Amelia’s Magazine | Sir Philip Green and his Topshop billions get the UK Uncut treatment.


Heart / Target by Patrick Thomas. All images courtesy of Outline Editions.

Outline Editions’ pop-up shop is tucked away behind stalls on Berwick Street Market, prostate healing but the bright shop front is still hard to miss. Decorated by graphics wunderkind Kate Moross, mind inside the shop is a virtual “who’s who” of Britain’s graphic art world. This was part of what founders Camilla Parsons and Bill Tuckey wanted to achieve – having both spent years commissioning art works for music and print, they saw a gap in the market for a place where these artists and illustrators could show their work in a more permanent manner. ‘We have taken the high-end graphic artists and put them under one roof,’ says Camilla Parsons.

And the list of contributors to Outline Editions’ pop-up shop really does demonstrate that these are some very sought-after graphic artists and illustrators. Starting with Kate Moross, whose name is known from Dazed & Confused, Topshop and Vogue – all the way to Anthony Burrill, the so-called godfather of graphic arts. Universally known for his ‘Work Hard and Be Nice to People’ poster, his work has been seen everywhere from Tate Modern to the Underground.


Robin by David Foldvari

The shop on Berwick Street in Soho shows a mixture of works from the newly commissioned love-theme, which was unveiled on 2 December, and works from ‘Into the Forest’, which opened in November. The shop also has prints from last summer’s London-themed show.

‘We have commissioned a range of graphic artists and illustrators who work in music and pop culture,’ says Parsons, as she shows me around the space. ‘Many of these are one-off works that we have commissioned, all signed and in limited edition.’ She shows me the works by by David Foldvari; ‘he’s a very big name, you’ll recognise his style as you open a paper or magazine’, and HelloVon; ‘we chose him as his thing is animals. Look at it – it’s incredibly detailed and realistic, but also a bit spooky.’


Bird by HelloVon

The works commissioned by Outline Editions were themed, but Parsons says the artists appreciated the chance to create works with a large degree of freedom. ‘They do a lot of commercial work and this was unrestricted, so they found it exciting.’

Also on the wall is works by Supermundane; ‘he’s very prolific’, Kate Moross; ‘the girl of the graphic art scene’, and Klaus Haapaniemi; ‘he does very high end work.’ We stop a while next to Takayo Akiyama’s nautical chart of London, an intriguing little piece which shows the detail of London planet set on a globe, as if it were the only thing in the world. For those of us who live here it feels like that sometimes, doesn’t it.

London Nautical Chart by Takayo Akiyama

While initially focused on established names in the graphic world, Parsons doesn’t rule out the possibility of taking on more unknown names. ‘As time goes on we will start to encompass lesser known names. The main thing is to make sure the work is accessible. We cover all forms of graphic arts. The cement is that they all work in music, fashion and pop culture.’ The accessibility also extends to pricing: works start at £15 and go up to £185.


By James Joyce.

The Central London location for the pop-up shop was a deliberate move to bring the graphics genre to a wider audience. ‘There are lots of print collectives in East London. We wanted to bring it out West, to take it to a new audience. … We wanted to incorporate people with a variety of styles as well, to show something to everyone’s taste.’

‘Our premise is to keep it exciting and fresh, and to keep doing new things,’ says Parsons. She already has a few aces up her sleeve for Outline Editions’ next projects. She makes me promise not to say too much, but it’s hard – it sounds excellent and I for one can’t wait to see what comes next.


Pelican by Jamie Portch

‘Love in the Forest’ runs until 31 January at 94 Berwick Street, Soho, London W1. The works are also available on the Outline Editions website. For more information see our listing.

Heart / Target by Patrick Thomas. All images courtesy of Outline Editions.

Outline Editions’ pop-up shop is tucked away behind stalls on Berwick Street Market, viagra 100mg but the bright shop front is still hard to miss. Decorated by graphics wunderkind Kate Moross, viagra inside the shop is a virtual “who’s who” of Britain’s graphic art world. This was part of what founders Camilla Parsons and Bill Tuckey wanted to achieve – having both spent years commissioning art works for music and print, they saw a gap in the market for a place where these artists and illustrators could show their work in a more permanent manner. ‘We have taken the high-end graphic artists and put them under one roof,’ says Camilla Parsons.

And the list of contributors to Outline Editions’ pop-up shop really does demonstrate that these are some very sought-after graphic artists and illustrators. Starting with Kate Moross, whose name is known from Dazed & Confused, Topshop and Vogue – all the way to Anthony Burrill, the so-called godfather of graphic arts. Universally known for his ‘Work Hard and Be Nice to People’ poster, his work has been seen everywhere from Tate Modern to the Underground.


By Kate Moross

The shop on Berwick Street in Soho shows a mixture of works from the newly commissioned love-theme, which was unveiled on 2 December, and works from ‘Into the Forest’, which opened in November. The shop also has prints from last summer’s London-themed show.

‘We have commissioned a range of graphic artists and illustrators who work in music and pop culture,’ says Parsons, as she shows me around the space. ‘Many of these are one-off works that we have commissioned, all signed and in limited edition.’ She shows me the works by by David Foldvari; ‘he’s a very big name, you’ll recognise his style as you open a paper or magazine’, and HelloVon; ‘we chose him as his thing is animals. Look at it – it’s incredibly detailed and realistic, but also a bit spooky.’


Bird by HelloVon

The works commissioned by Outline Editions were themed, but Parsons says the artists appreciated the chance to create works with a large degree of freedom. ‘They do a lot of commercial work and this was unrestricted, so they found it exciting.’

Also on the wall is works by Supermundane; ‘he’s very prolific’, Kate Moross; ‘the girl of the graphic art scene’, and Klaus Haapaniemi; ‘he does very high end work.’ We stop a while next to Takayo Akiyama’s nautical chart of London, an intriguing little piece which shows the detail of London planet set on a globe, as if it were the only thing in the world. For those of us who live here it feels like that sometimes, doesn’t it.


Love Geometry by Anthony Burrill

While initially focused on established names in the graphic world, Parsons doesn’t rule out the possibility of taking on more unknown names. ‘As time goes on we will start to encompass lesser known names. The main thing is to make sure the work is accessible. We cover all forms of graphic arts. The cement is that they all work in music, fashion and pop culture.’ The accessibility also extends to pricing: works start at £15 and go up to £185.


By James Joyce.

The Central London location for the pop-up shop was a deliberate move to bring the graphics genre to a wider audience. ‘There are lots of print collectives in East London. We wanted to bring it out West, to take it to a new audience. … We wanted to incorporate people with a variety of styles as well, to show something to everyone’s taste.’

‘Our premise is to keep it exciting and fresh, and to keep doing new things,’ says Parsons. She already has a few aces up her sleeve for Outline Editions’ next projects. She makes me promise not to say too much, but it’s hard – it sounds excellent and I for one can’t wait to see what comes next.


Pelican by Jamie Portch

‘Love in the Forest’ runs until 31 January at 94 Berwick Street, Soho, London W1. The works are also available on the Outline Editions website. For more information see our listing.
UKuncut Topshop-police amelia gregory
Topshop, viagra 40mg with your welcoming entrance you are spoiling us…

If you are on twitter you will probably have noticed the mutterings of the #UKuncut hashtag – from small beginnings it has grown to become the standard bearer of the cuts demonstrations. And to think it all started only a few weeks back, cialis 40mg when I got a frantic phone call from one of my friends on the first UK Uncut Vodafone demo. “We’ve got a trending hashtag” he exclaimed somewhat maniacally. “but we’ve misspelled Vodaphone, stuff you’ve got to help us!!” I assured him that a quick glance at twitter confirmed that he didn’t need my twittering powers one iota. And frankly I think it’s Vodafone who’ve got their spelling wrong. Now, thousands of people follow the @UKuncut twitter feed and the #UKuncut hashtag stream is used to communicate between anti-cuts protests up and down the country. Makes you dead proud of your mates it does.

UKUncut by Avril Kelly
UKUncut by Avril Kelly.

I didn’t manage to get along to that first demo due to my head being buried in the creation of my new book about fashion illustration and ethical fashion design, but I have been avidly following the progress of the cuts protests. And when I heard about the next major target for UK Uncut I was most excited: the Topshop flagship store in Oxford Circus. Regular readers of this blog will no doubt be able to guess that I am not exactly a big fan of Topshop – I know too many small designers who have been ripped off, they have an atrocious human rights record, and I find the association with Kate Moss frankly tedious. Suffice to say I won’t be covering any Topshop collections in Amelia’s Magazine in the near future.

UK uncut sinister pics
Photograph by Sinister Pictures.

Instead, I hope to be joining more protests. Why? Well, a while ago the papers exposed Sir Philip Green‘s cunning tax avoidance trick that enables him to siphon vast profits out of the country and safely into the hands of his Monaco dwelling wife. There was a surge of interest and then the news disappeared. But the cunning folks at UK Uncut have decided to resurrect the gripe. Why? For the simple reason that this country is in the grip of savage cuts to almost everything imaginable. And yet the very rich are able to take our money out of the country: it is the very reverse of the ethos behind the resurgence of local currencies triumphed by Transition Towns. If you use the Brixton Pound in Brixton it enables local money to stay in a local area, enriching the lives of everyone who partakes in the local economy. If you use your pounds in Topshop they leak straight out of the UK, benefiting none of us at all.

Pay your Taxes Ross McEwan
Illustration by Ross McEwan.

Why is it that the richer people get the more greedy they become? Surely once you’ve earnt your first billion there’s little reason to keep chasing more? But no, the super rich, chums of our millionaire Con-Dem cabinet (Philip Green has the audacity to advise on austerity measures) together avoid £25 billion in tax by removing it from the country. One argument says that if the UK was to make it less amenable for large businesses to run their services here they would simply take them elsewhere. I fail to see the logic in this: Philip Green runs a British company, Topshop. He isn’t about to pack up and ship it over to Dubai never to be seen again, is he?

topshop riot by kellie black
Topshop protest by Kellie Black.

So it was that on a cold Saturday morning I jumped out of bed and sped into the centre of town. I missed the first noisy influx into the store by a few minutes and the main entrance was already blocked by security. However, although I very rarely get sucked into Topshop these days, I know well that there are several entrances so I zipped straight in via the side door.

UK_UncutTopshop2_byAlisonDay
UK Uncut Topshop Protest by Alison Day.

Inside about thirty protestors were already staging a sit in, chanting as bemused shoppers gazed on, uncertain what to do. They were a mix bunch from different movements, including climate activists and peeved students. “Philip’s Green’s taxation could pay for our education” was but one of many clever chants I heard.

UKuncut Topshop-amelia gregory

Within moments I was hustled straight back out the main entrance due to my very large camera, but I just went right back around and came back in with my iphone camera instead. Eventually I heard these magical words over the tanoy system: There has been an incident: please exit the store immediately. And so it was that we were able to close down the main branch of Topshop for well over an hour on a busy Saturday in the run up to Christmas. The sour faces of thwarted shoppers peered down at us as the streets got busier, but most of them seemed fairly content to visit Urban Outfitters next door instead. A gaggle of protestors then spread up and down Oxford Street, shutting Dorothy Perkins and BHS (both also part of Philip Green’s Arcadia empire) and revisiting Vodafone. In fact, just the threat of our arrival was enough to close most stores before we even got to them.

UK Uncut sinister pictures
Outside BHS. Photograph by Sinister Pictures.

As I was twittering through the protest I received a reply from a small fashion brand that has a concession in Topshop – But what about the independent labels that are losing business? – she said. I do think that if you get into bed with a corporate brand you can expect to experience the pitfalls as well as the bonuses, but our quibbles are obviously not with the independent designers who stock Topshop (and at any rate in this case she definitely supported us) or the workers in the store, who may well have lost income if we had blocked the entrances more effectively and they had been told to go home.

Abi Daker - Topshop protest 2010
One Woman Topshop protest 2010 by Abigail Daker.

It is very hard to protest without some unwanted fallout, which is why I so love this inspiring one woman protest: whilst we were causing mayhem at Oxford Circus Bryony went along to her local Wandsworth Topshop equipped only with flyers and chocolate, and on the purchase of a Breton top politely explained that she would not be able to pay the VAT because she didn’t trust Philip Green to give it the HMRC. She handed out information to the other customers and chocolates to the confused employees as they tried to accommodate her request by calling head office. What a clever way to raise awareness in a totally calm and collected manner, but the real success has been in the telling of the story – which has been bouncing around on the #UKuncut hashtag, attracting glowing comments from others who may well be inspired to do the same.

UKuncut Topshop-amelia gregory outside

For naturally this story is far from over: the students are still revolting on the streets and UK Uncut have announced yet another day of action: this time I urge you to join them and protest against the greedy fat cat billionaires who are currently free to move the money we spend on their products out of this country and away from where it might be put to good use. On Saturday 18th December Topshop and Vodafone will be targeted in high streets across the UK. Find out all the details here.

Find out how fashion should be made and sold in my new book, Amelia’s Compendium of Fashion Illustration, featuring the very best in ethical fashion design.

Categories ,#UKuncut, ,Abigail Daker, ,Alison Day, ,Arcadia, ,Avril Kelly, ,BHS, ,Billionaire, ,Brixton Pound, ,Con-Dem, ,Dorothy Perkins, ,hashtag, ,HMRC, ,Human Rights, ,Kate Moss, ,Kellie Black, ,My One Woman Topshop Protest, ,Oxford Circus, ,Ross Mcewan, ,Sir Philip Green, ,topshop, ,transition towns, ,twitter, ,UK Uncut, ,Urban Outfitters, ,Vodafone, ,Vodaphone

Similar Posts:






Amelia’s Magazine | Sir Philip Green and his Topshop billions get the UK Uncut treatment.


Heart / Target by Patrick Thomas. All images courtesy of Outline Editions.

Outline Editions’ pop-up shop is tucked away behind stalls on Berwick Street Market, prostate healing but the bright shop front is still hard to miss. Decorated by graphics wunderkind Kate Moross, mind inside the shop is a virtual “who’s who” of Britain’s graphic art world. This was part of what founders Camilla Parsons and Bill Tuckey wanted to achieve – having both spent years commissioning art works for music and print, they saw a gap in the market for a place where these artists and illustrators could show their work in a more permanent manner. ‘We have taken the high-end graphic artists and put them under one roof,’ says Camilla Parsons.

And the list of contributors to Outline Editions’ pop-up shop really does demonstrate that these are some very sought-after graphic artists and illustrators. Starting with Kate Moross, whose name is known from Dazed & Confused, Topshop and Vogue – all the way to Anthony Burrill, the so-called godfather of graphic arts. Universally known for his ‘Work Hard and Be Nice to People’ poster, his work has been seen everywhere from Tate Modern to the Underground.


Robin by David Foldvari

The shop on Berwick Street in Soho shows a mixture of works from the newly commissioned love-theme, which was unveiled on 2 December, and works from ‘Into the Forest’, which opened in November. The shop also has prints from last summer’s London-themed show.

‘We have commissioned a range of graphic artists and illustrators who work in music and pop culture,’ says Parsons, as she shows me around the space. ‘Many of these are one-off works that we have commissioned, all signed and in limited edition.’ She shows me the works by by David Foldvari; ‘he’s a very big name, you’ll recognise his style as you open a paper or magazine’, and HelloVon; ‘we chose him as his thing is animals. Look at it – it’s incredibly detailed and realistic, but also a bit spooky.’


Bird by HelloVon

The works commissioned by Outline Editions were themed, but Parsons says the artists appreciated the chance to create works with a large degree of freedom. ‘They do a lot of commercial work and this was unrestricted, so they found it exciting.’

Also on the wall is works by Supermundane; ‘he’s very prolific’, Kate Moross; ‘the girl of the graphic art scene’, and Klaus Haapaniemi; ‘he does very high end work.’ We stop a while next to Takayo Akiyama’s nautical chart of London, an intriguing little piece which shows the detail of London planet set on a globe, as if it were the only thing in the world. For those of us who live here it feels like that sometimes, doesn’t it.

London Nautical Chart by Takayo Akiyama

While initially focused on established names in the graphic world, Parsons doesn’t rule out the possibility of taking on more unknown names. ‘As time goes on we will start to encompass lesser known names. The main thing is to make sure the work is accessible. We cover all forms of graphic arts. The cement is that they all work in music, fashion and pop culture.’ The accessibility also extends to pricing: works start at £15 and go up to £185.


By James Joyce.

The Central London location for the pop-up shop was a deliberate move to bring the graphics genre to a wider audience. ‘There are lots of print collectives in East London. We wanted to bring it out West, to take it to a new audience. … We wanted to incorporate people with a variety of styles as well, to show something to everyone’s taste.’

