Amelia’s Magazine | London Fashion Week S/S 2012 Catwalk Review: Christian Blanken

Christian Blanken SS12 by Gareth A Hopkins

Christian Blanken S/S 2012 by Gareth A Hopkins

This presentation in particular was enjoyable from the start. Away from the rush and fuss of the main tent, pharmacy I went to explore the bright and beautiful Portico Rooms of Somerset House to find the Christian Blanken show. As I lined up, I got a peek at the other designer exhibitions and took in the quiet calm of the wooden floors and neo-classical architecture.

Christian Blanken S/S 2012 by Rosa and Carlotta

All photography by Rosa & Carlotta Crepax of Illustrated Moodboard

I was ushered inside a room set up with some impressive-looking mirrored panels, I took a seat and got my sketchbook and pens ready for what Mr Blanken had to show us. As the lights slightly dimmed and the music began to start I got my third compliment of the day on my Bora Aksu patterned ‘Angel’ tights which were a front-row goody bag gift and have left me wanting more from his new hosiery and accessory range.

Christian Blanken SS 2012 by Gilly Rochester

Christian Blanken S/S 2012 by Gilly Rochester

Christian Blanken has a very clean and cool vision for Spring/Summer 2012, defined by shades of grey, mink, and black and occasional shots of soft coral. He really developed his sharp and luxe look with an artful use of heavy ruching and sportswear-like silhouettes.

Christian Blanken S/S 2012 illustrated by Kate Eldridge

Christian Blanken S/S 2012 by Kate Eldridge

Christian Blanken S/S 2012 by Rosa and Carlotta
Christian Blanken S/S 2012 by Rosa and Carlotta
It was all undoubtedly feminine, but not as you’d recognise it. Ruching? Sparkle? Soft silks and pale colours? Sweet, but not in the hands of Christian Blanken. I have never been a big fan of sweet, and like Christian count strong-silhouette designers like Azzedine Alaia and Helmut Lang as two of my favourites, but would most definitely embrace this wearable version of it for S/S 2012.

Christian-Blanken S/S 2012 illustrated by Alia Gargum

Christian-Blanken S/S 2012 by Alia Gargum

Inspired by the new Swarovski Elements ceramics collection, stingrays (which worked beautifully in print), bonded textiles and leathers, this collection is for those that appreciate tailoring, detail, and good fabrics. Christian sourced materials from Italy to get the best he could while following his aim of creating the ideal modern wardrobe without an impossible price range.

Christian Blanken S/S 2012 illustrated by Ada Jusic

Christian Blanken S/S 2012 illustrated by Ada Jusic

The show itself was even relaxing to draw; the clean lines, slicked-back hair and sharp tailoring flowed easily along the page. Even the latecomers that kept walking into the show space and were momentarily reflected in the cleverly designed set along with the models didn’t disrupt the calm.

Christian Blanken S/S 2012 by Rosa & Carlotta Crepax
As the show ended and I left the room, I felt curious to see what this Dutch-born designer comes up with next. Anyone who can make ruching and sparkle also behave in such a strong and structured way deserves attention, which he seemed to be in for as I strolled past the long line already patiently waiting for the next show.

Categories ,Ada Jusic, ,Alia Gargum, ,Azzedine Alaia, ,Bora Aksu, ,Christian Blanken, ,Clean Lines, ,Coral, ,Feminine, ,Front Row, ,Gareth A Hopkins, ,Gilly Rochester, ,Goddy Bag, ,Helmut Lang, ,Hoisery, ,Illustrated Moodboard, ,Kate Eldridge, ,London Fashion Week, ,Rosa & Carlotta Crepax, ,Set Design, ,Sparkle, ,Sportwear, ,Spring/Summer 2012, ,Swarovski, ,Sweet

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Amelia’s Magazine | London Fashion Week S/S 2012 Catwalk Review: Paul Costelloe

Paul Costello 3_by Gilly Rochester LFW SS 2012
Paul Costelloe S/S 2012 by Gilly Rochester

Butterflies doing cartwheels in my tummy and the feeling that my consciousness has surreptitiously tiptoed away, adiposity wanting to take in everything… right now; it can only be the start of London Fashion Week.

Paul Costelloe  by Amber Cassidy, <a target=order London Fashion Week, mind SS 2012″ title=”Paul Costelloe by Amber Cassidy, London Fashion Week, SS 2012″ width=”480″ height=”680″ class=”aligncenter size-full wp-image-49295″ />
Paul Costelloe S/S 2012 by Amber Cassidy

Paul Costelloe SS 2012 review London Fashion Week by Amelia Gregory
Paul Costello SS 2012 London Fashion Week Akeela Bhattay
Paul Costello London Fashion Week SS 2012 Akeela Bhattay
All photography by Amelia Gregory, Akeela Bhattay and Matt Bramford

It’s the first show of the day and there’s a rush of excitement bustling through Somerset House. I wait impatiently in the queue for the Paul Costelloe show, surrounded by familiar press talk and the occasional exclamation of ‘Darling!‘ kiss kiss – a scene which will be re-enacted many times during the this week.

Paul Costelloe SS 2012 review London Fashion Week by Amelia Gregory
LFW London Fashion Week SS2012 PaulCostelloe by Matt Bramford
LFW London Fashion Week SS2012 PaulCostelloe by Matt Bramford
Paul costello Joana Faria SS 12 London Fashion Week
Paul Costelloe S/S 2012 Joana Faria

Once inside, I find my seat at the front, secure my goody bag, retrieve my camera from my exhausted looking satchel and decide that taking notes and photographs at the same time is not achievable (for me, that is), so do away with my notebook. There’s a flurry of photographers suddenly surrounding guests further down the row and I want to see what all the fuss is about; It’s Jimmy Choo and Autumn Philips. A quick ‘snap snap’ with my decrepit camera and back to my seat before the show starts.

Jimmy Choo at Paul Costelloe SS 2012 London Fashion Week Akeela Bhattay
Paul Costelloe SS 2011 review-Autumn Philips
Jimmy Choo and Autumn Philips.

Paul Costelloe SS 2012 review London Fashion Week by Amelia Gregory
LFW London Fashion Week SS2012 PaulCostelloe by Matt Bramford
LFW London Fashion Week SS2012 PaulCostelloe by Matt Bramford
Paul Costello 2_by Gilly Rochester LFW SS 2012
Paul Costelloe S/S 2012 by Gilly Rochester

Out glides the first model, her hair in large messy but firm pin curls and knots pinned close to the head with eye-make up in pea green (one of my favourite colours) that jumps out at you. She wears a tailored suit in café au lait, with the jacket in a 1940’s inspired style; slightly puffed sleeves, tapered collar and a slim belt accentuating the waist. The skirt however conforms more to the style of the mini-skirt and with loose pleats the outfit looks effortlessly chic.

Paul Costelloe SS 2012 review London Fashion Week by Amelia Gregory
Paul Costello London Fashion Week SS 2012 Akeela Bhattay
Paul Costello SS 2012 London Fashion Week Akeela Bhattay
Paul Costello SS 2012 London Fashion Week Akeela Bhattay
Paul Costelloe SS 2012 review London Fashion Week by Amelia Gregory
Paul Costelloe  by Amber Cassidy SS 2012 London Fashion Week
Paul Costelloe S/S 2012 by Amber Cassidy

Hues of cream, grey and monochrome forge ahead; structured suits with pleated detail and baby doll dresses with flouncy sleeves and cap sleeves, high collars and ruff collars, and high waists, distinctive of the 1960s mod fashion. The 60’s influence continues through most of the collection, with sailor collars, high waists and short hemlines. Billowing sleeves meanwhile, and wide neck collars hint of the medieval.

LFW London Fashion Week SS2012 PaulCostelloe by Matt Bramford
LFW London Fashion Week SS2012 PaulCostelloe by Matt Bramford
Paul costello Joana Faria SS 2012 London Fashion Week
Paul Costelloe S/S 2012 by Joana Faria

The muted colours bloom into a concoction of pastels that remind me of a box of Parisian macaroons, in candy floss pink, bittersweet peach and mint ice-cream green. The rich brocade fabrics in these delectable colours ooze femininity and an inhibited playfulness, a characteristic synonymous with the 1960’s. The tailored jackets and shift dresses , evocative of Jackie Kennedy and Mad Men, too celebrate femininity.

Paul Costello SS 2012 London Fashion Week Akeela Bhattay
LFW London Fashion Week SS2012 Paul Costelloe by Matt Bramford
Paul Costello 1 by Gilly Rochester LFW SS 2012
Paul Costelloe S/S 2012 by Gilly Rochester

LFW London Fashion Week SS2012 Paul Costelloe by Matt Bramford

The menswear collection harks to an era much further away with, Edwardian austerity pleasantly combined with the coquettishness of the New Romantics and a becoming bow to the seventies. Like the womenswear, the tailoring is excellent but never restrictive and is softened by rhythmic pleats, ruffles and capacious gauze and linen shirts. The colours adhere the relaxed and almost playful demeanour of the collection, from soft neautrals and intense indigo to colours of candy.

Paul Costelloe SS 2012 review London Fashion Week by Amelia Gregory

I especially love the way each outfit moves, simply and fluently and functionally! The pleats which seem to feature in many of the outfits are mesmerising to watch and sit beautifully on each piece. Paul Costelloe asserts his view on sandals and socks; a resounding yes to sandals with socks.

Paul Costelloe SS 2012 review London Fashion Week by Amelia Gregory
Paul Costello SS 2012 London Fashion Week Akeela Bhattay
Paul Costelloe set out to produce a collection that combines the signature Costelloe style together with elements of vintage Parisian chic – I do believe he has succeeded.

Paul Costello SS 2012 London Fashion Week Akeela Bhattay

If the consistent creativity and quality of Paul Costelloe’s collections are signs of things to come, I cannot wait to see his take on Autumn Winter 2012.


Play the video and watch the show.

Categories ,1940s, ,1960s, ,1970s, ,Akeela Bhattay, ,Amber Cassidy, ,Amelia Gregory, ,Amelia’s Magazine, ,Autumn Philips, ,Baby Doll dress, ,british fashion council, ,Brocade, ,Chase PR, ,Coral, ,designer, ,Edwardian, ,Feminine, ,Gilly Rochester, ,Hilary Alexander, ,Jackie Kennedy, ,Jimmy Choo, ,Joana Faria, ,LFW TV, ,Live Show, ,London Fashion Week, ,Mad Men, ,Matt Bramford, ,medieval, ,menswear, ,Mint, ,Mod, ,Parisian, ,Paul Costelloe, ,pink, ,S/S 2012, ,Shift Dress, ,Somerset House, ,spring, ,summer, ,Swing Coat, ,video, ,vintage, ,Watch Online, ,Womanswear

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Amelia’s Magazine | Joanna Cave: luxury ethical jewellery made in Greece from recycled silver

Les Antliaclastes by Stephanie Thieullent
Les Antliaclastes by Stephanie Thieullent.

Hilum opens with the ominous popping of corn, recipe patient stealthily reaching a crescendo before the pan jerks off stage to reveal an oversized scullery into which emerges a gremlin fairy creature. It’s like a creepy abandoned nursery of the netherworld, with recognisable objects and sounds mutated into the stuff of children’s nightmares. Almost immediately I fear for the dreams of the young children seated in front of us.

An array of wonderful grotesque puppets tumble and play, their strings pulled by the humans that tower above them in creamy lace outfits that resemble nightgowns. Their faces are covered, crocheted protrusions dangling trunk-like as they bend forward over their proteges, interacting with and manipulating them at the same time.

Les Antliaclastes by Gareth A Hopkins
Les Antliaclastes by Gareth A Hopkins.

But in this strange world full of curiously humanoid critters it is not the giant ogres that control the tale – such as there was one – but the rhythm of the washing machine cycles, underpinned by an evocative soundtrack. From crackling bleeps, to old time lullabies and the delicate tinkling of a glockenspiel as a pathetic little mermaid creature made from pearly buttons meets its death, it is an integral part of creating the atmosphere.

Hilum by Gemma Smith
Hilum by Gemma Smith.

Hilum by Abigail Daker
Hilum by Abigail Daker.

Towards the denouement things take a more surreal turn still, with the washing machine upending itself in a frenzy to reveal a furry trapdoor which after a bit more shaking gives birth to a baby washing machine, covered in a placenta like ooze. A real man appears with a loud toy gun, a large humanoid skull spins grinning inside the washing machine. A huge chicken creature strides on stage as a snapping oversized finger clatters around.

Les Antliaclastes by Gareth A Hopkins
Les Antliaclastes by Gareth A Hopkins.

As the shutters closed on this bizarre otherworld I felt oddly bemused. Hilum by Les Antliaclastes is a beautifully conceived project but with no real outcome, other than the guarantee of some very odd dreams, for adults and children alike.

But as we admired the stage shutters on our way out I felt very glad that creative endeavours such as this are staged during events like the London International Mime Festival. We are lucky indeed to live in this place and in these times, where creativity can be expressed in so many different and unique ways.

Hilum shutters ICA
Hilum shutters ICA
Hilum shutters ICA
The wonderfully decorated stage shutters for Hilum at the ICA.

Hilum was put together by puppeteer Patrick Sims and runs until Wednesday 26th January 2011 at the ICA as part of the London International Mime Festival. You can read another good review of this show by Matt Trueman on Carousel of Fantasies. The Mime Festival continues until 30th January 2011 – see other events here.
Les Antliaclastes by Stephanie Thieullent
Les Antliaclastes by Stephanie Thieullent.

Hilum opens with the ominous popping of corn, advice stealthily reaching a crescendo before the pan jerks off stage to reveal an oversized scullery into which emerges a gremlin fairy creature. It’s like a creepy abandoned nursery of the netherworld, with recognisable objects and sounds mutated into the stuff of children’s nightmares. Almost immediately I fear for the dreams of the young children seated in front of us.

An array of wonderful grotesque puppets tumble and play, their strings pulled by the humans that tower above them in creamy lace outfits that resemble nightgowns. Their faces are covered, crocheted protrusions dangling trunk-like as they bend forward over their proteges, interacting with and manipulating them at the same time.

Les Antliaclastes by Gareth A Hopkins
Les Antliaclastes by Gareth A Hopkins.

But in this strange world full of curiously humanoid critters it is not the giant ogres that control the tale – such as there is one – but the rhythm of the washing machine cycles, underpinned by an evocative soundtrack. From crackling bleeps, to old time lullabies and the delicate tinkling of a glockenspiel (as a pathetic little mermaid creature made from pearly buttons meets its death) the music is an integral part of the atmosphere.

Hilum by Gemma Smith
Hilum by Gemma Smith.

Hilum by Abigail Daker
Hilum by Abigail Daker.

Towards the denouement things take a more surreal turn still, with the washing machine upending itself in a frenzy to reveal a furry trapdoor which after a bit more shaking gives birth to a baby washing machine, covered in a placenta like ooze. A real man appears with a loud toy gun, a large humanoid skull spins grinning inside the washing machine. A huge chicken creature strides on stage as a snapping oversized finger clatters around.

Les Antliaclastes by Gareth A Hopkins
Les Antliaclastes by Gareth A Hopkins.

As the shutters closed on this bizarre otherworld I felt oddly bemused. Hilum by Les Antliaclastes is a beautifully conceived project but with no real outcome, other than the guarantee of some very odd dreams, for adults and children alike.

But as we admired the stage shutters on our way out I felt very glad that creative endeavours such as this are staged during events like the London International Mime Festival. We are lucky indeed to live in this place and in these times, where creativity can be expressed in so many different and unique ways.

Hilum shutters ICA
Hilum shutters ICA
Hilum shutters ICA
The wonderfully decorated stage shutters for Hilum at the ICA.

Hilum was put together by puppeteer Patrick Sims and runs until Wednesday 26th January 2011 at the ICA as part of the London International Mime Festival. You can read another good review of this show by Matt Trueman on Carousel of Fantasies. The Mime Festival continues until 30th January 2011 – see other events here.
Les Antliaclastes by Stephanie Thieullent
Les Antliaclastes by Stephanie Thieullent.

Hilum opens with the ominous popping of corn, visit this site stealthily reaching a crescendo before the pan jerks off stage to reveal an oversized scullery into which emerges a gremlin fairy creature. It’s like a creepy abandoned nursery of the netherworld, with recognisable objects and sounds mutated into the stuff of children’s nightmares. Almost immediately I fear for the dreams of the young children seated in front of us.

An array of wonderful grotesque puppets tumble and play, their strings pulled by the humans that tower above them in creamy lace outfits that resemble nightgowns. Their faces are covered, crocheted protrusions dangling trunk-like as they bend forward over their proteges, interacting with and manipulating them at the same time.

Les Antliaclastes by Gareth A Hopkins
Les Antliaclastes by Gareth A Hopkins.

But in this strange world full of curiously humanoid critters it is not the giant ogres that control the tale – such as there is one – but the rhythm of the washing machine cycles, underpinned by an evocative soundtrack. From crackling bleeps, to old time lullabies and the delicate tinkling of a glockenspiel (as a pathetic little mermaid creature made from pearly buttons meets its death) the music is an integral part of the atmosphere.

Hilum by Gemma Smith
Hilum by Gemma Smith.

Hilum by Abigail Daker
Hilum by Abigail Daker.

Towards the denouement things take a more surreal turn still, with the washing machine upending itself in a frenzy to reveal a furry trapdoor which gives birth to a baby washing machine covered in a placenta like ooze. A real man appears with a loud toy gun, a large humanoid skull spins grinning inside the washing machine. A huge chicken creature strides on stage as a snapping oversized finger clatters crazily agains the walls.

Les Antliaclastes by Gareth A Hopkins
Les Antliaclastes by Gareth A Hopkins.

As the shutters close on this bizarre otherworld I feel oddly bemused. Hilum by Les Antliaclastes is a beautifully conceived project but with no real outcome, other than the guarantee of some very odd dreams, for adults and children alike.

Nevertheless, as we admire the stage shutters on our way out I feel very glad that creative endeavours such as Hilum are staged during events like the London International Mime Festival. We are lucky indeed to live in this place and in these times, where creativity can be expressed in so many different and unique ways.

Hilum shutters ICA
Hilum shutters ICA
Hilum shutters ICA
The wonderfully decorated stage shutters for Hilum at the ICA.

Hilum was put together by puppeteer Patrick Sims and runs until Wednesday 26th January 2011 at the ICA as part of the London International Mime Festival. You can read another good review of this show by Matt Trueman on Carousel of Fantasies. The Mime Festival continues until 30th January 2011 – find out about other events here.
Les Antliaclastes by Stephanie Thieullent
Les Antliaclastes by Stephanie Thieullent.

Hilum opens with the ominous popping of corn, order stealthily reaching a crescendo before the pan jerks off stage to reveal an oversized scullery into which emerges a gremlin fairy creature. It’s like a creepy abandoned nursery of the netherworld, site with recognisable objects and sounds mutated into the stuff of children’s nightmares. Almost immediately I fear for the dreams of the young children seated in front of us.

An array of wonderful grotesque puppets tumble and play, ambulance their strings pulled by the humans that tower above them in creamy lace outfits that resemble nightgowns. Their faces are covered, crocheted protrusions dangling trunk-like as they bend forward over their proteges, interacting with and manipulating them at the same time.

Les Antliaclastes by Gareth A Hopkins
Les Antliaclastes by Gareth A Hopkins.

But in this strange world full of curiously humanoid critters it is not the giant ogres that control the tale – such as there is one – but the rhythm of the washing machine cycles, underpinned by an evocative soundtrack. From crackling bleeps, to old time lullabies and the delicate tinkling of a glockenspiel (as a pathetic little mermaid creature made from pearly buttons meets its death) the music is an integral part of the atmosphere.

Hilum by Gemma Smith
Hilum by Gemma Smith.

Hilum by Abigail Daker
Hilum by Abigail Daker.

Towards the denouement things take a more surreal turn still, with the washing machine upending itself in a frenzy to reveal a furry trapdoor which gives birth to a baby washing machine covered in a placenta like ooze. A real man appears with a loud toy gun, a large humanoid skull spins grinning inside the washing machine. A huge chicken creature strides on stage as a snapping oversized finger clatters crazily agains the walls.

Les Antliaclastes by Gareth A Hopkins
Les Antliaclastes by Gareth A Hopkins.

As the shutters close on this bizarre otherworld I feel oddly bemused. Hilum by Les Antliaclastes is a beautifully conceived project but with no real outcome, other than the guarantee of some very odd dreams, for adults and children alike.

Nevertheless, as we admire the stage shutters on our way out I feel very glad that creative endeavours such as Hilum are staged during events like the London International Mime Festival. We are lucky indeed to live in this place and in these times, where creativity can be expressed in so many different and unique ways.

Hilum shutters ICA
Hilum shutters ICA
Hilum shutters ICA
The wonderfully decorated stage shutters for Hilum at the ICA.

Hilum was put together by puppeteer Patrick Sims and runs until Wednesday 26th January 2011 at the ICA as part of the London International Mime Festival. You can read another good review of this show by Matt Trueman on Carousel of Fantasies. The Mime Festival continues until 30th January 2011 – find out about other events here.
austra by anko
Austra by Anko

It may have been a typically miserable Monday night in January, viagra 60mg but we were safe from the elements within the hallowed hall that is the Windmill in Brixton. This unassuming little pub just off the busy thoroughfare of Brixton Hill (and in the shadow of a real windmill, pilule the only one remaining in London), has seen many upcoming bands and surprise appearances from old faces grace its stage over the years. My favourite music venue in London (and my second gig there in 48 hours), I’ve had a lot of nights at the Windmill that have been great (including my second New Year’s Eve in London), hazy (ditto) and just plain bizarre.

elena tonra by ellie sutton
Elena Tonra by Ellie Sutton.

The evening began with some haunting acoustica from Daughter, aka Elena Tonra. Plucking at an acoustic guitar, and backed by some subtle electric guitar washes, Tonra’s hushed vocals delivered some daintily dark lyrics that drew the onlookers in. As the Windmill began to fill up, Viv Albertine took to the stage with her new band, Limerence. Once the guitarist and co-songwriter with iconic punk band The Slits, Albertine had been off the music scene for over 20 years after pursuing a career in TV and film directing, but she recently made a return to the stage (indeed, her debut was here at the Windmill) and has gone on to release an EP on the label of Sonic Youth’s very own Thurston Moore.

Viv Albertine by Karina Yarv
Viv Albertine by Karina Yarv.

“Limerence” was a term coined to describe a near-obsessive form of romantic love, though Albertine joked that her songs were generally about pretty much the opposite. Limerence the band is a loose collective of musicians – I’d seen them play at the George Tavern in Stepney last year with pretty much a full compliment, but tonight it was just a pairing of violin and a combo of keyboard, guitar and ukulele. Musically, Albertine has moved on from the reggae infused sound of her old band, though her guitar is still as distinctive as it was on songs like Typical Girls. If anything, there’s a hint of Syd Barrett about songs like Fairytale and the twisted pop of Never Come, and the lyrics are as witty and spiky as you’d expect. Void references a darker part of her punk past, and was introduced with a few reminiscences of 1976. The paired down line-up actually gave an extra edge to Albertine’s songs, highlighted on the unsettling set closer, Confessions Of A Milf, which descended into a one-chord riff on suburban paranoia.

Canadian headliners Austra have been causing a bit of a buzz of late. Hailing from Toronto, and centred on vocalist Katie Stelmanis, with Maya Postepski on programming and Dorian Wolf on bass, they recently renamed themselves (having previously been going under Stelmanis’ moniker), signed to Domino and currently have a 12” single out, with an album in the pipeline for later this year.

Austra gig at The Windmill by Laura Godfrey
Austra gig at The Windmill by Laura Godfrey.

For the UK leg of a whistle-stop European tour, starting tonight, Stelmanis and co were joined by a drummer, keyboard player and two extra vocalists. There was a bit of a shaky start with a technical hitch before things got into their stride. It would be easy to make comparisons with Fever Ray and Glasser (especially as I’d seen both live fairly recently), and Austra do fall into that category of brooding female vocals over dark electronic beats. However, they’re not as dense as Fever Ray or as spectral as Glasser, especially live. I’d read somewhere that Austra were like “Fever Ray gone disco”, which actually isn’t a million miles off the mark. The single, Beat & the Pulse, is distinctly dance-friendly, and while Stelmanis’ vocal delivery may be reminiscent of Karin Dreijer Andersson, the general vibe is more akin to the early to mid 80’s indie-dance crossover. In the confined space of the Windmill, Austra’s songs become much more organic, with the live drums and bass giving an added kick. There was also plenty of theatricality, with Stelmanis and her sidekicks whirling and dipping during each song.

It was a typically great and varied mix of bands and styles tonight, another in a long line of great nights that I’ve experienced at the Windmill, and another one I’m sure that the venue’s legendary Roof Dog would approve of.

Joanna Cave S/S 2011 by Naomi Law
Joanna Cave S/S 2011 by Naomi Law.

Jewellery designer Joanna Cave makes delicate pieces for the self confident and elegant woman. She met PARTIMI designer Eleanor Dorrien-Smith at London Fashion Week and the pair clicked instantly. For S/S 2011 they have collaborated on a special collection.

Has your Greek upbringing influenced your designs?
I believe that our surroundings influence us a great deal and my Greek upbringing has definitely played its part. My latest collection was purely influenced by the surroundings where I designed it on the Greek island of Tinos, salve so amongst my inspiration was the beautiful Cycladic landscape and deep starry nights.

Why you currently based in Athens?
I studied in London but after many years I felt I needed a change, drug and Athens seemed like a pretty exotic destination after a cold and cloudy summer in the UK. It can be difficult since I’m part English and absolutely love London, viagra approved but Athens has a great tradition in jewellery and it is full of charming little workshops that have been operating for generations. It all kind of fell into place.

Have you always been ethical in your approach to design or did you have an epiphany, and if so what prompted that?
I’ve almost always used recycled silver. One year I used coral for my collection which is terribly bad – as soon as I found out how endangered coral is and how much damage is caused by extracting it, I completely banned it from my production. That prompted me to find out more about where my materials come from, and I started to look for ethically sourced pearls…

Read the rest of this interview with Joanna Cave in Amelia’s Compendium of Fashion Illustration, alongside interviews with 44 other ethical fashion designers and 30 fabulous fashion illustrators. You can buy the book here.

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Athens, ,Coral, ,Eco fashion, ,Eleanor Dorrien-Smith, ,Ethical Fashion, ,Greece, ,Greek, ,jewellery, ,Joanna Cave, ,London Fashion Week, ,Naomi Law, ,Partimi, ,Pearls, ,Tinos

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Amelia’s Magazine | Joanna Cave: luxury ethical jewellery made in Greece from recycled silver

Joanna Cave S/S 2011 by Naomi Law
Joanna Cave S/S 2011 by Naomi Law.

Jewellery designer Joanna Cave makes delicate pieces for the self confident and elegant woman. She met PARTIMI designer Eleanor Dorrien-Smith at London Fashion Week and the pair clicked instantly. For S/S 2011 they have collaborated on a special collection.

Has your Greek upbringing influenced your designs?
I believe that our surroundings influence us a great deal and my Greek upbringing has definitely played its part. My latest collection was purely influenced by the surroundings where I designed it on the Greek island of Tinos, so amongst my inspiration was the beautiful Cycladic landscape and deep starry nights.

Why you currently based in Athens?
I studied in London but after many years I felt I needed a change, and Athens seemed like a pretty exotic destination after a cold and cloudy summer in the UK. It can be difficult since I’m part English and absolutely love London, but Athens has a great tradition in jewellery and it is full of charming little workshops that have been operating for generations. It all kind of fell into place.

Have you always been ethical in your approach to design or did you have an epiphany, and if so what prompted that?
I’ve almost always used recycled silver. One year I used coral for my collection which is terribly bad – as soon as I found out how endangered coral is and how much damage is caused by extracting it, I completely banned it from my production. That prompted me to find out more about where my materials come from, and I started to look for ethically sourced pearls…

Read the rest of this interview with Joanna Cave in Amelia’s Compendium of Fashion Illustration, alongside interviews with 44 other ethical fashion designers and 30 fabulous fashion illustrators. You can buy the book here.

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Athens, ,Coral, ,Eco fashion, ,Eleanor Dorrien-Smith, ,Ethical Fashion, ,Greece, ,Greek, ,jewellery, ,Joanna Cave, ,London Fashion Week, ,Naomi Law, ,Partimi, ,Pearls, ,Tinos

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