Amelia’s Magazine | Central Saint Martins: MA Textile Futures Graduate Show 2011 Review

Central Saint Martins textile futures graduate exhibition 2011 review-photography by Amelia Gregory
I had the most fun with augmented reality on Jenny Lee‘s stand at the Textile Futures show at Central Saint Martins.

Central Saint Martins textile futures graduate exhibition 2011 review-photography by Amelia GregoryCentral Saint Martins textile futures graduate exhibition 2011 review-photography by Amelia GregoryCentral Saint Martins textile futures graduate exhibition 2011 review-photography by Amelia Gregory
Her design philosophy is to ‘awaken the imagination, this conjure memories and invoke our emotions. Design is a tool to inspire, physician influence change, and to create a better future.’ Wowser…

Central Saint Martins textile futures graduate exhibition 2011 review-Andreea MandrescuaCentral Saint Martins textile futures graduate exhibition 2011 review-Andreea MandrescuaCentral Saint Martins textile futures graduate exhibition 2011 review-Andreea Mandrescua
I was also attracted to Andreea Mandrescu‘s use of traditional marquetry techniques within flexible materials: challenging perceptions of craft disciplines.

Central Saint Martins textile futures graduate exhibition 2011 review-Hao-Ni Tsai Central Saint Martins textile futures graduate exhibition 2011 review-Hao-Ni Tsai
Central Saint Martins textile futures graduate exhibition 2011 review-Hao-Ni Tsai
Hao-Ni Tsai used Taiwanese fibres in hybrid combinations with natural fibres from the West, giving a contemporary aesthetic to ancient craft.

Central Saint Martins textile futures graduate exhibition 2011 review-jan rose
Over in Industrial Design I liked the work of Jan Rose, who calls himself the Knitting Craftsman so it seems apt that I include him in this blog. Jan Rose knits furniture – this knitted pouf was made from stainless steel thread.

Why not check in with my review of the BA Jewellery graduate show too?

Categories ,Andreea Mandrescu, ,Augmented Reality, ,Central Saint Martins, ,craft, ,CSM, ,Fibres, ,Hao-Ni Tsai, ,Industrial Design, ,Jan Rose, ,knit, ,Knitting Craftsman, ,Marquetry, ,Pouf, ,Taiwanese, ,Textile Futures

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Amelia’s Magazine | Central Saint Martins: MA Textile Futures Graduate Show 2011 Review

Central Saint Martins textile futures graduate exhibition 2011 review-photography by Amelia Gregory
I had the most fun with augmented reality on Jenny Lee‘s stand at the Textile Futures show at Central Saint Martins.

Central Saint Martins textile futures graduate exhibition 2011 review-photography by Amelia GregoryCentral Saint Martins textile futures graduate exhibition 2011 review-photography by Amelia GregoryCentral Saint Martins textile futures graduate exhibition 2011 review-photography by Amelia Gregory
Her design philosophy is to ‘awaken the imagination, this conjure memories and invoke our emotions. Design is a tool to inspire, physician influence change, and to create a better future.’ Wowser…

Central Saint Martins textile futures graduate exhibition 2011 review-Andreea MandrescuaCentral Saint Martins textile futures graduate exhibition 2011 review-Andreea MandrescuaCentral Saint Martins textile futures graduate exhibition 2011 review-Andreea Mandrescua
I was also attracted to Andreea Mandrescu‘s use of traditional marquetry techniques within flexible materials: challenging perceptions of craft disciplines.

Central Saint Martins textile futures graduate exhibition 2011 review-Hao-Ni Tsai Central Saint Martins textile futures graduate exhibition 2011 review-Hao-Ni Tsai
Central Saint Martins textile futures graduate exhibition 2011 review-Hao-Ni Tsai
Hao-Ni Tsai used Taiwanese fibres in hybrid combinations with natural fibres from the West, giving a contemporary aesthetic to ancient craft.

Central Saint Martins textile futures graduate exhibition 2011 review-jan rose
Over in Industrial Design I liked the work of Jan Rose, who calls himself the Knitting Craftsman so it seems apt that I include him in this blog. Jan Rose knits furniture – this knitted pouf was made from stainless steel thread.

Why not check in with my review of the BA Jewellery graduate show too?

