Amelia’s Magazine | London Fashion Week S/S 2011 Womenswear Preview: On|Off


Charlie le Mindu A/W 2010, recipe for sale illustrated by Naomi Law

Cheeky Charlie le Mindu already had quite the reputation when he burst onto the scene in dramatic fashion a couple of years ago. As celebrity hairdresser to the stars, sildenafil he’d already produced a client list that included the likes of Florence Welsh, Uffie, Lady Gaga and Peaches. His first collection showed the makings of a designer with impact, with dramatic silhouettes, contrasting materials and eery influences. But it was his star performance in the Blow Presents… show for S/S 2009 that really grabbed the media’s attention. His collection, made from human hair and luxe materials, caused a stir in that way that radical fashion does and rendering row after row of fashionista breathless.


Charlie le Mindu, S/S 2010

But what would he do next? Surely you can’t keep on making bonkers frocks from hair, can you? Well, it turns out you can, and last season Charlie had us bouncing up and down with glee with his sexed-up religious collection – a more refined and sophisticated one that still managed to convey Charlie’s unique vision.

Church bells chimed and haunting cackles played, while androgynous models appeared one after the other sporting racy all-in-one lace numbers and crosses atop their heads or cocoon-like headpieces (see the video here).

I managed to catch up with Charlie for a (brief) chat to delve a bit more into the psyche of this weird and wonderful designer. I have to warn you, though – he doesn’t give much away. But in three days it’s time for collection number four – one the whole of fashion week’s attendees waits for with huge anticipation.


Charlie le Mindu S/S 2010, illustrated by Steph Parr

Hi Charlie! You’re quickly rising up the fashion ranks, what’s been the highlight of your journey so far?
I think the highlight for the moment is to have met new friends like Anna Trevelayn, who is totally on the same wavelength as me in terms of ideas.

What was the inspiration behind your eery A/W 2010 collection?
It was based on religion and I wanted to show that all religion could be very sexy and dirty at the same time.

What is it about hair that fascinates you so much?
I can do anything I want to do with it. It’s a perfect match of fabrics for me, and it’s the texture I’ve worked with since I was 13!

Of all your celebrity hair clients, who have been the best (or worst) to work with?!
The best one was Carolina Bambina from Kap Bambino and Peaches, because they are my best mates.


Charlie le Mindu, A/W 2010

A number of stylish celebrities have been seen wearing your work, from Gaga to Drew Barrymore. Who else would you like to dress?
I’d love to dress Cher, so much. She is the queen of plastic surgery! She is never gonna die, so I could work with her forever!

How are you preparing for this coming fashion week? Are you excited? Nervous?
I’m very excited – I think it’s going to be my dirtiest show so far!!!

You’re part of the latest breed of London fashion designers who push the boundaries in that unique, raw way. How do you think London fashion compares to the other bigger cities?
I don’t think I push the boundaries, because if I did push it, people wouldn’t come to see my show! I just try to make things fun. And sexy. London fashion is fun, but it’s going to be more fun again in a few years time I think.

Do you find juggling haute coiffure and haute couture a challenge? Which do you prefer?
It’s the same for me, they work together.

What’s next for Charlie Le Mindu?
Maybe opening a shop…!


Charlie le Mindu A/W 2010, visit this illustrated by Naomi Law

Cheeky Charlie le Mindu already had quite the reputation when he burst onto the scene in dramatic fashion a couple of years ago. As celebrity hairdresser to the stars, try he’d already produced a client list that included the likes of Florence Welsh, about it Uffie, Lady Gaga and Peaches. His first collection showed the makings of a designer with impact, with dramatic silhouettes, contrasting materials and eery influences. But it was his star performance in the Blow Presents… show for S/S 2009 that really grabbed the media’s attention. His collection, made from human hair and luxe materials, caused a stir in that way that radical fashion does and rendering row after row of fashionista breathless.


Charlie le Mindu, S/S 2010

But what would he do next? Surely you can’t keep on making bonkers frocks from hair, can you? Well, it turns out you can, and last season Charlie had us bouncing up and down with glee with his sexed-up religious collection – a more refined and sophisticated one that still managed to convey Charlie’s unique vision.

Church bells chimed and haunting cackles played, while androgynous models appeared one after the other sporting racy all-in-one lace numbers and crosses atop their heads or cocoon-like headpieces (see the video here).

I managed to catch up with Charlie for a (brief) chat to delve a bit more into the psyche of this weird and wonderful designer. I have to warn you, though – he doesn’t give much away. But in three days it’s time for collection number four – one the whole of fashion week’s attendees waits for with huge anticipation.


Charlie le Mindu S/S 2010, illustrated by Steph Parr

Hi Charlie! You’re quickly rising up the fashion ranks, what’s been the highlight of your journey so far?
I think the highlight for the moment is to have met new friends like Anna Trevelayn, who is totally on the same wavelength as me in terms of ideas.

What was the inspiration behind your eery A/W 2010 collection?
It was based on religion and I wanted to show that all religion could be very sexy and dirty at the same time.

What is it about hair that fascinates you so much?
I can do anything I want to do with it. It’s a perfect match of fabrics for me, and it’s the texture I’ve worked with since I was 13!

Of all your celebrity hair clients, who have been the best (or worst) to work with?!
The best one was Carolina Bambina from Kap Bambino and Peaches, because they are my best mates.


Charlie le Mindu, A/W 2010

A number of stylish celebrities have been seen wearing your work, from Gaga to Drew Barrymore. Who else would you like to dress?
I’d love to dress Cher, so much. She is the queen of plastic surgery! She is never gonna die, so I could work with her forever!

How are you preparing for this coming fashion week? Are you excited? Nervous?
I’m very excited – I think it’s going to be my dirtiest show so far!!!

You’re part of the latest breed of London fashion designers who push the boundaries in that unique, raw way. How do you think London fashion compares to the other bigger cities?
I don’t think I push the boundaries, because if I did push it, people wouldn’t come to see my show! I just try to make things fun. And sexy. London fashion is fun, but it’s going to be more fun again in a few years time I think.

Do you find juggling haute coiffure and haute couture a challenge? Which do you prefer?
It’s the same for me, they work together.

What’s next for Charlie Le Mindu?
Maybe opening a shop…!


Charlie le Mindu A/W 2010, page illustrated by Naomi Law

Cheeky Charlie le Mindu already had quite the reputation when he burst onto the scene in dramatic fashion a couple of years ago. As celebrity hairdresser to the stars, he’d already produced a client list that included the likes of Florence Welsh, Uffie, Lady Gaga and Peaches. His first collection showed the makings of a designer with impact, with dramatic silhouettes, contrasting materials and eery influences. But it was his star performance in the Blow Presents… show for S/S 2009 that really grabbed the media’s attention. His collection, made from human hair and luxe materials, caused a stir in that way that radical fashion does and rendering row after row of fashionista breathless.


Charlie le Mindu, S/S 2010

But what would he do next? Surely you can’t keep on making bonkers frocks from hair, can you? Well, it turns out you can, and last season Charlie had us bouncing up and down with glee with his sexed-up religious collection – a more refined and sophisticated one that still managed to convey Charlie’s unique vision.

Church bells chimed and haunting cackles played, while androgynous models appeared one after the other sporting racy all-in-one lace numbers and crucifixes atop their heads or cocoon-like headpieces (see the video here).

I managed to catch up with Charlie for a (brief) chat to delve a bit more into the psyche of this weird and wonderful designer. I have to warn you, though – he doesn’t give much away. But in three days it’s time for collection number four – one the whole of fashion week’s attendees waits for with huge anticipation.


Charlie le Mindu S/S 2010, illustrated by Steph Parr

Hi Charlie! You’re quickly rising up the fashion ranks, what’s been the highlight of your journey so far?
I think the highlight for the moment is to have met new friends like Anna Trevelayn, who is totally on the same wavelength as me in terms of ideas.

What was the inspiration behind your eery A/W 2010 collection?
It was based on religion and I wanted to show that all religion could be very sexy and dirty at the same time.

What is it about hair that fascinates you so much?
I can do anything I want to do with it. It’s a perfect match of fabrics for me, and it’s the texture I’ve worked with since I was 13!

