Amelia’s Magazine | Sheena Matheiken’s The Uniform Project

Glastonbury-June-2009-Climate Camp
Can it really be a year since the last Glastonbury? In 2009, viagra sale more about for the first time, Climate Camp was given it’s very own space in the Dragon Field just above the Craft Field as you wend your way down to Shangri La. This year we’re back to once again educate and entertain festival goers at our beautiful site only a few minutes walk from the Old Railway Line.

Glastonbury-June-2009-Climate Camp workshop
Glastonbury-June-2009-Climate Camp paddling pool
Glastonbury-June-2009-First Aid Kit
Workshops, at play, and First Aid Kit playing at the Climate Camp Tripod Stage in 2009.

In 2010 Climate Camp is targeting the Royal Bank of Scotland, which has been bailed out with £50 billion of public money that is now being used to finance the extraction of fossil fuels across the world, with no regard for climate change or the destruction of communities that it causes. We will be camping near the RBS global headquarters in Edinburgh, Scotland, between 19th-25th August, but in the meantime to find out more about why we decided to focus on RBS this year come along and take a look at our exhibition at Glastonbury, then pick up a copy of our Never Mind The Bankers newspaper to peruse over a cup of tea or share with friends. We will be running DIY screenprinting workshops where you can learn how to screenprint your clothing with an anti RBS slogan. Simply bring your own or print onto one of our tshirts or bags. A great activity for kids! There will also be a chance to take part in Tripod Training: Tripods are used to blockade and secure a space on a direct action protest; come find out how to put them up and climb them safely. Good fun, and no previous experience or skills required.

Glastonbury-June-2009-tripod training
Glastonbury-June-2009-tripod training
Tripod Training.

Then of course there is our fabulous music, poetry and comedy line up, put together by yours truly. Read on to find out who will be gracing our Tripod Stage…. Pyramid Stage eat your heart out, this is where the real talent is.

Green-Kite-Midnight
Green Kite Midnight.

When I wrote up about the Climate Camp presence at Glastonbury in 2009 in my blog I talked about my hope that my band Green Kite Midnight would be able to play as the Climate Camp house band in 2010, so I’m very excited to report that we will be doing daily gigs this year. Five years ago I co-founded the barndance troupe Cutashine out of a desire to make traditional collective dancing more fun: after all, what’s better than a dance where you get to meet other people and really work up a sweat?

YouTube Preview Image

With Cutashine I played at gigs all over Glastonbury for several years, then left to start Green Kite Midnight through my contacts in Climate Camp; a band that supports and plays at direct action protests. Our first gig was at the Climate Camp in Bishopsgate during the G20 in April last year, we played to 800 people at the Blackheath Climate Camp in August 2009, and more recently we went on a 10 day solidarity bike ride together to play gigs to support the struggle against the Shell gas pipeline at Rossport in Ireland. With myself as emcee (I’m a gobby shite, so turn your mind away from those boring barn dances you might have attended as a child) we can teach anyone how to barn dance, so please come and join us.

And now for the rest of our fabulous line-up:

anna log
Anna Log
My Luminaries
My Luminaries, photography by James Dean White.

On Thursday we kick off four days of renewably powered music with a fabulous folky female. Anna Log – singer with pop folk band We Aeronauts – will be doing a solo set accompanied by her trusty uke. After our first ceilidh Glastonbury Emerging Talent winners My Luminaries round the evening off with a special semi-acoustic set of their epic indie rock.

Kirsty Almeida
Kirsty Almeida
Danny and the Champions of the World
Danny and the Champions of the World

On Friday Kirsty Almeida opens for us with her bass heavy soulful Bayou blues, then we’re pleased to welcome the epic musical dreamscapes of Newislands, described as Pink Floyd meets Depeche Mode. After that it’s time for some other Climate Camp regulars, Danny Chivers, Claire Fauset and Merrick, to grace the stage with their “triple-headed tag team political poetry extravaganza”. They’re all friends of mine that I’ve seen perform before so I highly recommend their set, which will be repeated on Sunday afternoon. As a closer we have the country-tinged big band folk of Danny and the Champions of the World.

kyla la grange
Kyla la Grange
Patch William
Patch William
Dry the River
Dry the River