Categories ,Andreea Mandrescu, ,Augmented Reality, ,Central Saint Martins, ,craft, ,CSM, ,Fibres, ,Hao-Ni Tsai, ,Industrial Design, ,Jan Rose, ,knit, ,Knitting Craftsman, ,Marquetry, ,Pouf, ,Taiwanese, ,Textile Futures

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Amelia’s Magazine | Change Your Mind: 57 Ways To Unlock Your Creative Self – Book Review

Change your mind by Rod Judkins book review
Are you a creative person? Given the nature of my website I suspect that almost all my readers would regard themselves as creative in some way – and if not actively creating themselves, then appreciating, encouraging and inspiring the creations of others. Otherwise you wouldn’t be here, right? In fact I agree with Rod Judkins when he says that we all of us have the potential to be creative. I would go even further and say that humans are instinctively creative or we would not be where we are today, with an advanced society that generates so many amazing ideas in every area of life.

But maybe you are reading this and thinking ‘Pah, I don’t feel very creative. At least, not as creative as I’d like to be.‘ Well, fear not for help is at hand with the aid of Change Your Mind: 57 Ways To Unlock Your Creative Self from Hardie Grant, a nifty little yellow book by the aforementioned RCA fine arts graduate Rod Judkins, who lectures in creative thinking at places such as Central Saint Martins. According to Judkins self belief accounts for 90% of success, and this book is here to bolster just such a positive outlook when it comes to creative thinking.

Change Your Mind by Rod Judkins book review
I must admit when I first saw this book I thought it might just be a lot of hot air like so many others of this ilk, but it proved me wrong. Sure, it’s petite, pretty to look at and easy to digest, either by dipping in and out of for inspiration, or in just an hour or two wholesale. But it also contains plenty of great ideas backed up by handy quotes from famous people and interesting historical facts.

‘Do not see failure as a sign of defeat, but one of many stepping-stones to success.’

Some ideas are more controversial than others, for instance Judkins implores us to embrace technology – or risk being overwhelmed by it. There are probably many determinedly luddite artists who disagree with him. He also says that ‘People will support someone with a passion. They will want to help you and money will be part of that help.‘ Having run Amelia’s Magazine for nigh on ten years, during which time I’ve had no great offers of financial worth, and indeed have barely scraped together a living, I’m not sure I wholly agree with this postulation: it might give people false hope. But then again, I am a living breathing example of passion driving someone forward or I wouldn’t be writing this today: I run Amelia’s Magazine because I can’t help myself.

Change Your Mind by Rod Judkins book review amateurs
‘Don’t look for fashion in a clothes store or history in a museum. Look for fashion in a grocer and history in a funfair.’

Many of the snappily titled mini chapters undoubtedly offer good advice: creatives are urged to Live the Dream, to let their minds wander to create the stuff that our world is made of. Collaborate, innovate, don’t find excuses for why you can’t create, make sure you hang out with people who encourage you, not those who pull you down. Don’t strive to be original, when producing imitations often sparks the creation of brand new work. One of the most fascinating elements of this book are the little details such as the fact that Francis Bacon copied Picasso: you can imagine Judkins entrancing his students as he metes out these tidbits in his lectures.

‘To live creatively you have to surround yourself with things that interest you…Most creative thinkers are collectors, often of esoteric object.’

I particularly like this quote: manna to someone like me, an inveterate hoarder who has a house full of stuff that I’ve collected just in case I may need to use it in a project one day. In the next breath though, we are urged to make our workplaces streamlined… that one I could do with working on. The book ends with the comment that ‘While everyone else is thinking of reasons why a task is too difficult, impossible, the creative are thinking of reasons why it’s possible.’ So, what are you waiting for?

Change Your Mind by Rod Judkins book review creativity
If you need anymore persuasion why not pick up a copy of Change Your Mind for yourself? It’s a pleasure to read and I’m fairly sure it will get those creative juices flowing. And if you are in need of more practical help, there’s always the Startup Showcase from the School for Creative Startups: on this weekend at Somerset House. There’s a fascinating array of speakers including my mentor Patricia van den Akker of The Design Trust.

All images courtesy of Change Your Mind: 57 Ways To Unlock Your Creative Self, published by Hardie Grant.

Categories ,57 Ways To Unlock Your Creative Self, ,Central Saint Martins, ,Change Your Mind, ,Francis Bacon, ,Hardie Books, ,Live the Dream, ,Patricia van den Akker, ,picasso, ,rca, ,review, ,Rod Judkins, ,School for Creative Startups, ,Somerset House, ,Startup Showcase, ,The Design Trust

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Amelia’s Magazine | Change Your Mind: 57 Ways To Unlock Your Creative Self – Book Review

Change your mind by Rod Judkins book review
Are you a creative person? Given the nature of my website I suspect that almost all my readers would regard themselves as creative in some way – and if not actively creating themselves, then appreciating, encouraging and inspiring the creations of others. Otherwise you wouldn’t be here, right? In fact I agree with Rod Judkins when he says that we all of us have the potential to be creative. I would go even further and say that humans are instinctively creative or we would not be where we are today, with an advanced society that generates so many amazing ideas in every area of life.

But maybe you are reading this and thinking ‘Pah, I don’t feel very creative. At least, not as creative as I’d like to be.‘ Well, fear not for help is at hand with the aid of Change Your Mind: 57 Ways To Unlock Your Creative Self from Hardie Grant, a nifty little yellow book by the aforementioned RCA fine arts graduate Rod Judkins, who lectures in creative thinking at places such as Central Saint Martins. According to Judkins self belief accounts for 90% of success, and this book is here to bolster just such a positive outlook when it comes to creative thinking.

Change Your Mind by Rod Judkins book review
I must admit when I first saw this book I thought it might just be a lot of hot air like so many others of this ilk, but it proved me wrong. Sure, it’s petite, pretty to look at and easy to digest, either by dipping in and out of for inspiration, or in just an hour or two wholesale. But it also contains plenty of great ideas backed up by handy quotes from famous people and interesting historical facts.

‘Do not see failure as a sign of defeat, but one of many stepping-stones to success.’

Some ideas are more controversial than others, for instance Judkins implores us to embrace technology – or risk being overwhelmed by it. There are probably many determinedly luddite artists who disagree with him. He also says that ‘People will support someone with a passion. They will want to help you and money will be part of that help.‘ Having run Amelia’s Magazine for nigh on ten years, during which time I’ve had no great offers of financial worth, and indeed have barely scraped together a living, I’m not sure I wholly agree with this postulation: it might give people false hope. But then again, I am a living breathing example of passion driving someone forward or I wouldn’t be writing this today: I run Amelia’s Magazine because I can’t help myself.

Change Your Mind by Rod Judkins book review amateurs
‘Don’t look for fashion in a clothes store or history in a museum. Look for fashion in a grocer and history in a funfair.’

Many of the snappily titled mini chapters undoubtedly offer good advice: creatives are urged to Live the Dream, to let their minds wander to create the stuff that our world is made of. Collaborate, innovate, don’t find excuses for why you can’t create, make sure you hang out with people who encourage you, not those who pull you down. Don’t strive to be original, when producing imitations often sparks the creation of brand new work. One of the most fascinating elements of this book are the little details such as the fact that Francis Bacon copied Picasso: you can imagine Judkins entrancing his students as he metes out these tidbits in his lectures.

‘To live creatively you have to surround yourself with things that interest you…Most creative thinkers are collectors, often of esoteric object.’

I particularly like this quote: manna to someone like me, an inveterate hoarder who has a house full of stuff that I’ve collected just in case I may need to use it in a project one day. In the next breath though, we are urged to make our workplaces streamlined… that one I could do with working on. The book ends with the comment that ‘While everyone else is thinking of reasons why a task is too difficult, impossible, the creative are thinking of reasons why it’s possible.’ So, what are you waiting for?

Change Your Mind by Rod Judkins book review creativity
If you need anymore persuasion why not pick up a copy of Change Your Mind for yourself? It’s a pleasure to read and I’m fairly sure it will get those creative juices flowing. And if you are in need of more practical help, there’s always the Startup Showcase from the School for Creative Startups: on this weekend at Somerset House. There’s a fascinating array of speakers including my mentor Patricia van den Akker of The Design Trust.

All images courtesy of Change Your Mind: 57 Ways To Unlock Your Creative Self, published by Hardie Grant.

Categories ,57 Ways To Unlock Your Creative Self, ,Central Saint Martins, ,Change Your Mind, ,Francis Bacon, ,Hardie Books, ,Live the Dream, ,Patricia van den Akker, ,picasso, ,rca, ,review, ,Rod Judkins, ,School for Creative Startups, ,Somerset House, ,Startup Showcase, ,The Design Trust

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Amelia’s Magazine | An interview with Cat of Howkapow!


Illustration by Gareth A Hopkins

Amelia met a whole load of creatives during her recent ACOFI book tour – illustrators, web designers and makers. It was at Soma in Bristol that she met Cat and Rog from Howkapow – a wonderful website selling allsorts of wonderful items made by new designers all under one metaphorical roof.

Howkapow began only eight months ago but already features over 50 unique designers selling their wares – from brooches to lamps, drug you’ll find an array of interesting and vibrant objects here. I managed to have a chit-chat with Cat about their company, young creatives and self promotion. Here goes:


Cat and Rog of Howkapow, illustrated by Natsuki Otani

Oh hai Cat, how are you?
Ooo in spirits I’m feeling dandy actually Matt, thanks for asking! In body I’m suffering a little – just back from the hospital after an X-ray on my knee… fell off me bike! Wine + cycling = Cat in ditch.

Oh gawd! Well, tell us a bit about Howkapow – when did it start and why?
We opened in December 2010, after we moved from London back to Bristol where Rog (my husband and business partner) and I met at university almost, err, 10 years ago. I had just finished my MA at Saint Martins and we wanted to work together on something that supported creative people and built a community. We had peddled my jewellery at markets in Melbourne and Brick Lane and had met many wonderful people who made beautiful things. But a lot of them either didn’t have a website or any means of self-promotion (like an agency) and so Howkapow was born… 

Oh! Howkapow’s an interesting name… where’s it from?
Ah! We merged our second name – ‘How’ – with the fact that all our products are bright, loud and in-yer-face, so… ‘kapow‘! 

So do you and Rog split the work equally? How is it – y’know – working with your husband?
It’s bloomin’ brilliant! Nice coffee breaks, decadent lunches and business meetings in the garden, arguments over how to load the printer paper… No, in all seriousness although it was a bit strange at first as we’d only worked for other people before (Rog for the BBC and I was a journo before Saint Martins).
It works really well because we have well defined roles. I split my time between designing and acting as creative director so have (somewhat) complete control over the look of the site as well as stock purchases and sourcing new people. I always ask Rog what he thinks about a certain product but ultimately I RULE! He deals with all the accounts, legal tings, backend web development, site maintenance… y’know the really fun stuff. 


Illustration by Claire Kearns

How do you select the designers that you feature and support?
There are around 50 designers and illustrators on the site at any given time, and we’ve been releasing a new designer a week since we opened. Honestly we could release many, many more! But our criteria for choosing them is simple. They have to be a new and / or an independent designer or illustrator and their work has to fit at least two (although ideally all) of our brand values of quality, colour, humour and fun. 


Home products available on Howkapow (images courtesy of Howkapow, products selected by Matt Bramford)

How do you think young creatives can stand out in such a saturated environment? Everybody’s at it these days…
Very true! I think it’s a combination of a) doing something original b) doing something useful and ultimately commercial and c) being good at self promotion. Ideally young creatives need to know the market that they are going into. Whether this be design or illustration, you can have a great idea but if it’s not transferrable into a commercial product then it falters. Gosh that sounds a bit cold doesn’t it? But that’s how I choose new designers and illustrators at graduate shows. I was shocked by how many graduating product designers this year had no idea what their wholesale or retail price was for the work they were showcasing…

The flipside of it is, and this is a huge generalisation, but being very creative and original means you’re – more often than not – not massively great at self promotion or PR.


Illustration by Gabriel Ayala

That’s probably why you’re offering The Agency service – tell us a bit about that…?
Yes, the agency. It’s still in it’s infancy (the shop itself is only 8 months old) so we’re currently building up our base of creatives. Instead of it being based on static image-based portfolios, we want to develop it more as a ‘product’ agency where we manufacture a range of products from creatives. There’s the commercial / useful thing again… We can then use these products as a showcase for our illustrators / designers alongside their other work. It means they can be approached by shops as well as ad agencies or whatnot. 

What do you offer young designers that they don’t get from websites like Etsy where they flog their own stuff?
Well, the main thing is we hand-pick all our designers to match our brand values so people know exactly what sort of work to expect from our store. As opposed to a web resource which is open-to-all, we ‘curate’ our shop with exactly what we want which enables us to have a really strong brand and identity. We employ a PR company to help promote the shop and our designers; and we’ve also started to collaborate with some of our illustrators on products to then sell on the shop (and to wholesale to other shops). When the agency emerges it’ll be there to help promote our designers even further. 


Illustration by Sandra Contreras

Tell us a bit about some of your favourite products or designers… if you’re allowed, that is:
Oooo! Well obviously we LOVE it all (otherwise it wouldn’t be on the shop), but we’ve always greatly admired the work of Scottish illustrator Eleanor Meredith. We’ve recently designed a Tea Tiger and Coffee Chimp mug and a Gin Slug Tea Towel with her. 


Illustration by Jenny Robins

What role do you think tools like social media plays in the way we promote ourselves?
HUGE! Never underestimate the power of social media. Twitter, Facebook and Pinterest (recommended to us by Amelia when we went to a talk of hers recently and to which we are now totally addicted) are one of the main ways I find new designers and illustrators. You’ve got to be in it AND on it to win it.

There’s a million different websites for creative people these days. It’s exhausting. What are you favourites and why? Are there any you’d advise against or avoid? MySpace is awful, isn’t it?
Hmmm, yes I have to say Myspace is a bit of a dead duck, isn’t it? We’re literally never on there. It’s true – there are lots of different websites, and actually being on too many can dilute the perceived brand values of your label / work. If I see someone on lots of different open-to-all sites, as a buyer it actually puts me off. Choosing your outlets carefully can really help your brand. Again it’s about knowing your market and where you think your work would suit. There are one or two sites we would advise against, but we’re all about the non-negative vibes here at Howkapow, maaaaan.  

What else is on the Howkapow agenda? Do you have sights on a real shop?
Yes indeed! We’re planning to open up a shop in Bath (20 mins down the road from Bristol) early next year. In the meantime we’re working on more collaborations with illustrators on our own Howkapow range. We’ve started to build our selection of jewellery, mugs and tea towels but want to look into other products like trays, ipad / iphone cases, ceramics, cushions and even deck chairs! 


Howkapow jewellery and gifts; pictures courtesy of Howkapow, products selected by Matt Bramford)

What else do you and Rog like to do when you’re not Howkapow-ing? (Keep it clean, purlease)
Drinking fine wine! And sharing it with friends, obviously. We’re really into our food so growing our own veg on the allotment and brewing our own selection of (questionable) booze is always high on our agenda. Oh, and cycling on our tandem… although given the state of my knee, maybe not for a while now.


Rog and Cat at Amelia’s book tour at Soma in Bristol; photograph by Amelia Gregory.

Categories ,ACOFI, ,Amelia, ,Bath, ,bristol, ,Central Saint Martins, ,Claire Kearns, ,designers, ,Eleanor Meredith, ,Facebook, ,Gabriel Ayala, ,Gareth A Hokpins, ,Howkapow, ,illustrators, ,Jenny Robins, ,Matt Bramford, ,Pinterest, ,Rog & Cat How, ,Sandra Contreras, ,shop, ,Social Media, ,Soma, ,twitter

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Amelia’s Magazine | An interview with Ignacia Ruiz: Amelia’s Colourful Colouring Companion featured artist.

Ignacia Ruiz
Ignacia Ruiz was born near the Andes but has chosen London as her home. Since graduation from her degree she’s had a packed schedule, featuring in numerous exhibitions but happily finding time to produce some artwork for Amelia’s Colourful Colouring Companion too.

ignacia Ruiz Portrait
What has prompted your lifelong obsession with greenhouses and plants in general?
I think it started with the very first place I lived in. There was a small greenhouse in the centre of the house and I can remember being about 4 years old and going in to water plants with my mum. It always seemed like the most magical place! I think that has remained my impression ever since. Being from the city and surrounded mostly by buildings has made me see plants and greenery as a precious thing.

Ignacia Ruiz
Ignacia Ruiz
You love to sketch on location – how did you set about capturing the hothouse atmosphere of the greenhouse?
For me it was getting the mix of the delicate architecture of the steel frame and glass against the organic structural shapes of the plants themselves. The tropical heat of the greenhouse hopefully comes across on the vivid colours of the plants in the drawings!

Ignacia Ruiz
What was the best bit about growing up in Santiago de Chile?
Weirdly enough I think it was probably the topography of it. You can drive from the city to the seaside in an hour to have a swim and later drive up the snowy mountains all in the same day. The variety of landscapes is lovely. My favourite thing in Santiago is seeing the Andes mountains at sunset. The snow turns red and orange and you can see the beauty of them in stark contrast with the glass and steel of the buildings.

Ignacia Ruiz
Why did you pick London for your study?
Initially I was only coming to London for maybe a year, but a lot happened in that time and I felt like it was the right place for me. I then applied to do the Graphic Design and Illustration BA at Central Saint Martins and got offered a place. That’s when I decided I wanted to stay here and try to develop my career. It’s been going well ever since!

Ignacia Ruiz
How do you translate your location sketches into finished works of art and what is the process?
My sketches are usually very fast and loose, so I like to have finished work that retains some of that quality. I have found that with print methods like linocut and woodcut I can emulate the drawing pen with the chisel. I guess it’s the same idea, just a different tool. I love playing with negative space and the bold flat colour you get with relief printing. I also like the imperfections of the print that relate to the initial rough sketch. I’m not a perfectionist printmaker at all!

Ignacia Ruiz
I believe you’ve just completed a residency in Italy – can you tell us more about this?
Yes, I was very lucky to have been asked by the print studio Opificio della Rosa to come and work in an artist book. I decided to make a reportage project of the area the studio is located in, the Conca Valley. I travelled around with my sketchbook documenting the people and places I encountered. Later I returned to the studio to turn the drawings into woodcuts. It is an ongoing project that will be finished and published in 2016.

Ignacia Ruiz
How did you get the commission to illustrate a Penguin book and what was the process of producing your final artwork?
One of Penguin‘s art editors came to our second year illustration exhibition and liked some of the work I was exhibiting. We kept in touch until finally she said she had a project that would suit my work. It was a book about the planning and logistics of the Crusades. I was so excited, especially since all the research consisted in looking at beautiful period illuminations and films depicting the Crusades. The artwork went through several roughs before it was approved by Penguin and was finally rendered in a woodcut style with thick black outline and very little colour.

Ignacia Ruiz
Can you tell us more about the recent exhibitions you have taken part in?
There has been a few this year apart from my degree show. I had a piece in the AOI’s Places and Spaces exhibition at the London Transport Museum, I did a cover for Alice in Wonderland which was featured at the YCN Student Awards at the Barbican Centre, I had a project about depicting boxers training in a gym in Islington featured in the Reportager Award at the UWE in Bristol and my City linocuts series appeared at the Cheltenham Illustration Awards. It’s been a busy year!

Ignacia Ruiz
What next, will you stay in London and if so why?
I have some commissions and teaching jobs on at the moment so London feels like the right place to be. We shall see what the future brings!

You will be able to own your very own copy of Amelia’s Colourful Colouring Companion featuring the work of Ignacia and many others… just make sure you grab your book once my Kickstarter campaign launches in a few weeks time.

Categories ,#ameliasccc, ,Adult Coloring Book, ,Adult Colouring Book, ,Amelia’s Colourful Colouring Companion, ,AOI, ,Central Saint Martins, ,Cheltenham Illustration Awards, ,Coloring, ,Colouring, ,Conca Valley, ,Crusades, ,Ignacia Ruiz, ,illustation, ,Kickstarter, ,linocut, ,London Transport Museum, ,Opificio della Rosa, ,Penguin, ,Places and Spaces, ,Reportager Award, ,Santiago de Chile, ,woodcut, ,YCN Student Awards

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Amelia’s Magazine | Affordable Art Fair Hampstead 2014 Review

Affordable Art Fair Hampstead 2014-David Shillinglaw 1

Last Friday my good friend Helen of East End Prints persuaded me to join her in a trip to the Affordable Art Fair in Hampstead, taking advantage of our lovely new overground line to drag the toddlers with us. As is usual at these large fairs, there was loads of wonderful art alongside plenty of dross: here is a tiny snapshot of what I saw and loved whilst trying to keep track of my child.

Affordable Art Fair Hampstead 2014-Hyunjeong Lim
Hyunjeong Lim, Made in Arts London

In the entrance we were entranced by art from University of London graduate students, shown as part of the Made in Arts London initiative. My favourite was a series of surreal landscapes by Central Saint Martins graduate Hyunjeong Lim.

Rebecca Rendell AAF Hampstead

I also liked enigmatic miniature sculpture using everyday household items by Rebecca Rendell: she calls these ‘autobiographical cleansing‘.

Carola Del Mese upcycled teapot - Affordable Art Fair Hampstead

From there it was into the main part of the exhibition, chasing small boys up and down the aisles, to the chagrin of some and amusement of many. This upcycled pewter teapot is by Carola del Mese, who gains inspiration from her career in theatrical prop making and a love of Edwardian charm jewellery.

David Shillinglaw - Affordable Art Fair Hampstead

David Shillinglaw’s iconographic artwork is instantly recognisable. I particularly love his use of colour.

Affordable Art Fair Hampstead 2014-Shuby

The trend for bastardising old works of art shows no sign of abating. How about this humorous portrait by Shuby?

Gods Own Junkyard - Affordable Art Fair Hampstead

Neon artwork by God’s Own Junkyard manages to be both kitsch and sophisticated, combining garish lighting with elegant typography.

Affordable Art Fair Hampstead 2014-Gerry Smith

I was most enamoured of clever photorealist paintings by Gerry Smith at the Sol Art Gallery.

Lauri Hopkins collage AAF

Lauri Hopkins at Four Walls Contemporary reassembles found materials with paint in these lovely abstract collages.

Frances Doherty - Affordable Art Fair Hampstead

This gigantic Bishops Pom Pom is by former restauranteur Frances Doherty, who calls herself ‘the ceramic gardener’ and works between Normandy and Brighton. She has a lovely blog here.

Affordable Art Fair Hampstead 2014

And yes, that is our children, lolling around on the floor dangerously close to expensive pieces of art. The upholstered dogs are by Dominic Gubb and take on the various characters of the salvaged sofas from which they are made.

Myung Nam An - Affordable Art Fair Hampstead

Eye ceramics by Myung Nam An made for a stunning wall show at the Cube Gallery.

Affordable Art Fair Hampstead 2014-Reindeer Ourensma

Downpatrick Head by the Dutch artist Reinder Ourensma has the bizarre feel of a fantasy world but it is an actual location in Ireland.

Neon circular paper artwork by Eliza Kopec

There was a strong neon trend running through the show and I particularly liked this circular paper artwork by Eliza Kopec.

Affordable Art Fair Hampstead 2014-Victoria Browne 2
Affordable Art Fair Hampstead 2014-Victoria Browne 1

I first saw these prints by Victoria Browne at an exhibition in Margate and instantly fell in love. Her Training Nature series highlight our attempts to improve nature through constant pruning and shaping. This gave me a second opportunity to lust after one… but they sadly do not come cheap.

Ice cream art by Marie Robinson

Ice cream art by Marie Robinson was perfectly kitsch and delicious on the Will’s Art Warehouse stand.

affordable_art_fair_Cristina Gayarre

Simple graphic portraits by Cristina Gayarre work well in bold red and black.

Affordable Art Fair Hampstead 2014-Richard Bawden

I can’t resist a more traditional print by Richard Bawden.

Jemma Appleby AAF Hampstead

I am a sucker for strange landscapes, especially if they feature curious modern architecture, like these delicate charcoal pieces by Jemma Appleby.

Helen Beard ceramics

Lastly, lovely ceramics by Helen Beard (based at Cockpit Arts) feature whimsical swimmers on delicate porcelain.

Categories ,2014, ,Affordable Art Fair, ,Bishops Pom Pom, ,Carola del Mese, ,Central Saint Martins, ,Cockpit Arts, ,Cristina Gayarre, ,Cube Gallery, ,David Shillinglaw, ,Dominic Gubb, ,Downpatrick Head, ,East End Prints, ,Eliza Kopec, ,Four Walls Contemporary, ,Frances Doherty, ,Gerry Smith, ,God’s Own Junkyard, ,Hampstead, ,Helen Beard, ,Hyunjeong Lim, ,Jemma Appleby, ,Lauri Hopkins, ,Made in Arts London, ,Marie Robinson, ,Myung Nam An, ,Neon, ,Rebecca Rendell, ,Reinder Ourensma, ,review, ,Richard Bawden, ,Shuby, ,Snarfle, ,Sol Art Gallery, ,The ceramic gardener, ,Training Nature, ,University of London, ,Victoria Browne, ,Will’s Art Warehouse

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