Neon – Page 2 – AmeliasMagazine

Amelia’s Magazine | Affordable Art Fair Hampstead 2014 Review

Last Friday my good friend Helen of East End Prints persuaded me to join her in a trip to the Affordable Art Fair in Hampstead, taking advantage of our lovely new overground line to drag the toddlers with us. As is usual at these large fairs, there was loads of wonderful art alongside plenty of dross: here is a tiny snapshot of what I saw and loved whilst trying to keep track of my child.

In the entrance we were entranced by art from University of London graduate students, shown as part of the Made in Arts London initiative. My favourite was a series of surreal landscapes by Central Saint Martins graduate Hyunjeong Lim.

I also liked enigmatic miniature sculpture using everyday household items by Rebecca Rendell: she calls these ‘autobiographical cleansing‘.

From there it was into the main part of the exhibition, chasing small boys up and down the aisles, to the chagrin of some and amusement of many. This upcycled pewter teapot is by Carola del Mese, who gains inspiration from her career in theatrical prop making and a love of Edwardian charm jewellery.

David Shillinglaw’s iconographic artwork is instantly recognisable. I particularly love his use of colour.

The trend for bastardising old works of art shows no sign of abating. How about this humorous portrait by Shuby?

Neon artwork by God’s Own Junkyard manages to be both kitsch and sophisticated, combining garish lighting with elegant typography.

I was most enamoured of clever photorealist paintings by Gerry Smith at the Sol Art Gallery.

Lauri Hopkins at Four Walls Contemporary reassembles found materials with paint in these lovely abstract collages.

This gigantic Bishops Pom Pom is by former restauranteur Frances Doherty, who calls herself ‘the ceramic gardener’ and works between Normandy and Brighton. She has a lovely blog here.

And yes, that is our children, lolling around on the floor dangerously close to expensive pieces of art. The upholstered dogs are by Dominic Gubb and take on the various characters of the salvaged sofas from which they are made.

Eye ceramics by Myung Nam An made for a stunning wall show at the Cube Gallery.

Downpatrick Head by the Dutch artist Reinder Ourensma has the bizarre feel of a fantasy world but it is an actual location in Ireland.

There was a strong neon trend running through the show and I particularly liked this circular paper artwork by Eliza Kopec.

I first saw these prints by Victoria Browne at an exhibition in Margate and instantly fell in love. Her Training Nature series highlight our attempts to improve nature through constant pruning and shaping. This gave me a second opportunity to lust after one… but they sadly do not come cheap.

Ice cream art by Marie Robinson was perfectly kitsch and delicious on the Will’s Art Warehouse stand.

Simple graphic portraits by Cristina Gayarre work well in bold red and black.

I can’t resist a more traditional print by Richard Bawden.

I am a sucker for strange landscapes, especially if they feature curious modern architecture, like these delicate charcoal pieces by Jemma Appleby.

Lastly, lovely ceramics by Helen Beard (based at Cockpit Arts) feature whimsical swimmers on delicate porcelain.

Written by Amelia Gregory on Tuesday June 17th, 2014 6:35 pm

Categories ,2014, ,Affordable Art Fair, ,Bishops Pom Pom, ,Carola del Mese, ,Central Saint Martins, ,Cockpit Arts, ,Cristina Gayarre, ,Cube Gallery, ,David Shillinglaw, ,Dominic Gubb, ,Downpatrick Head, ,East End Prints, ,Eliza Kopec, ,Four Walls Contemporary, ,Frances Doherty, ,Gerry Smith, ,God’s Own Junkyard, ,Hampstead, ,Helen Beard, ,Hyunjeong Lim, ,Jemma Appleby, ,Lauri Hopkins, ,Made in Arts London, ,Marie Robinson, ,Myung Nam An, ,Neon, ,Rebecca Rendell, ,Reinder Ourensma, ,review, ,Richard Bawden, ,Shuby, ,Snarfle, ,Sol Art Gallery, ,The ceramic gardener, ,Training Nature, ,University of London, ,Victoria Browne, ,Will’s Art Warehouse

Amelia’s Magazine | An Interview with illustrator Hattie Stewart

Hattie Stewart

London-based Hattie Stewart, a ‘professional doodler’, originally from Essex, is taking the fashion world by storm with her ‘doodle-bombed’ magazine covers. Not just limited to putting her mark on mags, she’s also done a whole range of stuff from shop-fronts to call-girl cards. Youthful, quirky and comic book-esque, Hattie pens a place where all things happy, cartooney, dark and urban make an appearance. This exuberance with a tint of dark humour reminds me a little of Bart‘s beloved Itchy & Scratchy. Bold colours, unique characters, a wink and some swag all form part of her signature style. She’s a busy girl and Amelia recently mentioned Hattie in a review of Pick Me Up Graphic Arts Festival 2013.

Hattie Stewart

Having graduated from Kingston University, Hattie Stewart has worked on projects with House Of Holland, Marc Jacobs and Adidas to name a few. Her work is proving popular across the globe and has been exhibited in Miami, New York, Berlin and London. I spoke to this young illustration idol about graduation, her personal pen preference and how doodling her mark on the world is getting her eye-marked for great things to come.

Hattie Stewart

How do you get the ideas for your doodles?
I have no idea! Sometimes I like to pore over copies of Craphound to get ideas for motifs, but mostly I just start drawing. The best ideas always come from practice and the simple act of just drawing.

Do you feel like London is tied to your identity as an illustrator?
I guess so, I think the fun-loving attitude of my work with certain levels of underlying sarcasm is definitely an identity I would characterise with London.

Hattie Stewart

Your style has a comic book feel, what comics did you read as a kid?
I was obsessed with Dandy and Beano comics but especially Beryl the Peril. She ruled. My interest in strong comic book styles and larger than life characters definitely began at a young age. My uncle’s always drawn comic book characters and taught me a lot about developing a style.

How did the reality of life after graduation compare to your expectations?
It kind of went more or less as I’d imagined. I knew work wasn’t necessarily going to happen straight after uni and I’d have to work really hard and have many part-time jobs before things started kicking off. Because I’ve been fortunate in that I’ve always wanted to draw, I had a feeling that if I worked as hard as I could and tried to maintain a good attitude things would eventually happen for me. It’s wasn’t easy and I definitely kept looking for many different opportunities and work.

Hattie Stewart

Do you think your degree was an important part of your development as an illustrator?
Yes, definitely. It taught me what I wanted as an artist and who I wanted to be and the people I met helped form my character and became so valuable to me. I do think it’s an experience everyone should have – sometimes defining your character helps develop your work, and then you have an amazing wealth of facilities and experienced tutors to help your work grow. You definitely have to have faith in yourself though and listen to yourself and follow your instincts as much as you listen to and accept the advice offered, there always needs to be a balance.

Hattie Stewart

How did you get the idea to start doodling on mag covers?
I was watching telly and a copy of Dazed and Confused was sat in front of me. Like so many people I just started aimlessly doodling on the cover and when I’d finished thought it looked pretty cool – it all developed from there!

You’ve had some big clients, like Urban Outfitters, Luella, Diesel and Adidas, are there any big names you really want to work with in the future?
I’m not sure really. I know I’d love to do some set design and big 3D set pieces/ props! There are so many things I want to do with my work it really depends on who will let me do it rather than who it is I do it for.

Hattie Stewart

I saw that you did an awesome project for Soda Pop illustrating call girl cards, how did this come about?
There is a magazine called Gypse Eyes and they were excepting contributions for their ‘Food + Sex’ issue, then the idea of the call girl cards popped into my head! My friend Jessica Abou Nassar who runs Soda Pop and the amazing Ghetto Nailz wanted to collab with me and I suggested using these – she agreed and the t-shirts were created! It was a great project.

Hattie Stewart

You describe your style as ‘cheeky’, do you think that you like to take risks as an illustrator?
Absolutely. It’s important taking risks in all sides of life – How else does anything change? All the best ideas and opportunities come from moving outside of your comfort zone and as an artist that is extremely important.

Colour is an important feature of your work, what are your favourite shades?
Pink, especially fluro pink. In fact anything fluro. Right now though I’m loving primary colours! Especially red, always red.

Hattie Stewart

What type of pen do you use?
Posca! The only pens I use and they go on every surface. I would never recommend any other but then again that’s just my preference.

Do you think the internet has made visual culture a vital part of everyday life?
Oh absolutely. It’s also made things move and grow very quickly, which can be thrilling but also exhausting. Trying to make and keep yourself relevant and motivated when there is so much talent and ideas constantly on show in front of you, it can be inspiring and demoralising at the same time. Ultimately though knowledge and learning and the immediacy of connecting to people you wouldn’t otherwise be able to contact is amazing.

Hattie Stewart

All the images in this post were provided by Hattie Stewart. You can see more of Hattie’s work on her portfolio and you can find her on Tumblr and Twitter too.

Written by Jessica Cook on Tuesday April 23rd, 2013 8:34 pm

Categories ,Adidas, ,Beano, ,Beryl the Peril, ,cartoons, ,cheeky, ,comic books, ,Craphound, ,Dandy, ,Dazed and Confused, ,Diesel, ,doodle, ,doodle-bomb, ,draw, ,drawing, ,Gypse Eyes, ,Hattie Stewart, ,House of Holland, ,Jessica Abou Nassar, ,jessicasrcook, ,Kingston University, ,london, ,Luella, ,Marc Jacobs, ,Neon, ,pens, ,pink, ,Posca, ,Soda Pop, ,Urban Outfitters

Amelia’s Magazine | Malka: Tamara Schlesinger introduces the new video for Into The Night

Malka by Gareth A Hopkins.

