Amelia’s Magazine | Woodpecker Wooliams at King’s Place: Live Review

Woodpecker Wooliams by Sam Parr

Woodpecker Wooliams by Sam Parr

Turning a corner from King’s Cross station, it was a chill wind that blew as I hurried down York Way. Past those Victorian facades touched by the regeneration that is fast spreading through this part of London, I spied that most modern of constructs, King’s Place. Opened in 2008, a mixture of the artistic and commercial (as well as performance and exhibition space, it’s also home to the Guardian newspaper), this was my destination for the evening.

I’d been to King’s Place once before, to catch Laura J Martin just before Christmas, but tonight’s action was taking place in the venue’s main room, Hall One, a curious space (apparently a structure within a structure, a box sitting on rubber springs to acoustically separate it from the rest of the building, and layered in veneer that comes from the same 500 year old German oak tree) which strangely reminded me of a lecture theatre.

The final day of The Local’s “three day mini-festival of modern-day existential songwriting”, The Stranger The Better, tonight’s fine line-up included Sons Of Noel And Adrian and a solo set by Meursault front-man Neil Pennycook, but opening proceedings was Woodpecker Wooliams.

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Hailing from Crawley but based in that musical hotbed-by-the-sea, Brighton, Woodpecker Wooliams (otherwise known as multi-instrumentalist, shaman and bee-keeper Gemma Williams) was apparently once told by Brian Eno not to bother with music. Ignoring his sage advice, she has instead spent time crafting darkly delicate melodies tinged with electronic flourishes and occasionally unsettling lyrics, delivered in an idiosyncratic style that has drawn comparisons with Björk (“creepy, but in a good way” is how the Guardian described her – creepy from Crawley indeed, to borrow a music journo description of another of that town’s famous sons, Robert Smith of The Cure). Touring around the UK and Europe has led to radio sessions (most recently on BBC Radio 6 Music, with Tom Robinson) and the release of her debut album, The Bird School Of Being Human, on Robot Elephant Records.

Woodpecker Wooliams by Gilly Rochester

Woodpecker Wooliams by Gilly Rochester

It was a prompt 7.30pm start and I’d just made it to King’s Place (having come straight from home), but, on discovering that no drinks were allowed in Hall One, I had to endure that most novel of experiences – a sober gig. As Woodpecker Wooliams (tonight, a full band) walked on stage and settled down in their places, the strangeness of the atmosphere was heightened by the fact that the audience was completely hushed, there was none of the background chatter that you normally get in venues.

The set tonight was a run through of tracks from the album, which all have a common theme (in title, at least, as they’re all named after birds). We got songs like Red Kite and the most recent single, Gull, with Williams sat with her harp as around her dissonant electronic drones warbled, backed with skittish drums, an occasional trumpet (and, on Crow, a grainy sample of the Last Post). There was even the parping of a deflating balloon – not the sort of thing you’d normally encounter, especially somewhere as refined as King’s Place! Williams moved behind a keyboard set-up for an incandescent Sparrow, bobbing to the beat as the searing vocals echoed off the laminated walls. The unusual quiet of the hall added to the often eerie nature of the songs, and focussed attention on the performers.

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Cheers broke the respectful silence as we reached the end, Williams and band taking the crowd’s applause as they walked off the stage as we, in turn, filed out to lay siege to the bar during the brief intermission.

There don’t appear to be any more live performances on the immediate horizon for Woodpecker Wooliams, at least until an appearance at the End Of The Road Festival during the summer, so we can only wait and see what more magic she is concocts in the meantime.

Categories ,BBC Radio 6 Music, ,bjork, ,brian eno, ,brighton, ,Crawley, ,End Of The Road Festival, ,Gemma Williams, ,Gilly Rochester, ,King’s Cross, ,King’s Place, ,Laura J Martin, ,Meursault, ,Neil Pennycook, ,Robert Smith, ,Robot Elephant Records, ,Sam Parr, ,sons of noel and adrian, ,the cure, ,The Guardian, ,The Local, ,The Stranger The Better, ,Tom Robinson, ,Woodpecker Wooliams

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Amelia’s Magazine | Wood Festival 2011 Review: Zeus, Treetop Flyers Eliza Carthy and printing with lino!

Wood Festival Samba Band and Tents by Sam Parr
Wood Festival Samba Band and Tents by Sam Parr.

Sunday at Wood Festival began with a stint of harmony singing led by Katy, capsule the talented teacher of the Bennett family. It’s rare that I get to sing these days what with so much else going on in my life, price so I relished the opportunity to exercise my lungs with lots of (mainly) like-minded women.

Wood Festival 2011 - photography by Amelia Gregory
Wood Festival 2011 - photography by Amelia Gregory
Wood Festival 2011 - photography by Amelia Gregory
Wood Festival 2011 - photography by Amelia Gregory
Wood Festival 2011 - photography by Amelia Gregory
All photography by Amelia Gregory.

A noisy samba parade was the culmination of the morning’s activities, travelling the length of the site to entertain campers. At many points Wood Festival felt more like a family camp than a festival, which was no bad thing as it ensured that there was a real sense of friendliness which can often be missing at other festivals, and it felt like a safe place to leave children roaming wild in packs.

Wood Festival 2011 - photography by Amelia Gregory
Wood Festival 2011 - photography by Amelia Gregory
Wood Festival 2011 - photography by Amelia Gregory
Wood Festival 2011 - photography by Amelia Gregory
Polly and Billets Doux Wood Festival 2011 - photography by Amelia Gregory

Polly and the Billets Doux kicked off proceedings on the Wood Stage with their double bass heavy blend of jazz, gospel, country and folk. I particularly loved their painted double bass, which was passed around the band.


To Be A Fighter by Polly and the Billets Doux.

Two Fingers of Firewater Wood Festival 2011 - photography by Amelia Gregory
Two Fingers of Firewater Wood Festival 2011 - photography by Amelia Gregory
Two Fingers of Firewater took the tented Tree Stage during the lazy post lunch hour for keyboard soaked country folk.

Wood Festival 2011 - photography by Amelia Gregory
Wood Festival 2011 - photography by Amelia Gregory
Wood Festival 2011 - photography by Amelia Gregory
Wood Festival 2011 - photography by Amelia Gregory
During the afternoon my merry group of adults decided to join the kids in some lino printing: at Wood all ages muck in together which is something that happens rarely in our modern society. It was really wonderful to have the space and time to indulge in a bit of creativity.

Katy Rose Cavalry Parade Wood Festival 2011 - photography by Amelia Gregory
Katy Rose Cavalry Parade Wood Festival 2011 - photography by Amelia Gregory
Katy Rose Cavalry Parade Wood Festival 2011 - photography by Amelia Gregory
Katy Rose Cavalry Parade Wood Festival 2011 - photography by Amelia Gregory
Katy Rose and the Cavalry Parade is the newest venture for Katy B, who has renamed herself in the wake of the latest grime artist to crossover into the mainstream.

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She had warned her morning singing group that we might be asked to join her on the stage for the final number but I was off visiting the compost loo and missed the callout. Woops! Katy Rose is a super singer and songwriter who you can hear on this old youtube recording since I currently refuse to link to myspace (they won’t let you hear anything unless you log in)

Wood Festival 2011 - photography by Amelia Gregory
Wood Festival 2011 - photography by Amelia Gregory
Kettle Making by Lorna Scobie
Kettle Making by Lorna Scobie. Lots of green workshops for the kids (and adults) to attend.

Sun Powered Kettle by Lorna Scobie
Sun Powered Kettle by Lorna Scobie.

Zeus Wood Festival 2011 - photography by Amelia Gregory
Zeus Wood Festival 2011 - photography by Amelia Gregory

Canadian rockers Zeus took to the Wood Stage during the mid afternoon lull, which meant that a large part of their audience consisted of excitable children wielding hand made fake fur snakes at the foot of the stage. I’m not really sure what they thought of it all (the band, or the kids).

Wood Festival by Rebecca Strickson
Wood Festival by Rebecca Strickson.

Wood Festival 2011 - photography by Amelia Gregory
Wood Festival 2011 - photography by Amelia Gregory
Wood Festival 2011 - photography by Amelia Gregory
Wood Festival 2011 - photography by Amelia Gregory

Zeus are on the very good Arts and Crafts label. Love this video:

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Treetop Flyers by Fi Blog
Treetop Flyers by Fi Blog.

Treetop Flyers Wood Festival 2011 - photography by Amelia Gregory
Treetop Flyers Wood Festival 2011 - photography by Amelia Gregory
Treetop Flyers Wood Festival 2011 - photography by Amelia Gregory
Treetop Flyers Wood Festival 2011 - photography by Amelia Gregory

Treetop Flyers were a great evening time discovery: more tight boy harmonies in a bluesy country stylee. They won the 2011 Glastonbury Emerging Talent so expect to see a lot more of these boys. Super.

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Eliza Carthy Band Wood Festival 2011 by Michalis Christodoulou
Eliza Carthy Band Wood Festival 2011 by Michalis Christodoulou.

Last up we caught folkstrel Eliza Carthy, who was predictably quite fantastic live – switching between fiddle, guitar and voice with perfect ease and chattering away about her dad’s 70th birthday celebrations. Eliza’s new album Neptune came out in May and it’s a rollicking narrative ride through her life.

Eliza Carthy Band Wood Festival 2011 - photography by Amelia Gregory
Eliza Carthy Band Wood Festival 2011 - photography by Amelia Gregory

I was very sad to miss Robin and Joe Bennet’s band Dreaming Spires, who closed the festival as we sped back to London. By all accounts it was a perfect way to round off what was one of the most relaxing and enjoyable festivals I’ve been to in some time. After all, there aren’t many festivals where the people who run it get up on stage to remind everyone to put on suncream. Wood Festival was invented for and is undoubtedly best suited to families, but I for one hope to return, with or without children.

Eliza Carthy Band Wood Festival 2011

Don’t forget to read my reviews of Friday and Saturday at Wood Festival too. Read also this review by Matt Hanley of Green Wedge.

Categories ,art, ,Arts and Crafts, ,children, ,country, ,Dreaming Spires, ,eliza carthy, ,Fi Blog, ,folk, ,gospel, ,Green Wedge, ,jazz, ,Joe Bennett, ,Katy Rose, ,Katy Rose and the Cavalry Parade, ,Lino Cutting, ,Lorna Scobie, ,Matt Hanley, ,Michalis Christodoulou, ,Neptune, ,Polly and the Billets Doux, ,Rebecca Strickson, ,review, ,Robin Bennett, ,Sam Parr, ,Singing, ,Solar Cooking, ,Sun Powered Kettle, ,Sunday, ,Treetop Flyers, ,Two Fingers of Firewater, ,Wood Festival, ,Zeus

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Amelia’s Magazine | Truck Festival

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No two festivals are the same. Which is lucky since we would be stringing our genitals up by the linings of our straw hats if they were. Truck Festival, however, seems to hold a beautiful sense of naivety about it, pretty impressive considering its 11 year jog since its first outing in 1998. What seems to set it apart is its strong sense of community spirit. Throughout the weekend many of the acts expressed their respect and admiration towards Truck organisers, Robin and Joe Bennett. And with ice cream supplied by the vicar and food from the snowy members of the local rotary club, you can’t help feeling you’re a part of it.

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Following an early morning sprint from the more fresh faced end of the car queue, I managed to make it to the heavily odoured cowshed for Oxford’s pop darlings, Alphabet Backwards. Headed by the eccentric James Hitchman with his merry entourage, from appearances you may be excused for thinking you’re in for another melancholy strangling of your sanity with tales of first loves and heartbreaks. Thankfully not. Alphabet Backwards’s brand of energetic lo-fi poptro found the entire cowshed transfixed as we were taken into the rather alternative musings of Hitchman’s brain box. ‘Disco Classic’ was a particular favourite with its synth heavy, building intro. ’80’s Pop Video’ was one of the most involving tracks of the entire festival with the crowd taking over, to ad lib a bizarrely synchronised clapping solo, halfway through. Looking around found many a laughing face or tapping foot whilst the 5-piece bounced around the stage. In the words of Alphabet Backwards themselves, “pop’s not a dirty word”. Thank god for that.

After aimless wandering, I found myself back in the cowshed for the highly anticipated, Youthmovies. It’s hard to argue that they don’t know what they’re doing but amidst the thrashing guitars, flashing lights and smoke machines, it’s also hard to see much else beyond that. The proclamation that we were watching the best band in the world found me wondering whether the farm fumes had projected me to a mediocre parallel planet. If you’re into turned backs and guitar noise you’ll get on well with it but I couldn’t help feeling it was a bit like watching other people eating food when you’re hungry. Strong cheekboned lead singer, Andrew Mears, who was once involved with ‘math rock’ tyrants, Foals, is clearly a talented soul, confirmed after I later heard him deliver a rather intricate poetry reading possibly to an audience that didn’t understand. But there certainly wasn’t enough water around Youthmovies to go floating any boats. Or trucks for that matter.

These New Puritans, with skinny-framed Jack Barnett emerging in a shimmering gold roman-esque shirt, which seemed rather fitting considering the thumping drums which at times, sounded like a call to arms. As Barnett delivered his rap-esque vocals I couldn’t help think this is what Linkin Park would sound like if they were from the UK and just a bit more cool. Don’t let that put you off though. In fact don’t even use it as a comparison. ‘Numbers’ played on our human desire for repetition, perfectly wrapped up in a stupidly named parcel of electronic nu gaze. Whatever you call it though, I dare you not to be stirred at least a little.

Truck isn’t exactly spacious but preceding Noah and the Whale, it was chlaustrophobic madness. Crowd control had to make a forceful announcement that if people didn’t move, they were out. Fun fun fun indeed. After a 25 minute wait they finally arrived. Following the onslaught of skinny kids with 80’s haircuts, the cutesy summer strawberry pop was hideously refreshing. Exactly what you’d want to listen to before taking off all your clothes and dancing in long grass with a childhood friend. Naturally, ‘5 years time’ was a favourite, sending limbs all over the place although it’s a good idea to not write them off as some kind of one hit wonder hippy outfit. A lot more lies beyond the band than just a youth celebratory summer anthem. Frontman, Charlie Fink, holds faint similarities to the early Johnny Cash with his collected swagger, well groomed hair and waistcoat/tie combination. This mixed with the love heavy vibe and modern mish mash of jazz and folk rock made me wonder why I’d want to be anywhere else.

I was starkly unimpressed by all the bands named as headline acts. Lemonheads were uninspiring and I would of been equally entertained had someone just stuck a CD player containing their album, centrestage and pressed play. After seeing ‘It’s a Shame about Ray’, I had to go and flog a dead horse for a while. Camera Obscura delivered gentle sugary pop melodies to a laxidasically sprawled audience. Coming across as completely inoffensive in the good sense. But it was within the smaller acts that the most exciting, raw and breaking performances came.

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Pivot delivered the most lip biting, mind blowing set of the weekend. Not an attack you’d usually experience at 4pm on a Sunday afternoon. Seemingly gentle chaps turned into thrashing electronic noise warriors, pulling at the very bottom of the hairs in my neck before tearing them out. Comparisons could be made to a heavier Metronomy or a more broken Soulwax but it would be a weak attempt at pigeonholing something than shouldn’t be. Richard Pike tribally howled his way through a few sections whilst brother and drummer Laurence pounded at the quaking drum kit with such force that I thought a heart attack was only a matter of time. Definite highlight. Their album ‘O Soundtrack My Heart’ comes out August 20th although it’s hard to portray the passion and power that they play at, through a disc or music file.

Young hearts, Orphan Boy, a 3-piece from Manchester were one of the most exciting and promising of the weekend, only stumbled upon whilst I tried to find the person who had my plastic cup of warm cider, which rapidly paled into insignificance. There were few bands at Truck you could claim had any relationship with progressive post punk, but Orphan Boy more than made up for the lack of it. Thrashing their guitars into their vigorous yet half polished anthemic delights, they had the controlled arrogance of musical greats, creating a sound similar to The Fall if you stuck them in a pan and mixed them with a pinch of Arctic Monkeys. I couldn’t help feeling they weren’t getting the reaction they deserved but the few that were there shared my appreciation.

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It was then time to put away my dog eared notebook and effeminate pen and get involved in a good ol’ game of wallet fishing before jumping in a skip, picking up paralytic drum and bass kids and then passing out in someone elses shirt. Holy truck. Ouch.

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Amelia’s Magazine | Wood Festival 2011 Review: Sarabeth Tucek, Khaira Arby, Willy Mason, The Epstein and more!

Willy Mason at Wood Festival by Sam Parr
Willy Mason at Wood Festival by Sam Parr.

I woke to a parent discussing the merits of dressing up as a crocodile with her child, viagra buy and when I peeked my head out of the tent a man was relaxing across the way with a book emblazoned with the immortal phrase Do More Faster. Perhaps not at Wood, medications eh?

Wood Festival 2011 -photography by Amelia Gregory
Wood Festival 2011 -photography by Amelia Gregory
Wood Festival 2011 -photography by Amelia Gregory
Wood Festival 2011 -photography by Amelia Gregory
Wood Festival 2011 -photography by Amelia Gregory
Wood Festival 2011. All photography by Amelia Gregory.

Wood Festival on Saturday was like those days you dream of… breezy sunshine, children running through the grass, plenty of good music. And no trouble in deciding what bands to listen to – for the very simple reason that nothing ever clashed at Wood. From the workshops to the music acts everything was timed to fit together and allow for maximum participation without boredom.

Wood Festival 2011 -photography by Amelia Gregory
Wood Festival 2011 -photography by Amelia Gregory
Wood Festival 2011 -photography by Amelia Gregory
Wood Festival 2011 -photography by Amelia Gregory
Wood Festival 2011 -photography by Amelia Gregory
Wood Festival 2011 -photography by Amelia Gregory

And so in the morning I was able to take my boyfriend on a mini tour of Braziers Park – a place that I have often visited with FSC camps, but which I have never really seen inside of. It’s an inspiring community founded on principles of sharing for a better world that was formed in the wake of two disastrous world wars. And it has some truly wonderful gardens, not to mention an ancient listed barn house that I am lucky enough to have called ceilidhs in.

Wood Festival 2011 Braziers Park-photography by Amelia Gregory
Wood Festival 2011 Braziers Park-photography by Amelia Gregory
Wood Festival 2011 Braziers Park-photography by Amelia Gregory
Trevor Moss and Hannah Lou at Braziers Park.

Acupuncture is something I’ve wanted to try out for ages so for a tenner I decided that Wood would be the perfect place to experience acupuncture in the ear and in the feet. It was meant to help my sore back but I think that my lifestyle, sat in front of the computer for hours every day, is going to be hard to cure in one session. Despite my boyfriend’s disparaging opinion of alternative therapies I definitely felt a bit soozed once I had the tiny pins in my ear from Abingdon based Ana at Acuabi and I’d like to try it out again.

Wood Festival 2011 Acupuncture-photography by Amelia Gregory
Acupuncture for a teddy at Acuabi.

Our first musical stop of the day was the dulcet alt country tones of Owen Tromans, joined on stage by Joe Bennett in what was to prove a bit of a common theme – one or other (or both) of the Bennett brothers taking their place on the stage with a band.

Owen Tromans Wood Festival 2011 -photography by Amelia Gregory
Owen Tromans Wood Festival 2011 -photography by Amelia Gregory
Owen Tromans Wood Festival 2011 -photography by Amelia Gregory
Joe Bennett on keys and vocals with Owen Tromans.

In the afternoon we went on a sound tour with Dan Mayfield of Enderby’s Room, who encouraged us to listen to all the sounds around us, not just the background music. He started to explore alternative sounds after moving from rural Lincolnshire to London, and he referred us to his well battered copy of Wild Soundscapes: Discovering the Voice of the Natural World, which I am very tempted to hunt down and read.

Wood Festival 2011 good Biscuits-photography by Amelia Gregory
Wood Festival 2011 good Biscuits-photography by Amelia Gregory
Good Biscuits, who helped out at Comma Shop the next week on the ACOFI Book Tour.

Wood Festival 2011 -photography by Amelia Gregory
Wood Festival 2011 -photography by Amelia Gregory
Wood Festival 2011 -photography by Amelia Gregory
Workshops are announced.

Wood Festival 2011 -photography by Amelia Gregory
Wood Festival 2011 -photography by Amelia Gregory

And then we headed into the afternoon’s entertainment. In typical multi-tasking Wood Festival style the keyboardist with Co-Pilgrim was the girl who sorted out my press pass. Police Dog Hogan offered more soothing British Bluegrass sounds under canvas.

Co-Pilgrim Wood Festival 2011 photography by Amelia Gregory
Co-Pilgrim.

Police Dog Hogan Wood Festival 2011 - photography by Amelia Gregory
Police Dog Hogan Wood Festival 2011 - photography by Amelia Gregory
Police Dog Hogan. And children skipping.

Wood Festival 2011 -photography by Amelia Gregory
Wood Festival 2011 -photography by Amelia Gregory
Wood Festival 2011 -photography by Amelia Gregory
Wood Festival 2011 -photography by Amelia Gregory

Then it was time for Sarabeth Tucek, much championed in these very pages. She sat beside her partner (apparently a very well known music producer) head bowed, slightly nervy, apparently a bit uncomfortable with performing. But as on record it was her voice and songwriting that shone through, a wonderful mix of languid folk and bittersweet lyrics.

Sarabeth Tucek Wood Festival 2011 -All photography by Amelia Gregory.
Sarabeth Tucek at Wood Festival by Sam Parr
Sarabeth Tucek at Wood Festival by Sam Parr.

Uiscedwr, pronounced Ish-Ca-Door, were at pains to explain their strange name, which means water in both Welsh and Irish. Badges bearing the explanation ensured a pint sized riot as the younger members of the crowd deluged the stage. The bouncy lead singer was very engaging and a brilliant fiddler who soon got the sleepy afternoon crowd bouncing along.

Uiscedwr Wood Festival 2011 -All photography by Amelia Gregory.
Uiscedwr.

Wood Festival 2011 -Truck Monster
Wood Festival 2011 Cari Steel Robin Bennett -All photography by Amelia Gregory.
The Truck Monster proves a great distraction to everyone, including former Amelia’s Magazine music editor Cari Steel.

Wood Festival 2011 Cari Steel Robin Bennett -All photography by Amelia Gregory.
Cari Steel chatting with festival organiser Robin Bennett.

Khaira Arby is not exactly a sprightly young thing but in her gold medallion encrusted headdress she was certainly giving it some as she shook to the Afrobeat sounds. One of the festival highlights for many if the party mood of the Saturday night crowd was anything to go by. Impressive!

Khaira Arby Wood Festival 2011 -All photography by Amelia Gregory.
Khaira Arby Wood Festival 2011 -All photography by Amelia Gregory.
Khaira Arby Wood Festival 2011 -All photography by Amelia Gregory.
Khaira Arby at Wood Festival 2011 by Sam Parr
Khaira Arby at Wood Festival 2011 by Sam Parr.

Then it was straight on over to the Tree Tent to hear Amelia’s Magazine favourite Trevor Moss and Hannah Lou, who gave us an assured set of new songs from their new album Quality First, Last & Forever! Their harmonies may be deceptively simple but the way that Hannah’s voice occasionally curls over the top of Trevor’s falsetto is really quite special.

Trevor Moss Hannah Lou Wood Festival 2011

Headliner Willy Mason then took to the stage in his jeans and braces, dusky orange shirt tucked in. Despite his laid back demeanour this was a crowd pleasing set from a very confident young man, who is clearly happy with his lot as underground folk festival pleasing favourite. You can read a great write up of Wood Festival on Green Wedge, which features a soundcloud interview with Willy Mason about offshore wind turbines in New England. Love it.

Willy Mason Wood Festival 2011 -Willy Mason Wood Festival 2011 All photography by Amelia Gregory.
Willy Mason Wood Festival 2011 -Willy Mason Wood Festival 2011 All photography by Amelia Gregory.
Willy Mason Wood Festival 2011 Robin Bennett-All photography by Amelia Gregory.
Robin Bennett playing with Willy Mason.

Back on over at Tree we finished off Saturday with The Epstein, whose keyboardist managed to freak every single member of my group out with his somewhat spooky stare. Granted this might have been because we were all lounging around on the ground in a rather sleepy way when he might have preferred us to be hopping to the beat, but no matter what, it was a lovely way to end a lovely day at Wood.

The Epstein Wood Festival 2011 All photography by Amelia Gregory.
The Epstein Wood Festival 2011 All photography by Amelia Gregory.
The Epstein.

Make sure you also read my review of Friday’s bands at Wood Festival here. I’ll leave you with a great video from The Epstein:

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Categories ,Acuabi, ,Acupuncture, ,afrobeat, ,Bluegrass, ,Brazier’s Park, ,Cari Steel, ,Dan Mayfield, ,Do More Faster, ,Enderby’s Room, ,festival, ,folk, ,FSC, ,Green Wedge, ,Harmonies, ,Ish-Ca-Door, ,Joe Bennett, ,Khaira Arby, ,Last & Forever!, ,Lincolnshire, ,New England, ,Offshore, ,Owen Tromans, ,Police Dog Hogan, ,Quality First, ,Robin Bennett, ,Sam Parr, ,Sarabeth Tucek, ,Saturday, ,sustainable, ,The Epstein, ,Tree Tent, ,Trevor Moss and Hannah-Lou, ,Truck Monster, ,Uiscedwr, ,Wild Soundscapes: Discovering the Voice of the Natural World, ,Willy Mason, ,Wind Turbines, ,Wood Festival, ,Wood Stage

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