Of all your celebrity hair clients, who have been the best (or worst) to work with?!
The best one was Carolina Bambina from Kap Bambino and Peaches, because they are my best mates.


Charlie le Mindu, A/W 2010

A number of stylish celebrities have been seen wearing your work, from Gaga to Drew Barrymore. Who else would you like to dress?
I’d love to dress Cher, so much. She is the queen of plastic surgery! She is never gonna die, so I could work with her forever!

How are you preparing for this coming fashion week? Are you excited? Nervous?
I’m very excited – I think it’s going to be my dirtiest show so far!!!

You’re part of the latest breed of London fashion designers who push the boundaries in that unique, raw way. How do you think London fashion compares to the other bigger cities?
I don’t think I push the boundaries, because if I did push it, people wouldn’t come to see my show! I just try to make things fun. And sexy. London fashion is fun, but it’s going to be more fun again in a few years time I think.

Do you find juggling haute coiffure and haute couture a challenge? Which do you prefer?
It’s the same for me, they work together.

What’s next for Charlie Le Mindu?
Maybe opening a shop…!


Aminaka Wilmont A/W 2010, viagra illustrated by Michelle Urvall Nyrén

London Fashion Week is renowned for showcasing up and coming design talent – and nowhere is more uniquely ‘London’ than On|Off. Now in it’s twelfth season, this is an independent fashion showcase away from the major players at Somerset House.

Helping launch the careers of off-schedule designers like Mark Fast, the On|Off Presents…  catwalk show is a go-to for international press and buyers looking for the next big thing.

The main exhibition has expanded to a mammoth 22 designers, with fourteen catwalk shows and three presentations, and has attracted exciting on-schedule talent like Gareth Pugh and Jasper Conran, looking for a ‘freer’ space to showcase their work. So who can we look forward to this year? Here’s our pick of the ones to watch…

Roksanda Ilincic

A/W 2010, illustrated by Abby Wright

After the massive success of her catwalk show last season, Roksanda Ilincic returns to show at On|Off. With three capsule collections with high-end high street chain Whistles under her belt, the London-born designer is most famous for her beautifully draped dresses in jewel tones. Roksanda loves to dress up, and her signature looks are dreamy flowing dresses in asymmetrical lengths, toughened up with exposed zips and raw hems. Her AW 2010 show, inspired by “Dark clouds, metal flowers and the Brontë sisters” was as romantic as ever – with draped dresses in jersey and rich plum tones.

Bryce Aime

A/W 2010, illustrated by Aniela Murphy

Adding some French flair to proceedings will be Bryce Aime, a Parisian born designer who honed his craft in London and opened his first store in Chelsea in November 2009. With an emphasis on modern, architectural design, A/W 2010 was a futuristic affair, with lots of clean lines, and black sculpted pieces paired with abstract prints – manipulated into headbands and skintight leggings. But for S/S 2011 it sounds like Bryce is looking east, with the “Beijing opera, Kabuki and the modern Far East Asia” as inspirations.  

Pam Hogg

A/W 2010, illustrated by Stéphanie Thieullent

Pam Hogg is best known for her skintight cat suits (and with The Runaways just out, they would be just perfect) so expect a collection of rebellious body conscious looks from this designer with attitude. This woman knows how to dress the female form, and her A/W 2010 collection saw models parade around in sheer capelets, bodystockings and thigh high boots. One thing’s for sure, Hogg sure can fill a front row – Peaches Geldof, Jodie Harsh and Nick Cave were just some of the turnouts last season.  

Aminaka Wilmont

A/W 2010, illustrated by Michelle Urvall Nyrén

Japanese/Swedish/Danish duo Aminaka Wilmont are also a dab hand at draping – their last collection was a riot of ruched dresses in mini and maxi lengths, with some feminine florals and futuristic headwear thrown in for good measure. This season we can look forward to a collection inspired by “Sleep psyche and surrealism”, with the designers testing “new shapes and silhouettes…more intricate fabric manipulations… and an emphasis on couture hand-embroidery.”