Tamara Schlesinger of Malka (formerly of the much loved 6 Day Riot) makes a triumphant return with the glorious tribal beats of new single Into The Night. It’s a step away from the acoustic sounds of the band she used to front, yet bears her unmistakable imprint in a sing along melody about the horrors of insomnia. Here she introduces the neon saturated video, made with a little help from legions of creative friends. And who knew her former career as an international gymnast could be put to such good use?

It’s late on a hot Tuesday night in an industrial estate in Walthamstow and I am looking around a darkened room filled with a group of my friends that are in the middle of shooting my latest music video for me.

It strikes me how much we are all enjoying ourselves, no-one is being paid for this, we are here for the love of it. I consider how lucky I am to have such talented friends that love their own creative art as much as I love mine, and therefore are willing to while away these long hours surrounded by hot neon lights and UV paint.

We managed to secure God’s Own Junkyard for our location which houses amazing neon artworks designed by Chris Bracey. My friend Stephanie Bamsey wrote a blog about him a few years ago, and while we were sitting drinking beers at the Wild Card Brewery (across the road from GOJY) I begged her to ask if they might let us shoot our video there.

Tamara MALKA by Karolina Burdon.

So fast forward 3 weeks and here we are. Steph’s husband (the director Lee Bamsey) has been back and forth from the venue over numerous days checking out which areas we want to capture and how we are going create the video (along with a timeline). Steven Gray (D.O.P.) has arrived with the most hi-tech gear I have ever had the pleasure to see in person and is calmly setting up. And Ellie Worthington is creating my UV face paint to tie in with the UV-splattered catsuit I prepared earlier in the week.

Malka by Lizzie Donegan.

I often think about what it is that makes me need to make music. After having a few years break following the birth of my daughter I realised that it is just in my bones. I am compelled to do it, I need to write music and I love to perform it. The same can be said for my friends in this room. They are here because they love their art and spending a sweaty evening creating this music video is a pleasure not a chore. All of them make a living within the film industry but they are still willing to get involved in a project that interests them – pay or no pay.

In walks my husband, Martin Macdonald. He has managed to get our daughter to sleep and has left our good friend babysitting. He is editing the video (which is also his full time job) and has arrived just in time for me to prance around under a UV light. I love dancing, I used to be an international gymnast and with this project I felt it would really let the audience connect with me as an artist to show that side of me.

The shoot wraps at around midnight, everyone is exhausted but delighted with the way the shoot has gone. Martin spends the next week editing the video (with ongoing tweaks throughout the month). And by the skin of our teeth we get an edit that everyone is happy with by the release date of the single.

The end product is nothing short of excellent. I know that with the work that everyone has put in (including the colourist Kenny Gibb) and the normal cost of the venue and gear etc.. that we would be up in the 10’s of thousands for the cost of something like this. But here I am, thanks to my amazing friends (and family) with a video that I hope connects the song to me as an artist and creates the right visual identity for my new project.

The song Into The Night is the lead single from my forthcoming album under my new guise MALKA. It is a change in direction from my 6 Day Riot days, gone are the acoustic instruments and in their place are synths and tribal beats. And so, I wanted the video to be a step away from what I had done before too. Lee has directed all of my videos thus far and Martin has also edited them all, so they know what I like and they know my budget (none).

Running my own record label (Tantrum Records) for 12 years has been hard work, but somehow I have managed to find the money to record, release and promote all 5 (and now my forthcoming 6th) albums. I am at a place in the industry where I don’t have the massive marketing budgets to spend on every release, but I can afford to do what I do thanks to publishing/sync deals or touring/sales (or evening funding from Creative Scotland) and thanks to a little help from my friends.

Written by Amelia Gregory on Wednesday July 23rd, 2014 9:28 am

Categories ,6 Day Riot, ,Chris Bracey, ,Creative Scotland, ,Ellie Worthington, ,Gareth A Hopkins, ,God’s Own Junkyard, ,Into The Night, ,Karolina Burdon, ,Kenny Gibb, ,Lee Bamsey, ,Lizzie Donegan, ,Malka, ,Martin Macdonald, ,Neon, ,single, ,Stephanie Bamsey, ,Steven Gray, ,Tamara Schlesinger, ,Tantrum Records, ,video, ,Walthamstow, ,Wild Card Brewery

Amelia’s Magazine | Affordable Art Fair Hampstead 2014 Review

Similar Posts:

Amelia’s Magazine | An Interview with illustrator Hattie Stewart

Similar Posts:

Amelia’s Magazine | Malka: Tamara Schlesinger introduces the new video for Into The Night

Similar Posts: