Amelia’s Magazine | The Best of Bust Magazine Christmas Craftacular, London 2010

Bust Craftacular
All photography by Amelia Gregory.

My ability to get out and about has been seriously curtailed over the past few weeks by the need to get my new book finished, ambulance but last weekend (but one) I was pretty determined to make it along to the Bust Craftacular at Bethnal Green’s York Hall, page if only for a mad dash around the stalls.

Bust Craftacular-Bethnal Green

Inside the old Victorian hall it was absolutely heaving with craft enthusiasts – mainly women (many with small children in tow) but also a small peppering of arty looking boys. It was like entering a multi coloured kaleidoscopic alternative universe where crafting & handmade reigns supreme – bright things everywhere vying for my attention amidst a frantic din enhanced by a backdrop of very loud music.

So, buy I whipped around the regimented rows of stalls as quick as I could, taking notes of the best stuff I found so that if you didn’t manage to make it along you’ll be able to sniff out the best stuff online. Keep in mind those last minute Christmas gifts you might need to buy as you take a gander through this little lot:

Vic Lee

Vic Lee makes printed scenes of well known hipster (can I say that in the UK?) London districts such as Broadway Market and Kingsland Road. Perfect for the East End man in your life – because let’s face it, most of them feature East London. The limited edition prints are produced on cotton paper and screen printed with environmentally friendly water based acrylic inks. They look really stunning up close, and also caught the eye of Jessica Furseth when she visited the East London Design Show.

Bust Craftacular-Xiang Zeng

Xiang Zeng is a textile designer who has produced a range of lovely printed cushions and make your own soft toy bear kits. Really cute, they look pretty easy to make so would also be perfect for and a crafty friend or even a handy older kid.

Bust Craftacular-seaside sisters owls
Bust Craftacular-fabric nation

I picked up a business card for Seaside Sisters at the Fabric Nation stall… so I am not entirely sure who to credit these wonderful owls and cushions to. Their stall was a brilliantly over the top feast for the eyes in an already overwhelming place. Loved the stuff they make from old vintage fabrics.

Bust Craftacular-andrea garland

Andrea Garland fills old tins with natural skincare goodies: what an amazing idea but no doubt a huge amount of hard work to find all those fab tins. She’s a trained aromatherapist who makes all her products from scratch in Hackney with as many organic and fairtrade ingredients as possible and I am very pleased to learn that none are tested on animals – but I guess that scenario is far less likely when using these kind of ingredients anyway – just one more reason to buy natural beauty brands. She sells at Liberty, Urban Outfitters and at Tatty Devine, and Viola Levy also gives her a mention in her run down of top natural beauty brands earlier this week. What a find – it goes without saying that her stall was very busy.

Bust Craftacular-shop jill

Looking for a nice little purse, or perhaps a unique oyster card holder? Jill makes the perfect thing: I was utterly transfixed by her beautifully laid out stall, featuring an array of charming goodies with graphic printed animal designs that would suit a man too. She also did a nice line in limited edition screen prints.

Bust Craftacular-Dot your Teas and Cross your Eyes

Dot your Teas and Cross your Eyes is a fashion and accessories designer by the name of Chloe. Her bold spotted print designs embellished fabulous silky dresses and she also makes some fabulous recycled fabric pom pom fascinators.

Bust Craftacular-urban cross stitch

Now for the craft loving man in your life: Urban Cross Stitch create cross stitch Star Wars kits. A wonderful meeting of 80s pop culture and the noughties crafting craze: what better way to inspire a bloke to get into this most relaxing of traditional techniques.

Bust Craftacular-James Ward plates

Last but very much not least, just as I was rounding the corner to leave I chanced upon James Ward’s plates, featuring an assortment of friendly animal characters accompanied by immortal phrases such as ‘I eat my cake in my pants’. Perfect for the parents who have everything but would nevertheless quite like to add to their piles of amusing kitchen ware.

Bust Craftacular cakes
Gratuitous cake photo…. yum yum. Now what are you waiting for? Step away from the High Street and support these talented artists and makers this Christmas… they are only a click away.

Categories ,andrea garland, ,Beauty, ,Bethnal Green, ,Broadway Market, ,Bust Craftacular, ,craft, ,Dot your Teas and Cross your Eyes, ,East London Design Show, ,Fabric Nation, ,fairtrade, ,James Ward, ,Kingsland Road, ,liberty, ,organic, ,owls, ,Seaside Sisters, ,Shop Jill, ,Skincare, ,Star Wars, ,Tatty Devine, ,Urban Cross Stitch, ,Urban Outfitters, ,Vic Lee, ,vintage, ,Xiang Zeng, ,York Hall

Similar Posts:






Amelia’s Magazine | The Photobooth Phenomenon… an interview with Alex Kokott of Photoautomat

Illustration by Avril Kelly http://cargocollective.com/avrilkelly/

‘Does my neck look fat in this?’ ‘My other scarf is an alpaca.’ ‘Under this scarf is a lovebite from Santa.’ Have a look at the #warmupcamden hashtag on Twitter and watch the tweets stream in. The best will be turned into scarves, pilule which will be handed out to the homeless and other cold inhabitants of Camden this Christmas.

Once a suggestion has been accepted, this the eager Twitter Knitter volunteers will tweet back, and the contributor can watch their phrase being made into a scarf in a live web feed.

Illustration by Antonia Parker http://antoniamakes.blogspot.com/

Twitter Knitter combines knitting, an old craft that has proved its worth through the ages, with the relatively new invention that is Twitter. Ventures such as Twitter Knitter is proving that Twitter can have a purpose other than telling your friends what you had for dinner, boding well for it being more than a fad. The interactive nature of Twitter means we will probably see new and unexpected uses pop up, but the network is already starting to prove it can be valuable for gathering support for a cause, as Amelia Gregory described in her article about the UKuncut demonstrations.

As volunteers from the London School of Fashion continue knitting at breakneck speed, the team will accept suggestions for six more days. The initiative, a brainchild of creative agency Saint@RKCR/Y&R, has proved incredibly popular after kicking off earlier this month. The scarves will be distributed across Camden on 20th and 21st December. ‘Keep warm and carry on.’

Illustration by Avril Kelly http://cargocollective.com/avrilkelly/

Contribute to Twitter Knitter by submitting a suggestion on the website, or send a tweet to #warmupcamden.

Illustration by Avril Kelly

‘Does my neck look fat in this?’ ‘My other scarf is an alpaca.’ ‘Under this scarf is a lovebite from Santa.’ Have a look at the #warmupcamden hashtag on Twitter and watch the tweets stream in. The best will be turned into scarves, more about which will be handed out to the homeless and other cold inhabitants of Camden this Christmas.

Once a suggestion has been accepted, diagnosis the eager TwitterKnitter volunteers will tweet back, price and the contributor can watch their phrase being made into a scarf in a live web feed.


Illustration by Antonia Parker

TwitterKnitter combines knitting, an old craft that has proved its worth through the ages, with the relatively new invention that is Twitter. Ventures such as TwitterKnitter is proving that Twitter can have a purpose other than telling your friends what you had for dinner, boding well for it being more than a fad. The interactive nature of Twitter means we will probably see new and unexpected uses pop up, but the network is already starting to prove it can be valuable for gathering support for a cause, as Amelia Gregory described in her article about the UKuncut demonstrations.

As volunteers from the London School of Fashion continue knitting at breakneck speed, the team will accept suggestions for six more days. The initiative, a brainchild of creative agency Saint@RKCR/Y&R, has proved incredibly popular after kicking off earlier this month. The scarves will be distributed across Camden on 20th and 21st December. ‘Keep warm and carry on.’


Illustration by Avril Kelly

Contribute to TwitterKnitter by submitting a suggestion on the website, or send a tweet to #warmupcamden.

Illustration by Avril Kelly

‘Does my neck look fat in this?’ ‘My other scarf is an alpaca.’ ‘Under this scarf is a lovebite from Santa.’ Have a look at the #warmupcamden hashtag on Twitter and watch the tweets stream in. The best will be turned into scarves, pharm which will be handed out to the homeless and other cold inhabitants of Camden this Christmas.

Once a suggestion has been accepted, cheapest the eager TwitterKnitter volunteers will tweet back, there and the contributor can watch their phrase being made into a scarf in a live web feed.


Illustration by Antonia Parker

TwitterKnitter combines knitting, an old craft that has proved its worth through the ages, with the relatively new invention that is Twitter. Ventures such as TwitterKnitter is proving that Twitter can have a purpose other than telling your friends what you had for dinner, boding well for it being more than a fad. We will probably see new and unexpected uses pop up, but the network is already starting to prove it can be valuable for gathering support for a cause, as Amelia Gregory described in her article about the UKuncut demonstrations.

As volunteers from the London School of Fashion continue knitting at breakneck speed, the team will accept suggestions for six more days. The initiative, a brainchild of creative agency Saint@RKCR/Y&R, has proved very popular after kicking off earlier this month, according to the agency. The scarves will be distributed across Camden on 20th and 21st December. ‘Keep warm and carry on.’


Illustration by Avril Kelly

Contribute to TwitterKnitter by submitting a suggestion on the website, or send a tweet to #warmupcamden.

Illustration by Avril Kelly

‘Does my neck look fat in this?’ ‘My other scarf is an alpaca.’ ‘Under this scarf is a lovebite from Santa.’ Have a look at the #warmupcamden hashtag on Twitter and watch the tweets stream in. The best will be turned into scarves, cheap which will be handed out to the homeless and other cold inhabitants of Camden this Christmas.

Once a suggestion has been accepted, prostate the eager TwitterKnitter volunteers will tweet back, and the contributor can watch their phrase being made into a scarf in a live web feed.


Illustration by Antonia Parker

TwitterKnitter combines knitting, an old craft that has proved its worth through the ages, with the relatively new invention that is Twitter. Ventures such as TwitterKnitter is proving that Twitter can have a purpose other than telling your friends what you had for dinner, boding well for it being more than a fad. We will probably see new and unexpected uses pop up, but the network is already starting to prove it can be valuable for gathering support for a cause, as Amelia Gregory described in her article about the UKuncut demonstrations.

As volunteers from the London School of Fashion continue knitting at breakneck speed, the team will accept suggestions for six more days. The initiative, a brainchild of creative agency Saint@RKCR/Y&R, has proved very popular after kicking off earlier this month, according to the agency. The scarves will be distributed across Camden on 20th and 21st December. ‘Keep warm and carry on.’


Illustration by Avril Kelly

Contribute to TwitterKnitter by submitting a suggestion on the website, or send a tweet to #warmupcamden.

Illustration by Abigail Wright

I have always been fascinated with analogue photo booths. I have vivid memories as a child – the excitement and anticipation, visit this pulling ridiculous faces, here never really knowing what you’ll get until the old machines clunk and churn out your photographs. So, more about on a recent trip to Berlin, I was desperate to get back involved, like so many others, with the analogue phenomenon.

A short while after my return, I discovered that the Photoautomat project that exists in Berlin had transferred to London – one of those brightly coloured, glorious booths had been on my own doorstep and I didn’t even realise. A bit of internet research, a blog and a Twitter account later, I met Alex – Photoautomat’s London representative. He’s on a mission to bring back the beauty and art of the old-fashioned photo booth. Me, Amelia and fashion writers Sally and Jemma paid Alex a visit on a crisp Saturday morning to get involved, and have a chat with the man himself…

How did the Photoautomat project start, and where did the booths come from?
Well, it really started about 5 years ago in Germany, where my friends bought one of the booths because they were fascinated with the old analogue machines and the photos they produce. Soon it took over Berlin and the rest of the country. I got interested in the booth when I was over visiting and followed my friends around to look after the booths. We all have our memories from when we were young and fooling around in those booths at the Mall, but seeing them again in Berlin really ignited my passion for them again.

What do you know about the history of the booths?
The photo booth was invented 1925 by a Russian immigrant in New York. He opened his Photomaton Studio on Broadway. For just 25 cents, everybody could get their photograph taken. That was quite a revolution back then as photography was just for the rich and famous; because of the booths, it became accessible to everybody. 
From then on they were used as props in movies such as Band Wagon with Fred Astaire, by artists like Andy Warhol and people from all backgrounds for fun or memories and obviously passport photos.

Where are the booths located now?
Our booths are all over Germany. Most of them are in Berlin, but also in Hamburg, Dresden and Cologne. We launched a booth a while ago in Vienna. Then there is my booth here in London. There are also booths in Paris and Italy. 

How did this one end up in Cargo?
I thought it would be much easier to get a good location for a photo booth in London, but it turned out to be more difficult than I thought – policies and regulations mean a seemingly straightforward thing as installing a photo booth quite a task. I approached Cargo and they gave me the space in their beer garden straight away; they just liked the idea and it was done.

Photoautomat Cargo. Photograph by Matt Bramford

Why do you think the booths are so popular?
Well, people always like old things: vintage, analogue. The rebirth of Polaroid showed there is still a demand for analogue photography.There is something precious about a photo booth strip. It’s one moment, one photo and it can’t be replicated. No negative, no back up, just like real life. The photos also have a better quality than digital ones. There are apps out there on smart-phones to imitate the effect and I understand that most people don’t want to go through the hassle of having a analogue camera. This is where the photo booths come in. For a few quid, you can take your photo booth strip with your friends and keep that moment forever.

How do you think the qualities of these booths compare to the modern booths we see in train stations/etc?
I guess I answered that question above, but there really is no comparison. The digital ones lack quality and depth and the spontaneity you have in the analogue booth. 

Are there any other London locations planned? Or elsewhere in Europe?
I am looking for more locations in London. I would love to get some booths on the Southbank.

Has the booth been used for anything other than people taking pictures with their mates?
I had a photo shoot last year with Mixmag in the booth. It was a fashion special with hats. There were also a few artists who used the booth for their projects. Fionna Banner used the booth for her work twice.


Photoautomat Berlin. Photograph by Matt Bramford

Have you seen/heard any funny experiences concerning the photo booth that you can share?
I had a guy calling me once – he was totally out of it. He took some photos with his girlfriend and they didn’t came out. She got naked and they were concerned that they might get into the wrong hands. I wasn’t in town at that time and couldn’t do anything about it, but he insisted for me to come around. I finally managed to calm him down and sort everything out. 

Photos from our Twitter friends: @vickeh, @mattbramf (me!), @c_rl, @deeandrews, @lizzlizz, @chaiwalla, @sallymumbycroft

What are you favourite images that the booth has created?
That would have to be all the photos form the exhibition/project we had during Photomonth last year. They reflect what the whole photo booth thing is all about.

Who would be your ideal customer – who would you most like to see use the booth?
Everybody is ideal. Everybody is welcome, as long as they respect our work and leave the booth as they found it for the next to come! Most likely they are probably analogue enthusiasts, students and Cargo guests. I have families, a couple from Lisbon, artists form Nottingham and even Henry Holland taking their photo in the booth!

A Photoautomat booth in Berlin, photographed by Lizz Lunney

What does the Photoautomat project hope to achieve, long term?
Hopefully we’re here for years to come and give people from all backgrounds the opportunity to have their little moment. It’s really all up to the people who use our booths and what they make of it. That is the beauty about it – and always will be.

See more pictures from the booths on the Photoautomat Facebook and Flickr pages.

Categories ,Abigail Wright, ,Alex Kokott, ,Amelia Gregory, ,Analogue, ,Andy Warhol, ,berlin, ,Black & white, ,Broadway, ,cargo, ,film, ,Fiona Banner, ,Fred Astaire, ,Germany, ,Henry Holland, ,Jemma Crow, ,london, ,Matt Bramford, ,MixMag, ,new york, ,Photoautomat, ,Photobooth, ,Photomonth, ,Polaroid, ,Sally Mumby-Croft, ,shoreditch, ,twitter, ,vintage

Similar Posts:






Amelia’s Magazine | Renegade Craft Fair in London 2011 Review: Ceramic Design

Renegade Craft Fair London oct 2011 -Melanie Roseveare - aka Melody Rose
Upcycled vintage crockery from Melody Rose at Not On The High Street.

Plenty of fab ceramic design at the Renegade Craft Fair last weekend. Here’s my favourites.

Renegade Craft Fair London oct 2011 -Melanie Roseveare - aka Melody Rose
Melanie Roseveare – aka Melody Rose – prints new designs onto upcycled bone china crockery. Her work reminds me of plates reconstructed by Carrie Reichardt as art pieces, ed but has a slightly more commercial edge. Her range comes in three collections: Urban Nature, cost Modern Surrealism and Rock ‘n’ Roll.

Renegade Craft Fair London oct 2011 -Zosienka & Rosie
Zosienka & Rosie had produced some beautiful ceramic heart necklaces.

Renegade Craft Fair London oct 2011 -JimBobArt
It was nice to see that since the Bust Craftacular last Christmas the range of plates by James Ward (working under the name by JimBobArt) has expanded to include lots of new designs and other ceramic goods.

Take a look at my other Renegade Craft Fair blog posts.

Categories ,2011, ,Bone China, ,Bust Craftacular, ,Carrie Reichardt, ,ceramic, ,craft, ,Crockery, ,hearts, ,James Ward, ,JimBobArt, ,london, ,Melanie Roseveare, ,Melody Rose, ,Modern Surrealism, ,Necklaces, ,Not On The High Street, ,Plates, ,Renegade Craft Fair, ,review, ,Rock ‘n’ Roll, ,Truman Brewery, ,Upcycled, ,Urban Nature, ,vintage, ,Zosienka & Rosie

Similar Posts:






Amelia’s Magazine | Exhibition: HIPSTAMATICS at the Orange Dot Gallery, Bloomsbury


Illustration by Emma Block

From student life to Vogue fame in one action packed year, here Daisy Knights’ creations have already been snapped up by our most loved style icons and proved that ethically responsible jewellery can still be achingly cool.  

Splitting her time between the simple life in the countryside and the rush of her production process, Daisy tells us a little bit more about the passion and inspiration behind her jewellery collections and what the future holds for this wonderfully British label. 

Your collection has taken off at incredible speed, how does that feel?
It’s great, I’m so happy that people want to buy and wear my designs! I saw my bracelets in Vogue this month and had a moment of “wow, this time last year, I was at university and now my jewellery is in Vogue!” 


Illustration by Holly Trill

Two of your pieces, the Oxidised Feather ring and the 22 Karat Skull ring have recently been worn by Daisy Lowe and Alexa Chung, two of the UK’s biggest style icons. Did they approach you personally or was it just a wonderful surprise?
Well, we share the same publicist who made them aware of my pieces and happily, they seemed to love them! 

Which inspirations lie behind your jewellery designs?
Every collection is named after a friend and I use them as a muse for that collection. I aim to embody that person in the collection, My new one is Talullah, after my friend Tallulah Harlech. 

You pride yourself on having an ethically responsible ethos throughout your collection, is this something you have always had a strong belief in?
My workshop is in Britain and even my pouches are made here. I really try to be responsible but it’s not possible yet to get everything transparent sourced, which is what I hope for one day! There are so many grey areas within the industry in regards to where things come from. Keeping things in Britain means I know every person working for me, I know exactly how things are made and every person in my workshop is a highly skilled craftsman/woman. It means that my prices are higher than if I used a factory in India or China but I think the kind of people who buy my jewellery respect that it is very high quality and British made. 

Illustration by Matilde Sazio

Each one of your pieces is hand made from recycled materials, which is becoming increasingly popular in a society where everything seems so disposable. Is this something you aim to maintain and something you think your buyers appreciate above anything else?
I don’t want the main aspect of my jewellery to be that it is recycled. For my brand, it’s about the design and the recycled silver is just a plus! Not every piece is recycled silver but the majority is. For example, the chain is not recycled because it’s not possible to obtain. I would love my jewellery to be made from ethically mined silver rather than recycled but right now, not enough is produced and I’m not even sure it is possible yet, so right now recycled is better than nothing. I do hope, however, for it to be ethically mined silver one day in the future. My fine jewellery and bespoke engagement rings are ethically mined gold and diamonds. 

You personally make one of your designs, the Studded Wrap Around ring, at your home workshop away from production, is there any particular reason as to why you chose this one to work on alone?
I don’t ever want to be separated from the making process and this is a very popular piece so it’s nice to feel involved. I also make the Michelle stacking rings and a few others. It keeps my skills up for when I make engagement rings and bespoke pieces! I hate being away from the bench and I’m constantly making new samples for collections or adding pieces to existing ones. 


Illustration by Cat Palairet

Are there any designers out there that you would compare yourself and your work to?
At this early stage in my career, (I only graduated from Central Saint Martins last year) I’m not sure I could compare myself to anyone yet! However, my favourite designer is Matthew Williamson and I like to think my jewellery matches his clothing quite well! 

 Which of your pieces are you the most fond of?
My favourite piece has to be the new skull ring that I’ve done in an exclusive collection for Urban Outfitters… it’s not out yet though so you will have to wait and see! 

What do you get up to in the spare time that you have away from designing?
I live in the Cotswolds and I love going for country walks with my boyfriend and our dog, Ace Ventura Pet Detective (Ace for short). There’s a great pub in my village called the Falcon Inn which serves amazing locally sourced food and I love sitting by the fire there. I also love to sail and surf and when my boyfriend is back from work (he’s a pilot in the RAF) we go on surf trips together. I also love going to the British Museum and the V&A. 

What does the future hold for Daisy Knights?
Well hopefully it holds a long and happy career. But for the immediate future keep your eyes peeled for my new Spring/Summer collection…

Illustration by Emma Block

From student life to Vogue fame in one action packed year, more about Daisy Knights’ creations have already been snapped up by our most loved style icons and proved that ethically responsible jewellery can still be achingly cool.  

Splitting her time between the simple life in the countryside and the rush of her production process, approved Daisy tells us a little bit more about the passion and inspiration behind her jewellery collections and what the future holds for this wonderfully British label. 

Your collection has taken off at incredible speed, visit this how does that feel?
It’s great, I’m so happy that people want to buy and wear my designs! I saw my bracelets in Vogue this month and had a moment of “wow, this time last year, I was at university and now my jewellery is in Vogue!” 


Illustration by Holly Trill

Two of your pieces, the Oxidised Feather ring and the 22 Karat Skull ring have recently been worn by Daisy Lowe and Alexa Chung, two of the UK’s biggest style icons. Did they approach you personally or was it just a wonderful surprise?
Well, we share the same publicist who made them aware of my pieces and happily, they seemed to love them! 

Which inspirations lie behind your jewellery designs?
Every collection is named after a friend and I use them as a muse for that collection. I aim to embody that person in the collection, My new one is Talullah, after my friend Tallulah Harlech. 

You pride yourself on having an ethically responsible ethos throughout your collection, is this something you have always had a strong belief in?
My workshop is in Britain and even my pouches are made here. I really try to be responsible but it’s not possible yet to get everything transparent sourced, which is what I hope for one day! There are so many grey areas within the industry in regards to where things come from. Keeping things in Britain means I know every person working for me, I know exactly how things are made and every person in my workshop is a highly skilled craftsman/woman. It means that my prices are higher than if I used a factory in India or China but I think the kind of people who buy my jewellery respect that it is very high quality and British made. 

Illustration by Matilde Sazio

Each one of your pieces is hand made from recycled materials, which is becoming increasingly popular in a society where everything seems so disposable. Is this something you aim to maintain and something you think your buyers appreciate above anything else?
I don’t want the main aspect of my jewellery to be that it is recycled. For my brand, it’s about the design and the recycled silver is just a plus! Not every piece is recycled silver but the majority is. For example, the chain is not recycled because it’s not possible to obtain. I would love my jewellery to be made from ethically mined silver rather than recycled but right now, not enough is produced and I’m not even sure it is possible yet, so right now recycled is better than nothing. I do hope, however, for it to be ethically mined silver one day in the future. My fine jewellery and bespoke engagement rings are ethically mined gold and diamonds. 

You personally make one of your designs, the Studded Wrap Around ring, at your home workshop away from production, is there any particular reason as to why you chose this one to work on alone?
I don’t ever want to be separated from the making process and this is a very popular piece so it’s nice to feel involved. I also make the Michelle stacking rings and a few others. It keeps my skills up for when I make engagement rings and bespoke pieces! I hate being away from the bench and I’m constantly making new samples for collections or adding pieces to existing ones. 


Illustration by Cat Palairet

Are there any designers out there that you would compare yourself and your work to?
At this early stage in my career, (I only graduated from Central Saint Martins last year) I’m not sure I could compare myself to anyone yet! However, my favourite designer is Matthew Williamson and I like to think my jewellery matches his clothing quite well! 

 Which of your pieces are you the most fond of?
My favourite piece has to be the new skull ring that I’ve done in an exclusive collection for Urban Outfitters… it’s not out yet though so you will have to wait and see! 

What do you get up to in the spare time that you have away from designing?
I live in the Cotswolds and I love going for country walks with my boyfriend and our dog, Ace Ventura Pet Detective (Ace for short). There’s a great pub in my village called the Falcon Inn which serves amazing locally sourced food and I love sitting by the fire there. I also love to sail and surf and when my boyfriend is back from work (he’s a pilot in the RAF) we go on surf trips together. I also love going to the British Museum and the V&A. 

What does the future hold for Daisy Knights?
Well hopefully it holds a long and happy career. But for the immediate future keep your eyes peeled for my new Spring/Summer collection…

Illustration by Emma Block

From student life to Vogue fame in one action packed year, dosage Daisy Knights’ creations have already been snapped up by our most loved style icons and proved that ethically responsible jewellery can still be achingly cool.  

Splitting her time between the simple life in the countryside and the rush of her production process, Daisy tells us a little bit more about the passion and inspiration behind her jewellery collections and what the future holds for this wonderfully British label. 

Your collection has taken off at incredible speed, how does that feel?
It’s great, I’m so happy that people want to buy and wear my designs! I saw my bracelets in Vogue this month and had a moment of “wow, this time last year, I was at university and now my jewellery is in Vogue!” 


Illustration by Holly Trill

Two of your pieces, the Oxidised Feather ring and the 22 Karat Skull ring have recently been worn by Daisy Lowe and Alexa Chung, two of the UK’s biggest style icons. Did they approach you personally or was it just a wonderful surprise?
Well, we share the same publicist who made them aware of my pieces and happily, they seemed to love them! 

Which inspirations lie behind your jewellery designs?
Every collection is named after a friend and I use them as a muse for that collection. I aim to embody that person in the collection, My new one is Talullah, after my friend Tallulah Harlech. 

You pride yourself on having an ethically responsible ethos throughout your collection, is this something you have always had a strong belief in?
My workshop is in Britain and even my pouches are made here. I really try to be responsible but it’s not possible yet to get everything transparent sourced, which is what I hope for one day! There are so many grey areas within the industry in regards to where things come from. Keeping things in Britain means I know every person working for me, I know exactly how things are made and every person in my workshop is a highly skilled craftsman/woman. It means that my prices are higher than if I used a factory in India or China but I think the kind of people who buy my jewellery respect that it is very high quality and British made. 


Illustration by Matilde Sazio

Each one of your pieces is hand made from recycled materials, which is becoming increasingly popular in a society where everything seems so disposable. Is this something you aim to maintain and something you think your buyers appreciate above anything else?
I don’t want the main aspect of my jewellery to be that it is recycled. For my brand, it’s about the design and the recycled silver is just a plus! Not every piece is recycled silver but the majority is. For example, the chain is not recycled because it’s not possible to obtain. I would love my jewellery to be made from ethically mined silver rather than recycled but right now, not enough is produced and I’m not even sure it is possible yet, so right now recycled is better than nothing. I do hope, however, for it to be ethically mined silver one day in the future. My fine jewellery and bespoke engagement rings are ethically mined gold and diamonds. 

You personally make one of your designs, the Studded Wrap Around ring, at your home workshop away from production, is there any particular reason as to why you chose this one to work on alone?
I don’t ever want to be separated from the making process and this is a very popular piece so it’s nice to feel involved. I also make the Michelle stacking rings and a few others. It keeps my skills up for when I make engagement rings and bespoke pieces! I hate being away from the bench and I’m constantly making new samples for collections or adding pieces to existing ones. 


Illustration by Cat Palairet

Are there any designers out there that you would compare yourself and your work to?
At this early stage in my career, (I only graduated from Central Saint Martins last year) I’m not sure I could compare myself to anyone yet! However, my favourite designer is Matthew Williamson and I like to think my jewellery matches his clothing quite well! 

 Which of your pieces are you the most fond of?
My favourite piece has to be the new skull ring that I’ve done in an exclusive collection for Urban Outfitters… it’s not out yet though so you will have to wait and see! 

What do you get up to in the spare time that you have away from designing?
I live in the Cotswolds and I love going for country walks with my boyfriend and our dog, Ace Ventura Pet Detective (Ace for short). There’s a great pub in my village called the Falcon Inn which serves amazing locally sourced food and I love sitting by the fire there. I also love to sail and surf and when my boyfriend is back from work (he’s a pilot in the RAF) we go on surf trips together. I also love going to the British Museum and the V&A

What does the future hold for Daisy Knights?
Well hopefully it holds a long and happy career. But for the immediate future keep your eyes peeled for my new Spring/Summer collection…
 Gareth A Hopkins _ Martha Tilston _ Ameliasmagazine _480dpx

Illustration by Gareth A Hopkins

If you’re feeling a bit delicate and would quite like to be wafted by a soft feathery fan type device, no rx as you contemplate, viagra Martha Tilston is for you. With songs entitled; Wild Swimming, Rockpools, Space and Firefly, she is all about sweet country and looking out from under the covers. But with the protection of delicate notes and kindness.

I first discovered Martha Tilston a few years ago and to be honest, I didn’t really want to tell anyone about her. She is my safety blanket and makes me feel at home. Back when she and I met, I had just left University in Cornwall and was at a loss as to what the hell to do next. My boyfriend and I moved to Bristol and temped for a hideous agency. All winter we were stuck working together inputting money off coupons for Tena Lady. Fabulous for any relationship. We’d cycle there, numb ourselves for eight hours, then cycle home. I kept a notebook by my desk and had my i pod streaming Tilston. I wrote loads in those endless, dark hours.

Then our bikes got stolen, we were laid off Tena Lady, our rented flat was put up for sale and I wrote even more. Tilston is good as a background to “Why is the world doing this to me?!” She restores faith. I give you Lucy:

Literally surrounded by art, Martha Tilston must have found it hard not be inspired as she grew up. She was born in the West Country and is the daughter of English folk singer, Steve Tilston. When her parents split, she moved to somewhere just outside London with her artist mother, who remarried a theatre director. As a teenager she would play the piano every night to the family. This led to Tilston writing songs and then picking up the guitar. Throughout she also visited Bristol, where her father and stepmother, Maggie Boyle– also a folk singer – lived. There she would spend time with folk legends like John Renbourn and Bert Jansch. Imagine! How could she not be arty?

Illustration by Karina Yarv

In 2000, she formed a duo, Mouse, with guitarist Nick Marshall. Releasing two albums, they became extremely popular with the more underground loving, festival goers. However, Tilston decided to go solo in 2002, supporting Damien Rice on a tour in Ireland. Then in 2005, she released her first full length album, Blimbling on her own label Squiggly. This album holds Brighton Song, (which is where she was living at the time) a song I adore and makes me think about my years growing up in the hills next to the coastal city. Ah – nostalgia. Bimbling was funded by selling the original canvases she had painted to provide the artwork for the CD.

Martha Bimbling

Bimbling album available on Squiggly Records – Art work by Martha Tilston

Tilston was nominated for Best New Act at the BBC Folk Awards in 2007. She has since become increasingly popular and has opened the Acoustic Stage at Glastonbury. However, she still loves impromptu and small shows. Her love of music outshining any desire for glitz. Her latest album Lucy and The Wolves, (Squiggly Records through Proper) is out now. It features her glorious band; The Woods, comprising of a host of instruments, including the mandolin, cello, violin and double bass. They truly add and compliment the atmospheric, delicate sound. Favourites include the aforementioned; Wild Swimming and Rockppols. The former, a slow, purposeful song full of delicious lust and feeling. The simile of liberating and beautiful night swimming, illustrating the purity of her love. Whilst Rockpools is also dedication to love and nature, it is centered more on her comfort found in the landscapes and nuggets of beauty. Eyes clapping on a tiny piece of peace, that at that second is shining only for you to see.

Martha Lucy and the Wolves

Lucy and The Wolves available on Squiggly Records through Proper. Art work by Martha Tilston

To summarise; Tilston is thought out, dancing on the hills, living in yurts complete with outdoor fires, English folk. If you like artists like Mary Hampton, Alela Diane and gentle Bellowhead, and you don’t know about Martha Tilston already, then you really should listen. If you don’t like folk, listen anyway, as she will make you feel wrapped up and safe on a blustery January day. Like today.

Martha Tilston‘s albums are available on Squiggly Records and she is touring in May, with dates to be released – Watch out for listings on Amelia’s Magazine.

If you’re feeling a bit delicate and would quite like to be wafted by a soft feathery fan type device, look as you contemplate, adiposity Martha Tilston is for you. With songs entitled; Wild Swimming, more about Rockpools, Space and Firefly, she is all about sweet country and looking out from under the covers. But with the protection of delicate notes and kindness.

I first discovered Martha a few years ago and to be honest, I didn’t really want to tell anyone about her. She is my safety blanket and makes me feel at home. Back when she and I met, I had just left University in Cornwall and was at a loss as to what the hell to do next. My boyfriend and I moved to Bristol and temped for a hideous agency. All winter we were stuck working together inputting money off coupons for Tena Lady. Fabulous for any relationship. We’d cycle there, numb ourselves for eight hours, then cycle home. I kept a notebook by my desk and had my i pod streaming Martha. I wrote loads in those endless, dark hours.

Artifcial:

Then our bikes got stolen, we were laid off Tena Lady, our rented flat was put up for sale and I wrote even more. Martha is good as a background to “Why is the world doing this to me?!” She restores faith.

I give you Silver Dagger:

Literally surrounded by art, Martha Tilston must have found it hard not be inspired as she grew up. She was born in the West Country and is the daughter of English folk singer, Steve Tilston. When her parents split, she moved to somewhere just outside London with her artist mother, who remarried a theatre director. As a teenager she would play the piano every night to the family. This led to Martha writing songs and then picking up the guitar. Throughout she also visited Bristol, where her father and stepmother, Maggie Boyle- also a folk singer – lived. There she would spend time with folk legends like John Renbourn and Bert Jansch. Imagine! How could she not be arty?

In 2000, she formed a duo, Mouse, with guitarist Nick Marshall. Releasing two albums, they became extremely popular with the more underground loving, festival goers. However, Martha decided to go solo in 2002, supporting Damian Rice on a tour in Ireland. Then in 2005, she released her first full length album, Blimbling on her own label Squiggly. This album holds Brighton Song, (which is where she was living at the time) a song I adore and makes me think about my years growing up in the hills next to the coastal city. Ah – nostalgia. Bimbling was funded by selling the original canvases she had painted to provide the artwork for the CD.

Martha was nominated for Best New Act at the BBC Folk Awards in 2007. She has since become increasingly popular and has opened the Acoustic Stage at Glastonbury. However, she still loves impromptu and small shows. Her love of music outshining any desire for glitz.

Her latest album Lucy and the Wolves, (Squiggly Records through Proper) is out now. It features her glorious band; The Woods, comprising of a host of instruments, including the mandolin, cello, violin and double bass. They truly add and compliment the atmospheric, delicate sound. Favourites include the aforementioned; Wild Swimming and Rockppols. The former, a slow, purposeful song full of delicious lust and feeling. The simile of liberating and beautiful night swimming, illustrating the purity of her love. Whilst Rockpools is also dedication to love and nature, it is centered more on her comfort found in the landscapes and nuggets of beauty. Eyes clapping on a tiny piece of peace, that at that second is shining only for you to see.

To summarise; Martha is thought out, dancing on the hills, living in yurts complete with outdoor fires, English folk. If you like artists like Mary Hampton, Alela Diane and gentle Bellowhead, and you don’t know about Martha Tilston already, then you really should listen. If you don’t like folk, listen anyway, as she will make you feel wrapped up and safe on a blustery January day. Like today.

She is touring in May

If you’re feeling a bit delicate and would quite like to be wafted by a soft feathery fan type device, more about as you contemplate, look Martha Tilston is for you. With songs entitled; Wild Swimming, Rockpools, Space and Firefly, she is all about sweet country and looking out from under the covers. But with the protection of delicate notes and kindness.

I first discovered Martha a few years ago and to be honest, I didn’t really want to tell anyone about her. She is my safety blanket and makes me feel at home. Back when she and I met, I had just left University in Cornwall and was at a loss as to what the hell to do next. My boyfriend and I moved to Bristol and temped for a hideous agency. All winter we were stuck working together inputting money off coupons for Tena Lady. Fabulous for any relationship. We’d cycle there, numb ourselves for eight hours, then cycle home. I kept a notebook by my desk and had my i pod streaming Martha. I wrote loads in those endless, dark hours.

Artifcial:

Then our bikes got stolen, we were laid off Tena Lady, our rented flat was put up for sale and I wrote even more. Martha is good as a background to “Why is the world doing this to me?!” She restores faith.

I give you Silver Dagger:

Literally surrounded by art, Martha Tilston must have found it hard not be inspired as she grew up. She was born in the West Country and is the daughter of English folk singer, Steve Tilston. When her parents split, she moved to somewhere just outside London with her artist mother, who remarried a theatre director. As a teenager she would play the piano every night to the family. This led to Martha writing songs and then picking up the guitar. Throughout she also visited Bristol, where her father and stepmother, Maggie Boyle- also a folk singer – lived. There she would spend time with folk legends like John Renbourn and Bert Jansch. Imagine! How could she not be arty?

In 2000, she formed a duo, Mouse, with guitarist Nick Marshall. Releasing two albums, they became extremely popular with the more underground loving, festival goers. However, Martha decided to go solo in 2002, supporting Damian Rice on a tour in Ireland. Then in 2005, she released her first full length album, Blimbling on her own label Squiggly. This album holds Brighton Song, (which is where she was living at the time) a song I adore and makes me think about my years growing up in the hills next to the coastal city. Ah – nostalgia. Bimbling was funded by selling the original canvases she had painted to provide the artwork for the CD.

Martha was nominated for Best New Act at the BBC Folk Awards in 2007. She has since become increasingly popular and has opened the Acoustic Stage at Glastonbury. However, she still loves impromptu and small shows. Her love of music outshining any desire for glitz.

Her latest album Lucy and the Wolves, (Squiggly Records through Proper) is out now. It features her glorious band; The Woods, comprising of a host of instruments, including the mandolin, cello, violin and double bass. They truly add and compliment the atmospheric, delicate sound. Favourites include the aforementioned; Wild Swimming and Rockppols. The former, a slow, purposeful song full of delicious lust and feeling. The simile of liberating and beautiful night swimming, illustrating the purity of her love. Whilst Rockpools is also dedication to love and nature, it is centered more on her comfort found in the landscapes and nuggets of beauty. Eyes clapping on a tiny piece of peace, that at that second is shining only for you to see.

To summarise; Martha is thought out, dancing on the hills, living in yurts complete with outdoor fires, English folk. If you like artists like Mary Hampton, Alela Diane and gentle Bellowhead, and you don’t know about Martha Tilston already, then you really should listen. If you don’t like folk, listen anyway, as she will make you feel wrapped up and safe on a blustery January day. Like today.

She is touring in May


All Hipstamatic photography by Matt Bramford

For anybody that’s been under a rock for the past year, medicine Hipstamatic is an iPhone app(lication) that converts your terrible phone camera into an analogue wonder (sort of). For the past year, no rx it has transformed the way we use phone cameras. Once a means of taking quick snaps of your mates having a pint, mind the Hipstamatic app has allowed everybody from Joe Public to professional photographers to capture beautiful images with speed and ease. Hipstamatic pictures now appear everywhere – on the front page of the New York Times, in fashion stories in magazines and on countless websites.

It was only a matter of time, then, that somebody would present an exhibition of Hipstamatic pictures (Jeez that H word is hard to type). The ‘Hipstamatics’ blog allows users from all over the world to submit their photographs and 157 of those submitted have been selected for this unique exhibition. 157, coincidentally, is the number of Hipstamatic 100 analogue cameras that were first produced by Bruce and Winston Dorbowski in the 1980s.

It’s no secret that I’m a huge fan of Hipstamatic. It’s transformed the way I take photographs. I would never use the standard camera on the iPhone for photographs to use in posts here, but Hipstamatic allows myself and other contributors to take aesthetically pleasing photographs that perfectly capture whatever it is we’re talking about. There’s also Autostitch, but that’s another story/blog/exhibition…

So what to say of the exhibition? It’s certainly presented brilliantly. Small prints of 6″x6″ cover the walls of the intimate gallery, held up pegged to string. There’s a huge variety of photographs, including obligatory cat portraits, cityscapes, beach scenes, cups of tea, fashion portraits and everything in between. All 157, presented side by side, taken by 157 different people in 157 different places, look fantastic. The problem I have (and I’m aware that I’m bitter for not submitting any of my own) is that everybody can take a great picture with Hipstamatic. That’s the beauty of it. Of course, there’s a certain amount of skill involved and there are some great pictures here that I assume are by professional photographers, or at least people with a damn good eye. Cropping, lighting and subject have all been considered. They’re all brilliant. But I could have done that! Anybody could have!

The best way for me to judge the exhibition is get over myself and ignore the fact that I could have been one of the featured artists. Instead, I’m genuinely pleased that somebody decided to do it. It cements the phenomenon that Hipstamatic has generated. I also think it’s a bit of a social experiment as well as an exhibition. It’s a modern day Duchamp’s Readymades; it questions who and what we should put in a gallery. This is ordinary people using a revolutionary app to create stunning photographs that don’t look out of place at the side of some of the world’s greatest photographers. Of course, I’m sure the exhibition hasn’t launched to be taken so seriously. It’s wonderful to see so many images of a similar nature, from all over the world, side by side.

You do have to wonder though. Can you imagine going to a gallery to see a collection of phone camera pictures? I mean, I’m sure if Hirst or Emin or some other famous wally at the Saatchi Gallery did it we’d all flock to it, but can you really imagine what that might be like? Without the vintage quality of the app – its ghostly vignetting, chromatic aberration, muted colours and film-like texture, the majority of these would just be ordinary personal photographs.

It’s retinal art. There are no hidden meanings or artist’s thought processes, they’re a selection of beautiful pictures and it’s interesting to see how people have used the app in a number of different ways. You can also see, clearly, that each photograph has been considered much more than your typical holiday snap. Many are posed (including the reclining cat – one of my favourites) while others make use of unusual light or extraordinary objects.

The problem I have with Hipstamatic, which becomes clear from the exhibition when you print the images, is that the resolution isn’t wonderful. Some of them had obviously been shot on the lower setting (there are two, and the high-res images aren’t great either) and some images are a little pixelated when you get close up. As a collection, though, this isn’t such a problem – but in a way it reminds us that these are ephemeral photographs and, really, they wouldn’t stand up at the side of traditional film images.

In terms of artist integrity, the exhibition isn’t going to win any awards. But as a Hipstamatic fan, thank God the Hipstamatics have cemented, in this small but effective way, the power and phenomenon of Apple’s App of the Year 2010 in this mesmerising and thought-provoking exhibition. Long may it reign!

Categories ,Bloomsbury, ,Camera, ,Hipstamatic, ,iPhone, ,Orange Dot Gallery, ,Photographs, ,Tavistock Place, ,vintage

Similar Posts:






Amelia’s Magazine | Exhibition: HIPSTAMATICS at the Orange Dot Gallery, Bloomsbury


All Hipstamatic photography by Matt Bramford

For anybody that’s been under a rock for the past year, Hipstamatic is an iPhone app(lication) that converts your terrible phone camera into an analogue wonder (sort of). For the past year, it has transformed the way we use phone cameras. Once a means of taking quick snaps of your mates having a pint, the Hipstamatic app has allowed everybody from Joe Public to professional photographers to capture beautiful images with speed and ease. Hipstamatic pictures now appear everywhere – on the front page of the New York Times, in fashion stories in magazines and on countless websites.

It was only a matter of time, then, that somebody would present an exhibition of Hipstamatic pictures (Jeez that H word is hard to type). The ‘Hipstamatics’ blog allows users from all over the world to submit their photographs and 157 of those submitted have been selected for this unique exhibition. 157, coincidentally, is the number of Hipstamatic 100 analogue cameras that were first produced by Bruce and Winston Dorbowski in the 1980s.

It’s no secret that I’m a huge fan of Hipstamatic. It’s transformed the way I take photographs. I would never use the standard camera on the iPhone for photographs to use in posts here, but Hipstamatic allows myself and other contributors to take aesthetically pleasing photographs that perfectly capture whatever it is we’re talking about. There’s also Autostitch, but that’s another story/blog/exhibition…

So what to say of the exhibition? It’s certainly presented brilliantly. Small prints of 6″x6″ cover the walls of the intimate gallery, held up pegged to string. There’s a huge variety of photographs, including obligatory cat portraits, cityscapes, beach scenes, cups of tea, fashion portraits and everything in between. All 157, presented side by side, taken by 157 different people in 157 different places, look fantastic. The problem I have (and I’m aware that I’m bitter for not submitting any of my own) is that everybody can take a great picture with Hipstamatic. That’s the beauty of it. Of course, there’s a certain amount of skill involved and there are some great pictures here that I assume are by professional photographers, or at least people with a damn good eye. Cropping, lighting and subject have all been considered. They’re all brilliant. But I could have done that! Anybody could have!

The best way for me to judge the exhibition is get over myself and ignore the fact that I could have been one of the featured artists. Instead, I’m genuinely pleased that somebody decided to do it. It cements the phenomenon that Hipstamatic has generated. I also think it’s a bit of a social experiment as well as an exhibition. It’s a modern day Duchamp’s Readymades; it questions who and what we should put in a gallery. This is ordinary people using a revolutionary app to create stunning photographs that don’t look out of place at the side of some of the world’s greatest photographers. Of course, I’m sure the exhibition hasn’t launched to be taken so seriously. It’s wonderful to see so many images of a similar nature, from all over the world, side by side.

You do have to wonder though. Can you imagine going to a gallery to see a collection of phone camera pictures? I mean, I’m sure if Hirst or Emin or some other famous wally at the Saatchi Gallery did it we’d all flock to it, but can you really imagine what that might be like? Without the vintage quality of the app – its ghostly vignetting, chromatic aberration, muted colours and film-like texture, the majority of these would just be ordinary personal photographs.

It’s retinal art. There are no hidden meanings or artist’s thought processes, they’re a selection of beautiful pictures and it’s interesting to see how people have used the app in a number of different ways. You can also see, clearly, that each photograph has been considered much more than your typical holiday snap. Many are posed (including the reclining cat – one of my favourites) while others make use of unusual light or extraordinary objects.

The problem I have with Hipstamatic, which becomes clear from the exhibition when you print the images, is that the resolution isn’t wonderful. Some of them had obviously been shot on the lower setting (there are two, and the high-res images aren’t great either) and some images are a little pixelated when you get close up. As a collection, though, this isn’t such a problem – but in a way it reminds us that these are ephemeral photographs and, really, they wouldn’t stand up at the side of traditional film images.

In terms of artist integrity, the exhibition isn’t going to win any awards. But as a Hipstamatic fan, thank God the Hipstamatics have cemented, in this small but effective way, the power and phenomenon of Apple’s App of the Year 2010 in this mesmerising and thought-provoking exhibition. Long may it reign!

Categories ,Bloomsbury, ,Camera, ,Hipstamatic, ,iPhone, ,Orange Dot Gallery, ,Photographs, ,Tavistock Place, ,vintage

Similar Posts:





Amelia’s Magazine | Femke Hiemstra

This Saturday, information pills pill The Land Is Ours collective will occupy some disused land near Hammersmith. An eco-village will take root, viagra sale peacefully reclaiming land for a sustainable settlement, and getting in touch with the local community about its aims. In a year when nearly 13,000 Britons lost their homes to repossessions in the first three months, eco-villages point the way to a more down-to-earth lifestyle.

Back in May 1996, the same collective took over a spot on the banks of the Thames in Wandsworth, in a land rights action that grew up over five and a half months into the Pure Genius community, based on sustainable living and protesting the misuse of urban land. Here are some photos from that project.

1eco%20villagepic.jpg

The Land Is Ours channel the spirit of the Diggers , a group of 17-century radicals who picked out and dug over a patch of common land in St George’s Hill in Walton-upon-Thames back in the day. They were led by Gerard Winstanley, who thought any freedom must come from free access to the land.

Here’s a little more from ‘Gerard Winstanley’ about this weekend:

What’s the first thing you’ll do when you get there?
Have a meeting. One of the first priorities is to leaflet the local area in order to inform the local people of what we are doing. Another priority is the construction of compost toilets.

Do you have lots of plans for sheds, vegetable patches and compost toilets?

Yes. Due to the nature of the site (ex-industrial) we will likely be using raised beds to grow vegetables and buckets for potatoes. It being London, there should be a good supply of thrown away materials from building sites and in skips. Compost toilets are pretty essential.

?What kinds of people are you expecting to turn up?
All sorts. Hopefully a mixture of those keen to learn and those willing to teach. ??

1ecovillage%20pic2.jpg

?I read the Chapter 7 manifesto. Have you notified the council or planning authority of your plans, or are you keeping to the idea that once you’re there, with homes under construction, it’s difficult to evict?
We haven’t notified the council yet- but we have a liaison strategy in place for when we’re in.

On that note, how long do you hope to be there?
The longevity of the Eco-village depends on how committed its residences and just as crucially how the local urban populus respond to our presence. If we receive the support we need, the council will likely think twice before embarking on an unpopular eviction (at least that’s the theory!).

1ecovillage3.jpg

Could this realistically become a permanent residence, or is it more likely to be valuable simply as campaigning?
Hopefully it can be both. There is no reason why this site cannot sustain a core group of committed individuals and serve as a brilliant awareness raiser to the issue of disused urban land, lack of affordable housing and the a sustainable way of living that is friendly to people and planet and liberating.

rainbow%201eco%20village.jpg

?Can I come along?
Of course, we are meeting at Waterloo Station at 10AM this Saturday (underneath the clock).

What might I need to do?
Bring a tent, sleeping bag and some food and water. You may be interested to read an article written by a journalist from the Guardian concerning the eco-village.

tent1%20eco%20village.jpg

So dig yourself out of bed this Saturday, and go discover the beginnings of London’s newest eco-village.
If the dark shades of under-duvet hideouts dominate the colour of your Sundays then you need to wake up and get greened. Arcola Theatre in East London hopes to be the first carbon neutral theatre in the world and has been appointed as the secretariat for the Mayor of London’s Green Theatre plan, this which aims to deliver 60 percent cuts in theatre carbon emissions by 2025.

FayeKatiraiEcoArt.jpg
Illustration by Faye Katirai

As part of this environmental drive, the first Sunday of every month is a Green Sunday at Arcola Theatre. June’s event is part of Love London, the biggest green festival in Europe and looks at ethical consumption, promising ‘entertainment and inspiration for the ecologically curious’. From 3pm there’s a swap shop market plus cakes and tea to take you through the evening of Senegalese percussion, cool short and feature-length films, starting from 4.30pm. As the afternoon turns to evening, there will be a discussion with Neil Boorman, author of Bonfire Of The Brands, an account of his journey from shopping and brand addiction to a life free from labels. As part of the project, Neil destroyed every branded product in his possession, incinerating over £20,000 worth of designer gear in protest of consumer culture. This will be chaired by Morgan Phillips.

Neil and Morgan will later be joined by Richard King from Oxfam to talk about their 4-a-week campaign- encouraging shoppers to do their bit for sustainability each week.

Then at 7pm – Feature length film presented by Transition Town Hackney
A Crude Awakening: The Oil Crash

Greensundayspromo.jpg

I spoke to the sustainability projects manager at Arcola Theatre, Anna Beech, to find out more about Arcola’s arts world-changing philosophies:

All at Arcola must be extremely proud that a theatre founded only 9 years ago – and on credit cards! – is well on the way to becoming the first carbon neutral theatre in the world. Can you tell us a bit about how and why you made the decision to lead the green theatre movement?

Since 2007, Arcola has launched many high-profile green initiatives (including the pioneering use of LEDs and the on-site installation of a fuel cell to power bar and stage lighting). There are a number of reasons for this – because it contributes to reducing Arcola’s carbon emissions and resource use, because it makes financial sense – reducing energy bills; because it supports funding applications; because it integrates Arcola into the local community; allows Arcola to reach a wider audience and stakeholder base; and provides an effective platform upon which to publicise the name ‘Arcola’ – as a hub of creativity and sustainability.

Sustainability is part of Arcola’s core unique business model, alongside professional theatre and our youth and community programme.

Have you found that arts and science professionals are eager to integrate and come up with exciting ideas and actions or has it been difficult to bring the two fields together?

Arcola’s ArcolaEnergy has had considerable interest from technology companies and brokers, including the Carbon Trust. As a reocgnised innovator in sustainability in the arts, Arcola has been able to broker extremely advantageous relationships with private sector companies – who have provided the theatre with free green products, including LED lights – as well as other theatres and arts organisations (National Theatre, Arts Council, Live Nation, The Theatres Trust), and Government bodies like the DCMS and Mayor of London’s Office. Arcola’s reputation as a sustainable charity has created these partnerships and allowed them to grow and develop into mutually advantageous relationships. So this demonstrates that the arts and sustainability worlds can come together to form mutually advanteous relationships. However, there is plenty of work to be done.

So far, what has been the most successful pioneering energy practice you’ve introduced?

The installation of Arcola’s fuel cell in February 2008 made the venue the first theatre in the world to power its main house shows and bar/café on hydrogen. The Living Unknown Soldier gained reverence as London’s most ecologically sustainable show, with the lighting at a peak power consumption of 4.5kW, a reduction of 60 per cent on comparable theatre lighting installations.

greensundaysphoto1.jpg

greensundasphoto2.jpg
Previous Green Sunday events at the Arcola Theatre

Arcola’s ‘greening’ goes from the stage to the box office. Among other things, we produce ‘green’ newsletters for staff, we recycle, we provide free tap water to audiences (to lessen use of bottled water), we serve fairtrade, organic and local produce wherever possible (including organic vodka and whiskey!), we host Transition Town meetings, we installed a cycle enclosure for staff in 2009 and try to incentivise both staff and audiences to use public transport more and their cars less.

How do you think the technical creativity of sustainability has significantly shaped any of the plays Arcola has produced?

One example of the ‘greening’ of Arcola’s shows and working closely with production companies took place during the pre-production and staging of ‘Living Unknown Soldier‘ in 2008. The production explored the use of more energy efficient lanterns, including LED moving heads and batons (see Fig. 1) florescent tubes and some other filament lanterns such as low wattage source 4′s and par 16s. The crew tried to travel by public transport wherever possible, use laptops rather than PCs, limit phone use, source sustainable materials and managed to keep energy requirements low in order to use Arcola’s fuel cell to power the show.

‘‘The idea is that once you expose people to this stuff and they know you for doing it, they’ll gravitate towards you. Ultimately we should end up with some really good art about sustainability and some really good ideas about how to do art sustainably.” – Ben Todd, Executive Director and Founder of Arcola Energy.

David.elsley.one.jpg
Illustration by David Elsley

Why do you think its particularly important for the arts to become more involved in green issues?

Because the arts have the power to influence behaviour change. Whilst the theatre industry itself has a relatively small carbon footprint (2% of total carbon emissions in London), and thus its capacity to deliver direct carbon emission reductions is relatively small; the power of theatre and the wider arts/cultural sectors to rapidly and effectively influence public behaviour and policy makers to drive significant indirect carbon emission reductions is very large (entertainment related activity accounts for up to 40% of travel emissions).

However, theatres and other arts venues must first address the ‘greening’ of their venues and practices in order to communicate climate change and environmental messages to audiences effectively and with impact.

Green Sundays is a great idea, how do you hope to see it develop in the future months?

We have a variety of themes in mind for future events, including a focus on the climate talks in Copenhagen in December, a water theme, ethical business, natural history and a Green Sunday programme tailored to children and young people.

So get over your hangover, get on your bike and cycle down to Dalston on Sunday to help spread the word about arts and sustainability coming together to communicate environmental messages to your local community.

To find out more about Green Sundays and the Arcola Theatre go to:

www.arcolatheatre.com
Continuing our odyssey of festival previews, page I bring you the amazing Green Man!

I don’t keep it secret that I’ve had a crush on Jarvis Cocker since I was 10 and first heard Common People, I suppose announcing it on a blog was just the next logical step in my snowballing lust for the bespectacled one. Imagine my delight when I saw he was headlining as a solo outfit at this year’s Green Man Festival.

Green_Man_Festival_2006.jpg
Green Man 2006

Rock_en_Seine_2007%2C_Jarvis_Cocker.jpg
Jarvis Cocker

All the other festivals will be green with envy over Green Man’s line-up, one of the most exciting and diverse of the summer. Alongside Jarv, Animal Collective will also be headlining and having seen them a couple of times over the past few years they are really not to be missed live, their shows can only be described as being in an underwater topsy-turvy world where you can feel the rhythm wash over you in waves.

animal_collective-pic-by-adriano-fegundes.jpg
Animal Collective

Green Man is in no short supply of indie darlings and big names, with Wilco, Bon Iver, Gang Gang Dance, the delicious Beach House and Grizzly Bear; who I’m gagging to see live after finally getting a copy of their amazing second album Veckatimest. Not to be transatlantically out down; Green Man boasts an impressive array of home-grown talent- including Four-Tet, national treasures British Sea Power, and to woo the romantic in you; Camera Obscura.
Ex- member of my favourites Gorky’s Zygotic Mynki Euros Childs, Andrew Bird, 6 Day Riot and James Yuill also stand out as bands (as well as the above mentioned) not to be missed.

beach-house.jpg
Beach House

Whilst Green Man has managed to pull in such an awesome line-up, it has a reputation for a boutique-y intimacy and a friendly atmosphere. Green Man is most definitely a festival for music lovers, and one that I won’t be missing!

greenmanfestival2007.jpg
Green Man Festival 2007

Green Man Festival takes place amidst the Breacon Beacons from 21st to 23rd August. Click here for ticket information.

Thumbnail by Roisin Conway
Some people have the knack for discovering those amazing pieces in charity shops – it’s generally the preserve of both the patient and the fashion-savvy who are content to rummage away until they emerge with some designer find that leaves you flapping your arms and wondering why it wasn’t you.
Now ten minutes in Topshop – that’s a quick fix. Why bother buying something old when you can buy something new? If last week’s Style Wars was only a half-formed idea, generic intent to float and suggest a concept, but not to follow through, TRAID (Textile Recycling for Aid and International Development) has articulated the remaking and reselling of used clothes as an ethical necessity. Citing the whopping £46 billion spent on clothes and accessories every year, TRAID highlights the colossal wastage resultant of constantly changing trends that are both cheap and easily available. The ease of shopping on the high street seems to problematise the feeling that the act of recycling is an almost paradoxical idea for an industry that is by name and nature grounded in an obsession with the new and the innovative.
Here lies the problem in normal charity shop shopping. The dowdy and stale image affixed to them is arguably (however unfortunately) justifiable, and TRAID has been taking the steps to rebrand the public perception of recycled clothing by actually joining the dots between the environment, recycling and fashion itself. Charity and fashion are practically mutually alienating concepts in most people’s minds. In short, charity shops aren’t trendy, so how do you turn that around? Chief Executive Maria TRAID recognises the problem and goes straight to the heart of it, saying “we have worked incredibly hard to change the face of charity retail by ensuring that our shops are stylish and affordable”, two words you might associate with the high street.

Picture%20021.jpg

TRAID has 900 textile recycling banks across the UK, and the company take the donations and sort by quality and style to then sell in one of their charity shops – clothes that are stained or torn are deconstructed and redesigned into a bespoke garment by the company’s own fashion label TRAIDremade.

Picture%20023.jpg

In a way it’s an absolute no-brainer: to take things people don’t want and make them something they do, especially as they follow high street trends, crafting sexy asymmetric dresses, bags cut from old leathers, signature hand printed tees and flirty dresses.

Picture%20022.jpg

Picture%20024.jpg

Two weeks ago TRAID opened their tenth shop in their tenth year in Camden, which as well as being an area that’s a promising resource in terms of fashionable finds, is a landmark for a really inspirational company. To date TRAID has donated £1.4 million to help fight global poverty, supporting charities by funding projects in Malawi and Kenya amongst others. TRAID has ten shops located across London and Brighton, and TRAIDremade is available on getethical.co.uk.

Monday 8th June

The End of the Line

Imagine a world without fish. Released in cinemas across the country to coincide for World Ocean Day, medical an inconvenient truth about the devastating effect of overfishing.

Opens today, check your local cinema for screenings.

0608%20dead%20fish.jpg

Lambeth Green Communities Open Evening

Organised in partnership with Transition Town Brixton, Hyde Farm CAN and ASSA CAN, this is a chance to celebrate Lambeth’s Green Communities and be inspired to reduce your community’s environmental impact.

18.30-21.00 drop-in to Lambeth Town Hall, Brixton
Contact – Susan Sheehan, Ssheehan (at) lambeth.gov.uk

Tuesday 9th June

The Great British Refurb
Housing for a low carbon energy future – a talk at the The Royal Society

A talk by Professor Tadj Oreszczyn, chaired by Professor Chris Rapley. Theoretical carbon reductions have often been slow to materialise, new buildings can use up to twice the energy predicted, and energy use can actually go up when efficiency increases. This lecture will look at the possibilities for new building, and whether technology can solve our energy use problems. Tadj Oreszczyn is Professor of Energy and Environment and Director of the Energy Institute at UCL.

0608%20house%20heat.jpg

This lecture is free – no ticket or booking required. Doors open at 5.45pm and seats are first-come first-served. Lecture starts at 6.30pm, The Royal Society

This lecture will be webcast live and available to view on demand within 48 hours of delivery at royalsociety.tv

Wednesday 10th June

Time_for_change_sml_copy-1.jpg
Illustration by Kerry Lemon

GM Crops and the Global Food Crisis

Dominic Glover, Erik Millstone, Peter Newell talk about possible solutions to the encroaching global food crisis – how will GM crops fit in to the struggle to raise yields, and could they be part of a truly sustainable answer?

6pm, Committee Room 10, Palace of Westminster.
Contact – c.matthews (at) ids.ac.uk

Thursday 11th June

Walking on the Edge of the City

Join a popular walking group on a stroll around this fascinating part of London. There’s no charge and no need to book. Do get there ten minutes before the start time, wear comfortable shoes and bring a small bottle of water.

11am – 12.15pm, meeting at St Luke’s Centre, 90 Central Street, London, EC1V

Clothes Swap at Inc Space

Daisy Green Magazine and ethical stylist Lupe Castro have teamed up to host what is hoped to be the UK’s biggest ever clothes swap. Nicola Alexander, founder of daisygreenmagazine.co.uk, said, “It’s like a fashion treasure hunt!”

The evening will kick off at 6.30 and, as well as the swish (apparently the ‘scene’ word for a clothes swap), it will feature an ethical styling demonstration by Lupe Castro, music from top green band, The Phoenix Rose, burlesque dancing and shopping opportunities from ethical fashion brands including Bochica, Makepiece, Bourgeois Boheme, and natural beauty company, Green People.

Tickets are £10 in advance and £15 on the door.
More information can be found on our facebook page
From 18:30 at INC Space in Grape Street, London WC2

david%20.elsley.two.jpg
Illustration by David Elsley.

Friday 12th June

Compost Clinic and Recycling Roadshow

Redbridge Recycling Group are running a friendly information stand all day. Want to bin the bags and green your shopping habits? Fancy making your own compost or confused about packaging labels? Pop along any time of day to have your questions answered and find out how to make the future waste free.

11am – 4pm, Ilford High Road, opposite the Town Hall/Harrison Gibson

Saturday 13th June

World Naked Bike Ride

Taking place all over the country, all over the world, the World Naked Bike Ride protests against oil dependency and car culture, celebrating the power of our bikes and bodies. Every June, more than a thousand cyclists gather in London to take part. The easy 10 km route passes through London’s busiest and best known streets. Bring your bike and body (decorate both of these ahead of time)

0608%20naked%20bike%20ride.jpg

Assemble from 3pm in Hyde Park (South East section, near Hyde Park Tube) – east of the Broad Walk, south of the Fountain of Joy, and north of the Achilles Statue.

Saturday 13th and Sunday 14th June

Lovelondonthegreen.jpg

Sustainability Weekend

Celebrate the Love London, Love Your Planet Festival 2009 at the London Wetland Centre this weekend. Check out TFL’s new hybrid bus, see the Richmond shire horses and get a load of green tips and tricks. There will also be face painting for the kids, the Richmond cycling campaign and other environmentally friendly organisations.

11am-4pm, Saturday and Sunday
WWT London Wetland Centre, SW13 9WT
Climate-Rush-Bike-Rush-June-2009-0046.jpg
Maaaan, pilule those bloomers are HOT!

My morning started bright and early on Monday 1st June: called upon as I was to document a Climate Rush action at Chatham House just as the E.ON sponsored conference began: Coal: An Answer to Energy Security? (like, drug duh… NO!)

As I was sitting in the very pleasant St James Square to avoid undue police annoyance (there were vehicles parked right outside the entrance) I found my eyes drawn to the undergrowth in the thicket of vegetation at the edge of the park. I should have been looking for activity outside the venue, but instead I found myself engaged in a dance between two Robins. I always thought Robins were solitary birds, but a quick google ascertains my reasoning that this pair must have been mates, although I’m fairly sure Robins don’t scavenge at ground level. There was also a young Blackbird, happily scrabbling around in the undergrowth for some nice tasty worms (I’m guessing… but that sounds like the perfect breakfast for a Blackbird) As I sat there wondering what was to pass in the street beyond I felt my heart sing. Here, even in the centre of our grubby and concreted capital city – nature finds a way. This is what I’m fighting for, I thought! The sheer joy of the natural world.

Climate-Rush-Chatham-House-May-2009-0000.jpg
a Blackbird in the undergrowth

And then, I noticed two coppers striding towards me. Would they find my Climate Rush badges? And pre-emptively arrest me for possible crimes against cotton with a badge pin? Asking why I was acting suspiciously by peering into the bushes I replied, “why, I’m taking photos of the birds” and showed the officers the photos on my camera playback. But they weren’t having it, and asked for my ID, which I refused. It’s not illegal to refuse to show your ID, but they took this as admission of guilt – a typical ploy of the police and one which I must check up on the legality of. They then searched me “because you must have something to hide if you don’t want to give us your name Angela Gregory” Ah!!! Clever officer! He’s been reading his little FIT watch spotter card and cribbing up on Climate Rush central. Only the trouble is, I’m not Angela Gregory – clever but not so clever officer. I’d love to see what they use as my mugshot – I hope it’s flattering.

Climate-Rush-Bike-Rush-June-2009-0183.jpg

When I questionned the validity of their reason to search me, one officer told me that “you are believed to be a member of a group called Climate Action, no that’s not it… Climate Rush, and they have committed criminal damage on buildings.” Wrong again Mr. Officer! Our parliament gluers have been bailed away to return to charges of possible criminal damage, for one drop of glue that fell on the statue in parliament. Glue that washes away with one dab of a damp cloth. Like that’s got a rat’s chance in hell of standing up in court.

Still – they got my name right after a cursory search of my camera bag, which revealed an old business card that had been lurking in a side pocket for at least three years. But they didn’t find the badges, even though they were rattling like bastards. I knew they wouldn’t, the MET not being the brightest cookies in the biscuit jar. Oh, I will be in trouble the next time we meet! Woops! If they had discovered the badge stash they would have found not only climate rush badges but also E.ON F.OFF ones from the Climate Camp campaign – that would have got them very excited no doubt, given the sponsor of said Coal Conference.

Climate-Rush-Chatham-House-May-2009-0008.jpg

As usual I’ve gone off on a tangent… not long after the police accosted me there was a loud commotion the other side of the St James nature reserve, and the police and I were off like a flash to find out what was going on. Across the road a bunch of white clad people were trying to hold onto a bike sculpture, as the police tried to tussle it off them. Within moments the police had gained the upper hand, and instead the eleven protesters were trying to pull sashes from Deeds Not Words bags, and unfurl a lovely red banner reading No New Coal, before the police frogmarched them across the road and threw them into the “pen”.

Climate-Rush-Chatham-House-May-2009-0054.jpg

I dashed off home in the hopes of getting some images into the London papers – alas my speed was not rewarded with any success, but our actions did reach the attendees of the conference – one academic at the conference apparently spoke with a protester, and agreed that direct action was pushing matters in the right direction (he was a specialist in CCS, but held out little hope for it’s implementation, given the probable massive costs) Score one massive point to us! I hope that E.ON and their cronies were suitably rattled, even if the press didn’t feel see fit to publicise the action. In the end five activists were arrested but most were released within hours. One brave Climate Rusher was refused bail after glueing herself onto the Chatham House railings (you go girl!) and the judge at her hearing the next morning allegedly told her that our protest had been pointless, since it had not garnered any press – before slapping a massive 40 hours community service on her for aggravated trespass. We think not…

Climate-Rush-Chatham-House-May-2009-0071.jpg
the bike sculpture lies forlorn on the pavement

In recent weeks we’ve attracted a lot of interest from film makers, and by the time I arrived at Tamsin’s house to get ready for the Bike Rush that afternoon (and to hastily knock up one more pair of bloomers) there were cameras everywhere I turned. It’s not a sensation I particularly like, and have thus far managed to stay out of the current crop of films – leaving it to the more exhibitionist members of Climate Rush to hog the limelight. I worry that it is easy to manipulate our actions in the editing suite, and portray us in a way with which we will ultimately be unhappy and out of our control. But I guess it’s a situation that I need to grow used to – many of our sort – as well as being involved with an undoubtedly exciting group – are very attractive, garrulous and media savvy – an irresistable combination to a film maker. Me? I much prefer to stay behind the lens…

Climate-Rush-Bike-Rush-June-2009-0011.jpg
finishing off the flags

As soon as the drawstring was threaded into the last pair of bloomers it was time to hit the high roads of Kilburn – seven of us on various bikes, none of which, I noted disappointingly, were even vaguely Edwardian-esque. Instead we had Geeky Rushette on a fold-out Brompton with a helmet. And we had Virgin Rushette with wispy blonde locks and billowing white damel-in-distress dress over her bloomers, and Not-Very-Good-on-a-Bike-in-London Rushette on a crappy mountain bike with a rusty chain that nearly fell off before we even set off.

Climate-Rush-Bike-Rush-June-2009-0071.jpg

I was dressed in a simple black dress in the hope that my vintage hat from Hebden Bridge would be enough of a distraction and provide the right elegant touch – which was exciting as it tipped over both my eyes and my camera. We made a right merry site gunning down the bus lane towards Marble Arch, flags flapping behind as people turned to gawp at us. After taking a short cut through Green Park we traversed the Mall and came to a screeching halt at our destination, where we were seriously outnumbered by police. But blimey did we look good!

Climate-Rush-Bike-Rush-June-2009-0101.jpg
gathered in Green Park as we approach!

Climate-Rush-Bike-Rush-June-2009-0154.jpg

As we pulled sashes and t-shirts and badges and stickers from our panniers people began to arrive in their droves. The sun shone down as the cyclists spilled from the pen into the road and the police did little to resist.

Climate-Rush-Bike-Rush-June-2009-0278.jpg

Tim cranked up Pedals, the bike sound system, and I chatted to people – it was great to discover that people had come from afar on the strength of joining our facebook group – ah, I do love to feel vindicated on the subject of social networking. I was also very pleased to see lots of children along for the ride, suitably togged up with sashes and of course helmets.

Climate-Rush-Bike-Rush-June-2009-0240.jpg
maybe our youngest Rusher?

And a lot more customisation of sashes, which have suddenly found new lives as headbands on hats, ties around bike baskets, cumberbund style belts and a whole host more. Marina just opted to pile a whole load on, and looked a treat for it.

Climate-Rush-Bike-Rush-June-2009-0909.jpg
a basket full of skipped flowers gets the sash treatment

Climate-Rush-Bike-Rush-June-2009-0174.jpg

Climate-Rush-Bike-Rush-June-2009-0188.jpg
my fabulous vintage visor-meets-pie hat!

Then the Hare Krishnas arrived with a mighty noise that had the whole gathering swivelling their heads; a whole band seated in two trailers behind bicycles. I was astonished to see that a drum kit could indeed be transported this way (plus a rather large drummer).

Climate-Rush-Bike-Rush-June-2009-0217.jpg

Once several hundred people had gathered in place there were a few false starts before it was time to take off for a ceremonial circuit of the square, wooping all the way before we stopped off at our first destination, just yards from the starting point – BP’s head offices – they of the infamous byline “Beyond Petroleum“. And fact fans, you’ll no doubt be interested to hear that BP have in fact spent more on the whole Beyond Petroleum (as if!) advertising campaign than they have in fact spent on alternative energy. Brilliant! Why pour money into researching renewables when you can instead rape and pillage the earth for a fraction of the cost? And spend any extra cash on greenwashing instead. Fabulous plan; congratulations BP.

Climate-Rush-Bike-Rush-June-2009-0345.jpg

With that it was onwards on a winding route up to Piccadilly Circus, and from there up Charing Cross Road to Oxford Street, that grand bastion of consumerism -one of the biggest drivers of Climate Change. Tim gave a running commentary from the backseat of his tandem as we hollered our way down London’s flagship shopping street, before coming to a grand halt in the late evening sunshine smack bang in the middle of Oxford Circus. What a grand feeling! Many people seemed amused and even happy to see us, a grand diversion from the glittering goods in the windows.

Climate-Rush-Bike-Rush-June-2009-0332.jpg
stopped in the centre of Oxford Circus

As we sailed downhill along Regent Street I spotted a Lush store, still with our Trains Not Planes banner proudly displayed in the window. A bike-bound copper looked on worriedly as someone went closer to take a look. Duh! They’re our friends – just take a look at the Evening Standard-alike banner outside the shop. We love Lush. We’re not about to do anything naughty!

Climate-Rush-Bike-Rush-June-2009-0406.jpg
hmmm, the Queen’s residence ahead in the late evening sun…

On our second stop at Piccadilly Circus Tim cheekily waited until the lights went red “cos us cyclists always run red lights” before leading us across the main junction and down towards the Mall, where we sallied into the sunshine up to Buckingham Palace. I met the naked cyclists, who I’d been promised were attending. The girls had bikinis on and they all wore lots of paint, the better to cover up with, but they still looked rather fetching, if slightly less than wholely naked. And despite rumours to the contrary they were happy to sport a sash to protect their modesty as well.

Climate-Rush-Bike-Rush-June-2009-0373.jpg

It was then but a short hop down to Victoria, where we paused to consider the headquarters of BAA – boooooooo. And then on past BERR, where, funnily enough, Neil “the weasel” FIT photographer was waiting for us. We all waved “hi” to him as he lowered his massive equipment and smiled slightly sheepishly at us. You know who we are Neil, and we all know who you are too. Why don’t you just get a better job? One in which you are helping to protect a better world for all, not just the interests of the few? Still, I have to commend the actions of the police who came along for the ride – for once they really did seem to be protecting the rights of protesters – having cross words with impatient drivers revving their engines and generally preventing overly aggressive behaviour from motorists.

Climate-Rush-Bike-Rush-June-2009-0450.jpg
wave to Neil everyone!

Oh god, this has turned into a bit of an opus as usual, and I haven’t even mentioned all of our stopping off points! The fact is that unless you were right down the front near the sound system it was pretty impossible to hear the guided tour. And anyway, everyone was just so happy to be commandeering the streets of London – there’s nothing like reclaiming our public highways to feel empowered – that it didn’t matter if our tour was a little haphazard in the end (and we left our notes at home anyway, so it was a bit of an ad-lib).

Climate-Rush-Bike_Rush-June-2009-A0017.jpg
solidarity with the Tamils

And then we were at Parliament Square – the police momentarily blocked our entrance onto the roundabout, but then decided better as we filtered around them anyway. Soon we were level with the Tamils, who seemed somewhat bemused by our peace signs in solidarity. But oh what an inspiration they have been! Such tenacity. And then onwards to Westminster Bridge, where we turned in a big loop near the junction on the north side and stopped. Perhaps this would be an opportune place for that picnic we promised? A statement of our intent right next to the very seat of power that is failing us? The suggestion was met with amusement as it dawned on our riders that this was what we had in mind.

Climate-Rush-Bike-Rush-June-2009-0535.jpg
that bike sign on the road has gotta mean “stop” right?

Climate-Rush-Bike-Rush-June-2009-0545.jpg

Climate-Rush-Bike-Rush-June-2009-0646.jpg

Some clearly were not expecting it, but almost everyone was soon dropping their bikes to the road and pulling out their picnic blankets and food. As the sunset on Big Ben above us we raised our bikes aloft in joy, unfurled banners aplenty, and stood our ground. The police didn’t know what to do – FIT finally made it down from BERR, and climbed on top of a barrier right above where I’d left my bike. Weirdly the bamboo pole holding up my lovely Climate Rush flag was latter found snapped in two shortly afterwards. I hate to make accusations but…

Climate-Rush-Bike-Rush-June-2009-0626.jpg

Climate-Rush-Bike-Rush-June-2009-0604.jpg
what a marvelous family!

Climate-Rush-Bike-Rush-June-2009-0660.jpg
bike aloft

Climate-Rush-Bike-Rush-June-2009-0689.jpg

Climate-Rush-Bike-Rush-June-2009-0644.jpg

As a bendy bus made an awkward 360 degree turn on the bridge passersby continued to stream past, snapping away and generally beaming at our audacity. A string of brightly coloured bunting cordoned off our blockade.

Climate-Rush-Bike-Rush-June-2009-0683.jpg
fun with a bendy bus!

Climate-Rush-Bike-Rush-June-2009-0707.jpg

Climate-Rush-Bike-Rush-June-2009-0727.jpg

The soundsystem was commandeered by a variety of eloquent speakers and Mark played us a tune or two. Sadly the promised celidh didn’t happen – our erstwhile fiddler had failed to materialise yet again and I was too busy running around like a headless chicken (taking photos) to figure out an alternative. I do apologise – multitasking got the better of me again.

Climate-Rush-Bike-Rush-June-2009-0751.jpg
astride Boudicca

Climate-Rush-Bike-Rush-June-2009-0753.jpg
gawping at their nerve

And then three Rushettes mounted the huge emblematic Boudicca statue in their stripey bloomers! One climbed right up to place a sash around Boudicca’s neck, before returning to sit astride one of the great beasts in a gesture of defiant victory. The first attempt to fly a flag from the horses’ hooves failed, but no matter, we’d been prolific in our banner making and another one was soon unfurled. Deeds Not Words. I think that powerful queen would have approved.

Climate-Rush-Bike-Rush-June-2009-0862.jpg
bike blockade

Climate-Rush-Bike-Rush-June-2009-0865.jpg
on a tandem

Shortly before 9pm the police approached us politely and charmingly (someone must have had words with them in recent weeks) to say that they would eventually have to move us on. We decided that it would be best to go out on a high and declared our intentions to the crowd, with an accompanying recommendation to come join us in a nice pub on The Cut by Waterloo. As we cycled off across the bridge I was amused to find tourists sitting in the middle of the road – thrilled with the lack of cars and the unexpected reclamation for bipedal human use.

Climate-Rush-Bike-Rush-June-2009-0926.jpg
enjoying the reclaimed bridge

At the pub we laid out our picnic blankets again and enjoyed the warm balmy night in the company of many new friends. I was particularly thrilled to speak with new Rushers and especially to those who had not expected our final destination to be quite so spikey, but who had welcomed the unexpected turn of events with open arms. Inspiring mass direct action – it’s what we do best… so join us on our next action against the dirty palm oil biofuel business; responsible for massive environmental degradation, huge contributions of CO2 to the atmosphere, and the loss of 90% of the orangutans since the Suffragettes first walked this land. Don’t let those in power decide the future of our planet!

This Saturday, ailment The Land Is Ours collective will occupy some disused land near Hammersmith. An eco-village will take root, peacefully reclaiming land for a sustainable settlement, and getting in touch with the local community about its aims. In a year when nearly 13,000 Britons lost their homes to repossessions in the first three months, eco-villages point the way to a more down-to-earth lifestyle.

Back in May 1996, the same collective took over a spot on the banks of the Thames in Wandsworth, in a land rights action that grew up over five and a half months into the Pure Genius community, based on sustainable living and protesting the misuse of urban land. Here are some photos from that project.

1eco%20villagepic.jpg

The Land Is Ours channel the spirit of the Diggers , a group of 17-century radicals who picked out and dug over a patch of common land in St George’s Hill in Walton-upon-Thames back in the day. They were led by Gerard Winstanley, who thought any freedom must come from free access to the land.

Here’s a little more from ‘Gerard Winstanley’ about this weekend:

What’s the first thing you’ll do when you get there?
Have a meeting. One of the first priorities is to leaflet the local area in order to inform the local people of what we are doing. Another priority is the construction of compost toilets.

Do you have lots of plans for sheds, vegetable patches and compost toilets?

Yes. Due to the nature of the site (ex-industrial) we will likely be using raised beds to grow vegetables and buckets for potatoes. It being London, there should be a good supply of thrown away materials from building sites and in skips. Compost toilets are pretty essential.

?What kinds of people are you expecting to turn up?
All sorts. Hopefully a mixture of those keen to learn and those willing to teach. ??

1ecovillage%20pic2.jpg

?I read the Chapter 7 manifesto. Have you notified the council or planning authority of your plans, or are you keeping to the idea that once you’re there, with homes under construction, it’s difficult to evict?
We haven’t notified the council yet- but we have a liaison strategy in place for when we’re in.

On that note, how long do you hope to be there?
The longevity of the Eco-village depends on how committed its residences and just as crucially how the local urban populus respond to our presence. If we receive the support we need, the council will likely think twice before embarking on an unpopular eviction (at least that’s the theory!).

1ecovillage3.jpg

Could this realistically become a permanent residence, or is it more likely to be valuable simply as campaigning?
Hopefully it can be both. There is no reason why this site cannot sustain a core group of committed individuals and serve as a brilliant awareness raiser to the issue of disused urban land, lack of affordable housing and the a sustainable way of living that is friendly to people and planet and liberating.

rainbow%201eco%20village.jpg

?Can I come along?
Of course, we are meeting at Waterloo Station at 10AM this Saturday (underneath the clock).

What might I need to do?
Bring a tent, sleeping bag and some food and water. You may be interested to read an article written by a journalist from the Guardian concerning the eco-village.

tent1%20eco%20village.jpg

So dig yourself out of bed this Saturday, and go discover the beginnings of London’s newest eco-village.
Those of us who have grown up in this country have it built into our subconscious from an early age that summer does not automatically equal sun. Summer holidays from school would be six restless weeks of pleading with the clouds to part for just long enough that we might be able to leave our houses, pharmacy get to the park and partake in an activity and hopefully home again all before the heavens open and the rain chucks it down. We accept and expect a lack of skin-bronzing ice cream-melting sun rays during June, website July and August just as we have learnt to accept and expect that December, information pills January and February make no guarantees for snow.

jaeger2.jpg

So it makes it even more endearing that a west coast American, Elizabeth Jaeger, accustomed to the balmy climate of San Francisco would take it upon herself to pen a gently begging letter to the weathermen and women of England asking them to do all they can to ensure her project that takes place this weekend in Victoria Park is not going to be rained off. So excited is she that her creative get together is a success this weekend, copies of her preparatory pleading have made it into the hands of meteorologists in Britain this week.

jaeger3.jpg

Dear Weatherman,

I hope this finds you well.

First and foremost, I would like to say thank you. Your advisories’ predictions of the upcoming weather have been impeccable as of late – I really do appreciate knowing when to bring my umbrella.

I am writing you, Mr. Weatherman, because I have a small favor to ask. I am planning to have a picnic in Victoria Park on Saturday, 6th June, 2009, and it is simply imperative that we have good sunny weather in London. You see, we will have delicious food, a spin party, a chalk party, and music, and it would be devastating if it happened to rain – as the food might get soggy, the spinning might have to be at a very slow pace, the chalk might not stick, and the rain might ruin the instruments. I am inviting picnic goers from near and far, and I would not want them to arrive to find only mud.

I ask you then, Mr. Weatherman, if you could plan on having sunshine all day on 6th June, that we may fully enjoy our delicious picnic. I would also like to ask that there be good weather for performance going on Sunday, 7th June 2009. A performance will take place at the gallery space of Ken, and it would be such a shame if the viewers were not able to come in their Sunday best (floral dresses, dress trousers, khaki shorts, collard shirts, sunglasses, and smiles). If you think this request might need to be forwarded on to other weathermen who deal with locations upwind of London – could you please, if you wouldn’t mind, make some suggestions of whom?

I hope that this request is not too much to ask of you, as I imagine you are very busy finishing off with the spring.

Sincerely,

Elizabeth Jaeger

jaeger7.jpg

As a co-founder of the delightfully pro active group ‘Do It Together Projects’ (DIT) and dabbler in the mediums of sculpture, photography, drawing, painting and craft, creativity may as well be her middle name. She is also partly responsible for the annual exhibition in Oregon with the Miranda July-esque title ‘I love you here is what I made’, and at only 21 years old this all deserves more than a little adoration.
‘Perfect Day’ is a two parter, only one of which relies on the lack of precipitation. Once the ‘picnic’/chalk party/spin party has drawn to a close on Saturday, the gaggle will reconvene under the shelter of Ken for continued performance and jollity.

jaeger8.jpg

Her own prediction for the day is that it may turn out to be ‘horribly horribly pleasant’ and on reflecting just how the day will take structure she humbly offers that Im not sure if what i am doing is actually an art performance, but ‘bread, cheese and wine will be served, so maybe it would be fun to come along. ‘
If her previous DIT gatherings in the States such as card making, book writing and mask making are anything to go by, no amount of English rain will make this event a wash out.

jaeger1.jpg

Saturday 6th June

2pm Victoria Park
Grove Road
Hackney
London E3 5SN

Sunday 7th June

7pm Ken
35 Kenton Road
Homerton
London E9 7AB

jaeger4.jpg

We have our fingers and toes crossed that Elizabeth Jaeger gets her weather wish, and we hope you do too.
The Summer Exhibition 2009
Royal Academy
6 Burlington Gardens
London W1S 3EX

8th June – 16th August
10am-6pm Everyday except Friday 10am-10pm
Entry: £9/8

june81.jpg

This exciting annual show continues to be the largest of it’s kind in the world, stomach displaying new work from established as well as unknown artists under an open-submission policy with the curator appointed theme ‘Making Space’. With 241 years experience in bringing sculpture, approved photography, more about architecture, painting and printmaking to the public, they are clearly still on to a good thing.

—————————————————————————–

Russell Maurice ‘Given Up The Ghost’
STOLENSPACE GALLERY
Dray Walk, The Old Truman Brewery
91 Brick Lane
London E1 6QL

11th June – 28th June
Tuesday – Sunday 11:00am – 7:00pm

june82.jpg

Since the mid 90′s, British born Maurice has produced paintings, prints, collages, sculptures and installations that reflect the spontaneous and informal nature of graffiti writing and have explored the recurring themes of energy, growth patterns and cycles in nature. This collection of new paintings, small-scale sculptures and installations, take these themes forward into new realms – to consider theories regarding the spirit world, the physical and metaphysical, consciousness and death.

—————————————————————————————

1001 Nights – An exhibition of Fabric Graffiti Screen Prints
Rarekind Gallery
Downstairs @ 49 Bethnal Green Road
Shoreditch
London E1 6LA

Monday – Saturday 10am – 6.00 pm
11th June – 28th June
Free

june83.jpg

Due to the huge success of this exhibition at Bristol’s Studio Amour, Rarekind is bringing the highly skilled and beautiful mix of traditional fabric printing methods with exciting cutting edge graffiti to London. Proving that both artistic mediums demonstrate dedication, physical input and love, Rarekind exhibits prints, hanging fabrics, room dividers and cushions including coveted one off prints by Ponk and Amour , Nylon, Pref, Fary, Kid Acne, Elph, Dibo, Dora, Paris & Solo One.

————————————————————————————

Invisable Library
Tenderpixel Gallery
10 Cecil Court
London WC2N 4HE

12th June – 12th July
Monday – Friday 10:30apm – 7:00pm
Saturday 11:00am – 7:30pm
Sunday 1:00pm – 6:00pm
Free

june84.jpg

INK is an illustration collective that is holding the reigns at Tenderpixel Gallery for the next month for a busy schedule of events, talks and exhibitions. The Invisible Library is issuing an open invitation for cultural and musical figures as well as gallery visitors to write an opening or closing page of a ‘hidden novel’, the results of which will be published and exhibited.

————————————————————————————-

Golden Lane: The Super Estate
EXHIBIT
20 Goswell Road
Barbican
London EC1M 7AA

Until 30th June
Monday by appointment Tue – Fri: 11am – 6pm Sat: 11am – 5pm Sun: CLOSED

june89.jpg

“As part of the Golden Lane Estate’s 50th anniversary celebrations (1957-1962), EXHIBIT at Golden Lane Estate is commit to work with 13 artists in 10 ideas and 20 months. Inspired by the confluence of modernist design and community mission, EXHIBIT aims to create a legacy for the cultural future of the Estate, an archive developed through the interaction of artists and designers with the community mediated by EXHIBIT to celebrate this modernist design masterpiece and encourage an ongoing creative conversation that keeps the community at its heart.”

————————————————————————————-

Vauxhall Art Car Boot Fair 2009
Old Truman Brewery
146 Brick Lane, E1 6QL

Sunday 14 June 2009
12pm – 6pm
Entry: £3

june88.jpg

Pitching themselves as the ultimate ‘Recessionista’ event of 2009, Vauxhall Art Car Boot Fair at the Truman Brewery is set to be epic. Highlights for us include Secret Wars winners and all round adorable couple Ed Hicks and Miss Led who will be customizing anything and everything brought before them. Anyone who showed up for last year’s fun packed day will recognize Miss Led from her incredible live car commission. Look out for a preview of this event later in the week.

—————————————————————————–

Stop, Look & Listen
Subway Gallery
KIOSK 1 PEDESTRIAN SUBWAY
EDGWARE RD /HARROW RD LONDON W2 1DX
Until 30th June
open Monday – Saturday 11am – 7pm
Free

june87.jpg

Somewhere beneath Edgware Road where it meets Harrow Road is a 1960′s glass walled kiosk that three years ago was transformed by artist/curator Robert Gordon McHarg into a unique gallery space. Stop, Look & Listen is an exhibition about the space and it’s environment reflecting on the past shows and artists. They are also passionate about public interaction and interpretation, keen to spread the word about taking unused public space and using it for a creative outpost.

——————————————————————————–

Wagner Pinto– Floating
Concrete Hermit
5a Club Row
London
E1 6JX

Until 4th July
Opening Times: 10am – 6pm Mon – Sat
Free

june810.jpg

“Taking influence from the mix of religions and influences across South America such as candomble – a religion which melds Catholicism and African traditions Pintos paintings materialize forces of nature, mythology and religious icons, imaginary situations, mental impulses and fine energies. The idea is to bring to the surface, to the senses and to the view of visitors a floating universe, where even waves of thoughts have a rhythm, harmony, body and color, making the invisible visible to the human eye and in this way, to try to give a new direction to abstract art.”
Monday 8th June
Lissy Trullie at the ICA, visit this site London

New York’s lovely long-legged Lissie Trullie plays the ICA tonight, pill she sings of lost loves and first kisses in sultry world weary tones, with hooky bass lines and post punk-y drum beats in the background, not dissimilar to the Strokes. Her songs manage to be both wise and witty whilst endearingly naive. A refreshing take on a pretty male dominated music scene.

lissy-trullie.jpg

Tuesday 9th June
Kid Harpoon at Enterprise, London

Kid Harpoon makes me swoon! A regular fixture on the London indie scene having supported Mystery Jets to name but one. Kid Harpoon is also a talented musician in his own right, with his intelligent and disarmingly unassuming folk rock, a troubadour of our times!

kid_harpoon.jpg

Wednesday 10th June
The Fall and Buzzcocks at The Forum

Wednesday’s gig choice is an epic one this week…The Fall and Buzzcocks play The Forum! Mark E. Smith may be as mad as a bag of cats but there is no denying that The Fall are one of the most seminal and brilliant bands around, their live shows never fail to impress so I’ve heard. Plus who could resist dancing to Buzzcocks’ Never Fallen in Love and pretending to be 18 again?!

thefall.jpg

Thursday 11th June
Chad VanGaalen at ICA

Chad VanGaalen sounds like a lovely man, he makes his music in his basement in Alberta, and he draws. There is a real homemade quality to his creative process (home recorded CDs with hand drawn art) that is audible and his dreamy music evokes the most awed oohs and aahs . VanGaalen has been compared to everyone from Daniel Johnston to Ben Gibbard.

chadvangaalenpress.jpg


Friday 12th June
Vivian Girls at Cargo

I bang on a lot about the Vivian Girls at work (sorry other interns!) but they are genuinely very good indeed, which is why I’ll be heading to Cargo to see them this Friday, come on down and dance with me (because none of the other interns will…) to their all girl lo-fi surf punk!

viviangirls.jpg

Saturday 13th and Sunday 14th June
Meltdown Festival, Southbank Centre, London

Ornette Coleman is curating this year’s Meltdown Festival and it’s an eclectic mix, this weekend catch The Roots, Yoko Ono and Cornelius. It continues into the beginning of next week, so it is with a note of mystery that I end this week’s listings:
“To be Continued…”

yoko2.jpg

Edinburgh

By the early afternoon this Sunday, what is ed the sun had begun to shine. Hooray! Where better to spend such glorious afternoon than in a pitch-black, advice gloomy tent saddled in between a couple of old dears wearing cheap perfume whilst their make-up runs down their faces?

Cheeky! It could only be one place – Graduate Fashion Week 2009!

Forgive my introduction. I arrived to see the Edinburgh College of Art show in a bit of a state – and to make matters worse, case it was boiling inside. The move from Battersea to Earl’s Court last year might have aided things, but not entirely. Regardless, the show itself was excellent. Well produced and structured with 11 of ECA’s elite womenswear designers, cherry picked to delight us with their collections. Not a single one disappointed.

Raine Hodgson opened the show, with a flamboyant display of Russian folk-inspired costumes. Models wore bearskin-style furry hats, teamed with patterned trousers and long capes, in vibrant colours. Sheepskin, leather and silk were combined to create a luxurious wintery collection.

raine%202.jpg

raine.jpg

Mairi Dryden toned things down slightly, with a muted colour palette. This isn’t to say that the collection was boring – far from it – constructivist-inspired bronze printed dresses were teamed with voluminous tailored jackets and tapered trousers, providing a more sophisticated and fashion-forward look.

mairi.jpg

mairi2.jpg

Amelia Hobson‘s cosmopolitan collection included oversized pants with paper-bag waists, worn loose around the thighs, creating interesting silhouettes and promoting the female form. Colonial elements such as huge loose knots and large wooden jewellery complimented discrete hints of animal prints.

amelia.jpg

amelia2.jpg

Sarah Martin‘s intriguing but delightful collection consisted of ‘clean minimal silhouettes’ wearing basic tailoring, contrasting with bold ‘playful’ bright yellow accents in the form of rubber-like coats and accessories.

sarah.jpg

sarah2.jpg

The stand-out collection in this show was Natalie Morris‘s stunning all-black numbers. Art Deco-shaped fascinators were teamed with bold silhouettes, enhancing the female shape. Soft wools were married with stiffer fabrics, suggesting a hint of kink. Morris’ models sure got sex appeal.

nat.jpg

nat2.jpg

Overall, Edinburgh proved that they are a force to be reckoned with at Graduate Fashion Week. The shortest show I saw yesterday, it still packed the same punch as the larger university collections, and in a struggling financial climate it is great to see that nobody shyed away from fabulous, flamboyant, forward fashion. Edinburgh have produced a plethora of talented womenswear designers who will no doubt move on to big things.

Northumbria

Northumbria University whipped up a storm at Graduate Fashion Week on Sunday – to nobody’s surprise, frankly. Year after year the university never fails to deliver intelligent, fresh and innovative collections.

As UNN alumni, I am indeed biased. I cannot help but gush about the quality of fashion that Northumbria produces each year, so this is more of a love letter than a write-up. The show steals my heart and leaves me reeling.

Shakespearian amore aside, the show kicked off with Nicola Morgan’s top-notch tailoring accompanied by thumping music. The soundtrack is always so loud at GFW, sometimes too much, but it tends to add to the intesity of the event, and each song is selected as a suitable accompaniment to each student’s collection. Morgan’s innovative garments each comprised of individual pieces of fabric which interlock – breaking the boundaries of fashion and making clothing adaptable by the user. The technique, however subtle, still lended itself to producing fashion-forward garments.

1.jpg

Ruth Davis’ vibrant knitwear came soon after. Worn for winter, hooded tops, scarves and dresses bore large-scale graphic patterns in the brightest hues…

6r.jpg

Sliding back to sophistication, Marie McDonagh presented an all black collection, redolent of the fabulous forties. High gloss materials complimented slick tailoring, and this geometric jacket was a winner – it’s sporadic shiny squares accenting the bejewelled detailing on a simple yet elegant dress.

4r.jpg

Steph Butler’s interesting use of layered, laser-cut material to create statement tops, pants and coats created interesting shapes and the models bore bold silhouettes.

2r.jpg

Rio Jade Maddison’s aim is to create ‘thought-provoking, creative’ garments with sex appeal. This she did. A sleek, mostly all-black collection, Maddison created sexy slim-line shapes. Models wore skull caps and ruffs, teamed with dresses embellished with shiny studs and spikes, for a hint of kink…

7r.jpg

Juxtaposed with Maddison’s slick and sexy collection was Holly Storer, who presented elegant dresses using a warm palette, heavily reliant on a gradient of red. Short yet demure dresses were decorated with pretty origami roses to create a glamorous yet sophisticated look.

5r.jpg

Finally, it is a given that the menswear at Northumbria is always of a very high standard, so it was no surprise to see Maxwell Holmes’ fantastic tailoring that any sartorial dresser would snap up in a flash. High-waisted tailored trousers were worn with brightly coloured braces, tartan bow-ties and smooth shoes, referencing a decades of classic menswear. The craftsmanship here is delectable and wouldn’t look out of place on a London Fashion Week runway ? in fact, I’ve seen much worse there! This embroidered dinner jacket doesn’t break any new ground, but boy is it hot… and the model’s not bad either…

3r.jpg

Until next year, Northumbria. I love you.

Maybe it was the heat. Yes, viagra dosage that’s it. The heat. The heat that caused the Old Blue Last‘s normally reliable PA to pack up for most of the evening, leaving an expectant throng, marinading in lager and gin, to bask in the receding sunlight whilst the sound engineer banged his head against a wall. The heat that made it seem like an eternity (well, to those of us who had unwisely not booked in advance for a ticket) as, once normal service was resumed, said throng dutifully filed in to fill the less than cavernous upstairs bar in a fashion that would suit a sardine. The heat that created a sweat-soaked (if you were stood at the front) fervour rarely seen on a Monday night. Still, it was worth it.

Matt%26Kim%201.JPG

As for Matt and Kim themselves. Well, where to begin? Mid-global tour to promote their new long-player, Grand, they rock up in deepest Shoreditch on their sole UK date and immediately tear a new one in this earnest heartland of skinny jeans and silly hairdos. With Kim mercilessly bashing the skins like a latter-day Moe Tucker, wearing a grin as wide as a Cheshire cat, and Matt pounding at his keyboards with wild abandon, the Brooklyn duo treated us to some (occasionally Ramones-velocity) nuggets such as Daylight, Yea Yeah and, of course, the gem that is Silver Tiles (sounding even more like the song Brandon Flowers would have given his last Britpop compilation for to have crafted).

Matt%26Kim%203.JPG

They meld spunky New Wave rhythms, the dirtiest end of DIY electro-pop and a whole lot of enthusiasm to create a heady brew.
And we had incident. Kim’s drum stool broke halfway through the set. We had crowd surfing. In fact, Kim had a brief crowd surf herself, accompanied by Matt playing the introduction to Sweet Child O’ Mine, to a roar of approval from the crowd.

Matt%26Kim%202.JPG

We also had a brief rendition of the synth riff to Europe‘s Final Countdown. It just seemed such a perfectly natural thing to do. And Matt and Kim seemed genuinely bowled over by the riotous reaction of the crowd. Ah, yes the heat. It was worth it.

Matt%26Kim%204.JPG

Photos appear courtesy of Richard Pearmain
femkepalm.jpg

If you’re not careful, website after some time spent gazing at one of Femke Hiemstra’s illustrations you may start to notice that everything in your periphery has gone fuzzy, the antique spoon you were stirring your coffee with is grinning at you and the gingerbread man you were going to dunk and nibble has got a little bloodlust in his eye. This cadre of anthropomorphic objects and smoking creatures has me hypnotized and now ‘who to befriend?’ and ‘what are they up to?’ are the only things I care to contemplate. Unfathomably skilled and allegorically gifted, Femke paints the childplay of our subconscious onto antiques finds like books and cigarette tins. She has an appetite for description and reclaims vintage treasures as her canvases. Currently exhibiting in Lush Life at Washington’s Roq la Rue Gallery and a new book Rock Candy coming out this year and, from her home in Amsterdam, Femke Hiemstra tells us more about what goes into this pop surrealist’s soup.

femkechocobunny.jpg

What’s the reason for using inanimate objects as characters?
Why an apple or a mikshake cup? I’m not quite sure, but I think that I’m appealed to the shape at first and I also see characters in them and want to put those personalities on a canvas. Also, I think that drawing a car would bore me.

So much of your work is about light and dark, a shadowy world of storytelling. For all the worlds you describe are there any worlds/places you would like to explore?
I look at things differently, through my own ‘high sensitive’ glasses so to say. In a way I’m already in another world.

The facial expressions in your characters are amazing, what do you refer to when you’re painting them?
I think my inpsiration comes from the ‘enlarged personalities’ I see on the big screen or read in comics. French and Belgian ones mostly. All the ones my dad read like Obelix & Asterix and Lucky Luke.

femkeyamaoba.jpg

That and the great adventurer TinTin of course! I ADORE the “Japanese Mountain Lady” piece. Sinister old ladies are always appearing in Asian stories.
Thanks so much! It was a piece I made for the Fantagraphics Beasts book. This is a compilation of illustrated cryptozoological curiosities. I choose to draw a Japanese Mountain Woman, a female demon who roams japanese hills in search of lonely travelers who she attacs and devours. When I read the story I first thought of the mountain woman as a young but creepy Japanese beauty in a lovely kimono. But when I did my research I found out that the ‘Yama-uba’ was actually an old hag in rags. I could have changed her appearance and take the artistic freedom to make her young and pretty but I choose to go with old bat version. This piece is an example of a digital work. I first made a graphite drawing, scanned it and coloured it digitally in Photoshop.

You mentioned some of the themes you draw from are strong emotions like battles, a hunt, a lost or tragic love or the ‘romantic’ death. Do you see those in the world today?
Well, yes, but my work is not about modern stories, politics or anything else that takes place in this century. And though the ‘actors’ I paint may be recent I beam them to other times. My interest goes to a time where everything had it’s own pace, where there was time for rituals. I do stand with both feet in modern times (except perhaps, that I don’t Skype), but ‘vintage’ with all the scratches that comes with it breaths more life and just appeals to me more.

femke%20dark%20basin.jpg

I couldn’t agree more that there is a void where value used to exist. Disposable objects, obsessions with the new and therfor youth. The absence of rituals, as you mentioned is a very good example of that. We’re too busy running about to notice and acknowledge something’s significance. Do you see any examples around you these days that some of that IS still around?
Im fascinated by smoking, even though Im not a smoker myself. I’m very attracted to the power of it, the Hollywood-esque forms it can have when a hunky bloke or a femme fatale lits a cigarette. It’s not what you’d call a ritual nowadays though, but it played an important role in older times, used in negotiations or to get in contact with the spirit world. In the Victorians days, certain gentlemen would put on a velvet or cashmere smoking jacket and a beautifully embroideried smoking cap to enjoy a cigar or pipe.
But other modern rituals? Not close to me I guess. But you can re-create them yourself. After reading The Devil’s Picnic, a book by Taras Grescoe on modern day taboo’s, I got into drinking Absinthe. It’s just a small ritual, but still a great thing to do. It begins by finding the right glasses or buying a beautiful absinthe spoon and then at home follow the steps to get that opalescence ‘louche’ drink.

Is there some of that represented in your work?
I’ve been inpspired by rituals for a while now. By burial or religious rituals, eating and drinking rituals… Today I went to see a wonderful Exhibition of Haitian Vodou in one of Amsterdam’s ethongraphic museum ‘The Tropenmuseum’. It was brilliant. A mix of African rituals and Catholic aspects blended into a religion with no dogma or hierarchy. You bet you’ll find influences of that in my future works.

femkeorigamibird.jpg

You’ve painted on everything from cigarette tins to holy water basins. Where do you find your lovely treasures?
Fleamarkets, second hand book stores and collectors fairs. And small town bric-a-brac’s that are run by the village idiot.

What object have you dreamed of one day painting on?
An antique bible with metal corners.

Every artist need a bit of release during their day…what’s the last song you danced to? Sang out loud to?
I sing out loud every day to all kinds of music! (I work at home. It’s a big advantage if you’re an ‘along singer’ like me). The last song must have been something from Iron Maiden or that last Elbow album, those are the two cd’s I listened to today. The last song I danced to was Death to Los Campesinos by Los Campesinos.

You must have incredible dreams! What was the last dream you remember having?
Oh man, I have the weirdest dreams sometimes. I’m not really drink much alcohol and don’t do drugs which, perhaps, makes it all even weirder, but every now and then I can wake up from a dream and be thinking ‘… did that all just happen in MY head?’ But dreams are fun. Today a friend of mine told me she found herself crying over her bike that got its ‘head’ chopped off on a bicycle battefield. Woooo… weird!

femke%20double%202.jpg

Is there somewhere you’ve traveled that has influenced you. Is there some place you’d like to visit, bottom of the ocean, back alley in Shanghai, your neighbor’s attic…?
Russia, or more presicely, Moskow. I love to see that one day. I’ve read this book about it written by a Dutch correspondent who lives there and it must be such a contradictional place. That I just have to see for myself. And Japan, of course! Characters galore on every street corner and in every vending machine. Seeing the polar lights up north is also on my wishlist.

I could so easily see how your work could be translated into motion or animation. Has anyone ever approached you about that?
Disney wanted me to make a proposal for a tv animation short. Of course I was thrilled and I dropped everything I was working on to focus on it. But once I showed my first proposal this assignment with ‘total creative freedom’ turned into one of the biggest brain drains of my creative career. I wrote about it on my blog. (read about it) So animation… I dunno! I’m not exactly jumping of joy. But Disney’s sitll a bit fresh, for now I’m very happy painting.

femke%20double3.jpg

I just saw your badges/pins and was wondering if they are actually hand painted?
No, those are printed. Sometimes a bunch of collegues and me are invited to do live badge drawing at the Lowlands (alternative) music fesitval in Holland, together with our badge producer Buzzworks. People can make their own badges or have an artist draw one for them. It’s like a school trip for artists, amidst cool visitors and cool music. It’s always a lot of fun.

Wahoo, let’s all pile into to the school bus and make for the Dutch Lowlands, who’s with me? Femke’s skills as an illustrator/storyteller are razor sharp. Just so happens she’s incredibly fun to interview too. Hmmm, now what sinister playmates does that remind me of?

Recently Femke’s fantastical work has garnered the attention of an unlikely admirer in the form of a counterfeiter!!! Good grief, is no one safe?

Categories ,Amsterdam, ,characters, ,Femke Hiemstra, ,illustration, ,pop, ,surrealist, ,vintage

Similar Posts:






Amelia’s Magazine | Field Work: pop-up shop and gallery in Spitalfields

Emilio de la Morena by Lisa Stannard
Emilio de la Morena by Sandra Contreras
Emilio de la Morena A/W 2011 by Sandra Contreras.

Emilio de la Morena really took this season’s colour to heart, page and then some. His sleekly elegant aesthetic was emphasised by models with loosely scraped back long hair and tomato red lips, their svelte calves encased in mid length dresses with a slight lingerie flavour in the tight ridging, dangling ribbons and sheer panels – proof that sexy doesn’t have to mean revealing. Each individual panel was painstakingly stitched together to create a grid-like design, sometimes bordered with spaghetti thin leather tubing, and then with tiny beads.

Emilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena A/W 2011 by Joana Faria
Emilio de la Morena A/W 2011 by Joana Faria.

Delightful reds and orange were counter-balanced with the introduction of pale pink, ivory and plum. Swirling zig-zag ribbon details appeared in organza bib panels that layered over calf length skirts. Severe black wool suits were broken with bands of silvery lurex and metallic red threads. Shoes by Charlotte Olympia were particularly delicious: suede platforms tied tightly with silky ribbons, very high and very red.

Emilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena A/W 2011 by Sandra Contreras
Emilio de la Morena A/W 2011 by Sandra Contreras.

The collection was partly inspired by the tragic photos of Francesca Woodman, who killed herself at the age of 22, but also by the stoic elegance of Victorian ladies on film, which was most revealed in the necks, which were almost ubiquitously high and ruffled.

Emilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena A/W 2011 by Joana FariaEmilio de la Morena A/W 2011 by Joana Faria
Emilio de la Morena A/W 2011 by Joana Faria.

I profiled Emilio de la Morena in issue 08 of Amelia’s Magazine (still available here) many years ago, and this collection reminded me exactly why I had been attracted to him in the first place: he makes beautiful, sexy and wearable clothes with an elegant hand-crafted twist. This was an absolutely stunning collection. If only I were tall and graceful enough to wear such creations myself.

Emilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia Gregory
Emilio de la Morena LFW A/W 2011. All photography by Amelia Gregory.

Emilio de la Morena A/W 2011 by Sandra Contreras
Emilio de la Morena by Sandra Contreras.

You can see more of Joana Faria’s illustrations in Amelia’s Compendium of Fashion, and read Helen Martin’s rather more eloquent review of this show here.

Just off Brick Lane, pharm past the curry houses and down a side street, stomach is where Hinshelwood de Borman have set up their newest pop-up shop. My only complaint after spending an hour leafing through the curiosities of ‘Field Work’ is that this isn’t a permanent shop – because it is absolutely lovely.

The selection by Caitlin Hinshelwood and Rose de Borman offers steep competition when it comes to picking a favourite, viagra buy but I think the printed textiles from shop founders Caitlin and Rose are the stars of the show. Stacks of cotton and silk cushions are adorned with animal prints – one with giraffes, lions and bears, the next with frogs and snakes, and so on. The patterns are repeated on post cards, purses and on dresses for sale at the back. Soft colours and gorgeous, subtle patterns make for unorthodox and brilliant little outfits – like the dress covered in prints of root vegetables.

Cushions by Caitlin Hinshelwood and Rose de Borman

Kitty Farrow Press has created a special range of notebooks for Field Work, all marked with an antlers logo. Continuing the animal theme are spoons cut from antlers by Kirsten Hecktermann – if that sounds like too much the shop also has some carved wooden spoons on offer.

Other treats include some very cute medieval replica pewter brooches, papier-mâché masks, and lovely old-style screwdriver sets from Elementary Design. The taxidermy is the work of Jazmine Miles-Long, an ethical taxidermist who only uses animals that have died from natural causes. Shipping Forecast Knitwear has some fantastic wooly hats on display, made in the UK from Aran wool but bringing to mind windswept isles in Nordic waters.

Neal Jones

Down the stairs is the gallery, and the show is entitled ‘Weird Folk’ with art by Betsy Dadd, Neal Jones and Max Wade. The warm and playful paintings almost beg to be touched, especially the smeared brush-strokes and rough edges of some of the art – which makes me want to start painting again as the artists make it look like so much fun.

Betsy Dadd

Field Work runs between 15th and 20th March in Spitalfields, at 65 Hanbury Street, London E1 5JP. For more information see our listing. If you miss it there’s an online shop here.

Categories ,art, ,Betsy Dadd, ,Brick Lane, ,Caitlin Hinshelwood, ,Elementary Design, ,Field Work, ,Gallery, ,Hinshelwood de Borman, ,Jazmine Miles-Long, ,Kirsten Hecktermann, ,Kitty Farrow Press, ,london, ,Max Wade, ,Neal Jones, ,Pop-up Shop, ,Rose de Borman, ,Shipping Forecast Knitwear, ,spitalfields, ,textile print, ,vintage, ,Weird Folk

Similar Posts:






Amelia’s Magazine | Field Work: pop-up shop and gallery in Spitalfields

Emilio de la Morena by Lisa Stannard
Emilio de la Morena by Sandra Contreras
Emilio de la Morena A/W 2011 by Sandra Contreras.

Emilio de la Morena really took this season’s colour to heart, page and then some. His sleekly elegant aesthetic was emphasised by models with loosely scraped back long hair and tomato red lips, their svelte calves encased in mid length dresses with a slight lingerie flavour in the tight ridging, dangling ribbons and sheer panels – proof that sexy doesn’t have to mean revealing. Each individual panel was painstakingly stitched together to create a grid-like design, sometimes bordered with spaghetti thin leather tubing, and then with tiny beads.

Emilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena A/W 2011 by Joana Faria
Emilio de la Morena A/W 2011 by Joana Faria.

Delightful reds and orange were counter-balanced with the introduction of pale pink, ivory and plum. Swirling zig-zag ribbon details appeared in organza bib panels that layered over calf length skirts. Severe black wool suits were broken with bands of silvery lurex and metallic red threads. Shoes by Charlotte Olympia were particularly delicious: suede platforms tied tightly with silky ribbons, very high and very red.

Emilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena A/W 2011 by Sandra Contreras
Emilio de la Morena A/W 2011 by Sandra Contreras.

The collection was partly inspired by the tragic photos of Francesca Woodman, who killed herself at the age of 22, but also by the stoic elegance of Victorian ladies on film, which was most revealed in the necks, which were almost ubiquitously high and ruffled.

Emilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena A/W 2011 by Joana FariaEmilio de la Morena A/W 2011 by Joana Faria
Emilio de la Morena A/W 2011 by Joana Faria.

I profiled Emilio de la Morena in issue 08 of Amelia’s Magazine (still available here) many years ago, and this collection reminded me exactly why I had been attracted to him in the first place: he makes beautiful, sexy and wearable clothes with an elegant hand-crafted twist. This was an absolutely stunning collection. If only I were tall and graceful enough to wear such creations myself.

Emilio de la Morena LFW A/W 2011. Photography by Amelia GregoryEmilio de la Morena LFW A/W 2011. Photography by Amelia Gregory
Emilio de la Morena LFW A/W 2011. All photography by Amelia Gregory.

Emilio de la Morena A/W 2011 by Sandra Contreras
Emilio de la Morena by Sandra Contreras.

You can see more of Joana Faria’s illustrations in Amelia’s Compendium of Fashion, and read Helen Martin’s rather more eloquent review of this show here.

Just off Brick Lane, pharm past the curry houses and down a side street, stomach is where Hinshelwood de Borman have set up their newest pop-up shop. My only complaint after spending an hour leafing through the curiosities of ‘Field Work’ is that this isn’t a permanent shop – because it is absolutely lovely.

The selection by Caitlin Hinshelwood and Rose de Borman offers steep competition when it comes to picking a favourite, viagra buy but I think the printed textiles from shop founders Caitlin and Rose are the stars of the show. Stacks of cotton and silk cushions are adorned with animal prints – one with giraffes, lions and bears, the next with frogs and snakes, and so on. The patterns are repeated on post cards, purses and on dresses for sale at the back. Soft colours and gorgeous, subtle patterns make for unorthodox and brilliant little outfits – like the dress covered in prints of root vegetables.

Cushions by Caitlin Hinshelwood and Rose de Borman

Kitty Farrow Press has created a special range of notebooks for Field Work, all marked with an antlers logo. Continuing the animal theme are spoons cut from antlers by Kirsten Hecktermann – if that sounds like too much the shop also has some carved wooden spoons on offer.

Other treats include some very cute medieval replica pewter brooches, papier-mâché masks, and lovely old-style screwdriver sets from Elementary Design. The taxidermy is the work of Jazmine Miles-Long, an ethical taxidermist who only uses animals that have died from natural causes. Shipping Forecast Knitwear has some fantastic wooly hats on display, made in the UK from Aran wool but bringing to mind windswept isles in Nordic waters.

Neal Jones

Down the stairs is the gallery, and the show is entitled ‘Weird Folk’ with art by Betsy Dadd, Neal Jones and Max Wade. The warm and playful paintings almost beg to be touched, especially the smeared brush-strokes and rough edges of some of the art – which makes me want to start painting again as the artists make it look like so much fun.

Betsy Dadd

Field Work runs between 15th and 20th March in Spitalfields, at 65 Hanbury Street, London E1 5JP. For more information see our listing. If you miss it there’s an online shop here.

Categories ,art, ,Betsy Dadd, ,Brick Lane, ,Caitlin Hinshelwood, ,Elementary Design, ,Field Work, ,Gallery, ,Hinshelwood de Borman, ,Jazmine Miles-Long, ,Kirsten Hecktermann, ,Kitty Farrow Press, ,london, ,Max Wade, ,Neal Jones, ,Pop-up Shop, ,Rose de Borman, ,Shipping Forecast Knitwear, ,spitalfields, ,textile print, ,vintage, ,Weird Folk

Similar Posts:






Amelia’s Magazine | A delightful Alice in Wonderland Townhouse Party in Fitzroy Square.

Prior to the General Election, Amelia’s Magazine interviewed Amisha Ghadiali about her new project Think Act Vote. As the dust is settles and the Coalition has passed the 100 days mark. Amelia’s Magazine caught up with Amisha to find out about the outcome of the Think Act Vote Poetry competition, order how to be involved with the The Future I Choose Anthology (deadline the end of September, cost what are you waiting for?) and to find out where Think Act Vote will be for the remaining days of summer.

How did Think Act Vote spend the election night?

Well we had our amazing Think Act Vote party at The City and Arts Music Project the night before, where we revealed the winner of our poetry competition, had live music from the Delirium Tremens and did a Think Act Vote photobooth. On election day, I cast my vote and then had to pack and head to the airport. My brother was graduating from film school at NYU Tisch Asia on the Friday in Singapore so I had to choose between watching the results live or being at the graduation. I really wanted to go to the election party at the Hub Kings Cross hosted by NEF and Future Gov, and also the Billbored party.

What was your desired outcome?

I can’t say I had one that was possible. I was hoping there would be a more inspirational leader in the race. But under the circumstances, I was hoping for a coalition.

What form were you hoping the Coalition would take?

I don’t know, there wasn’t an ideal choice there for me. I just want a progressive government. I think the real issue is our system. We need parliamentary reform, this should have happened before this election, but hopefully it has shown Westminster that the current system doesn’t work. I would like to see a system that allows more independent candidates to get into parliament. There is an argument that this will allow too many people from the far right to get into power, but actually we proved in this election that good old fashioned campaigning can keep the far right at bay.

I think it would be exciting for our country if we had more independents, as I think there are a lot of interesting individuals out there that would be interested in standing for parliament but don’t want to join a particular party.

As the hung parliament reality dawned, Where you following the news reports on the Lib-Lab and Lib-Con talks?

Well as I was away, it was strange. I wasn’t watching the TV news, so was seeing it all from the internet. I would have liked to experience it here and to have taken in the atmosphere. From far away it seemed like utter madness, in any project, you plan for different circumstances. So I did find it strange that the Lib Dems hadn’t already decided what they wanted to do if this situation occurred.

Think Act Vote presents a positive way to reclaim our future. With this in mind, what did you think to the press coverage during the General Election Aftermath (I found the ‘squatting’ headlines referring to Gordon Brown particularly unhelpful)?

Again from a distance, it did seem like a country in chaos. That nobody had a clue what to do. But yes I agree referring the Prime Minister as squatting is never going to be helpful!

Thoughts on the Con-Lib Government?

Surprise, that the Lib Dems had chosen for the country to have a Tory Prime Minister. I would have thought that this would be the last thing they would ever want to happen. But I thought it was interesting that things would have to be passed through such differing views.

As the reality of the cuts loom, have your opinions changed towards the effectiveness of the Coalition Relationship?

I think it is a bit confusing, I don’t feel like Nick Clegg and the Lib Dems have shone through in any way. It does feel more like a Conservative government. I know that we are going through a hard time at the moment with the national deficit and the recession, but they have made some cuts to things that could be really important. For example totally cutting the Sustainable Development Commission and The UK Film Council.

Earlier this summer, you attended a compass meeting – could you tell Amelia’s Magazine readers about the nature of these political events?

There are various political conferences that take place, I have been involved with Compass for the past four years. I used to be on the Compass youth management committee. Compass was set up by Neal Lawson and is an umbrella organisation for progressive politics, bringing together politicians of all parties, pressure groups, trade unions, think tanks, NGOs, academics, activists, campaigners and individuals.They hold an annual conference every summer to discuss ideas. There is an opening address in the main hall which this year had Caroline Lucas MP on the panel, and a closing address which had Pam Giddy, POWER 2010, Jon Cruddas MP & Chuka Umunna MP. There was also a Labour Leaders Debate which was quite interesting to see live. The rest of the day is filled with smaller seminars, there are over 30 on topics including Climate Change, Parliamentary Reform, Tax Justice, The NHS, Feminist Issues and Poverty.

It is an opportunity to think about different issues, ask questions and talk to others about how you think these issues should be tackled.

What are Think Act Vote’s recommendations for making your voice heard?

It is just about thinking about what is important to you, and finding ways to take action and get your voice heard. Whether that is through supporting campaigns, or thinking twice about what you spend your money on.

If you haven’t yet, a good place to start is by contributing to our book. Ask yourself the question – What is The Future You Choose?
You might just give yourself the answer of what to do next..

You can read some examples and contribute online.

What are the summer plans for Think Act Vote and The Future I Choose?

More, more, more. We have been doing Think Act Vote Photobooths, and running around music festivals taking photos and getting people to take part. So we are going to carry this on until the end of September.

Where can you find out about the Photobooth events?

Yeah, we do these often, so keep your eyes on our facebook page and the events page on our website. Apart from the festivals, we are planning various other venues around London over the next seven weeks. We are trying to find interesting venues, like the Union Street Orchard for example.

The release date for the The Future I Choose anthology has been delayed, what were the reasons behind this decision?

We had such a great response and more than enough content to publish the book straight after the election, but thought it made sense to get more people to take part over the summer. Also we didn’t want to send out the message that you only get a choice in The Future You Choose in the run up to an election, because the whole point of our campaign is that you get that choice every day.


Playsuit by Tara Starlet: photograph by:

Have you been working with new fashion designers since Amelia’s Magazine interviewed you? I see the blog mentions: Nancy Dee and Miksani?

We have been sharing on our site the full stories of the Think Act Vote Refashioned pieces, and in some cases instructions how to make them. You can read the stories here. The designers that took part were Ciel, Ada Zandition, Nancy Dee, Miksani, Junky Styling, TRAIDremade, Beautiful Soul and Tara Starlet. Other designers really wanted to take part but couldn’t at the time as they were out of the country, we might get them to do a little something.

The MA students on the Fashion & The Environment project at London College of Fashion are working on something for us now, which we can’t wait to see!

What does Think Act Vote mean after the election?

Although inspired by the election, the campaign was never about voting in the election. It is about understanding that everyday we all express the future we choose by how we spend our time, money and energy. It’s about inspiring ourselves and others to live a life that reflects what we actually want from our future when we stop to think about it. The ‘Vote’ is ours, it is about taking that word away from politicians as something we give to them every four years. About us not being afraid to use political language in our every day lives in a positive way.

I know that having Vote in the campaign name has put many people off it, and even a lot of my friends have thought it was about voting in elections until I explained that. But I think it is important to be aware that everything we do is political and that every day we make choices that shape our world.

Olivia Sprinkel , Winner of the poetry competition was announced on the night of the Think Act Vote Party, How was this decision made?

The poetry competition was judged by John Bird and Shane Solanki. The shortlist was read out at the party and went down really well. Even though the competition is over, everyone is still welcome to answer our question – What’s The Future You Choose with a poem. It might end up in our book!

What’s next for Think Act Vote?

We are really excited about Vintage at Goodwood this weekend! We are doing Think Act Vote Refashioned workshops in the sustainability area where you can make your very own Think Act Vote Refashioned Dress. We will also be doing photoshoots, meet us outside our tent after our workshops.

I am also doing a talk in the talk tent on ethical fashion and creative activism.

Think Act Vote will be at the Vintage at Goodwood Festival this weekend.

Prior to the General Election, sale Amelia’s Magazine interviewed Amisha Ghadiali about her new project Think Act Vote. As the dust is settles and the Coalition has passed the 100 days mark. Amelia’s Magazine caught up with Amisha to find out about the outcome of the Think Act Vote Poetry competition, how to be involved with the The Future I Choose Anthology (deadline the end of September, what are you waiting for?) and to find out where Think Act Vote will be for the remaining days of summer.

How did Think Act Vote spend the election night?

Well we had our amazing Think Act Vote party at The City and Arts Music Project the night before, where we revealed the winner of our poetry competition, had live music from the Delirium Tremens and did a Think Act Vote photobooth. On election day, I cast my vote and then had to pack and head to the airport. My brother was graduating from film school at NYU Tisch Asia on the Friday in Singapore so I had to choose between watching the results live or being at the graduation. I really wanted to go to the election party at the Hub Kings Cross hosted by NEF and Future Gov, and also the Billbored party.

What was your desired outcome?

I can’t say I had one that was possible. I was hoping there would be a more inspirational leader in the race. But under the circumstances, I was hoping for a coalition.

What form were you hoping the Coalition would take?

I don’t know, there wasn’t an ideal choice there for me. I just want a progressive government. I think the real issue is our system. We need parliamentary reform, this should have happened before this election, but hopefully it has shown Westminster that the current system doesn’t work. I would like to see a system that allows more independent candidates to get into parliament. There is an argument that this will allow too many people from the far right to get into power, but actually we proved in this election that good old fashioned campaigning can keep the far right at bay.

I think it would be exciting for our country if we had more independents, as I think there are a lot of interesting individuals out there that would be interested in standing for parliament but don’t want to join a particular party.

As the hung parliament reality dawned, Where you following the news reports on the Lib-Lab and Lib-Con talks?

Well as I was away, it was strange. I wasn’t watching the TV news, so was seeing it all from the internet. I would have liked to experience it here and to have taken in the atmosphere. From far away it seemed like utter madness, in any project, you plan for different circumstances. So I did find it strange that the Lib Dems hadn’t already decided what they wanted to do if this situation occurred.

Think Act Vote presents a positive way to reclaim our future. With this in mind, what did you think to the press coverage during the General Election Aftermath (I found the ‘squatting’ headlines referring to Gordon Brown particularly unhelpful)?

Again from a distance, it did seem like a country in chaos. That nobody had a clue what to do. But yes I agree referring the Prime Minister as squatting is never going to be helpful!

Thoughts on the Con-Lib Government?

Surprise, that the Lib Dems had chosen for the country to have a Tory Prime Minister. I would have thought that this would be the last thing they would ever want to happen. But I thought it was interesting that things would have to be passed through such differing views.

As the reality of the cuts loom, have your opinions changed towards the effectiveness of the Coalition Relationship?

I think it is a bit confusing, I don’t feel like Nick Clegg and the Lib Dems have shone through in any way. It does feel more like a Conservative government. I know that we are going through a hard time at the moment with the national deficit and the recession, but they have made some cuts to things that could be really important. For example totally cutting the Sustainable Development Commission and The UK Film Council.

Earlier this summer, you attended a compass meeting – could you tell Amelia’s Magazine readers about the nature of these political events?

There are various political conferences that take place, I have been involved with Compass for the past four years. I used to be on the Compass youth management committee. Compass was set up by Neal Lawson and is an umbrella organisation for progressive politics, bringing together politicians of all parties, pressure groups, trade unions, think tanks, NGOs, academics, activists, campaigners and individuals.They hold an annual conference every summer to discuss ideas. There is an opening address in the main hall which this year had Caroline Lucas MP on the panel, and a closing address which had Pam Giddy, POWER 2010, Jon Cruddas MP & Chuka Umunna MP. There was also a Labour Leaders Debate which was quite interesting to see live. The rest of the day is filled with smaller seminars, there are over 30 on topics including Climate Change, Parliamentary Reform, Tax Justice, The NHS, Feminist Issues and Poverty.

It is an opportunity to think about different issues, ask questions and talk to others about how you think these issues should be tackled.

What are Think Act Vote’s recommendations for making your voice heard?

It is just about thinking about what is important to you, and finding ways to take action and get your voice heard. Whether that is through supporting campaigns, or thinking twice about what you spend your money on.

If you haven’t yet, a good place to start is by contributing to our book. Ask yourself the question – What is The Future You Choose?
You might just give yourself the answer of what to do next..

You can read some examples and contribute online.

What are the summer plans for Think Act Vote and The Future I Choose?

More, more, more. We have been doing Think Act Vote Photobooths, and running around music festivals taking photos and getting people to take part. So we are going to carry this on until the end of September.

Where can you find out about the Photobooth events?

Yeah, we do these often, so keep your eyes on our facebook page and the events page on our website. Apart from the festivals, we are planning various other venues around London over the next seven weeks. We are trying to find interesting venues, like the Union Street Orchard for example.

The release date for the The Future I Choose anthology has been delayed, what were the reasons behind this decision?

We had such a great response and more than enough content to publish the book straight after the election, but thought it made sense to get more people to take part over the summer. Also we didn’t want to send out the message that you only get a choice in The Future You Choose in the run up to an election, because the whole point of our campaign is that you get that choice every day.


Playsuit by Tara Starlet: photograph by:

Have you been working with new fashion designers since Amelia’s Magazine interviewed you? I see the blog mentions: Nancy Dee and Miksani?

We have been sharing on our site the full stories of the Think Act Vote Refashioned pieces, and in some cases instructions how to make them. You can read the stories here. The designers that took part were Ciel, Ada Zandition, Nancy Dee, Miksani, Junky Styling, TRAIDremade, Beautiful Soul and Tara Starlet. Other designers really wanted to take part but couldn’t at the time as they were out of the country, we might get them to do a little something.

The MA students on the Fashion & The Environment project at London College of Fashion are working on something for us now, which we can’t wait to see!

What does Think Act Vote mean after the election?

Although inspired by the election, the campaign was never about voting in the election. It is about understanding that everyday we all express the future we choose by how we spend our time, money and energy. It’s about inspiring ourselves and others to live a life that reflects what we actually want from our future when we stop to think about it. The ‘Vote’ is ours, it is about taking that word away from politicians as something we give to them every four years. About us not being afraid to use political language in our every day lives in a positive way.

I know that having Vote in the campaign name has put many people off it, and even a lot of my friends have thought it was about voting in elections until I explained that. But I think it is important to be aware that everything we do is political and that every day we make choices that shape our world.

Olivia Sprinkel , Winner of the poetry competition was announced on the night of the Think Act Vote Party, How was this decision made?

The poetry competition was judged by John Bird and Shane Solanki. The shortlist was read out at the party and went down really well. Even though the competition is over, everyone is still welcome to answer our question – What’s The Future You Choose with a poem. It might end up in our book!

What’s next for Think Act Vote?

We are really excited about Vintage at Goodwood this weekend! We are doing Think Act Vote Refashioned workshops in the sustainability area where you can make your very own Think Act Vote Refashioned Dress. We will also be doing photoshoots, meet us outside our tent after our workshops.

I am also doing a talk in the talk tent on ethical fashion and creative activism.

Think Act Vote will be at the Vintage at Goodwood Festival this weekend.

Prior to the General Election, ambulance Amelia’s Magazine interviewed Amisha Ghadiali about her new project Think Act Vote. As the dust is settles and the Coalition has passed the 100 days mark. Amelia’s Magazine caught up with Amisha to find out about the outcome of the Think Act Vote Poetry competition, pharm how to be involved with the The Future I Choose Anthology (deadline the end of September, what are you waiting for?) and to find out where Think Act Vote will be for the remaining days of summer.

How did Think Act Vote spend the election night?

Well we had our amazing Think Act Vote party at The City and Arts Music Project the night before, where we revealed the winner of our poetry competition, had live music from the Delirium Tremens and did a Think Act Vote photobooth. On election day, I cast my vote and then had to pack and head to the airport. My brother was graduating from film school at NYU Tisch Asia on the Friday in Singapore so I had to choose between watching the results live or being at the graduation. I really wanted to go to the election party at the Hub Kings Cross hosted by NEF and Future Gov, and also the Billbored party.

What was your desired outcome?

I can’t say I had one that was possible. I was hoping there would be a more inspirational leader in the race. But under the circumstances, I was hoping for a coalition.

What form were you hoping the Coalition would take?

I don’t know, there wasn’t an ideal choice there for me. I just want a progressive government. I think the real issue is our system. We need parliamentary reform, this should have happened before this election, but hopefully it has shown Westminster that the current system doesn’t work. I would like to see a system that allows more independent candidates to get into parliament. There is an argument that this will allow too many people from the far right to get into power, but actually we proved in this election that good old fashioned campaigning can keep the far right at bay.

I think it would be exciting for our country if we had more independents, as I think there are a lot of interesting individuals out there that would be interested in standing for parliament but don’t want to join a particular party.

As the hung parliament reality dawned, Where you following the news reports on the Lib-Lab and Lib-Con talks?

Well as I was away, it was strange. I wasn’t watching the TV news, so was seeing it all from the internet. I would have liked to experience it here and to have taken in the atmosphere. From far away it seemed like utter madness, in any project, you plan for different circumstances. So I did find it strange that the Lib Dems hadn’t already decided what they wanted to do if this situation occurred.

Think Act Vote presents a positive way to reclaim our future. With this in mind, what did you think to the press coverage during the General Election Aftermath (I found the ‘squatting’ headlines referring to Gordon Brown particularly unhelpful)?

Again from a distance, it did seem like a country in chaos. That nobody had a clue what to do. But yes I agree referring the Prime Minister as squatting is never going to be helpful!

Thoughts on the Con-Lib Government?

Surprise, that the Lib Dems had chosen for the country to have a Tory Prime Minister. I would have thought that this would be the last thing they would ever want to happen. But I thought it was interesting that things would have to be passed through such differing views.

As the reality of the cuts loom, have your opinions changed towards the effectiveness of the Coalition Relationship?

I think it is a bit confusing, I don’t feel like Nick Clegg and the Lib Dems have shone through in any way. It does feel more like a Conservative government. I know that we are going through a hard time at the moment with the national deficit and the recession, but they have made some cuts to things that could be really important. For example totally cutting the Sustainable Development Commission and The UK Film Council.

Earlier this summer, you attended a compass meeting – could you tell Amelia’s Magazine readers about the nature of these political events?

There are various political conferences that take place, I have been involved with Compass for the past four years. I used to be on the Compass youth management committee. Compass was set up by Neal Lawson and is an umbrella organisation for progressive politics, bringing together politicians of all parties, pressure groups, trade unions, think tanks, NGOs, academics, activists, campaigners and individuals.They hold an annual conference every summer to discuss ideas. There is an opening address in the main hall which this year had Caroline Lucas MP on the panel, and a closing address which had Pam Giddy, POWER 2010, Jon Cruddas MP & Chuka Umunna MP. There was also a Labour Leaders Debate which was quite interesting to see live. The rest of the day is filled with smaller seminars, there are over 30 on topics including Climate Change, Parliamentary Reform, Tax Justice, The NHS, Feminist Issues and Poverty.

It is an opportunity to think about different issues, ask questions and talk to others about how you think these issues should be tackled.

What are Think Act Vote’s recommendations for making your voice heard?

It is just about thinking about what is important to you, and finding ways to take action and get your voice heard. Whether that is through supporting campaigns, or thinking twice about what you spend your money on.

If you haven’t yet, a good place to start is by contributing to our book. Ask yourself the question – What is The Future You Choose?
You might just give yourself the answer of what to do next..

You can read some examples and contribute online.

What are the summer plans for Think Act Vote and The Future I Choose?

More, more, more. We have been doing Think Act Vote Photobooths, and running around music festivals taking photos and getting people to take part. So we are going to carry this on until the end of September.

Where can you find out about the Photobooth events?

Yeah, we do these often, so keep your eyes on our facebook page and the events page on our website. Apart from the festivals, we are planning various other venues around London over the next seven weeks. We are trying to find interesting venues, like the Union Street Orchard for example.

The release date for the The Future I Choose anthology has been delayed, what were the reasons behind this decision?

We had such a great response and more than enough content to publish the book straight after the election, but thought it made sense to get more people to take part over the summer. Also we didn’t want to send out the message that you only get a choice in The Future You Choose in the run up to an election, because the whole point of our campaign is that you get that choice every day.


Playsuit by Tara Starlet: photograph by:

Have you been working with new fashion designers since Amelia’s Magazine interviewed you? I see the blog mentions: Nancy Dee and Miksani?

We have been sharing on our site the full stories of the Think Act Vote Refashioned pieces, and in some cases instructions how to make them. You can read the stories here. The designers that took part were Ciel, Ada Zandition, Nancy Dee, Miksani, Junky Styling, TRAIDremade, Beautiful Soul and Tara Starlet. Other designers really wanted to take part but couldn’t at the time as they were out of the country, we might get them to do a little something.

The MA students on the Fashion & The Environment project at London College of Fashion are working on something for us now, which we can’t wait to see!

What does Think Act Vote mean after the election?

Although inspired by the election, the campaign was never about voting in the election. It is about understanding that everyday we all express the future we choose by how we spend our time, money and energy. It’s about inspiring ourselves and others to live a life that reflects what we actually want from our future when we stop to think about it. The ‘Vote’ is ours, it is about taking that word away from politicians as something we give to them every four years. About us not being afraid to use political language in our every day lives in a positive way.

I know that having Vote in the campaign name has put many people off it, and even a lot of my friends have thought it was about voting in elections until I explained that. But I think it is important to be aware that everything we do is political and that every day we make choices that shape our world.

Olivia Sprinkel , Winner of the poetry competition was announced on the night of the Think Act Vote Party, How was this decision made?

The poetry competition was judged by John Bird and Shane Solanki. The shortlist was read out at the party and went down really well. Even though the competition is over, everyone is still welcome to answer our question – What’s The Future You Choose with a poem. It might end up in our book!

What’s next for Think Act Vote?

We are really excited about Vintage at Goodwood this weekend! We are doing Think Act Vote Refashioned workshops in the sustainability area where you can make your very own Think Act Vote Refashioned Dress. We will also be doing photoshoots, meet us outside our tent after our workshops.

I am also doing a talk in the talk tent on ethical fashion and creative activism.

Think Act Vote will be at the Vintage at Goodwood Festival this weekend.

Prior to the General Election, about it Amelia’s Magazine interviewed Amisha Ghadiali about her new project Think Act Vote. As the dust is settles and the Coalition has passed the 100 days mark. Amelia’s Magazine caught up with Amisha to find out about the outcome of the Think Act Vote Poetry competition, how to be involved with the The Future I Choose Anthology (deadline the end of September, what are you waiting for?) and to find out where Think Act Vote will be for the remaining days of summer.

How did Think Act Vote spend the election night?

Well we had our amazing Think Act Vote party at The City and Arts Music Project the night before, where we revealed the winner of our poetry competition, had live music from the Delirium Tremens and did a Think Act Vote photobooth. On election day, I cast my vote and then had to pack and head to the airport. My brother was graduating from film school at NYU Tisch Asia on the Friday in Singapore so I had to choose between watching the results live or being at the graduation. I really wanted to go to the election party at the Hub Kings Cross hosted by NEF and Future Gov, and also the Billbored party.

What was your desired outcome?

I can’t say I had one that was possible. I was hoping there would be a more inspirational leader in the race. But under the circumstances, I was hoping for a coalition.

What form were you hoping the Coalition would take?

I don’t know, there wasn’t an ideal choice there for me. I just want a progressive government. I think the real issue is our system. We need parliamentary reform, this should have happened before this election, but hopefully it has shown Westminster that the current system doesn’t work. I would like to see a system that allows more independent candidates to get into parliament. There is an argument that this will allow too many people from the far right to get into power, but actually we proved in this election that good old fashioned campaigning can keep the far right at bay.

I think it would be exciting for our country if we had more independents, as I think there are a lot of interesting individuals out there that would be interested in standing for parliament but don’t want to join a particular party.

As the hung parliament reality dawned, Where you following the news reports on the Lib-Lab and Lib-Con talks?

Well as I was away, it was strange. I wasn’t watching the TV news, so was seeing it all from the internet. I would have liked to experience it here and to have taken in the atmosphere. From far away it seemed like utter madness, in any project, you plan for different circumstances. So I did find it strange that the Lib Dems hadn’t already decided what they wanted to do if this situation occurred.

Think Act Vote presents a positive way to reclaim our future. With this in mind, what did you think to the press coverage during the General Election Aftermath (I found the ‘squatting’ headlines referring to Gordon Brown particularly unhelpful)?

Again from a distance, it did seem like a country in chaos. That nobody had a clue what to do. But yes I agree referring the Prime Minister as squatting is never going to be helpful!

Thoughts on the Con-Lib Government?

Surprise, that the Lib Dems had chosen for the country to have a Tory Prime Minister. I would have thought that this would be the last thing they would ever want to happen. But I thought it was interesting that things would have to be passed through such differing views.

As the reality of the cuts loom, have your opinions changed towards the effectiveness of the Coalition Relationship?

I think it is a bit confusing, I don’t feel like Nick Clegg and the Lib Dems have shone through in any way. It does feel more like a Conservative government. I know that we are going through a hard time at the moment with the national deficit and the recession, but they have made some cuts to things that could be really important. For example totally cutting the Sustainable Development Commission and The UK Film Council.

Earlier this summer, you attended a compass meeting – could you tell Amelia’s Magazine readers about the nature of these political events?

There are various political conferences that take place, I have been involved with Compass for the past four years. I used to be on the Compass youth management committee. Compass was set up by Neal Lawson and is an umbrella organisation for progressive politics, bringing together politicians of all parties, pressure groups, trade unions, think tanks, NGOs, academics, activists, campaigners and individuals.They hold an annual conference every summer to discuss ideas. There is an opening address in the main hall which this year had Caroline Lucas MP on the panel, and a closing address which had Pam Giddy, POWER 2010, Jon Cruddas MP & Chuka Umunna MP. There was also a Labour Leaders Debate which was quite interesting to see live. The rest of the day is filled with smaller seminars, there are over 30 on topics including Climate Change, Parliamentary Reform, Tax Justice, The NHS, Feminist Issues and Poverty.

It is an opportunity to think about different issues, ask questions and talk to others about how you think these issues should be tackled.

What are Think Act Vote’s recommendations for making your voice heard?

It is just about thinking about what is important to you, and finding ways to take action and get your voice heard. Whether that is through supporting campaigns, or thinking twice about what you spend your money on.

If you haven’t yet, a good place to start is by contributing to our book. Ask yourself the question – What is The Future You Choose?
You might just give yourself the answer of what to do next..

You can read some examples and contribute online.

What are the summer plans for Think Act Vote and The Future I Choose?

More, more, more. We have been doing Think Act Vote Photobooths, and running around music festivals taking photos and getting people to take part. So we are going to carry this on until the end of September.

Where can you find out about the Photobooth events?

Yeah, we do these often, so keep your eyes on our facebook page and the events page on our website. Apart from the festivals, we are planning various other venues around London over the next seven weeks. We are trying to find interesting venues, like the Union Street Orchard for example.

The release date for the The Future I Choose anthology has been delayed, what were the reasons behind this decision?

We had such a great response and more than enough content to publish the book straight after the election, but thought it made sense to get more people to take part over the summer. Also we didn’t want to send out the message that you only get a choice in The Future You Choose in the run up to an election, because the whole point of our campaign is that you get that choice every day.


Playsuit by Tara Starlet: photograph by:

Have you been working with new fashion designers since Amelia’s Magazine interviewed you? I see the blog mentions: Nancy Dee and Miksani?

We have been sharing on our site the full stories of the Think Act Vote Refashioned pieces, and in some cases instructions how to make them. You can read the stories here. The designers that took part were Ciel, Ada Zandition, Nancy Dee, Miksani, Junky Styling, TRAIDremade, Beautiful Soul and Tara Starlet. Other designers really wanted to take part but couldn’t at the time as they were out of the country, we might get them to do a little something.

The MA students on the Fashion & The Environment project at London College of Fashion are working on something for us now, which we can’t wait to see!

What does Think Act Vote mean after the election?

Although inspired by the election, the campaign was never about voting in the election. It is about understanding that everyday we all express the future we choose by how we spend our time, money and energy. It’s about inspiring ourselves and others to live a life that reflects what we actually want from our future when we stop to think about it. The ‘Vote’ is ours, it is about taking that word away from politicians as something we give to them every four years. About us not being afraid to use political language in our every day lives in a positive way.

I know that having Vote in the campaign name has put many people off it, and even a lot of my friends have thought it was about voting in elections until I explained that. But I think it is important to be aware that everything we do is political and that every day we make choices that shape our world.

Olivia Sprinkel, Winner of the poetry competition was announced on the night of the Think Act Vote Party, How was this decision made?

The poetry competition was judged by John Bird and Shane Solanki. The shortlist was read out at the party and went down really well. Even though the competition is over, everyone is still welcome to answer our question – What’s The Future You Choose with a poem. It might end up in our book!

What’s next for Think Act Vote?

We are really excited about Vintage at Goodwood this weekend! We are doing Think Act Vote Refashioned workshops in the sustainability area where you can make your very own Think Act Vote Refashioned Dress. We will also be doing photoshoots, meet us outside our tent after our workshops.

I am also doing a talk in the talk tent on ethical fashion and creative activism.

Think Act Vote will be at the Vintage at Goodwood Festival this weekend.

Prior to the General Election, shop Amelia’s Magazine interviewed Amisha Ghadiali about her new project Think Act Vote. As the dust is settles and the Coalition has passed the 100 days mark. Amelia’s Magazine caught up with Amisha to find out about the outcome of the Think Act Vote Poetry competition, how to be involved with the The Future I Choose Anthology (deadline the end of September, what are you waiting for?) and to find out where Think Act Vote will be for the remaining days of summer.

How did Think Act Vote spend the election night?

Well we had our amazing Think Act Vote party at The City and Arts Music Project the night before, where we revealed the winner of our poetry competition, had live music from the Delirium Tremens and did a Think Act Vote photobooth. On election day, I cast my vote and then had to pack and head to the airport. My brother was graduating from film school at NYU Tisch Asia on the Friday in Singapore so I had to choose between watching the results live or being at the graduation. I really wanted to go to the election party at the Hub Kings Cross hosted by NEF and Future Gov, and also the Billbored party.

Showpiece by Beautiful Soul for Think Act Vote: Photography by Dominic Clarke

What was your desired outcome?

I can’t say I had one that was possible. I was hoping there would be a more inspirational leader in the race. But under the circumstances, I was hoping for a coalition.

What form were you hoping the Coalition would take?

I don’t know, there wasn’t an ideal choice there for me. I just want a progressive government. I think the real issue is our system. We need parliamentary reform, this should have happened before this election, but hopefully it has shown Westminster that the current system doesn’t work. I would like to see a system that allows more independent candidates to get into parliament. There is an argument that this will allow too many people from the far right to get into power, but actually we proved in this election that good old fashioned campaigning can keep the far right at bay.

I think it would be exciting for our country if we had more independents, as I think there are a lot of interesting individuals out there that would be interested in standing for parliament but don’t want to join a particular party.

Campaigns Group at Time for Tea. Photography by Vanya Sacha

As the hung parliament reality dawned, Where you following the news reports on the Lib-Lab and Lib-Con talks?

Well as I was away, it was strange. I wasn’t watching the TV news, so was seeing it all from the internet. I would have liked to experience it here and to have taken in the atmosphere. From far away it seemed like utter madness, in any project, you plan for different circumstances. So I did find it strange that the Lib Dems hadn’t already decided what they wanted to do if this situation occurred.

Think Act Vote presents a positive way to reclaim our future. With this in mind, what did you think to the press coverage during the General Election Aftermath (I found the ‘squatting’ headlines referring to Gordon Brown particularly unhelpful)?

Again from a distance, it did seem like a country in chaos. That nobody had a clue what to do. But yes I agree referring the Prime Minister as squatting is never going to be helpful!

Photography by Deepti V. Patel

Thoughts on the Con-Lib Government?

Surprise, that the Lib Dems had chosen for the country to have a Tory Prime Minister. I would have thought that this would be the last thing they would ever want to happen. But I thought it was interesting that things would have to be passed through such differing views.

As the reality of the cuts loom, have your opinions changed towards the effectiveness of the Coalition Relationship?

I think it is a bit confusing, I don’t feel like Nick Clegg and the Lib Dems have shone through in any way. It does feel more like a Conservative government. I know that we are going through a hard time at the moment with the national deficit and the recession, but they have made some cuts to things that could be really important. For example totally cutting the Sustainable Development Commission and The UK Film Council.

Earlier this summer, you attended a compass meeting – could you tell Amelia’s Magazine readers about the nature of these political events?

There are various political conferences that take place, I have been involved with Compass for the past four years. I used to be on the Compass youth management committee. Compass was set up by Neal Lawson and is an umbrella organisation for progressive politics, bringing together politicians of all parties, pressure groups, trade unions, think tanks, NGOs, academics, activists, campaigners and individuals.They hold an annual conference every summer to discuss ideas. There is an opening address in the main hall which this year had Caroline Lucas MP on the panel, and a closing address which had Pam Giddy, POWER 2010, Jon Cruddas MP & Chuka Umunna MP. There was also a Labour Leaders Debate which was quite interesting to see live. The rest of the day is filled with smaller seminars, there are over 30 on topics including Climate Change, Parliamentary Reform, Tax Justice, The NHS, Feminist Issues and Poverty.

It is an opportunity to think about different issues, ask questions and talk to others about how you think these issues should be tackled.

What are Think Act Vote’s recommendations for making your voice heard?

It is just about thinking about what is important to you, and finding ways to take action and get your voice heard. Whether that is through supporting campaigns, or thinking twice about what you spend your money on.

If you haven’t yet, a good place to start is by contributing to our book. Ask yourself the question – What is The Future You Choose?
You might just give yourself the answer of what to do next..

You can read some examples and contribute online.

What are the summer plans for Think Act Vote and The Future I Choose?

More, more, more. We have been doing Think Act Vote Photobooths, and running around music festivals taking photos and getting people to take part. So we are going to carry this on until the end of September.


Ethical Fashion Green Sunday. Photography by LUDOVIC DES COGNETS.

Where can you find out about the Photobooth events?

Yeah, we do these often, so keep your eyes on our facebook page and the events page on our website. Apart from the festivals, we are planning various other venues around London over the next seven weeks. We are trying to find interesting venues, like the Union Street Orchard for example.

The release date for the The Future I Choose anthology has been delayed, what were the reasons behind this decision?

We had such a great response and more than enough content to publish the book straight after the election, but thought it made sense to get more people to take part over the summer. Also we didn’t want to send out the message that you only get a choice in The Future You Choose in the run up to an election, because the whole point of our campaign is that you get that choice every day.


Playsuit by Tara Starlet for Think Act Vote: photograph by Dominic Clarke

Have you been working with new fashion designers since Amelia’s Magazine interviewed you? I see the blog mentions: Nancy Dee and Miksani?

We have been sharing on our site the full stories of the Think Act Vote Refashioned pieces, and in some cases instructions how to make them. You can read the stories here. The designers that took part were Ciel, Ada Zandition, Nancy Dee, Miksani, Junky Styling, TRAIDremade, Beautiful Soul and Tara Starlet. Other designers really wanted to take part but couldn’t at the time as they were out of the country, we might get them to do a little something.

The MA students on the Fashion & The Environment project at London College of Fashion are working on something for us now, which we can’t wait to see!

Photography by Deepti V. Patel

What does Think Act Vote mean after the election?

Although inspired by the election, the campaign was never about voting in the election. It is about understanding that everyday we all express the future we choose by how we spend our time, money and energy. It’s about inspiring ourselves and others to live a life that reflects what we actually want from our future when we stop to think about it. The ‘Vote’ is ours, it is about taking that word away from politicians as something we give to them every four years. About us not being afraid to use political language in our every day lives in a positive way.

I know that having Vote in the campaign name has put many people off it, and even a lot of my friends have thought it was about voting in elections until I explained that. But I think it is important to be aware that everything we do is political and that every day we make choices that shape our world.

Olivia Sprinkel, Winner of the poetry competition was announced on the night of the Think Act Vote Party, How was this decision made?

The poetry competition was judged by John Bird and Shane Solanki. The shortlist was read out at the party and went down really well. Even though the competition is over, everyone is still welcome to answer our question – What’s The Future You Choose with a poem. It might end up in our book!

What’s next for Think Act Vote?

We are really excited about Vintage at Goodwood this weekend! We are doing Think Act Vote Refashioned workshops in the sustainability area where you can make your very own Think Act Vote Refashioned Dress. We will also be doing photoshoots, meet us outside our tent after our workshops.

I am also doing a talk in the talk tent on ethical fashion and creative activism.

Think Act Vote will be at the Vintage at Goodwood Festival this weekend.
Photograph by Vanya Sacha

Prior to the General Election, more about Amelia’s Magazine interviewed Amisha Ghadiali about her new project Think Act Vote. As the dust is settles and the Coalition has passed the 100 days mark. Amelia’s Magazine caught up with Amisha to find out about the outcome of the Think Act Vote Poetry competition, how to be involved with the The Future I Choose Anthology (deadline the end of September, what are you waiting for?) and to find out where Think Act Vote will be for the remaining days of summer.

How did Think Act Vote spend the election night?

Well we had our amazing Think Act Vote party at The City and Arts Music Project the night before, where we revealed the winner of our poetry competition, had live music from the Delirium Tremens and did a Think Act Vote photobooth. On election day, I cast my vote and then had to pack and head to the airport. My brother was graduating from film school at NYU Tisch Asia on the Friday in Singapore so I had to choose between watching the results live or being at the graduation. I really wanted to go to the election party at the Hub Kings Cross hosted by NEF and Future Gov, and also the Billbored party.

Showpiece by Beautiful Soul for Think Act Vote: Photography by Dominic Clarke

What was your desired outcome?

I can’t say I had one that was possible. I was hoping there would be a more inspirational leader in the race. But under the circumstances, I was hoping for a coalition.

What form were you hoping the Coalition would take?

I don’t know, there wasn’t an ideal choice there for me. I just want a progressive government. I think the real issue is our system. We need parliamentary reform, this should have happened before this election, but hopefully it has shown Westminster that the current system doesn’t work. I would like to see a system that allows more independent candidates to get into parliament. There is an argument that this will allow too many people from the far right to get into power, but actually we proved in this election that good old fashioned campaigning can keep the far right at bay.

I think it would be exciting for our country if we had more independents, as I think there are a lot of interesting individuals out there that would be interested in standing for parliament but don’t want to join a particular party.

Campaigns Group at Time for Tea. Photography by Vanya Sacha

As the hung parliament reality dawned, Where you following the news reports on the Lib-Lab and Lib-Con talks?

Well as I was away, it was strange. I wasn’t watching the TV news, so was seeing it all from the internet. I would have liked to experience it here and to have taken in the atmosphere. From far away it seemed like utter madness, in any project, you plan for different circumstances. So I did find it strange that the Lib Dems hadn’t already decided what they wanted to do if this situation occurred.

Think Act Vote presents a positive way to reclaim our future. With this in mind, what did you think to the press coverage during the General Election Aftermath (I found the ‘squatting’ headlines referring to Gordon Brown particularly unhelpful)?

Again from a distance, it did seem like a country in chaos. That nobody had a clue what to do. But yes I agree referring the Prime Minister as squatting is never going to be helpful!

Photography by Deepti V. Patel

Thoughts on the Con-Lib Government?

Surprise, that the Lib Dems had chosen for the country to have a Tory Prime Minister. I would have thought that this would be the last thing they would ever want to happen. But I thought it was interesting that things would have to be passed through such differing views.

As the reality of the cuts loom, have your opinions changed towards the effectiveness of the Coalition Relationship?

I think it is a bit confusing, I don’t feel like Nick Clegg and the Lib Dems have shone through in any way. It does feel more like a Conservative government. I know that we are going through a hard time at the moment with the national deficit and the recession, but they have made some cuts to things that could be really important. For example totally cutting the Sustainable Development Commission and The UK Film Council.

Photograph by Vanya Sacha

Earlier this summer, you attended a compass meeting – could you tell Amelia’s Magazine readers about the nature of these political events?

There are various political conferences that take place, I have been involved with Compass for the past four years. I used to be on the Compass youth management committee. Compass was set up by Neal Lawson and is an umbrella organisation for progressive politics, bringing together politicians of all parties, pressure groups, trade unions, think tanks, NGOs, academics, activists, campaigners and individuals.They hold an annual conference every summer to discuss ideas. There is an opening address in the main hall which this year had Caroline Lucas MP on the panel, and a closing address which had Pam Giddy, POWER 2010, Jon Cruddas MP & Chuka Umunna MP. There was also a Labour Leaders Debate which was quite interesting to see live. The rest of the day is filled with smaller seminars, there are over 30 on topics including Climate Change, Parliamentary Reform, Tax Justice, The NHS, Feminist Issues and Poverty.

It is an opportunity to think about different issues, ask questions and talk to others about how you think these issues should be tackled.

Photography by Maciej Groman

What are Think Act Vote’s recommendations for making your voice heard?

It is just about thinking about what is important to you, and finding ways to take action and get your voice heard. Whether that is through supporting campaigns, or thinking twice about what you spend your money on.

If you haven’t yet, a good place to start is by contributing to our book. Ask yourself the question – What is The Future You Choose?
You might just give yourself the answer of what to do next..

You can read some examples and contribute online.

What are the summer plans for Think Act Vote and The Future I Choose?

More, more, more. We have been doing Think Act Vote Photobooths, and running around music festivals taking photos and getting people to take part. So we are going to carry this on until the end of September.

Ethical Fashion Green Sunday. Photography by LUDOVIC DES COGNETS.

Where can you find out about the Photobooth events?

Yeah, we do these often, so keep your eyes on our facebook page and the events page on our website. Apart from the festivals, we are planning various other venues around London over the next seven weeks. We are trying to find interesting venues, like the Union Street Orchard for example.

The release date for the The Future I Choose anthology has been delayed, what were the reasons behind this decision?

We had such a great response and more than enough content to publish the book straight after the election, but thought it made sense to get more people to take part over the summer. Also we didn’t want to send out the message that you only get a choice in The Future You Choose in the run up to an election, because the whole point of our campaign is that you get that choice every day.


Playsuit by Tara Starlet for Think Act Vote: photograph by Dominic Clarke

Have you been working with new fashion designers since Amelia’s Magazine interviewed you? I see the blog mentions: Nancy Dee and Miksani?

We have been sharing on our site the full stories of the Think Act Vote Refashioned pieces, and in some cases instructions how to make them. You can read the stories here. The designers that took part were Ciel, Ada Zandition, Nancy Dee, Miksani, Junky Styling, TRAIDremade, Beautiful Soul and Tara Starlet. Other designers really wanted to take part but couldn’t at the time as they were out of the country, we might get them to do a little something.

The MA students on the Fashion & The Environment project at London College of Fashion are working on something for us now, which we can’t wait to see!

Photography by Deepti V. Patel

What does Think Act Vote mean after the election?

Although inspired by the election, the campaign was never about voting in the election. It is about understanding that everyday we all express the future we choose by how we spend our time, money and energy. It’s about inspiring ourselves and others to live a life that reflects what we actually want from our future when we stop to think about it. The ‘Vote’ is ours, it is about taking that word away from politicians as something we give to them every four years. About us not being afraid to use political language in our every day lives in a positive way.

I know that having Vote in the campaign name has put many people off it, and even a lot of my friends have thought it was about voting in elections until I explained that. But I think it is important to be aware that everything we do is political and that every day we make choices that shape our world.

Photograph by Deepti V.Patel

Olivia Sprinkel, Winner of the poetry competition was announced on the night of the Think Act Vote Party, How was this decision made?

The poetry competition was judged by John Bird and Shane Solanki. The shortlist was read out at the party and went down really well. Even though the competition is over, everyone is still welcome to answer our question – What’s The Future You Choose with a poem. It might end up in our book!

What’s next for Think Act Vote?

We are really excited about Vintage at Goodwood this weekend! We are doing Think Act Vote Refashioned workshops in the sustainability area where you can make your very own Think Act Vote Refashioned Dress. We will also be doing photoshoots, meet us outside our tent after our workshops.

I am also doing a talk in the talk tent on ethical fashion and creative activism.

Think Act Vote will be at the Vintage at Goodwood Festival this weekend.
Photograph by Vanya Sacha

Prior to the General Election, ambulance Amelia’s Magazine interviewed Amisha Ghadiali about her new project Think Act Vote. As the dust is settles and the Coalition has passed the 100 days mark. Amelia’s Magazine caught up with Amisha to find out about the outcome of the Think Act Vote Poetry competition, medical how to be involved with the The Future I Choose Anthology (deadline the end of September, story what are you waiting for?) and to find out where Think Act Vote will be for the remaining days of summer.

How did Think Act Vote spend the election night?

Well we had our amazing Think Act Vote party at The City and Arts Music Project the night before, where we revealed the winner of our poetry competition, had live music from the Delirium Tremens and did a Think Act Vote photobooth. On election day, I cast my vote and then had to pack and head to the airport. My brother was graduating from film school at NYU Tisch Asia on the Friday in Singapore so I had to choose between watching the results live or being at the graduation. I really wanted to go to the election party at the Hub Kings Cross hosted by NEF and Future Gov, and also the Billbored party.

Showpiece by Beautiful Soul for Think Act Vote: Photograph by Dominic Clarke

What was your desired outcome?

I can’t say I had one that was possible. I was hoping there would be a more inspirational leader in the race. But under the circumstances, I was hoping for a coalition.

What form were you hoping the Coalition would take?

I don’t know, there wasn’t an ideal choice there for me. I just want a progressive government. I think the real issue is our system. We need parliamentary reform, this should have happened before this election, but hopefully it has shown Westminster that the current system doesn’t work. I would like to see a system that allows more independent candidates to get into parliament. There is an argument that this will allow too many people from the far right to get into power, but actually we proved in this election that good old fashioned campaigning can keep the far right at bay.

I think it would be exciting for our country if we had more independents, as I think there are a lot of interesting individuals out there that would be interested in standing for parliament but don’t want to join a particular party.

Campaigns Group at Time for Tea. Photograph by Vanya Sacha

As the hung parliament reality dawned, Where you following the news reports on the Lib-Lab and Lib-Con talks?

Well as I was away, it was strange. I wasn’t watching the TV news, so was seeing it all from the internet. I would have liked to experience it here and to have taken in the atmosphere. From far away it seemed like utter madness, in any project, you plan for different circumstances. So I did find it strange that the Lib Dems hadn’t already decided what they wanted to do if this situation occurred.

Think Act Vote presents a positive way to reclaim our future. With this in mind, what did you think to the press coverage during the General Election Aftermath (I found the ‘squatting’ headlines referring to Gordon Brown particularly unhelpful)?

Again from a distance, it did seem like a country in chaos. That nobody had a clue what to do. But yes I agree referring the Prime Minister as squatting is never going to be helpful!

Photograph by Deepti V. Patel

Thoughts on the Con-Lib Government?

Surprise, that the Lib Dems had chosen for the country to have a Tory Prime Minister. I would have thought that this would be the last thing they would ever want to happen. But I thought it was interesting that things would have to be passed through such differing views.

As the reality of the cuts loom, have your opinions changed towards the effectiveness of the Coalition Relationship?

I think it is a bit confusing, I don’t feel like Nick Clegg and the Lib Dems have shone through in any way. It does feel more like a Conservative government. I know that we are going through a hard time at the moment with the national deficit and the recession, but they have made some cuts to things that could be really important. For example totally cutting the Sustainable Development Commission and The UK Film Council.

Photograph by Vanya Sacha

Earlier this summer, you attended a compass meeting – could you tell Amelia’s Magazine readers about the nature of these political events?

There are various political conferences that take place, I have been involved with Compass for the past four years. I used to be on the Compass youth management committee. Compass was set up by Neal Lawson and is an umbrella organisation for progressive politics, bringing together politicians of all parties, pressure groups, trade unions, think tanks, NGOs, academics, activists, campaigners and individuals.They hold an annual conference every summer to discuss ideas. There is an opening address in the main hall which this year had Caroline Lucas MP on the panel, and a closing address which had Pam Giddy, POWER 2010, Jon Cruddas MP & Chuka Umunna MP. There was also a Labour Leaders Debate which was quite interesting to see live. The rest of the day is filled with smaller seminars, there are over 30 on topics including Climate Change, Parliamentary Reform, Tax Justice, The NHS, Feminist Issues and Poverty.

It is an opportunity to think about different issues, ask questions and talk to others about how you think these issues should be tackled.

Photograph by Maciej Groman

What are Think Act Vote’s recommendations for making your voice heard?

It is just about thinking about what is important to you, and finding ways to take action and get your voice heard. Whether that is through supporting campaigns, or thinking twice about what you spend your money on.

If you haven’t yet, a good place to start is by contributing to our book. Ask yourself the question – What is The Future You Choose?
You might just give yourself the answer of what to do next..

You can read some examples and contribute online.

What are the summer plans for Think Act Vote and The Future I Choose?

More, more, more. We have been doing Think Act Vote Photobooths, and running around music festivals taking photos and getting people to take part. So we are going to carry this on until the end of September.

Ethical Fashion Green Sunday. Photograph by LUDOVIC DES COGNETS.

Where can you find out about the Photobooth events?

Yeah, we do these often, so keep your eyes on our facebook page and the events page on our website. Apart from the festivals, we are planning various other venues around London over the next seven weeks. We are trying to find interesting venues, like the Union Street Orchard for example.

The release date for the The Future I Choose anthology has been delayed, what were the reasons behind this decision?

We had such a great response and more than enough content to publish the book straight after the election, but thought it made sense to get more people to take part over the summer. Also we didn’t want to send out the message that you only get a choice in The Future You Choose in the run up to an election, because the whole point of our campaign is that you get that choice every day.


Playsuit by Tara Starlet for Think Act Vote: photograph by Dominic Clarke

Have you been working with new fashion designers since Amelia’s Magazine interviewed you? I see the blog mentions: Nancy Dee and Miksani?

We have been sharing on our site the full stories of the Think Act Vote Refashioned pieces, and in some cases instructions how to make them. You can read the stories here. The designers that took part were Ciel, Ada Zandition, Nancy Dee, Miksani, Junky Styling, TRAIDremade, Beautiful Soul and Tara Starlet. Other designers really wanted to take part but couldn’t at the time as they were out of the country, we might get them to do a little something.

The MA students on the Fashion & The Environment project at London College of Fashion are working on something for us now, which we can’t wait to see!

Photograph by Deepti V. Patel

What does Think Act Vote mean after the election?

Although inspired by the election, the campaign was never about voting in the election. It is about understanding that everyday we all express the future we choose by how we spend our time, money and energy. It’s about inspiring ourselves and others to live a life that reflects what we actually want from our future when we stop to think about it. The ‘Vote’ is ours, it is about taking that word away from politicians as something we give to them every four years. About us not being afraid to use political language in our every day lives in a positive way.

I know that having Vote in the campaign name has put many people off it, and even a lot of my friends have thought it was about voting in elections until I explained that. But I think it is important to be aware that everything we do is political and that every day we make choices that shape our world.

Photograph by Deepti V.Patel

Olivia Sprinkel, Winner of the poetry competition was announced on the night of the Think Act Vote Party, How was this decision made?

The poetry competition was judged by John Bird and Shane Solanki. The shortlist was read out at the party and went down really well. Even though the competition is over, everyone is still welcome to answer our question – What’s The Future You Choose with a poem. It might end up in our book!

What’s next for Think Act Vote?

We are really excited about Vintage at Goodwood this weekend! We are doing Think Act Vote Refashioned workshops in the sustainability area where you can make your very own Think Act Vote Refashioned Dress. We will also be doing photoshoots, meet us outside our tent after our workshops.

I am also doing a talk in the talk tent on ethical fashion and creative activism.

Think Act Vote will be at the Vintage at Goodwood Festival this weekend.
Photograph by Vanya Sacha

Prior to the General Election, cheap Amelia’s Magazine interviewed Amisha Ghadiali about her new project Think Act Vote. As the dust is settles and the Coalition has passed the 100 days mark. Amelia’s Magazine caught up with Amisha to find out about the outcome of the Think Act Vote Poetry competition, sildenafil how to be involved with the The Future I Choose Anthology (deadline the end of September, what are you waiting for?) and to find out where Think Act Vote will be for the remaining days of summer (Hint! 13th – 15th August finds Think Act Vote at Vintage at Goodwood, for more details read the interview!).

How did Think Act Vote spend the election night?

Well we had our amazing Think Act Vote party at The City and Arts Music Project the night before, where we revealed the winner of our poetry competition, had live music from the Delirium Tremens and did a Think Act Vote photobooth. On election day, I cast my vote and then had to pack and head to the airport. My brother was graduating from film school at NYU Tisch Asia on the Friday in Singapore so I had to choose between watching the results live or being at the graduation. I really wanted to go to the election party at the Hub Kings Cross hosted by NEF and Future Gov, and also the Billbored party.

Showpiece by Beautiful Soul for Think Act Vote: Photograph by Dominic Clarke

What was your desired outcome?

I can’t say I had one that was possible. I was hoping there would be a more inspirational leader in the race. But under the circumstances, I was hoping for a coalition.

What form were you hoping the Coalition would take?

I don’t know, there wasn’t an ideal choice there for me. I just want a progressive government. I think the real issue is our system. We need parliamentary reform, this should have happened before this election, but hopefully it has shown Westminster that the current system doesn’t work. I would like to see a system that allows more independent candidates to get into parliament. There is an argument that this will allow too many people from the far right to get into power, but actually we proved in this election that good old fashioned campaigning can keep the far right at bay.

I think it would be exciting for our country if we had more independents, as I think there are a lot of interesting individuals out there that would be interested in standing for parliament but don’t want to join a particular party.

Campaigns Group at Time for Tea. Photograph by Vanya Sacha

As the hung parliament reality dawned, Where you following the news reports on the Lib-Lab and Lib-Con talks?

Well as I was away, it was strange. I wasn’t watching the TV news, so was seeing it all from the internet. I would have liked to experience it here and to have taken in the atmosphere. From far away it seemed like utter madness, in any project, you plan for different circumstances. So I did find it strange that the Lib Dems hadn’t already decided what they wanted to do if this situation occurred.

Think Act Vote presents a positive way to reclaim our future. With this in mind, what did you think to the press coverage during the General Election Aftermath (I found the ‘squatting’ headlines referring to Gordon Brown particularly unhelpful)?

Again from a distance, it did seem like a country in chaos. That nobody had a clue what to do. But yes I agree referring the Prime Minister as squatting is never going to be helpful!

Photograph by Deepti V. Patel

Thoughts on the Con-Lib Government?

Surprise, that the Lib Dems had chosen for the country to have a Tory Prime Minister. I would have thought that this would be the last thing they would ever want to happen. But I thought it was interesting that things would have to be passed through such differing views.

As the reality of the cuts loom, have your opinions changed towards the effectiveness of the Coalition Relationship?

I think it is a bit confusing, I don’t feel like Nick Clegg and the Lib Dems have shone through in any way. It does feel more like a Conservative government. I know that we are going through a hard time at the moment with the national deficit and the recession, but they have made some cuts to things that could be really important. For example totally cutting the Sustainable Development Commission and The UK Film Council.

Photograph by Vanya Sacha

Earlier this summer, you attended a compass meeting – could you tell Amelia’s Magazine readers about the nature of these political events?

There are various political conferences that take place, I have been involved with Compass for the past four years. I used to be on the Compass youth management committee. Compass was set up by Neal Lawson and is an umbrella organisation for progressive politics, bringing together politicians of all parties, pressure groups, trade unions, think tanks, NGOs, academics, activists, campaigners and individuals.They hold an annual conference every summer to discuss ideas. There is an opening address in the main hall which this year had Caroline Lucas MP on the panel, and a closing address which had Pam Giddy, POWER 2010, Jon Cruddas MP & Chuka Umunna MP. There was also a Labour Leaders Debate which was quite interesting to see live. The rest of the day is filled with smaller seminars, there are over 30 on topics including Climate Change, Parliamentary Reform, Tax Justice, The NHS, Feminist Issues and Poverty.

It is an opportunity to think about different issues, ask questions and talk to others about how you think these issues should be tackled.

Photograph by Maciej Groman

What are Think Act Vote’s recommendations for making your voice heard?

It is just about thinking about what is important to you, and finding ways to take action and get your voice heard. Whether that is through supporting campaigns, or thinking twice about what you spend your money on.

If you haven’t yet, a good place to start is by contributing to our book. Ask yourself the question – What is The Future You Choose?
You might just give yourself the answer of what to do next..

You can read some examples and contribute online.

What are the summer plans for Think Act Vote and The Future I Choose?

More, more, more. We have been doing Think Act Vote Photobooths, and running around music festivals taking photos and getting people to take part. So we are going to carry this on until the end of September.

Ethical Fashion Green Sunday. Photograph by LUDOVIC DES COGNETS.

Where can you find out about the Photobooth events?

Yeah, we do these often, so keep your eyes on our facebook page and the events page on our website. Apart from the festivals, we are planning various other venues around London over the next seven weeks. We are trying to find interesting venues, like the Union Street Orchard for example.

The release date for the The Future I Choose anthology has been delayed, what were the reasons behind this decision?

We had such a great response and more than enough content to publish the book straight after the election, but thought it made sense to get more people to take part over the summer. Also we didn’t want to send out the message that you only get a choice in The Future You Choose in the run up to an election, because the whole point of our campaign is that you get that choice every day.


Playsuit by Tara Starlet for Think Act Vote: photograph by Dominic Clarke

Have you been working with new fashion designers since Amelia’s Magazine interviewed you? I see the blog mentions: Nancy Dee and Miksani?

We have been sharing on our site the full stories of the Think Act Vote Refashioned pieces, and in some cases instructions how to make them. You can read the stories here. The designers that took part were Ciel, Ada Zandition, Nancy Dee, Miksani, Junky Styling, TRAIDremade, Beautiful Soul and Tara Starlet. Other designers really wanted to take part but couldn’t at the time as they were out of the country, we might get them to do a little something.

The MA students on the Fashion & The Environment project at London College of Fashion are working on something for us now, which we can’t wait to see!

Photograph by Deepti V. Patel

What does Think Act Vote mean after the election?

Although inspired by the election, the campaign was never about voting in the election. It is about understanding that everyday we all express the future we choose by how we spend our time, money and energy. It’s about inspiring ourselves and others to live a life that reflects what we actually want from our future when we stop to think about it. The ‘Vote’ is ours, it is about taking that word away from politicians as something we give to them every four years. About us not being afraid to use political language in our every day lives in a positive way.

I know that having Vote in the campaign name has put many people off it, and even a lot of my friends have thought it was about voting in elections until I explained that. But I think it is important to be aware that everything we do is political and that every day we make choices that shape our world.

Photograph by Deepti V.Patel

Olivia Sprinkel, Winner of the poetry competition was announced on the night of the Think Act Vote Party, How was this decision made?

The poetry competition was judged by John Bird and Shane Solanki. The shortlist was read out at the party and went down really well. Even though the competition is over, everyone is still welcome to answer our question – What’s The Future You Choose with a poem. It might end up in our book!

What’s next for Think Act Vote?

We are really excited about Vintage at Goodwood this weekend! We are doing Think Act Vote Refashioned workshops in the sustainability area where you can make your very own Think Act Vote Refashioned Dress. We will also be doing photoshoots, meet us outside our tent after our workshops.

I am also doing a talk in the talk tent on ethical fashion and creative activism.

This weekend (13th – 14th August 2010) finds Think Act Vote participating in Vintage at Goodwood’s, Sustainable Design Workshops. Find the the Think Act Vote team at 11-1 and 3-6 on Friday and between 1-4 adn 4-7 on Saturday and Sunday.

“It is an invitation for you to take part in Think Act Vote Refashioned. You can make your very own Think Act Vote one off piece and then have it photographed to be in our book, as well as a post online about how you went about your customisation.

You will be in very capable hands as the workshops will be led by Laura Metcalf and Alison Lewis who met on set of a channel 4 television pilot, they have been working together most recently on alterations and repairing vintage clothes at Clerkenwell Vintage Fair in London.”

Amisha Ghadiali will be interviewed by Leonora Oppenheim about Ethical Fashion and Creative Activism at 5pm on Saturday in the Talk Tent. Not to be missed!

What’s the Future You Choose?

Photograph by Vanya Sacha

Prior to the General Election, viagra Amelia’s Magazine interviewed Amisha Ghadiali about her new project Think Act Vote. As the coalition has passed the 100 days mark and the dust settles on the birth of the coalition. Amelia’s Magazine caught up with Amisha to find out about the Think Act Vote Poetry competition, how to be involved with the The Future I Choose Anthology (deadline the end of September, what are you waiting for?) and to find out where Think Act Vote will be for the remaining days of summer. (Hint! 13th – 15th August finds Think Act Vote at Vintage at Goodwood, for more details read the interview!)

How did Think Act Vote spend the election night?

Well we had our amazing Think Act Vote party at The City and Arts Music Project the night before, where we revealed the winner of our poetry competition, with live music from the Delirium Tremens and did a Think Act Vote photobooth.

On election day, I cast my vote and then had to pack and head to the airport. My brother was graduating from film school at NYU Tisch Asia on the Friday in Singapore so I had to choose between watching the results live or being at the graduation.

I really wanted to go to the election party at the Hub Kings Cross hosted by NEF and Future Gov, and also the Billbored party.

Showpiece by Beautiful Soul for Think Act Vote: Photograph by Dominic Clarke

What was your desired General Election outcome?

I can’t say I had one that was possible. I was hoping there would be a more inspirational leader in the race. But under the circumstances, I was hoping for a coalition.

Why were you hoping “under the circumstances’ for a coalition?

I don’t know; there wasn’t an ideal choice there for me. I just want a progressive government. I think the real issue is our system. We need parliamentary reform, this should have happened before this election, but hopefully it has shown Westminster that the current system doesn’t work. I would like to see a system that allows more independent candidates to get into parliament. There is an argument that this will allow too many people from the far right to get into power, but actually we proved in this election that good old fashioned campaigning can keep the far right at bay.

I think it would be exciting for our country if we had more independents, as I think there are a lot of interesting individuals out there that would be interested in standing for parliament but don’t want to join a particular party.

Campaigns Group at Time for Tea. Photograph by Vanya Sacha

As the hung parliament reality dawned, whilst you were in America. Were you able to follow the developments in the Lib-Lab and Lib-Con talks?

It was strange. I wasn’t watching the TV news, so was seeing it all from the internet. I would have liked to experience it here and to have taken in the atmosphere. From far away it seemed like utter madness, in any project, you plan for different circumstances. So I did find it strange that the Lib Dems hadn’t already decided what they wanted to do if this situation occurred.

What did you think to the press coverage during the General Election Aftermath (I found the ‘squatting’ headlines referring to Gordon Brown particularly unhelpful)?

Again from a distance, it did seem like a country in chaos. That nobody had a clue what to do. But yes I agree referring the Prime Minister as squatting is never going to be helpful!

Photograph by Deepti V. Patel

What were your initial thoughts on the Con-Lib Government?

Surprise, that the Lib Dems had chosen for the country to have a Tory Prime Minister. I would have thought that this would be the last thing they would ever want to happen. But I thought it was interesting that things would have to be passed through such differing views.

As the reality of the cuts loom, have your opinions changed towards the effectiveness of the Coalition Relationship?

I think it is a bit confusing, I don’t feel like Nick Clegg and the Lib Dems have shone through in any way. It does feel more like a Conservative government. I know that we are going through a hard time at the moment with the national deficit and the recession, but they have made some cuts to things that could be really important. For example totally cutting the Sustainable Development Commission and The UK Film Council.

Photograph by Vanya Sacha

Earlier this summer, you attended a compass meeting – could you tell Amelia’s Magazine readers about the nature of these political events?

There are various political conferences that take place, I have been involved with Compass for the past four years. I used to be on the Compass youth management committee. Compass was set up by Neal Lawson and is an umbrella organisation for progressive politics, bringing together politicians of all parties, pressure groups, trade unions, think tanks, NGOs, academics, activists, campaigners and individuals.They hold an annual conference every summer to discuss ideas.

There is an opening address in the main hall which this year had Caroline Lucas MP on the panel, and a closing address which had Pam Giddy, POWER 2010, Jon Cruddas MP & Chuka Umunna MP. There was also a Labour Leaders Debate which was quite interesting to see live. The rest of the day is filled with smaller seminars, there are over 30 on topics including Climate Change, Parliamentary Reform, Tax Justice, The NHS, Feminist Issues and Poverty.

It is an opportunity to think about different issues, ask questions and talk to others about how you think these issues should be tackled.

Photograph by Maciej Groman

What are Think Act Vote’s recommendations for making your vote count everday?

It is just about thinking about what is important to you, and finding ways to take action and get your voice heard. Whether that is through supporting campaigns, or thinking twice about what you spend your money on.

If you haven’t yet, a good place to start is by contributing to our book. Ask yourself the question – What is The Future You Choose?
You might just give yourself the answer of what to do next..

You can read some examples and contribute online.

What are the summer plans for Think Act Vote ?

More, more, more. We have been doing Think Act Vote Photobooths, and running around music festivals taking photos and getting people to take part. So we are going to carry this on until the end of September.

Ethical Fashion Green Sunday. Photograph by LUDOVIC DES COGNETS.

Where can you find out about the Photobooth events?

We do these events often, keep your eyes on our facebook page and the events page on the Think Act Vote website. Apart from the festivals, we are planning various other venues around London over the next seven weeks. We are trying to find interesting venues, like the Union Street Orchard for example.

The release date for the The Future I Choose anthology has been delayed, what were the reasons behind this decision?

We had such a great response and more than enough content to publish the book straight after the election, but thought it made sense to get more people to take part over the summer. Also we didn’t want to send out the message that you only get a choice in The Future You Choose in the run up to an election, because the whole point of our campaign is that you get that choice every day.


Playsuit by Tara Starlet for Think Act Vote: photograph by Dominic Clarke

Have you been working with new fashion designers since Amelia’s Magazine interviewed you? I see the blog mentions: Nancy Dee and Miksani?

We have been sharing on our site the full stories of the Think Act Vote Refashioned pieces, and in some cases instructions how to make them. You can read the stories here. The designers that took part were Ciel, Ada Zandition, Nancy Dee, Miksani, Junky Styling, TRAIDremade, Beautiful Soul and Tara Starlet. Other designers really wanted to take part but couldn’t at the time as they were out of the country, we might get them to do a little something.

The MA students on the Fashion & The Environment project at London College of Fashion are working on something for us now, which we can’t wait to see!

Photograph by Deepti V. Patel

What does Think Act Vote campaign mean after the election?

Although inspired by the election, the campaign was never about voting in the election. It is about understanding that everyday we all express the future we choose by how we spend our time, money and energy. It’s about inspiring ourselves and others to live a life that reflects what we actually want from our future when we stop to think about it. The ‘Vote’ is ours, it is about taking that word away from politicians as something we give to them every four years. About us not being afraid to use political language in our every day lives in a positive way.

I know that having Vote in the campaign name has put many people off it, and even a lot of my friends have thought it was about voting in elections until I explained that. But I think it is important to be aware that everything we do is political and that every day we make choices that shape our world.

Photograph by Deepti V.Patel

Olivia Sprinkel, Winner of the poetry competition was announced on the night of the Think Act Vote Party, How was this decision made?

The poetry competition was judged by John Bird and Shane Solanki. The shortlist was read out at the party and went down really well. Even though the competition is over, everyone is still welcome to answer our question – What’s The Future You Choose with a poem. It might end up in our book!

What’s next for Think Act Vote?

We are really excited about Vintage at Goodwood this weekend! We are doing Think Act Vote Refashioned workshops in the sustainability area where you can make your very own Think Act Vote Refashioned Dress. We will also be doing photoshoots, meet us outside our tent after our workshops.

I am also doing a talk in the talk tent on ethical fashion and creative activism.

This weekend (13th – 14th August 2010) finds Think Act Vote participating in Vintage at Goodwood’s, Sustainable Design Workshops. Find the the Think Act Vote team at 11-1 and 3-6 on Friday and between 1-4 adn 4-7 on Saturday and Sunday.

From the Think Act Vote Team:

“It is an invitation for you to take part in Think Act Vote Refashioned. You can make your very own Think Act Vote one off piece and then have it photographed to be in our book, as well as a post online about how you went about your customisation.

You will be in very capable hands as the workshops will be led by Laura Metcalf and Alison Lewis who met on set of a channel 4 television pilot, they have been working together most recently on alterations and repairing vintage clothes at Clerkenwell Vintage Fair in London.”

Amisha Ghadiali will be interviewed by Leonora Oppenheim about Ethical Fashion and Creative Activism at 5pm on Saturday in the Talk Tent. Not to be missed!

What’s the Future You Choose?

Photograph by Vanya Sacha

Prior to the General Election, viagra 60mg Amelia’s Magazine interviewed Amisha Ghadiali about her new project Think Act Vote. As the coalition has passed the 100 days mark and the dust settles on the birth of the coalition. Amelia’s Magazine caught up with Amisha to find out about the Think Act Vote Poetry competition, how to be involved with the The Future I Choose Anthology (deadline the end of September, what are you waiting for?) and to find out where Think Act Vote will be for the remaining days of summer. (Hint! 13th – 15th August finds Think Act Vote at Vintage at Goodwood, for more details read the interview!)

How did Think Act Vote spend the election night?

The night before we had our amazing Think Act Vote party at The City and Arts Music Project, where we revealed the winner of our poetry competition, with live music from the Delirium Tremens and did a Think Act Vote photobooth.

On election day, I cast my vote and then had to pack and head to the airport. My brother was graduating from film school at NYU Tisch Asia on the Friday in Singapore so I had to choose between watching the results live or being at the graduation.

I really wanted to go to the election party at the Hub Kings Cross hosted by NEF and Future Gov, and also the Billbored party.

Showpiece by Beautiful Soul for Think Act Vote: Photograph by Dominic Clarke

What was your desired General Election outcome?

I can’t say I had one that was possible. I was hoping there would be a more inspirational leader in the race. But under the circumstances, I was hoping for a coalition.

Why were you hoping “under the circumstances’ for a coalition?

I don’t know; there wasn’t an ideal choice there for me. I just want a progressive government. I think the real issue is our system. We need parliamentary reform, this should have happened before this election, but hopefully it has shown Westminster that the current system doesn’t work. I would like to see a system that allows more independent candidates to get into parliament. There is an argument that this will allow too many people from the far right to get into power, but actually we proved in this election that good old fashioned campaigning can keep the far right at bay.

I think it would be exciting for our country if we had more independents, as I think there are a lot of interesting individuals out there that would be interested in standing for parliament but don’t want to join a particular party.

Campaigns Group at Time for Tea. Photograph by Vanya Sacha

As the hung parliament reality dawned, whilst you were in America. Were you able to follow the developments in the Lib-Lab and Lib-Con talks?

It was strange. I wasn’t watching the TV news, so was seeing it all from the internet. I would have liked to experience it here and to have taken in the atmosphere. From far away it seemed like utter madness, in any project, you plan for different circumstances. So I did find it strange that the Lib Dems hadn’t already decided what they wanted to do if this situation occurred.

What did you think to the press coverage during the General Election Aftermath (I found the ‘squatting’ headlines referring to Gordon Brown particularly unhelpful)?

Again from a distance, it did seem like a country in chaos. That nobody had a clue what to do. But yes I agree referring the Prime Minister as squatting is never going to be helpful!

Photograph by Deepti V. Patel

What were your initial thoughts on the Con-Lib Government?

Surprise, that the Lib Dems had chosen for the country to have a Tory Prime Minister. I would have thought that this would be the last thing they would ever want to happen. But I thought it was interesting that things would have to be passed through such differing views.

As the reality of the cuts loom, have your opinions changed towards the effectiveness of the Coalition Relationship?

I think it is a bit confusing, I don’t feel like Nick Clegg and the Lib Dems have shone through in any way. It does feel more like a Conservative government. I know that we are going through a hard time at the moment with the national deficit and the recession, but they have made some cuts to things that could be really important. For example totally cutting the Sustainable Development Commission and The UK Film Council.

Photograph by Vanya Sacha

Earlier this summer, you attended a compass meeting – could you tell Amelia’s Magazine readers about the nature of these political events?

There are various political conferences that take place, I have been involved with Compass for the past four years. I used to be on the Compass youth management committee. Compass was set up by Neal Lawson and is an umbrella organisation for progressive politics, bringing together politicians of all parties, pressure groups, trade unions, think tanks, NGOs, academics, activists, campaigners and individuals.They hold an annual conference every summer to discuss ideas.

There is an opening address in the main hall which this year had Caroline Lucas MP on the panel, and a closing address which had Pam Giddy, POWER 2010, Jon Cruddas MP & Chuka Umunna MP. There was also a Labour Leaders Debate which was quite interesting to see live. The rest of the day is filled with smaller seminars, there are over 30 on topics including Climate Change, Parliamentary Reform, Tax Justice, The NHS, Feminist Issues and Poverty.

It is an opportunity to think about different issues, ask questions and talk to others about how you think these issues should be tackled.

Photograph by Maciej Groman

What are Think Act Vote’s recommendations for making your vote count everday?

It is just about thinking about what is important to you, and finding ways to take action and get your voice heard. Whether that is through supporting campaigns, or thinking twice about what you spend your money on.

If you haven’t yet, a good place to start is by contributing to our book. Ask yourself the question – What is The Future You Choose?
You might just give yourself the answer of what to do next..

You can read some examples and contribute online.

What are the summer plans for Think Act Vote ?

More, more, more. We have been doing Think Act Vote Photobooths, and running around music festivals taking photos and getting people to take part. So we are going to carry this on until the end of September.

Ethical Fashion Green Sunday. Photograph by LUDOVIC DES COGNETS.

Where can you find out about the Photobooth events?

We do these events often, keep your eyes on our facebook page and the events page on the Think Act Vote website. Apart from the festivals, we are planning various other venues around London over the next seven weeks. We are trying to find interesting venues, like the Union Street Orchard for example.

The release date for the The Future I Choose anthology has been delayed, what were the reasons behind this decision?

We had such a great response and more than enough content to publish the book straight after the election, but thought it made sense to get more people to take part over the summer. Also we didn’t want to send out the message that you only get a choice in The Future You Choose in the run up to an election, because the whole point of our campaign is that you get that choice every day.


Playsuit by Tara Starlet for Think Act Vote: photograph by Dominic Clarke

Have you been working with new fashion designers since Amelia’s Magazine interviewed you? I see the blog mentions: Nancy Dee and Miksani?

We have been sharing on our site the full stories of the Think Act Vote Refashioned pieces, and in some cases instructions how to make them. You can read the stories here. The designers that took part were Ciel, Ada Zandition, Nancy Dee, Miksani, Junky Styling, TRAIDremade, Beautiful Soul and Tara Starlet. Other designers really wanted to take part but couldn’t at the time as they were out of the country, we might get them to do a little something.

The MA students on the Fashion & The Environment project at London College of Fashion are working on something for us now, which we can’t wait to see!

Photograph by Deepti V. Patel

What does Think Act Vote campaign mean after the election?

Although inspired by the election, the campaign was never about voting in the election. It is about understanding that everyday we all express the future we choose by how we spend our time, money and energy. It’s about inspiring ourselves and others to live a life that reflects what we actually want from our future when we stop to think about it. The ‘Vote’ is ours, it is about taking that word away from politicians as something we give to them every four years. About us not being afraid to use political language in our every day lives in a positive way.

I know that having Vote in the campaign name has put many people off it, and even a lot of my friends have thought it was about voting in elections until I explained that. But I think it is important to be aware that everything we do is political and that every day we make choices that shape our world.

Photograph by Deepti V.Patel

Olivia Sprinkel, Winner of the poetry competition was announced on the night of the Think Act Vote Party, How was this decision made?

The poetry competition was judged by John Bird and Shane Solanki. The shortlist was read out at the party and went down really well. Even though the competition is over, everyone is still welcome to answer our question – What’s The Future You Choose with a poem. It might end up in our book!

What’s next for Think Act Vote?

We are really excited about Vintage at Goodwood this weekend! We are doing Think Act Vote Refashioned workshops in the sustainability area where you can make your very own Think Act Vote Refashioned Dress. We will also be doing photoshoots, meet us outside our tent after our workshops.

I am also doing a talk in the talk tent on ethical fashion and creative activism.

This weekend (13th – 14th August 2010) finds Think Act Vote participating in Vintage at Goodwood’s, Sustainable Design Workshops. Find the the Think Act Vote team at 11-1 and 3-6 on Friday and between 1-4 adn 4-7 on Saturday and Sunday.

From the Think Act Vote Team:

“It is an invitation for you to take part in Think Act Vote Refashioned. You can make your very own Think Act Vote one off piece and then have it photographed to be in our book, as well as a post online about how you went about your customisation.

You will be in very capable hands as the workshops will be led by Laura Metcalf and Alison Lewis who met on set of a channel 4 television pilot, they have been working together most recently on alterations and repairing vintage clothes at Clerkenwell Vintage Fair in London.”

Amisha Ghadiali will be interviewed by Leonora Oppenheim about Ethical Fashion and Creative Activism at 5pm on Saturday in the Talk Tent. Not to be missed!

What’s the Future You Choose?

Photograph by Vanya Sacha

Prior to the General Election, search Amelia’s Magazine interviewed Amisha Ghadiali about her new project Think Act Vote. As the coalition has passed the 100 days mark and the dust settles on the birth of the coalition. Amelia’s Magazine caught up with Amisha to find out about the Think Act Vote Poetry competition, medications how to be involved with the The Future I Choose Anthology (deadline the end of September, what are you waiting for?) and to find out where Think Act Vote will be for the remaining days of summer. (Hint! 13th – 15th August finds Think Act Vote at Vintage at Goodwood, for more details read the interview!)

How did Think Act Vote spend the election night?

The night before we had our amazing Think Act Vote party at The City and Arts Music Project, where we revealed the winner of our poetry competition, with live music from the Delirium Tremens and did a Think Act Vote photobooth.

On election day, I cast my vote and then had to pack and head to the airport. My brother was graduating from film school at NYU Tisch Asia on the Friday in Singapore so I had to choose between watching the results live or being at the graduation.

I really wanted to go to the election party at the Hub Kings Cross hosted by NEF and Future Gov, and also the Billbored party.

Showpiece by Beautiful Soul for Think Act Vote: Photograph by Dominic Clarke

What was your desired General Election outcome?

I can’t say I had one that was possible. I was hoping there would be a more inspirational leader in the race. But under the circumstances, I was hoping for a coalition.

Why were you hoping “under the circumstances’ for a coalition?

I don’t know; there wasn’t an ideal choice there for me. I just want a progressive government. I think the real issue is our system. We need parliamentary reform, this should have happened before this election, but hopefully it has shown Westminster that the current system doesn’t work. I would like to see a system that allows more independent candidates to get into parliament. There is an argument that this will allow too many people from the far right to get into power, but actually we proved in this election that good old fashioned campaigning can keep the far right at bay.

I think it would be exciting for our country if we had more independents, as I think there are a lot of interesting individuals out there that would be interested in standing for parliament but don’t want to join a particular party.

Campaigns Group at Time for Tea. Photograph by Vanya Sacha

As the hung parliament reality dawned, whilst you were in America. Were you able to follow the developments in the Lib-Lab and Lib-Con talks?

It was strange. I wasn’t watching the TV news, so was seeing it all from the internet. I would have liked to experience it here and to have taken in the atmosphere. From far away it seemed like utter madness, in any project, you plan for different circumstances. So I did find it strange that the Lib Dems hadn’t already decided what they wanted to do if this situation occurred.

What did you think to the press coverage during the General Election Aftermath (I found the ‘squatting’ headlines referring to Gordon Brown particularly unhelpful)?

Again from a distance, it did seem like a country in chaos. That nobody had a clue what to do. But yes I agree referring the Prime Minister as squatting is never going to be helpful!

Photograph by Deepti V. Patel

What were your initial thoughts on the Con-Lib Government?

Surprise, that the Lib Dems had chosen for the country to have a Tory Prime Minister. I would have thought that this would be the last thing they would ever want to happen. But I thought it was interesting that things would have to be passed through such differing views.

As the reality of the cuts loom, have your opinions changed towards the effectiveness of the Coalition Relationship?

I think it is a bit confusing, I don’t feel like Nick Clegg and the Lib Dems have shone through in any way. It does feel more like a Conservative government. I know that we are going through a hard time at the moment with the national deficit and the recession, but they have made some cuts to things that could be really important. For example totally cutting the Sustainable Development Commission and The UK Film Council.

Photograph by Vanya Sacha

Earlier this summer, you attended a compass meeting – could you tell Amelia’s Magazine readers about the nature of these political events?

There are various political conferences that take place, I have been involved with Compass for the past four years. I used to be on the Compass youth management committee. Compass was set up by Neal Lawson and is an umbrella organisation for progressive politics, bringing together politicians of all parties, pressure groups, trade unions, think tanks, NGOs, academics, activists, campaigners and individuals.They hold an annual conference every summer to discuss ideas.

There is an opening address in the main hall which this year had Caroline Lucas MP on the panel, and a closing address which had Pam Giddy, POWER 2010, Jon Cruddas MP & Chuka Umunna MP. There was also a Labour Leaders Debate which was quite interesting to see live. The rest of the day is filled with smaller seminars, there are over 30 on topics including Climate Change, Parliamentary Reform, Tax Justice, The NHS, Feminist Issues and Poverty.

It is an opportunity to think about different issues, ask questions and talk to others about how you think these issues should be tackled.

Photograph by Maciej Groman

What are Think Act Vote’s recommendations for making your vote count everday?

It is just about thinking about what is important to you, and finding ways to take action and get your voice heard. Whether that is through supporting campaigns, or thinking twice about what you spend your money on.

If you haven’t yet, a good place to start is by contributing to our book. Ask yourself the question – What is The Future You Choose?
You might just give yourself the answer of what to do next..

You can read some examples and contribute online.

What are the summer plans for Think Act Vote ?

More, more, more. We have been doing Think Act Vote Photobooths, and running around music festivals taking photos and getting people to take part. So we are going to carry this on until the end of September.

Ethical Fashion Green Sunday. Photograph by LUDOVIC DES COGNETS.

Where can you find out about the Photobooth events?

We do these events often, keep your eyes on our facebook page and the events page on the Think Act Vote website. Apart from the festivals, we are planning various other venues around London over the next seven weeks. We are trying to find interesting venues, like the Union Street Orchard for example.

The release date for the The Future I Choose anthology has been delayed, what were the reasons behind this decision?

We had such a great response and more than enough content to publish the book straight after the election, but thought it made sense to get more people to take part over the summer. Also we didn’t want to send out the message that you only get a choice in The Future You Choose in the run up to an election, because the whole point of our campaign is that you get that choice every day.


Playsuit by Tara Starlet for Think Act Vote: photograph by Dominic Clarke

Have you been working with new fashion designers since Amelia’s Magazine interviewed you? I see the blog mentions: Nancy Dee and Miksani?

We have been sharing on our site the full stories of the Think Act Vote Refashioned pieces, and in some cases instructions how to make them. You can read the stories here. The designers that took part were Ciel, Ada Zandition, Nancy Dee, Miksani, Junky Styling, TRAIDremade, Beautiful Soul and Tara Starlet. Other designers really wanted to take part but couldn’t at the time as they were out of the country, we might get them to do a little something.

The MA students on the Fashion & The Environment project at London College of Fashion are working on something for us now, which we can’t wait to see!

Photograph by Deepti V. Patel

What does Think Act Vote campaign mean after the election?

Although inspired by the election, the campaign was never about voting in the election. It is about understanding that everyday we all express the future we choose by how we spend our time, money and energy. It’s about inspiring ourselves and others to live a life that reflects what we actually want from our future when we stop to think about it. The ‘Vote’ is ours, it is about taking that word away from politicians as something we give to them every four years. About us not being afraid to use political language in our every day lives in a positive way.

I know that having Vote in the campaign name has put many people off it, and even a lot of my friends have thought it was about voting in elections until I explained that. But I think it is important to be aware that everything we do is political and that every day we make choices that shape our world.

Photograph by Deepti V.Patel

Olivia Sprinkel, Winner of the poetry competition was announced on the night of the Think Act Vote Party, How was this decision made?

The poetry competition was judged by John Bird and Shane Solanki. The shortlist was read out at the party and went down really well. Even though the competition is over, everyone is still welcome to answer our question – What’s The Future You Choose with a poem. It might end up in our book!

What’s next for Think Act Vote?

We are really excited about Vintage at Goodwood this weekend! We are doing Think Act Vote Refashioned workshops in the sustainability area where you can make your very own Think Act Vote Refashioned Dress. We will also be doing photoshoots, meet us outside our tent after our workshops.

I am also doing a talk in the talk tent on ethical fashion and creative activism.

This weekend (13th – 14th August 2010) finds Think Act Vote participating in Vintage at Goodwood’s, Sustainable Design Workshops. Find the the Think Act Vote team at 11-1 and 3-6 on Friday and between 1-4 adn 4-7 on Saturday and Sunday.

From the Think Act Vote Team:

“It is an invitation for you to take part in Think Act Vote Refashioned. You can make your very own Think Act Vote one off piece and then have it photographed to be in our book, as well as a post online about how you went about your customisation.

You will be in very capable hands as the workshops will be led by Laura Metcalf and Alison Lewis who met on set of a channel 4 television pilot, they have been working together most recently on alterations and repairing vintage clothes at Clerkenwell Vintage Fair in London.”

Amisha Ghadiali will be interviewed by Leonora Oppenheim about Ethical Fashion and Creative Activism at 5pm on Saturday in the Talk Tent. Not to be missed!

What’s the Future You Choose?

Photograph by Vanya Sacha

Prior to the General Election, visit Amelia’s Magazine interviewed Amisha Ghadiali about her new project Think Act Vote. As the coalition has passed the 100 days mark and the dust settles on the birth of the coalition. Amelia’s Magazine caught up with Amisha to find out about the Think Act Vote Poetry competition, viagra buy how to be involved with the The Future I Choose Anthology (deadline the end of September, page what are you waiting for?) and to find out where Think Act Vote will be for the remaining days of summer. (Hint! 13th – 15th August finds Think Act Vote at Vintage at Goodwood, for more details read the interview!)

How did Think Act Vote spend the election night?

The night before we had our amazing Think Act Vote party at The City and Arts Music Project, where we revealed the winner of our poetry competition, with live music from the Delirium Tremens and did a Think Act Vote photobooth.

On election day, I cast my vote and then had to pack and head to the airport. My brother was graduating from film school at NYU Tisch Asia on the Friday in Singapore so I had to choose between watching the results live or being at the graduation.

I really wanted to go to the election party at the Hub Kings Cross hosted by NEF and Future Gov, and also the Billbored party.

Showpiece by Beautiful Soul for Think Act Vote: Photograph by Dominic Clarke

What was your desired General Election outcome?

I can’t say I had one that was possible. I was hoping there would be a more inspirational leader in the race. But under the circumstances, I was hoping for a coalition.

Why were you hoping “under the circumstances’ for a coalition?

I don’t know; there wasn’t an ideal choice there for me. I just want a progressive government. I think the real issue is our system. We need parliamentary reform, this should have happened before this election, but hopefully it has shown Westminster that the current system doesn’t work. I would like to see a system that allows more independent candidates to get into parliament. There is an argument that this will allow too many people from the far right to get into power, but actually we proved in this election that good old fashioned campaigning can keep the far right at bay.

I think it would be exciting for our country if we had more independents, as I think there are a lot of interesting individuals out there that would be interested in standing for parliament but don’t want to join a particular party.

Campaigns Group at Time for Tea. Photograph by Vanya Sacha

As the hung parliament reality dawned, whilst you were in America. Were you able to follow the developments in the Lib-Lab and Lib-Con talks?

It was strange. I wasn’t watching the TV news, so was seeing it all from the internet. I would have liked to experience it here and to have taken in the atmosphere. From far away it seemed like utter madness, in any project, you plan for different circumstances. So I did find it strange that the Lib Dems hadn’t already decided what they wanted to do if this situation occurred.

What did you think to the press coverage during the General Election Aftermath (I found the ‘squatting’ headlines referring to Gordon Brown particularly unhelpful)?

Again from a distance, it did seem like a country in chaos. That nobody had a clue what to do. But yes I agree referring the Prime Minister as squatting is never going to be helpful!

Photograph by Deepti V. Patel

What were your initial thoughts on the Con-Lib Government?

Surprise, that the Lib Dems had chosen for the country to have a Tory Prime Minister. I would have thought that this would be the last thing they would ever want to happen. But I thought it was interesting that things would have to be passed through such differing views.

As the reality of the cuts loom, have your opinions changed towards the effectiveness of the Coalition Relationship?

I think it is a bit confusing, I don’t feel like Nick Clegg and the Lib Dems have shone through in any way. It does feel more like a Conservative government. I know that we are going through a hard time at the moment with the national deficit and the recession, but they have made some cuts to things that could be really important. For example totally cutting the Sustainable Development Commission and The UK Film Council.

Photograph by Vanya Sacha

Earlier this summer, you attended a compass meeting – could you tell Amelia’s Magazine readers about the nature of these political events?

There are various political conferences that take place, I have been involved with Compass for the past four years. I used to be on the Compass youth management committee. Compass was set up by Neal Lawson and is an umbrella organisation for progressive politics, bringing together politicians of all parties, pressure groups, trade unions, think tanks, NGOs, academics, activists, campaigners and individuals.They hold an annual conference every summer to discuss ideas.

There is an opening address in the main hall which this year had Caroline Lucas MP on the panel, and a closing address which had Pam Giddy, POWER 2010, Jon Cruddas MP & Chuka Umunna MP. There was also a Labour Leaders Debate which was quite interesting to see live. The rest of the day is filled with smaller seminars, there are over 30 on topics including Climate Change, Parliamentary Reform, Tax Justice, The NHS, Feminist Issues and Poverty.

It is an opportunity to think about different issues, ask questions and talk to others about how you think these issues should be tackled.

Photograph by Maciej Groman

What are Think Act Vote’s recommendations for making your vote count everday?

It is just about thinking about what is important to you, and finding ways to take action and get your voice heard. Whether that is through supporting campaigns, or thinking twice about what you spend your money on.

If you haven’t yet, a good place to start is by contributing to our book. Ask yourself the question – What is The Future You Choose?
You might just give yourself the answer of what to do next..

You can read some examples and contribute online.

What are the summer plans for Think Act Vote ?

More, more, more. We have been doing Think Act Vote Photobooths, and running around music festivals taking photos and getting people to take part. So we are going to carry this on until the end of September.

Ethical Fashion Green Sunday. Photograph by LUDOVIC DES COGNETS.

Where can you find out about the Photobooth events?

We do these events often, keep your eyes on our facebook page and the events page on the Think Act Vote website. Apart from the festivals, we are planning various other venues around London over the next seven weeks. We are trying to find interesting venues, like the Union Street Orchard for example.

The release date for the The Future I Choose anthology has been delayed, what were the reasons behind this decision?

We had such a great response and more than enough content to publish the book straight after the election, but thought it made sense to get more people to take part over the summer. Also we didn’t want to send out the message that you only get a choice in The Future You Choose in the run up to an election, because the whole point of our campaign is that you get that choice every day.


Playsuit by Tara Starlet for Think Act Vote: photograph by Dominic Clarke

Have you been working with new fashion designers since Amelia’s Magazine interviewed you? I see the blog mentions: Nancy Dee and Miksani?

We have been sharing on our site the full stories of the Think Act Vote Refashioned pieces, and in some cases instructions how to make them. You can read the stories here. The designers that took part were Ciel, Ada Zandition, Nancy Dee, Miksani, Junky Styling, TRAIDremade, Beautiful Soul and Tara Starlet. Other designers really wanted to take part but couldn’t at the time as they were out of the country, we might get them to do a little something.

The MA students on the Fashion & The Environment project at London College of Fashion are working on something for us now, which we can’t wait to see!

Photograph by Deepti V. Patel

What does Think Act Vote campaign mean after the election?

Although inspired by the election, the campaign was never about voting in the election. It is about understanding that everyday we all express the future we choose by how we spend our time, money and energy. It’s about inspiring ourselves and others to live a life that reflects what we actually want from our future when we stop to think about it. The ‘Vote’ is ours, it is about taking that word away from politicians as something we give to them every four years. About us not being afraid to use political language in our every day lives in a positive way.

I know that having Vote in the campaign name has put many people off it, and even a lot of my friends have thought it was about voting in elections until I explained that. But I think it is important to be aware that everything we do is political and that every day we make choices that shape our world.

Photograph by Deepti V.Patel

Olivia Sprinkel, Winner of the poetry competition was announced on the night of the Think Act Vote Party, How was this decision made?

The poetry competition was judged by John Bird and Shane Solanki. The shortlist was read out at the party and went down really well. Even though the competition is over, everyone is still welcome to answer our question – What’s The Future You Choose with a poem. It might end up in our book!

What’s next for Think Act Vote?

We are really excited about Vintage at Goodwood this weekend! We are doing Think Act Vote Refashioned workshops in the sustainability area where you can make your very own Think Act Vote Refashioned Dress. We will also be doing photoshoots, meet us outside our tent after our workshops.

I am also doing a talk in the talk tent on ethical fashion and creative activism.

This weekend (13th – 14th August 2010) finds Think Act Vote participating in Vintage at Goodwood’s, Sustainable Design Workshops. Find the the Think Act Vote team at 11-1 and 3-6 on Friday and between 1-4 adn 4-7 on Saturday and Sunday.

From the Think Act Vote Team:

“It is an invitation for you to take part in Think Act Vote Refashioned. You can make your very own Think Act Vote one off piece and then have it photographed to be in our book, as well as a post online about how you went about your customisation.

You will be in very capable hands as the workshops will be led by Laura Metcalf and Alison Lewis who met on set of a channel 4 television pilot, they have been working together most recently on alterations and repairing vintage clothes at Clerkenwell Vintage Fair in London.”

Amisha Ghadiali will be interviewed by Leonora Oppenheim about Ethical Fashion and Creative Activism at 5pm on Saturday in the Talk Tent. Not to be missed!

What’s the Future You Choose?

Photograph by Vanya Sacha

Prior to the General Election, there Amelia’s Magazine interviewed Amisha Ghadiali about her new project Think Act Vote. As the coalition has passed the 100 days mark and the dust settles on the birth of the coalition. Amelia’s Magazine caught up with Amisha to find out about the Think Act Vote Poetry competition, how to be involved with the The Future I Choose Anthology (deadline the end of September, what are you waiting for?) and to find out where Think Act Vote will be for the remaining days of summer. (Hint! 13th – 15th August finds Think Act Vote at Vintage at Goodwood, for more details read the interview!)

How did Think Act Vote spend the election night?

The night before we had our amazing Think Act Vote party at The City and Arts Music Project, where we revealed the winner of our poetry competition, with live music from the Delirium Tremens and did a Think Act Vote photobooth.

On election day, I cast my vote and then had to pack and head to the airport. My brother was graduating from film school at NYU Tisch Asia on the Friday in Singapore so I had to choose between watching the results live or being at the graduation.

I really wanted to go to the election party at the Hub Kings Cross hosted by NEF and Future Gov, and also the Billbored party.

Showpiece by Beautiful Soul for Think Act Vote: Photograph by Dominic Clarke

What was your desired General Election outcome?

I can’t say I had one that was possible. I was hoping there would be a more inspirational leader in the race. But under the circumstances, I was hoping for a coalition.

Why were you hoping “under the circumstances’ for a coalition?

I don’t know; there wasn’t an ideal choice there for me. I just want a progressive government. I think the real issue is our system. We need parliamentary reform, this should have happened before this election, but hopefully it has shown Westminster that the current system doesn’t work.

I would like to see a system that allows more independent candidates to get into parliament. There is an argument that this will allow too many people from the far right to get into power, but actually we proved in this election that good old fashioned campaigning can keep the far right at bay.

I think it would be exciting for our country if we had more independents, as I think there are a lot of interesting individuals out there that would be interested in standing for parliament but don’t want to join a particular party.

Campaigns Group at Time for Tea. Photograph by Vanya Sacha

As the hung parliament reality dawned, whilst you were in America. Were you able to follow the developments in the Lib-Lab and Lib-Con talks?

It was strange. I wasn’t watching the TV news, so was seeing it all from the internet. I would have liked to experience it here and to have taken in the atmosphere.

From far away it seemed like utter madness, in any project, you plan for different circumstances. So I did find it strange that the Lib Dems hadn’t already decided what they wanted to do if this situation occurred.

What did you think to the press coverage during the General Election Aftermath (I found the ‘squatting’ headlines referring to Gordon Brown particularly unhelpful)?

Again from a distance, it did seem like a country in chaos. That nobody had a clue what to do. But yes I agree referring the Prime Minister as squatting is never going to be helpful!

Photograph by Deepti V. Patel

What were your initial thoughts on the Con-Lib Government?

Surprise, that the Lib Dems had chosen for the country to have a Tory Prime Minister. I would have thought that this would be the last thing they would ever want to happen. But I thought it was interesting that things would have to be passed through such differing views.

As the reality of the cuts loom, have your opinions changed towards the effectiveness of the Coalition Relationship?

I think it is a bit confusing, I don’t feel like Nick Clegg and the Lib Dems have shone through in any way. It does feel more like a Conservative government. I know that we are going through a hard time at the moment with the national deficit and the recession, but they have made some cuts to things that could be really important. For example totally cutting the Sustainable Development Commission and The UK Film Council.

Photograph by Vanya Sacha

Earlier this summer, you attended a compass meeting – could you tell Amelia’s Magazine readers about the nature of these political events?

There are various political conferences that take place, I have been involved with Compass for the past four years. I used to be on the Compass youth management committee.

Compass was set up by Neal Lawson and is an umbrella organisation for progressive politics, bringing together politicians of all parties, pressure groups, trade unions, think tanks, NGOs, academics, activists, campaigners and individuals.They hold an annual conference every summer to discuss ideas.

There is an opening address in the main hall which this year had Caroline Lucas MP on the panel, and a closing address which had Pam Giddy, POWER 2010, Jon Cruddas MP & Chuka Umunna MP. There was also a Labour Leaders Debate which was quite interesting to see live. The rest of the day is filled with smaller seminars, there are over 30 on topics including Climate Change, Parliamentary Reform, Tax Justice, The NHS, Feminist Issues and Poverty.

It is an opportunity to think about different issues, ask questions and talk to others about how you think these issues should be tackled.

Photograph by Maciej Groman

What are Think Act Vote’s recommendations for making your vote count everday?

It is just about thinking about what is important to you, and finding ways to take action and get your voice heard. Whether that is through supporting campaigns, or thinking twice about what you spend your money on.

If you haven’t yet, a good place to start is by contributing to our book. Ask yourself the question – What is The Future You Choose?
You might just give yourself the answer of what to do next..

You can read some examples and contribute online.

What are Think Act Vote plans for the rest of the summer?

More, more, more. We have been doing Think Act Vote Photobooths, and running around music festivals taking photos and getting people to take part. So we are going to carry this on until the end of September.

Ethical Fashion Green Sunday. Photograph by LUDOVIC DES COGNETS.

Where can you find out about the Photobooth events?

We do these events often, keep your eyes on our facebook page and the events page on the Think Act Vote website. Apart from the festivals, we are planning various other venues around London over the next seven weeks.

We are trying to find interesting venues, like the Union Street Orchard for example.

The release date for the The Future I Choose anthology has been delayed, what were the reasons behind this decision?

We had such a great response and more than enough content to publish the book straight after the election, but thought it made sense to get more people to take part over the summer.

Also we didn’t want to send out the message that you only get a choice in The Future You Choose in the run up to an election, because the whole point of our campaign is that you get that choice every day.


Playsuit by Tara Starlet for Think Act Vote: photograph by Dominic Clarke

Have you been working with new fashion designers since Amelia’s Magazine interviewed you? I see the blog mentions: Nancy Dee and Miksani?

We have been sharing on our site the full stories of the Think Act Vote Refashioned pieces, and in some cases instructions on how to make them.

The designers that took part were Ciel, Ada Zandition, Nancy Dee, Miksani, Junky Styling, TRAIDremade, Beautiful Soul and Tara Starlet. Other designers really wanted to take part but couldn’t at the time as they were out of the country, we might get them to do a little something.

The MA students on the Fashion & The Environment project at London College of Fashion are working on something for us now, which we can’t wait to see!

Photograph by Deepti V. Patel

What does the Think Act Vote campaign mean after the election?

Although inspired by the election, the campaign was never about voting in the election. It is about understanding that everyday we all express the future we choose by how we spend our time, money and energy. It’s about inspiring ourselves and others to live a life that reflects what we actually want from our future when we stop to think about it.

The ‘Vote’ is ours, it is about taking that word away from politicians as something we give to them every four years. About us not being afraid to use political language in our every day lives in a positive way.

I know that having Vote in the campaign name has put many people off it, and even a lot of my friends have thought it was about voting in elections until I explained that.

But I think it is important to be aware that everything we do is political and that every day we make choices that shape our world.

Photograph by Deepti V.Patel

Olivia Sprinkel, Winner of the poetry competition was announced on the night of the Think Act Vote Party, How was this decision made?

The poetry competition was judged by John Bird and Shane Solanki. The shortlist was read out at the party and went down really well.

Even though the competition is over, everyone is still welcome to answer our question – What’s The Future You Choose with a poem. It might end up in our book!

What’s next for Think Act Vote?

We are really excited about Vintage at Goodwood this weekend! We are doing Think Act Vote Refashioned workshops in the sustainability area where you can make your very own Think Act Vote Refashioned Dress. We will also be doing photoshoots, meet us outside our tent after our workshops.

I am also doing a talk in the talk tent on ethical fashion and creative activism.

This weekend (13th – 14th August 2010) finds Think Act Vote participating in Vintage at Goodwood’s, Sustainable Design Workshops. Find the the Think Act Vote team at 11-1 and 3-6 on Friday and between 1-4 adn 4-7 on Saturday and Sunday.

From the Think Act Vote Team:

“It is an invitation for you to take part in Think Act Vote Refashioned. You can make your very own Think Act Vote one off piece and then have it photographed to be in our book, as well as a post online about how you went about your customisation.

You will be in very capable hands as the workshops will be led by Laura Metcalf and Alison Lewis who met on set of a channel 4 television pilot, they have been working together most recently on alterations and repairing vintage clothes at Clerkenwell Vintage Fair in London.”

Amisha Ghadiali will be interviewed by Leonora Oppenheim about Ethical Fashion and Creative Activism at 5pm on Saturday in the Talk Tent. This is an event not to be missed!

What’s the Future You Choose?

Photograph by Vanya Sacha

Prior to the General Election, thumb Amelia’s Magazine interviewed Amisha Ghadiali about her new project Think Act Vote. As the coalition has passed the 100 days mark and the dust settles on the birth of the coalition.

Amelia’s Magazine caught up with Amisha to find out about the Think Act Vote Poetry competition, how to be involved with the The Future I Choose Anthology (deadline the end of September, what are you waiting for?) and to find out where Think Act Vote will be for the remaining days of summer. (Hint! 13th – 15th August finds Think Act Vote at Vintage at Goodwood, for more details read the interview!)

How did Think Act Vote spend the election night?

The night before we had our amazing Think Act Vote party at The City and Arts Music Project, where we revealed the winner of our poetry competition, with live music from the Delirium Tremens and did a Think Act Vote photobooth.

On election day, I cast my vote and then had to pack and head to the airport. My brother was graduating from film school at NYU Tisch Asia on the Friday in Singapore so I had to choose between watching the results live or being at the graduation.

I really wanted to go to the election party at the Hub Kings Cross hosted by NEF and Future Gov, and also the Billbored party.

Showpiece by Beautiful Soul for Think Act Vote: Photograph by Dominic Clarke

What was your desired General Election outcome?

I can’t say I had one that was possible. I was hoping there would be a more inspirational leader in the race. But under the circumstances, I was hoping for a coalition.

Why were you hoping “under the circumstances’ for a coalition?

I don’t know; there wasn’t an ideal choice there for me. I just want a progressive government. I think the real issue is our system. We need parliamentary reform, this should have happened before this election, but hopefully it has shown Westminster that the current system doesn’t work.

I would like to see a system that allows more independent candidates to get into parliament. There is an argument that this will allow too many people from the far right to get into power, but actually we proved in this election that good old fashioned campaigning can keep the far right at bay.

I think it would be exciting for our country if we had more independents, as I think there are a lot of interesting individuals out there that would be interested in standing for parliament but don’t want to join a particular party.

Campaigns Group at Time for Tea. Photograph by Vanya Sacha

As the hung parliament reality dawned, whilst you were in America. Were you able to follow the developments in the Lib-Lab and Lib-Con talks?

It was strange. I wasn’t watching the TV news, so was seeing it all from the internet. I would have liked to experience it here and to have taken in the atmosphere.

From far away it seemed like utter madness, in any project, you plan for different circumstances. So I did find it strange that the Lib Dems hadn’t already decided what they wanted to do if this situation occurred.

What did you think to the press coverage during the General Election Aftermath (I found the ‘squatting’ headlines referring to Gordon Brown particularly unhelpful)?

Again from a distance, it did seem like a country in chaos. That nobody had a clue what to do. But yes I agree referring the Prime Minister as squatting is never going to be helpful!

Photograph by Deepti V. Patel

What were your initial thoughts on the Con-Lib Government?

Surprise, that the Lib Dems had chosen for the country to have a Tory Prime Minister. I would have thought that this would be the last thing they would ever want to happen. But I thought it was interesting that things would have to be passed through such differing views.

As the reality of the cuts loom, have your opinions changed towards the effectiveness of the Coalition Relationship?

I think it is a bit confusing, I don’t feel like Nick Clegg and the Lib Dems have shone through in any way. It does feel more like a Conservative government. I know that we are going through a hard time at the moment with the national deficit and the recession, but they have made some cuts to things that could be really important. For example totally cutting the Sustainable Development Commission and The UK Film Council.

Photograph by Vanya Sacha

Earlier this summer, you attended a compass meeting – could you tell Amelia’s Magazine readers about the nature of these political events?

There are various political conferences that take place, I have been involved with Compass for the past four years. I used to be on the Compass youth management committee.

Compass was set up by Neal Lawson and is an umbrella organisation for progressive politics, bringing together politicians of all parties, pressure groups, trade unions, think tanks, NGOs, academics, activists, campaigners and individuals.They hold an annual conference every summer to discuss ideas.

There is an opening address in the main hall which this year had Caroline Lucas MP on the panel, and a closing address which had Pam Giddy, POWER 2010, Jon Cruddas MP & Chuka Umunna MP. There was also a Labour Leaders Debate which was quite interesting to see live. The rest of the day is filled with smaller seminars, there are over 30 on topics including Climate Change, Parliamentary Reform, Tax Justice, The NHS, Feminist Issues and Poverty.

It is an opportunity to think about different issues, ask questions and talk to others about how you think these issues should be tackled.

Photograph by Maciej Groman

What are Think Act Vote’s recommendations for making your vote count everday?

It is just about thinking about what is important to you, and finding ways to take action and get your voice heard. Whether that is through supporting campaigns, or thinking twice about what you spend your money on.

If you haven’t yet, a good place to start is by contributing to our book. Ask yourself the question – What is The Future You Choose?
You might just give yourself the answer of what to do next..

You can read some examples and contribute online.

What are Think Act Vote plans for the rest of the summer?

More, more, more. We have been doing Think Act Vote Photobooths, and running around music festivals taking photos and getting people to take part. So we are going to carry this on until the end of September.

Ethical Fashion Green Sunday. Photograph by LUDOVIC DES COGNETS.

Where can you find out about the Photobooth events?

We do these events often, keep your eyes on our facebook page and the events page on the Think Act Vote website. Apart from the festivals, we are planning various other venues around London over the next seven weeks.

We are trying to find interesting venues, like the Union Street Orchard for example.

The release date for the The Future I Choose anthology has been delayed, what were the reasons behind this decision?

We had such a great response and more than enough content to publish the book straight after the election, but thought it made sense to get more people to take part over the summer.

Also we didn’t want to send out the message that you only get a choice in The Future You Choose in the run up to an election, because the whole point of our campaign is that you get that choice every day.


Playsuit by Tara Starlet for Think Act Vote: photograph by Dominic Clarke

Have you been working with new fashion designers since Amelia’s Magazine interviewed you? I see the blog mentions: Nancy Dee and Miksani?

We have been sharing on our site the full stories of the Think Act Vote Refashioned pieces, and in some cases instructions on how to make them.

The designers that took part were Ciel, Ada Zandition, Nancy Dee, Miksani, Junky Styling, TRAIDremade, Beautiful Soul and Tara Starlet. Other designers really wanted to take part but couldn’t at the time as they were out of the country, we might get them to do a little something.

The MA students on the Fashion & The Environment project at London College of Fashion are working on something for us now, which we can’t wait to see!

Photograph by Deepti V. Patel

What does the Think Act Vote campaign mean after the election?

Although inspired by the election, the campaign was never about voting in the election. It is about understanding that everyday we all express the future we choose by how we spend our time, money and energy. It’s about inspiring ourselves and others to live a life that reflects what we actually want from our future when we stop to think about it.

The ‘Vote’ is ours, it is about taking that word away from politicians as something we give to them every four years. About us not being afraid to use political language in our every day lives in a positive way.

I know that having Vote in the campaign name has put many people off it, and even a lot of my friends have thought it was about voting in elections until I explained that.

But I think it is important to be aware that everything we do is political and that every day we make choices that shape our world.

Photograph by Deepti V.Patel

Olivia Sprinkel, Winner of the poetry competition was announced on the night of the Think Act Vote Party, How was this decision made?

The poetry competition was judged by John Bird and Shane Solanki. The shortlist was read out at the party and went down really well.

Even though the competition is over, everyone is still welcome to answer our question – What’s The Future You Choose with a poem. It might end up in our book!

What’s next for Think Act Vote?

We are really excited about Vintage at Goodwood this weekend! We are doing Think Act Vote Refashioned workshops in the sustainability area where you can make your very own Think Act Vote Refashioned Dress. We will also be doing photoshoots, meet us outside our tent after our workshops.

I am also doing a talk in the talk tent on ethical fashion and creative activism.

This weekend (13th – 14th August 2010) finds Think Act Vote participating in Vintage at Goodwood’s, Sustainable Design Workshops. Find the the Think Act Vote team at 11-1 and 3-6 on Friday and between 1-4 adn 4-7 on Saturday and Sunday.

From the Think Act Vote Team:

“It is an invitation for you to take part in Think Act Vote Refashioned. You can make your very own Think Act Vote one off piece and then have it photographed to be in our book, as well as a post online about how you went about your customisation.

You will be in very capable hands as the workshops will be led by Laura Metcalf and Alison Lewis who met on set of a channel 4 television pilot, they have been working together most recently on alterations and repairing vintage clothes at Clerkenwell Vintage Fair in London.”

Amisha Ghadiali will be interviewed by Leonora Oppenheim about Ethical Fashion and Creative Activism at 5pm on Saturday in the Talk Tent. This is an event not to be missed!

What’s the Future You Choose?

Photograph by Vanya Sacha

Prior to the General Election, and Amelia’s Magazine interviewed Amisha Ghadiali about her new project Think Act Vote. As the coalition has passed the 100 days mark and the dust settles on the birth of the coalition.

Amelia’s Magazine caught up with Amisha to find out about the Think Act Vote Poetry competition, how to be involved with the The Future I Choose Anthology (deadline the end of September, what are you waiting for?) and to find out where Think Act Vote will be for the remaining days of summer. (Hint! 13th – 15th August finds Think Act Vote at Vintage at Goodwood, for more details read the interview!)

How did Think Act Vote spend the election night?

The night before we had our amazing Think Act Vote party at The City and Arts Music Project, where we revealed the winner of our poetry competition, with live music from the Delirium Tremens and did a Think Act Vote photobooth.

On election day, I cast my vote and then had to pack and head to the airport. My brother was graduating from film school at NYU Tisch Asia on the Friday in Singapore so I had to choose between watching the results live or being at the graduation.

