Basso & Brooke S/S 2012 illustrated by Joana Faria
There is no queuing for me at the Basso & Brooke show – I’m late, store having been seduced by ice-cream and pretty dresses at the Orla Kiely presentation and everyone has already been seated. So it’s fine luck that I found an unoccupied seat in the front row. As is usual at London Fashion Week, salve a celeb or two will make an entrance just before the show is about to commence and a riot of photographers will swoon in and blind bystanders with their imperious flashes.
Being naturally curious I want to know who it is as well. Later on I’ll discover the celebrity to be Ana Araujo, ed but meanwhile I snap a photo of her, tell she looks gorgeous when she smiles and rush back to my seat to await the start of the show.
Basso & Brooke S/S 2012 Illustrated by Gilly Rochester
An energetic beat silences the audience and the fantastic elliptical light display comes alive and dances to the rhythm building a dynamic ambience and giving the illusion of stars sparkling in the night sky. I’m hoping there aren’t any epileptics in the audience when the lights stand still and serene, welcoming an explosion of colour and print onto the stark white stage.
Basso & Brooke S/S 2012 illustrated by Kristina Vasiljeva
Basso & Brook S/S 2012 illustrated by Joana Faria
Colour and print have become synonymous with the Basso & Brooke brand and both designers are very much aware of this. So wanting to break away from the prison that had become symmetry and precision, Bruno Basso and Chris Brooke journeyed to bring digital print alive again, by disrupting the status quo of digital print. What transpired was a ‘Tropical Constructivism’.
Vibrant tropical images married with angular lines and sharp structures cloak the fluid cloth of each softly, but perfectly structured garment; short dresses, shirt dresses, maxi dresses and what appears to be a ‘salwar kameez-esque’ dress and skinny trouser outfit. One of my favourites is a shorts and jacket ensemble accessorised with cool retro shades. The hair is styled or rather, anti-styled in a straggly ‘I have better things to do’ pony tail, a distinct contrast to the conspicuous collection. I also love the accessorising (by Borba) of a few key outfits with what appears to be a cluster of karabiners and key-ring clips. Brilliant.
Basso & Brooke S/S 2012 illustrated by Gilly Rochester
If putting clashing colours and prints together to form gorgeous wearable clothes wasn’t hard enough, Basso & Brooke challenged themselves with the idea of evolving patterns, so that each new piece in the collection bore the seed of the next. Impressive much? I think so.
All photography by Akeela Bhattay
As the show comes to an end and the design duo take to the catwalk, there is reverberating applause. Thoroughly deserved, I think.
You can watch the show here.
Categories ,Akeela Bhattay, ,Ana Araujo, ,Basso & Brooke, ,Borba, ,british fashion council, ,Bruno Basso, ,catwalk show, ,Chris Brooke, ,designer, ,Digital Print, ,fashion, ,GHD, ,Gilly Rochester, ,Goodley PR, ,Images, ,Joana Faria, ,Kristina Vasiljeva, ,lfw, ,London Fashion Week, ,Mac, ,Multi-print, ,Multicolour, ,Photographs, ,Pioneers, ,Report, ,review, ,S/S 2012, ,soundtrack, ,spring, ,SS 12, ,summer, ,The Old Sorting Office, ,Tropical Constructivism
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