Amelia’s Magazine | Boris Turning Back Time Through Pedal Power


Victorian velocity, decease illustration by Jessica Rose Anne

So, viagra people in London have started cycling. How weird is that? Plenty of people have pointed out that cycling is the fastest form of transport which can solve both of Britain’s current crises; obesity and peak oil. You’re aware, of course, that we are all energy guzzling fatties and the only way we can be cured is through the power of the BIKE?! Two wheels good, four wheels bad. Sod the traffic and the ‘advisory’ cycle lanes; as Critical Mass proved, cyclists are taking to the streets and when they get out in force, cars have to MOVE OVER. Quite literally. The bikes might be a bit slow and only have three gears, but that’ll just help you to shift the puppy fat. A lot has been said about the awesome-osity of cycling and, alongside eating less meat, it is a move which could lead toward the saving of the world. Bikes are people-powered, just like the best revolutions, and the only contribution they make towards emissions are the heated words you might emit towards that bastard lorry driver. I’m lucky enough to live in an area where I can cycle in and out of town with minimal cycling on roads, and as soon as I get into Bristol, cycling capital of the U.K!, I can just chain my bike up and wander into the centre, barely having to navigate the dodgy traffic. London, however, is a helluva lot more dangerous for anyone not sitting inside a tonne of box-shaped steel and so this Cycle Scheme could really go both ways.

Boris, apparently, is all about getting one in five Londoners cycling, a figure which hasn’t been seen since 1904 when 20% of journeys were made by bike. He’s also keen to overtake the Paris Velib scheme, but I’ve been to France, those Parisians are nippy. Nippy and chic. According to most eyewitnesses of the London cycle scheme, the majority of users are the middle-aged wobblers who haven’t been on a bike for twenty years, and according to most of those who disparage the scheme this is a bad thing. No to aged cyclists, causing traffic accidents! The idea that it might be worthwhile for motorists to Stop, Look and Not Drive Into Cyclists is under discussion. Transport for London are offering free and subsidised cycle training for those who feel they need it (or those who get intimate with a few too many wing-mirrors) as well as ‘Exchanging Places’ if you fancy getting a lorry driver’s perspective on bicycles and blind spots. Some fuss has been made about helmets not being provided and/or being too bulky for people to carry around with them. This argument seems a little odd to me. Surely, if you want to wear a helmet in order not to DIE, then you can put up with the rather less terminal inconvenience of having a helmet on you. If you don’t want to cycle without a helmet, then, um, maybe, don’t? The choice is yours! Hopefully the scheme will see an increase in super-safe cycling, with all road users keeping an eye out for each other and attempting to avoid accidents, which will lead to more cycle lanes, more potential cyclists taking to the streets and less people using cars, eventually coming to a tipping point whereby every road user is a cyclist! (Hey, a girl can dream…) Alternately, a bunch of newby cyclists could get critically injured, thus proving all the naysayers (who probably drive 4x4s and have never seen a real cow) right.

Word on the web is that people seem to be finding that the service is either awesome! Would use again! A++! What a good idea! Few of the negative concerns from actual users seem safety orientated, but are more that the service doesn’t let them have a bike, doesn’t let them dock a bike and has that branding from a bank which might have put £25 million towards seeing people fit and healthy on the road, but also put £7300 million towards bombs, according to anti-war protestors who stickered some of the bikes shortly after their unveiling. Whether Barclays invests in war or not, they also skipped out on paying maybe £60 million in taxes, so, while they’ve done something great and kind and wise and benevolent here with the old Green front, they’re not exactly fluffy enviro-bunnies, ready with a hand-out for any out of pocket hippy who might have a hard time stumping up the £45 annual registration fee. Consider, for a moment, also, that companies are charged £3,625 a week for their ads to be biked around London aaand you have to wonder if what Barclays have done isn’t a little self-serving. In fact, you probably knew that without knowing the cost. What you might not know is that the Government let the aviation industry off around £9 billion a year on fuel tax…a sum which sure might pay for a few cycle schemes! Maybe even in other big cities! Or provide subsidies for folk who can’t afford the £45 a year registration fee! Without the need to have huge corporations slapped on their rears! (The bikes, that is. Not the Government. Although maybe that is something I would like to see…)


Boris; French onion seller, illustration by Jessica Rose Anne

£45 for an annual registration, £3 for a key, and the first half hour free generally seems quite a reasonable price compared to the cost of bikes and maintenance (mine is currently rotting in a friend‘s garden due to the insurmountable obstacle of a flat tyre) but the fact that you’re advertising Barclays with every pedal you push is what grinds my gears. Not only are you effectively owed three grand every week you cycle for, but are also made complicit in the insidious advertising which pervades our modern society. At least there isn’t an anti-fatty campaign, yet; the words “Put the Donut Down” scrolling menacingly around the outer rim of the rear wheel…Still, there is hope! Some bloggers have already begun removing the advertising from their keys, with the aid of just a scouring pad and some elbow grease. So, it’s not all bad. Internet communities are already springing up around the bikes; on Twitter by using the #mlc hashtag, users can log their bike id, unlock badges, ‘rule’ bikes and tweet sneaky tips. Boris Bikes is a forum providing support and information that the, slightly overwhelmed, TfL helpline may not be able to, and London cycling bloggers are reporting on techniques and faults that users need to know.

So far, only Pioneers have been using the system, that is people who registered, and reported the over-tight back wheels and docking problems, but in the future, when the kinks are ironed out, casual users will be able to hop up hop up to the docking stations and hop on, by popping in their credit card and popping out a bike. Yes, it will be another spot for enterprising thieves to appropriate your personals, but, if that doesn’t happen, it’s cheaper than buying a bike. Just try to avoid looking like an elderly French onion seller a la Boris, but feel free to shout at people throwing litter!

Categories ,bike, ,Boris, ,critical mass, ,cycling, ,london, ,Peak Oil

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Amelia’s Magazine | Boris Turning Back Time Through Pedal Power


Victorian velocity, illustration by Jessica Rose Anne

So, people in London have started cycling. How weird is that? Plenty of people have pointed out that cycling is the fastest form of transport which can solve both of Britain’s current crises; obesity and peak oil. You’re aware, of course, that we are all energy guzzling fatties and the only way we can be cured is through the power of the BIKE?! Two wheels good, four wheels bad. Sod the traffic and the ‘advisory’ cycle lanes; as Critical Mass proved, cyclists are taking to the streets and when they get out in force, cars have to MOVE OVER. Quite literally. The bikes might be a bit slow and only have three gears, but that’ll just help you to shift the puppy fat. A lot has been said about the awesome-osity of cycling and, alongside eating less meat, it is a move which could lead toward the saving of the world. Bikes are people-powered, just like the best revolutions, and the only contribution they make towards emissions are the heated words you might emit towards that bastard lorry driver. I’m lucky enough to live in an area where I can cycle in and out of town with minimal cycling on roads, and as soon as I get into Bristol, cycling capital of the U.K!, I can just chain my bike up and wander into the centre, barely having to navigate the dodgy traffic. London, however, is a helluva lot more dangerous for anyone not sitting inside a tonne of box-shaped steel and so this Cycle Scheme could really go both ways.

Boris, apparently, is all about getting one in five Londoners cycling, a figure which hasn’t been seen since 1904 when 20% of journeys were made by bike. He’s also keen to overtake the Paris Velib scheme, but I’ve been to France, those Parisians are nippy. Nippy and chic. According to most eyewitnesses of the London cycle scheme, the majority of users are the middle-aged wobblers who haven’t been on a bike for twenty years, and according to most of those who disparage the scheme this is a bad thing. No to aged cyclists, causing traffic accidents! The idea that it might be worthwhile for motorists to Stop, Look and Not Drive Into Cyclists is under discussion. Transport for London are offering free and subsidised cycle training for those who feel they need it (or those who get intimate with a few too many wing-mirrors) as well as ‘Exchanging Places’ if you fancy getting a lorry driver’s perspective on bicycles and blind spots. Some fuss has been made about helmets not being provided and/or being too bulky for people to carry around with them. This argument seems a little odd to me. Surely, if you want to wear a helmet in order not to DIE, then you can put up with the rather less terminal inconvenience of having a helmet on you. If you don’t want to cycle without a helmet, then, um, maybe, don’t? The choice is yours! Hopefully the scheme will see an increase in super-safe cycling, with all road users keeping an eye out for each other and attempting to avoid accidents, which will lead to more cycle lanes, more potential cyclists taking to the streets and less people using cars, eventually coming to a tipping point whereby every road user is a cyclist! (Hey, a girl can dream…) Alternately, a bunch of newby cyclists could get critically injured, thus proving all the naysayers (who probably drive 4×4s and have never seen a real cow) right.

Word on the web is that people seem to be finding that the service is either awesome! Would use again! A++! What a good idea! Few of the negative concerns from actual users seem safety orientated, but are more that the service doesn’t let them have a bike, doesn’t let them dock a bike and has that branding from a bank which might have put £25 million towards seeing people fit and healthy on the road, but also put £7300 million towards bombs, according to anti-war protestors who stickered some of the bikes shortly after their unveiling. Whether Barclays invests in war or not, they also skipped out on paying maybe £60 million in taxes, so, while they’ve done something great and kind and wise and benevolent here with the old Green front, they’re not exactly fluffy enviro-bunnies, ready with a hand-out for any out of pocket hippy who might have a hard time stumping up the £45 annual registration fee. Consider, for a moment, also, that companies are charged £3,625 a week for their ads to be biked around London aaand you have to wonder if what Barclays have done isn’t a little self-serving. In fact, you probably knew that without knowing the cost. What you might not know is that the Government let the aviation industry off around £9 billion a year on fuel tax…a sum which sure might pay for a few cycle schemes! Maybe even in other big cities! Or provide subsidies for folk who can’t afford the £45 a year registration fee! Without the need to have huge corporations slapped on their rears! (The bikes, that is. Not the Government. Although maybe that is something I would like to see…)


Boris; French onion seller, illustration by Jessica Rose Anne

£45 for an annual registration, £3 for a key, and the first half hour free generally seems quite a reasonable price compared to the cost of bikes and maintenance (mine is currently rotting in a friend‘s garden due to the insurmountable obstacle of a flat tyre) but the fact that you’re advertising Barclays with every pedal you push is what grinds my gears. Not only are you effectively owed three grand every week you cycle for, but are also made complicit in the insidious advertising which pervades our modern society. At least there isn’t an anti-fatty campaign, yet; the words “Put the Donut Down” scrolling menacingly around the outer rim of the rear wheel…Still, there is hope! Some bloggers have already begun removing the advertising from their keys, with the aid of just a scouring pad and some elbow grease. So, it’s not all bad. Internet communities are already springing up around the bikes; on Twitter by using the #mlc hashtag, users can log their bike id, unlock badges, ‘rule’ bikes and tweet sneaky tips. Boris Bikes is a forum providing support and information that the, slightly overwhelmed, TfL helpline may not be able to, and London cycling bloggers are reporting on techniques and faults that users need to know.

So far, only Pioneers have been using the system, that is people who registered, and reported the over-tight back wheels and docking problems, but in the future, when the kinks are ironed out, casual users will be able to hop up hop up to the docking stations and hop on, by popping in their credit card and popping out a bike. Yes, it will be another spot for enterprising thieves to appropriate your personals, but, if that doesn’t happen, it’s cheaper than buying a bike. Just try to avoid looking like an elderly French onion seller a la Boris, but feel free to shout at people throwing litter!

Categories ,bike, ,Boris, ,critical mass, ,cycling, ,london, ,Peak Oil

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Amelia’s Magazine | An interview with Fairewell and review of debut album Poor, Poor Grendel

Fairewell by Jacqueline Valencia
Fairewell by Jacqueline Valencia.

The debut album from Fairewell starts with the beauteous tones of Grendel, after which the album is named. It’s the soporific sounds of a thousand voices, electronic rustlings gradually underpinning the sampled loops as the whole comes to life before abruptly cutting to the jangly indie pop of Others Of Us. This is a record where seemingly random influences rub shoulders and dance along together in the Faraway World of Fairewell… a fairytale land full of half recognised tunes to lull you towards a beautiful haven. But I’ll let Johnny himself explain what lies behind the dreamy sounds of his first long player.

Fairewell window
Fairewell is Johnny White – where does the quaint sounding name come from? 
I like the word a lot. It’s a reference to the song Farewell, Farewell by Fairport Convention and also I suppose to the song Farewell by Boris. Putting the ‘i’ in it makes it a really long word which I like for some reason or another. 

Fairewell illustration by Laura Ellen Anderson
Fairewell illustration by Laura Ellen Anderson.

Who is the Grendel character after which the album is named? Can you tell us plebs a bit more about him and why you were attracted to him?
Grendel is the monster from the poem Beowulf. I don’t mind admitting, in fact I take great pleasure in stating, that I only really became aware of him because of the cartoon of it that came out a few years ago (the one with Ray Winstone in it). There was something about the way he screamed that made me feel an affinity with him which is hard to explain. I don’t make a huge amount of noise or anything so I’m not sure why the screaming was such a big thing it just sounded really great. Anyhow after watching the film I read the poem and also the John Gardner novel Grendel, which is really amazing and I recommend if you like that sort of thing. It’s John Gardner’s Grendel which was really the thing that inspired the album name. Obviously Grendel is me in some way or another so the ‘poor, poor’ is slightly sarcastic, although I do genuinely like him a lot as a character feel this closeness with him. I don’t really know why, I could give you a different answer every hour on the hour for the next week. I suppose I’ve felt very alone at times, we all do of course, and Grendel is that side of me. Also it’s lamenting the fate of Grendel himself. 

Fairewell_COVER_Jo Coates
Speaking of which, who painted the album cover (featuring yourself as Grendel) and how did you hook up with the artist?
My friend and longtime collaborator Jo Coates did the painting. I just had a vague idea for this image and she brought it to life. I’m very happy with it, it even has my blue coat on!

Fairewell illustration by Calamus Ying Ying Chan
Fairewell illustration by Calamus Ying Ying Chan.

Why did you move down to London from Sheffield, and has it been everything you imagined it to be? 
Sheffield is a lovely place but I also hate it in a way. It’s hard to explain. People in Sheffield can be very smug, especially when it comes to moving to London. I think I was probably like that when I was younger. Obviously Sheffield can get rough but a lot of the city is really nice, I’m from and was born in and around the student bit, Broomhill, which is just lovely, really peaceful and green. Then you move to London and people from round there get funny about it. It’s ridiculous really. I went to the pub with some sheffield people in London last year and they were getting funny because I’d left my card behind the bar (which I’d done as there was a ten pound minimum). They played this part like they were simple god fearing northerners and I was an aristocratic playboy or something. It was just stupid really, it’s just an easy way of feeling a little bit superior to someone for no reason whatsoever – Sheffield seems to induce that inclination. The daftest thing was that I’d been borrowing money off of Wonga.com that morning. Anyhow London’s nice, I like it. I find it relaxing being in a huge place. 

fairewell johnny
Any recommendations for the best hidden places to hang out? You’ve got a bit of an obsession with supermarkets, but where else could we find you?
It’s not really an obsession with supermarkets, I just like them, I don’t see why I have to hate them. I was having a conversation with someone who said they were ‘soulless’. I just don’t see them like that. I like it that they’re the same every time and I like the feeling that I’ve got a clear objective when I’m in them. I like the lights in them. I wouldn’t really miss them if they were wiped out, I’d just go somewhere else. When I sing about supermarkets in the songs it’s also just a device to say ‘I am here, Fairewell exists in real life‘. I’m not saying ‘accept and venerate the mundanity of your existence’ because I don’t think any of it’s mundane, mundane implies I understand it all but half the time I don’t know what’s happening. Like the experience of shopping, I really have no idea what’s happening in my head when I’m shopping. Things are interesting to me. It’s better that way though isn’t it?  Other places you can find me include my flat, Big Red (on Holloway Road), other peoples flats, London’s fashionable east end, etc. I lived in Muswell Hill for a year and I became really attached to that area: I was more towards Wood Green. Wood Green is amazing, if I was ever feeling depressed I’d go down to the high street in Wood Green and feel better. 

