Amelia’s Magazine | Caitlin Rose at the Windmill Brixton: Live Review

Find Your Feet-Bollywood
By Stamo A/W 2011 by Rebecca Strickson
By Stamo A/W 2011 by Rebecca Strickson.

On Sunday 13th March Find Your Feet hosted an ethical fashion show at the Mint Leaf restaurant in the Haymarket. I was invited to donate a copy of Amelia’s Compendium of Fashion Illustration for We Are What We Wear by the show stylist, abortion the lovely Zoe Robinson of Think Style – a women with many sustainable strings to her bow. She works as an actress, a writer (for Egg Mag) and an ethical image consultant.

Amelia's Compendium of Fashion Illustration Photography by Amelia GregoryFind Your Feet Honey's Dance Academy, Photography by Amelia GregoryFind Your Feet Honey's Dance Academy, Photography by Amelia GregoryBollywood dancing by Jane Young
Bollywood dancing from Honey’s Dance Academy by Jane Young.

We were treated to some very energetic Bollywood dancing thanks to Honey’s Dance Academy, followed by two short catwalk shows which took place on walkways surrounding the sunken restaurant. Models included youngsters and a couple of more mature women from Close Models, which provided a really uplifting touch.

Junky Styling by YesGo IllustrationJunky Styling by YesGo Illustration
Junky Styling by YesGo Illustration.

Find Your Feet-Junky Styling. Photography by Amelia GregoryFind Your Feet-Junky Styling. Photography by Amelia GregoryFind Your Feet-Junky Styling. Photography by Amelia Gregory
Junky Styling. All photography by Amelia Gregory.

Find Your Feet-People Tree. Photography by Amelia GregoryFind Your Feet-People Tree. Photography by Amelia GregoryFind Your Feet-People Tree. Photography by Amelia GregoryFind Your Feet-People Tree. Photography by Amelia Gregory
People Tree.

Find Your Feet-Bhavna. Photography by Amelia GregoryFind Your Feet-Bhavna. Photography by Amelia GregoryFind Your Feet-Bhavna. Photography by Amelia Gregory

Find Your Feet Outsider. All photography by Amelia Gregory.

During the first show we saw a fabulous multi layered pink maxi dress from ACOFI featured designer Junky Styling, cute dresses from People Tree, embellished bamboo dresses from Bhavna, and gorgeous silk classics from Outsider, who I discovered at Ecoluxe this season.

Find Your Feet- Amisha, Zoe, Orsola and the kids. Photography by Amelia Gregory
Amisha, Zoe, Orsola and the kids.

As I had a bar ticket I was able to roam around, and between shows sat with Zoe, Amisha Ghadalli, Maria Papadimitriou of Slowly the Eggs/Plastic Seconds and Orsola de Castro of From Somewhere, who was entertaining her young daughter and her friend. We ate some yummy canapes and watched a magician bend forks, then a Find Your Feet ambassador described the work done by this charity, which includes helping to fund sustainable farming practices. Fittingly, she described how a group of women in rural India bandied together to make the most of the mint growing on local farms – they now have a successful essential oil business.

Find Your Feet-magician. Photography by Amelia Gregory
The magician entertains the kids.

Find Your Feet- Charley Speed and bottle top bag. Photography by Amelia Gregory.Find Your Feet- Charley Speed and bottle top bag. Photography by Amelia Gregory.
Charley Speed and bottle top bag.

Then it was on to the auction, where any mention of my book was usurped by the lure of an Outsider dress, as worn by a celebrity – the presenter Charley Speed dashing maniacally around the room to squeeze as much money as possible out of the generous crowd. The whole lot (including a bottle top bag) went for £300, and I can only hope that the recipient appreciated my donation because he probably had no clue what it was.

Ada Zanditon S/S 2011 by Gareth A Hopkins
Ada Zanditon S/S 2011 by Gareth A Hopkins.

Round two featured three Amelia’s Magazine favourites from ACOFI: off-cut drama courtesy of From Somewhere, amazing sculptural pieces from Ada Zanditon and colourful dresses with sunflower decorations from By Stamo. There was also some playful printed dresses from Love Phool.

