Amelia’s Magazine | London Fashion Week Emerging Talent A/W 2011: A Preview

Charlotte Ford & Geoff Sobelle
Flesh and Blood by Stacie Swift
Flesh and Blood by Stacie Swift.

Flesh and Blood & Fish and Fowl was inspired by photographs of the Ukrainian town of Pripyat near Chernobyl, treat taken many years after the city was abandoned to radiation. They show the buildings and streets overtaken with plants and animals, view which have happily returned to build homes amongst the human detritus.

The impressively depressing (yet realistic) stage set features the interior of an office for Convenience Foods: dead plants and old mugs litter the desks and the walls sprout crumpled charts and post it notes. It is into this nightmarish world that Jerry, viagra order played by Geoff Sobelle, emerges, rolling gracelessly out of a dumpster inside which he has presumably spent the night, and hobbling a few steps to his desk.

Office Deer by Sarah Matthews
Office Deer by Sarah Matthews.

The lengthy intro features a zany fight with a buzzing fly that refuses to die, before we’re introduced to his office colleague Rhoda, played with relish by Charlotte Ford. Despite their dysfunctional relationship she’s clearly interested in developing a more intimate arrangement with her middle management foe, artlessly arching her bottom in his direction as she microwaves her lunch repeatedly. The only time they communicate with words is in cringeworthy office jargon against the backdrop of a wonky Leadership poster featuring a lion’s head superimposed over a mountain. It’s all too easily recognisable as the kind of office that litters the business estates of the UK, which is interesting because Flesh and Blood & Fish and Fowl is performed by Americans.

Office-Bear-by-Sarah Matthews
Office Bear by Sarah Matthews.

Both Geoff Sobelle and Charlotte Ford are trained clowns, adept at using exaggerated body movement and facial expressions to convey repressed feelings that eventually rise to the surface as the theatre set is taken over by a series of stuffed animals and plastic undergrowth.

Mime Festival Rhoda by Sarah Alfarhan
Rhoda by Sarah Alfarhan.

Before long they are mating loudly in the dumpster, from which Jerry emerges disgusted that his animal instincts have at last taken over, immediately spraying his body with disinfectant. As the animals continue to stake their claim over the environment Jerry desperately clings to obsessive compulsive means of control, all of which eventually fail.

Office Squirrel by Sarah Matthews
Office Squirrel by Sarah Matthews.

The programme says very little about the meaning of Flesh and Blood & Fish and Fowl, preferring instead – in the great manner of mime – to leave the story to unfold through the telling. But it seems clear that this is a tale of human folly, and how, ultimately, our environment will have the last laugh of all. It’s a testament to the performers’ clowning expertise that what could so easily have come across as uncompromisingly depressing is instead one of the funniest shows I’ve ever seen.

Flesh and Blood And Fish and Fowl by Mira Tazkia
Flesh and Blood & Fish and Fowl by Mira Tazkia.

Flesh and Blood & Fish and Fowl is showing at The Pit in the Barbican as part of the London International Mime Festival for the rest of this week and I urge you to grab a ticket now. The Mime Festival is London’s longest running annual theatre event, encompassing visual theatre of all kinds. It runs from 15th-30th January and features a huge range of performances. Why not check out their calendar of events here?

Flesh and Blood by Stacie Swift
Flesh and Blood by Stacie Swift.

Flesh and Blood & Fish and Fowl was inspired by photographs of the Ukrainian town of Pripyat near Chernobyl, symptoms taken many years after the city was abandoned to radiation. They show the buildings and streets overtaken with plants and animals, which have happily returned to build homes amongst the human detritus.

Flesh and Blood office

The impressively depressing (yet realistic) stage set features the interior of an office for Convenience Foods: dead plants and old mugs litter the desks and the walls sprout crumpled charts and post it notes. It is into this nightmarish world that Jerry, played by Geoff Sobelle, emerges, rolling gracelessly out of a dumpster inside which he has presumably spent the night, and hobbling a few steps to his desk.

Office Deer by Sarah Matthews
Office Deer by Sarah Matthews.

The lengthy intro features a zany fight with a buzzing fly that refuses to die, before we’re introduced to his office colleague Rhoda, played with relish by Charlotte Ford. Despite their dysfunctional relationship she’s clearly interested in developing a more intimate arrangement with her middle management foe, artlessly arching her bottom in his direction as she microwaves her lunch repeatedly. The only time they communicate with words is in cringeworthy office jargon against the backdrop of a wonky Leadership poster featuring a lion’s head superimposed over a mountain. It’s all too easily recognisable as the kind of office that litters the business estates of the UK, which is interesting because Flesh and Blood & Fish and Fowl is performed by Americans.

Office-Bear-by-Sarah Matthews
Office Bear by Sarah Matthews.

Both Geoff Sobelle and Charlotte Ford are trained clowns, adept at using exaggerated body movement and facial expressions to convey repressed feelings that eventually rise to the surface as the theatre set is taken over by a series of stuffed animals and plastic undergrowth.

Mime Festival Rhoda by Sarah Alfarhan
Rhoda by Sarah Alfarhan.

Before long they are mating loudly in the dumpster, from which Jerry emerges disgusted that his animal instincts have at last taken over, immediately spraying his body with disinfectant. As the animals continue to stake their claim over the environment Jerry desperately clings to obsessive compulsive means of control, all of which eventually fail.

Office Squirrel by Sarah Matthews
Office Squirrel by Sarah Matthews.

The programme says very little about the meaning of Flesh and Blood & Fish and Fowl, preferring instead – in the great manner of mime – to leave the story to unfold through the telling. But it seems clear that this is a tale of human folly, and how, ultimately, our environment will have the last laugh of all. It’s a testament to the performers’ clowning expertise that what could so easily have come across as uncompromisingly depressing is instead one of the funniest shows I’ve ever seen.

Flesh and Blood And Fish and Fowl by Mira Tazkia
Flesh and Blood & Fish and Fowl by Mira Tazkia.

Flesh and Blood & Fish and Fowl is showing at The Pit in the Barbican as part of the London International Mime Festival for the rest of this week and I urge you to grab a ticket now. The Mime Festival is London’s longest running annual theatre event, encompassing visual theatre of all kinds. It runs from 15th-30th January and features a huge range of performances. Why not check out their calendar of events here?

Charlotte Ford & Geoff Sobelle
Flesh and Blood by Stacie Swift
Flesh and Blood by Stacie Swift.

Flesh and Blood & Fish and Fowl was inspired by photographs of the Ukrainian town of Pripyat near Chernobyl, seek taken many years after the city was abandoned to radiation. They show the buildings and streets overtaken with plants and animals, no rx which have happily returned to build homes amongst the human detritus.

Flesh and Blood office

The impressively depressing (yet realistic) stage set features the interior of an office for Convenience Foods: dead plants and old mugs litter the desks and the walls sprout crumpled charts and post it notes. It is into this nightmarish world that Jerry, recipe played by Geoff Sobelle, emerges, rolling gracelessly out of a dumpster inside which he has presumably spent the night, and hobbling a few steps to his desk.

Office Deer by Sarah Matthews
Office Deer by Sarah Matthews.

The lengthy intro features a zany fight with a buzzing fly that refuses to die, before we’re introduced to his office colleague Rhoda, played with relish by Charlotte Ford. Despite their dysfunctional relationship she’s clearly interested in developing a more intimate arrangement with her middle management foe, artlessly arching her bottom in his direction as she microwaves her lunch repeatedly. The only time they communicate with words is in cringeworthy office jargon against the backdrop of a wonky Leadership poster featuring a lion’s head superimposed over a mountain. It’s all too easily recognisable as the kind of office that litters the business estates of the UK, which is interesting because Flesh and Blood & Fish and Fowl is performed by Americans.

Office-Bear-by-Sarah Matthews
Office Bear by Sarah Matthews.

Both Geoff Sobelle and Charlotte Ford are trained clowns, adept at using exaggerated body movement and facial expressions to convey repressed feelings that eventually rise to the surface as the theatre set is taken over by a series of stuffed animals and plastic undergrowth.

Mime Festival Rhoda by Sarah Alfarhan
Rhoda by Sarah Alfarhan.

Before long they are mating loudly in the dumpster, from which Jerry emerges disgusted that his animal instincts have at last taken over, immediately spraying his body with disinfectant. As the animals continue to stake their claim over the environment Jerry desperately clings to obsessive compulsive means of control, all of which eventually fail.

Office Squirrel by Sarah Matthews
Office Squirrel by Sarah Matthews.

The programme says very little about the meaning of Flesh and Blood & Fish and Fowl, preferring instead – in the great manner of mime – to leave the story to unfold through the telling. But it seems clear that this is a tale of human folly, and how, ultimately, our environment will have the last laugh of all. It’s a testament to the performers’ clowning expertise that what could so easily have come across as uncompromisingly depressing is instead one of the funniest shows I’ve ever seen.

Flesh and Blood And Fish and Fowl by Mira Tazkia
Flesh and Blood & Fish and Fowl by Mira Tazkia.

Flesh and Blood & Fish and Fowl is showing at The Pit in the Barbican as part of the London International Mime Festival for the rest of this week. Surreal, funny, disturbing and thought provoking, as twittered on the night of the performance, this was a brilliant piece of mime and I urge you to grab a ticket now. The Mime Festival is London’s longest running annual theatre event, encompassing visual theatre of all kinds. It runs from 15th-30th January and features a huge range of performances. Why not check out their calendar of events here?

Charlotte Ford & Geoff Sobelle
Flesh and Blood by Stacie Swift
Flesh and Blood by Stacie Swift.

Flesh and Blood & Fish and Fowl was inspired by photographs of the Ukrainian town of Pripyat near Chernobyl, decease taken many years after the city was abandoned to radiation. They show the buildings and streets overtaken with plants and animals, viagra dosage which have happily returned to build homes amongst the human detritus.

Flesh and Blood office

The impressively depressing (yet realistic) stage set features the interior of an office for Convenience Foods: dead plants and old mugs litter the desks and the walls sprout crumpled charts and post it notes. It is into this nightmarish world that Jerry, buy information pills played by Geoff Sobelle, emerges, rolling gracelessly out of a dumpster inside which he has presumably spent the night, and hobbling a few steps to his desk.

Office Deer by Sarah Matthews
Office Deer by Sarah Matthews.

The lengthy intro features a zany fight with a buzzing fly that refuses to die, before we’re introduced to his office colleague Rhoda, played with relish by Charlotte Ford. Despite their dysfunctional relationship she’s clearly interested in developing a more intimate arrangement with her middle management foe, artlessly arching her bottom in his direction as she microwaves her lunch repeatedly.

Office Squirrel by Sarah Matthews
Office Squirrel by Sarah Matthews.

The only time they communicate with words is in cringeworthy office jargon against the backdrop of a wonky Leadership poster featuring a lion’s head superimposed over a mountain. It’s all too easily recognisable as the kind of office that litters the business estates of the UK, which is interesting because Flesh and Blood & Fish and Fowl is performed by Americans.

Office-Bear-by-Sarah Matthews
Office Bear by Sarah Matthews.

Both Geoff Sobelle and Charlotte Ford are trained clowns, adept at using exaggerated body movement and facial expressions to convey repressed feelings that eventually rise to the surface as the theatre set is taken over by a series of stuffed animals and plastic undergrowth.

Mime Festival Rhoda by Sarah Alfarhan
Rhoda by Sarah Alfarhan.

Before long they are mating loudly in the dumpster, from which Jerry emerges disgusted that his animal instincts have at last taken over, immediately spraying his body with disinfectant. As the animals continue to stake their claim over the environment Jerry desperately clings to obsessive compulsive means of control, all of which eventually fail.

Flesh and Blood And Fish and Fowl by Mira Tazkia
Flesh and Blood & Fish and Fowl by Mira Tazkia.

The programme says very little about the meaning of Flesh and Blood & Fish and Fowl, preferring instead – in the great manner of mime – to leave the story to unfold through the telling. But it seems clear that this is a tale of human folly, and how, ultimately, our environment will have the last laugh of all. It’s a testament to the performers’ clowning expertise that what could so easily have come across as uncompromisingly depressing is instead one of the funniest shows I’ve ever seen.

Charlotte Ford & Geoff Sobelle

Flesh and Blood & Fish and Fowl is showing at The Pit in the Barbican as part of the London International Mime Festival for the rest of this week. Surreal, funny, disturbing and thought provoking, as twittered on the night of the performance, this was a brilliant piece of mime and I urge you to grab a ticket now. The Mime Festival is London’s longest running annual theatre event, encompassing visual theatre of all kinds. It runs from 15th-30th January and features a huge range of performances. Why not check out their calendar of events here?

Flesh and Blood by Stacie Swift
Flesh and Blood by Stacie Swift.

Flesh and Blood & Fish and Fowl was inspired by photographs of the Ukrainian town of Pripyat near Chernobyl, information pills taken many years after the city was abandoned to radiation. They show the buildings and streets overtaken with plants and animals, which have happily returned to build homes amongst the human detritus.

Flesh and Blood office

The impressively depressing (yet realistic) stage set features the interior of an office for Convenience Foods: dead plants and old mugs litter the desks and the walls sprout crumpled charts and post it notes. It is into this nightmarish world that Jerry, played by Geoff Sobelle, emerges, rolling gracelessly out of a dumpster inside which he has presumably spent the night, and hobbling a few steps to his desk.

Office Deer by Sarah Matthews
Office Deer by Sarah Matthews.

The lengthy intro features a zany fight with a buzzing fly that refuses to die, before we’re introduced to his office colleague Rhoda, played with relish by Charlotte Ford. Despite their dysfunctional relationship she’s clearly interested in developing a more intimate arrangement with her middle management foe, artlessly arching her bottom in his direction as she microwaves her lunch repeatedly.

Office Squirrel by Sarah Matthews
Office Squirrel by Sarah Matthews.

The only time they communicate with words is in cringeworthy office jargon against the backdrop of a wonky Leadership poster featuring a lion’s head superimposed over a mountain. It’s all too easily recognisable as the kind of office that litters the business estates of the UK, which is interesting because Flesh and Blood & Fish and Fowl is performed by Americans.

Office-Bear-by-Sarah Matthews
Office Bear by Sarah Matthews.

Both Geoff Sobelle and Charlotte Ford are trained clowns, adept at using exaggerated body movement and facial expressions to convey repressed feelings that eventually rise to the surface as the theatre set is taken over by a series of stuffed animals and plastic undergrowth.

Mime Festival Rhoda by Sarah Alfarhan
Rhoda by Sarah Alfarhan.

Before long they are mating loudly in the dumpster, from which Jerry emerges disgusted that his animal instincts have at last taken over, immediately spraying his body with disinfectant. As the animals continue to stake their claim over the environment Jerry desperately clings to obsessive compulsive means of control, all of which eventually fail.

Flesh and Blood And Fish and Fowl by Mira Tazkia
Flesh and Blood & Fish and Fowl by Mira Tazkia.

The programme says very little about the meaning of Flesh and Blood & Fish and Fowl, preferring instead – in the great manner of mime – to leave the story to unfold through the telling. But it seems clear that this is a tale of human folly, and how, ultimately, our environment will have the last laugh of all. It’s a testament to the performers’ clowning expertise that what could so easily have come across as uncompromisingly depressing is instead one of the funniest shows I’ve ever seen.

Charlotte Ford & Geoff Sobelle

Flesh and Blood & Fish and Fowl is showing at The Pit in the Barbican as part of the London International Mime Festival for the rest of this week. Surreal, funny, disturbing and thought provoking, as I twittered on the night of the performance, this was a brilliant piece of mime: I urge you to grab a ticket now. The Mime Festival is London’s longest running annual theatre event, encompassing visual theatre of all kinds. It runs from 15th-30th January and features a huge range of performances. Why not check out their calendar of events here?


Sarah Baardarani, sickness illustrated by Naomi Law

With Fashion Scout releasing their Ones to Watch for the coming season last week, find it was only going to be a matter of fashion minutes before the British Fashion Council announced who was going to feature on the stands this A/W 2011 fashion week. And here they are!

I like the exhibitions a lot. You get to really get a feel for the collections – you can see them up close and touch them – hell, viagra 40mg you can even smell them if that’s your bag. While a big-budget catwalk show has the atmosphere to accompany the clothes, I often miss many of the design quirks and fabric features because I’m just too damn busy photographing, tweeting and scribbling what will later become illegible notes. With the stands, you can see the colossal effort that a designer has put into their collection and often they’re hanging around, so you can EVEN chat to them too.

It’s also a great place to find up-an-coming design talent: fresh ideas and new ways of doing things. Sod the oldies on the catwalks. This year looks like it won’t disappoint. Here’s a round of the ‘Emerging Designers’ that the BFC has added to its roster:

Teatum Jones

Illustration by Alexandra Rolfe
Catherine Teatum and Rob Jones have done what no other designer duo have done before by cleverly combining their surnames to form new fashion label Teatum Jones. I mock, but this is a label to most certainly watch. Luxurious fabrics drape on models in their sleek look-book, with intriguing, organic prints and deep colours. Diagonal shapes keep this rich collection fresh, with fabrics like crepe and spandex. It will be interesting to see where all this drapery and elegant fabric usage takes the twosome this season.

Ongwat

Illustration by Abby Wright
Ongwat, surname of its founder Paranee, offers understated contemporary jewellery with architectural references; infinitely wearable but bold enough to stand out. Previous pieces include geometric ‘Scaffold’ rings, braceletss like bike gear rings and cuffs that a Gladiator might wear, should he be in London in 2011 on a mission to modernise his look.

Draw in Light

Illustration by Paolo Caravello
Harriet Barford and Polly Wilkinson, aka Draw in Light, studied at the University of Brighton in 2008. Since then, they’ve notched up awards, including Liberty’s Best of British this time last year. Their aesthetic is “elegant, minimal jersey shapes” with hand silk-screen techniques. Their beautiful, ethereal garments air on the body-con cious side, with mystical, loose patterns. Really looking forward to seeing what they come up with for A/W 2011…

Shao-Yen Chen

Illustration by Rukmunal Hakim
A Central Saint Martins graduate (oh, here we go again…), Shao Yen Chen is currently curating a window at Selfridges alongside assembling the A/W 2011 collection. He must be knackered. It seems like this will be the season for sculptural ready-to-wear and innovative accessories (well, I seem to be writing about them a lot at the moment…) Shao-Yen’s work has a sleek Japanese aesthetic but also combines elements of architecture and is full of surprises. In the past he’s knocked up voluminous frocks that defy gravity and his graduate collection from CSM was instantly snapped up by the people at the BFC. A showman in the making, I imagine he’ll progress to catwalk next season, or at least I hope he does.

Wing

Illustration by Holly Trill
Another jewellery designer, another bunch of geometric shapes. Wing Paris’ differ though – they’re discrete, slim-line and sophisticated. Designed by Jenny Wing Chan, a graduate from Studio Bercot in Paris, these pieces combine metallic colours with black and bright purple. Jenny hopes to create “timeless, statement jewellery” which oozes femininity. I think she’s on it already, and with her A/W 2011 collection inspired by “black metal”, I can’t wait to see what she’ll come up with next.

Tze Goh

Illustration by Joana Faria
My prediction is that Tze Goh will be this season’s hot tip. He’s everywhere. First, Vauxhall Fashion Scout announced him as part of their ‘Ones to Watch’ show, and now he’s on this fashionable list. I saw a special collection exclusive to LN-CC (more about them soon) and it is just mind-blowing. Come February, he’ll be everywhere. Promise.

Joanne Stoker

Illustration by Gareth A Hopkins
Nicholas Kirkwood better watch his derriere, as I think Joanne Stoker might be in the running for his fashion crown. Joanne has a background in, well, all sorts – architecture, model making, engineering and, of course, shoe design. Her Art Deco-inspired S/S 2011 collection featured geometric shapes, transparent neons and patent leathers in all sorts of dreamy colours. The bold, statement shoes are for the fashion-forward only. Despite the zany colours and unusual shapes, there’s a real decadent period feel to them. Hopefully A/W 2011 will bring lots more colour and decadence from this First into Fashion winner.

Sarah Angold

Illustration by Karolina Burdon
Sarah Angold’s jewellery is pretty unique. Bold, geometric shapes create enormous statement pieces, and looking at her previous collections, it’s no surprise that her previous employers include Swarovski and Hussein Chalayan. Her work has both an industrial and futuristic aesthetic, and it’s “mathematical graduation” that’s inspiring her for this coming season. I can’t wait to see this stuff in the flesh.

Sarah Baardarani

Illustration by Naomi Law
Sarah Baardarani‘s graduate collection in 2009 was one of the highlights of all the graduate shows. Powerfully elegant, her collection featured luxurious fabrics that twisted and turned around models in an incredibly arcane fashion, as if by magic. The showpiece, adorned in beading, was breathtaking. She’s set to continue her delightful drapery over the coming season, and is inspired by “the fusion of contrasting textures and shapes.”