To kick the day off on Saturday we welcome an exclusive Glastonbury appearance from a talented newcomer with a stunning voice; Kyla La Grange creates soaring melodies and is nearing completion of her debut album. Then comes Patch William – the dreamy lovechild of Nick Drake and Jimi Hendrix, who are followed by the scuzzy rock sound of York boys The Federals, described as a cross between the White Stripes and The Beatles. Then, time for a very special guest. Following my interview with Robin Ince a few weeks he very kindly promised to come by and do us a *special secret set* which will be a must see for all comedy fans at the festival. Tell all your friends! And come on by for a very intimate set from this well known comedian. Dry the River end the day with their beautiful melodic folk, singing songs of religion, history and community to rival those of Fleet Foxes and Mumford & Sons.

Pete the Temp
Pete the Temp
Pete Lawrie
Pete Lawrie
Get Cape. Wear Cape. Fly.
Get Cape. Wear Cape. Fly.

On Sunday we’ve got another packed day to end the festival. Pete the Temp returns to wow us with his comedic eco-political music and spoken word, then we look forward to hearing the bittersweet gospel blues of latecomer Pete Lawrie, who confirmed just as our flyer had gone to print. I am particularly pleased to welcome Get Cape. Wear Cape. Fly. the official moniker of singer songwriter Sam Duckworth. He will be showcasing music from his new album due for release later this year, and I’ve got a soft spot for him because he appeared in the print version of Amelia’s Magazine. Robinson will play a gypsy cajun folk set before we round off the festival with our GRAND RAFFLE. If you see our outreach team out and about please give generously to support Climate Camp and come along to our grand prize giving, which will be hosted by the inimitable Danny Chivers.

Glastonbury-June-2009-Grand Raffle presented by Danny Chivers
The Grand Raffle presented by Danny Chivers in 2009.

Don’t forget to follow myself and Climate Camp on twitter to find out how the festival is going; we can always live in hope that 3G reception will be better than it was last year! But most of all, don’t forget to come and visit us… and bring your friends along with you. I will of course write up a full report on my return. For a reminder of what to expect read my blog from last year here.

For a map and full timing information for all bands and workshops see this listings page.


Illustration by Maryanne Oliver

School’s almost out for summer. Soon blazers and ties will be ditched, adiposity with delight, cost for butterfly-bright bathers; and mortar boards tossed in glee at graduations everywhere. Uniforms may seem the antithesis of lazy, check hazy holidays and fantastic futures, but in cyberspace there’s one – albeit self-imposed – uniform showing us there’s a wealth of creativity to be found in the economical and ethical capsule wardrobe.  Will the Uniform Project please stand up!

May 1st 2010 saw the Uniform Project graduate with flying colours. An “exercise in sustainability”, in 2009, one Sheena Matheiken had pledged to wear one Little Black Dress, everyday for one year, for the Akanksha Foundation – a not-for-profit organisation educating kids in Indian slums.  Sheena and designer friend Eliza Starbuck, created a LBD which could be worn front, back, undone, for every season and all occasions. And for anyone wondering, “When did she wash the blighter?” she had seven all the same; adapting and accessorising with trinkets and treasures found on eBay, Etsy, or donated by ethical designers, like London’s own, Goodone – oh, and Sheena’s mother! 

Throughout its daily blog posts, the UP showed us how to put individual style into sustainable dress. From Day 1, “Albeit the rain and the swine”, in “classic black form”, through homage to Michael Jackson chic on Day 57, an Indian Independence Day sari ensemble, even an ‘evil sea sprite’ costume on Halloween – “Sprite seaweed and ocean foliage made entirely from UP accessory donors’ packaging material” – the UP proved there was more creativity to be had in one LBD than the whole Haus of Gaga. Well almost. 

In fact the LBD became the perfect backdrop for designers to display their wares.  Day 191 saw Sheena sporting a cape by Raffaele Ascione, “handcrafted from a satin overthrow blanket his grandmother used to own.” A Central Saint Martins student keen to raise funds to support his MA, Ascione’s designs have been donned by Lady Gaga herself, and in donating pieces to the UP he’s gained a web-wide audience eager to lap up his ethical ingenuity.  


