Amelia’s Magazine | An interview with Cat of Howkapow!


Illustration by Gareth A Hopkins

Amelia met a whole load of creatives during her recent ACOFI book tour – illustrators, web designers and makers. It was at Soma in Bristol that she met Cat and Rog from Howkapow – a wonderful website selling allsorts of wonderful items made by new designers all under one metaphorical roof.

Howkapow began only eight months ago but already features over 50 unique designers selling their wares – from brooches to lamps, drug you’ll find an array of interesting and vibrant objects here. I managed to have a chit-chat with Cat about their company, young creatives and self promotion. Here goes:


Cat and Rog of Howkapow, illustrated by Natsuki Otani

Oh hai Cat, how are you?
Ooo in spirits I’m feeling dandy actually Matt, thanks for asking! In body I’m suffering a little – just back from the hospital after an X-ray on my knee… fell off me bike! Wine + cycling = Cat in ditch.

Oh gawd! Well, tell us a bit about Howkapow – when did it start and why?
We opened in December 2010, after we moved from London back to Bristol where Rog (my husband and business partner) and I met at university almost, err, 10 years ago. I had just finished my MA at Saint Martins and we wanted to work together on something that supported creative people and built a community. We had peddled my jewellery at markets in Melbourne and Brick Lane and had met many wonderful people who made beautiful things. But a lot of them either didn’t have a website or any means of self-promotion (like an agency) and so Howkapow was born… 

Oh! Howkapow’s an interesting name… where’s it from?
Ah! We merged our second name – ‘How’ – with the fact that all our products are bright, loud and in-yer-face, so… ‘kapow‘! 

So do you and Rog split the work equally? How is it – y’know – working with your husband?
It’s bloomin’ brilliant! Nice coffee breaks, decadent lunches and business meetings in the garden, arguments over how to load the printer paper… No, in all seriousness although it was a bit strange at first as we’d only worked for other people before (Rog for the BBC and I was a journo before Saint Martins).
It works really well because we have well defined roles. I split my time between designing and acting as creative director so have (somewhat) complete control over the look of the site as well as stock purchases and sourcing new people. I always ask Rog what he thinks about a certain product but ultimately I RULE! He deals with all the accounts, legal tings, backend web development, site maintenance… y’know the really fun stuff. 


Illustration by Claire Kearns

How do you select the designers that you feature and support?
There are around 50 designers and illustrators on the site at any given time, and we’ve been releasing a new designer a week since we opened. Honestly we could release many, many more! But our criteria for choosing them is simple. They have to be a new and / or an independent designer or illustrator and their work has to fit at least two (although ideally all) of our brand values of quality, colour, humour and fun. 


Home products available on Howkapow (images courtesy of Howkapow, products selected by Matt Bramford)

How do you think young creatives can stand out in such a saturated environment? Everybody’s at it these days…
Very true! I think it’s a combination of a) doing something original b) doing something useful and ultimately commercial and c) being good at self promotion. Ideally young creatives need to know the market that they are going into. Whether this be design or illustration, you can have a great idea but if it’s not transferrable into a commercial product then it falters. Gosh that sounds a bit cold doesn’t it? But that’s how I choose new designers and illustrators at graduate shows. I was shocked by how many graduating product designers this year had no idea what their wholesale or retail price was for the work they were showcasing…

The flipside of it is, and this is a huge generalisation, but being very creative and original means you’re – more often than not – not massively great at self promotion or PR.


Illustration by Gabriel Ayala

That’s probably why you’re offering The Agency service – tell us a bit about that…?
Yes, the agency. It’s still in it’s infancy (the shop itself is only 8 months old) so we’re currently building up our base of creatives. Instead of it being based on static image-based portfolios, we want to develop it more as a ‘product’ agency where we manufacture a range of products from creatives. There’s the commercial / useful thing again… We can then use these products as a showcase for our illustrators / designers alongside their other work. It means they can be approached by shops as well as ad agencies or whatnot. 

What do you offer young designers that they don’t get from websites like Etsy where they flog their own stuff?
Well, the main thing is we hand-pick all our designers to match our brand values so people know exactly what sort of work to expect from our store. As opposed to a web resource which is open-to-all, we ‘curate’ our shop with exactly what we want which enables us to have a really strong brand and identity. We employ a PR company to help promote the shop and our designers; and we’ve also started to collaborate with some of our illustrators on products to then sell on the shop (and to wholesale to other shops). When the agency emerges it’ll be there to help promote our designers even further. 


Illustration by Sandra Contreras

Tell us a bit about some of your favourite products or designers… if you’re allowed, that is:
Oooo! Well obviously we LOVE it all (otherwise it wouldn’t be on the shop), but we’ve always greatly admired the work of Scottish illustrator Eleanor Meredith. We’ve recently designed a Tea Tiger and Coffee Chimp mug and a Gin Slug Tea Towel with her. 


Illustration by Jenny Robins

What role do you think tools like social media plays in the way we promote ourselves?
HUGE! Never underestimate the power of social media. Twitter, Facebook and Pinterest (recommended to us by Amelia when we went to a talk of hers recently and to which we are now totally addicted) are one of the main ways I find new designers and illustrators. You’ve got to be in it AND on it to win it.

There’s a million different websites for creative people these days. It’s exhausting. What are you favourites and why? Are there any you’d advise against or avoid? MySpace is awful, isn’t it?
Hmmm, yes I have to say Myspace is a bit of a dead duck, isn’t it? We’re literally never on there. It’s true – there are lots of different websites, and actually being on too many can dilute the perceived brand values of your label / work. If I see someone on lots of different open-to-all sites, as a buyer it actually puts me off. Choosing your outlets carefully can really help your brand. Again it’s about knowing your market and where you think your work would suit. There are one or two sites we would advise against, but we’re all about the non-negative vibes here at Howkapow, maaaaan.  

What else is on the Howkapow agenda? Do you have sights on a real shop?
Yes indeed! We’re planning to open up a shop in Bath (20 mins down the road from Bristol) early next year. In the meantime we’re working on more collaborations with illustrators on our own Howkapow range. We’ve started to build our selection of jewellery, mugs and tea towels but want to look into other products like trays, ipad / iphone cases, ceramics, cushions and even deck chairs! 


Howkapow jewellery and gifts; pictures courtesy of Howkapow, products selected by Matt Bramford)

What else do you and Rog like to do when you’re not Howkapow-ing? (Keep it clean, purlease)
Drinking fine wine! And sharing it with friends, obviously. We’re really into our food so growing our own veg on the allotment and brewing our own selection of (questionable) booze is always high on our agenda. Oh, and cycling on our tandem… although given the state of my knee, maybe not for a while now.


Rog and Cat at Amelia’s book tour at Soma in Bristol; photograph by Amelia Gregory.

Categories ,ACOFI, ,Amelia, ,Bath, ,bristol, ,Central Saint Martins, ,Claire Kearns, ,designers, ,Eleanor Meredith, ,Facebook, ,Gabriel Ayala, ,Gareth A Hokpins, ,Howkapow, ,illustrators, ,Jenny Robins, ,Matt Bramford, ,Pinterest, ,Rog & Cat How, ,Sandra Contreras, ,shop, ,Social Media, ,Soma, ,twitter

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Amelia’s Magazine | An interview with Julie Ann Baenziger of Sea of Bees

Sea Of Bees by Calico Charlotte Melton
Sea Of Bees by Calico Charlotte Melton.

Sea of Bees released her new single Gnomes on Heavenly Recordings yesterday. It’s yet another heart rending slice of Julie Ann Baenziger, treatment so it seems high time that I finally publish the interview I did with her earlier this year, unhealthy just prior to a gig at Bush Hall in Shepherd’s Bush.

Sea of Bees-Jan 11- photo by Amelia Gregory
Sea of Bees in February 2011. All photography by Amelia Gregory.

jenny robins - amelias magazine - sea of bees
Sea of Bees by Jenny Robins.

Watching Jules live it is hard to believe that she was once a shy church going suburban girl. Since signing to Heavenly Recordings for three albums last year she has become submerged in the intensity of touring, experiencing a very different world to the one she left behind.

Sea of Bees-Jan 11- photo by Amelia Gregory
YouTube Preview ImageGnomes

Jules was born in Roseville, a suburb of Sacramento. ‘A place where you go to school, have crushes, go to college, go to church and very little else.’ She was brought up a Catholic but from an early age knew she was different. As a shy and awkward 6 year old, she remembers becoming enchanted by ‘this hippy man with curly hair and glasses singing with a wobbly vibrato‘. She instantly knew she wanted to sing but wasn’t sure how to go about it.

Sea of bees by Lee
Sea of Bees by Lee.

Her mum loved Cher, Celine Dion and the Bee Gees (in their bad stage, Jules hastens to add). Her dad thought The Mamas and The Papas were bad because they all slept with each other, and he would say things to scare Jules away from popular music. At church they listened to U2 and Christian music. Apparently U2 made it their goal to reach religious congregations. ‘I don’t mind them,’ she says ‘but I don’t like them in church.’

Sea of Bees-Jan 11- photo by Amelia Gregory
jenny robins - amelias magazine - sea of bees
Sea of Bees by Jenny Robins.

Never aspiring to do anything more than play in small bands, Jules taught herself to play an out of tune one string bass that she found in the shed when she was 16. She had lots of long hair, and looked like a real girly girl – but she liked girls. ‘There was nothing to do but go to church and school, and I was in love with a girl at my church who had the voice of an angel,‘ says Jules, ‘so I learnt a song that she always sang note by note.’ She had just one goal: to find the right person for love. When the object of her affections told her ‘that’s great Jules‘ it lit a fire beneath her which inspired her to practice hard every day, yet still she felt frustrated because her feelings were not returned. ‘I felt I couldn’t love anybody or play good music.’

Sea of Bees-Jan 11- photo by Amelia Gregory
Julie from Sea of Bees by Lilly Allen
Julie from Sea of Bees by Lilly Allen.

Her mother was supportive yet still she remained depressed, haunted by a nagging feeing that she would die young, wanting but unable to have the things just out of her reach. Folks at church told her ‘don’t let your gift overthrow your heart‘ – meaning that she shouldn’t obsess all the time. But everyone in Christian bands seemed to break up and have kids, so eventually Jules left Roseville and the church at 23 years old to live with a 19 year old guy, a producer, that she had met online. They lived in a ramshackle old house in Sacramento where they hosted lots of parties which trashed the place. ‘Every night we played music and some mornings there would be 25-30 people sleeping on the floor… lots of mad hipster kids. I would just get drunk to stay numb.’ They lived together for two years, Jules playing bass for their punk band, Find Me Fighting Them, and working as a coffee barrister in the daytime. It was in the coffee shop that she met her Orange Farben. ‘She had a bowl haircut, green eyes, vintage shorts and a ruffled shirt – and I knew it was right. She was like ‘Do you like boys?’ and I was like ‘Phew, that’s a bold question!’ She freed me, she was the thing that I needed.

Sea-of-Bees-by-Sarah-Matthews
Sea of Bees by Sarah Matthews.

A year and a half ago she met John Baccigaluppi of Hangar Studios, who encouraged her to use his studio to record some acoustic songs. Straight away he was keen to remix her songs and the first short EP was born. Since then she has been busy gigging all over the US and Europe. ‘I just try to keep moving and enjoy the moment. I know I can rest when I’ve had a good day.’ She credits John with teaching her ‘what’s good in life‘ and aspires to lead a similar lifestyle to Martin Kelly of Heavenly, who is married to Sarah Cracknell of Saint Etienne. ‘His quality of life inspires me.’ Jules dreams of setting up her own studio at home, where she will nurture a calm environment far from the partying demands of being on tour. ‘I like to eat carrots and nuts and salads. Stay put at home and enjoy my friends.’

Sea of Bees-Jan 11- photo by Amelia Gregory
Sea of Bees by Lilly Allen
Sea of Bees by Lilly Allen.

Jules has songs already recorded for the next album, some of which she wrote whilst on tour with the Smoke Fairies. When I met her she was fairly certain that the next album will be called Orange Farben, after the love that meant so much to her. ‘I want to be a good person and care,’ said Jules, as she prepared to go on stage. ‘Keep doing what you love and good things will come – that’s what I keep telling myself. Of course there’s loneliness but I have to let it go.’

Sea of Bees-Jan 11- photo by Amelia Gregory
Sea-of-Bees-by-Jane-McGuinn
Sea of Bees by Jane McGuinn.

Why the reference to sadness? Her last song at Bush Hall was dedicated to her Orange Farben – a statement which was lost on the majority of the audience, as was much of her slightly garbled interludes, but I had just hugged her backstage as she spilled over into tears, and I knew that her girlfriend of one year had split up with Jules over Skype the evening before. ‘I just want to love somebody and take care of them,’ she had reiterated to me. ‘That’s my goal, that and make music. Right now I have heartbreak but everything is going to be okay.’ Sea of Bees‘ unique talent lies in her ability to share emotion on a visceral level, the melancholy of her music slipping deep inside when you least expect it. Orange Farben may have broken her heart but I have no doubt that the album dedicated to her name will be a therapeutic experience not only for Jules, but also for her ever growing sea of admirers.

Gnomes Tunng remix, free download for a short period only.

Categories ,Bee Gees, ,Being of Unsound Mind, ,Bush Hall, ,Calico Charlotte Melton, ,Catholic, ,Celine Dion, ,Cher, ,Christian, ,Find Me Fighting Them, ,Gnomes, ,Hangar Studios, ,Heavenly Recordings, ,Jane McGuinn, ,Jenny Robins, ,John Baccigaluppi, ,Julie Ann Baenziger, ,Lee, ,Lilly Allen, ,Martin Kelly, ,Orange Farben, ,Roseville, ,Sacramento, ,Saint Etienne, ,Sarah Cracknell, ,Sarah Matthews, ,Sea of Bees, ,Shepherd’s Bush, ,The Mamas and The Papas, ,Tunng remix, ,U2

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