the cost of bikes and maintenance (mine is currently rotting in a friend‘s garden due to the insurmountable obstacle of a flat tyre) but the fact that you’re advertising Barclays with every pedal you push is what grinds my gears. Not only are you effectively owed three grand every week you cycle for, but are also made complicit in the insidious advertising which pervades our modern society. At least there isn’t an anti-fatty campaign, yet; the words “Put the Donut Down” scrolling menacingly around the outer rim of the rear wheel…Still, there is hope! Some bloggers have already begun removing the advertising from their keys, with the aid of just a scouring pad and some elbow grease. So, it’s not all bad. Internet communities are already springing up around the bikes; on Twitter by using the #mlc hashtag, users can log their bike id, unlock badges, ‘rule’ bikes and tweet sneaky tips. Boris Bikes is a forum providing support and information that the, slightly overwhelmed, TfL helpline may not be able to, and London cycling bloggers are reporting on techniques and faults that users need to know.

So far, only Pioneers have been using the system, that is people who registered, and reported the over-tight back wheels and docking problems, but in the future, when the kinks are ironed out, casual users will be able to hop up hop up to the docking stations and hop on, by popping in their credit card and popping out a bike. Yes, it will be another spot for enterprising thieves to appropriate your personals, but, if that doesn’t happen, it’s cheaper than buying a bike. Just try to avoid looking like an elderly French onion seller a la Boris, but feel free to shout at people throwing litter!

Written by Amelia Wells on Wednesday August 18th, 2010 7:55 pm

Categories ,bike, ,Boris, ,critical mass, ,cycling, ,london, ,Peak Oil

Amelia’s Magazine | Boris Turning Back Time Through Pedal Power

Victorian velocity, illustration by Jessica Rose Anne

So, people in London have started cycling. How weird is that? Plenty of people have pointed out that cycling is the fastest form of transport which can solve both of Britain’s current crises; obesity and peak oil. You’re aware, of course, that we are all energy guzzling fatties and the only way we can be cured is through the power of the BIKE?! Two wheels good, four wheels bad. Sod the traffic and the ‘advisory’ cycle lanes; as Critical Mass proved, cyclists are taking to the streets and when they get out in force, cars have to MOVE OVER. Quite literally. The bikes might be a bit slow and only have three gears, but that’ll just help you to shift the puppy fat. A lot has been said about the awesome-osity of cycling and, alongside eating less meat, it is a move which could lead toward the saving of the world. Bikes are people-powered, just like the best revolutions, and the only contribution they make towards emissions are the heated words you might emit towards that bastard lorry driver. I’m lucky enough to live in an area where I can cycle in and out of town with minimal cycling on roads, and as soon as I get into Bristol, cycling capital of the U.K!, I can just chain my bike up and wander into the centre, barely having to navigate the dodgy traffic. London, however, is a helluva lot more dangerous for anyone not sitting inside a tonne of box-shaped steel and so this Cycle Scheme could really go both ways.

Boris; French onion seller, illustration by Jessica Rose Anne

Written by Amelia Wells on Wednesday August 18th, 2010 7:55 pm

Categories ,bike, ,Boris, ,critical mass, ,cycling, ,london, ,Peak Oil

Amelia’s Magazine | Earth Listings 8th – 14th June

This Saturday, information pills pill The Land Is Ours collective will occupy some disused land near Hammersmith. An eco-village will take root, viagra sale peacefully reclaiming land for a sustainable settlement, and getting in touch with the local community about its aims. In a year when nearly 13,000 Britons lost their homes to repossessions in the first three months, eco-villages point the way to a more down-to-earth lifestyle.

Back in May 1996, the same collective took over a spot on the banks of the Thames in Wandsworth, in a land rights action that grew up over five and a half months into the Pure Genius community, based on sustainable living and protesting the misuse of urban land. Here are some photos from that project.

1eco%20villagepic.jpg

The Land Is Ours channel the spirit of the Diggers , a group of 17-century radicals who picked out and dug over a patch of common land in St George’s Hill in Walton-upon-Thames back in the day. They were led by Gerard Winstanley, who thought any freedom must come from free access to the land.