Keep an eye out in the run up to Fashion Week for lots more previews, interviews and coverage!

Categories ,A/W 2011, ,Abby Wright, ,Alexandra Rolfe, ,Central Saint Martins, ,Draw in Light, ,fashion, ,Gareth A Hopkins, ,Holly Trill, ,Joana Faria, ,Joanne Stoker, ,Karolina Burdon, ,London Fashion Week, ,Naomi Law, ,Ongwat, ,Paolo Caravello, ,preview, ,Rukmunal Hakim, ,Sarah Angold, ,Sarah Baadarani, ,Shao Yen Chen, ,Teatum Jones, ,Tze Goh, ,Wing

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Amelia’s Magazine | London Fashion Week S/S 2012 Catwalk Review: David Koma

David Koma SS12 by Gilly Rochester
David Koma S/S 2012 by Gilly Rochester.

Ahhhhh… David Koma. One of London‘s most feted new design talents and a hot ticket on a Tuesday you would think, cialis 40mg but this show was far from full let alone packed, viagra with people scurrying forwards to the front row from all sides as the show began. Beneath the glassed roof of the old Waterloo Eurostar terminal David Koma presented a beautiful collection on some so-so models. I’d heard rumours that an early start to Milan was dragging off the more important parts of the fashion industry but if ever there was proof this was it.

David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma Illustration By Kassie Berry
David Koma S/S 2012 by Kassie Berry.

Despite some very interesting jutting heads and flapping arms I loved this collection, wherein David Koma played with shapes and textural movement like never before. A silky cream coloured concoction opened the show, with what amounted to a huge belt gathered at the waist into multi-layered loose pleats, inspired by African Zulu style. Underneath the most gauzy of under garments represented the majority of the dress, cut up by abstract devore shapes that were inspired by a combination of Polynesian tribal body paint and the work of artist Kim Joon.

David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory

A gradual hint of summery colour was brought to the proceedings through the use of lime green and bright rose pink on sleeves and behind the devore cut outs in chest panels. As in many other collections skirted shapes encompassed both pencil and a wider skater shape, but because of the layering it was here that the different looks worked at their seamless best.

David Koma by Gareth A Hopkins
David Koma S/S 2012 by Gareth A Hopkins.

David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory

High heels by Alain Quilici were chunky with wide t-bar sections that frilled out in an echo of the waist pleats. Hair featured multiple partings similar to the abstract designs on clothing. Check out the amazing coloured Minx Nails up close in this blog on Inspirational.

David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
david_koma_by_ada_jusic
David Koma S/S 2012 by Ada Jusic.

With a rattle of swaying hips iridescent perspex adornments – a collaboration with jewellery designer Sarah Angold – began to spread across thighs and breasts. A series of inky black dresses were highlighted in turquoise before the final pieces became engulfed in an oily rainbow of perspex embellishment, this time repeated in exquisite pearlised sequin designs paired with more of that luscious lime. Yum.

David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma SS 2011 review-photo by Amelia Gregory
David Koma S/S 2011. All photography by Amelia Gregory.

Categories ,abstract, ,Ada Jusic, ,African, ,Alain Quilici, ,Belts, ,David Koma, ,Devore, ,Embellishment, ,Gareth A Hopkins, ,Gilly Rochester, ,Inspirational, ,Iridescent, ,jewellery, ,Kassie Berry, ,Kim Joon, ,lfw, ,London Fashion Week, ,Minx Nails, ,Pearlised, ,pencil skirt, ,Perspex, ,Pleated, ,Polynesian, ,S/S 2012, ,Sarah Angold, ,Skater Skirt, ,Tribal patterns, ,Waterloo Eurostar Terminal, ,Zulu

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Amelia’s Magazine | Christmas Gifts: Ethical Fashion and Skincare Ideas

I have no idea how this fella’s haircut works. I don’t know what bit of hair is attached to what bit of scalp. But I do know that you and I and the whole of London will soon be sporting this very style upon our heads because this… chap… is… the guy from… DD/MM/YYYY, search and those guys play music better than other people.

DD/MM/YYYY at Old Blue Last

They also write music that is pretty much unreviewable. It’s not that they don’t ever sound like any other band, erectile but when you do clutch at a glimmer of sound overlap, that’s not where these mighty Canadians are coming from.
So here is a list of the irrelevant comparisons I thought I could hear: Deerhoof, but less songy. Battles, but more songy. Early Foals, but tighter and more complex. Six Finger Satellite, but less clownish. Boards Of Canada, blatantly… for about three seconds. Tortoise with charisma. Perry Farrell in the bath. Squarepusher with the munchies. Forward Russia having attacks of Chik Budo. Zoogz Rift puppeteering Purple Stag on the grave of Truly. Gong molesting The Mars Volta for the amusement of King Crimson.

DD/MM/YYYY at Old Blue Last

All of it completely irrelevant since, as I had been warned, DD/MM/YYYY have a “no-style” approach to music-craft. I didn’t believe it, but it’s not far off as a description. The one idea I did have which stuck was that the whole band was synchro-hallucinating Frank Zappa wielding conductor’s baton above the audience’s heads. And they have practised really hard for a million years. In the rhythm of N/N. Most of these songs seem to exist to prove how bouncably groovy any time signature can be. Higher maths. One tune calculated Pi to 1000000 decimal places. But it comes out more as autistic space-jazz than math rock. Almost every song is rhythm-based, there are no solos, not too many motifs even, just additions to the groove, and instrument-interplay key-changes. The drums dominate, followed by guitar detail and big fat synths. Solid basslines and the variety-guy (sax/spare snare and beaten-up crash cymbal) fill the rest of the space, with cartoonish zero-ego vocals sitting on top..
Enough analysis. How did I feel? Did it work? Well… I felt entranced. It worked stunningly well. Nobody knows what any of the songs were supposed to be about, but I was so deeply cuddled up in their slipper of sound, and amazed by how thoroughly well they chugged. There was no attempt to tug at a emotional heartstring, just to uplift your tantric verve with hypno-intensity and complex brain-shuffling. Like I said, they’re nearly unreviewable. Go and listen to them.

Hymns at Old Blue Last

Support on the night came from two equally noisy but quite different sources. Hymns are a very sharp two-piece (guitarist vs. drummer) from the midlands. Without any notion of enjoying themselves, they martyred themselves upon their instruments, in precise fits of religious agony. “More bile, please” chanted one reveller as a song came to an end. “May the Lord have mercy on your soul” came the answer for the next three minutes. These beautiful, but perfectly serious, joyless songs of Apocalypse rely on the vocals of the guitarist, who screams as convincingly and genuinely as I ever heard. He surely watches the Exorcist every night. No smile or thank you after a song, just a swig of beer and twang-brap-”Wrrrrraugh!” again. Well worth a pilgrimage to get preached at with enough vitriol to fuel a thousand Death Metal acts.

Hymns at Old Blue Last

Opening the night were Part Dinosaur, who are insanely ambitious and courageous, winning them my coveted “one-to-watch” medal. If you, like me, feel a deep sense of loss at the passing of Youthmovies, perhaps you used to be in Youthmovies or were touched by the music they made, you will want to follow the trajectory of Part Dinosaur. It’s the same approach to rocking out with neglected time signatures, dynamic changes and instruments filling each others’ gaps. I’ll review them properly someday. It wouldn’t be fair now, as they were a man down, and were a little plagued by techie trouble (an out-of-tune guitar/a broken monitor failing to guide a vocal part). But I will come back for them, and I know it will be good. A first-rate drummer commands the other fellas through a strangely sensitive landscape of out-of-nowhere jolty emotion. Attention to detail and a very obvious excitable rapture in playing interlocking segments of thrilling musical action define a band that is part dinosaur, part hope, all rock!

Part Dinosaur at Old Blue Last

Illustration by Timothy Hunt
Illustration by Timothy Hunt.

A couple of days ago *ahem, ask more like a week* I put a callout on twitter for people to send me their fabulous ideas for Christmas presents – here, finally is a round up of the best clothing and skincare gifts alongside some of my own recommendations. My second post will cover art, homewares and jewellery.

Bonbi Forest equus scarf

Lee May Foster of Bonbi Forest never fails to produce delightful stuff, my current favourite of which is this stunning Equus scarf, new just in time for Crimbo. It comes in either a pink or blue colour way and will certainly catch people’s attention with it’s lovely sustainably handprinted pattern of horses and zebras.

Natasha Rae Richardson hankie

At the upper end of the market check out this rabbit skeleton organic cotton hankie from Natalie Rae Richardson at Tout Nouveau, a website which offers the work of some fantastic emerging designers – perfect for a super stylish man to flourish when out and about.

Natasha Wood cardigan

I wish I had discovered ethical clothing designer Natasha Wood in time to include her in my book… but alas it is too late. These upcycled leather trousers are made from old leather jackets and above is her special two cardigans coatigan. Just fab.

Bradley Beanie Hat and Bow Brook Top by Maria del Carmen Smith
Bradley Beanie Hat and Bow Brook Top by Maria del Carmen Smith.

Continuing on an ethical clothing bent I really do love the simple good designs of Liv. I’ve been wearing her delightful Bow Brook top non stop this winter, and her Bradley knitted beanie is oh so cute. Liv works exclusively in fairtrade and organic materials. Better still she is running a wee Christmas competition – just join her on Facebook for the chance to win a lovely Shell Ford Cardi in her Berrrry Christmas competition. (but make sure you do it this morning as the offer ends at noon today)

Dr Hauschka bath care kit interior
Dr Hauschka bath care kit

Over on the beauty gift set side of life I recommend the Dr. Hauschka bath oils set – I am a real sucker for a hot steaming sweetly smelling bath and these smell just divine. A Bath Care Kit contains small starter versions of the oils and costs just £12.50. What a blooming’ bargain for the bath lover in your life. Dr. Hauschka is running a similar chance for a Facebook fan to win a beautiful make up set. Just join their Facebook page before noon.

Dr Hauschka rose tea

Many of Dr. Hauschka’s lotions make use of the wondrous properties of rose, and I particularly like the Rose Body Hamper Body Moisturiser Gift Set, which includes Organic Loose Tea with Rose Petals – since I started drinking black tea on it’s own I’ve discovered that rose tea is absolutely my favourite, yet it is still relatively hard to come by in your average supermarket, making this gift all the more special.

Pai serenity kit

As you can probably tell I am a big fan of a long luxurious bath, especially in this cold weather. Pai Skincare is another fabulous organic brand that has produced a bath care kit – and the Serenity Bath and Body Collection will go down a treat with anyone like me.

Savonnerie-Naughty Weekend Kit

For the lover in your life, there’s always the Savonnerie Ever So Slightly Naughty Weekend Kit. Why wait for the wedding anniversary or Valentine’s Day when you can drop a ginormous hint at Christmas? This boxed kit includes yummy Love Soak bath bits, Vetiver massage oil, a tender kissing glaze… and a blindfold and feather for a truly erotic experience. All this pleasure for both you and the recipient comes at a very reasonable price.

Savonnerie-soaps

Savonnerie specialises in high end hand made soaps encrusted with all sorts of delicious goodies, and their beautifully packaged luxury handmade soap box makes the perfect gift. They are based over in Brushfield Street near Spitalfields Market so if you live in London there is still plenty of time to go and visit them. Yum yum yum.

For fans of yummy skincare products there are plenty more Christmas gift suggestions in some of my previous blog posts about ethical beauty brands, so do go check them out. And you can check out the companion blog to this one, featuring art, jewellery and homeware ideas, right here. My best art books round up can be found here.

Categories ,Beauty, ,Bonbi Forest, ,Bow Brook Top, ,Bradley Beanie, ,Brushfield Street, ,Dr. Hauschka Bath Care Kit, ,Dr.Hauschka, ,ethical, ,Ever So Slightly Naughty Weekend Kit, ,fairtrade, ,fashion, ,Fickle Fate, ,Lee May Foster, ,Liv, ,Luxury, ,Maria del Carmen Smith, ,Natalie Rae Richardson, ,Natasha Wood, ,organic, ,Organic Loose Tea with Rose Petals, ,Pai Skincare, ,Rose Body Hamper Body Moisturiser Gift Set, ,Rose Petal Tea, ,Savonnerie, ,Serenity Bath and Body Collection, ,Shell Ford Cardi, ,Skincare, ,spitalfields, ,Timothy Hunt, ,Tout Nouveau, ,Upcycling

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