From Somewhere by Gareth A Hopkins
From Somewhere by Gareth A Hopkins.

Find Your Feet-From Somewhere. Photography by Amelia Gregory
From Somewhere.

Find Your Feet-Ada Zanditon. Photography by Amelia GregoryFind Your Feet-Ada Zanditon. Photography by Amelia GregoryFind Your Feet-Ada Zanditon. Photography by Amelia GregoryFind Your Feet-Ada Zanditon. Photography by Amelia GregoryFind Your Feet-Ada Zanditon. Photography by Amelia GregoryFind Your Feet-Ada Zanditon. Photography by Amelia GregoryFind Your Feet-Ada Zanditon. Photography by Amelia Gregory
Ada Zanditon S/S 2011.

Find Your Feet-Lovephool. Photography by Amelia GregoryFind Your Feet-Love Phool. Photography by Amelia GregoryFind Your Feet-Love Phool. Photography by Amelia GregoryFind Your Feet-Love Phool. Photography by Amelia GregoryFind Your Feet-Love Phool. Photography by Amelia GregoryFind Your Feet-Love Phool. Photography by Amelia Gregory
Love Phool.

Find Your Feet-By Stamo. Photography by Amelia GregoryFind Your Feet-By Stamo. Photography by Amelia GregoryFind Your Feet-By Stamo. Photography by Amelia GregoryFind Your Feet-By Stamo. Photography by Amelia GregoryFind Your Feet-By Stamo. Photography by Amelia GregoryFind Your Feet-By Stamo. Photography by Amelia GregoryFind Your Feet-By Stamo. Photography by Amelia GregoryFind Your Feet-By Stamo. Photography by Amelia Gregory
By Stamo A/W 2011.

A range of ethical accessories were used to style the show, amongst them some old favourites: LeJu, Nina Dolcetti and Joanna Cave… and some new discoveries: Meher Kakalia, who adapts ancient shoemaking techniques from her home town of Karachi to create modern footwear in Brixton, and Kumvana Gomani, who creates delicate jewellery out of plastic waste.

By Stamo A/W 2011 by Maria del Carmen SmithBy Stamo A/W 2011 by Maria del Carmen Smith
By Stamo A/W 2011 by Maria del Carmen Smith.

Exposing ethical design to more people and raising money for sustainable projects are good things to do, but We Aren’t JUST What We Wear, we are also What We Do in every aspect of life. On my return home I was somewhat saddened to read about a couple of other auction sponsors: it was also possible to win a test track experience with Jaguar or a BMW for the weekend. I know that money has to come from somewhere but there is a distinct lack of joined up thinking in ethical practice: a Mint Leaf waiter could not tell me whether the chicken they served us was freerange or organic.

We Are What We Wear was a massive success: raising over £10,000 to support sustainable weaving projects in India, but I wish that there was more recognition within the charity sector that sustainable practice involves more than donating money for dinner to support those less fortunate on the other side of the world, it’s about a holistic way of being. Within this world view I do not include hyping the desirability of extremely expensive energy guzzling cars. Needless to say, mine was the only bike tied up outside the Mint Leaf restaurant.

Caitlin Rose by Hayley Akins
Illustration by Hayley Akins.

Such had been the anticipation surrounding Caitlin Rose’s return to the UK, adiposity especially after the release of her acclaimed debut album, Own Side Now, that her shows in the capital soon sold out. Being the smallest of those venues, but organised by such thoughtful fellows, Brixton’s Windmill quickly arranged a special early evening show to cater for any disappointed punters. Needless to say, the tickets flew for that one as well.

Illustration by Donya Todd

I’d been caught out too many times by being when buying tickets in the past, so I’d got in sharpish and, as a result, I drew the straw for the late show. I arrived quite early (well, 9.00pm) and caught the support band, Treetop Flyers, limbering up for their second performance of the evening. A London based band, and purveyors of the finest Americana, tonight they were playing a more stripped back acoustic set. I’d never caught them before, but I liked what I heard. They set the mood nicely for the evening, even throwing in a Townes Van Zandt cover.

caitlin rose-stephanie thieullent
Illustration by Stephanie Thieullent

By the time Caitlin Rose took to the stage, the Windmill was pretty rammed. I’d seen her live a couple of times before (and all but once at the Windmill), though this was the first time with a full band (apparently they couldn’t afford to fly out the drummer from the US on the last tour). After having obviously enjoyed a few refreshments between sets, Rose cheerfully exclaimed “two of us haven’t slept!”, as the band launched into New York.

caitlin rose by mary ferfyri
Illustration by Mary Ferfiry

Own Side Now has seen Caitlin Rose expand on the fairly traditional country sound of her debut release, the Dead Flowers EP (as hinted at in an interview with Amelia’s Magazine last summer). The intimacy of the Windmill really lent itself to her songs (and especially that voice!), as we sampled such bittersweet treats as For The Rabbits and Learning To Ride.

YouTube Preview Image

There was a particularly affecting rendition of Own Side, which brought a lump to the throat of even this old cynic. Answer In One Of These Bottles (from Dead Flowers) sparked a raucous sing-along, before everyone rocked out to Shanghai Cigarettes.

YouTube Preview Image

Caitlin Rose by Ashley Fauguel
Illustration by Ashley Fauguel

Rose switched from acoustic guitar to electric and back again, there was plenty of banter, and there were all the hallmarks for a special night in place. After a couple more UK dates before a return to the US, and then a trip to the Antipodes, we’re not likely to see Ms Rose on these shores again before some festival appearances in the summer – given her current ascendency, one wonders whether we’ll ever see her play in such a venue as the Windmill again.

Caitlin Rose by Maria Papadimitriou aka Slowly The Eggs
Illustration by Maria Papadimitriou aka Slowly the Eggs

Categories ,americana, ,Ashley Fauguel, ,Brixton, ,Caitlin Rose, ,country, ,Dead Flowers EP, ,Donya Todd, ,Hayley Akins, ,Maria Papadimitriou, ,Mary Ferfiry, ,Nashville, ,Own Side Now, ,Slowly the Eggs, ,Stéphanie Thieullent, ,Townes van Zandt, ,Treetop Flyers, ,Windmill

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Amelia’s Magazine | An interview with First Aid Kit about working with Mike Mogis on second album The Lion’s Roar

First Aid Kit by Michael Julings
First Aid Kit by Michael Julings.

The new album The Lion’s Roar from the wondrous Swedish band First Aid Kit is coming out later this month. In advance of my review, let’s catch up with the talented duo. Life has become much more busy in the past few years!

First Aid Kit Emmylou press shot
You’ve done 5 tours across America in the past 2 years, what has been the highlight?
All five tours have been highlights in their own ways. The first tour was especially exciting because everything was new and it felt like an adventure. We realized how big this country is, traveling through endless landscapes of of deserts, fields and forests. We sort of felt like we were on that epic american road-trip we’ve always dreamt of. Last September we went on tour with Bright Eyes, a dream come true for us. We got to spend two weeks with our favorite band. We went to Disney World, we went swimming in the ocean and sightseeing in D.C. We had plenty of free time and the weather was amazing. It was the perfect tour. Bright Eyes treated us so well, too. Every night was a party. Every night we played songs together. Mike Mogis played pedal steel on our song Emmylou, we sang Lua with Conor and two nights our dad even played the guitar solo in their song “One for you, one for me”! We couldn’t have imagined our own dad playing with Bright Eyes someday. We were very proud.

Your new album The Lion’s Roar is out soon and was recorded in Omaha, Nebraska with producer Mike Mogis – how did that come about, how long were you there for and how easy was it to slot into working with a big American producer?
When I (Klara) was twelve years old I heard Bright Eyes for the first time. I loved the simplicity and honesty in their songs. Their music was a revelation for me. It opened up the door for us to folk and country music. I got a guitar pretty quickly after that. Inspired by Bright Eyes I started writing songs. We met Mike for the first time when we played in Austin, TX in october. Conor Oberst came to our show, and introduced us to Mike. He saw us the next day at the Austin City Limits festival and after we had played he wrote us saying; ‘I’d love to make a record with you.’ We couldn’t believe it.

First Aid Kit by Rosemary Cunningham
First Aid Kit by Rosemary Cunningham.

In May we went to Omaha, Nebraska to record the album. We stayed for a month, spending the first two weeks doing mostly live takes and then the rest of the two mixing the record. Working with a big American producer could be scary depending on who you work with, but Mike might be one of the most humble persons we have ever met. We understood each other from the get-go and we were on the same page musically. He knew what kind of record we wanted to make. Mike made sure that our vocals and lyrics always were the focal point. We worked together to find arrangements that would enhance the emotions we wanted to evoke, and not to just take up space. It was a fun and surprisingly easy process. 

First Aid Kit on log
What has been the most memorable place that you have visited on tour (worldwide) and why?
We were in Tokyo just a couple of weeks ago and that was memorable to say the least. The culture is so vastly different. We felt a bit alienated and different (mostly just very tall), but it was an interesting feeling we’re not used to. The Japanese were incredibly polite. When we stepped into our label’s office everybody there came to meet us and bowed in-front of us. It made you feel respected and made us treat everyone with the same respect. We did 22 interviews in two days so we were quite busy, but they took care of us well. We would love to go back to Japan and play shows there someday soon.

First Aid Kit by Sam Parr
First Aid Kit by Sam Parr.

Have you managed to retain contact with your friends back home in Sweden or do you feel your lives have diverged drastically? How much do you rely on a close sisterly relationship?
Luckily we have friends who understand why we have to be away so much and who are supportive of what we do. Of course it’s hard sometimes, not being able to be there for the people you love, but that’s a sacrifice we have to make. Having your sister around you is quite special. It always makes us feel like we’re home, having each other around. Our dad does the sound our shows, so he comes with us too. That keeps us from becoming too homesick. At the end of the day we get to do what we love the most, which is playing music, so we can’t really complain.

First Aid Kit by Geiko Louve.

Do you remember the first time you sang in harmony, when was it? It must be incredible to have such a strong connection with someone you grew up with.
It was probably on one of our first demos, Johanna just tried out some harmonies and it sounded great. We have evolved a lot from back then though. We’re getting better and better at harmonizing everyday. Singing with your sister is awesome. Our voices are so similar it’s almost like singing with yourself. It’s easy. We’re so in tune with how we phrase and time words, so it always feels very natural. Singing with a non-relative is more of a challenge. You have to adjust to their way of singing and ‘get’ their voice. It’s not the same thing.

First Aid Kit forest
You recorded the cover single Universal Soldier with Jack White in Nashville and you have just toured with Lykke Li. How did these come about and who else would you like to work with?
We have no idea of how these cool cats heard of us, we’re just very lucky that they did. Lykke Li had asked us a couple of times to play and last november we finally got to play together. It was amazing to see her powerful performance on stage every night.

First Aid Kit_Emmylou_PS
When we were on our second tour in the US, playing in Nashville Jack White called to say he wanted us to come into his studio and record two songs with him. Totally unexpected. We spent a couple of hours there the next day. It was the first time we ever recorded in a real studio with a full band. We love what we recorded, especially the traditional blues song It Hurts Me Too. Jack White brought out something new in us we didn’t know we had. It definitely has a Jack White sound but it’s still very much us. It inspired us to have a full band on the new record. We’d love to do something more with Jack White someday, it was really inspiring working with him and we both share a love for old Americana. We would also love to collaborate with Laura Marling or Dylan Leblanc, two amazing songwriters and singers in our age who are making similar music.

First Aid Kit by Wiji Lacsamana
First Aid Kit by Wiji Lacsamana.

Your voices and musical knowledge have been widening, who or what has been the greatest influence in the past two years and do you have your sights set on any other genres and styles?
The past two years, while writing for this new record there are two people that specifically come to mind when talking about inspiration – Townes Van Zandt and Joni Mitchell. Townes Van Zandt has a way of writing songs that seem timeless. His songs are often tall tales, mystical but at the same time serene and simple. His phrasing is really specific and it gives the lyrics another dimension. Writing for the record, these were all things that influenced us, both things we were aware of and things we’ve heard, listening back to the record, now.

First Aid Kit_portrait
We got a little Joni obsessed when working on this record. Her lyrics are often like private diary entries, if everybody wrote amazingly poetic and clever diary entires, that is. There is something so honest, it almost hurts to listen to her music sometimes. For The Lion’s Roar, we knew we wanted to write songs that had a more personal touch. We wrote more about our own experiences and things we were going through. A lot of people write that our lyrics are ‘too mature‘ for our age, which is so absurd to us. We just write what we feel, we’ve never had any intention to sound older or more mature, we’re just ourselves in our music. We’re actually not very mature at all, haha.

You have said that you prefer to sing sad songs: why do you think this is?
It’s not really a preference, it just that we happen to write songs when we’re sad. Songwriting for us is a form of therapy, of catharsis. It’s a way of turning the negative thoughts in our head into something positive and creative. When we’re feeling like shit we listen to melancholy music, because knowing that someone else has felt the same way or even worse makes us feel less alone in these emotions. It’s strangely comforting. Hopefully our music could have a similar kind of effect for our listeners. Like a plaster for the soul.

YouTube Preview ImageEmmylou

What was the story behind the video for the new single Emmylou? It has a glorious outback feel that goes with the country twang.
Thank you! The song Emmylou is a homage to our favourite country acts – Emmylou Harris, Gram Parsons, Johnny Cash and June Carter. It seemed perfect to go to Joshua Tree because we knew it was Gram Parsons‘ favourite place in the world. When we got there we understood why. We’ve also always been intrigued by the desert and had always wanted to make something in that kind of landscape, so now we got the chance. We worked with an amazing director called Maximilla Lukacs. We wanted it to have a 70′s psychedelic dreamy feel to it. She and her team totally got our vision. 

YouTube Preview ImageThe Lion’s Roar

Where can people see you live in the UK over 2012? Any particular dates or festivals that you are looking forward to?
We’ll be playing a few club shows in February. We can’t wait to play the new songs! We’ll also play the End of The Road Festival this year, which we’re totally psyched about. We love that festival. We played there 2009 and it had an incredible folk-oriented line-up. We saw Alela Diane, Blitzen Trapper, Tallest Man On Earth and FleetFoxes. In other words, our favourite bands. Good times! 

First Aid Kit by Estelle Morris
First Aid Kit by Estelle Morris.

Lastly, since we last met I have discovered that your dad used to play in a band with my mum’s Swedish first cousin, Matts Alsberg. It’s a small world, do you remember him?
Oh my god! That’s so weird, haha. It’s a tiny world, indeed. Of course we remember him, our dad’s band was a big part of our childhood. They were called Lolita Pop and were quite successful in Sweden during the 80′s. Their music was not like ours at all. It was punk and new wave inspired by Velvet Underground, Patti Smith and Television. Our dad was a guitarist and songwriter in the band. He quit the band just when we were born. Their music and tales from their tours were always around us growing up. I think we looked up to our father a lot and the fact that he had been a professional musician inspired us to take a similar path. Now dad’s working with us full time and it’s great having someone with so much previous experience on the road with us. He probably never thought he’d be touring all over the world with his daughters.

The Lion’s Roar is released on 23rd January on Wichita. *You can read my full album review here.*

Categories ,Alela Diane, ,Austin City Limits, ,Blitzen Trapper, ,Bright Eyes, ,Conor Oberst, ,Dylan LeBlanc, ,Emmylou Harris, ,End Of The Road Festival, ,Estelle Morris, ,First Aid Kit, ,fleetfoxes, ,Geiko Louve, ,Gram Parsons, ,It Hurts Me Too, ,Jack White, ,Johnny Cash, ,Joni Mitchell, ,Joshua Tree, ,June Carter, ,Laura Marling, ,Lolita Pop, ,Lykke Li, ,Matts Alsberg, ,Maximilla Lukacs, ,Michael Julings, ,Mike Mogis, ,Nebraska, ,Omaha, ,Rosemary Cunningham, ,Sam Parr, ,Tallest Man On Earth, ,Townes van Zandt, ,Wichita, ,Wiji Lacsamana

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