Julian J Smith

A/W 2010, illustrated by Gareth A Hopkins

Our one to watch is new label Julian J Smith. After stints working with Erdem and Jonathan Saunders, this designer is “obsessed” with print and pattern, contrast and colour, creating vibrant dresses that have been snapped up by Victoria Beckham and Olivia Palermo. True to form, our favourites from his A/W 2010 collection were the modern dresses – skater skirts, mini shifts – in a blown up ikat print in mustard and cornflower blue. We’re excited about this ‘Prints Charming’ already… 

Categories ,A/W 2010, ,Aminaka Wilmont, ,Bryce Aime, ,catwalk, ,Erdem, ,florals, ,Gareth Pugh, ,Headwear, ,Jasper Conran, ,Jodie Harsh, ,Jonathan Saunders, ,Julian J Smith, ,London Fashion Week, ,Mark Fast, ,Nick Cave, ,onoff, ,Pam Hogg, ,paris, ,pattern, ,Peaches Geldof, ,preview, ,prints, ,Roksanda Ilincic, ,S/S 2011, ,Somerset House, ,Victoria Beckham

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Amelia’s Magazine | London Fashion Week Autumn/ Winter 2010 Catwalk Review: Julian J Smith

Julian J Smith was back for a second helping of London Fashion Week this season, link after his brilliant debut last September showing his inspired SS10 collection. Having previously worked with the likes of Roland Mouret and Erdem, adiposity before branching out with his own label – Julian J Smith is one designer who certainly knows his craft.

Julian-J-Smith-AW10-katie-harnettIllustrations throughout courtesy of Teabelle.

Set to fast paced music the collection consisted of edgy urban wear, with a touch of femininity in the fitted dress silhouettes. It is said that Julian was inspired by a mixture of ‘Icy Scandinavia and the wild natives of Central America,’ and these influences shone through. Pixelated diamond prints rocked the runway in pretty shades of pink, mustard yellow and baby blues, which contributed to the Central America theme; contrasted against hard black, which was a recurring theme right across the catwalks this season. Shiny, black, puffa-style jackets added something playful and individual to the Julian J Smith collection; creating a beautiful contrast with the summery colour palette.

P2200079Photograph courtesy of Camilla Sampson.

Beautiful dress panels that reminded me of spider’s webs were a favourite; filled with delicate holes, and combined with other colour panels. Other recurring trends from previous seasons included the statement shoulder, but here there was a softer take on the look: puff sleeves on black jackets were juxtaposed against tougher zips across the front. Some draping was seen on skirts, and there were splashes of bolder colours, such as acid green, warming up the look for AW10. Monochrome paint splatter graphics were scattered throughout, on shoulders and dress panels, whilst attention to detail was a definite strength of the collection, such as cut-out shoulders.

Julian-J-Smith-AW10-2-katie-harnett

The looks were teamed with French plaits, opaque tights, and glossy black plastic headbands with touches of grey that had something a little sci-fi about them (but were most likely the ‘Icy Scandinavia’ influence). Finally there was a subtler approach to the sheer trend, with just sleeves being presented transparently.
Julian J Smith is definitely on our list of ones to watch next season, with his talent most definitely growing from strength to strength. With recurring trends being a key focus for the collection, Julian J Smith deftly manipulated them to his advantage in a way that only an emerging design talent could.

Categories ,AW10 collection, ,Camilla Sampson, ,Central America, ,Erdem, ,Icy Scandinavia, ,Julian J Smith, ,lfw, ,onoff, ,Roland Mouret, ,teabelle

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Amelia’s Magazine | Bourgeois & Maurice Can’t Dance at Sadler’s Wells: An Interview

Cher Lloyd by Gemma Pharo
Wagner by Karina Yarv
Wagner by Karina Yarv.

Another year, viagra 60mg another X Factor out of the way. I went through a period of not watching any telly at all, more about and oh how I used to poo poo this show, patient but then, in 2009 I got sucked in. It was the only break I used to allow myself as I was creating my first book Amelia’s Anthology of Illustration – a bit of enjoyably vacuous pop culture on a plate. And it was then that I discovered the joy of X Factor watched with my twitter stream open. Trying to think of the bitchiest tweets as fast as possible has now become a something of a national sport, and I thoroughly recommend you do both at the same time once the whole bloody thing rolls around again next year.