Born Under a Bad Sign

Your music has a very dreamy and otherworldly feel not dissimilar to the current flurry of chillwave acts. What type of music inspires you? Do you mind being aligned with this genre, and what are your current favourite contemporary music acts?
I slightly mind, although I’m wary of making too much of a fuss about it that can have an effect like struggling in quicksand and ultimately it doesn’t really matter all that much. That said (!), I don’t think it’s similar to a lot of that stuff. I’ve only heard Washed Out once in my lifetime and that was only after people kept telling me it was similar, I’d never heard of them before. I’m not hugely fussed with most chillwave stuff I hear, although I’m not saying I hate it, I’m just genuinely unaware of it. In terms of musical influences I would say that metal has always been a big influence. Far, far more then anything on the indie spectrum, although I’m aware that that’s where MY music probably falls. That doesn’t seem weird to me, I think it’s better that way. It’s always better to channel one thing into another rather than just rehash something. Something like the Lurker Of Chalice album is a big influence for me. It’s hard to say really. Here’s a way of explaining it. Max Cavalera from Sepultura once said that he had a heavy guitar sound in his head and what he was doing with his music was trying to get to that sound. Well that’s what I’m doing, although with a different sound. I have this thing in my head that encompasses it all: Christmas Carols, Lurker, the score from Candyman, Fairport Convention, Simeon Ten Holt, Heart The Size of A Horse by Black Hearts Procession, all of that plus this imaginary music which I get a feeling about sometimes. When I was a kid I used to really like pushing a standard lamp with my foot because it would come back and I could repeat the action. Then I worked out how to loop things on Windows Sound Recorder, and I knew that there was something about repetition that I liked. So I have always had this kind of pseudo-minimalism in my head but minimalism with romantic harmony, similar to Simeon Ten Holt although more insistent and less pretty. That’s a big influence, trying to reach these points. The other thing is that music is often not the main influence for the music, which sounds odd, although if you just think of music as art then it seems normal. 

In terms of my favourite contemporary bands, I don’t know really. From recently I really liked the Actress album and I bought the Locrian album The Crystal World, which is intense. I am in official unofficial extra member of London (post)punk band Hygiene, so a lot of what I hear is punk although this doesn’t really influence my own stuff. In fact I wrote and recorded the Hygiene christmas single, which hopefully I’ll have to sell at my album launch. Anyhow I’m getting wildly off topic. In summation I don’t really mind about the Chillwave tag it just feels a bit like being told you have a strong accent from a region you’ve never really been to. Randall Dunn (Sunn O))) and Wolves In The Throne Room producer) said that Honey Street sounded like Dennis Wilson, which is possibly the coolest thing anyone’s ever said about my music! 

Fairewell tv
What inspires your lyrics and are there any key subjects that you keep returning to?
The lyrics always happen very quickly. I normally write and record them in one go in a daze/panic. Others Of Us was slightly different, I had that in my head for a long time. I’ve always felt like there was a version of myself that lives on trains and I activate that version when I go on the train. That’s what that’s about, but it’s maybe not a key theme. There aren’t a huge amount of lyrics on the album. Most of them deal with some kind of loneliness, not necessarily a really bad kind. I’ve spent so much time on my own walking through city centres, and that inspires lyrics. And this feeling of magic when I think about being a really young child. I feel like growing up was like coming out of a dream. I was born in the dream, and over the years I slowly woke up and I sometimes think I’ll go back to the dream after death. There’s this bit in Enid Blyton’s The Faraway Tree where they visit some land and it’s by the coast and one of them’s in a bed and the weather’s really hot or something… I don’t really remember the specifics but I have this really powerful feeling that there’s somewhere I can never go back to but that I’m so familiar with that it’s embedded in my senses. That feeling is probably the main inspiration for the songs. How badly am I explaining this on a scale of 9 to 10? 

Born Under a Bad Sign (free download)

Your first live gig is coming up… is that daunting and which bit are you most looking forward to?
Yes it’s daunting. To be perfectly honest I’m so nervous about it that I’d rather not talk about it in case I jinx it. I think it’ll be good though. I’m most looking forward to hearing the songs with an audience in the room. This will be a total first.

Poor, Poor Grendel is released by Sonic Cathedral on 5th December and the album launch party takes place on 6th December at The Shacklewell Arms.

Categories ,Actress, ,Beowulf, ,Big Red, ,Black Hearts Procession, ,Boris, ,Born Under a Bad Sign, ,Broomhill, ,Calamus Ying Ying Chan, ,Candyman, ,Chillwave, ,Dennis Wilson, ,Enid Blyton, ,Fairewell, ,fairport convention, ,Farewell, ,Grendel, ,Heart The Size of A Horse, ,Heavy Metal, ,Holloway Road, ,Honey Street, ,Hygiene, ,Jacqueline Valencia, ,Jo Coates, ,John Gardner, ,Johnny White, ,Laura Ellen Anderson, ,Locrian, ,Max Cavalera, ,Muswell Hill, ,Others Of Us, ,Poor Poor Grendel, ,Post Punk, ,Randall Dunn, ,review, ,Sepultura, ,sheffield, ,Simeon Ten Holt, ,Sonic Cathedral, ,Sunn O))), ,The Crystal World, ,The Faraway Tree, ,The Shacklewell Arms, ,Wolves In The Throne Room, ,Wood Green

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Amelia’s Magazine | An interview with Fairewell and review of debut album Poor, Poor Grendel

Fairewell by Jacqueline Valencia
Fairewell by Jacqueline Valencia.

The debut album from Fairewell starts with the beauteous tones of Grendel, after which the album is named. It’s the soporific sounds of a thousand voices, electronic rustlings gradually underpinning the sampled loops as the whole comes to life before abruptly cutting to the jangly indie pop of Others Of Us. This is a record where seemingly random influences rub shoulders and dance along together in the Faraway World of Fairewell… a fairytale land full of half recognised tunes to lull you towards a beautiful haven. But I’ll let Johnny himself explain what lies behind the dreamy sounds of his first long player.

Fairewell window
Fairewell is Johnny White – where does the quaint sounding name come from? 
I like the word a lot. It’s a reference to the song Farewell, Farewell by Fairport Convention and also I suppose to the song Farewell by Boris. Putting the ‘i’ in it makes it a really long word which I like for some reason or another. 

Fairewell illustration by Laura Ellen Anderson
Fairewell illustration by Laura Ellen Anderson.

Who is the Grendel character after which the album is named? Can you tell us plebs a bit more about him and why you were attracted to him?
Grendel is the monster from the poem Beowulf. I don’t mind admitting, in fact I take great pleasure in stating, that I only really became aware of him because of the cartoon of it that came out a few years ago (the one with Ray Winstone in it). There was something about the way he screamed that made me feel an affinity with him which is hard to explain. I don’t make a huge amount of noise or anything so I’m not sure why the screaming was such a big thing it just sounded really great. Anyhow after watching the film I read the poem and also the John Gardner novel Grendel, which is really amazing and I recommend if you like that sort of thing. It’s John Gardner’s Grendel which was really the thing that inspired the album name. Obviously Grendel is me in some way or another so the ‘poor, poor’ is slightly sarcastic, although I do genuinely like him a lot as a character feel this closeness with him. I don’t really know why, I could give you a different answer every hour on the hour for the next week. I suppose I’ve felt very alone at times, we all do of course, and Grendel is that side of me. Also it’s lamenting the fate of Grendel himself. 

Fairewell_COVER_Jo Coates
Speaking of which, who painted the album cover (featuring yourself as Grendel) and how did you hook up with the artist?
My friend and longtime collaborator Jo Coates did the painting. I just had a vague idea for this image and she brought it to life. I’m very happy with it, it even has my blue coat on!

Fairewell illustration by Calamus Ying Ying Chan
Fairewell illustration by Calamus Ying Ying Chan.

Why did you move down to London from Sheffield, and has it been everything you imagined it to be? 
Sheffield is a lovely place but I also hate it in a way. It’s hard to explain. People in Sheffield can be very smug, especially when it comes to moving to London. I think I was probably like that when I was younger. Obviously Sheffield can get rough but a lot of the city is really nice, I’m from and was born in and around the student bit, Broomhill, which is just lovely, really peaceful and green. Then you move to London and people from round there get funny about it. It’s ridiculous really. I went to the pub with some sheffield people in London last year and they were getting funny because I’d left my card behind the bar (which I’d done as there was a ten pound minimum). They played this part like they were simple god fearing northerners and I was an aristocratic playboy or something. It was just stupid really, it’s just an easy way of feeling a little bit superior to someone for no reason whatsoever – Sheffield seems to induce that inclination. The daftest thing was that I’d been borrowing money off of Wonga.com that morning. Anyhow London’s nice, I like it. I find it relaxing being in a huge place. 

fairewell johnny
Any recommendations for the best hidden places to hang out? You’ve got a bit of an obsession with supermarkets, but where else could we find you?
It’s not really an obsession with supermarkets, I just like them, I don’t see why I have to hate them. I was having a conversation with someone who said they were ‘soulless’. I just don’t see them like that. I like it that they’re the same every time and I like the feeling that I’ve got a clear objective when I’m in them. I like the lights in them. I wouldn’t really miss them if they were wiped out, I’d just go somewhere else. When I sing about supermarkets in the songs it’s also just a device to say ‘I am here, Fairewell exists in real life‘. I’m not saying ‘accept and venerate the mundanity of your existence’ because I don’t think any of it’s mundane, mundane implies I understand it all but half the time I don’t know what’s happening. Like the experience of shopping, I really have no idea what’s happening in my head when I’m shopping. Things are interesting to me. It’s better that way though isn’t it?  Other places you can find me include my flat, Big Red (on Holloway Road), other peoples flats, London’s fashionable east end, etc. I lived in Muswell Hill for a year and I became really attached to that area: I was more towards Wood Green. Wood Green is amazing, if I was ever feeling depressed I’d go down to the high street in Wood Green and feel better. 

Born Under a Bad Sign

Your music has a very dreamy and otherworldly feel not dissimilar to the current flurry of chillwave acts. What type of music inspires you? Do you mind being aligned with this genre, and what are your current favourite contemporary music acts?
I slightly mind, although I’m wary of making too much of a fuss about it that can have an effect like struggling in quicksand and ultimately it doesn’t really matter all that much. That said (!), I don’t think it’s similar to a lot of that stuff. I’ve only heard Washed Out once in my lifetime and that was only after people kept telling me it was similar, I’d never heard of them before. I’m not hugely fussed with most chillwave stuff I hear, although I’m not saying I hate it, I’m just genuinely unaware of it. In terms of musical influences I would say that metal has always been a big influence. Far, far more then anything on the indie spectrum, although I’m aware that that’s where MY music probably falls. That doesn’t seem weird to me, I think it’s better that way. It’s always better to channel one thing into another rather than just rehash something. Something like the Lurker Of Chalice album is a big influence for me. It’s hard to say really. Here’s a way of explaining it. Max Cavalera from Sepultura once said that he had a heavy guitar sound in his head and what he was doing with his music was trying to get to that sound. Well that’s what I’m doing, although with a different sound. I have this thing in my head that encompasses it all: Christmas Carols, Lurker, the score from Candyman, Fairport Convention, Simeon Ten Holt, Heart The Size of A Horse by Black Hearts Procession, all of that plus this imaginary music which I get a feeling about sometimes. When I was a kid I used to really like pushing a standard lamp with my foot because it would come back and I could repeat the action. Then I worked out how to loop things on Windows Sound Recorder, and I knew that there was something about repetition that I liked. So I have always had this kind of pseudo-minimalism in my head but minimalism with romantic harmony, similar to Simeon Ten Holt although more insistent and less pretty. That’s a big influence, trying to reach these points. The other thing is that music is often not the main influence for the music, which sounds odd, although if you just think of music as art then it seems normal. 

In terms of my favourite contemporary bands, I don’t know really. From recently I really liked the Actress album and I bought the Locrian album The Crystal World, which is intense. I am in official unofficial extra member of London (post)punk band Hygiene, so a lot of what I hear is punk although this doesn’t really influence my own stuff. In fact I wrote and recorded the Hygiene christmas single, which hopefully I’ll have to sell at my album launch. Anyhow I’m getting wildly off topic. In summation I don’t really mind about the Chillwave tag it just feels a bit like being told you have a strong accent from a region you’ve never really been to. Randall Dunn (Sunn O))) and Wolves In The Throne Room producer) said that Honey Street sounded like Dennis Wilson, which is possibly the coolest thing anyone’s ever said about my music! 

Fairewell tv
What inspires your lyrics and are there any key subjects that you keep returning to?
The lyrics always happen very quickly. I normally write and record them in one go in a daze/panic. Others Of Us was slightly different, I had that in my head for a long time. I’ve always felt like there was a version of myself that lives on trains and I activate that version when I go on the train. That’s what that’s about, but it’s maybe not a key theme. There aren’t a huge amount of lyrics on the album. Most of them deal with some kind of loneliness, not necessarily a really bad kind. I’ve spent so much time on my own walking through city centres, and that inspires lyrics. And this feeling of magic when I think about being a really young child. I feel like growing up was like coming out of a dream. I was born in the dream, and over the years I slowly woke up and I sometimes think I’ll go back to the dream after death. There’s this bit in Enid Blyton’s The Faraway Tree where they visit some land and it’s by the coast and one of them’s in a bed and the weather’s really hot or something… I don’t really remember the specifics but I have this really powerful feeling that there’s somewhere I can never go back to but that I’m so familiar with that it’s embedded in my senses. That feeling is probably the main inspiration for the songs. How badly am I explaining this on a scale of 9 to 10? 

Born Under a Bad Sign (free download)

Your first live gig is coming up… is that daunting and which bit are you most looking forward to?
Yes it’s daunting. To be perfectly honest I’m so nervous about it that I’d rather not talk about it in case I jinx it. I think it’ll be good though. I’m most looking forward to hearing the songs with an audience in the room. This will be a total first.

Poor, Poor Grendel is released by Sonic Cathedral on 5th December and the album launch party takes place on 6th December at The Shacklewell Arms.

Categories ,Actress, ,Beowulf, ,Big Red, ,Black Hearts Procession, ,Boris, ,Born Under a Bad Sign, ,Broomhill, ,Calamus Ying Ying Chan, ,Candyman, ,Chillwave, ,Dennis Wilson, ,Enid Blyton, ,Fairewell, ,fairport convention, ,Farewell, ,Grendel, ,Heart The Size of A Horse, ,Heavy Metal, ,Holloway Road, ,Honey Street, ,Hygiene, ,Jacqueline Valencia, ,Jo Coates, ,John Gardner, ,Johnny White, ,Laura Ellen Anderson, ,Locrian, ,Max Cavalera, ,Muswell Hill, ,Others Of Us, ,Poor Poor Grendel, ,Post Punk, ,Randall Dunn, ,review, ,Sepultura, ,sheffield, ,Simeon Ten Holt, ,Sonic Cathedral, ,Sunn O))), ,The Crystal World, ,The Faraway Tree, ,The Shacklewell Arms, ,Wolves In The Throne Room, ,Wood Green

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