Here’s a little more from ‘Gerard Winstanley’ about this weekend:

What’s the first thing you’ll do when you get there?
Have a meeting. One of the first priorities is to leaflet the local area in order to inform the local people of what we are doing. Another priority is the construction of compost toilets.

Do you have lots of plans for sheds, vegetable patches and compost toilets?
Yes. Due to the nature of the site (ex-industrial) we will likely be using raised beds to grow vegetables and buckets for potatoes. It being London, there should be a good supply of thrown away materials from building sites and in skips. Compost toilets are pretty essential.

?What kinds of people are you expecting to turn up?
All sorts. Hopefully a mixture of those keen to learn and those willing to teach. ??

1ecovillage%20pic2.jpg

?I read the Chapter 7 manifesto. Have you notified the council or planning authority of your plans, or are you keeping to the idea that once you’re there, with homes under construction, it’s difficult to evict?
We haven’t notified the council yet- but we have a liaison strategy in place for when we’re in.

On that note, how long do you hope to be there?
The longevity of the Eco-village depends on how committed its residences and just as crucially how the local urban populus respond to our presence. If we receive the support we need, the council will likely think twice before embarking on an unpopular eviction (at least that’s the theory!).

Could this realistically become a permanent residence, or is it more likely to be valuable simply as campaigning?
Hopefully it can be both. There is no reason why this site cannot sustain a core group of committed individuals and serve as a brilliant awareness raiser to the issue of disused urban land, lack of affordable housing and the a sustainable way of living that is friendly to people and planet and liberating.

rainbow%201eco%20village.jpg

?Can I come along?
Of course, we are meeting at Waterloo Station at 10AM this Saturday (underneath the clock).

What might I need to do?
Bring a tent, sleeping bag and some food and water. You may be interested to read an article written by a journalist from the Guardian concerning the eco-village.

tent1%20eco%20village.jpg

So dig yourself out of bed this Saturday, and go discover the beginnings of London’s newest eco-village.
If the dark shades of under-duvet hideouts dominate the colour of your Sundays then you need to wake up and get greened. Arcola Theatre in East London hopes to be the first carbon neutral theatre in the world and has been appointed as the secretariat for the Mayor of London’s Green Theatre plan, this which aims to deliver 60 percent cuts in theatre carbon emissions by 2025.

Illustration by Faye Katirai

As part of this environmental drive, the first Sunday of every month is a Green Sunday at Arcola Theatre. June’s event is part of Love London, the biggest green festival in Europe and looks at ethical consumption, promising ‘entertainment and inspiration for the ecologically curious’. From 3pm there’s a swap shop market plus cakes and tea to take you through the evening of Senegalese percussion, cool short and feature-length films, starting from 4.30pm. As the afternoon turns to evening, there will be a discussion with Neil Boorman, author of Bonfire Of The Brands, an account of his journey from shopping and brand addiction to a life free from labels. As part of the project, Neil destroyed every branded product in his possession, incinerating over £20,000 worth of designer gear in protest of consumer culture. This will be chaired by Morgan Phillips.

Neil and Morgan will later be joined by Richard King from Oxfam to talk about their 4-a-week campaign- encouraging shoppers to do their bit for sustainability each week.

Then at 7pm – Feature length film presented by Transition Town Hackney–
A Crude Awakening: The Oil Crash

I spoke to the sustainability projects manager at Arcola Theatre, Anna Beech, to find out more about Arcola’s arts world-changing philosophies:

All at Arcola must be extremely proud that a theatre founded only 9 years ago – and on credit cards! – is well on the way to becoming the first carbon neutral theatre in the world. Can you tell us a bit about how and why you made the decision to lead the green theatre movement?

Since 2007, Arcola has launched many high-profile green initiatives (including the pioneering use of LEDs and the on-site installation of a fuel cell to power bar and stage lighting). There are a number of reasons for this – because it contributes to reducing Arcola’s carbon emissions and resource use, because it makes financial sense – reducing energy bills; because it supports funding applications; because it integrates Arcola into the local community; allows Arcola to reach a wider audience and stakeholder base; and provides an effective platform upon which to publicise the name ‘Arcola’ – as a hub of creativity and sustainability.

Sustainability is part of Arcola’s core unique business model, alongside professional theatre and our youth and community programme.

Have you found that arts and science professionals are eager to integrate and come up with exciting ideas and actions or has it been difficult to bring the two fields together?

Arcola’s ArcolaEnergy has had considerable interest from technology companies and brokers, including the Carbon Trust. As a reocgnised innovator in sustainability in the arts, Arcola has been able to broker extremely advantageous relationships with private sector companies – who have provided the theatre with free green products, including LED lights – as well as other theatres and arts organisations (National Theatre, Arts Council, Live Nation, The Theatres Trust), and Government bodies like the DCMS and Mayor of London’s Office. Arcola’s reputation as a sustainable charity has created these partnerships and allowed them to grow and develop into mutually advantageous relationships. So this demonstrates that the arts and sustainability worlds can come together to form mutually advanteous relationships. However, there is plenty of work to be done.

So far, what has been the most successful pioneering energy practice you’ve introduced?

The installation of Arcola’s fuel cell in February 2008 made the venue the first theatre in the world to power its main house shows and bar/café on hydrogen. The Living Unknown Soldier gained reverence as London’s most ecologically sustainable show, with the lighting at a peak power consumption of 4.5kW, a reduction of 60 per cent on comparable theatre lighting installations.

Previous Green Sunday events at the Arcola Theatre

Arcola’s ‘greening’ goes from the stage to the box office. Among other things, we produce ‘green’ newsletters for staff, we recycle, we provide free tap water to audiences (to lessen use of bottled water), we serve fairtrade, organic and local produce wherever possible (including organic vodka and whiskey!), we host Transition Town meetings, we installed a cycle enclosure for staff in 2009 and try to incentivise both staff and audiences to use public transport more and their cars less.

How do you think the technical creativity of sustainability has significantly shaped any of the plays Arcola has produced?

One example of the ‘greening’ of Arcola’s shows and working closely with production companies took place during the pre-production and staging of ‘Living Unknown Soldier‘ in 2008. The production explored the use of more energy efficient lanterns, including LED moving heads and batons (see Fig. 1) florescent tubes and some other filament lanterns such as low wattage source 4′s and par 16s. The crew tried to travel by public transport wherever possible, use laptops rather than PCs, limit phone use, source sustainable materials and managed to keep energy requirements low in order to use Arcola’s fuel cell to power the show.

‘‘The idea is that once you expose people to this stuff and they know you for doing it, they’ll gravitate towards you. Ultimately we should end up with some really good art about sustainability and some really good ideas about how to do art sustainably.” – Ben Todd, Executive Director and Founder of Arcola Energy.

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Illustration by David Elsley

Why do you think its particularly important for the arts to become more involved in green issues?

Because the arts have the power to influence behaviour change. Whilst the theatre industry itself has a relatively small carbon footprint (2% of total carbon emissions in London), and thus its capacity to deliver direct carbon emission reductions is relatively small; the power of theatre and the wider arts/cultural sectors to rapidly and effectively influence public behaviour and policy makers to drive significant indirect carbon emission reductions is very large (entertainment related activity accounts for up to 40% of travel emissions).

However, theatres and other arts venues must first address the ‘greening’ of their venues and practices in order to communicate climate change and environmental messages to audiences effectively and with impact.

Green Sundays is a great idea, how do you hope to see it develop in the future months?

We have a variety of themes in mind for future events, including a focus on the climate talks in Copenhagen in December, a water theme, ethical business, natural history and a Green Sunday programme tailored to children and young people.

So get over your hangover, get on your bike and cycle down to Dalston on Sunday to help spread the word about arts and sustainability coming together to communicate environmental messages to your local community.

To find out more about Green Sundays and the Arcola Theatre go to:

www.arcolatheatre.com
Continuing our odyssey of festival previews, page I bring you the amazing Green Man!

I don’t keep it secret that I’ve had a crush on Jarvis Cocker since I was 10 and first heard Common People, I suppose announcing it on a blog was just the next logical step in my snowballing lust for the bespectacled one. Imagine my delight when I saw he was headlining as a solo outfit at this year’s Green Man Festival.

Green Man 2006

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Jarvis Cocker

All the other festivals will be green with envy over Green Man’s line-up, one of the most exciting and diverse of the summer. Alongside Jarv, Animal Collective will also be headlining and having seen them a couple of times over the past few years they are really not to be missed live, their shows can only be described as being in an underwater topsy-turvy world where you can feel the rhythm wash over you in waves.

Animal Collective

Green Man is in no short supply of indie darlings and big names, with Wilco, Bon Iver, Gang Gang Dance, the delicious Beach House and Grizzly Bear; who I’m gagging to see live after finally getting a copy of their amazing second album Veckatimest. Not to be transatlantically out down; Green Man boasts an impressive array of home-grown talent- including Four-Tet, national treasures British Sea Power, and to woo the romantic in you; Camera Obscura.
Ex- member of my favourites Gorky’s Zygotic Mynki Euros Childs, Andrew Bird, 6 Day Riot and James Yuill also stand out as bands (as well as the above mentioned) not to be missed.

Beach House

Whilst Green Man has managed to pull in such an awesome line-up, it has a reputation for a boutique-y intimacy and a friendly atmosphere. Green Man is most definitely a festival for music lovers, and one that I won’t be missing!

Green Man Festival 2007

Green Man Festival takes place amidst the Breacon Beacons from 21st to 23rd August. Click here for ticket information.

Thumbnail by Roisin Conway
Some people have the knack for discovering those amazing pieces in charity shops – it’s generally the preserve of both the patient and the fashion-savvy who are content to rummage away until they emerge with some designer find that leaves you flapping your arms and wondering why it wasn’t you.
Now ten minutes in Topshop – that’s a quick fix. Why bother buying something old when you can buy something new? If last week’s Style Wars was only a half-formed idea, generic intent to float and suggest a concept, but not to follow through, TRAID (Textile Recycling for Aid and International Development) has articulated the remaking and reselling of used clothes as an ethical necessity. Citing the whopping £46 billion spent on clothes and accessories every year, TRAID highlights the colossal wastage resultant of constantly changing trends that are both cheap and easily available. The ease of shopping on the high street seems to problematise the feeling that the act of recycling is an almost paradoxical idea for an industry that is by name and nature grounded in an obsession with the new and the innovative.
Here lies the problem in normal charity shop shopping. The dowdy and stale image affixed to them is arguably (however unfortunately) justifiable, and TRAID has been taking the steps to rebrand the public perception of recycled clothing by actually joining the dots between the environment, recycling and fashion itself. Charity and fashion are practically mutually alienating concepts in most people’s minds. In short, charity shops aren’t trendy, so how do you turn that around? Chief Executive Maria TRAID recognises the problem and goes straight to the heart of it, saying “we have worked incredibly hard to change the face of charity retail by ensuring that our shops are stylish and affordable”, two words you might associate with the high street.

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TRAID has 900 textile recycling banks across the UK, and the company take the donations and sort by quality and style to then sell in one of their charity shops – clothes that are stained or torn are deconstructed and redesigned into a bespoke garment by the company’s own fashion label TRAIDremade.

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In a way it’s an absolute no-brainer: to take things people don’t want and make them something they do, especially as they follow high street trends, crafting sexy asymmetric dresses, bags cut from old leathers, signature hand printed tees and flirty dresses.

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Two weeks ago TRAID opened their tenth shop in their tenth year in Camden, which as well as being an area that’s a promising resource in terms of fashionable finds, is a landmark for a really inspirational company. To date TRAID has donated £1.4 million to help fight global poverty, supporting charities by funding projects in Malawi and Kenya amongst others. TRAID has ten shops located across London and Brighton, and TRAIDremade is available on getethical.co.uk.

Monday 8th June

The End of the Line

Imagine a world without fish. Released in cinemas across the country to coincide for World Ocean Day, medical an inconvenient truth about the devastating effect of overfishing.

Opens today, check your local cinema for screenings.

0608%20dead%20fish.jpg

Lambeth Green Communities Open Evening

Organised in partnership with Transition Town Brixton, Hyde Farm CAN and ASSA CAN, this is a chance to celebrate Lambeth’s Green Communities and be inspired to reduce your community’s environmental impact.

18.30-21.00 drop-in to Lambeth Town Hall, Brixton
Contact – Susan Sheehan, Ssheehan (at) lambeth.gov.uk

Tuesday 9th June

The Great British Refurb
Housing for a low carbon energy future – a talk at the The Royal Society

A talk by Professor Tadj Oreszczyn, chaired by Professor Chris Rapley. Theoretical carbon reductions have often been slow to materialise, new buildings can use up to twice the energy predicted, and energy use can actually go up when efficiency increases. This lecture will look at the possibilities for new building, and whether technology can solve our energy use problems. Tadj Oreszczyn is Professor of Energy and Environment and Director of the Energy Institute at UCL.

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This lecture is free – no ticket or booking required. Doors open at 5.45pm and seats are first-come first-served. Lecture starts at 6.30pm, The Royal Society

This lecture will be webcast live and available to view on demand within 48 hours of delivery at royalsociety.tv

Wednesday 10th June

Illustration by Kerry Lemon

GM Crops and the Global Food Crisis

Dominic Glover, Erik Millstone, Peter Newell talk about possible solutions to the encroaching global food crisis – how will GM crops fit in to the struggle to raise yields, and could they be part of a truly sustainable answer?

6pm, Committee Room 10, Palace of Westminster.
Contact – c.matthews (at) ids.ac.uk

Thursday 11th June

Walking on the Edge of the City

Join a popular walking group on a stroll around this fascinating part of London. There’s no charge and no need to book. Do get there ten minutes before the start time, wear comfortable shoes and bring a small bottle of water.

11am – 12.15pm, meeting at St Luke’s Centre, 90 Central Street, London, EC1V

Clothes Swap at Inc Space

Daisy Green Magazine and ethical stylist Lupe Castro have teamed up to host what is hoped to be the UK’s biggest ever clothes swap. Nicola Alexander, founder of daisygreenmagazine.co.uk, said, “It’s like a fashion treasure hunt!”

The evening will kick off at 6.30 and, as well as the swish (apparently the ‘scene’ word for a clothes swap), it will feature an ethical styling demonstration by Lupe Castro, music from top green band, The Phoenix Rose, burlesque dancing and shopping opportunities from ethical fashion brands including Bochica, Makepiece, Bourgeois Boheme, and natural beauty company, Green People.

Tickets are £10 in advance and £15 on the door.
More information can be found on our facebook page
From 18:30 at INC Space in Grape Street, London WC2

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Illustration by David Elsley.

Friday 12th June

Compost Clinic and Recycling Roadshow

Redbridge Recycling Group are running a friendly information stand all day. Want to bin the bags and green your shopping habits? Fancy making your own compost or confused about packaging labels? Pop along any time of day to have your questions answered and find out how to make the future waste free.

11am – 4pm, Ilford High Road, opposite the Town Hall/Harrison Gibson

Saturday 13th June

World Naked Bike Ride

Taking place all over the country, all over the world, the World Naked Bike Ride protests against oil dependency and car culture, celebrating the power of our bikes and bodies. Every June, more than a thousand cyclists gather in London to take part. The easy 10 km route passes through London’s busiest and best known streets. Bring your bike and body (decorate both of these ahead of time)

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Assemble from 3pm in Hyde Park (South East section, near Hyde Park Tube) – east of the Broad Walk, south of the Fountain of Joy, and north of the Achilles Statue.

Saturday 13th and Sunday 14th June

Sustainability Weekend

Celebrate the Love London, Love Your Planet Festival 2009 at the London Wetland Centre this weekend. Check out TFL’s new hybrid bus, see the Richmond shire horses and get a load of green tips and tricks. There will also be face painting for the kids, the Richmond cycling campaign and other environmentally friendly organisations.

11am-4pm, Saturday and Sunday
WWT London Wetland Centre, SW13 9WT

Written by Tom Russell on Monday June 8th, 2009 1:54 pm

Categories ,bike, ,cycling, ,end of the line, ,london, ,naked, ,overfishing, ,sustainability

Amelia’s Magazine | review – Cycling in London at the London Transport Museum

ross crawford TFL-PENNY illustration aoi london transport museum
You don’t have long left to visit the Cycling in London Exhibition at the London Transport Museum!

mark taplin cycling

Bike by Mark Taplin

Sorry about that, sale it is in the listings, cheapest possibly you are even reading this after the exhibition has closed in which case HELLO IN THE FUTURE (look out for flying cars, in the London Transport Museum, which would be the appropriate place, just don’t pay the £10 entrance fee in hope of seeing illustrations if they have already gone.)

This is the second collaborative competition venture the Association of Illustrators and the Museum have undertaken. Due to some factors, possibly such as their acquiring of a twitter account since last year this one was considerably more competitive than the last. I have it from the actual woman whose job it was to count them that there were over 3000 entries for the 50 places in the exhibition. Am I still a little bitter that I didn’t get in? Only a little, as the standard of the work that did get in is in general very high indeed.

kevin ward cycling

Life cycles by Kevin Ward

It’s a beautiful show that really exemplifies the amazing wealth and variety of Illustration talent around. Not all of the work was to my taste but given the breadth of styles included that’s not really surprising; the AOI on typically excellent form at celebrating the medium.

Amidst the variety of work from established and unknown artists some trends are discernable; many illustrators have worked in animals either using the London Zoo as an iconic destination or including pigeons or dogs to help out with the green association as this is after all an exhibition exonerating the environmental benefits of cycling in the city (woo – go bikes).

Some pieces like Jove’s beautifully designed utopian poster, Jessid Ford’s gorgeous graphic colours ‘A to B and all the sights in between’ print and Mark Taplin’s lovely single colour classic screen print style image echo the classic transport posters which the London Transport Museum has long loved and displayed and sold on postcards.

Courtney Lee Boardmay cycling the only way to see London by Courtney Lee

Although this was my first visit to the Museum it does seem to have this dual personality. The visiting tourist children who must surely be its main market come for the fun interactive displays, the chance to get photographed driving a routemaster, and apparently the chance to run around and collect holes punched in a gotta catch em all style transport treasure trail. A brand new Boris Bicycle is the centrepiece in the tucked away gallery space where the show is housed and while I was there families and older children in groups often came in, checked off the bike on their list and left again with not more than a passing glance at the art on the walls.

I hope there are people like me and the other lone visitor giving a significant amount of time to the exhibition that also come to the Museum for its other angle – the amazing wealth it has in its association with artists both in projects like Cycling in London and other initiatives like art on the underground which has been going for years and features inspiring new art on underground station walls and in their outstanding collection of classic advertising posters which London Transport has commissioned over the decades. Many of these can be seen adorning souvenirs and postcards in the Museum shop – which happily can be accessed without paying the entrance fee. Perhaps more people would be likely to see this exhibition if it could be accessed separately from the Museum proper at a reduced fee.

rachel lillie leaf

Rachel Lillie’s first prize winning entry

Perhaps they could have also chosen a different image other than the winning illustration to use on their posters advertising the show which have been well spread across the city. I don’t wish to say anything against the judges choice or Rachel Lillie’s beautiful piece but as an eye catching image with a wide appeal I think there were many pieces in the show that would have been a better choice.
Evgenia Barinova’s awesome striking poster like piece on wood for example which dominates the far end of the room with its inspirational message ‘if Super Heroes couldn’t fly they’d ride a Bike!’ or Laura Callaghan’s fantastically serene flying cyclists setting a joyful example and clearly having more fun than their tube riding counterparts.

Laura Callaghan

Freewheel by Laura Callaghan

There are things that make illustration itself, rather than fine art, and things that make it great. Looking at their selection of winners the AOI clearly are big fans of the medium’s capacity for a sort of dualistic immediacy – a leaf which is also a map, an aerial view which is also a bicycle and nature and cyclists incorporated into a beautiful decorative inclusive layout in the tradition of a William Morris wallpaper. (I’d quite like a Mia Nilsson wallpaper actually – anyone from Habitat buying reading?). They seem to have favoured visual sense and simple dense colour over drawing or realism. This is an ideal in illustration that I think some people seem to put on a bit of a pedestal but as I said before it is far from the only style on show.

amelia's magazine - AOI - Mia Nilsson close up of Mia Nillson‘s winning artwork

Another quality of illustration – it’s relationship with and commentary on popular culture is also much in evidence here; Jamie Wieck’s hilarious the joy of cycling being an obvious standout with subtler cultural references in Patrick O’leary’s mods on push bikes instead of scooters and Ross Crawford’s lovely cockney rhyming poster combining the classic and bang up to date cultural takeoff (blessedly does not actually include the over used ‘keep calm and…’). ‘Many Artists Who Do One Thing’s awesome circus graffiti style poster is cheeky but to the point – cycling is fun, and a little bit revolutionary.

jamie wieck joy-of-cycling-2 The Joy of Cycling by Jamie Wieck

ross crawford TFL-PENNY Look after your Jam tart by Ross Crawford

Also present are our gorgeous children’s book style contingent with their universal appeal; Kevin Ward’s fantastic animal charactrers in retro colours(?) and Courtney Lee Bourdman’s happy happy tourists on their double decker bicycle bus (clearly uniting the Museum’s selling points perfectly); Catherine Denvir combines digital techniques for a more tongue in cheek surreal childish quality.

ignat reljic bicylcling Speed Cycling by IGnjat Reljic Djuric

The strong classic illustrative style of simple expressive drawing is exemplified by Ignjat Reljic Djuric’s perfectly balanced piece where the cyclist seems like a plucky underdog to the epic red buildings; old favourite Belle Mellor provides a fantastically idiosyncratic interpretation although not the only illustrator to use London landmarks as hats (make of that what you will) – David Hughes also does this with as ever lovely ink lettering and layout. Judit Ferencz’s hand drawn image makes excellent use of space and Alex Bitskoff also uses layout magnificently (although not simply) with his richly coloured city wave erupting into the clean environmental space.

judit ferencz leisurely

allways leisurely with Bicycle by Judit Ferencz

One of the things I like about illustration is that in this medium quick simple execution and epic complex work are equally as valid. What matters in an illustration is the impact and the joy and the communication. And illustrators can be amazingly skilled at thinking of new conceptual and exciting ways of presenting the same idea – their bread and butter work is often sexing up the figures in business magazines after all. Some of these pieces clearly got in to the final 50 for the idea used, others for the execution.

amelias magazine - jenny robins - cycling

what’s that? you’ve snuck in your own unsuccesful entry to the competition Jenny Robins? cheeky bint.

I’ve not even talked about my very favourite school of illustration present in Cycling in London! – I love me some collage and there are fantastic examples in the work of Alison Bell whose lovely retro collage and print techniques clearly echoes the recent Varoom feature on the resurgence of the medium (how could they not include it then?); Lianne Harrison makes cool creepy bus-stop characters and Tracy Long’s tiny magazine faces on fancifull animal cyclists stole my heart, although I don’t think St Paul’s in the background adds anything. I imagine she added it to fit the brief about Cycling in London but looking at what else has got through I think she could have got away without it.

lianne harrison cycling

Goodbye to the Hustle and Bustle by Lianne Harrison

Tracey Long 222303_eye-eye-cycle-round-london Eye Eye around London by Tracy Long’

I was running out of time before closing but just had time to check out Georgina Brookes’ awesome cutouty graphic layering and Clayton Junior’s ace layout and colours employing a classic illustration immediate impact swap technique.

I had to leave through a secret staircase and the Museum employee waiting to lock up behind me smiled beautifully saying “interesting exhibition isn’t it?”
Well yes, it most definitely is, but the wording of the comment shows the attitude that this is something unusual is still the norm. I go to more illustration exhibitions than fine art ones, and in this world it’s easy to forget that to most people it’s still a bit of a non-concept. (you’re an illustrator eh? Cartoons? No? Book covers then? – sound familiar?) And good on the LTM for putting on projects like this but the way it’s presented on the posters and tucked away at the back of the museum still seem to me to reinforce it’s esotericness. Which is just a little sad. But let’s not end on a down note. Maybe illustration is like the poor relation of art – but is not the bicycle the poor relation of the car? And which is cooler, greener more, you know, government endorsed?

On your bike kids.

Written by Jenny Robins on Thursday August 19th, 2010 4:44 pm

Categories ,art, ,bicycles, ,Climate Change, ,cycling, ,cycling in london, ,earth, ,environment, ,exhibition, ,illustration, ,Jenny Robins, ,london, ,london transport, ,the AOI

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