‘Our premise is to keep it exciting and fresh, and to keep doing new things,’ says Parsons. She already has a few aces up her sleeve for Outline Editions’ next projects. She makes me promise not to say too much, but it’s hard – it sounds excellent and I for one can’t wait to see what comes next.


Pelican by Jamie Portch

‘Love in the Forest’ runs until 31 January at 94 Berwick Street, Soho, London W1. The works are also available on the Outline Editions website. For more information see our listing.

Heart / Target by Patrick Thomas. All images courtesy of Outline Editions.

Outline Editions’ pop-up shop is tucked away behind stalls on Berwick Street Market, viagra 100mg but the bright shop front is still hard to miss. Decorated by graphics wunderkind Kate Moross, viagra inside the shop is a virtual “who’s who” of Britain’s graphic art world. This was part of what founders Camilla Parsons and Bill Tuckey wanted to achieve – having both spent years commissioning art works for music and print, they saw a gap in the market for a place where these artists and illustrators could show their work in a more permanent manner. ‘We have taken the high-end graphic artists and put them under one roof,’ says Camilla Parsons.

And the list of contributors to Outline Editions’ pop-up shop really does demonstrate that these are some very sought-after graphic artists and illustrators. Starting with Kate Moross, whose name is known from Dazed & Confused, Topshop and Vogue – all the way to Anthony Burrill, the so-called godfather of graphic arts. Universally known for his ‘Work Hard and Be Nice to People’ poster, his work has been seen everywhere from Tate Modern to the Underground.


By Kate Moross

The shop on Berwick Street in Soho shows a mixture of works from the newly commissioned love-theme, which was unveiled on 2 December, and works from ‘Into the Forest’, which opened in November. The shop also has prints from last summer’s London-themed show.

‘We have commissioned a range of graphic artists and illustrators who work in music and pop culture,’ says Parsons, as she shows me around the space. ‘Many of these are one-off works that we have commissioned, all signed and in limited edition.’ She shows me the works by by David Foldvari; ‘he’s a very big name, you’ll recognise his style as you open a paper or magazine’, and HelloVon; ‘we chose him as his thing is animals. Look at it – it’s incredibly detailed and realistic, but also a bit spooky.’


Bird by HelloVon

The works commissioned by Outline Editions were themed, but Parsons says the artists appreciated the chance to create works with a large degree of freedom. ‘They do a lot of commercial work and this was unrestricted, so they found it exciting.’

Also on the wall is works by Supermundane; ‘he’s very prolific’, Kate Moross; ‘the girl of the graphic art scene’, and Klaus Haapaniemi; ‘he does very high end work.’ We stop a while next to Takayo Akiyama’s nautical chart of London, an intriguing little piece which shows the detail of London planet set on a globe, as if it were the only thing in the world. For those of us who live here it feels like that sometimes, doesn’t it.


Love Geometry by Anthony Burrill

While initially focused on established names in the graphic world, Parsons doesn’t rule out the possibility of taking on more unknown names. ‘As time goes on we will start to encompass lesser known names. The main thing is to make sure the work is accessible. We cover all forms of graphic arts. The cement is that they all work in music, fashion and pop culture.’ The accessibility also extends to pricing: works start at £15 and go up to £185.


By James Joyce.

The Central London location for the pop-up shop was a deliberate move to bring the graphics genre to a wider audience. ‘There are lots of print collectives in East London. We wanted to bring it out West, to take it to a new audience. … We wanted to incorporate people with a variety of styles as well, to show something to everyone’s taste.’

‘Our premise is to keep it exciting and fresh, and to keep doing new things,’ says Parsons. She already has a few aces up her sleeve for Outline Editions’ next projects. She makes me promise not to say too much, but it’s hard – it sounds excellent and I for one can’t wait to see what comes next.


Pelican by Jamie Portch

‘Love in the Forest’ runs until 31 January at 94 Berwick Street, Soho, London W1. The works are also available on the Outline Editions website. For more information see our listing.
UKuncut Topshop-police amelia gregory
Topshop, viagra 40mg with your welcoming entrance you are spoiling us…

If you are on twitter you will probably have noticed the mutterings of the #UKuncut hashtag – from small beginnings it has grown to become the standard bearer of the cuts demonstrations. And to think it all started only a few weeks back, cialis 40mg when I got a frantic phone call from one of my friends on the first UK Uncut Vodafone demo. “We’ve got a trending hashtag” he exclaimed somewhat maniacally. “but we’ve misspelled Vodaphone, stuff you’ve got to help us!!” I assured him that a quick glance at twitter confirmed that he didn’t need my twittering powers one iota. And frankly I think it’s Vodafone who’ve got their spelling wrong. Now, thousands of people follow the @UKuncut twitter feed and the #UKuncut hashtag stream is used to communicate between anti-cuts protests up and down the country. Makes you dead proud of your mates it does.

UKUncut by Avril Kelly
UKUncut by Avril Kelly.

I didn’t manage to get along to that first demo due to my head being buried in the creation of my new book about fashion illustration and ethical fashion design, but I have been avidly following the progress of the cuts protests. And when I heard about the next major target for UK Uncut I was most excited: the Topshop flagship store in Oxford Circus. Regular readers of this blog will no doubt be able to guess that I am not exactly a big fan of Topshop – I know too many small designers who have been ripped off, they have an atrocious human rights record, and I find the association with Kate Moss frankly tedious. Suffice to say I won’t be covering any Topshop collections in Amelia’s Magazine in the near future.

UK uncut sinister pics
Photograph by Sinister Pictures.

Instead, I hope to be joining more protests. Why? Well, a while ago the papers exposed Sir Philip Green‘s cunning tax avoidance trick that enables him to siphon vast profits out of the country and safely into the hands of his Monaco dwelling wife. There was a surge of interest and then the news disappeared. But the cunning folks at UK Uncut have decided to resurrect the gripe. Why? For the simple reason that this country is in the grip of savage cuts to almost everything imaginable. And yet the very rich are able to take our money out of the country: it is the very reverse of the ethos behind the resurgence of local currencies triumphed by Transition Towns. If you use the Brixton Pound in Brixton it enables local money to stay in a local area, enriching the lives of everyone who partakes in the local economy. If you use your pounds in Topshop they leak straight out of the UK, benefiting none of us at all.

Pay your Taxes Ross McEwan
Illustration by Ross McEwan.

Why is it that the richer people get the more greedy they become? Surely once you’ve earnt your first billion there’s little reason to keep chasing more? But no, the super rich, chums of our millionaire Con-Dem cabinet (Philip Green has the audacity to advise on austerity measures) together avoid £25 billion in tax by removing it from the country. One argument says that if the UK was to make it less amenable for large businesses to run their services here they would simply take them elsewhere. I fail to see the logic in this: Philip Green runs a British company, Topshop. He isn’t about to pack up and ship it over to Dubai never to be seen again, is he?

topshop riot by kellie black
Topshop protest by Kellie Black.

So it was that on a cold Saturday morning I jumped out of bed and sped into the centre of town. I missed the first noisy influx into the store by a few minutes and the main entrance was already blocked by security. However, although I very rarely get sucked into Topshop these days, I know well that there are several entrances so I zipped straight in via the side door.

UK_UncutTopshop2_byAlisonDay
UK Uncut Topshop Protest by Alison Day.

Inside about thirty protestors were already staging a sit in, chanting as bemused shoppers gazed on, uncertain what to do. They were a mix bunch from different movements, including climate activists and peeved students. “Philip’s Green’s taxation could pay for our education” was but one of many clever chants I heard.

UKuncut Topshop-amelia gregory

Within moments I was hustled straight back out the main entrance due to my very large camera, but I just went right back around and came back in with my iphone camera instead. Eventually I heard these magical words over the tanoy system: There has been an incident: please exit the store immediately. And so it was that we were able to close down the main branch of Topshop for well over an hour on a busy Saturday in the run up to Christmas. The sour faces of thwarted shoppers peered down at us as the streets got busier, but most of them seemed fairly content to visit Urban Outfitters next door instead. A gaggle of protestors then spread up and down Oxford Street, shutting Dorothy Perkins and BHS (both also part of Philip Green’s Arcadia empire) and revisiting Vodafone. In fact, just the threat of our arrival was enough to close most stores before we even got to them.

UK Uncut sinister pictures
Outside BHS. Photograph by Sinister Pictures.

As I was twittering through the protest I received a reply from a small fashion brand that has a concession in Topshop – But what about the independent labels that are losing business? – she said. I do think that if you get into bed with a corporate brand you can expect to experience the pitfalls as well as the bonuses, but our quibbles are obviously not with the independent designers who stock Topshop (and at any rate in this case she definitely supported us) or the workers in the store, who may well have lost income if we had blocked the entrances more effectively and they had been told to go home.

Abi Daker - Topshop protest 2010
One Woman Topshop protest 2010 by Abigail Daker.

It is very hard to protest without some unwanted fallout, which is why I so love this inspiring one woman protest: whilst we were causing mayhem at Oxford Circus Bryony went along to her local Wandsworth Topshop equipped only with flyers and chocolate, and on the purchase of a Breton top politely explained that she would not be able to pay the VAT because she didn’t trust Philip Green to give it the HMRC. She handed out information to the other customers and chocolates to the confused employees as they tried to accommodate her request by calling head office. What a clever way to raise awareness in a totally calm and collected manner, but the real success has been in the telling of the story – which has been bouncing around on the #UKuncut hashtag, attracting glowing comments from others who may well be inspired to do the same.

UKuncut Topshop-amelia gregory outside

For naturally this story is far from over: the students are still revolting on the streets and UK Uncut have announced yet another day of action: this time I urge you to join them and protest against the greedy fat cat billionaires who are currently free to move the money we spend on their products out of this country and away from where it might be put to good use. On Saturday 18th December Topshop and Vodafone will be targeted in high streets across the UK. Find out all the details here.

Find out how fashion should be made and sold in my new book, Amelia’s Compendium of Fashion Illustration, featuring the very best in ethical fashion design.

Categories ,#UKuncut, ,Abigail Daker, ,Alison Day, ,Arcadia, ,Avril Kelly, ,BHS, ,Billionaire, ,Brixton Pound, ,Con-Dem, ,Dorothy Perkins, ,hashtag, ,HMRC, ,Human Rights, ,Kate Moss, ,Kellie Black, ,My One Woman Topshop Protest, ,Oxford Circus, ,Ross Mcewan, ,Sir Philip Green, ,topshop, ,transition towns, ,twitter, ,UK Uncut, ,Urban Outfitters, ,Vodafone, ,Vodaphone

Similar Posts:






Amelia’s Magazine | Glastonbury 2010 Climate Camp Tripod Stage Review: Sunday

Illustration by Dan Heffer, ask pharm Hat by Angela Bruce; The Hedgerow Collection

I’m not sure if it’s the wedding’s I’ve been too recently or the press attention regarding ladies hats at certain summer races (hello Ascot) or whether it’s as simple as the sun being out, but recently I’ve been paying more attention to headwear. It was therefore a great pleasure to be invited to Kensington and Chelsea College’s End of Year Millinery exhibition.

Who could resist Anna Pulleyn’s Forgotten Garden Collection?