I really wanted to go to the election party at the Hub Kings Cross hosted by NEF and Future Gov, and also the Billbored party.

Showpiece by Beautiful Soul for Think Act Vote: Photograph by Dominic Clarke

What was your desired General Election outcome?

I can’t say I had one that was possible. I was hoping there would be a more inspirational leader in the race. But under the circumstances, I was hoping for a coalition.

Why were you hoping “under the circumstances’ for a coalition?

I don’t know; there wasn’t an ideal choice there for me. I just want a progressive government. I think the real issue is our system. We need parliamentary reform, this should have happened before this election, but hopefully it has shown Westminster that the current system doesn’t work.

I would like to see a system that allows more independent candidates to get into parliament. There is an argument that this will allow too many people from the far right to get into power, but actually we proved in this election that good old fashioned campaigning can keep the far right at bay.

I think it would be exciting for our country if we had more independents, as I think there are a lot of interesting individuals out there that would be interested in standing for parliament but don’t want to join a particular party.

Campaigns Group at Time for Tea. Photograph by Vanya Sacha

As the hung parliament reality dawned, whilst you were in America. Were you able to follow the developments in the Lib-Lab and Lib-Con talks?

It was strange. I wasn’t watching the TV news, so was seeing it all from the internet. I would have liked to experience it here and to have taken in the atmosphere.

From far away it seemed like utter madness, in any project, you plan for different circumstances. So I did find it strange that the Lib Dems hadn’t already decided what they wanted to do if this situation occurred.

What did you think to the press coverage during the General Election Aftermath (I found the ‘squatting’ headlines referring to Gordon Brown particularly unhelpful)?

Again from a distance, it did seem like a country in chaos. That nobody had a clue what to do. But yes I agree referring the Prime Minister as squatting is never going to be helpful!

Photograph by Deepti V. Patel

What were your initial thoughts on the Con-Lib Government?

Surprise, that the Lib Dems had chosen for the country to have a Tory Prime Minister. I would have thought that this would be the last thing they would ever want to happen. But I thought it was interesting that things would have to be passed through such differing views.

As the reality of the cuts loom, have your opinions changed towards the effectiveness of the Coalition Relationship?

I think it is a bit confusing, I don’t feel like Nick Clegg and the Lib Dems have shone through in any way. It does feel more like a Conservative government. I know that we are going through a hard time at the moment with the national deficit and the recession, but they have made some cuts to things that could be really important. For example totally cutting the Sustainable Development Commission and The UK Film Council.

Photograph by Vanya Sacha

Earlier this summer, you attended a compass meeting – could you tell Amelia’s Magazine readers about the nature of these political events?

There are various political conferences that take place, I have been involved with Compass for the past four years. I used to be on the Compass youth management committee.

Compass was set up by Neal Lawson and is an umbrella organisation for progressive politics, bringing together politicians of all parties, pressure groups, trade unions, think tanks, NGOs, academics, activists, campaigners and individuals.They hold an annual conference every summer to discuss ideas.

There is an opening address in the main hall which this year had Caroline Lucas MP on the panel, and a closing address which had Pam Giddy, POWER 2010, Jon Cruddas MP & Chuka Umunna MP. There was also a Labour Leaders Debate which was quite interesting to see live. The rest of the day is filled with smaller seminars, there are over 30 on topics including Climate Change, Parliamentary Reform, Tax Justice, The NHS, Feminist Issues and Poverty.

It is an opportunity to think about different issues, ask questions and talk to others about how you think these issues should be tackled.

Photograph by Maciej Groman

What are Think Act Vote’s recommendations for making your vote count everday?

It is just about thinking about what is important to you, and finding ways to take action and get your voice heard. Whether that is through supporting campaigns, or thinking twice about what you spend your money on.

If you haven’t yet, a good place to start is by contributing to our book. Ask yourself the question – What is The Future You Choose?
You might just give yourself the answer of what to do next..

You can read some examples and contribute online.

What are Think Act Vote plans for the rest of the summer?

More, more, more. We have been doing Think Act Vote Photobooths, and running around music festivals taking photos and getting people to take part. So we are going to carry this on until the end of September.

Ethical Fashion Green Sunday. Photograph by LUDOVIC DES COGNETS.

Where can you find out about the Photobooth events?

We do these events often, keep your eyes on our facebook page and the events page on the Think Act Vote website. Apart from the festivals, we are planning various other venues around London over the next seven weeks.

We are trying to find interesting venues, like the Union Street Orchard for example.

The release date for the The Future I Choose anthology has been delayed, what were the reasons behind this decision?

We had such a great response and more than enough content to publish the book straight after the election, but thought it made sense to get more people to take part over the summer.

Also we didn’t want to send out the message that you only get a choice in The Future You Choose in the run up to an election, because the whole point of our campaign is that you get that choice every day.


Playsuit by Tara Starlet for Think Act Vote: photograph by Dominic Clarke

Have you been working with new fashion designers since Amelia’s Magazine interviewed you? I see the blog mentions: Nancy Dee and Miksani?

We have been sharing on our site the full stories of the Think Act Vote Refashioned pieces, and in some cases instructions on how to make them.

The designers that took part were Ciel, Ada Zandition, Nancy Dee, Miksani, Junky Styling, TRAIDremade, Beautiful Soul and Tara Starlet. Other designers really wanted to take part but couldn’t at the time as they were out of the country, we might get them to do a little something.

The MA students on the Fashion & The Environment project at London College of Fashion are working on something for us now, which we can’t wait to see!

Photograph by Deepti V. Patel

What does the Think Act Vote campaign mean after the election?

Although inspired by the election, the campaign was never about voting in the election. It is about understanding that everyday we all express the future we choose by how we spend our time, money and energy. It’s about inspiring ourselves and others to live a life that reflects what we actually want from our future when we stop to think about it.

The ‘Vote’ is ours, it is about taking that word away from politicians as something we give to them every four years. About us not being afraid to use political language in our every day lives in a positive way.

I know that having Vote in the campaign name has put many people off it, and even a lot of my friends have thought it was about voting in elections until I explained that.

But I think it is important to be aware that everything we do is political and that every day we make choices that shape our world.

Photograph by Deepti V.Patel

Olivia Sprinkel, Winner of the poetry competition was announced on the night of the Think Act Vote Party, How was this decision made?

The poetry competition was judged by John Bird and Shane Solanki. The shortlist was read out at the party and went down really well.

Even though the competition is over, everyone is still welcome to answer our question – What’s The Future You Choose with a poem. It might end up in our book!

What’s next for Think Act Vote?

We are really excited about Vintage at Goodwood this weekend! We are doing Think Act Vote Refashioned workshops in the sustainability area where you can make your very own Think Act Vote Refashioned Dress. We will also be doing photoshoots, meet us outside our tent after our workshops.

I am also doing a talk in the talk tent on ethical fashion and creative activism.

This weekend (13th – 14th August 2010) finds Think Act Vote participating in Vintage at Goodwood’s, Sustainable Design Workshops. Find the the Think Act Vote team at 11-1 and 3-6 on Friday and between 1-4 adn 4-7 on Saturday and Sunday.

From the Think Act Vote Team:

“It is an invitation for you to take part in Think Act Vote Refashioned. You can make your very own Think Act Vote one off piece and then have it photographed to be in our book, as well as a post online about how you went about your customisation.

You will be in very capable hands as the workshops will be led by Laura Metcalf and Alison Lewis who met on set of a channel 4 television pilot, they have been working together most recently on alterations and repairing vintage clothes at Clerkenwell Vintage Fair in London.”

Amisha Ghadiali will be interviewed by Leonora Oppenheim about Ethical Fashion and Creative Activism at 5pm on Saturday in the Talk Tent. This is an event not to be missed!

What’s the Future You Choose?

Photograph by Vanya Sacha

Prior to the General Election, click Amelia’s Magazine interviewed Amisha Ghadiali about her new project Think Act Vote. As the dust settles on the birth of the coalition, Amelia’s Magazine caught up with Amisha to find out about the Think Act Vote Poetry competition, how to be involved with the The Future I Choose Anthology (deadline the end of September, what are you waiting for?) and to find out where Think Act Vote will be for the remaining days of summer. (Hint! 13th – 15th August finds Think Act Vote at Vintage at Goodwood, for more details read the interview!)

How did Think Act Vote spend the election night?

The night before we had our amazing Think Act Vote party at The City and Arts Music Project, where we revealed the winner of our poetry competition, with live music from the Delirium Tremens and did a Think Act Vote Photobooth.

On election day, I cast my vote and then had to pack and head to the airport. My brother was graduating from film school at NYU Tisch Asia on the Friday in Singapore so I had to choose between watching the results live or being at the graduation.

I really wanted to go to the election party at the Hub Kings Cross hosted by NEF and Future Gov, and also the Billbored party. They looked really fun. There was no live coverage on the plane!

Showpiece by Beautiful Soul for Think Act Vote: Photograph by Dominic Clarke

What was your desired General Election outcome?

I can’t say I had one that was possible. I was hoping there would be a more inspirational leader in the race. But under the circumstances, I was hoping for a coalition.

Why were you hoping “under the circumstances’ for a coalition?

I don’t know; there wasn’t an ideal choice there for me. I just want a progressive government. I think the real issue is our system. We need parliamentary reform, this should have happened before this election, but hopefully it has shown Westminster that the current system doesn’t work.

I would like to see a system that allows more independent candidates to get into parliament. There is an argument that this will allow too many people from the far right to get into power, but actually we proved in this election that good old fashioned campaigning can keep the far right at bay.

I think it would be exciting for our country if we had more independents, as I think there are a lot of interesting individuals out there that would be interested in standing for parliament but don’t want to join a particular party.

Campaigns Group at Time for Tea. Photograph by Vanya Sacha

As the hung parliament reality dawned, whilst you were in America. Were you able to follow the developments in the Lib-Lab and Lib-Con talks?

It was strange. I wasn’t watching the TV news, so was seeing it all from the internet. I would have liked to experience it here and to have taken in the atmosphere.

From far away it seemed like utter madness, in any project, you plan for different circumstances. So I did find it strange that the Lib Dems hadn’t already decided what they wanted to do if this situation occurred.

What did you think to the press coverage during the General Election Aftermath (I found the ‘squatting’ headlines referring to Gordon Brown particularly unhelpful)?

Again from a distance, it did seem like a country in chaos. That nobody had a clue what to do. But yes I agree referring the Prime Minister as squatting is never going to be helpful!

Photograph by Deepti V. Patel

What were your initial thoughts on the Con-Lib Government?

Surprise, that the Lib Dems had chosen for the country to have a Tory Prime Minister. I would have thought that this would be the last thing they would ever want to happen. But I thought it was interesting that things would have to be passed through such differing views.

As the reality of the cuts loom, have your opinions changed towards the effectiveness of the Coalition Relationship?

I think it is a bit confusing, I don’t feel like Nick Clegg and the Lib Dems have shone through in any way. It does feel more like a Conservative government. I know that we are going through a hard time at the moment with the national deficit and the recession, but they have made some cuts to things that could be really important. For example totally cutting the Sustainable Development Commission and The UK Film Council.

Photograph by Vanya Sacha

Earlier this summer, you attended a Compass Conference – could you describe to Amelia’s Magazine readers the nature of these political events?

There are various political conferences that take place, I have been involved with Compass for the past four years. I used to be on the Compass youth management committee.

Compass was set up by Neal Lawson and is an umbrella organisation for progressive politics, bringing together politicians of all parties, pressure groups, trade unions, think tanks, NGOs, academics, activists, campaigners and individuals. They hold an annual conference every summer to discuss ideas.

There is an opening address in the main hall which this year had Caroline Lucas MP on the panel, and a closing address which had Pam Giddy, POWER 2010, Jon Cruddas MP & Chuka Umunna MP. There was also a Labour Leaders Debate which was quite interesting to see live.

The rest of the day is filled with smaller seminars, covering over 30 topics including Climate Change“>Climate Change, Parliamentary Reform, Tax Justice, The NHS, Feminist Issues and Poverty.

It is an opportunity to think through alternatives to the ways problems are currently being tackled, have open discussions, ask questions and be inspired.

Photograph by Maciej Groman

What are Think Act Vote’s recommendations for making your vote count everday?

It is just about thinking about what is important to you, and finding ways to take action and get your voice heard. Whether that is through supporting campaigns, or thinking twice about what you spend your money on.

If you haven’t yet, a good place to start is by contributing to our book. Ask yourself the question – What is The Future You Choose?
You might just give yourself the answer of what to do next..

You can read some examples and contribute online.

What are Think Act Vote plans for the rest of the summer?

More, more, more. We have been doing Think Act Vote Photobooths, and running around music festivals taking photos and getting people to take part. So we are going to carry this on until the end of September.

Ethical Fashion Green Sunday. Photograph by LUDOVIC DES COGNETS.

Where can you find out about the Photobooth events?

We do these events often, keep your eyes on our facebook page and the events page on the Think Act Vote website. Apart from the festivals, we are planning various other venues around London over the next seven weeks.

We are trying to find interesting venues, like the Union Street Orchard for example.

The release date for the The Future I Choose anthology has been delayed, what were the reasons behind this decision?

We had such a great response and more than enough content to publish the book straight after the election, but thought it made sense to get more people to take part over the summer.

Also we didn’t want to send out the message that you only get a choice in The Future You Choose in the run up to an election, because the whole point of our campaign is that you get that choice every day.


Playsuit by Tara Starlet for Think Act Vote: photograph by Dominic Clarke

Have you been working with new fashion designers since Amelia’s Magazine interviewed you? I see the blog mentions: Nancy Dee and Miksani?

We have been sharing on our site the full stories of the Think Act Vote Refashioned pieces, and in some cases instructions on how to make them.

The designers that took part were Ciel, Ada Zandition, Nancy Dee, Miksani, Junky Styling, TRAIDremade, Beautiful Soul and Tara Starlet. Other designers really wanted to take part but couldn’t at the time as they were out of the country, we might get them to do a little something.

The MA students on the Fashion & The Environment project at London College of Fashion are working on something for us now, which we can’t wait to see!

Photograph by Deepti V. Patel

What does the Think Act Vote campaign mean after the election?

Although inspired by the election, the campaign was never about voting in the election. It is about understanding that everyday we all express the future we choose by how we spend our time, money and energy. It’s about inspiring ourselves and others to live a life that reflects what we actually want from our future when we stop to think about it.

The ‘Vote’ is ours, it is about taking that word away from politicians as something we give to them every four years. About us not being afraid to use political language in our every day lives in a positive way.

I know that having Vote in the campaign name has put many people off it, and even a lot of my friends have thought it was about voting in elections until I explained that.

But I think it is important to be aware that everything we do is political and that every day we make choices that shape our world.

Photograph by Deepti V.Patel

Olivia Sprinkel, Winner of the poetry competition was announced on the night of the Think Act Vote Party, How was this decision made?

The poetry competition was judged by John Bird and Shane Solanki. The shortlist was read out at the party and went down really well.

Even though the competition is over, everyone is still welcome to answer our question – What’s The Future You Choose with a poem. It might end up in our book!

What’s next for Think Act Vote?

We are really excited about Vintage at Goodwood this weekend! We are doing Think Act Vote Refashioned workshops in the sustainability area where you can make your very own Think Act Vote Refashioned Dress. We will also be doing photoshoots, meet us outside our tent after our workshops.

I am also doing a talk in the talk tent on ethical fashion and creative activism.

This weekend (13th – 14th August 2010) finds Think Act Vote participating in Vintage at Goodwood’s, Sustainable Design Workshops. Find the the Think Act Vote team at 11-1 and 3-6 on Friday and between 1-4 adn 4-7 on Saturday and Sunday.

From the Think Act Vote Team:

“It is an invitation for you to take part in Think Act Vote Refashioned. You can make your very own Think Act Vote one off piece and then have it photographed to be in our book, as well as a post online about how you went about your customisation.

You will be in very capable hands as the workshops will be led by Laura Metcalf and Alison Lewis who met on set of a channel 4 television pilot, they have been working together most recently on alterations and repairing vintage clothes at Clerkenwell Vintage Fair in London.”

Amisha Ghadiali will be interviewed by Leonora Oppenheim about Ethical Fashion and Creative Activism at 5pm on Saturday in the Talk Tent. This is an event not to be missed!

What’s the Future You Choose?

Photograph by Vanya Sacha

Prior to the General Election, this site Amelia’s Magazine interviewed Amisha Ghadiali about her new project Think Act Vote. As the coalition has passed the 100 days mark and the dust settles on its birth, link we catch up with Amisha to find out about her reaction to the events and what’s next on the Think Act Vote agenda.

Amelia’s Magazine caught up with Amisha to find out about the Think Act Vote Poetry competition, more about how to be involved with the The Future I Choose Anthology (deadline the end of September, what are you waiting for?) and to find out where Think Act Vote will be for the remaining days of summer. (Hint! 13th – 15th August finds Think Act Vote at Vintage at Goodwood, for more details read the interview!)

How did Think Act Vote spend the election night?

The night before we had our amazing Think Act Vote party at The City and Arts Music Project, where we revealed the winner of our poetry competition, with live music from the Delirium Tremens and did a Think Act Vote photobooth.

On election day, I cast my vote and then had to pack and head to the airport. My brother was graduating from film school at NYU Tisch Asia on the Friday in Singapore so I had to choose between watching the results live or being at the graduation.

I really wanted to go to the election party at the Hub Kings Cross hosted by NEF and Future Gov, and also the Billbored party.

Showpiece by Beautiful Soul for Think Act Vote: Photograph by Dominic Clarke

What was your desired General Election outcome?

I can’t say I had one that was possible. I was hoping there would be a more inspirational leader in the race. But under the circumstances, I was hoping for a coalition.

Why were you hoping “under the circumstances’ for a coalition?

I don’t know; there wasn’t an ideal choice there for me. I just want a progressive government. I think the real issue is our system. We need parliamentary reform, this should have happened before this election, but hopefully it has shown Westminster that the current system doesn’t work.

I would like to see a system that allows more independent candidates to get into parliament. There is an argument that this will allow too many people from the far right to get into power, but actually we proved in this election that good old fashioned campaigning can keep the far right at bay.

I think it would be exciting for our country if we had more independents, as I think there are a lot of interesting individuals out there that would be interested in standing for parliament but don’t want to join a particular party.

Campaigns Group at Time for Tea. Photograph by Vanya Sacha

As the hung parliament reality dawned, whilst you were in America. Were you able to follow the developments in the Lib-Lab and Lib-Con talks?

It was strange. I wasn’t watching the TV news, so was seeing it all from the internet. I would have liked to experience it here and to have taken in the atmosphere.

From far away it seemed like utter madness, in any project, you plan for different circumstances. So I did find it strange that the Lib Dems hadn’t already decided what they wanted to do if this situation occurred.

What did you think to the press coverage during the General Election Aftermath (I found the ‘squatting’ headlines referring to Gordon Brown particularly unhelpful)?

Again from a distance, it did seem like a country in chaos. That nobody had a clue what to do. But yes I agree referring the Prime Minister as squatting is never going to be helpful!

Photograph by Deepti V. Patel

What were your initial thoughts on the Con-Lib Government?

Surprise, that the Lib Dems had chosen for the country to have a Tory Prime Minister. I would have thought that this would be the last thing they would ever want to happen. But I thought it was interesting that things would have to be passed through such differing views.

As the reality of the cuts loom, have your opinions changed towards the effectiveness of the Coalition Relationship?

I think it is a bit confusing, I don’t feel like Nick Clegg and the Lib Dems have shone through in any way. It does feel more like a Conservative government. I know that we are going through a hard time at the moment with the national deficit and the recession, but they have made some cuts to things that could be really important. For example totally cutting the Sustainable Development Commission and The UK Film Council.

Photograph by Vanya Sacha

Earlier this summer, you attended a compass meeting – could you tell Amelia’s Magazine readers about the nature of these political events?

There are various political conferences that take place, I have been involved with Compass for the past four years. I used to be on the Compass youth management committee.

Compass was set up by Neal Lawson and is an umbrella organisation for progressive politics, bringing together politicians of all parties, pressure groups, trade unions, think tanks, NGOs, academics, activists, campaigners and individuals.They hold an annual conference every summer to discuss ideas.

There is an opening address in the main hall which this year had Caroline Lucas MP on the panel, and a closing address which had Pam Giddy, POWER 2010, Jon Cruddas MP & Chuka Umunna MP. There was also a Labour Leaders Debate which was quite interesting to see live. The rest of the day is filled with smaller seminars, there are over 30 on topics including Climate Change, Parliamentary Reform, Tax Justice, The NHS, Feminist Issues and Poverty.

It is an opportunity to think about different issues, ask questions and talk to others about how you think these issues should be tackled.

Photograph by Maciej Groman

What are Think Act Vote’s recommendations for making your vote count everday?

It is just about thinking about what is important to you, and finding ways to take action and get your voice heard. Whether that is through supporting campaigns, or thinking twice about what you spend your money on.

If you haven’t yet, a good place to start is by contributing to our book. Ask yourself the question – What is The Future You Choose?
You might just give yourself the answer of what to do next..

You can read some examples and contribute online.

What are Think Act Vote plans for the rest of the summer?

More, more, more. We have been doing Think Act Vote Photobooths, and running around music festivals taking photos and getting people to take part. So we are going to carry this on until the end of September.

Ethical Fashion Green Sunday. Photograph by LUDOVIC DES COGNETS.

Where can you find out about the Photobooth events?

We do these events often, keep your eyes on our facebook page and the events page on the Think Act Vote website. Apart from the festivals, we are planning various other venues around London over the next seven weeks.

We are trying to find interesting venues, like the Union Street Orchard for example.

The release date for the The Future I Choose anthology has been delayed, what were the reasons behind this decision?

We had such a great response and more than enough content to publish the book straight after the election, but thought it made sense to get more people to take part over the summer.

Also we didn’t want to send out the message that you only get a choice in The Future You Choose in the run up to an election, because the whole point of our campaign is that you get that choice every day.


Playsuit by Tara Starlet for Think Act Vote: photograph by Dominic Clarke

Have you been working with new fashion designers since Amelia’s Magazine interviewed you? I see the blog mentions: Nancy Dee and Miksani?

We have been sharing on our site the full stories of the Think Act Vote Refashioned pieces, and in some cases instructions on how to make them.

The designers that took part were Ciel, Ada Zandition, Nancy Dee, Miksani, Junky Styling, TRAIDremade, Beautiful Soul and Tara Starlet. Other designers really wanted to take part but couldn’t at the time as they were out of the country, we might get them to do a little something.

The MA students on the Fashion & The Environment project at London College of Fashion are working on something for us now, which we can’t wait to see!

Photograph by Deepti V. Patel

What does the Think Act Vote campaign mean after the election?

Although inspired by the election, the campaign was never about voting in the election. It is about understanding that everyday we all express the future we choose by how we spend our time, money and energy. It’s about inspiring ourselves and others to live a life that reflects what we actually want from our future when we stop to think about it.

The ‘Vote’ is ours, it is about taking that word away from politicians as something we give to them every four years. About us not being afraid to use political language in our every day lives in a positive way.

I know that having Vote in the campaign name has put many people off it, and even a lot of my friends have thought it was about voting in elections until I explained that.

But I think it is important to be aware that everything we do is political and that every day we make choices that shape our world.

Photograph by Deepti V.Patel

Olivia Sprinkel, Winner of the poetry competition was announced on the night of the Think Act Vote Party, How was this decision made?

The poetry competition was judged by John Bird and Shane Solanki. The shortlist was read out at the party and went down really well.

Even though the competition is over, everyone is still welcome to answer our question – What’s The Future You Choose with a poem. It might end up in our book!

What’s next for Think Act Vote?

We are really excited about Vintage at Goodwood this weekend! We are doing Think Act Vote Refashioned workshops in the sustainability area where you can make your very own Think Act Vote Refashioned Dress. We will also be doing photoshoots, meet us outside our tent after our workshops.

I am also doing a talk in the talk tent on ethical fashion and creative activism.

This weekend (13th – 14th August 2010) finds Think Act Vote participating in Vintage at Goodwood’s, Sustainable Design Workshops. Find the the Think Act Vote team at 11-1 and 3-6 on Friday and between 1-4 adn 4-7 on Saturday and Sunday.

From the Think Act Vote Team:

“It is an invitation for you to take part in Think Act Vote Refashioned. You can make your very own Think Act Vote one off piece and then have it photographed to be in our book, as well as a post online about how you went about your customisation.

You will be in very capable hands as the workshops will be led by Laura Metcalf and Alison Lewis who met on set of a channel 4 television pilot, they have been working together most recently on alterations and repairing vintage clothes at Clerkenwell Vintage Fair in London.”

Amisha Ghadiali will be interviewed by Leonora Oppenheim about Ethical Fashion and Creative Activism at 5pm on Saturday in the Talk Tent. This is an event not to be missed!

What’s the Future You Choose?

emma_block_jacques_town_house
All illustrations and photography by Emma Block.

Emma and I had been told to arrive at the ridiculously grand 33 Fitzroy Square for a Townhouse Party at 7pm punctually; but we’re both crap at being on time and we ended up ten minutes late following a drastic dash across London. Tut tut. But it didn’t matter at all, cialis 40mg and we ended up having what we both keep referring to as ‘the best night of our lives’ (perhaps we are slightly over-dramatising it, viagra approved but it was amazing).
 
Where to begin? The party was collaboratively held by girly cider makers Jacques and David Carter, founder of the 40 Winks boutique hotel, so naturally the whole thing was like a grown up version of Alice in Wonderland. There were even some rabbits, although rather than clutching pocket watches (and squeaking “We’re late, we’re late!” as Emma and I had been doing earlier) they were made of wood and bedecked with pink bows. As soon as we entered the building we were each given a map, printed on to a handkerchief, and a golden key for ‘unlocking’ the bar for some free drinks. As the theme for the night was a swap shop party – whereby each guest brought up to three items of unwanted clothing with them to trade with other people’s – we were also given the equivalent number of ‘tokens’ for each item. The tokens were large playing cards, in fitting with the Alice theme. The event was both ethically and fashionably motivated and everybody was a winner – people were getting rid of unwanted gladrags whilst also finding some unexpected new gems, and it didn’t cost them a single penny. Mankind has yet to determine a more glamorous way to help the environment.

emma_block_jacques_town_house_cakes.jpg

?We went upstairs, where the bar and cupcake classes – yes, dear reader, cupcake classes – were both to be found. Impeccably attired and utterly charming staff floated around, complimenting guests and making jokes. We headed over to the cupcake table, held by yummy-scrummy company Vintage Patisserie. Lead lady, the fantastically named – and fantastically dressed – Angel Adoree, gave a brief talk about how to throw the perfect tea party, and then guests were encouraged to come forward and design their own cupcakes.

?Rubbing our hands gleefully, we and 100 or so other guests took it in turns to create our own cupcakes. The tables were littered with tubes of pastel-coloured icing and a huge variety of decorations, and we were encouraged to get creative. “The trick to icing a cake,” explained Angel beforehand to the hypnotised audience with a raise of her arched eyebrow, “is to hold the icing away from you, squeeze until you have as much as you want and then turn it precisely 180 degrees.”
 
emma_block_vintage_patisserie

Anyway, I deviate. Before this turns into a cookery/maths lesson, allow me to give you a very brief description of the location and the house itself. Fitzroy Square is nestled cosily a couple of streets behind the BT Tower; in the middle of the square, there is a communal garden for those who live there, and the houses are peppered with blue plaques.
 
emma_block_cup_cake_class

Each room in the house leads – well, drifts, really – into the next. There were beautiful decorations everywhere; everything was stunning. Next to the cupcake stand, there was a long table covered with a white tablecloth and the most incredible decorative (i.e. not edible) cakes that I have ever seen. Every single one looked far too beautiful to eat (which was convenient, considering that they were made of cardboard) and they reminded me of the decadent French wigs worn in Marie Antoinette’s Paris. Other toppings included ships, ballerinas and, my personal favourite, dolly mixture. There were also trees sprayed silver or gold and decorated with lacy pompoms, illuminated by soft lighting. The whole place was like Narnia mixed with a bit of London Fashion Week – cosy, retro (there was a 1940s-style record player, for God’s sake) and oh-so achingly cool.
 
emma_block_benefit_makeover

The clothes swap went on in a room just outside the bar, and throngs of women – and the occasional awkward-looking gent – scoured the racks of clothes for hidden treasures to take home with them. Meanwhile, in the basement, transformations were taking place. Courtesy of Benefit, guests were given the option of either having a full makeover or instead having a pair of incredible false eyelashes fitted. Emma went for the makeover, whilst I opted for the eyelashes (which were so heavy that I could barely keep my eyes open!) A photographer asked if he could take some pictures, and we posed – in an entirely casual way, obviously – with some Victorian-style props: Emma teetered on a painted rocking horse whilst I tried to hold a parasol in the coquettish manner of an artist’s muse. Needless to say, this was much easier to imagine than it was to actually carry out.
 
The party ended at nine, and clutching our goodie bags and a few left-over cupcakes, we left behind the shimmery glamour of 33 Fitzroy Square. Needless to say, we have already both planned to buy the house sometime before we turn 30, so we’ll be seeing it again soon. As we walked away the building faded into the darkness of twilight. As we gradually lost sight of it, and as it lost sight of us, we wondered if we had fallen down a rabbit hole and it had all been some kind of a wonderful dream.

You can find out more about Cordelia Weston, the lady behind the creative direction and set design of the party, on her blog here.

Categories ,33 Fitzroy Square, ,40 Winks, ,Alice in Wonderland, ,Angel Adore, ,Benefit, ,Cordelia Weston, ,cupcakes, ,Emma Block, ,Jacques, ,Marie Antoinette, ,Narnia, ,vintage, ,Vintage Patisserie

Similar Posts:






Amelia’s Magazine | Album Review: The Like, Release Me.

It has been five long years since the release of The Like’s debut album Are You Thinking What I’m Thinking? and it has not been an easy time for the girl group from Los Angeles, medications California.

The release of their impressive debut was tainted by an unforgiving press that refused to overlook the fact that lead singer Elizabeth Berg’s father is a former Geffen Records producer and bassist Charlotte Froom’s father was the drummer for Elvis Costello. Despite generally positive reviews, there was a feeling that many believed The Like only got a record deal because of their parent’s influential connections. Various line up changes and a painfully public break up involving Berg and a member of Razorlight have meant that creating a sophomore album has been more difficult for this group than most.

The new and improved quartet, now featuring Annie Munroe and Laena Geronimo, have undergone a major transformation both musically and aesthetically. Are You Thinking What I’m Thinking? wonderfully moody indie gems June Gloom and You Bring Me Down have been replaced by a collection of 60s girl group anthems, created with the help of the painfully hip soul revivalists Sharon Jones and The Dap-Kings. The ladies also look the part with an elegant vintage wardrobe and matching hairstyles. Their new album, Release Me, shows that The Like has not only progressed since their 2005 debut, they have essentially recreated themselves.

The album opens with Wishing He Was Dead, a seductive femme fatale narrated tale of a woman scorned. Berg warns her straying lover “I just can’t forgive and forget” and you get the sense that whoever she is talking about better watch out. The mood is set with the aid of classic funk organ touches and British invasion era guitars that will have you tapping along whether you want to or not.

Walk of Shame’s wonderfully explicit narrative depicts the regret of going to a party only to wake up the next morning in someone else’s bed with fragmented memories of the night before. The beauty of this song is that it will strike a chord with anyone who has made the same mistake but manages to skilfully avoid the pitfall of being sexually gratuitous. Lady Gaga, take note.

There are only a couple of blemishes on what is essentially a well executed retro girl group record. The first appears on When Love is Gone as the guitar riffs fall foul of vintage pop, sounding like some misguided attempt at high paced bluegrass with accompanying lyrics that are so obvious they appear to be written by a naive teenager. How this made the final song selection is a complete mystery as it just doesn’t seem to fit with the style of the album at all.

In the End is an equally painful listen due to a laughable chorus that states: “The world is upside down and we’re walking on our hands.” It may be an infectiously simple sing along anthem but the shallow theme and unimaginative lyrics show a rare moment of weakness in Berg’s song writing ability.

Fortunately these flaws are remedied on Narcissus in a Red Dress, as Berg tells the tale of a friend that steals her lover. The delightfully wicked pop song ends with Berg advising, “High school skinny fades away.” Only Lily Allen can execute this kind of bittersweet storytelling with the same level of wit.

Unsurprisingly, the album was produced by Mark Ronson, an obvious choice considering he has become the ‘go to guy’ for artists wanting to make a commercially successful retro record. Regardless, Berg’s incredibly candid storytelling means that you are unlikely to hear a more fun pop rock album all year.

Watch Release Me here:
YouTube Preview Image

Categories ,60s, ,album review, ,california, ,Girl-Groups, ,L.A., ,pop, ,Pop-Rock, ,The Like, ,vintage

Similar Posts: