Amelia’s Magazine | Voting Reform: An interview with Amisha Ghadiali

Yes to Fairer Votes Vice-Chair Amisha Ghadiali wearing Ada Zanditon. Illustration by Sam Parr

On May 5th 2011, this the United Kingdom will be asked – in the first referendum since 1975 – to vote on the following question:

At present, price the UK uses the ‘first past the post’ system to elect MPs to the House of Commons. Should the ‘alternative vote’ system be used instead?

The referendum on the Alternative Vote is the first time in our lifetimes that the citizens of the UK have been able to have a say in how we elect MP’s to the House of Commons.

Currently, viagra 100mg this historical moment to discuss voting reform – amongst a broader analysis on the current state of Britain’s democracy – is being lost amidst (speculated) Coalition tensions and fear mongering on the cost of moving from FPTP to AV. Whilst to some, AV may be “a miserable little compromise” that fails to push voting reform far enough, by voting Yes! on the 5th May we, the citizens of the UK, can register our disquiet with the current system (FPTP) and enable the discussion on voting reform to stay at the forefront of the political agenda.

To find out more about what the Alternative Vote is compared to the current system of “First Past The Post” Amelia’s Magazine interviewed one of the Yes Campaign’s Vice-Chair’s: Jewellery Designer, Ethical Fashion Campaigner and Founder of Think Act VoteAmisha Ghadiali.

Photography by Anna Gordon

What is a referendum?

A referendum is when we are asked to vote, not in an election, but on a single issue. Many of us would like to see more of these on a variety of issues. However they are not that common, the last UK-wide referendum was in 1975 asking the question “Do you think the UK should stay in the European Community (Common Market)?”

What is the Alternative Vote?

The Alternative Vote is a voting system, it means that instead of putting one X on our ballot paper, we rank our candidates in order of preference. You can rank all the candidates, or just one, it’s totally up to you. What this means is that if there are three candidates that you would be happy to represent you, you can communicate this. Or if your first choice is a smaller party, that under the current system would have little chance to getting in, you can vote for them, but also somebody from one of the main parties, without having to vote tactically.

 The person who wins the seats needs to have the majority of the vote, so what they do is count the votes. If nobody has 50% of the vote, they eliminate the candidate that comes last, and add their second preferences to the remaining candidates. This repeats until somebody has over 50% of the vote. It means that no votes are wasted.

What are the benefits to AV compared to FPTP?

The current system FPTP means that who ever gets the most votes wins. This sounds fair but what it means in reality is that 2 out of 3 MPs in our parliament have less then 50% of the vote. This means that most of us are represented by people most of us voted against.

The Alternative Vote will mean that MPs will have to be voted for by the majority in their constituency, and so will have to work harder to make sure that they are listening to all of their constituents and representing all of their views, rather then pandering to their core voter support which many of them do.

How are the ‘winners’ in FPTP Elections often opposed to by the majority of voters?

Because the candidate who gets the most votes wins, it doesn’t matter how much of the vote they got. For example some have as little as 32% of the vote in their constituency, meaning that over two thirds of their consistency didn’t vote for them.

Why are you voting Yes to AV?

I think that the Alternative Vote will make our democracy more honest, make all of our votes count, make our MPs have to work harder to gain wider support in their constituencies, make our MPs more accountable to us and make our experience of voting simpler. We will still have our one local MP, but will have more of a say on who that is.

The way that we vote is how we take part in our democracy, and so having more of a say in this part of the process is vital to making ours a fairer politics.

I believe that voting yes in this referendum is the most important vote that we have ever been asked to cast.


AV – A Historical Perspective

Why do you believe this is the most important vote we have ever been asked to cast?

I have taken part in two general elections where I know that my vote didn’t make any difference to the result. Although voting in both general and local elections is an important part of our citizenship, this is us voting on the future of our democracy. It’s the first referendum that I have ever taken part in. It’s not about party politics and politicians but about how we take part in politics and have our views represented. What could be more important than that? After all they do work for us.

What is your role within the Yes campaign?

I am a Vice-Chair of the campaign. When I thought about it over Christmas, I realised how passionately I felt about this referendum, and contacted the campaign asking if I could help. They invited me to be a Vice-Chair along with other supporters including Eddie Izzard, Martin Bell and Greg Dyke. It means that we campaign and speak out about the issues to the media and at events, and as I have discovered in the pub too!

Yes to AV illustration by Mike Harman

 What are your thoughts on how both the Yes to AV and No to AV campaigns have been run?

To be honest, I have found the whole debate in the media really depressing. The focal point often is about how it is going to affect the politicians, but this is not about them, it’s about us and our experience voting. It’s about our future, not about the present.

Of course, I am a supporter of the Yes Campaign, but feel that I would have been deeply disappointed in the No Campaign tactics even if I supported FPTP. Their campaign messages are built on actual lies, and I can’t believe that people are spending millions of pounds spreading lies, rather then on creating an honest open debate about the two systems. There has been so much ‘mud slinging’ which I find shocking, because I thought our politics was better than that.

Their three arguments are that it is expensive, it will give extremist parties (ie the BNP) more power and that it is too complicated for us to understand. None of these things are actually true. They have said it will cost £250 million which is the cost of the referendum whatever the result and the cost of counting machines that we are not getting. They have said that it will encourage the BNP, when the BNP are supporting a No vote, as they know the current system works better for them. And the idea that it is too complicated is frankly insulting. We can all count to three!

The Yes campaign has had to respond to a lot of the allegations that have been made, using time when we would have preferred to talk about relevant issues. I am really enjoying the energy of the Yes campaign, it has brought together a group of passionate, committed people from a variety of backgrounds. The local groups that have been running phone banks and doing local actions are really energetic and inspiring. 

Photography by Anna Gordon

 Why do you think the Conservatives, headed by David Cameron are campaigning against AV, though Cameron himself won the party leadership through AV?

It’s baffling isn’t it. I find it shocking that he is saying that AV is a bad system when it gave him his job. If the Conservative Party leadership deserves AV, then so should we. It is a system that is used a lot in Westminster, not just for leadership contests but also other votes such as how MPs join select committees. I think it is because this change breaks down the tribalism of the Conservatives vs Labour Party, which has served the conservative party well. I thought Cameron was more progressive, but seeing him campaign on this, my personal view is that Cameron doesn’t actually want us to have more say, he is happy with the system as it is, as it works for him.

Will AV tackle the culture of tactical voting and ‘safe seats’? Thus uprooting the current system of members of parliament being parachuted intp safe constituencies?

Yes it will. There is a website called Voter Power, where you can find out what your vote is worth with AV compared to FPTP. From their analysis AV will reduce the number of very safe seats by 60, and increase the number of very marginal seats by 44. So this will make a big difference.

Safe seats are definitely a problem in our current system, as is the fact that political parties openly target the marginal seats only. In the last election the votes of only 1.6% of the electorate in 111 of these marginal seats decided the result. This is something that we have to change.

There will be no need for tactical voting. You can vote with your real preferences, and don’t have to think about voting ‘against’ people.

Why do you think the number of people who vote at each General Election is falling? What needs to change within our political system that will encourage people to use their vote?

I think that there are many reasons why voting turnout is falling, a lack of trust in politicians, declining numbers of political party membership, the number of safe seats held by MPs, feeling that votes don’t count, as just a few. I think that people need to feel more connected to politics, and feel that their voice is really heard through voting. I think the Alternative Vote will help solve these issues. It will not solve all the ills of politics in this country, but it is a small change we can and should make for the better.

Photography by Anna Gordon

In the media there have been mutterings on both the reduction of the number of MP’s and the redrawing of constituency boundaries, what effect will this decision have on politics and what is it relation to the referendum on the alternative vote?

So it has nothing to do with the referendum. This happened earlier in the year, it was part of the same bill that the referendum was on when it went through parliament, and was not something that we had a say on. This has happened, and will take effect at the next general election. There are going to be 50 less MPs which means that some of the current boundaries will be re-drawn and made bigger. The idea is that it keeps the cost of politics down.  It has been quite controversial as they are dividing some traditional boundaries and local areas. At the same time Cameron has appointed 117 new peers in the House of Lords since last May, which is actually putting the cost of politics up despite cutting the number of MPs.

Any website or article recommendations for those interested in finding out more about the referendum?

Electoral Reform
 
Yes to Fairer Votes

Elegance Rebellion

If you get the X Factor you’ll get AV – Johann Hari

You can join the campaign on Facebook and Twitter too!

Categories ,5th May 2011, ,Amisha Ghadiali, ,Anna Gordon, ,Conservatives, ,David Cameron, ,Ed Milliband, ,FPTP, ,General Election, ,House of Commons, ,Labour, ,Liberal Democrats, ,May 5th, ,Mike Harman, ,MP, ,Nick Clegg, ,No to AV, ,Referendum, ,Sam Parr, ,Think Act Vote, ,Yes to AV, ,Yes to Fairer Votes

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Amelia’s Magazine | The Papered Parlour: Fashion in the Age of Austerity

Designers Remix by Charlotte Eskildsen. Illustration by Faye West
Designers Remix by Charlotte Eskildsen. Illustration by Faye West.

Designers Remix is a somewhat ridiculous name for the signature brand from Danish designer Charlotte Eskildsen. The press release states that she took as her point of reference the Palais Royal de Paris, visit this site seek where architecture by the minimalist Daniel Buren exists alongside traditional buildings and opulent decor. This point was exemplified in the presentation in the Portico Rooms as Somerset House, which featured minimalist clothing worn by models stood against a plain white ground, versus beehived models in curvaceous boned ruffles who posed against painted backgrounds that alluded to the traditional Palais.

Designers Remix A/W 2011. Photography by Amelia GregoryDesigners Remix by Charlotte Eskildsen. Illustration by Katherine Tromans
Designers Remix by Charlotte Eskildsen. Illustration by Katherine Tromans.

Having only just read the press release it now all suddenly becomes clear. At the show it just came across as two very different collections. Of course, the one which the photographers loved most is not hard to guess. Two models cuddled up against an orange and grey photo-real scene was by far the best presentation idea I’ve seen in some time, and ensured some great images for press – photographers thrusting each other out of the way to get the best faux lesbian picture. Sadly the minimalist crew were not nearly as inspiring… and I felt sorry for the under loved models in their poker straight hair and clean black tailoring.

Designers Remix A/W 2011. Photography by Amelia GregoryDesigners Remix A/W 2011. Photography by Amelia GregoryDesigners Remix A/W 2011. Photography by Amelia Gregory
Designers Remix A/W 2011. Photography by Amelia Gregory.

Designers Remix by Charlotte Eskildsen. Illustration by Faye West
Designers Remix by Charlotte Eskildsen. Illustration by Faye West.

Designers Remix is a somewhat ridiculous name for the signature brand from Danish designer Charlotte Eskildsen. The press release states that she took as her point of reference the Palais Royal de Paris, salve where architecture by the minimalist Daniel Buren exists alongside traditional buildings and opulent decor. This point was exemplified in the presentation in the Portico Rooms as Somerset House, buy which featured minimalist clothing worn by models stood against a plain white ground, viagra buy versus beehived models in curvaceous boned ruffles who posed against painted backgrounds that alluded to the traditional Palais.

Designers Remix A/W 2011. Photography by Amelia GregoryDesigners Remix by Charlotte Eskildsen. Illustration by Katherine Tromans
Designers Remix by Charlotte Eskildsen. Illustration by Katherine Tromans.

Having only just read the press release it now all suddenly becomes clear. At the show it just came across as two very different collections. Of course, the one which the photographers loved most is not hard to guess. Two models cuddled up against an orange and grey photo-real scene was by far the best presentation idea I’ve seen in some time, and ensured some great images for press – photographers thrusting each other out of the way to get the best faux lesbian picture. Sadly the minimalist crew were not nearly as inspiring… and I felt sorry for the under loved models in their poker straight hair and clean black tailoring.

Designers Remix A/W 2011. Photography by Amelia GregoryDesigners Remix A/W 2011. Photography by Amelia GregoryDesigners Remix A/W 2011. Photography by Amelia Gregory
Designers Remix A/W 2011. Photography by Amelia Gregory.

You can see more work from Faye West and Katherine Troman in Amelia’s Compendium of Fashion Illustration.
 

Fashion in the Age of Austerity, order organised by the Papered Parlour, combined so many exciting elements that I don’t quite know where to begin. It was in the most wonderful building, amongst some rare, antique toys in glass cabinets. Fashion designer and V&A Trustee Betty Jackson was there looking radiant in red lipstick, there was a brilliant panel debate, live music, shopping and craft workshops. 

 
Learning to upcycle jewellery with Tatty Devine 

I was most excited by the panel debate with the Guardian’s Ethical Living columnist Lucy Siegle, Think Act Vote founder Amisha Ghadiali, Labour Behind the Labels Hannah Higginson and the managing director of the Ethical Fashion Forum Tamsin Lejeune; four women that I happen to find pretty inispiring. The debate did not disappoint; we raced around lots of interestting, controversial and pressing issues like slow fashion, how to navigate the moral maze and where/if craft comes into things. 

 

One of the key messages I took from the event was that if you want to shop ethically you can’t be afraid of complexity. Lucy Siegle explained that it isn’t as simple as goodies and baddies in ethical fashion. If you scratch the surface of the ethical issues of clothing supply, you’d be forgiven for getting a little…muddled. There’s organic, local, hand made, made from natural fibres, made in the UK, Fairtrade, tree protecting, wildlife saving or fabrics that use only organic dyes. No garment can tick all of those boxes and no ‘ethical label’ is ever fully, 100% “ethical”. They simply don’t exist. What you choose all depends on your values and the way that you choose to navigate around it all. And as Tamsin Lejeune said, you can’t do everything. 

Ultimately, I believe you can avoid most ethical conundrums by simply buying fewer clothes. But this isn’t always realistic. I was reminded however that we can, be a bit more thoughtful about where things come from and what they’re made of. 

 
The Panel. Illustration by Sam Parr 

Someone asked about changes at a government level, but the panel agreed that there simply isn’t any political appetite for tax breaks or measures that might encourage more ethical practices, which I found pretty depressing. They went on to say that the only way the industry was ever going to change was via direct citizen action, via things like writing letters to company head offices (action pack here). The panel said it’s pointless asking shop assistants about ethical practices because they generally won’t know. Although I think there is a place for this I secretly breathed a sigh of relief; I once stuttered through a rehearsed speech to a cashier in New Look only to be boo’d by the queue behind me and met with blank, skeptical faces from the staff….hmm. 

 
A  workshop in action: students learning to make a wallet out of a Tetra Pak with the Otesha Project 

There was a wearisome discussion about semantics and the need for a new word for ‘ethical’ and ‘sustainable’ which to be honest I found rather frustrating. I don’t think the name matters, I’d much rather peoples energies were spent on putting pressure on the suppliers and informing people. After some all round praise for sewing and making clothes as a way to recycle, appreciate garment making and challenge the way we think about fashion, the talk was done and I was back upstairs. 

 
Hannah Peel illustration by Elizabeth Goodspeed 

My friend and I wondered around the market stalls, wine glass in hand, whilst being entertained by some brilliant bands, including The Piney Gir Country Roadshow and Hannah Peel & Laura Groves. I particularly liked the folky, mellow sound of  Hannah Peel, who wore a bright green maxi dress, and who had some attendees standing in silence as they listened to her.


Tatty Devine illustration by Sanna Dyker 

There were 20 specially selected ethical fashion stalls to browse, which I regretted not bringing any cash for. Here’s a quick run through of my favourites. 

I loved the intricate illustrations on the goods at the Zosienka and Rosie stall. 

 

This is the Create Place’s stall. The craft workshops they offer enable them to prove heavily subsidised courses for their local community via an inspiring initiative from St Margaret’s House. 

 

Fine Cell were there too, a brilliant volunteer led organization that teaches prison inmates how to embroider and supplies them with the materials they need. The inmates are paid for their work, which is sold all over the UK.

I was glad to be introduced to the Offset Warehouse, a social enterprise and the first UK online retailer to sell a wide range of ethical fabrics, a haberdashery, garments and resources for crafts people. Their prices are also extremely reasonable. So if, like me, you like making clothes or interiors products, this is a good resource for ethical fabric.

This is the jewelry of A Alicia. She is part of the handmade wedding collective who are hosting an event this week between the 15th-20th March at the Craft Central Showcase Space in East London.

 

I also went along to Think Act Vote Founder Amisha Ghadiali’s talk, which was good but it felt a little disorganised: loud music began to play half way through. (Note to Papered Parlour: Great event but I think the Make Believe area was too close to the stage!) Fellow contributor Katie Antoniou was also there presenting Amelia’s Compendium of Fashion Illustration and answering questions.   

The combination of the panel discussion with the music, wine, stalls and workshops was a winner. And what really set it apart from the run-of-the-mill craft fairs was the focus on ethics and sustainability. There wasn’t one daggy, hippy-ish stand, just good design that happens to be ethical, with inspiring debate and discission. I was a happy bunny. There is another event coming up which, on the basis of the last one, I strongly recommend that you come along too. It’s called It’s Your Write! and it’s on Thursday 7th April 2011. Expect to find a celebration of the self published.

Categories ,A Alicia, ,Affordable Fashion, ,Amisha Ghadiali, ,Betty Jackson, ,Elizabeth Goodspeed, ,Ethical Fashion, ,Ethical Fashion Forum, ,fairtrade, ,Fine Cell, ,Hannah Bullivant, ,Hannah Higginson, ,Hannah Peel, ,Labour behind the Label, ,Lucy Siegle, ,organic, ,Sam Parr, ,Sanna Dyker, ,Tamsin Lejeune, ,Tatty Devine, ,The Create Place, ,The Offset Warehouse, ,The Otesha Project, ,The Papered Parlour, ,The Piney Gir Country Roadshow, ,The V&A Museum of Childhood, ,Think Act Vote, ,Zosienka and Rosie

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Amelia’s Magazine | The Papered Parlour: Fashion in the Age of Austerity

Designers Remix by Charlotte Eskildsen. Illustration by Faye West
Designers Remix by Charlotte Eskildsen. Illustration by Faye West.

Designers Remix is a somewhat ridiculous name for the signature brand from Danish designer Charlotte Eskildsen. The press release states that she took as her point of reference the Palais Royal de Paris, visit this site seek where architecture by the minimalist Daniel Buren exists alongside traditional buildings and opulent decor. This point was exemplified in the presentation in the Portico Rooms as Somerset House, which featured minimalist clothing worn by models stood against a plain white ground, versus beehived models in curvaceous boned ruffles who posed against painted backgrounds that alluded to the traditional Palais.

Designers Remix A/W 2011. Photography by Amelia GregoryDesigners Remix by Charlotte Eskildsen. Illustration by Katherine Tromans
Designers Remix by Charlotte Eskildsen. Illustration by Katherine Tromans.

Having only just read the press release it now all suddenly becomes clear. At the show it just came across as two very different collections. Of course, the one which the photographers loved most is not hard to guess. Two models cuddled up against an orange and grey photo-real scene was by far the best presentation idea I’ve seen in some time, and ensured some great images for press – photographers thrusting each other out of the way to get the best faux lesbian picture. Sadly the minimalist crew were not nearly as inspiring… and I felt sorry for the under loved models in their poker straight hair and clean black tailoring.

Designers Remix A/W 2011. Photography by Amelia GregoryDesigners Remix A/W 2011. Photography by Amelia GregoryDesigners Remix A/W 2011. Photography by Amelia Gregory
Designers Remix A/W 2011. Photography by Amelia Gregory.

Designers Remix by Charlotte Eskildsen. Illustration by Faye West
Designers Remix by Charlotte Eskildsen. Illustration by Faye West.

Designers Remix is a somewhat ridiculous name for the signature brand from Danish designer Charlotte Eskildsen. The press release states that she took as her point of reference the Palais Royal de Paris, salve where architecture by the minimalist Daniel Buren exists alongside traditional buildings and opulent decor. This point was exemplified in the presentation in the Portico Rooms as Somerset House, buy which featured minimalist clothing worn by models stood against a plain white ground, viagra buy versus beehived models in curvaceous boned ruffles who posed against painted backgrounds that alluded to the traditional Palais.

Designers Remix A/W 2011. Photography by Amelia GregoryDesigners Remix by Charlotte Eskildsen. Illustration by Katherine Tromans
Designers Remix by Charlotte Eskildsen. Illustration by Katherine Tromans.

Having only just read the press release it now all suddenly becomes clear. At the show it just came across as two very different collections. Of course, the one which the photographers loved most is not hard to guess. Two models cuddled up against an orange and grey photo-real scene was by far the best presentation idea I’ve seen in some time, and ensured some great images for press – photographers thrusting each other out of the way to get the best faux lesbian picture. Sadly the minimalist crew were not nearly as inspiring… and I felt sorry for the under loved models in their poker straight hair and clean black tailoring.

Designers Remix A/W 2011. Photography by Amelia GregoryDesigners Remix A/W 2011. Photography by Amelia GregoryDesigners Remix A/W 2011. Photography by Amelia Gregory
Designers Remix A/W 2011. Photography by Amelia Gregory.

You can see more work from Faye West and Katherine Troman in Amelia’s Compendium of Fashion Illustration.
 

Fashion in the Age of Austerity, order organised by the Papered Parlour, combined so many exciting elements that I don’t quite know where to begin. It was in the most wonderful building, amongst some rare, antique toys in glass cabinets. Fashion designer and V&A Trustee Betty Jackson was there looking radiant in red lipstick, there was a brilliant panel debate, live music, shopping and craft workshops. 

 
Learning to upcycle jewellery with Tatty Devine 

I was most excited by the panel debate with the Guardian’s Ethical Living columnist Lucy Siegle, Think Act Vote founder Amisha Ghadiali, Labour Behind the Labels Hannah Higginson and the managing director of the Ethical Fashion Forum Tamsin Lejeune; four women that I happen to find pretty inispiring. The debate did not disappoint; we raced around lots of interestting, controversial and pressing issues like slow fashion, how to navigate the moral maze and where/if craft comes into things. 

 

One of the key messages I took from the event was that if you want to shop ethically you can’t be afraid of complexity. Lucy Siegle explained that it isn’t as simple as goodies and baddies in ethical fashion. If you scratch the surface of the ethical issues of clothing supply, you’d be forgiven for getting a little…muddled. There’s organic, local, hand made, made from natural fibres, made in the UK, Fairtrade, tree protecting, wildlife saving or fabrics that use only organic dyes. No garment can tick all of those boxes and no ‘ethical label’ is ever fully, 100% “ethical”. They simply don’t exist. What you choose all depends on your values and the way that you choose to navigate around it all. And as Tamsin Lejeune said, you can’t do everything. 

Ultimately, I believe you can avoid most ethical conundrums by simply buying fewer clothes. But this isn’t always realistic. I was reminded however that we can, be a bit more thoughtful about where things come from and what they’re made of. 

 
The Panel. Illustration by Sam Parr 

Someone asked about changes at a government level, but the panel agreed that there simply isn’t any political appetite for tax breaks or measures that might encourage more ethical practices, which I found pretty depressing. They went on to say that the only way the industry was ever going to change was via direct citizen action, via things like writing letters to company head offices (action pack here). The panel said it’s pointless asking shop assistants about ethical practices because they generally won’t know. Although I think there is a place for this I secretly breathed a sigh of relief; I once stuttered through a rehearsed speech to a cashier in New Look only to be boo’d by the queue behind me and met with blank, skeptical faces from the staff….hmm. 

 
A  workshop in action: students learning to make a wallet out of a Tetra Pak with the Otesha Project 

There was a wearisome discussion about semantics and the need for a new word for ‘ethical’ and ‘sustainable’ which to be honest I found rather frustrating. I don’t think the name matters, I’d much rather peoples energies were spent on putting pressure on the suppliers and informing people. After some all round praise for sewing and making clothes as a way to recycle, appreciate garment making and challenge the way we think about fashion, the talk was done and I was back upstairs. 

 
Hannah Peel illustration by Elizabeth Goodspeed 

My friend and I wondered around the market stalls, wine glass in hand, whilst being entertained by some brilliant bands, including The Piney Gir Country Roadshow and Hannah Peel & Laura Groves. I particularly liked the folky, mellow sound of  Hannah Peel, who wore a bright green maxi dress, and who had some attendees standing in silence as they listened to her.


Tatty Devine illustration by Sanna Dyker 

There were 20 specially selected ethical fashion stalls to browse, which I regretted not bringing any cash for. Here’s a quick run through of my favourites. 

I loved the intricate illustrations on the goods at the Zosienka and Rosie stall. 

 

This is the Create Place’s stall. The craft workshops they offer enable them to prove heavily subsidised courses for their local community via an inspiring initiative from St Margaret’s House. 

 

Fine Cell were there too, a brilliant volunteer led organization that teaches prison inmates how to embroider and supplies them with the materials they need. The inmates are paid for their work, which is sold all over the UK.

I was glad to be introduced to the Offset Warehouse, a social enterprise and the first UK online retailer to sell a wide range of ethical fabrics, a haberdashery, garments and resources for crafts people. Their prices are also extremely reasonable. So if, like me, you like making clothes or interiors products, this is a good resource for ethical fabric.

This is the jewelry of A Alicia. She is part of the handmade wedding collective who are hosting an event this week between the 15th-20th March at the Craft Central Showcase Space in East London.

 

I also went along to Think Act Vote Founder Amisha Ghadiali’s talk, which was good but it felt a little disorganised: loud music began to play half way through. (Note to Papered Parlour: Great event but I think the Make Believe area was too close to the stage!) Fellow contributor Katie Antoniou was also there presenting Amelia’s Compendium of Fashion Illustration and answering questions.   

The combination of the panel discussion with the music, wine, stalls and workshops was a winner. And what really set it apart from the run-of-the-mill craft fairs was the focus on ethics and sustainability. There wasn’t one daggy, hippy-ish stand, just good design that happens to be ethical, with inspiring debate and discission. I was a happy bunny. There is another event coming up which, on the basis of the last one, I strongly recommend that you come along too. It’s called It’s Your Write! and it’s on Thursday 7th April 2011. Expect to find a celebration of the self published.

Categories ,A Alicia, ,Affordable Fashion, ,Amisha Ghadiali, ,Betty Jackson, ,Elizabeth Goodspeed, ,Ethical Fashion, ,Ethical Fashion Forum, ,fairtrade, ,Fine Cell, ,Hannah Bullivant, ,Hannah Higginson, ,Hannah Peel, ,Labour behind the Label, ,Lucy Siegle, ,organic, ,Sam Parr, ,Sanna Dyker, ,Tamsin Lejeune, ,Tatty Devine, ,The Create Place, ,The Offset Warehouse, ,The Otesha Project, ,The Papered Parlour, ,The Piney Gir Country Roadshow, ,The V&A Museum of Childhood, ,Think Act Vote, ,Zosienka and Rosie

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Amelia’s Magazine | Think Act Vote presents The Future We Choose Pop Up Radical Think Tank and Book Launch Party

Think Act Vote The Future We Choose Book Launch stack of books

On the 25th of July I had the pleasure of attending – unfortunately only a part of – the launch event organised by Think Act Vote (?!X) at The Arch Gallery for their new book titled The Future We Choose. This book project was initiated by Think Act Vote (?!X) in order to create a new conversation around democracy and how we create the future we choose. Revolving around ‘The Futures Interview’, The Future We Choose brings together over 200 forward thinking voices from the general public mixed in with those more well known, from fashion designers to historians, campaigners to presenters, all of whom share their vision of the world they want to live in with their ideas of how to create it.

Think Act Vote The Future We Choose Book Launch Amy at the book stand

Think Act Vote (?!X) is run by a powerhouse of volunteers, interns (such as Amy Haworth Johns pictured above) and a vibrant community of collaborators and supporters. The Future We Choose has been brought to life through the work of all those contributors, while the design of the book was devised also collaboratively by a team made up of Joana Casaca Lemos, Ella Britton, Matthieu Becker and Amisha Ghadiali.

Think Act Vote The Future We Choose Book Launch Amelia Gregory Quote

In the book one can find hugely inspiring quotes by the numerous contributors who completed ‘The Futures Interview’, categorised into Thinks, Acts and Votes. Here is one by Amelia’s Magazine editor Amelia Gregory.

Think Act Vote The Future We Choose Book Launch illustrations spread 1

Think Act Vote The Future We Choose Book Launch illustrations spread 2

Since early 2010, when Think Act Vote (?!X) started compiling responses from ‘The Futures Interview’ participants, it invited 50 different artists to bring words from the interviews to life and selected 52 final illustrations. A large number of these images have been created by illustrators who regularly contribute to Amelia’s Magazine too! Some of them are Abby Wright, Abi Daker, Ailish Sullivan, Antonia Makes, Alison Day, Amber Cassidy, Bryone Crane, Claire Kearns, Celine Elliott, Erica Sharp, Faye West, Gemma Sheldrake, Gilly Rochester, Harriet Gray, Jo Cheung, June Chanpoomidole, Jenny Robins, Katie Harnett, Laura Frame, Yelena Bryksenkova, Luke Waller, Michelle Urvall Nyrén, Nanae Kawahara, Natalia Nazimek, Natalie Hughes, Sam Parr, Vicky Ink aka Vicky Fallon and Slowly The Eggs aka moi… A lot of the illustrations appear in the book, as seen above, but Think Act Vote (?!X) is also sharing them online, one every week of 2012, this way gradually creating an illustrated Futures Calendar! You can also see all the illustrations together in this online gallery.

Think Act Vote The Future We Choose Book Launch spread from book

Think Act Vote The Future We Choose Book Launch bit from Futures Interview

You can take part in ‘The Futures Interview’ here.

Think Act Vote The Future We Choose Book Launch Peter Gregson

The Future We Choose book launch at The Arch Gallery was split into an afternoon pop up radical think tank, featuring a selection of contributors including Lucie Barat, Ed Gillespie, Annegret Affolderback, Emily Wilkie, Melissa Sterry, Chris Arnold and Olivia Sprinkel each speaking for five minutes on an idea they shared in the book. When I arrived Peter Gregson, pictured above, was giving a talk on ‘Defending Your Tastes’.

Think Act Vote The Future We Choose Book Launch Paul Hilder

Paul Hilder on ‘Making Things Right’.

Think Act Vote The Future We Choose Book Launch Amisha Ghadiali

Amisha Ghadiali on her Rules to Dress By.

Think Act Vote The Future We Choose Book Launch Alan Wolfson

Performance Poetry by Alan Wolfson.

Think Act Vote The Future We Choose Book Launch Michael Norton

Michael Norton on 365 Ways To Change The World. This hugely inspiring man also talked about another splendid book he has written titled Click 2 Change, in which you can find ways to change the world from the comfort of your seat.

Think Act Vote The Future We Choose Book Launch Jessi Baker

Jessi Baker on ‘Data and Visualisation’.

Think Act Vote The Future We Choose Book Launch Christina Rebel

Christina Rebel on ‘Empathy’.

Think Act Vote The Future We Choose Book Launch Spencer Maybe Pearce

Music from Spencer Maybe Pearce.

Think Act Vote The Future We Choose Book Launch happy audience

Think Act Vote The Future We Choose Book Launch Zoe and Amisha in the audience

Think Act Vote The Future We Choose Book Launch Interviews workshop 1

Think Act Vote The Future We Choose Book Launch Interviews workshop 2

The talks were followed by a ‘A Futures Interviews Workshop’, during which we sat in groups to talk about Thinks, Acts and Votes.

Think Act Vote The Future We Choose Book Launch Zoe Robinson

The lovely Zoe Robinson of Think Style and The Good Wardrobe among the attendees.

Think Act Vote The Future We Choose Book Launch Amisha signing a book

From 6.30pm there was a party featuring a collective book reading, words from Sam Roddick and live music from cellist Peter Gregson, folk noir band Delirium Tremens and electro pop songstress Sharliza Jelita.

The book is now on sale through Think Act Vote’s etsy store, where you can purchase the limited edition that has been printed in the UK on recycled paper. You can request to have your copy signed and personalised too. The Hardback and e-book editions will be available in Autumn. If you would like to request an e-version review copy, please e-mail info@thinkactvote.org

You can also read Part One and part Two of an interview Sally Mumby-Croft did a while ago for Amelia’s Magazine with Think Act Vote’s founder Amisha Ghadiali.

All photography by Maria Papadimitriou

Categories ,Abby Wright, ,Abi Daker, ,ACOFI, ,Ailish Sullivan, ,Alan Wolfson, ,Alison Day, ,Amber Cassidy, ,Amelia’s Compendium of Fashion Illustration, ,Amisha Ghadiali, ,Annegret Affolderback, ,Antonia Makes, ,book launch, ,Bryone Crane, ,Celine Elliott, ,Chris Arnold, ,Christina Rebel, ,Claire Kearns, ,Delirium Tremens, ,Ed Gillespie, ,Ella Britton, ,Emily Wilkie, ,Erica Sharp, ,Faye West, ,Futures Interview, ,Gemma Sheldrake, ,Gilly Rochester, ,Harriet Gray, ,illustration, ,Jenny Robins, ,Jessi Baker, ,Jo Cheung, ,Joana Casaca Lemos, ,Jonathan Bartley, ,June Chanpoomidole, ,Katie Harnett, ,Laura Frame, ,Lucie Barat, ,Lucy Gilliam, ,Luke Waller, ,Maria Papadimitriou, ,Matthieu Becker, ,Melissa Sterry, ,Michael Norton, ,Michelle Urvall Nyrén, ,Nanae Kawahara, ,Natalia Nazimek, ,Olivia Sprinkel, ,Patrick Hussy, ,Paul Hilder, ,Peter Gregson, ,Sally Mumby-Croft, ,Sam Parr, ,Sam Roddick, ,Sharliza Jelita, ,Slowly the Eggs, ,Spencer Maybe Pearce, ,The Arch Gallery, ,The Future We Choose, ,Think Act Vote, ,Vicky Fallon, ,Vicky Ink, ,Yelena Bryksenkova, ,Zoë Robinson

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Amelia’s Magazine | An interview with illustrator Faye West, as featured in Amelia’s Compendium of Fashion Illustration

(Commision which came about from Amelia's Mag feature) by faye west
Commission which came about from Amelia’s Magazine feature, by Faye West.

Faye West‘s whimsical watercolours first came to my attention nearly four years ago when she had just graduated from university. Since then a lot has changed, but her unique take on fashion illustration remains the same – beautiful, timeless and finally gaining the recognition it deserves. Since appearing in Amelia’s Compendium of Fashion Illustration 2011 has been a busy year for Faye and 2012 looks set to be even more so, with a big move to London imminent. Time to check in with one of Amelia’s Magazine’s most prolific and delightful contributors…

My Fave 'Amelia's' piece by Faye West
Faye West‘s favourite illustration for me. This was to illustrate the Gossypium dress and bag that comes free with issue 10 of Amelia’s Magazine, and appears in Amelia’s Compendium of Fashion Illustration.

You first came to my attention several years ago when you delivered some gorgeous (and yummy) hand decorated cupcakes to my door – what prompted the idea and what persuaded you to get in touch again last year?
My London College of Fashion friends finished their Fashion Journalism degree with a bit more of a clue in what was going on than I had (Faye studied at Fashion Promotion and Illustration at University for the Creative Arts), and knew Amelia’s Magazine was highly illustrative so we devised a plan to woo you with illustrated cupcakes. I had always meant to follow it up with some illustrations, but it was before I was twitter-conscious and the next brief I happened to see was in fact the ACOFI, or Amelia’s Compendium of Fashion Illustration open brief.

Faye west Cupcakes
Those infamous cupcakes! I wish I had taken a better photo… alas they have long since been demolished…

Florian-Jayet-by-Faye-West
Florian Jayet S/S 2012 by Faye West for Amelia’s Magazine.

How has producing fashion illustrations for Amelia’s Magazine and ACOFI developed your perception of the fashion and illustration worlds?
It has basically been a way to stay working to briefs, in the way you do as a student. It’s very hard to stay motivated without someone else setting you a brief because you are only doing self-authored work which tends to get a bit stale. The variety of images you then produce are so wide and interesting that your work just evolves through all the experimentation. Amelia’s Magazine is almost like a giant spider gram of illustration opportunities.

Finalist entry for V Mag Gaga comp
Finalist entry for V Magazine Lady Gaga competition.

You’ve just launched a sexy new website, what prompted the redesign?
I wanted to get a website up and running that was a bit more of a platform for my pieces, almost as though someone had decorated a Faye West shop for all of my work to be displayed or sold in. It was also a little challenge to myself to get to grips with the creative side to website building.

Sketchbook Magazine image by Faye West
Sketchbook Magazine image by Faye West.

What was behind your decision to create Edit Collective, and can you describe a bit more about the project?
I had just spent a while contacting galleries, local to Devon and London and had a very negative response. Which is all part of the business but having graduated over 6 years ago, exhibiting was a goal that was proving unobtainable. So I thought I’d see if anyone else was having the same issue and the idea of a group exhibition started. Edit Collective is basically to show off the work we have produced over the last year, all the JPegs sat on computer desktops, and original pieces filling up portfolios not seeing the light of day. I was so bowled over by the interest from other artists that it involves near to 30 artists. I hope to continue expanding this number each year, keeping to the proviso that it is editorial work. Fellow ACOFI featured illustrator Gemma Milly is partnering my venture and the majority of artists have come to know each others work through contributing to magazines such as Amelia’s Magazine.

Faye West Self Portrait
Faye West Self Portrait.

How did you get involved with Think Act Vote, and can you give us a taster of what you’ve produced?
I was sent a lovely email asking if I would like to take part in their upcoming publication. As a student I was away with the fairies, I had no political view point at all which seemed to vex my tutors a bit. But in my old age I am starting to become very interested and unfortunately angry at the current state of affairs. This is what drew me to to illustrate Katherine Hamnett‘s piece in particular. I have illustrated something playing on her infamous slogan tshirts, mixed with the idea of a figure representing Democracy in the same vein as the Statue of Liberty.

for Ballad of Faye West
Illustration for Ballad Of by Faye West.

What is the VV Collective and what you have done for it?
This is Vivian Vile, a collective put together by two artists who feel that young female artists can often be overlooked. I am always drawn to the feminine, and feel quite proud to be alongside some wonderful artists and photographers in the ‘Members Lounge‘ They were involved with Ladyfest this year which was something I had wanted to get involved with since being a student interested in Riot Grrls and the like. They have just launched a competition to submit a self portrait which, if successful will be exhibited at Cultivate on Vyner Street. I decided to really set myself a challenge and paint on canvas with acrylic which was a little more time consuming and frustrating at times compared to my usual water colours. 

Harriet Gray's Dream by Faye West
Harriet Gray‘s Dream by Faye West.

Gareth Hopkin's Dream by Faye West
Gareth A Hopkin‘s Dream by Faye West.

You’ve built up quite a friendship with Ukraine based illustrator Daria Hlazatova, recently creating Lupine Osmunda together – how did this come about – both meeting and doing a project together?
I am her number one fan. I just loved her work so much, it makes me feel like a child starting at fairy tales again! So basically I commissioned her to illustrate me scenes from the Twelve Dancing Princesses because it was a story book I had as a child with illustrations which fascinated me. We often chat on twitter and email and our discussions would turn to the bizarre dreams we were having so we decided to illustrate each others and turn it into a project.

Teatum Jones by Faye West
Teatum Jones S/S 2012 by Faye West for Amelia’s Magazine.

Apparently you have some exciting news, that you will be will soon be in-house illustrator for Ballad Of. How did this come about and what will you be doing?
Yes, it’s all very new so not started anything yet. But I really enjoyed doing some pieces for the girls for their last issue. They have a two submission limit to give everyone an opportunity to have their work showcased. It was the last submission for me which I was rather sad about! So I asked them to consider me if they were ever looking for someone to help out with little illustration jobs. They liked the idea and agreed to have me on board, so I am looking forward to their next issue and to start writing some of the Illustration blogs for them. Ballad Of is one of the things I found through fellow Amelia’s Magazine illustrators on their blogs and through twitter; a wonderful example of how many doors have opened from the advice you gave me to get some internet presence!

Ballad of Bag Faye WEST
Ballad Of tote bag by Faye West. Photo courtesy of Lindsey and Claire.

GLITTER love Faye West
GLITTER love by Faye West.

What has been the most exciting thing to happen because of your involvement with Amelia’s Magazine and ACOFI?
Has to be seeing my work on printed silk dresses for Beautiful Soul and finding out that I was one of the 30 illustrators going in to Amelia’s Compendium of Fashion Illustration! Also I designed an exclusive limited edition tote for Ballad Of‘s last launch party and I had a special Courtney Love commission (see above) from a blogger who like the image I did of the singer for Topshop Boutique a few years ago.

Tallulah pet portrait commission by Faye West
Tallulah pet portrait commission by Faye West.

Anything new coming up? What will you be up to in 2012?
At the moment I am working on portrait commissions for Christmas presents, I have had a high number of dog portrait requests this year! Very sweet. I love being asked because you know you’re helping someone give a special and unique gift. I plan to move back to London, get Edit Collective‘s exhibition under way, and I would really like to concentrate on some more print design. Here is a link for portrait commissions which I have just put together! Do get in touch!

Morris-Dancers-by-Faye-West
Morris Dancers by Faye West for Amelia’s Magazine.

You can see more of Faye West‘s beautiful work in Amelia’s Compendium of Fashion Illustration. Buy both my books together with four rare back issues of Amelia’s Magazine (including the one with the bag illustrated above) for just £50. A bargain! And I can’t wait to see how Edit Collective evolves.

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Ballad Of, ,Beautiful Soul, ,Courtney Love, ,Cultivate, ,cupcakes, ,Daria Hlazatova, ,Devon, ,Edit Collective, ,Fashion Illustration, ,Fashion Promotion and Illustration, ,Faye West, ,Gareth A Hopkin, ,Gemma Milly, ,gossypium, ,Harriet Gray, ,interview, ,Katherine Hamnett, ,London College of Fashion, ,Lupine Osmunda, ,Pet Portraits, ,Riot Grrls, ,Sketchbook Magazine, ,Statue of Liberty, ,Think Act Vote, ,Topshop Boutique, ,Tote bag, ,Twelve Dancing Princesses, ,UCA, ,University for the Creative Arts, ,Vivian Vile, ,VV Collective, ,Vyner Street

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