Illustration by Maryanne Oliver

With some 5,500 Twitter followers and even more Facebook fans the UP has created an on-line social network to be reckoned with. At a recent New York symposium, Sheena said some of the UP’s ideas, like LBD Fridays, where supporters, worldwide, wore their own LBD ‘uniforms’ in aid of the project, had come directly from the UP community. Philanthropy, she said, should be ‘fun’, “… it’s about engaging on an intimate level and creating awareness in a way that allows people to really be a part of the change you are instigating.” 

At the ‘end of term’ party the UP celebrated kitting out over 260 Indian children for school.  And in the true spirit of sustainable style its Head Girl, Sheena, graduated in a “ reclaimed, recycled, renovated and refashioned” LBD; signalling the future’s not just bright for the kids it has helped into education, but also for the UP itself. 

When Chanel declared the LBD  “the new uniform of modern women”, back in the 1920s, its simplicity symbolised freedom. Freedom from status anxiety and constrictive fashion – another uniform of sorts, only one we didn’t always knowingly sign up to. Perhaps because the perfect LBD is glorified as style’s holy grail the simplicity of its message is often lost amongst all-consuming fast fashion fads. But it’s this very simplicity which has made the UP so successful.  Thus the Uniform Project has proved to be a much needed less-on to us all, to “Aspire. Achieve. Be the change.” (Akanksha Foundation motto).  

Categories ,1920s, ,Akanksha Foundation, ,Central Saint Martins, ,chanel, ,ebay, ,Eliza Starbuck, ,etsy, ,Facebook, ,goodone, ,Hallowe’en, ,Helen Davis, ,India, ,Lady Gaga, ,LBD, ,Little Black Dress, ,london, ,Maryanne Oliver, ,Michael Jackson, ,new york, ,Philanthropy, ,Raffaele Ascione, ,Sheena Mathelken, ,sustainability, ,Sustainable Style, ,The Uniform Project, ,twitter

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Amelia’s Magazine | London Fashion Week A/W 2010 Catwalk Review: Andrew Majtenyi by Amelia

Andrew Majtenyi by Maryanne Oliver
Andrew Majtenyi by Maryanne Oliver

Sometimes fashion designers decide to show in strange venues, there and such was the case with Canadian born designer Andrew Matjyeni, generic who decided to show in a fancy room at the top of an important looking building not far from Somerset House (Canada House, I believe. I can see how that makes sense). Ushered into a lift we were soon bunched into a weird little corridor several floors up, alongside lots of other slightly overheated and irate fashion punters. Not good when you suffer from fashion week freebie overburdenment combined with mild claustrophobia. And I was also bloody STARVIN I tells ya: this being late in the day and having not yet eaten. As Matt and I settled into the front row I casually wondered aloud if it would be okay to gobble down the rest of my Pret sandwich – Matt looked so mortified I quickly thought the better of it. I’m really not very good at fashion week etiquette, but I guess it’s not a good look really is it?

The first thing I loved about Andrew’s collection was the big big crimped hair, held back with delicate plaits. Possibly not what he was trying to sell, but hey, props to the hair stylist! The second thing I really liked was the cute oversized 50s inspired prints – bold, painterly and large, they featured parasol picnic tables, dogs on leads and elegantly dressed ladies on a day out. The pink splash silver birch digital print offered a more modern take on textile design, and it comes as no surprise to learn that Andew Majtenyi prefers to design directly with fabric rather than pen and paper.

Andrew Majtenyi by Maryanne Oliver
Andrew Majtenyi by Maryanne Oliver

Skirts were short short short and delicate pockets on sleeves made for interesting understated details. I can’t in all honesty remember a great deal else, other than it was all tasteful, elegant and wearable. A little research shows that Majtenyi clearly fancies himself a designer for the international jet set. And I quote verbatim from his website: “From his frequent international trips and the latest art/fashion installations, all keep on the pulse of what’s to come in the world of fashion and trends.” Here he also boasts of international tours. I thought those were the sole preserve of rockstars! It’s a shame that I can’t ultimately feel incredibly enthusiastic about the kind of fashion that promotes what I consider a very out of date lifestyle. And a dangerous one at that. Because ultimately someone somewhere will suffer because of the actions of those who take more than they need. My advice? Andrew, stick to doing what you do, well, in one country. We don’t need more global hyperbrands. Really we don’t. Why does everyone want world domination? My two pence, is all.

For Matt Bramford’s view of this show read on here.

Categories ,50s, ,Andrew Majtenyi, ,Canada House, ,catwalk, ,Hyperbrands, ,London Fashion Week, ,Maryanne Oliver, ,textiles

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Amelia’s Magazine | London Fashion Week A/W 2010 Catwalk Review: Belle Sauvage

Belle Sauvage. All photography by Amelia Gregory.
Belle Sauvage. All photography by Amelia Gregory unless otherwise stated.

It’s always good, approved I find, to get talking to the various freaks I photograph at fashion week. So there I was, taking an artfully staged pose of a boy channelling a New Romantic Michael Jackson (I’m sure there’s nothing like a death to bring on the best types of homage) when we got into a little conversation. “Are you a blogger?” he asked. “Why yes, I suppose I am, I said,” giving him my card. “Ohhhhh,” he went. “I know you – you’ve taught me. You came down to Epsom and gave us a lecture recently.”

Looking HAWT at fashion week gets you places...
Looking HAWT at fashion week gets you places…

I congratulated him on actually making an effort to get out to the fashion shows and he bemoaned his classmates, many of whom obviously weren’t inclined to blag it into the shows or maybe just didn’t possess his particular kind of panache. He told me had tickets for Mark Fast. Really? “Nightmare,” he said like a seasoned pro, gesticulating to the crush outside the venue before being whisked straight to the front of the queue by his mates. You see kids, if you dress up and make an effort to look FABULOUS, you get automatic access to all the best bits of fashion week. Mark Fast eh? I was refused tickets for that show dear readers. “Sorry we are oversubscribed so cannot accommodate you,” was the abrupt response from one Charlotte Delahunty (who she?) Unless, it appears, you are an ambitious student of mine. In which case you will be accommodated. I talked to Mark at his stand over at Somerset House and in person he proved to be very lovely, but it is the press bitches that control the gates to the shows and it pays to know these people. And they know it. Unfortunately I’m not very good at sucking arse. Sorry, I mean, being polite and charming (unless I genuinely like you). Story of my life really – but that doesn’t mean that I wouldn’t recommend making that little bit extra bit of effort to get along in fashion if that’s where your future lies. The future lies with the ambitious. Go out there, make friends and always, always dress fabulous.

Belle Sauvage runway. Photography by Tim Adey.
Belle Sauvage runway. Photography by Tim Adey.

Belle Sauvage. Photography by Amelia Gregory.
Belle Sauvage by Maryanne Oliver
Belle Sauvage by Maryanne Oliver.

Belle Sauvage.
Belle Sauvage by Maryanne Oliver
Belle Sauvage by Maryanne Oliver.

Belle Sauvage
Check out those armoured shoes. Won’t get into any trouble in those, no siree.

Belle Sauvage high hair and close plaits by Maryanne Oliver
Belle Sauvage high hair and close plaits by Maryanne Oliver.

Belle Sauvage

But back to the shows. Belle Sauvage is the baby of designers Virginia Ferreira and Christian Neuman. They’ve only just starting showing at London Fashion Week and there was a good crowd piled into Victoria House to see what they’d cooked up for their new collection. They have already made a bit of a name for their strong digital prints, and on this score they did not disappoint. Fritz Lang Metropolis inspired kaleidoscopic shapes were splattered across leggings and short shift dressings. A large face stared ominously back from oversized slouchy knitwear. Huge protected shoes, spiked and plated shapes emphasised the ever-present armoured theme, as did the severe back-combed mohawks and high swept eyeliner – making the models appear alien-esque, cold and untouchable as they strode down the runway to an industrial sound track. Belle Sauvage class themselves as a “boutique” brand and retail at a reasonable price on websites such as ASOS. It’s not easy to marry catwalk edginess with commerciality – especially at this price point – but Belle Sauvage seem to be making admirable headway. Other brands would do well to watch and learn.

Belle Sauvage. Photography by Tim Adey.
Belle Sauvage ALIENS. Photography by Tim Adey.

Categories ,ASOS, ,Belle Sauvage, ,Blagging, ,boutique, ,Christian Neuman, ,Digital Prints, ,epsom, ,Fritz Lang, ,Leggings, ,Mark Fast, ,Maryanne Oliver, ,Michael Jackson, ,New Romantic, ,UCCA, ,Victoria House, ,Virginia Ferreira

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Amelia’s Magazine | London Fashion Week A/W 2010 Catwalk Review: Charlie Le Mindu by Amelia

Charlie Le Mindu by Bex Glover
Charlie Le Mindu by Bex Glover

And so the circus starts all over again…. in a not particularly auspicious way for little ol’ me, pill as I was nearly run over by a succession of buses rally driving bumper to bumper through Holborn as I was wending my way to my first fashion week show astride my lethal Raleigh Shopper (yes, price Shopper, medications not Chopper. There will be no wheelies on this bike). And then a nasty man in a car called me a ‘stupid caaah’. It all started swimmingly I tells you. Bastard.

At the on/off premises – Victoria House in Bloomsbury – I was met by two young girls bearing brollies as if promoting a car show outside Earl’s Court rather than the uber-trendy off schedule space where all the most hotly tipped designers will show. Inside I was warned not to trip over a step leading to a stuffed deer over which swung, and will swing all week, an intricately papercut sculpture. Rob Ryan, I blame you – papercutting is so very now, it’s even on the light fittings in the press den.

Deer at On/Off by June Chanpoomidole
Deer at On/Off by June Chanpoomidole

Getting into the show proved simple – a charming cockney fella on the door was greeting all the as yet fresh-faced fashionistas with a cheery grin, merrily announcing: “You got a pass love? Don’t matter what kind. Oyster card will do!” Next to the showhall there was a hastily erected memorial to Alexander Mcqueen that looked suspiciously as if it may have been sponsored by apple, touch screens showcasing his catwalk shows interspersed with the occasional app rollcall. A more personal homage was to be found over at the BFC tent, featuring some touching hand written messages.

Illustration of Charlie Le Mindu by Bex Glover
Illustration of Charlie Le Mindu by Bex Glover

Charlie Le Mindu was and is principally known as a hair stylist, so it comes as no great surprise that his show was sponsored by copious quantities of hair products and… a wig salon; who provided the large empty pink boxes that everyone is seen touting about the place for the ensuing day, perfectly sized to make a great girly box file. In fact there was so much to take away that I struggled under the load from the very first show. Whoever said there was a recession?

I took my place on the front row next to Guy, editor of Fashion156 Magazine, which is another online fashion magazine. He told me that he had 12 people covering the shows, including backstage photographers. And they should be uploading throughout the day. I was impressed!

Illustration of Charlie Le Mindu by Bex Glover
Illustration of Charlie Le Mindu by Bex Glover

What can I tell you about Charlie Le Mindu? The show started with a lady bearing a crystal crucifix on her head and things just got better. The black lace bodystockings were merely a foil for the impressive cocoon like wigs and head pieces, constructed from feathers, tassels and all things exotic – most of it was not exactly clothing but defiantly offered a fan-fucking-tastic kick off to fashion week. The models stomped down the runway in royal blue make up, some smeared in deepest black bodypaint. Capes and swinging bags to match your hair? Why, step this way madam.

Illustration of Charlie Le Mindu by Bex Glover
Illustration of Charlie Le Mindu by Bex Glover

Charlie is clearly a magnet for the more exotic types of fashionista and there were plenty of strangely dressed people to be ogled, even so early in the morning, including a large man with a bushy beard, sexy black dress, (possibly real) fur stole and glamourous red lipstick. And the best bit about such creatures is that they’re more than happy to pose because they’re all hoping for a few moments of internet glory – and the possibility of flouncing their look from here to Timbuktu. We can all be famous now!

Bearded man with red lipstick by June Chanpoomidole
Bearded man with red lipstick by June Chanpoomidole

Read contributor Matt Bramford’s review of Charlie Le Mindu here, with illustrations by Maryanne Oliver.

Categories ,Alexander McQueen, ,Bex Glover, ,black, ,Charlie le Mindu, ,Feathers, ,Hairstylist, ,Jewels, ,June Chanpoomidole, ,lfw, ,Maryanne Oliver, ,Off Schedule, ,onoff, ,rob ryan, ,Victoria House

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Amelia’s Magazine | London Fashion Week A/W 2010 Catwalk Review: Charlie Le Mindu by Amelia

Charlie Le Mindu by Bex Glover
Charlie Le Mindu by Bex Glover

And so the circus starts all over again…. in a not particularly auspicious way for little ol’ me, pill as I was nearly run over by a succession of buses rally driving bumper to bumper through Holborn as I was wending my way to my first fashion week show astride my lethal Raleigh Shopper (yes, price Shopper, medications not Chopper. There will be no wheelies on this bike). And then a nasty man in a car called me a ‘stupid caaah’. It all started swimmingly I tells you. Bastard.

At the on/off premises – Victoria House in Bloomsbury – I was met by two young girls bearing brollies as if promoting a car show outside Earl’s Court rather than the uber-trendy off schedule space where all the most hotly tipped designers will show. Inside I was warned not to trip over a step leading to a stuffed deer over which swung, and will swing all week, an intricately papercut sculpture. Rob Ryan, I blame you – papercutting is so very now, it’s even on the light fittings in the press den.

Deer at On/Off by June Chanpoomidole
Deer at On/Off by June Chanpoomidole

Getting into the show proved simple – a charming cockney fella on the door was greeting all the as yet fresh-faced fashionistas with a cheery grin, merrily announcing: “You got a pass love? Don’t matter what kind. Oyster card will do!” Next to the showhall there was a hastily erected memorial to Alexander Mcqueen that looked suspiciously as if it may have been sponsored by apple, touch screens showcasing his catwalk shows interspersed with the occasional app rollcall. A more personal homage was to be found over at the BFC tent, featuring some touching hand written messages.

Illustration of Charlie Le Mindu by Bex Glover
Illustration of Charlie Le Mindu by Bex Glover

Charlie Le Mindu was and is principally known as a hair stylist, so it comes as no great surprise that his show was sponsored by copious quantities of hair products and… a wig salon; who provided the large empty pink boxes that everyone is seen touting about the place for the ensuing day, perfectly sized to make a great girly box file. In fact there was so much to take away that I struggled under the load from the very first show. Whoever said there was a recession?

I took my place on the front row next to Guy, editor of Fashion156 Magazine, which is another online fashion magazine. He told me that he had 12 people covering the shows, including backstage photographers. And they should be uploading throughout the day. I was impressed!

Illustration of Charlie Le Mindu by Bex Glover
Illustration of Charlie Le Mindu by Bex Glover

What can I tell you about Charlie Le Mindu? The show started with a lady bearing a crystal crucifix on her head and things just got better. The black lace bodystockings were merely a foil for the impressive cocoon like wigs and head pieces, constructed from feathers, tassels and all things exotic – most of it was not exactly clothing but defiantly offered a fan-fucking-tastic kick off to fashion week. The models stomped down the runway in royal blue make up, some smeared in deepest black bodypaint. Capes and swinging bags to match your hair? Why, step this way madam.

Illustration of Charlie Le Mindu by Bex Glover
Illustration of Charlie Le Mindu by Bex Glover

Charlie is clearly a magnet for the more exotic types of fashionista and there were plenty of strangely dressed people to be ogled, even so early in the morning, including a large man with a bushy beard, sexy black dress, (possibly real) fur stole and glamourous red lipstick. And the best bit about such creatures is that they’re more than happy to pose because they’re all hoping for a few moments of internet glory – and the possibility of flouncing their look from here to Timbuktu. We can all be famous now!

Bearded man with red lipstick by June Chanpoomidole
Bearded man with red lipstick by June Chanpoomidole

Read contributor Matt Bramford’s review of Charlie Le Mindu here, with illustrations by Maryanne Oliver.

Categories ,Alexander McQueen, ,Bex Glover, ,black, ,Charlie le Mindu, ,Feathers, ,Hairstylist, ,Jewels, ,June Chanpoomidole, ,lfw, ,Maryanne Oliver, ,Off Schedule, ,onoff, ,rob ryan, ,Victoria House

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