A selection of Jessie’s corsarges
Walking around Broadway Market, pill online one cold wintery Saturday, for sale troche feeling hungry and looking at all the delicious food I could ill afford, (oh the joys of being a student!). I came across a treasure trove of a stall run by the delightful Jessie and Buddug and instantly fell in love with their charming designs. Since this initial visit, I have returned time and time again to buy unique necklaces as birthday (incredibly successful!) gifts.
So you can imagine my delight coming across their Columbia Road shop, originally located in the upstairs of one the picturesque houses adorning the street. Jessie and Buddug have recently expanded ‘downstairs’, and in celebration of their success, I had the pleasure of interviewing the talented textile artists for Amelia’s Magazine.
I first noticed your designs at Broadway Market on Saturday, was this your first venture?
Buddug: We started broadway market after we graduated 5 years ago and got the shop 2 years ago.
What was your experience of the market? Do you still have a stall there?
Buddug: We still have a stall at Broadway Market, we feel it has grown so much since we started. It’s been cold and wet at times but it’s been great learning what people buy. Its been great socially too, speaking with our friends and customers.
As friends from home, what has it been like to work together?
Buddug: We met when we were on art foundation and always said we we would like to collaborate together in the future. We find it easier that we both do our own work and then display together because we both have different working hours.
You previously occupied an upstairs room in Columbia Road, how did the opportunity to expand into a downstairs space arise?
Buddug: We got offered a place at ground level by Bev who had the shop before us, she made handmade clothes and toys etc, she offered it to us before anyone else which was an honour and we jumped at the chance.
What was your experience of the Goldsmiths Textiles course (which sadly no longer exists?)
Jessie: I was at Goldsmiths, at a very tricky time, the course was going through a real denial period, as they were finding the debate about what to do with textiles and fine art really hard. Which made it hard for us as students and as someone who is passionate about cloth and textiles and most of all making, I found the course incredibly frustrating!
But I had very supportive parents; Primmy Chorley and I am close friends with Audrey Walker and Eirian and Denys Short. So I always had a huge back up behind me in the textile world. I did feel incredibly pulled between the two worlds though and I was lucky enough to come out fighting, determined to set up my own business and to carry on my making process.
Overall I am pleased I went through the Goldsmiths experience, as the academic and written side of it, (for me) has helped me today to think the way I do and pushed me in other ways.
What course did you study Buddug and what was your experiences?
I studied at London Guildhall (now London Metropolitan University)in Jewellery, silversmithing and other crafts. I enjoyed the experimenting with different materials. It was very much a hands on course.
Buddug’s designs for Urban Outfitters.
Buddug, what was it like to work for Urban Outfitters?
It was quite difficult working for URBAN OUTFITTERS, due to the ammount i had to make! and I waited a long time for payment!
Jessie, what role does recycling play in your practice? Why is it important to you and how did you first become interested in using recycled materials?
Recycled materials has and I believe will always be a huge part of my work, I like it that it creates a timeless feeling, I guess it started from the scrap books I made with my Mum when I was young and colleting and using found and recycled items for me creates a story, old clothes and books hold some kind of story and depth to them.
A detail from Jessie’s seating plan for her Wedding Collection.
And how did the wedding collection develop?
I was asked to create a whole wedding theme for a lady who used to buy my cards at Broadway Market, I handmade her invites, table names and a seating plan and really from here I got other customers and then early this year I designed some invites which were slightly quicker to make and I did a huge wedding show in London and its kind of gone from here I have made for several weddings this summer and I am already making for 2011-2012 weddings.
An enamel plate by Buddug.
Buddug, how did you start designing the Home Ornaments collection?
I’ve always been interested in developing the enamel process since university and always liked/inspired by objects mother and grandmother had in the kitchen, I invested in a bigger kiln, which was a challenge to make bigger things!
What materials do you like working with and why?
Jessie: Fabrics, worn clothing, paper they all hold such a good quality and are embedded with an excisting narrative
Designs by Jessie Chorley
Buddug: I’ve always tried to use things that are around me and be inventive with the materials i already have/been thrown away and in old/secound hand things, there’s such a quality in materials and making process and a added charm in old things and it’s actually nicer to use…
Broach by Buddug
I like to combine different materials metal and fabric. fabric and paper or wood…but i mostly enjoy metal and enamel. I really like the solidness of metal and the duribility of it as a raw material.
What was it like to make the stage set for: the launch of Laura Dockrill’s book Ugly Shy Girl and how did you became involved in this?
Buddug: I can’t remember were we met Laura Dockrill, but she asked if we were interested in doing the stage for her. It was quite a challenge because we didn’t know the size of the stage but the best thing was Jessie’s bunting it was really big and yellow!
Have you made or participated in Set Design before? Is this something you will continue to participate in?
Jessie: Yes for me it is a real passion, I love to create things and watch others create a story with the objects I make. A lot of quite random masks and house like boxes which I display in the shop are often borrowed for shoots, and I always like the outcome. For me styling our shop is like creating a stage set I love making it all different each week and then watching the customers come in and their response to it!
My degree show was also about staging and the response of the audience and the creator, for this I made a huge seven foot book which you could walk inside.
Buddug: I haven’t done much set design before, but wold love to, it’s been quite good having practice doing the shop window.
What are the inspirations for your collections?
Jessie: Story telling, people places and preserving memories creating beautiful things from lost or found objects.
Buddug My inspiration for my work is a collection of things I find and come across, I usually collect and draw in sketch books. Nature, a sense of home comforts and memories/naustalgic sences. It’a quite a mish mash of ideas and influencs.
Design by Buddug
We have a few pieces in the shop were we bring things together such as the fabric bows with enamel buttons, but we find it easier to make our own work and display together.
Do you both run and participate in the organisation of the workshops?
Jessie: No I run the workshops I have done for quite a few years now. For me I love to go out and meet other people and hopefully change the way they see the world through making, I have worked with a lot of charities, which is both frustrating and very rewarding at the same time, I am always touched by certain characters which can feed directly in to my work.
The whole workshop trend has gone huge now though and people expect so much more, and have so much more since places like hobby craft became so big and shows like The Knit and Stitch.
I am currently organising my Christmas workshops which will be in November in North London. I will have some day workshops creating simple gift wrap and gifts.
Jess Chorley
Buddug Jess does a lot of workshops, I’m yet to start, but it might be something I would be interested in doing when I’m a bit older.
What’s next for Jess Chorley and Buddug?
Buddug: At the moment we are preparing for christmas, thinking of making stocking filler ideas and promoting our little shop. Nothing too big, taking up projects as they come along…
To find out more please visit: www.jessiechorley.com, www.buddug.com and www.jandbtheshop.com
A selection of Jessie’s corsarges
Walking around Broadway Market, dosage one cold wintery Saturday, feeling hungry and looking at all the delicious food I could ill afford, (oh the joys of being a student!). I came across a treasure trove of a stall run by the delightful Jessie and Buddug and instantly fell in love with their charming designs. Since this initial visit, I have returned time and time again to buy unique necklaces as birthday (incredibly successful!) gifts.
So you can imagine my delight coming across their Columbia Road shop, originally located in the upstairs of one the picturesque houses adorning the street. Jessie and Buddug have recently expanded ‘downstairs’, and in celebration of their success, I had the pleasure of interviewing the talented textile artists for Amelia’s Magazine.
I first noticed your designs at Broadway Market on Saturday, was this your first venture?
Buddug: We started broadway market after we graduated 5 years ago and got the shop 2 years ago.
What was your experience of the market? Do you still have a stall there?
Buddug: We still have a stall at Broadway Market, we feel it has grown so much since we started. It’s been cold and wet at times but it’s been great learning what people buy. Its been great socially too, speaking with our friends and customers.
As friends from home, what has it been like to work together?
Buddug: We met when we were on art foundation and always said we we would like to collaborate together in the future. We find it easier that we both do our own work and then display together because we both have different working hours.
You previously occupied an upstairs room in Columbia Road, how did the opportunity to expand into a downstairs space arise?
Buddug: We got offered a place at ground level by Bev who had the shop before us, she made handmade clothes and toys etc, she offered it to us before anyone else which was an honour and we jumped at the chance.
What was your experience of the Goldsmiths Textiles course (which sadly no longer exists?)
Jessie: I was at Goldsmiths, at a very tricky time, the course was going through a real denial period, as they were finding the debate about what to do with textiles and fine art really hard. Which made it hard for us as students and as someone who is passionate about cloth and textiles and most of all making, I found the course incredibly frustrating!
But I had very supportive parents; Primmy Chorley and I am close friends with Audrey Walker and Eirian and Denys Short. So I always had a huge back up behind me in the textile world. I did feel incredibly pulled between the two worlds though and I was lucky enough to come out fighting, determined to set up my own business and to carry on my making process.
Overall I am pleased I went through the Goldsmiths experience, as the academic and written side of it, (for me) has helped me today to think the way I do and pushed me in other ways.
What course did you study Buddug and what was your experiences?
I studied at London Guildhall (now London Metropolitan University)in Jewellery, silversmithing and other crafts. I enjoyed the experimenting with different materials. It was very much a hands on course.
Buddug’s designs for Urban Outfitters.
Buddug, what was it like to work for Urban Outfitters?
It was quite difficult working for URBAN OUTFITTERS, due to the ammount i had to make! and I waited a long time for payment!
Jessie, what role does recycling play in your practice? Why is it important to you and how did you first become interested in using recycled materials?
Recycled materials has and I believe will always be a huge part of my work, I like it that it creates a timeless feeling, I guess it started from the scrap books I made with my Mum when I was young and colleting and using found and recycled items for me creates a story, old clothes and books hold some kind of story and depth to them.
A detail from Jessie’s seating plan for her Wedding Collection.
And how did the wedding collection develop?
I was asked to create a whole wedding theme for a lady who used to buy my cards at Broadway Market, I handmade her invites, table names and a seating plan and really from here I got other customers and then early this year I designed some invites which were slightly quicker to make and I did a huge wedding show in London and its kind of gone from here I have made for several weddings this summer and I am already making for 2011-2012 weddings.
An enamel plate by Buddug.
Buddug, how did you start designing the Home Ornaments collection?
I’ve always been interested in developing the enamel process since university and always liked/inspired by objects mother and grandmother had in the kitchen, I invested in a bigger kiln, which was a challenge to make bigger things!
What materials do you like working with and why?
Jessie: Fabrics, worn clothing, paper they all hold such a good quality and are embedded with an excisting narrative
Designs by Jessie Chorley
Buddug: I’ve always tried to use things that are around me and be inventive with the materials i already have/been thrown away and in old/secound hand things, there’s such a quality in materials and making process and a added charm in old things and it’s actually nicer to use…
Broach by Buddug
I like to combine different materials metal and fabric. fabric and paper or wood…but i mostly enjoy metal and enamel. I really like the solidness of metal and the duribility of it as a raw material.
What was it like to make the stage set for: the launch of Laura Dockrill’s book Ugly Shy Girl and how did you became involved in this?
Buddug: I can’t remember were we met Laura Dockrill, but she asked if we were interested in doing the stage for her. It was quite a challenge because we didn’t know the size of the stage but the best thing was Jessie’s bunting it was really big and yellow!
Have you made or participated in Set Design before? Is this something you will continue to participate in?
Jessie: Yes for me it is a real passion, I love to create things and watch others create a story with the objects I make. A lot of quite random masks and house like boxes which I display in the shop are often borrowed for shoots, and I always like the outcome. For me styling our shop is like creating a stage set I love making it all different each week and then watching the customers come in and their response to it!
My degree show was also about staging and the response of the audience and the creator, for this I made a huge seven foot book which you could walk inside.
Buddug: I haven’t done much set design before, but wold love to, it’s been quite good having practice doing the shop window.
What are the inspirations for your collections?
Jessie: Story telling, people places and preserving memories creating beautiful things from lost or found objects.
Buddug My inspiration for my work is a collection of things I find and come across, I usually collect and draw in sketch books. Nature, a sense of home comforts and memories/naustalgic sences. It’a quite a mish mash of ideas and influencs.
Design by Buddug
We have a few pieces in the shop were we bring things together such as the fabric bows with enamel buttons, but we find it easier to make our own work and display together.
Do you both run and participate in the organisation of the workshops?
Jessie: No I run the workshops I have done for quite a few years now. For me I love to go out and meet other people and hopefully change the way they see the world through making, I have worked with a lot of charities, which is both frustrating and very rewarding at the same time, I am always touched by certain characters which can feed directly in to my work.
The whole workshop trend has gone huge now though and people expect so much more, and have so much more since places like hobby craft became so big and shows like The Knit and Stitch.
I am currently organising my Christmas workshops which will be in November in North London. I will have some day workshops creating simple gift wrap and gifts.
Jess Chorley
Buddug Jess does a lot of workshops, I’m yet to start, but it might be something I would be interested in doing when I’m a bit older.
What’s next for Jess Chorley and Buddug?
Buddug: At the moment we are preparing for christmas, thinking of making stocking filler ideas and promoting our little shop. Nothing too big, taking up projects as they come along…
To find out more please visit: www.jessiechorley.com, www.buddug.com and www.jandbtheshop.com
A selection of Jessie’s corsarges
Walking around Broadway Market, seek one cold wintery Saturday, feeling hungry and looking at all the delicious food I could ill afford, (oh the joys of being a student!). I came across a treasure trove of a stall run by the delightful Jessie and Buddug and instantly fell in love with their charming designs. Since this initial visit, I have returned time and time again to buy unique necklaces as birthday (incredibly successful!) gifts.
So you can imagine my delight coming across their Columbia Road shop, originally located in the upstairs of one the picturesque houses adorning the street. Jessie and Buddug have recently expanded ‘downstairs’, and in celebration of their success, I had the pleasure of interviewing the talented textile artists for Amelia’s Magazine.
I first noticed your designs at Broadway Market on Saturday, was this your first venture?
Buddug: We started broadway market after we graduated 5 years ago and got the shop 2 years ago.
What was your experience of the market? Do you still have a stall there?
Buddug: We still have a stall at Broadway Market, we feel it has grown so much since we started. It’s been cold and wet at times but it’s been great learning what people buy. Its been great socially too, speaking with our friends and customers.
As friends from home, what has it been like to work together?
Buddug: We met when we were on art foundation and always said we we would like to collaborate together in the future. We find it easier that we both do our own work and then display together because we both have different working hours.
You previously occupied an upstairs room in Columbia Road, how did the opportunity to expand into a downstairs space arise?
Buddug: We got offered a place at ground level by Bev who had the shop before us, she made handmade clothes and toys etc, she offered it to us before anyone else which was an honour and we jumped at the chance.
What was your experience of the Goldsmiths Textiles course (which sadly no longer exists?)
Jessie: I was at Goldsmiths, at a very tricky time, the course was going through a real denial period, as they were finding the debate about what to do with textiles and fine art really hard. Which made it hard for us as students and as someone who is passionate about cloth and textiles and most of all making, I found the course incredibly frustrating!
But I had very supportive parents; Primmy Chorley and I am close friends with Audrey Walker and Eirian and Denys Short. So I always had a huge back up behind me in the textile world. I did feel incredibly pulled between the two worlds though and I was lucky enough to come out fighting, determined to set up my own business and to carry on my making process.
Overall I am pleased I went through the Goldsmiths experience, as the academic and written side of it, (for me) has helped me today to think the way I do and pushed me in other ways.
What course did you study Buddug and what was your experiences?
I studied at London Guildhall (now London Metropolitan University)in Jewellery, silversmithing and other crafts. I enjoyed the experimenting with different materials. It was very much a hands on course.
Buddug’s designs for Urban Outfitters.
Buddug, what was it like to work for Urban Outfitters?
It was quite difficult working for URBAN OUTFITTERS, due to the ammount i had to make! and I waited a long time for payment!
Jessie, what role does recycling play in your practice? Why is it important to you and how did you first become interested in using recycled materials?
Recycled materials has and I believe will always be a huge part of my work, I like it that it creates a timeless feeling, I guess it started from the scrap books I made with my Mum when I was young and colleting and using found and recycled items for me creates a story, old clothes and books hold some kind of story and depth to them.
A detail from Jessie’s seating plan for her Wedding Collection.
And how did the wedding collection develop?
I was asked to create a whole wedding theme for a lady who used to buy my cards at Broadway Market, I handmade her invites, table names and a seating plan and really from here I got other customers and then early this year I designed some invites which were slightly quicker to make and I did a huge wedding show in London and its kind of gone from here I have made for several weddings this summer and I am already making for 2011-2012 weddings.
An enamel plate by Buddug.
Buddug, how did you start designing the Home Ornaments collection?
I’ve always been interested in developing the enamel process since university and always liked/inspired by objects mother and grandmother had in the kitchen, I invested in a bigger kiln, which was a challenge to make bigger things!
What materials do you like working with and why?
Jessie: Fabrics, worn clothing, paper they all hold such a good quality and are embedded with an excisting narrative
Designs by Jessie Chorley
Buddug: I’ve always tried to use things that are around me and be inventive with the materials i already have/been thrown away and in old/secound hand things, there’s such a quality in materials and making process and a added charm in old things and it’s actually nicer to use…
Broach by Buddug
I like to combine different materials metal and fabric. fabric and paper or wood…but i mostly enjoy metal and enamel. I really like the solidness of metal and the duribility of it as a raw material.
What was it like to make the stage set for: the launch of Laura Dockrill’s book Ugly Shy Girl and how did you became involved in this?
Buddug: I can’t remember were we met Laura Dockrill, but she asked if we were interested in doing the stage for her. It was quite a challenge because we didn’t know the size of the stage but the best thing was Jessie’s bunting it was really big and yellow!
Have you made or participated in Set Design before? Is this something you will continue to participate in?
Jessie: Yes for me it is a real passion, I love to create things and watch others create a story with the objects I make. A lot of quite random masks and house like boxes which I display in the shop are often borrowed for shoots, and I always like the outcome. For me styling our shop is like creating a stage set I love making it all different each week and then watching the customers come in and their response to it!
My degree show was also about staging and the response of the audience and the creator, for this I made a huge seven foot book which you could walk inside.
Buddug: I haven’t done much set design before, but wold love to, it’s been quite good having practice doing the shop window.
What are the inspirations for your collections?
Jessie: Story telling, people places and preserving memories creating beautiful things from lost or found objects.
Buddug My inspiration for my work is a collection of things I find and come across, I usually collect and draw in sketch books. Nature, a sense of home comforts and memories/naustalgic sences. It’a quite a mish mash of ideas and influencs.
Design by Buddug
We have a few pieces in the shop were we bring things together such as the fabric bows with enamel buttons, but we find it easier to make our own work and display together.
Do you both run and participate in the organisation of the workshops?
Jessie: No I run the workshops I have done for quite a few years now. For me I love to go out and meet other people and hopefully change the way they see the world through making, I have worked with a lot of charities, which is both frustrating and very rewarding at the same time, I am always touched by certain characters which can feed directly in to my work.
The whole workshop trend has gone huge now though and people expect so much more, and have so much more since places like hobby craft became so big and shows like The Knit and Stitch.
I am currently organising my Christmas workshops which will be in November in North London. I will have some day workshops creating simple gift wrap and gifts.
Jess Chorley
Buddug Jess does a lot of workshops, I’m yet to start, but it might be something I would be interested in doing when I’m a bit older.
What’s next for Jess Chorley and Buddug?
Buddug: At the moment we are preparing for christmas, thinking of making stocking filler ideas and promoting our little shop. Nothing too big, taking up projects as they come along…
To find out more please visit: www.jessiechorley.com, www.buddug.com and www.jandbtheshop.com
Illustrations by Emma Block
In a genre steeped in tradition, sildenafil Caitlin Rose springs forth like a breath of fresh air. Stripped down to the sweetest bare essentials, her voice rings clear and true, especially when she sings (at times wistfully, often defiantly) about heartbreak and failed relationships. Case in point: Learning To Ride, the opening track of her new album Own Side Now paints a painfully raw snapshot of a first love; “When I was young I used to ride the wild ones, they were lots of fun but they almost took my life. Now all I need is a simple steed, to take me where I need without putting up a fight.”
But while she is a very much a modern girl; smart, opinionated and droll, she is never mocking of her beloved Country music. “I hate a lot of words” she declares in a short video bio of her; eyes shaded by Ray Bans as she stands in front of her place of work, Bobby’s Dairy Dip. She runs through the words in question…. I hate the word “Indie”, and I hate the word ‘Contemporary’…. but ‘Country’s’ a word that I actually really like”.
The popularity of her debut album, Own Side Now has meant that a few one off dates have morphed into a full European tour and she draws her summer of English festival appearances to a triumphant close with a performance at The End Of The Road Festival on September 11th. Recently we emailed Caitlin a bunch of questions, to find out a little bit more about the twenty-three year old girl who is already drawing comparisons to Patsy Cline.
What can we expect from your new album, Own Side Now? Am I right in thinking that it is going to be less acoustic than your debut EP?
It’s a full band record. There’s a pretty stripped down cut of Sinful Wishing Well though.
How did you make your first start into the Nashville music scene? Can you remember your first gig?
My first show was at a pool party and I was 16. I was too nervous to finish any of the songs.
For a time after that I opened shows for my then-boyfriend’s angry suburban punk band. We broke up and he got all the friends so I had to make new ones. Luckily I met some cool people and a few thought I was a decent songwriter. I used to play a dive called the Springwater and whatever anyone else would throw at me. I wasn’t 21 so I took what I could get.
Country music has passed so much of Britian by, it’s almost criminal. If you were to hand pick a record collection for someone who knew nothing about country music, what records would you put in?
How big? I’d suggest a Merle Haggard Greatest Hits album, some Loretta Lynn, John Prine’s first two albums. Marty Robbin’s Gunfighter Ballads. “Our Mother the Mountain” by Townes Van Zandt.
Guy Clark’s “Old No 1″. As much George Jones as possible. Gram Parsons “GP”. Any of Dolly’s old records. Some essential Patsy Cline. “Hank Williams sings Kaw-Liga and other Funny Songs” is a good one too. Some Carter Family. The Louvin Brother’s “Satan is Real” and throw in a couple of Linda Ronstadt‘s early records for appropriate country rock measure. Early Tanya Tucker is good too.
I could go on, but that’s already a lot. Country music’s all about the song. If you see a record and you think you might like it, buy it (especially if it’s cheap) and figure out your favorite song. That’s the funnest part.
Can you tell us 5 things that we don’t know about Caitlin Rose?
I sleep on cowboy sheets.
I collect talismans and other people’s I.D.’s.
I’m no good with numbers.
I’m a terrible cook.
I’ve had 5 cavities.
Your songs are already known for being pretty straight talking; are you as straight talking in your day to day life?
Not as much as I would like to be.
If Amelia’s Magazine were to come visit you in Nashville ( if you would have us! ), what would we get up to?
I’d show you the Country Music Hall of Fame, Webb Pierce’s guitar shaped swimming pool and Dino’s Bar & Grill on Gallatin Road. I’ve also been hearing a lot about amateur wrestling matches held at a hotel downtown, that sound pretty intriguing.
You have already had some pretty major accomplishments in your career; what have been some of the highlights so far for you?
Bonnaroo and the review in German Rolling Stone were both exciting.
I loved the YouTube video of you by Seth Graves; do you still work at Bobbys Dairy Dip? It would be so cool if you do, but I’m thinking that with your music career going stratospheric it’s left little time for anything else.
No, but I miss it a lot, especially the sweet potato fries.
What would you like to have achieved by the time you are 30? (professionally, and personally)?
A few really good albums, a solid band and the cover of the Rolling Stone.
Also, to be completely free of anything resembling a zit or a pimple for the rest of my life. Kids are cool too.
Am I the first person to tell you that your songs give me goose bumps? (I write this in a non-creepy way, I promise you!)
If you’re worried about sounding creepy then I’m worried about sounding arrogant by saying that you’re not the first.
Written by Cari Steel on Wednesday August 25th, 2010 9:58 am
Categories ,Caitlin Rose, ,country, ,End Of The Road Festival, ,festivals, ,interview, ,Rolling Stone
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