Amelia’s Magazine | Fred Butler: London Fashion Week A/W 2012 Presentation Review

Fred Butler AW 2012 by Mitika Chohan

Fred Butler AW 2012 by Mitika Chohan

I love Fred Butler. She has been one of my favourite accessories and props designers for a few years now and apart from what she makes I also adore the fascinating and playful way in which she dresses as well as the way she expresses herself in interviews, which reveals a really quite special person indeed. I had seen her props pop up here and there in magazines, like in Amelia’s Magazine Issue 7 for which she made a Noah’s Ark shaped paper hat – in fact Amelia Gregory was one of the first to commission props from Fred. But I think a story I saw in i-D’s The Agyness Deyn Issue from May 2008, titled ‘Attitude’, featuring an inflatable rockets bra by Fred among other striking props, was what made me an official fan.

Fred Butler AW 2012 Charli XCX photo by Maria Papadimitriou

While queueing to see Fred’s live presentation of her A/W 2012 collection at The Portico Rooms in Somerset House on the 20th of February I was extra happy because – apart from the obvious reason – my young friend and budding stylist Isabella Sumner of Secret Danger Sister was texting me from backstage. Isabella became Kim Howells’ assistant for this London Fashion Week season after I forwarded to her a post by Kim I saw on Facebook asking for help! Kim has styled numerous Fred Butler presentations, films and lookbooks. Fred’s presentation took the form of a mini catwalk show which repeated itself over and over to a different audience each time. And there was quite a crowd to get through. During the four times in and out from the Portico Rooms – I saw the show twice – there were queues extending all the way to and down the stairs leading to the ground level of Somerset House. In those queues I spotted an array of some of the coolest, cutting edge creatives around, like Piers Atkinson, Bishi, Alùn Davies and Diane Pernet and filmmaker Konstantinos Menelaou from ASVOF, to name a few, all of whom of course love Fred’s original work.

Fred Butler AW 2012 photo by Maria Papadimitriou 9

Fred Butler AW 2012 photo by Maria Papadimitriou

Refreshingly the show opened with pop singer Charli XCX singing her catchy song ‘I’ll Never Know’ live with a band. Fred Butler, who’s twitter feed is full of #thismorningimlisteningto and other music related tweets, has a special relationship with music. She often DJs, she has made props for musicians such as Patrick Wolf, Nicki Minaj, Beth Ditto, La Roux AND Lady Gaga and, according to her, looking at the way musicians were dressed on album covers when she was little has been very inspiring. So it seems entirely natural that this season Fred, enabled by Red Bull Catwalk Studio, collaborated with Charlie XCX on a bespoke soundtrack for the collection. In general I think that the way Fred uses different art forms to enhance and show her work works incredibly well – for example she has made beautiful fashion films of her previous collections with talented young directors such as Zaiba Jabbar and Elisha Smith-Leverock.

Fred Butler AW 2012 by Nicola Ellen

Fred Butler AW 2012 by Nicola Ellen

Fred Butler AW 2012 photo by Maria Papadimitriou

Fred Butler 2012 by Catherine Meadows

Fred Butler 2012 by Catherine Meadows

Fred Butler AW 2012 photo by Maria Papadimitriou

Another notable and interesting thing about Fred Butler’s collections is the way she titles them using combined, long and sometimes made up words and phrases that seem to describe an other worldly thing or process in exactly the same intricate and imaginative way her pieces are made. The title of this collection was Tank Top-Ranking, Tong-Tied and Twisted. Her S/S 2012 collection was called Sonic Sinuate Supertemporal Sequestador and a 2011 collection went under the name of Incandescent Meta-morph-incessant.

Fred Butler AW 2012 photo by Maria Papadimitriou

Fred Butler AW 2012 photo by Maria Papadimitriou

Fred Butler AW 2012 photo by Maria Papadimitriou

Fred Butler AW 2012 photo by Maria Papadimitriou

Fred Butler AW 2012 LFW  by Deborah Moon

Fred Butler AW 2012 LFW by Deborah Moon

Fred Butler AW 2012 photo by Maria Papadimitriou

Following her S/S 2012 collection which featured more round shapes, frills and quite a bit of fabric, I was personally happy that in this collection Fred returned to origami folding techniques and body props with more clear cut, geometric shapes. This time I thought that the four colour goddesses that stepped out looked impeccable from head to toe. Each model had a monochrome base formed by beautiful knitted undergarments – a collaboration with EDE who specialise in English produced hand knits – and a matching colour wig. Placed on top of that base were a quilted, high collar gilet, origami obi belts, a marshmallow hued harness with twisted tubes, more belts and headbands out of twisted strings and more origami inspired, sculptural body pieces. The outfits were completed by colour matching shoes designed in collaboration with Rosy Nicholas. According to the press release there was a sushi related theme under all of this, especially in relation to the colour palette used. Usually I am very intrigued by the designers’ influences and references – and I have fun making up quite a few of my own when looking at collections – but Fred Butler’s work is for me so striking and fulfilling visually that my mind feels too drunk with pure aesthetic pleasure to care for any explanation in other terms.

Fred Butler AW 2012 photo by Maria Papadimitriou

Fred Butler AW 2012 photo by Maria Papadimitriou

All photography by Maria Papadimitriou

Categories ,A Shaded View on Fashion, ,accessories, ,accessories designer, ,Agyness Deyn, ,Alun Davies, ,Amelia’s Magazine, ,ASVOF, ,Beth Ditto, ,Bishi, ,Catherine Meadows, ,Charli XCX, ,Collaborations, ,Deborah Moon, ,Diane Pernet, ,EDE, ,Elisha Smith-Leverock, ,Ella Dror PR, ,Fashion Film, ,Fred Butler, ,i-D, ,Isabella Sumner, ,japanese, ,Kim Howells, ,Kimonos, ,Knits, ,Knotted, ,Konstantinos Menelaou, ,La Roux, ,Lady Gaga, ,London Fashion Week, ,Maria Papadimitriou, ,Mitika Chohan, ,monochrome, ,music, ,Nail Art, ,Nicki Minaj, ,Nicola Haigh, ,Noah’s Ark, ,Obi Belts, ,origami, ,pastels, ,Patrick Wolf, ,piers atkinson, ,Portico Rooms, ,Props, ,Quilting, ,rainbow, ,Red Bull Catwalk Studio, ,Red Bull Music Academy, ,Secret Danger Sister, ,Somerset House, ,Sushi, ,Twisted, ,Zaiba Jabbar

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Amelia’s Magazine | An interview with The Raincoats as 1981 album Odyshape is rereleased on We ThRee

The Raincoats by James Shedden
The Raincoats by James Shedden.

The Raincoats are an all girl band who formed during the late 1970s and split up in the mid 1980s. I was very little at the time of their original releases so unfortunately I did not discover The Raincoats until much more recently, online well into my adult years. The band had an exciting can do attitude that melded punk, see classical and reggae influences into spiky arrhythmic folk punk tunes that even today sound way more exciting than many current bands. They reformed in the mid 90s after a resurgence in interest thanks to gushing plaudits from Kurt Cobain and are now widely hailed as one of the seminal post punk bands. I catch up with founders Ana da Silva and Gina Birch as they gear up to rerelease their second album on its 30th anniversary.

Raincoats in Poland

Why did you decide to reissue Odyshape now?
ANA:  This year is the 30th anniversary of this album. So, as we like anniversaries, we decided to release The Raincoats and Odyshape on their 30th… We remastered the albums for Japan and re-did the art work so it would sound and look the best possible. We now own the rights to them and, as they should be available, we thought we’d release them on our own label We ThRee. Both on CD and vinyl. They look and sound the best ever! Theyl also have a booklet and A4 sheet respectively with liner notes, lyrics, photos and a piece of writing from me on the 1st album and from Gina on Odyshape.

The raincoats odyshape
What does Odyshape mean?
GINA: The title was a pun on the odyssey of a body. The idea that a body could have an ideal shape and it if did, what happens when a body doesn’t live up to that ideal. It was at a time, when (as probably now) there seemed to be a body fascism. It was important for women to be this shape or that shape. Thanks to people like Beth Ditto, and hopefully The Raincoats, things have been broken down a little. Hair can be crazy, messy, outfits can be baggy or tight, inside out or upside down, we can be fat or thin, creative, playful, stylish and beautiful without having to subscribe to some fashion mag ideal.

The Raincoats1981
You formed the original band whilst still at art college… how did your studies in art influence how you made music?
ANA: Besides the obvious side of art work, I think we’re trying to do what art should do: create works that inspire other people, that question the status quo, that express ideas which come from our own minds and hearts and also works that look at the human condition and provide some comfort to the listener.

The Raincoats by Karin Soderquist
The Raincoats by Karin Soderquist.

Odyshape seems to owe as much to contemporary classical music as it does punk – was this something that inspired you?    
ANA: We listen to all sorts of music so, intentionally or unintentionally, different  things appear. I do like some classical music very much, like the Bach‘s cello suites, Erik Satie, some opera, etc.  but I don’t think my playing sounds very classical…maybe you mean the violin which was played by Vicky Aspinall who is classically trained.

The Raincoats by Janette Beckman1981
The Raincoats in 1981.

You haven’t produced a new album since the mid 90s – what have you been up to since then?
ANA: I’ve been doing my own solo music and released an album called The Lighthouse on Chicks On Speed records. I’ve also been doing some drawings and paintings some of which I’ll be showing at the Pop Montreal festival, together with Gina’s videos and Shirley’s photographs. It’s really a great opportunity to show our art, visual and musical. It’s the first time we do this and are very happy and excited about it.
GINA: I have been collaborating with various musicians and artists and very involved in a project called The Gluts, (with two women artists) Also I have been playing solo, writing songs, making films, painting and, raising two children.

The Raincoats by Rukmunal Hakim
The Raincoats by Rukmunal Hakim.

Gina – you were an early fan of the craft revival – knitting on tour. Do you still craft and if so what?
GINA: I did knit on the first Raincoats tour, when I wore the jumper at the final gig… and then didn’t do any knittingfor quite a few years but have always liked to paint, draw, knit, mosaic, make films whatever. I have been knitting a lot in the last year or two and have made Raincoats inspired bags, and I have also been sewing banners with lyrics and messages on them.  

The Raincoats by Kassie Berry
The Raincoats by Kassie Berry.

Has Gina Birch’s film, The Raincoats, Fairytales, been completed? 
GINA: The film is still a work in progress. It is an organic process it seems and hopefully will be concluded in the coming six months.

YouTube Preview ImageBaby Song performed live in the 80s

You will be playing your debut album live again at ATP this December – anything special in store and what are you looking forward to most about the Holiday Camp experience?
ANA: Just playing is a special thing, but we’ve played twice at ATP and really enjoyed it: swimming, meeting people, being able to choose amongst so much different music and the relaxed atmosphere. We will be playing the first album at Jeff Mangum‘s request but will play other songs too, not sure which yet.

YouTube Preview ImageThe Raincoats perform live at ATP in 2010

Which other current bands do you enjoy listening to or watching?
ANA: I think P.J. Harvey‘s latest album is so good, so I enjoyed listening to it at seeing them live a couple of times. Also saw Portishead whose music I like but had never seen live and that was very good too. I was listening yesterday to Ponytail, Colleen, Electrelane, Neutral Milk HotelLouis and Bebe BarronJenny O in the car coming back from Portugal.

The-Raincoats-By-Barb-Royal
The Raincoats by Barb Royal.

What next for The Raincoats?
ANA: We’re doing a tour in the U.S.A. and Canada (New York, Washington, Chicago, Detroit, Toronto and Montreal) in September and ATP in December. And because of the re-release of Odyshape and those dates some interviews too… thanks for your part. Otherwise nothing concrete, but I’m sure other things will happen.

YouTube Preview ImageOnly Loved at Night, performed live in 2009

Odyshape is rereleased in heavyweight vinyl and as a special edition CD on We ThRee records on September 12th 2011. The band will tour the east coast of the USA from 16 – 26 September 2011 and play Jeff Mangum’s ATP, Minehead on 3 December 2011.

Categories ,1980s, ,2011, ,album, ,Ana da Silva, ,Arrhythmic, ,atp, ,Baby Song, ,Bach, ,Barb Royal, ,Bebe Barron, ,Beth Ditto, ,Body Fascism, ,Chicks on Speed, ,classical, ,Colleen, ,December, ,Electrelane, ,Erik Satie, ,folk, ,Gina Birch, ,James Shedden, ,Jeff Mangum, ,Jenny O, ,Karin Söderquist, ,Kassie Berry, ,Kurt Cobain, ,Louis, ,Neutral Milk Hotel, ,Odyshape, ,Only Loved at Night, ,PJ Harvey, ,Ponytail, ,Pop Montreal, ,Portishead, ,punk, ,Rerelease, ,review, ,Rukmunal Hakim, ,The LIghthouse, ,The Raincoats, ,tour, ,Vicky Aspinall, ,Violin, ,We ThRee, ,WETHREE

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