Amelia’s Magazine | Magnetic Wallpaper Designs: an interview with interiors surface designer Sian Zeng

Sian Zeng Yellow Green Dino Boy in jungle

I first encountered Sian Zeng‘s sew your own bespectacled bears a couple of years ago at a craft fair, and am the proud owner of one such bear which I made with my own fair hands. But soft toys are not the only product this multi-disciplinary interiors designer makes; her offering includes high tech magnetic wallpapers adorned with whimsical movable designs such as the plethora of cacti, dinosaurs and ‘flycopters’ which feature in her new S/S 2014 collection, guaranteed to appeal to adults as much as children. Here she shares her journey and some sage advice about the value of looking at the numbers when you run a small business.

Sian Zeng office bear

You’ve had a very multi-cultural upbringing, how did your family come to live in Hungary and what brought you to London?
In ‘90s China, it was a popular choice to move to the West to look for better economic opportunities. After the fall of communism, Hungary’s visa requirements to Chinese citizens were very relaxed and so my parents decided to move Budapest. I first came to England to study in secondary school so that I would have better chances of going to a British university; my parents felt a British degree would open more doors for me in the future.

Sian Zeng Pink Green Detail magnetic wallpaper

What are the best things that have fed into your design work from your time in China and Hungary?
In my first year of Hungarian primary school, I loved looking at the beautifully drawn pictures in Hungarian folk tale books. I obsessively copied and altered the images so that they would become stories to tell to my classmates: my interest in visual storytelling has continued in the products I design. One summer, during the holidays, I went back to China to study painting and drawing. It was one of the most intensive periods of training I’ve ever had, but I came out with a deeper understanding of how Chinese art schools dealt with colour and composition. I still use many of the techniques in my work today.

Sian Zeng Yellow Green Dino boy magnetic wallpaper play

Where did the idea of creating magnetic wallpapers come from?
During my final year, I was interested in how fairy tales were told and how they had changed through time. It occurred to me that creating a magnetic wallpaper for my degree show would let visitors act out their own stories using a cast of magnetic characters, creating an interactive display that was constantly changing.

Sian Zeng Grey dino magnet close up

What was the process of producing them, from your initial ideas as a student, to commercial production under your own brand?
The first sample I created for my degree show was made using magnetic paint on thick paper. I realised later it was too expensive to produce and not very practical, so I began to look at alternative methods. While I was still in my research stage, Hilary Duff’s interior designer contacted me and asked me to send a sample over to her. I told her I only had the prototype and that the end product may look different: at that stage, I was still cutting out the magnets by hand. It was really low-tech! Based on my prototype, Hilary Duff placed a large order and the lead time was very tight as it had to be completed before her son was born. I was on the phone to my manufacturers every day, asking questions and pleading for a faster turnaround. Thankfully, in a very short period of time I had my first batch of wallpapers manufactured and sent out. It was so rewarding!

Flying pig black cushion

What kind of narrative tales most often influence your choice of imagery?
I enjoy depicting stories that are removed from reality, giving you the freedom to play with the imagery and create alternate endings and moods.

Sian Zeng magnetic wallpaper

How did you secure a place with Cockpit Arts and how has being with them helped you grow your business?
I filled in an online application and was invited to an interview with my portfolio. Being part of Cockpit has been so helpful; it’s such a collaborative space and I have other designers as my neighbours. It’s so easy to knock on someone’s door and ask for help or advice.

Pink flying pig cushion

What is an average day in the life of Sian Zeng like?
I wake up around 7.30am and the first thing I do is look at my emails and social network posts on my phone so I can start to plan my day. If there is anything urgent I put it down on my morning to-do list; I find myself most productive in the mornings so I try to work on important big projects first and answer e-mails and work on smaller tasks after 3pm. I live very close to work so I can walk to my studio. I’m usually in by 9am and finish work around 7pm. On a good day I go to the gym after work and then head home. My husband comes home around 9pm and we have a very late dinner while watching a movie together. We go to bed around 11pm.

Blue duvet set sian zeng

Do you have any little ones in your life to help test your projects and if so who are they?
I often think of myself as the little one! I also have friends with children so I sometimes give some of my products to them for a test drive. Open studio days are also a good place to see how children react to my products.

What is your best selling product and why do you think it is so popular?
My magnetic wallpapers are my best-selling product. I think it’s because they offer something totally different and customers love the interactive, playful element of them – they’re not just for kids!

Brown pink bed linen - Sian Zeng

What was the best bit about studying at Central Saint Martins, and do you have any tips for anyone who would like to follow in your footsteps?
The best part of studying at Central Saint Martins was learning how to research and create collections based on creative concepts. My advice may sound boring to a creative person, but I think it’s essential to record expenses and sales figures well so that you are able to understand your own market and product range better. When you take care of the admin elements of a creative business, it makes it so much easier to see what improvements need to be made and focus on what makes the most profits. Saying that, I don’t always take my own advice and sometimes I just have to create things that are most exciting to me at the time!

Sian Zeng Yellow Green Dino Magnet close up

Do you have any new cutting edge ideas for interiors up your sleeve for 2014? if so can we have a sneak peak?
I’m developing a conceptual fabric range for 2014 and I can’t wait to share the results later in the year. It’s in that exciting stage right now where I’m experimenting with colours and patterns: keep your eyes peeled!

Categories ,Bear, ,Budapest, ,Cacti, ,Central Saint Martins, ,children, ,China, ,Chinese, ,Cockpit Arts, ,dinosaurs, ,fairytales, ,Flycopters, ,Hilary Duff, ,Hungary, ,interview, ,Magnetic Wallpaper, ,Play, ,S/S 2014, ,Sian Zeng, ,surface design

Similar Posts:






Amelia’s Magazine | Meet Emma Farrarons: Featured Artist from That Which We Do Not Understand

Amelias_Magazine_ TWWDNU_Emma_Farrarons
Emma Farrarons is a children’s book designer who recently returned to illustration when she began contributing to Amelia’s Magazine. Since then she has hosted a solo exhibition called Hidden Folk in Shoreditch, contributed to Okido kids’ magazine, been part of the 100 Cats exhibition and completed illustrations for her first book. Her contribution to my 10th anniversary limited edition book (and also available as a limited edition gold print) is called Moon Rabbit and features the Chinese legend of Chang’e. ‘By overdosing on a magic pill that grants immortality, poor Chang’e floated all the way to the moon only to reside there for eternity with her companion the Jade Rabbit. That is why you can see the silhouette of a rabbit on the moon.’ The colour way was inspired by Klimt’s bold use of gold and ochre and the dress pattern (featuring a few hidden rabbits) reflects a love of printed textiles.

Gabby-Young-by-Emma-Farrarons
Hiroko-Nakajima-one-model-by-Emma-Farrarons
How did you research your idea and come up with a way to illustrate the Moon Rabbit and how did you create the artwork?
When reading your brief I was instantly drawn to the words moon and folklore. I remembered hearing that the Chinese saw a rabbit on the moon. This is how I came to learn about Chang’e, the moon goddess. In a few words, Chang’e overdoses on a pill of immortality and drifts into the sky. She floats into darkness until she lands on the moon only to live there forever with her companion the Jade Rabbit. That is how the Chinese came to explain that there is a rabbit on the moon. I found this tale beautiful and wanted to share it through illustration.

Moon-Rabbit-portrait-by-Emma-Farrarons
What was the most enjoyable part about creating this piece?
Working on the colour, texture, detail and composition have been enjoyable parts. The element of gold influenced my choice of colour. I searched for a palette that would compliment gold in a subtle yet impactful way. I remembered being fascinated by Gustav Klimt in my school years. His father was a gold engraver which is perhaps a reason for Klimt’s ‘Golden Phase’, when he applied actual gold leaf on his paintings. This encouraged me to use warm ochres, yellows and midnight blues.

Burberry-by-Emma-Farrarons
Un-Petit-Blog-2-by-Emma-Farrarons
One could say that the illusionist and filmmaker Georges Méliès was another source of inspiration for his film A Trip to the Moon. In my mind, I have a vivid image from his film. It is of a beautiful woman perched on the moon as as though she’s sitting on a swing. Working into the textures and the detail of Chang’e’s dress was great fun. It was a great excuse to buy gold paint! I love textile design and pattern. If you look closely, can you notice the constellation and hidden rabbits on her dress? A printed pattern can also tell a story.

Painting-Moon-Rabbit-by-Emma-Farrarons
Who do you think would most enjoy this artwork, and why?
I’d say someone who likes the moon, folklore, when an illustration tells a story, the female form in art, textile, fashion illustration…and rabbits!

Un-Petit-Blog-by-Emma-Farrarons
How did you end up living in London, and what route did you take into the publishing industry?
I’m originally from Paris. I studied illustration at the Edinburgh College of Art and l’Ecole Nationale Supérieure des Arts Décoratifs. After Scotland I moved back to Paris to start life as an illustrator. These were very early days, and I wasn’t sure what I wanted to do just yet. One day, I took the Eurostar to London, loved it and stayed. After an internship in a publishing house, I’ve since worked as a picture book designer and freelance illustrator.

Itch-Ouch-Okido-2-Emma-Farrarons
What was the spark that reignited a love affair with drawing?
There had been a time when I had lost a bit of my confidence as an illustrator. With social media, I started to connect with other like minded creatives, including Amelia’s Magazine. You were doing illustration call-outs via Twitter and one particular call-out was the spark that reignited my curiosity to draw and to get out of my comfort zone by using more colour.

Hidden-Folk-map-by-Emma-Farrarons

Since then, it’s been a busy year of drawing. I’ve collaborated with producer and director Joanna Arong to design a canvas bag for Eskwela Haiyan, a non-profit organisation which raises to help children victims of typhoon Haiyan finish school. I have worked with Fika to create Hidden Folk: A Scandinavian Folklore collaboration around art and food. I’ve completed a textile printmaking course in Sweden and joined the illustration collective Bat Country Collective with illustrators Åsa Wikman, Dani’s Drawings and Karin Söderquist. The last two are also Amelia’s Magazine contributors.

Mindfulness-Colouring-Book-by-Emma-Farrarons
I believe you currently have a book in the pipeline, can you tell us a bit more about that?
I certainly can. In fact, it’s very exciting to tell you more about it. It’s called The Mindfulness Colouring Book: Anti-stress art therapy for busy people. It is published by Boxtree and comes out in January. It’s a 100 page colouring book filled with black and white floral, geometric, wavy, animal patterns designed to calm and de-stress a busy mind with mindful colouring-in. The book is at this moment at the printers, but I can show you a sneaky peak of some of the pages.

Okido-Itch-and-Ouch-by-Emma-Farrarons
What can we expect from you in the coming year?
Bat Country Collective are planning to exhibit at Fika in the coming year. We are currently brainstorming interesting themes. In the coming year, I’d like to give a bit more time and broaden the content of my blog Un Petit Blog. I’m enjoying connecting with other bloggers and learning more about blogging. It’s an empowering feeling to be ‘all-in-one’ the publisher, editor, curator and illustrator of your own online platform. The latest is that Un Petit Blog has just launched Un Petit Newsletter which will be packed with interesting news including: Exclusive doodles, Favourite finds and tips when out and about, The very latest news on my illustration projects, And much more… The 1st newsletter my subscribers will receive will feature TWWDNU!

Un-Petit-Blog-3-by-Emma-Farrarons
You can read more about Emma’s process here and sign up to her newsletter on Un Petit Blog. Click on over to my Kickstarter campaign to grab one of her stunning Moon Rabbit artworks featuring faux gold leaf. There are only 10 available, so snap yours up fast. Only £45!

Categories ,#TWWDNU, ,100 Cats, ,Asa Wikman, ,Bat Country Collective, ,Boxtree, ,change, ,Chinese, ,Dani’s Drawings, ,Edinburgh College of Art, ,Emma Farrarons, ,Eskwela Haiyan, ,Fika, ,Georges Melies, ,Golden Phase, ,Gustav Klimt, ,Hidden Folk, ,illustration, ,interview, ,Jade Rabbit, ,Joanna Arong, ,Karin Söderquist, ,Kickstarter, ,l’Ecole Nationale Supérieure des Arts Décoratifs, ,Moon Rabbit. Moon Goddess, ,Okido, ,paris, ,That Which We Do Not Understand, ,The Mindfulness Colouring Book, ,Un Petit Blog, ,Un Petit Newsletter

Similar Posts:






Amelia’s Magazine | Camberwell College of Arts Illustration MA Graduate Show 2011 Review: part one

Camberwell illustration MA review 2011-Simone Philippou
Illustration by Simone Philippou.

Last night I went along to the Camberwell College of Arts MA illustration graduate show. I always find it odd to return to Camberwell, hospital mooching around rooms where I once studied on my foundation course 20 years ago. Eeek! Here’s the best of what I found.

Camberwell illustration MA review 2011-Simone PhilippouCamberwell illustration MA review 2011-Simone Philippou
Simone Philippou was first to catch my eye with her beautiful woodblock artwork, look featuring jumping frogs and skipping children in powerful lime green and orange colours.

Camberwell illustration MA review 2011-Juste HalavinCamberwell illustration MA review 2011-Juste HalavinCamberwell illustration MA review 2011-Juste HalavinCamberwell illustration MA review 2011-Juste HalavinCamberwell illustration MA review 2011-Juste Halavin
In the corridor Juste Halavin showcased some beautiful work featuring big eyed well dressed animals engaged with humans in curious situations.

Camberwell illustration MA review 2011-Goncalo Constanza
Goncalo Constanza went all psychedelic for her bold musical influenced optical artwork.

Camberwell illustration MA review 2011-Jo Chen
Jo Chen‘s What are you looking at? was a meticulously presented crowd of curious individuals.

Camberwell illustration MA review 2011-Gerda Razmaite (Kai)
Camberwell illustration MA review 2011-Gerda Razmaite (Kai)Camberwell illustration MA review 2011-Gerda Razmaite (Kai)Camberwell illustration MA review 2011-Gerda Razmaite (Kai)Camberwell illustration MA review 2011-Gerda Razmaite (Kai)
Next door I fell in love with the work of Gerda Razmaite (Kai), pills which tackled the history behind the names of the streets of London in a beautifully intricate and quirky style, not photographed to best effect here. Amazing stuff.

Camberwell illustration MA review 2011-Beibei Nie (Xiangdi)
Camberwell illustration MA review 2011-Beibei Nie (Xiangdi)
Camberwell illustration MA review 2011-Beibei Nie (Xiangdi)
If ever there was proof that the UK is now exporting creative cultural capital it was the prevalence of visiting Chinese students on this MA course: almost half by my count. Beibei Nie (Xiangdi) had produced a series of surreal prints titled Nostalgia, featuring inanimate objects appropriated by oversized animals.

Camberwell illustration MA review 2011-Yixin Fu
I liked this delicate painting for The Red House, a children’s book by Yixin Fu.

Camberwell illustration MA review 2011-Madalina AndronicCamberwell illustration MA review 2011-Madalina Andronic
Madalina Andronic‘s The Fairy of Dawn was an intricately beautiful work fit for a children’s fairytale written by Ioan Slavici. I loved the spectacular use of shape to give motion in these images.

Camberwell illustration MA review 2011-Holly Zarnecki
Camberwell illustration MA review 2011-Holly Zarnecki
Holly Zarnecki took papercutting to the next level of complexity with a large scale illustration of the Coalition government. It was good to see a level of political engagement in this work, something which is all too often lacking in the graduate illustration I have seen.

More coming soon! You can read my second review of the Camberwell MA illustration show here.

Categories ,2011, ,Beibei Nie (Xiangdi), ,Camberwell College of Arts, ,Chinese, ,Coalition, ,deadpixelsinthesky, ,Gerda Razmaite, ,Goncalo Constanza, ,Holly Zarnecki, ,illustration, ,Ioan Slavici, ,Jo Chen, ,Juste Halavin, ,Kai, ,ma, ,Madalina Andronic, ,Nostalgia, ,Papercutting, ,review, ,Simone Philippou, ,The Fairy of Dawn, ,The Red House, ,What are you looking at?, ,Yixin Fu

Similar Posts:






Amelia’s Magazine | Camberwell College of Arts Illustration MA Graduate Show 2011 Review: part one

Camberwell illustration MA review 2011-Simone Philippou
Illustration by Simone Philippou.

Last night I went along to the Camberwell College of Arts MA illustration graduate show. I always find it odd to return to Camberwell, hospital mooching around rooms where I once studied on my foundation course 20 years ago. Eeek! Here’s the best of what I found.

Camberwell illustration MA review 2011-Simone PhilippouCamberwell illustration MA review 2011-Simone Philippou
Simone Philippou was first to catch my eye with her beautiful woodblock artwork, look featuring jumping frogs and skipping children in powerful lime green and orange colours.

Camberwell illustration MA review 2011-Juste HalavinCamberwell illustration MA review 2011-Juste HalavinCamberwell illustration MA review 2011-Juste HalavinCamberwell illustration MA review 2011-Juste HalavinCamberwell illustration MA review 2011-Juste Halavin
In the corridor Juste Halavin showcased some beautiful work featuring big eyed well dressed animals engaged with humans in curious situations.

Camberwell illustration MA review 2011-Goncalo Constanza
Goncalo Constanza went all psychedelic for her bold musical influenced optical artwork.

Camberwell illustration MA review 2011-Jo Chen
Jo Chen‘s What are you looking at? was a meticulously presented crowd of curious individuals.

Camberwell illustration MA review 2011-Gerda Razmaite (Kai)
Camberwell illustration MA review 2011-Gerda Razmaite (Kai)Camberwell illustration MA review 2011-Gerda Razmaite (Kai)Camberwell illustration MA review 2011-Gerda Razmaite (Kai)Camberwell illustration MA review 2011-Gerda Razmaite (Kai)
Next door I fell in love with the work of Gerda Razmaite (Kai), pills which tackled the history behind the names of the streets of London in a beautifully intricate and quirky style, not photographed to best effect here. Amazing stuff.

Camberwell illustration MA review 2011-Beibei Nie (Xiangdi)
Camberwell illustration MA review 2011-Beibei Nie (Xiangdi)
Camberwell illustration MA review 2011-Beibei Nie (Xiangdi)
If ever there was proof that the UK is now exporting creative cultural capital it was the prevalence of visiting Chinese students on this MA course: almost half by my count. Beibei Nie (Xiangdi) had produced a series of surreal prints titled Nostalgia, featuring inanimate objects appropriated by oversized animals.

Camberwell illustration MA review 2011-Yixin Fu
I liked this delicate painting for The Red House, a children’s book by Yixin Fu.

Camberwell illustration MA review 2011-Madalina AndronicCamberwell illustration MA review 2011-Madalina Andronic
Madalina Andronic‘s The Fairy of Dawn was an intricately beautiful work fit for a children’s fairytale written by Ioan Slavici. I loved the spectacular use of shape to give motion in these images.

Camberwell illustration MA review 2011-Holly Zarnecki
Camberwell illustration MA review 2011-Holly Zarnecki
Holly Zarnecki took papercutting to the next level of complexity with a large scale illustration of the Coalition government. It was good to see a level of political engagement in this work, something which is all too often lacking in the graduate illustration I have seen.

More coming soon! You can read my second review of the Camberwell MA illustration show here.

Categories ,2011, ,Beibei Nie (Xiangdi), ,Camberwell College of Arts, ,Chinese, ,Coalition, ,deadpixelsinthesky, ,Gerda Razmaite, ,Goncalo Constanza, ,Holly Zarnecki, ,illustration, ,Ioan Slavici, ,Jo Chen, ,Juste Halavin, ,Kai, ,ma, ,Madalina Andronic, ,Nostalgia, ,Papercutting, ,review, ,Simone Philippou, ,The Fairy of Dawn, ,The Red House, ,What are you looking at?, ,Yixin Fu

Similar Posts:






Amelia’s Magazine | A Review of ILLUMinations at the Arsenale, Venice Biennale 2011: part one

Venice Biennale 2011 Swatch review
During my recent trip to Venice I had the opportunity to visit the Venice Biennale. Even better, information pills as guests of the primary partner Swatch, erectile we had our own private tour around two major parts of the extensive exhibition. Here’s what I liked at the amazing old army dockyard, otherwise known as the Arsenale. ILLUMinations at the Arsenale was curated by Bice Curiger.

Venice Biennale 2011 Swatch review-song dong
Venice Biennale 2011 Swatch review-song dong
Venice Biennale 2011 Swatch review-song dong
Venice Biennale 2011 Swatch review-song dong
Venice Biennale 2011 Swatch review-song dong
Song Dong‘s massive Parapavilion installation greets visitors on entry to the Arsenale exhibition – part old Chinese Hutong, part wardrobe maze: a reference to the cupboards kept on streets in many old areas. An impressive piece to encounter straight away… and I particularly liked looking at all the details of the individual wardrobes, wondering what their previous lives were.

Venice Biennale 2011 Swatch review-456
Roman Ondak‘s eery artwork Time Capsule (2011) is focused on a replica of the rescue capsule that was used to evacuate the Chilean miners last year. Viewers approach it in darkness, only realising what it is when they are pressed up close to its narrow confines.

Venice Biennale 2011 Swatch review-Mai-Thu Perret
Venice Biennale 2011 Swatch review-Mai-Thu Perret
Mai-Thu Perret‘s glossy sculpture wears a replica of Elsa Schiaparelli‘s famous Skeleton Dress. Behind it a neon pyramid glows in sputtering layers.

Venice Biennale 2011 Swatch review-Andro Wekua
Venice Biennale 2011 Swatch review-Andro Wekua
Venice Biennale 2011 Swatch review-Andro Wekua
Andro Wekua of Georgia now works in Switzerland after he was forced into exile with the outbreak of war. Pink Wave Hunter is the odd title he gives a piece that is built on his recollections of important buildings from the city of his birth.

Venice Biennale 2011 Swatch review-Rashid Johnson
Venice Biennale 2011 Swatch review-Rashid Johnson
Venice Biennale 2011 Swatch review-Rashid Johnson
Venice Biennale 2011 Swatch review-Rashid Johnson
Venice Biennale 2011 Swatch review-Rashid Johnson
Venice Biennale 2011 Swatch review-Rashid Johnson
Rashid Johnson examines the culture of the black diaspora in America. A zebra rug is laid on top of a woollen carpet. Artefacts particular to his upbringing, such as a book on childcare by Bill Crosby, are laid out on shattered mirrored wall mounts. Beautiful and affecting.

Venice Biennale 2011 Swatch review-Birdhead
Venice Biennale 2011 Swatch review-Birdhead
Birdhead are a Shanghai collective who collect imagery that captures the lives of the modern Chinese.

Venice Biennale 2011 Swatch review-Franz West
Venice Biennale 2011 Swatch review-500
Franz West has relocated his kitchen to the gallery for his Parapavilion, complete with artwork from his walls – thereby creating a show within a show. And yes, a photograph proves that his walls are indeed painted in this crazy cross-hatched manner.

Venice Biennale 2011 Swatch review-Dayanita Singh
Dayanita Singh‘s evocative collection of black and white photographs highlights the many many files sitting on shelves across India, which will soon vanish as the use of computers and hard drives become ever more prevalent.

Venice Biennale 2011 Swatch review-Elad Lassry
Venice Biennale 2011 Swatch review-Elad Lassry
Venice Biennale 2011 Swatch review-Elad Lassry
Elad Lassry shows a video montage of catsuited dancers alongside colourful images of vintage ladies in big hats and pop art-esque mushrooms. No idea what it all means but it was fun.

Venice Biennale 2011 Swatch review-Haroon Mirza
Haroon Mirza has created an eery installation – visitors enter a darkened box with walls covered in sound soaking points of foam. The combination of sound and blinking neon creates a discombobulating effect that leaves everybody giggling.

Next up: more from the ILLUMinations exhibition in part two.

Categories ,54th, ,Andro Wekua, ,Arsenale, ,Bice Curiger, ,Bill Crosby, ,Birdhead, ,Chinese, ,Dayanita Singh, ,Elad Lassry, ,Elsa Schiaparelli, ,Franz West, ,georgia, ,Haroon Mirza, ,Hutong, ,ILLUMinations, ,Mai-Thu Perret, ,Parapavilion, ,Pink Wave Hunter, ,Rashid Johnson, ,Roman Ondak, ,Shanghai, ,Skeleton Dress, ,Song Dong, ,Swatch, ,Switzerland, ,Time Capsule (2011), ,Venice Biennale

Similar Posts:






Amelia’s Magazine | An interview with Alberto Arcangeli: the musical maestro behind Pop Down The Rabbit Hole

Alberto Arcangeli by Gigi Gray
Alberto Arcangeli by Gigi Gray.

He’s gained plaudits as far away as China. He blends genres and styles in a totally inimitable way, look all by himself. From the dreamy pop of Wheels and Love to the psychedelic title track Pop Down The Rabbit Hole, find this album is a real gem. Meet Alberto Arcangeli.

Your debut album Pop Down the Rabbit Hole is completely composed, played and produced by you – how did you set about making this happen? And why on earth did you chose this surely most difficult method?
I began writing and recording songs by myself as soon as I started playing as it came naturally to me. I had a 4 track recorder and I just thought that it would have been simpler and faster to learn how to play all the instruments, rather than explaining to someone else how I wanted them to be played. In addition, I like working with other musicians, and I often ask for their suggestions, but I also want to have the last word on my music. Music is my passion, so I didn’t want to have to make any compromises.

Alberto Arcangeli Pop Down the Rabbit Hole cover art
You decided to start singing in English just two years ago… what prompted that decision and do you think it was a good one?
I’ve been listening to English music all my life, I wonder instead why I’ve been singing in Italian for 20 years! The thing is, I used to think that Italians should sing in Italian, but I was wrong. Each kind of music has its ‘preferred’ language: rock music needs a lot of words that end with consonants, whereas Italian words always end with a nice ’round’ vowel. The same melody sounds completely different when it is sung in two different languages, that’s why in the past I used to discard most of the songs I wrote: the words didn’t sound right to me. Now everything sounds fine so, yes, it was a really good decision.
 
Alberto Arcangeli by Lucy Wills
Alberto Arcangeli by Lucy Wills.

The Chinese have been particularly receptive to the album – how on earth did they discover it? And why do you think it appeals to them?
How did they discover it? I self promote my music and I won’t give out any secret tips about that! (Amelia, can you make a note that I’m laughing, here?) Seriously, I was pretty sure that I could find someone who would like my music in China. I looked on the internet (though it’s hard to surf the Chinese websites), and when I found the right site (or what I thought could be the right one), I got in touch with them. What surprised me was the reception I got. Over 40,000 contacts and 5,000 downloads in one month are not small numbers. I think that this has something to do with a thing we all know: the Chinese are a lot! But I also noticed a funny thing: my first album in Italian got nearly 1,000 downloads.

Alberto Arcangeli Pop Down the Rabbit Hole rabbit
This album was a family affair, in that the cover drawings are by your father and the design is by your sister – has a creative background been integral to your life? Can you tell us a bit more about growing up an Arcangeli?
What a nice question. Actually, I grew up both in a creative town (Urbino is a beautiful renaissance place, full of art and music) and in a creative family: my father was a part-time painter and engraver (something we have in common), my sister is an illustrator and my grandfather was a cabinet-maker who used to craft some beautiful furniture. But nobody ever forced me or even encouraged me to be an artist. My father used subliminal methods instead, like the following: when I was 8 or 9 I asked him to record on tape my vinyl of The BeatlesRubber Soul, and he gave me this cassette with a piece of Ravel between side A and side B, and Camille Saint-Saëns at the end of the record! He did the same with Revolver. I must say that I never skipped the classical music inserts.
 
Alberto Arcangeli Pop Down the Rabbit Hole alberto
By day you are a finance manager! How do you manage the to make time to play music and what do your colleagues think of your music?
I’m a finance manager by day and a musician by night, so I don’t talk a lot about being a musician at work. Most of my colleagues found out about my music when it was used in a Continental Tyre advert and that was broadcast on TV. Some local magazines reported the story of an ‘unknown songwriter who signed with a multinational company‘. A colleague of mine who is also a friend helped me write the lyrics of two songs for my first EP Dreamsongs. Anyway, technology is of great help in saving time and conciliating my job and my music interests. I can record a music idea singing on my mobile phone (sometimes I even end up using my mobile phone recordings, like the first half of Wheels and Love, or the Paris metro samples), listen to the music in the car, write down a lyric in a email, and so on. And, to refer back to your first question, I can decide to record a song at any moment, without asking anyone: I just go down in my garage (where my studio is) and start playing.
 
Alberto Arcangeli Pop Down the Rabbit Hole painting
Glass painting by Massimo Ottoni.

I hear that you are thinking of putting together a full band to tour next year – what prompted this decision and what will happen to the world of finance?
It would be nice to put together a new band to play my songs – I had one, but we disbanded two years ago. I’m not thinking of touring, just having a band to play 6-8 shows a year so I can say ‘Okay, I am real, and I’m not just a website!‘. So I don’t think this would interfere with my job.
 
Wheels and Love

What inspired the making of the video for Wheels and Love? Can you tell us a bit about the story and the accolades you have received for it?
I wrote Wheels and Love in my garden on a sunny September morning while the birds were singing in the trees. Kind of a dreamy picture. I liked it a lot and was looking for someone to do the video of this song, but I didn’t want a standard pop video, I wanted it to be a piece of art – something that could have a life of its own. I knew Massimo Ottoni because he studied art in Urbino. I loved what he did but hadn’t seen him for 15 years, so I looked him on the internet and I realised that he was still doing beautiful things. I sent him an email with the song and a few words about the project, and he liked it. Then he came out with the idea of a paint-on glass animated video. That was just what the song needed. Eventually the video won the Professional Prize Award at the prestigious Anima Mundi Web & Cell animation festival of Brazil, and was chosen as an Official Selection of the 2011 Independents’ Film Festival (IFF) in Tampa Bay.

Alberto Arcangeli Pop Down the Rabbit Hole girl falling
Glass painting by Massimo Ottoni.

How long did it take to put the video together and what did the process of working with illustrator Massimo Ottoni involve?
The working process was pretty straightforward, we just met a couple of times and then he started working on the animation. He decided to split the animation in two parts: the first part of the song, more static, with minimal movements, dominated by whites, blues and greys (with a rendition of The Guitarist by Picasso), and the instrumental part, where the music ‘melts’ in a fluid flow, with heavy warm colours, like reds and yellows. A couple of months later the video was completed.


 
You have spoken about doing a short movie with Massimo Ottoni, can you let us know anything about potential ideas yet? Any secret tip offs?
The secret is: I haven’t spoken of this thing with him yet, so I still have to convince him! By and large, the idea is to find a theme to work on, and then start working on it separately. We can then meet every now and then, organise what we’ve done, and decide the next direction. Massimo can work in a lot of different ways: sand art, illustration, paint-on-glass, photography, so the movie could be very variegated. I have an idea for a subject, but I prefer to discuss it with Massimo first.
 
Where can people get hold of the whole album? I hear it’s a bargain…
You’re right, Amelia! People can buy my new album, Pop Down The Rabbit Hole, for only 2$. In fact, you only pay for the shipping costs and get the CD with a brand new beautiful sleeve. You can buy Pop Down The Rabbit Hole here with a Credit Card or here with Paypal.
 

Categories ,Alberto Arcangeli, ,album, ,Anima Mundi Web & Cell, ,animation, ,brazil, ,Camille Saint-Saëns, ,Chinese, ,Continental Tyres, ,Dreamsongs, ,Finance Manager, ,Gigi Gray, ,Independents’ Film Festival, ,interview, ,Italian, ,Lucy Wills, ,Massimo Ottoni, ,Pop Down the Rabbit Hole, ,Professional Prize Award, ,Ravel, ,Re-Present, ,review, ,Revolver, ,Rubber Soul, ,Sand Art, ,Tampa Bay, ,the beatles, ,Urbino, ,Wheels and Love, ,Winner

Similar Posts: