Amelia’s Magazine | An interview with Feronia Parker-Thomas: Amelia’s Colourful Colouring Companion featured artist.

feronia parker thomas
Feronia Parker-Thomas is yet another graduate of Camberwell College of Arts. She is now qualified as a teacher herself, signed to The Bright Agency and has just produced the illustrations for her first children’s book How the Crayons Saved the Rainbow. Her fab piece for Amelia’s Colourful Colouring Companion features one of her favourite animals…

feronia parker thomas
feronia parker thomas
Would it be fair to say that you liked bears? What is it about them that appeals so much?
Yes, I am incredibly in love with them! I have done since a young age but have never really thought about why I find them appealing. Thinking about it now, there are two reasons that jump out at me. Firstly, they are lovely to draw, their fur is a fun texture to render and their shape is full of beautiful curves. Secondly, I think humans have always been fascinated with bears; there are examples of bears in prehistoric cave paintings and there are lots of bears in myths and legends. They have quite human features and I think we project whatever we are feeling on to them.

feronia parker thomas
How did you settle on your idea for my colouring book?
I love picture books and this is the area of illustration I am drawn to and mainly working in, so I wanted to do a narrative piece about a girl and her ‘imaginary’ bear. I was thinking about my sister and I when we were children sitting under tables creating imaginary worlds. I liked the idea that the girl was collecting food for her bear and then we get to see the big feast that ensues.

feronia parker thomas
What is your preferred method of producing an illustration?
I draw out a loose sketch of what the illustration will look like and then flesh it out in pencil, I then use my lightbox and the original as a template. I will usually do a watercolour base and then add pencil over the top for detail. I have dabbled in digital colouring recently but I am still not sure; I like the flexibility that digital can give you, but something doesn’t feel quite right for me. There are some amazing digital illustrators out there doing a much better job that I can! I work in the flat I share with my boyfriend in Streatham, and we have lots of books and plants and artwork on the walls; it is a lovely space with lots of light.

feronia parker thomas
Since graduating from Camberwell College of Arts in 2010 what have you learnt about the business of being an illustrator?
It is a rollercoaster; it has highs and lows. A high has been signing to The Bright Agency, they are going through quite an exciting time at the moment so it is great to be a part of it. I have learnt you have to put yourself out there; your work can’t be found if you are hiding it! If I was to give one piece of advice it would be to join Twitter and Instagram and share your work, get your work seen by anyone. There is a great community of illustrators on Twitter that support each other, it is lovely to be a part of.

feronia parker thomas
Why do you enjoy teaching so much and how do you balance being a teacher with being a working artist?
I love teaching because it forces you to look at art in different ways. It sounds incredibly cheesy but I love seeing the new generation of artists develop (insert puke noise here). The arts in schools are under threat and I think it is important to try and show young people that art can have so many different applications in life, I really enjoy winning round unwilling kids. It has been hard at times to balance the two, especially when you might have a tight deadline, but I love illustrating, so when you love doing something it isn’t hard to motivate yourself.

feronia parker thomas
Can you tell us more about your first picture book? it sounds great!
How the Crayons Saved the Rainbow is about an argument between the Sun and the Clouds. Without them working together there are no rainbows, so some very determined crayons work together to try and fix the problem; it is a great story about team work. The book was really fun to do and took me out of my comfort zone a little because they wanted the illustrations in crayon, which isn’t my usual medium. I had a great working relationship with the author and editor; so it was a really positive experience for my first book.

feronia parker thomas
How is development of your own ideas for a children’s book coming along?
Slowly but surely! I am trying to develop characters for several different ideas at the moment, it is nice to have the freedom to flit backwards and forwards and have space and time to develop. I am huge fan of David Roberts‘ illustrations for Rosie Revere, Engineer and Iggy Peck, Architect. They are wonderfully detailed illustrations, I seem to be drawn to illustrators who use lots of detail. I love Carson Ellis‘ work and Janet Ahlberg‘s illustrations were a favourite of mine as a child. I loved Peepo and The Baby’s Catalogue; I could still look at the Jolly Postman for hours.

feronia parker thomas-highgate
I love your drawings from Highgate Cemetery – what prompted this personal work?
The Transport Museum’s ‘Places and Spaces‘ theme for last year’s Prize for Illustration my starting point for these images. I didn’t end up submitting an illustration in the end but it was great to work to a brief. I am fascinated with cemeteries; I went to Paris last year and spent a large proportion of my time looking around different cemeteries there. In many ways it is an unfinished project, I thought I might do illustrated maps for ‘The Magnificent Seven‘ cemeteries in London but never got round to it; watch this space!

feronia parker thomas-pirate
Who are the Pirate Kids?
The Pirate Kids were two characters I created about a year ago as a portfolio piece. I feel a bit guilty that I haven’t developed them more, at the moment they are frozen in time!

feronia parker thomas
feronia parker thomas
What else do you love to draw and why?
I really enjoy drawing people, I get an intense satisfaction when I do a portrait and it actually looks like the person I have drawn. Last year I did a series of portraits of women I consider to be icons, feminism is an important cause to me and I wanted to celebrate them.

feronia parker thomas
Amelia’s Colourful Colouring Companion will be available to preorder on Kickstarter VERY SOON, so watch this space!

Categories ,#ameliasccc, ,Adult Coloring Book, ,Adult Colouring Book, ,Amelia’s Colourful Colouring Companion, ,bears, ,Camberwell College of Arts, ,Carson Ellis, ,Coloring, ,Colouring, ,David Roberts, ,Feronia Parker Thomas, ,How the Crayons Saved the Rainbow, ,illustration, ,interview, ,Janet Ahlberg, ,Mindful colouring, ,Pirate Kids, ,Places and Spaces, ,The Bright Agency

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Amelia’s Magazine | An interview with Ignacia Ruiz: Amelia’s Colourful Colouring Companion featured artist.

Ignacia Ruiz
Ignacia Ruiz was born near the Andes but has chosen London as her home. Since graduation from her degree she’s had a packed schedule, featuring in numerous exhibitions but happily finding time to produce some artwork for Amelia’s Colourful Colouring Companion too.

ignacia Ruiz Portrait
What has prompted your lifelong obsession with greenhouses and plants in general?
I think it started with the very first place I lived in. There was a small greenhouse in the centre of the house and I can remember being about 4 years old and going in to water plants with my mum. It always seemed like the most magical place! I think that has remained my impression ever since. Being from the city and surrounded mostly by buildings has made me see plants and greenery as a precious thing.

Ignacia Ruiz
Ignacia Ruiz
You love to sketch on location – how did you set about capturing the hothouse atmosphere of the greenhouse?
For me it was getting the mix of the delicate architecture of the steel frame and glass against the organic structural shapes of the plants themselves. The tropical heat of the greenhouse hopefully comes across on the vivid colours of the plants in the drawings!

Ignacia Ruiz
What was the best bit about growing up in Santiago de Chile?
Weirdly enough I think it was probably the topography of it. You can drive from the city to the seaside in an hour to have a swim and later drive up the snowy mountains all in the same day. The variety of landscapes is lovely. My favourite thing in Santiago is seeing the Andes mountains at sunset. The snow turns red and orange and you can see the beauty of them in stark contrast with the glass and steel of the buildings.

Ignacia Ruiz
Why did you pick London for your study?
Initially I was only coming to London for maybe a year, but a lot happened in that time and I felt like it was the right place for me. I then applied to do the Graphic Design and Illustration BA at Central Saint Martins and got offered a place. That’s when I decided I wanted to stay here and try to develop my career. It’s been going well ever since!

Ignacia Ruiz
How do you translate your location sketches into finished works of art and what is the process?
My sketches are usually very fast and loose, so I like to have finished work that retains some of that quality. I have found that with print methods like linocut and woodcut I can emulate the drawing pen with the chisel. I guess it’s the same idea, just a different tool. I love playing with negative space and the bold flat colour you get with relief printing. I also like the imperfections of the print that relate to the initial rough sketch. I’m not a perfectionist printmaker at all!

Ignacia Ruiz
I believe you’ve just completed a residency in Italy – can you tell us more about this?
Yes, I was very lucky to have been asked by the print studio Opificio della Rosa to come and work in an artist book. I decided to make a reportage project of the area the studio is located in, the Conca Valley. I travelled around with my sketchbook documenting the people and places I encountered. Later I returned to the studio to turn the drawings into woodcuts. It is an ongoing project that will be finished and published in 2016.

Ignacia Ruiz
How did you get the commission to illustrate a Penguin book and what was the process of producing your final artwork?
One of Penguin‘s art editors came to our second year illustration exhibition and liked some of the work I was exhibiting. We kept in touch until finally she said she had a project that would suit my work. It was a book about the planning and logistics of the Crusades. I was so excited, especially since all the research consisted in looking at beautiful period illuminations and films depicting the Crusades. The artwork went through several roughs before it was approved by Penguin and was finally rendered in a woodcut style with thick black outline and very little colour.

Ignacia Ruiz
Can you tell us more about the recent exhibitions you have taken part in?
There has been a few this year apart from my degree show. I had a piece in the AOI’s Places and Spaces exhibition at the London Transport Museum, I did a cover for Alice in Wonderland which was featured at the YCN Student Awards at the Barbican Centre, I had a project about depicting boxers training in a gym in Islington featured in the Reportager Award at the UWE in Bristol and my City linocuts series appeared at the Cheltenham Illustration Awards. It’s been a busy year!

Ignacia Ruiz
What next, will you stay in London and if so why?
I have some commissions and teaching jobs on at the moment so London feels like the right place to be. We shall see what the future brings!

You will be able to own your very own copy of Amelia’s Colourful Colouring Companion featuring the work of Ignacia and many others… just make sure you grab your book once my Kickstarter campaign launches in a few weeks time.

Categories ,#ameliasccc, ,Adult Coloring Book, ,Adult Colouring Book, ,Amelia’s Colourful Colouring Companion, ,AOI, ,Central Saint Martins, ,Cheltenham Illustration Awards, ,Coloring, ,Colouring, ,Conca Valley, ,Crusades, ,Ignacia Ruiz, ,illustation, ,Kickstarter, ,linocut, ,London Transport Museum, ,Opificio della Rosa, ,Penguin, ,Places and Spaces, ,Reportager Award, ,Santiago de Chile, ,woodcut, ,YCN Student Awards

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