X-Factor_Dannii Minogue wearing J'Aton Couture by Krister Selin
X-Factor_Dannii Minogue wearing J’Aton Couture by Krister Selin

As for the final outcome? I couldn’t stand Cher Lloyd’s sneery face but thought her final effort was at least IN TUNE, whilst even on the same note the One Direction cuties struggled (harmonies, what are they?)

Dee-Andrews-Cher-Lloyd-X-Factor1
Cher Lloyd by Dee Andrews.

I loved Rebecca Ferguson’s voice until it started to grate on my nerves, as did the fact that she could not move, even singing the danciest of songs. I quite enjoyed some of Matt Cardle’s songs, but he was clearly not on form during the last few weeks. All in all, as could be predicted, I’ve heard better singers at small indie gigs.

Matt Cardle by Karina Yarv
Matt Cardle by Karina Yarv

My fave live performance by Matt:
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What really grabs the audience is of course the whole spectacle – the cliched dramatisations of the contestant’s back stories, the ridiculously over the top stage effects and the outrageously expensive outfits and stupendous styling choices of the judges and contestants. Here, then, is a chance to revel in the sheer glory of the X Factor experience, as seen through illustrators’ eyes.

Abi Daker Cher Lloyd
The Lovechild of Jordan, Minnie Mouse and Jimmy Saville. Illustration by Abigail Daker.

Gareth A Hopkins Cher Lloyd
Cher Lloyd by Gareth A Hopkins.

jenny robins - amelias magazine -  x factor
Illustration by Jenny Robins.

Katie Waissel by Karina Yarv
Katie Waissel by Karina Yarv

Cher Lloyd by Antaya Lendore
Cher Lloyd by Antaya Lendore

GarethAHopkins Wagbo
Wagbo (a character from Harry Hill’s TV Burp that was supposedly the love child of Wagner and Tesco Mary) by Gareth A Hopkins

X-Factor_Rebecca Ferguson wearing Lisa Marie Fernandez by Krister Selin
X-Factor_Rebecca Ferguson wearing Lisa Marie Fernandez by Krister Selin

xfactor wagner by elliott quince
Wagner by Elliott Quince.

katie waissel and rebecca ferguson by ellie sutton
Katie Waissel and Rebecca Ferguson by Ellie Sutton

Cheryl Cole by Antaya Lendore
Cheryl Cole by Antaya Lendore.
Bourgeois-And-Maurice-Antonia-Parker-
Bourgeois & Maurice by Antonia Parker.

The lovely Bourgeois and Maurice are currently on a pre Christmas run at the Lilian Baylis Studio in Sadler’s Wells, try performing their fabulous cabaret show Can’t Dance. It’s a brilliant space to showcase their unique musical/comedic talents but far from their usual setting – so I thought it the ideal opportunity to find out more about their sharply observant political views, viagra sale amazing Julian J Smith outfits and special B&M recommendations for Christmas.
Helpful note: GB is George Bourgeois and MM is Maurice Maurice.

bourgeois & maurice by sarah alfarhan
Bourgeois & Maurice by Sarah Alfarhan.

I came to your show at Sadlers Wells last week which was somewhat different to the previous intimate performance I saw at Bistrotheque. Did it take a lot of preparation to fill that big stage? Have you met many lovely ballet types? Learnt anything? But seriously… has it forced your dancing to improve, and is the audience very different to your usual crowd?

GB: Yes audiences engage with what we do very differently in a theatre space. Somewhere like Bistrotheque allows the audience to involve themselves much more, because they are literally metres from the stage, whereas here at Sadler’s there’s a much bigger distance between us and the back row and as a result you have to find new ways to involve them. Which is why I climb through the seating and why I never pick people on the end of the row – it’s too obvious. I go for the ones who think they’re safe in the middle. There is a moment in the show when we attend a Ballet boyz rehearsal – that isn’t set up – they literally called us about 30 minutes beforehand and said ‘we’re having a class upstairs, you’re welcome to join in’. When we got there we just had to copy the other dancers and hope for the best. They were all incredibly kind to us, despite our incompetence.

MM: As Bourgeois says, it is different when people are sitting in the darkness of a theatre, they definitely feel more detached from you. So that is why he gets right in there and sits amongst them for a while. It’s polite. I tend to keep my distance though. One time I ventured in and touched someone and a mislaid party popper went off. I think it was a warning for me to Keep Back. I As for the dancing, we definitely learnt some things, and I might only be speaking for myself here, but I do think our pole dancing has improved over the course of these shows, which is nice. What with the job cuts n’ that, you never know what skills might come in useful.

bourgeois & maurice genie espinosa
Bourgeois & Maurice by Genie Espinosa.

You pulled my boyfriend out of the audience to serenade… and you clamber around amongst the audience quite a lot (well, Bourgeois does) What are you looking for when you home in on your prey? And have you ever gotten a surprising response?

GB: Sorry about that! – That’s quite alright, I think he enjoyed it! – I think we’re usually on the hunt for someone who looks like they’ll have a sense of humour and not be permanently scarred by the experience, but at the same time not someone who looks like a natural show off. We’ve already got two of those on stage. We once had a guy in the audience who stood up midway through a song and started to hurl really shit homophobic abuse at us (I mean, at least make it clever). I think he assumed we were going to be a burlesque act with our tits out, or something. Security dragged him out as he shouted threats at us, so Maurice made up a ‘Bye Bye Fuck Off’ song on the spot, which the whole audience sang to him. 

MM: Ah yes, a fond memory. He was a lovely man. He said he was going to wait for us after, but sadly we never saw him again. Love is so transient sometimes. That’s the most severe reaction we;ve had I think, although that was a saturday night at Bistrotheque, which is slightly different to the normal Sadler’s Wells crowd. People don’t tend to be so vocal in the darkness of an auditorium! Surprising actually how easily people tend to go with what you ask. I’ve tried to take this method into my everyday life more, but it’s just not as persuasive without the microphones and stage lighting.

Dee-Andrews-Bourgeois-Maurice
Illustration by Dee Andrews.

You’ve spoken about the problems that come from addressing contemporary issues in your songs… some of which then rapidly date. Which song from your past would be the most out of place now and why?

GB: Probably ‘Girls in Neon’ which was one of the first songs we wrote, way back in that heady summer of ’07, when Nu Rave was still around. It was a piss-take of that moment in music-fashion history which dated almost as quickly as the scene itself. And, in fact, we were very judgmental and wrong when we wrote ‘when the neon shades fade, will the Klaxons still sing?’ because they are, and their last album was really good. So sorry about that, Klaxons.

Bourgeois & Maurice by Kellie Black
Bourgeois & Maurice by Kellie Black.

You managed to slip in some very *now* references to the student riots when I saw you… how easy is it to keep your spiel up to date on the day? 

GB: Depends what time we wake up and how long we’ve got to read the papers! At the moment we seem to be living in a blur of major news headlines so it’s easy to find references that everyone will pick up on. it’s harder when nothing much seems to be happening, it can end up being a bit ‘oh we’ve still fucked up the middle east…so…yeah…that’s still happening and stuff…hello, you look nice’ etc etc 

MM: If we were clever enough we’d invent a complicated algorithm programme that sources, digests and ranks news stories according to relevance and public awareness, which we would download directly into our heads before each show. But we tend to just log in to Twitter. 

You manage to make biting political satire amusing – have you always been politically inclined, or is this just a fallout from living in London?

GB: We used to shy away from it a lot more than we do now. A couple of years ago we wrote a song called ‘Political Song’ which actively tried to be as apathetic as possible (which in a sense is kind of a political statement but…whatever). We’ve always been political beneath the make up but only recently did we consciously decide to start being more explicit in the show. I think there’s been a noticeable shift in public thinking recently- very Us V Them – which scares me so I guess our decision to satirise the political currents is a natural reaction to that.

How did you hook up with your Julian J Smith? Are all your outfits by him? and what is the process of creating them?

GB: Julian is the crazed visual genius behind all the outfits we’re wearing at the moment. We met him about four years ago in Boombox (RIP) a few months before B&M were born. He has the largest wardrobe of incredible clothing known to mankind so when we started performing we would sometimes borrow things and as the shows got bigger, so did the outfits. Julian’s own line is an amazing synthesis of couture and clubwear and i think that’s something he brings to B&M – he designs all the looks based on ideas we’ve had for songs and he’s been to so many of our shows he can sometimes predict our sartorial needs before we can. 

MM: We’ve also had some outfits made for us by the incredible Fanny & Jessy too, although we’re not wearing any of them in this show. Their debut collection was called We Hope You Die Soon, so we kind of felt we connected on a philosophical level.

George Bourgeois by Louise Wright
George Bourgeois by Louise Wright.

I am particularly enamoured of your pastel hair ball outfit – who had the brainwave for that one? Any side effects to wearing it? I seem to recall there were bits getting caught in your mouth that you described as pubes. Are your pubes falling out as the shows progress? Will you end up bald?

GB: That outfit is the bane of my life. I adore it but JEEESUS the upkeep is hard. It’s made from hundreds of metres of artificial weave, so I have to comb it with a weave brush and pick out of the little bits of crap it sweeps off the floor each night. And yeah the hair gets everywhere. But the outfit is so good I really can’t complain. I think Julian had the brainwave for that too – we were talking about creating an outfit that would be quite body dysmorphic and have its own life when I move around the stage. As luck would have it, the weave shop round the corner from me were doing an offer on multicoloured hair so I bought the entire stock. Oh, and I live in a constant state of fear about going bald. I look shit in hats. – Love the fact you talk about your actual hair there, rather than the outfit going bald.

YouTube Preview Image

Is it hard to switch off? What do you do to relax? How are your days filled when you are doing a run such as the one at Sadler’s Wells?

GB: I’m terrible at switching off when we have theatre runs. We both hate the process of being reviewed, and that really only ever happens during a bigger theatre run – critics rarely go outside their comfort zone – so as a result we tend to be highly strung til press night and then go ‘fuck it, let’s enjoy it’ after that. At the moment my days are filled with sleeping, reading and working on my best-selling novel, which at the moment is one paragraph long. My attention span is shot to pieces.

MM: It is really hard to switch off, and no matter what activities I partake in the day, ultimately I’m always thinking about the show in the evening. I made the terrible mistake of going into central London to do some Christmas shopping yesterday, and after about 10mins in Uniqlo I had a mental breakdown – Know the Feeling well! – and had to leave. So I try not to leave my house much in the day, I can’t really be held accountable for my actions otherwise.
 
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According to Run Riot you have ambitions to “go rock” next year, and you are also working on a musical…. can you give us any sneaky tips as to what this will be about, and who we can expect you to collaborate with on either of these projects?

GB: At the moment they’re both quite distant pipe dreams. The musical actually started as a joke when we were warming up before shows and would improvise a really cliched musical-theatre style opening sequence to a show set in a small town. Then it sort of stuck as an idea – we worked on a project for Theatre 503 in November, where we wrote a song for someone else to perform – the first time we’d done that – and it was really fun so the plan next year is to come up with some songs for other singers and take it from there. Maybe it’ll turn into a musical, maybe we’ll end up churning out jingles for local radio ads. Watch this space…

YouTube Preview Image

Since it’s Christmas time, have you got any top B&M tips for how to get through the big day? And what will you be wearing? 

GB: We’ve both got a fetching his ‘n’ hers red sequin christmas number, which I daresay will make an appearance. Top tip: if there’s any hyperactive kids around on Christmas day, slip them a tenner in return for their Ritalin supply. Your day will float by in a golden blur, and you’ll have sorted out at least one christmas present – kids just love cold, hard cash.

You can book tickets to see Bourgeois & Maurice, performing up until the 23rd December, right here.

Categories ,Antonia Parker, ,Bistrotheque, ,Boombox, ,Bourgeois & Maurice, ,Bourgeois and Maurice, ,Christmas, ,Dee Andrews, ,Fanny & Jessy, ,Genie Espinosa, ,Julian J Smith, ,Kellie Black, ,klaxons, ,Lilian Baylis Studio, ,Louise Wright, ,Nu-rave, ,Run Riot, ,Sadler’s Wells, ,Sarah Alfarhan, ,Theatre 503, ,Uniqlo

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