Illustration by Krister Selin

Illustration by Lauren Macaulay

The quality of the work on display was unmistakable and the sculptural and innovative shapes a joy to look at. Each Milliner created a story around their final collection, the materials used were inspired by Japanese textile techniques, mechanics and traditional stories; for example Rachel Fallon’s take on Alice in Wonderland.

Illustration by Rachael Price

Another classic text revisited was the greek tragedy of Narcissus. Hannah-Kates Morgan collection was inspired by the story of a man simultaneously in in love with and in turmoil with the sight of his own reflection, coining the term Narcissism. A comment perhaps towards the trend in fashion to be socially elite both towards people and the different mediums of the trade?

Beth Simpson’s collection was inspired by the collection of the Marchesa Casati. Beth describes the collection’s muse as “extravagant, eccentric and bizarre, who for the first three decades of the 20th Century astounded Europe.”

Kate Underdown’s collection was inspired by medical specimens and the anatomical drawings by the Victorians sourced from the Hunerian and Grant Museums of Medicine.

Illustration by Charlotte Gibson

Elaine Lax’s wonderful Mechanical Movement collection created from the building blocks of machinery, that is required to keep our way of life moving.

Congratulations to all the students for a wonderful show and to Kate Underdown, Awon Golding, Rebecca Coffee, Angela Bruce, Ellen Bowden, and Mandy Mcgregor whose hats were selected to be exhibited at Fenwicks.

Photographs by Sally Mumby-Croft

Illustration by Dan Heffer, diagnosis Hat by Angela Bruce; The Hedgerow Collection

I’m not sure if it’s the wedding’s I’ve been too recently or the press attention regarding ladies hats at certain summer races (hello Ascot) or whether it’s as simple as the sun being out, buy but recently I’ve been paying more attention to headwear. Therefore it was a great pleasure to be invited to Kensington and Chelsea College’s End of Year Millinery exhibition.

Who could resist Anna Pulleyn’s Forgotten Garden Collection?

Illustration by Krister Selin

Illustration by Lauren Macaulay

The quality of the work on display was unmistakable and the sculptural and innovative shapes a joy to look at. Each Milliner created a story around their final collection, pharmacy the materials used were inspired by Japanese textile techniques, mechanics and traditional stories; for example Rachel Fallon’s take on Alice in Wonderland.

Illustration by Rachael Price

Hannah-Kates Morgan’s collection – revisited another classic text; Narcissus or Narcissim – was inspired by the greek tragedy. A comment perhaps towards the trend in fashion to be socially elite both towards people and the different mediums of the trade?

Beth Simpson’s collection was inspired by the collection of the Marchesa Casati. Beth describes the collection’s muse as “extravagant, eccentric and bizarre, who for the first three decades of the 20th Century astounded Europe.”

Kate Underdown’s collection was inspired by medical specimens and the anatomical drawings by the Victorians sourced from the Hunerian and Grant Museums of Medicine.

Illustration by Charlotte Gibson

Illustration by Charlotte Gibson

Elaine Lax’s wonderful Mechanical Movement collection created from the building blocks of machinery, that is required to keep our way of life moving.

Congratulations to all the students for a wonderful show and to Kate Underdown, Awon Golding, Rebecca Coffee, Angela Bruce, Ellen Bowden, and Mandy McGregor whose hats were selected to be exhibited at Fenwicks.

Photographs by Sally Mumby-Croft

Illustration by Dan Heffer, viagra 60mg Hat by Angela Bruce; The Hedgerow Collection

I’m not sure if it’s the wedding’s I’ve been too recently or the press attention regarding ladies hats at certain summer races (hello Ascot) or whether it’s as simple as the sun being out, sickness but recently I’ve been paying more attention to headwear. It was therefore a great pleasure to be invited to Kensington and Chelsea College’s End of Year Millinery exhibition.

Who could resist Anna Pulleyn’s Forgotten Garden Collection?

Illustration by Krister Selin

Illustration by Lauren Macaulay

The quality of the work on display was unmistakable and the sculptural and innovative shapes a joy to look at. Each Milliner created a story around their final collection, the materials used were inspired by Japanese textile techniques, mechanics and traditional stories; for example Rachel Fallon’s take on Alice in Wonderland.

Illustration by Rachael Price

Another classic text revisited was the greek tragedy of Narcissus. Hannah-Kates Morgan collection was inspired by the story of a man simultaneously in in love with and in turmoil with the sight of his own reflection, coining the term Narcissism. A comment perhaps towards the trend in fashion to be socially elite both towards people and the different mediums of the trade?

Beth Simpson’s collection was inspired by the collection of the Marchesa Casati. Beth describes the collection’s muse as “extravagant, eccentric and bizarre, who for the first three decades of the 20th Century astounded Europe.”

Kate Underdown’s collection was inspired by medical specimens and the anatomical drawings by the Victorians sourced from the Hunerian and Grant Museums of Medicine.

Illustration by Charlotte Gibson

Illustration by Charlotte Gibson

Elaine Lax’s wonderful Mechanical Movement collection created from the building blocks of machinery, that is required to keep our way of life moving.

Congratulations to all the students for a wonderful show and to Kate Underdown, Awon Golding, Rebecca Coffee, Angela Bruce, Ellen Bowden, and Mandy McGregor whose hats were selected to be exhibited at Fenwicks.

Photographs by Sally Mumby-Croft

Illustration by Dan Heffer, thumb Hat by Angela Bruce; The Hedgerow Collection

I’m not sure if it’s the wedding’s I’ve been too recently or the press attention regarding ladies hats at certain summer races (hello Ascot) or whether it’s as simple as the sun being out, dosage but recently I’ve been paying more attention to headwear. Therefore it was a great pleasure to be invited to Kensington and Chelsea College’s End of Year Millinery exhibition.

Who could resist Anna Pulleyn’s Forgotten Garden Collection?

Illustration by Krister Selin

Illustration by Lauren Macaulay

The quality of the work on display was unmistakable and the sculptural and innovative shapes a joy to look at. Each Milliner created a story around their final collection, cheapest the materials used were inspired by Japanese textile techniques, mechanics and traditional stories; for example Rachel Fallon’s take on Alice in Wonderland.

Illustration by Rachael Price

Another classic text revisited was the greek tragedy of Narcissus. Hannah-Kates Morgan collection was inspired by the story of a man simultaneously in in love with and in turmoil with the sight of his own reflection, coining the term Narcissism. A comment perhaps towards the trend in fashion to be socially elite both towards people and the different mediums of the trade?

Beth Simpson’s collection was inspired by the collection of the Marchesa Casati. Beth describes the collection’s muse as “extravagant, eccentric and bizarre, who for the first three decades of the 20th Century astounded Europe.”

Kate Underdown’s collection was inspired by medical specimens and the anatomical drawings by the Victorians sourced from the Hunerian and Grant Museums of Medicine.

Illustration by Charlotte Gibson

Illustration by Charlotte Gibson

Elaine Lax’s wonderful Mechanical Movement collection created from the building blocks of machinery, that is required to keep our way of life moving.

Congratulations to all the students for a wonderful show and to Kate Underdown, Awon Golding, Rebecca Coffee, Angela Bruce, Ellen Bowden, and Mandy McGregor whose hats were selected to be exhibited at Fenwicks.

Photographs by Sally Mumby-Croft

Illustration by Dan Heffer, help Hat by Angela Bruce; The Hedgerow Collection

I’m not sure if it’s the wedding’s I’ve been too recently or the press attention regarding ladies hats at certain summer races (hello Ascot) or whether it’s as simple as the sun being out, sale but recently I’ve been paying more attention to headwear. Therefore it was a great pleasure to be invited to Kensington and Chelsea College’s End of Year Millinery exhibition.

Who could resist Anna Pulleyn’s Forgotten Garden Collection?

Illustration by Krister Selin

Illustration by Lauren Macaulay

The quality of the work on display was unmistakable and the sculptural and innovative shapes a joy to look at. Each Milliner created a story around their final collection, the materials used were inspired by Japanese textile techniques, mechanics and traditional stories; for example Rachel Fallon’s take on Alice in Wonderland.

Illustration by Rachael Price

Hannah-Kates Morgan’s Narcissism collection, revisited another classic text; the greek tragedy of Narcissus.

Beth Simpson’s collection was inspired by the collection of the Marchesa Casati. Beth describes the collection’s muse as “extravagant, eccentric and bizarre, who for the first three decades of the 20th Century astounded Europe.”

Kate Underdown’s collection was inspired by medical specimens and the anatomical drawings by the Victorians sourced from the Hunerian and Grant Museums of Medicine.

Illustration by Charlotte Gibson

Illustration by Charlotte Gibson

Elaine Lax’s wonderful Mechanical Movement collection created from the building blocks of machinery, that is required to keep our way of life moving.

Congratulations to all the students for a wonderful show and to Kate Underdown, Awon Golding, Rebecca Coffee, Angela Bruce, Ellen Bowden, and Mandy McGregor whose hats were selected to be exhibited at Fenwicks.

Photographs by Sally Mumby-Croft

Glastonbury 2010 Climate Camp Lulu and the Lampshades

On Sunday we lost a few and gained a few. Pete Lawrie called by with terrible hayfever to say he couldn’t sing for fear of losing his voice but kindly volunteered to perform at another Climate Camp benefit. Of course I made him stand in front of our banners so I could get a photo anyway.

Glastonbury 2010 Climate Camp Pete Lawrie
Pete Lawrie.

Robinson just didn’t turn up. I missed a phone call whilst doing an impromptu Green Kite Midnight gig at the Greenpeace Stage, price which laughably requested that I get on the radios to sort out a vehicle escort to meet them from their Acoustic Stage gig (erm, website like this did you read any of my emails?) They then ignored all my later frantic calls. Professional. Still, they probably wouldn’t have had much of an audience, what with them clashing with that embarrassing worldcup football match and all.

Glastonbury 2010 Climate Camp Pete the Temp

I missed most of Pete the Temp but managed to catch him performing some fun mashed up covers dressed in a tutu from our grand raffle.

katie-harnett-lulu and the lampshades
Lulu and the Lampshades by Katie Harnett.
Glastonbury 2010 Climate Camp Lulu and the Lampshades

Lulu and the Lampshades decided to play at the last minute once their Glastonbury tickets were confirmed. Fronted by my former art editor, the super talented Luisa Gerstein, I am ashamed to say that this was the first time I had seen them perform live. I had previously only visited them on myspace, which really doesn’t do justice to their ace live performance. Playing on a variety of strange string instruments, an old typewriter and an assortment of pots, pans and donating buckets scoured from the Climate Camp kitchen, they were incredibly inventive.

katie-harnett-lulu and the lampshades
Lulu and the Lampshades by Katie Harnett.

Both myself and Luisa have camped extensively with Forest School Camps, and her glorious melodies reflect the mix of traditional English, Irish, Scottish and American Bluegrass music that we love to sing around campfires.

Glastonbury 2010 Climate Camp Lulu and the Lampshades
Glastonbury 2010 Climate Camp Lulu and the Lampshades

Lulu and the Lampshades ended on an acapella version of traditional gospel song You’re Gonna Miss Me When I’m Gone – here performed with just two of the band members and some old yoghurt pots (another trick I suspect she learnt around the campfire). A cult classic if ever I saw one – there are already multiple tributes on youtube.

YouTube Preview Image

Luisa’s best bit about playing the Tripod Stage: our make-shift drum-kit from the catering tent.
Luisa’s best bit about Glastonbury this year: Sunday evening: Mountain Man in the Crow’s Nest followed by Dirty Projectors followed by Stevie Wonder; twas dreamy. 
 
You can catch Lulu and the Lampshades at Bestival later this year.

Glastonbury 2010 Climate Camp Cats and Cats and Cats

Cats and Cats and Cats then borrowed a number of instruments from Lulu and the Lampshades to play another exclusive for the Tripod Stage, lead singer Ben George having come down from his parent’s pottery stand in the Green Fields to offer us the gig. Quite fortuitously Cats and Cats and Cats have their debut album If I’d Had An Atlas out next week, so we were treated to stripped down versions of a range of songs which I’ve since been able to listen to on record.

cats and cats and cats
Cats and Cats and Cats by Farzeen Jabbar.

When and where was the album recorded?
If I’d Had An Atlas was recorded over 11 days in deepest darkest Wales (Giant Wafer Studios in the Brecon Beacons), it was great to be so far away from any bustling cities and we could really concentrate there. We also did some recordings of extra instruments (tuba, cello, accordion etc.) in Folkestone at Barewires Studios.

What inspired the name If I’d Had An Atlas?
The name is from a lyric in the title track which reads “I don’t know, if I’d had an atlas, where we would be,” which fell out of my brain at some point and I scribbled it down. I like the imagery of someone imagining that if they’d had a map they would have done things differently but of course there is no map and life is chaotic and that’s why it’s amazing.

What was the best bit about playing on the Tripod Stage?
I really enjoyed just turning up and using what instruments we could gather to piece together a set and then managing to pull it off! Thanks loads to Lulu and the Lampshades for lending us their equipment and also for being really brilliant. The only bad point was when I dedicated a song to my brother only to find he’d run off to watch Nora Jones!

What was your favourite part of Glastonbury this year?
I saw some of my favourite Glastonbury performances this year by bands like: Boxcar Aldous Huxley, Tubelord, the Dirty Projectors, Meursault and Imogen Heap; I was also gobsmacked at the lightning men and amounts of fire in Arcadia. But I have to say the weather, I was there for 8 days and I didn’t see a drop of rain. Amazing.

What other festivals are you playing at?
We’ve got a couple more lined up in July: Lounge on the Farm in Canterbury on Friday 9th (at 12pm) and 2000 Trees Festival in Cheltenham on Saturday 17th. Then we’ll be playing a farewell show for our violin player in London at some point as she’s leaving the band, but we’ll be back on the scene in October for a UK tour. Hopefully see you soon.

Glastonbury 2010 Climate Camp Cats and Cats and Cats

Ben has one of those voices that delights in the slightly out of the tune: it shouldn’t work but most of the time it somehow does: his wailing vocals become a feature in themselves, especially when offset against such a lush backdrop: brass, strings, entire orchestras, choirs, all have their place on this album – occasionally screeching to a standstill that echoes the offkilter vocals. It’s all great fun. Stand out single A Boy Called Haunts is a triumphant melody about… a boy who is trying to impress a girl, so he dresses up as a ghost on Halloween. Only trouble is that he then becomes a real ghost and discovers that she spends her free time having sex with men in porn films. As you do. Ben has been learning Japanese for 3 years so he decided to write a song in Japanese “half to see if I could and half to show off”.

Glastonbury 2010 Climate Camp Cats and Cats and Cats

Towards the end of the album curveball Suizokukanni works surprisingly well, even if the subject matter is equally bonkers. In it Ben’s fictional brother talks to the fish in the garden pond so he gets shunned. One day Ben hears the fish in the garden calling his name and realises he can talk to them. The last line roughly translates to “Lets go to the aquarium together and never return!”. This is followed by the beautiful The Smallest Song, a much quieter and more subdued affair, even as the brass section kicks in. The next single will be If I’d Had Antlers, which features sawed and plucked violin melded to trademark awkward beats and a surprisingly delicate melody. Watch out for the animated video. Cats and Cats and Cats might be an acquired taste, but they’re wonderfully original and definitely a grower. Well worth checking out.

carolyn-alexander-attila the stockbroker
Attila the Stockbroker by Carolyn Alexander.

Our final performer was another late booking – Attila the Stockbroker, pint in hand, gave us some grand punk beat poetry. 60 years old and able to give any number of youngsters a run for their money. I’d like to see more of him one day.

Glastonbury 2010 Climate Camp Attila the Stockbroker

And so ended my Tripod Stage musical line-up. And what a joy it was. Here’s hoping we can do as well next year…

Categories ,2000 Trees Festival, ,Acapella, ,Acoustic Stage, ,Arcadia, ,Attila the Stockbroker, ,bestival, ,Bluegrass, ,Boxcar Aldous Huxley, ,brass, ,Carolyn Alexander, ,Cats and Cats and Cats, ,Climate Camp, ,Crow’s Nest, ,dirty projectors, ,Farzeen Jabbar, ,folk, ,Forest School Camps, ,Green Fields, ,Greenpeace, ,Imogen Heap, ,Katie Harnett, ,Kitchen, ,Lounge on the Farm, ,Luisa Gerstein, ,Lulu and the Lampshades, ,Meursault, ,Mountain Man, ,Pete Lawrie, ,Pete the Temp, ,Pottery, ,Robinson, ,Stevie Wonder, ,Traditional Music, ,Tripod Stage, ,Tubelord, ,wales

Similar Posts: