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Amelia’s Magazine | Royal College of Art: Fashion Design Graduate Show 2011 review. Womenswear.

Philipp Schueller by Casey Otremba.

It’s time to meet the rest of the RCA graduating womenswear designers… so much talent amongst this lot, clinic but who will the be the ones who make it? Your guess is as good as mine.

RCA - Hao Feng Li by Kristina Vasiljeva
Hao Feng Li by Kristina Vasiljeva.

RCA graduate fashion 2011-Hao Feng Li photography by Amelia Gregory
Hao Feng Li opted to explore the furthest boundaries of pleats, thumb cascading out of dresses, visit this site exploding out of arms and swirling around legs.

RCA graduate fashion 2011-Sayaka Kamakura photography by Amelia Gregory
Shapes for Sayaka Kamakura‘s collection were clean and simple, asymmetric sculpturing sweeping into shrouded shapes in luminous orange. Find Sayaka Kamakura online here.

RCA graduate fashion 2011-Amelie Marciasini photography by Amelia Gregory
Amelie Marciasini did the fur thing, this time in a riot of over-dyed fluorescent colours. Which once again begs the question, why? Surely fake does the job just as well, especially in a collection that pushed the boundaries of good taste. Just because Russian oligarchs have a lot of money does not make it a good idea to pander to their sense of style…

RCA graduate fashion 2011-Katie Hildebrand photography by Amelia Gregory
Katie Hildebrand collaborated with textiles designers Amelia Mullins and Andrew Kenny on a sophisticated collection that featured sheer wrap tops in shimmering greens or encrusted with tumbling beads. She has the basics of a web presence – find her here.

RCA graduate fashion 2011-Nicola Morgan photography by Amelia Gregory
Nicola Morgan produced a very interesting collection focused on svelte tailoring techniques and integral beaded shaping. Nicola Morgan has the beginnings of a nice website where you can see previous collections.

Abbnit Nijjar by Sandra Contreras.

RCA graduate fashion 2011-Abnit Nijjar photography by Amelia Gregory
Abnit Nijjar explored the layering of fabrics, sometimes in different block shades and with protruding patterns of overlaid perspex.

RCA graduate fashion 2011-Saskia Schijen photography by Amelia Gregory
I really liked Saskia Schijen‘s relaxed approach: sheer tops worn with wide legged trousers and big belts, oversized cardigans floating on top.

April Schmitz by Karolina Burdon.

RCA graduate fashion 2011-April Schmitz photography by Amelia Gregory
April Schmitz used leather to create knotted fringing that swooshed from shoulders and dangled from waists in deep jewel colours.

RCA_Philipp_Schueller_by_Katie_Woodger
Philipp Schueller by Katie Woodger.

Philipp Schueller Graduate Fashion Week 2011 by Sarah Harman
Philipp Schueller by Sarah Harman.

RCA graduate fashion 2011-Philipp Schueller photography by Amelia Gregory
Philipp Schueller apparently took inspiration from the psychedelic 60s and the rave-tastic 80s to produce his phosphorescent collection of plastic, sheer, fake fur, ruffled, over the top, eye catching garments… fit for the most extravert of songstrels.

RCA_Sarah_Seaton_Burridge_by_Katie_Woodger
Sarah Seaton-Burridge by Katie Woodger.

RCA graduate fashion 2011-Sarah Seaton-Burridge photography by Amelia Gregory
Sarah Seaton-Burridge also used fringing alongside laser cut layers and monochrome prints evocative of wild animal pelts.

RCA graduate fashion 2011-Anna Smit photography by Amelia Gregory
Anna Smit produced a series of round shouldered coats and dresses with an intriguing print that merged contrasting colours in the manner of an airbrush. This was a seriously beautiful and original collection. Visit Anna Smit on her website here.

RCA graduate fashion 2011-Itziar Vaquer photography by Amelia Gregory
Last but very much not least Itziar Vaquer showed an astonishing collection of pearlised plastic slouch shoulder capes and dresses. It shouldn’t have worked but it did, with bells on.

Like I said, your guess is as good as mine…

All photography by Amelia Gregory.

Written by Amelia Gregory on Thursday June 16th, 2011 12:04 pm

Categories ,Abnit Nijjar, ,Amelia Mullins, ,Amelie Marciasini, ,Andrew Kenny, ,April Schmitz, ,Casey Otremba, ,Hao Feng Li, ,Itziar Vaquer, ,Karolina Burdon, ,Katie Hildebrand, ,Katie Woodger, ,Kristina Vasiljeva, ,Nicola Morgan, ,Oligarch, ,Philipp Schueller, ,rca, ,Royal College of Art, ,Sandra Contreras, ,Sarah Harman, ,Sarah Seaton-Burridge, ,Saskia Schijen, ,Sayaka Kamakura

Amelia’s Magazine | Russian Fashion: RGataullina and Poustovit at Mercedes Benz Fashion Week Russia A/W 2011

Matt-Thomas-Poustovit Russia
Poustovit by Matt Thomas.

Get this, web Moscow doesn’t just have one fashion week… no, side effects it has three, all competing for attention. But exactly who’s attention is anyone’s guess. You know how London Fashion Week is full of professionals? Well, journalists, the occasional buyer, lots of bloggers… but at least they are adults right? Well, Mercedes Benz Fashion Week Russia (there is also a Volvo sponsored fashion week and one called Cycles and Seasons) was full of CHILDREN. I am not kidding you, I have never seen so many smooth plump young faces. Just check out my photos if you don’t believe me! I have no idea who they were, other than perhaps the offspring of many moneyed oligarchs, who despite their youth can easily afford to order their own expensive clothing.

Moscow Mercedes Benz Fashion Week Russia Photography by Amelia Gregory
Mercedes Benz Fashion Week Russia. All photography by Amelia Gregory.

I attended two Russian fashion designer shows at Mercedes Benz Fashion Week Russia. The first was RGataullina by Yana Gataullina, which started with two models, a direct interpretation of the image on the invites I had seen. They moved down the catwalk side by side in a stately fashion, wearing ridiculous fascinators and simple printed monochrome jersey dresses of the type you might buy in the middle aged section of a department store. The collection then set off on another tangent, with ruffled metallic floral creations chucked on top of stretch fabric dresses.

Moscow Mercedes Benz Fashion Week Russia RGataullina Photography by Amelia Gregory
RGataullina A/W 2011.

RGataullina by Sara Japanwalla.

The most interesting pieces appeared briefly, were barely developed as an idea, and then vanished: tulip shaped skirts with bodices in gunmetal grey, tufts of netting sprouting from zippered slits. But then for the denouement… the likes of which I have NEVER seen at a catwalk show. In fact I was so flabbergasted that I barely managed to take any photos. The music had been steadily increasing in tempo when the designer swept out to take her final bow through the parade of models. And as she did so the models collectively threw their hands in the air and started raving to a frantic blast of techno. It was utterly bizarre and out of context… who knows what must have been going through her mind.

Moscow Mercedes Benz Fashion Week Russia RGataullina Photography by Amelia Gregory

RGataullina by Sara Japanwalla.

The second show was more promising: Lilia Poustovit is a Ukrainian fashion designer who conceptualises romantic traditions. In essence this meant lots of sweeping fabric in electric blue, red, orange and green. I liked the abstract print design and I liked the round inlaid feature on the back on one shirt dress. But there really wasn’t that much going on to get excited about: it wasn’t fashion as we have come to know it, just nice wearable clothing of the kind any store might sell.

Poustovit by Matt Thomas.

Moscow Mercedes Benz Fashion Week Russia Poustovit Photography by Amelia Gregory

Russian Designer at Russian Fashion Week Poustovit by Sam Parr
Poustovit by Sam Parr.

Moscow Mercedes Benz Fashion Week Russia Poustovit Photography by Amelia Gregory
Poustovit A/W 2011.

Poustovit by Evannave.

Poustovit A/W 2011 by Amber Cassidy.

Considering how many great models come out of Russia it was something of a surprise that there were so few world class models present on the catwalk… or maybe not. There were six packed days of shows, so they cannot have been heavily edited for quality, which was reflected in the fact that they felt seriously under-attended by journalists and buyers, in fact the audience was really quite peculiar. It was almost as if each designer had used their mailing lists to invite faithful customers to what was essentially a private viewing to enable them to order their favourite pieces. Which brings me to my next point… much discussion was had over the state of Russian fashion during my time in Moscow with the British Council. It was generally felt that it is sadly under developed due to the shortage of good design schools combined with the dire state of home manufacturing. You just can’t get any decent production going on – fashion designer Clare Lopeman somewhat nuttily decided to start her own fashion label when she moved to Moscow to run the fashion design department at the British Higher School of Art and Design, and she has found it extremely tough going. It seems you just can’t make the clothes that you dream of in Russia. Not without an almighty struggle.

Moscow Mercedes Benz Fashion Week Russia Photography by Amelia Gregory
Some of the hoopla that surrounded the shows.

Of course, there is extraordinary style to be found throughout Russian design history, and it will surely only be a matter of time before this is put to good use in fashion design. There are already moves to implement a better design discipline through initiatives such as Practicum: British Fashion and new schools such as the British Higher School of Art and Design. Once this discipline is in place the new generation of designers will hopefully be much better equipped to interpret their vast cultural legacy in a new, exciting and contemporary way. Let’s hope the new era ushers in a greater awareness of sustainability too. I can’t wait to see what happens!

Moscow Mercedes Benz Fashion Week Russia Photography by Amelia Gregory

Written by Amelia Gregory on Tuesday April 12th, 2011 12:56 pm

Categories ,Amber Cassidy, ,British Council, ,British Higher School of Art and Design, ,catwalk, ,Clare Lopeman, ,Cycles and Seasons, ,Evannave, ,fashion, ,Lilia Poustovit, ,London Fashion Week, ,Matt Thomas, ,Moscow, ,Oligarch, ,Poustovit, ,Practicum: British Fashion, ,RGataullina, ,Russia!, ,Sam Parr, ,Sara Japanwalla, ,Ukrainian, ,Yana Gataullina

Amelia’s Magazine | Brooke Roberts: New S/S 2012 Season Interview

Brooke Roberts by Cathryn Nicholson.

We first spoke with fashion knitwear designer Brooke Roberts back in 2009. Here she talks about the inspirations behind her new S/S 2012 collection, which was launched with a spectacular dance presentation at The Hospital Club in September.

Brooke Roberts S/S 2012.

We first interviewed you two years ago – what has changed since then? Are you still working part time as a radiographer and if so how are you juggling everything?
It’s busier than ever! I’ve been stocked at Browns Focus for three seasons, and I’m consulting for a menswear label, while running my label and working part-time as a radiographer. It’s seven days a week at the moment!

Brooke-Roberts-by-Antonia-Parker
Brooke Roberts S/S 2012 by Antonia Parker.

Your collections are created in Italy from the best fabrics – what kind of exciting yarns can you tell us about in the new collection, and what are their properties?
I’ve been experimenting with bio-ceramic yarns, which have metabolic and body temperature regulating properties. I’ve also been using retro-reflective yarns, which are a wool base with microscopic glass beads bonded to the surface. I mix these with luxury yarns like extra-fine merino, cashmere and silk for a techno-luxe effect. All of my knits are unique programmes, so mixing the yarns with the programmes allows me to create really personal and innovative fabrics.

Brooke Roberts S/S 2012. Photography by Akeela Bhattay.

Why did you make the move from science into fashion. What do you miss about that world and what do you not miss at all?! Why did you decide that fashion was more important to you than radiography?
Being a radiographer means you lack autonomy in your work. I find that difficult. The medical images I create are incredibly detailed and textural, and inspire the fabrics I create. I think my science degree has given me a unique perspective on technology and design. I’m not the kind of designer who starts a collection by researching fashion history and other designers previous collections. I develop my ideas through interpreting medical images, creating digital knit programs and yarn experimentation. I then use fashion references to develop silhouettes. Fashion allows me to express my perspective on science and design. I find the two to be harmonious.

Brooke Roberts medical inspired knitwear by Veronica Rowlands.

Why is it important to combine the science and the arts?
Combining the two enhances the understanding and interest in each field. They are inextricably linked. Science gives us the ability to understand and explain the world around us. That is powerful knowledge that can be applied creatively. A great example is the Wellcome Collection and Wellcome Trust, which funds art projects with a basis in biomedical science. Electroboutique at the Science Museum is another great example.

Brooke Roberts S/S 2012. Photo by Akeela Bhattay

What science journals, fashion and music blogs do you recommend for a bit of inspiration?
Science and technology – Wired, New Scientist, the RSNA’s Radiology journal, Suzie Sheehy‘s blog ‘high heels in the lab‘, Google! I love looking up strange materials and gadgets on the net to develop ideas for my collections. Fashion – Vogue Italia, Stylebubble, Dazed Digital, ShowSTUDIO. Music – I’m a big Radio 6 fan – not so much a music blog reader.

Brooke Roberts S/S 2012. Photo by Akeela Bhattay
For your S/S 2012 collection you put on a dance performance in collaboration with Riccardo Buscarini at the Hospital Club which I was sadly unable to attend. What prompted this idea and what was the best part of the performance?
This idea came out of a video of a knitting machine made entirely of lego, which I found on Youtube. Riccardo Buscarini choreographed the piece from this, and Elspeth Brooke composed the score, which she and I recorded at one of the hospitals I work at. I operated the x-ray machines and she recorded the sound. The collection was a commentary on woman and machine, and encorporated high-tech Italian industrial knitting techniques with hand knit, crochet and hand-lacing.

Brooke Roberts S/S 2012. Photo by Akeela Bhattay
The current collection is for sale in Browns Focus (including some collaborative accessories with Eye of the World), how is that doing and do you have any more plans for new stockists or designer collaborations?
The collection looks great. I’ve seen it in store and one of the styles has already sold out, so that’s great. I just returned from New York where I visited three retailers – more on that next season! I am hoping to work with Riccardo and Elspeth again, and looking forward to seeing what we can create next season.

Brooke Roberts S/S 2012. Look book image.

What is your muse for the new collection? Any sneak ideas of what to expect, and can we expect anymore exciting shows?
I don’t have a muse. Next season will be a textural delight. Technical cables, geometry and luxury. The rest is top secret.

We can’t wait to see what Brooke Roberts does next season! Catch up with our previous interview with Brooke Roberts in 2009 here and here.

Written by Amelia Gregory on Monday November 28th, 2011 11:45 am

Categories ,Akeela Bhattay, ,Antonia Parker, ,Bianca Wendt, ,Brooke Roberts, ,Browns Focus, ,Cathryn Nicholson, ,Dazed Digital, ,Electroboutique, ,Elspeth Brooke, ,fashion, ,High Heels in the Lab, ,Hospital Club, ,New Scientist, ,Radio 6, ,Radiographer, ,Radiology Journal, ,Riccardo Buscarini, ,RSNA, ,S/S 2012, ,science, ,Science Museum, ,Showstudio, ,stylebubble, ,Suzie Sheehy, ,Veronica Rowlands, ,Vogue Italia, ,Wellcome Collection, ,Wellcome Trust, ,Wired

Amelia’s Magazine | London Art Fair 2012 Review: Part Two

elisabeth lecourt map dress
You’ve read the first part of my London Art Fair 2012 round up, now catch up with the rest… starting with Elisabeth Lecourt of Byard Art in Cambridge who creates gorgeous dresses from maps. (I told you maps were big news.)

London Art Fair 2012 -chris wood
I’m always a bit of a sucker for pearlescent materials: Chris Wood (also with Byard) favours the medium of Dichroic glass for angular abstract patterns.

Claire Moynihan byard London Art Fair 2012 -Claire Moynihan

Claire Moynihan byard dragonfly
It’s great to see an upsurge of interest in textile art. Claire Moynihan works in detailed felt and embroidery, and is best admired up close – her ‘moth balls’ are beautiful.

London Art Fair 2012 - Justin Hammond

On the second floor of the exhibition I was able to pop in on Justin Hammond, hosting a display of great new Catlin Guide commissioned art pieces.

London Art Fair 2012 -hannah harkes
London Art Fair 2012 -tom howse
My favourites have to be Hannah Harkes (with a cowboy snogging an Indian) and the naif folk art of Tom Howse.

London Art Fair 2012 -Chris Pensa
Next door Chris Pensa of Love Art London talked me through some of his upcoming tours – check out their website for ideas, I fancy me a tour with the fossil hunter! Read my review of an earlier tour here.

Run riot run laura jordan
A strong theme of disaffection unsurprisingly runs through many artworks, including Laura Jordan‘s Run Riot Run, an intricate map of the riots, shown with Galleryone.

UK Uncut oona hassim trafalgar_square
Oona Hassim took as the starting point for her oil painting a photo of the Anti Cuts Demo in March 2011 in Piccadilly Circus. If I’m not much mistaken this is the UK Uncut parade that led to Fortnum & Mason – despite the blurry feel I recognise it, because I was there – those flags are a dead giveaway. The pieces are oddly energetic and beautiful but how odd to see direct action flogged as fine art!

You can watch a short film showing her making the initial sketches here. She has an exhibition opening this week at Woolff Gallery.

London Art Fair 2012 -Joanne Tinker

At Woolff there was lots of upcycling going on. Special mention goes to Joanne Tinker who created rows of goblets out of sweet wrappers.

London Art Fair 2012 -Susila Bailey-Bond
Susila Bailey-Bond is another butterfly papercut artist, concentrating on their decorative qualities.

Jess littlewood contemporary
Jess Littlewood at The Contemporary London collages together monochrome otherworldly scenes that are very ‘now’. Like a lot.

London Art Fair 2012 -Juz Kitson
Porcelain, ink and wool are the preferred medium of artist Juz Kitson, who created wall installations of skulls, pulsating hearts and corals.

London Art Fair 2012 -Cynthia Corbett Gallery Ghost of a Dream
For the Cynthia Corbett Gallery Ghost of a Dream have produced an amazing collaboration that I first spotted at the graduate art fairs that I visited in abundance last year. The installation uses lottery tickets and the covers of romance novels, which are glued in patterns onto panels, mirrors and chandeliers.

Zak Ove
Irish/Carribean artist and film director Zak Ove at Vigo Gallery cobbles together found objects to create religiously inspired ensembles.

At Bearspace I recognised Reginald S Aloysius from the 2011 Jerwood Drawing Prize. His overgrown temples are intersected by the paths of cross atlantic planes.

London Art Fair 2012 jane ward
Jane Ward imagined a disturbed dystopian future of exploding buildings. I hope we don’t end up there!

London Art Fair 2012 -Nomad
Lastly I can’t go without mentioning the huge Nomad light sculpture by Beau McClellan in the entrance to the design centre: yours for just 250,000 euros. One for those Russian oligarchs me thinks.

Written by Amelia Gregory on Wednesday January 25th, 2012 3:50 pm

Categories ,2012, ,Bearspace, ,Beau McClellan, ,Byard Art, ,Chris Pensa, ,Chris Wood, ,Claire Moynihan, ,craft, ,Cynthia Corbett Gallery, ,Dichroic Glass, ,Elisabeth Lecourt, ,Fortnum & Mason, ,Galleryone, ,Ghost of a Dream, ,Hannah Harkes, ,Islington Business Design Centre, ,Jane Ward, ,Jerwood Drawing Prize, ,Jess Littlewood, ,Joanne Tinker, ,Justin Hammond, ,Juz Kitson, ,Laura Jordan, ,Light Sculpture, ,London Art Fair, ,Love Art London, ,Moth Balls, ,Nomad, ,Oligarch, ,Oona Hassim, ,Papercutting, ,Porcelain, ,Reginald Aloysius, ,review, ,Riots, ,Run Riot Run, ,susila bailey-bond, ,textile, ,The Catlin Guide, ,The Contemporary London, ,Tom Howse, ,UK Uncut, ,Upcycling, ,Vigo Gallery, ,wool, ,Woolff, ,Zak Ove

Amelia’s Magazine | Royal College of Art: Fashion Design Graduate Show 2011 review. Womenswear.

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