Diamonds

Amelia’s Magazine | Metric Collective Jewellery Pop Up Exhibition at 94 Columbia Road

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Metric Collective show 2011-Myia Bonner
Jewellery by Myia Bonner.

Metric Collective describes itself as a ‘collective of thinkers and doers, troche designers and makers who use co-creativity to engage and empower.’

Metric Collective show 2011-Myia Bonner
Pendant from The Diamond Collection by Myia Bonner.

I went along to the opening event a few weeks back, but the first Metric Collective pop up exhibition runs till 28th August so you still have plenty of time to pop on down. The exhibition has been made possible by Simon, a long time jeweller and owner of the store at 94 Columbia Road, who wants to encourage fresh young talent as well as invigorate interest in his own work. Metric Collective was put together primarily by jewellers Emma Madden and Myia Bonner.

Metric Collective show 2011-Emma Madden and Myia Bonner
Metric Collective creators, Emma Madden and Myia Bonner.

Shimell and Madden are showcasing some delicious gold and silver jewellery that play on the patterns created by gem facets and traditional stone setting skills. Luke Shimell provides the technical diamond cutting brains whilst Emma Madden provides the creative know how – by day she’s a PR for another jeweller in the local area and for the Metric Collective project she brings those skills to the fore.

Shimmell and Madden
Metric Collective show 2011-Emma Madden and Luke Shimmell
Emma Madden and Luke Shimmell.

Myia Bonner graduated from the brilliant Jewellery degree at Middlesex in 2010 and The Diamond Collection is an accomplished series of large diamond inspired cutwork rings and necklaces. Each piece has been hand finished to make it unique. You can also see Myia Bonner at New Designers this weekend.

Metric Collective show 2011-Myia Bonner
Myia Bonner in front of her collection.

As well as jewellery from Shimell and Madden there is also abstract wallpaper and illustrations from Jake Ambridge and a string window installation from Lora Avedian, all based on the geometric theme.

Jake Ambridge Metric Collective
Artwork by Jake Ambridge.

Perhaps most interesting of all are the collaborations – Emma Madden has worked with local school children to come up with some interesting geometric designs which are shown on the wall and the best of which will soon be made up into a piece of jewellery. Metric Collective is also providing a space for work by the Esther Benjamins Trust, set up to help disadvantaged girls in Nepal to make a living.

Metric Collective show 2011-Esther Benjaimins trust
Jewellery by the Esther Benjaimins Trust.

It’s a great idea to pull together creatives from different disciplines so that they can aid and encourage each other in the form of a collective, and it’s one of the first times that I’ve discovered a PR and journalist included in such a line up, their valuable expertise acknowledged for the part they play in promoting small events. You can never have enough help from those who specialise in these subjects, and for those of you still at college it’s well worth bearing in mind – when I teach I always encourage my students to make the most of the varied art and design networks they have available to them at university… contacts that it can be hard to come by once the big bad world beckons.

Metric Collective show 2011-Shimmell and Madden
Metric Collective show 2011

If you find yourself in Columbia Road anytime soon make sure you take a trip down to 94 Columbia Road and check out the talent for yourself. The Metric Collective pop up exhibition runs between 5th June – 28th August 2011. I warn you though… you are likely to want it all. But if you do splash the cash you will be safe in the knowledge that you’ll be supporting some great new talent in the process.

Written by Amelia Gregory on Monday June 27th, 2011 9:47 pm

Categories ,Cerise, ,collective, ,Columbia Road, ,craft, ,Diamonds, ,Emma Madden, ,Esther Benjamins Trust, ,Given, ,illustrations, ,installation, ,Jake Ambridge, ,jewellery, ,Lora Avedian, ,Luke Shimmell, ,Metric Collective, ,Myia Bonner, ,New Designers, ,Precious Stones, ,Simon, ,The Diamond Collection, ,Wallpaper

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Amelia’s Magazine | Green Gold, the Supermodel and the Blood Diamond – a fabulous tale of ethical jewellery

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Illustration by Paul Shinn

So I popped along to the opening of 123 Bethnal Green Road this week with Amelia, here who I found outside clutching her phone, more about medications looking a little anxious, sickness surrounded by Dr Noki’s entourage of weird and wonderful fashionos. I hadn’t expected this at all – and then remembered that this new store boasted an entire floor of Dr Noki’s fashions. Amelia and I both remarked what an exhausting effort it must be to be part of his clan, which left me wondering what said clan members wear to the supermarket – surely not this rig-out everyday?


Illustration by Paul Shinn

123 Bethnal Green Road promises to be a ‘sustainable fashion concept store’ and is many years in the making – gosh, that place has been ‘opening soon!’ longer than I’ve been in London. It’s a beautiful on both the inside and the outside, though – and a skim of the press release reveals, unsurprisingly, that it’s a listed building – which probably explains the hold up in it’s opening.


Illustration by Andrea Peterson

Brought to you from the people behind Vintage For Sale, these guys know their fashion and the store stocks a range of sustainable goods – from Dr Noki’s somewhat strange NHS range featuring the now ‘iconic’ New Era reworked hats, to vintage finds with the ’123′ label. The latter being more my cup of tea (with no offence to Dr Noki, of course) here there’s lots of interesting finds. Reclaimed fabrics have been reworked by the 123 design team, featuring the most covetable cuts – mini skirts, layered tops and ruffles are aplenty, making using of fascinating fabrics with all sorts of colours, patterns and textures.



Illustrations by Natasha Thompson

The store dedicates an entire floor to whacky Dr Noki, described as a ‘fashion rebel’. The doctor (I’d like to see his accreditation, please) is famed for said New-Era re-workings and outlandish creations, including turd necklaces for pregnant women. Yeah, you heard me. His ethos is a good one, though – he’s challenging the corporate giants of the fashion industry and creating one-off art pieces that, for all their nu-rave conotations, are pretty stunning…

…and the evening will remembered for Noki and his harem of followers, who push the fashion boundaries and are aching to be photographed (which suits me fine). Here are some photographs from the event for you to feast your eyes on:


Look at this guy. ACHING to be photographed, I tell ya. Pubis tattoos will be everywhere come SS2011.

All photographs by Matt Bramford

Feelin’ hot hot hot… we arrived at the field with a blanket and straw hat, check and headed straight to the bar. Queuing for what felt like a life-time in the blistering heat, advice sounds of Johnny Flynn drifted through the air along with the smells of barbecued sausages. Queuing aside, we were happy.

Ciders in hand we weaved through camping chairs and stepped apologetically over blankets, occasionally catching the odd sandaled foot or splashing a little cider over a resting head… all part of the joy of festivalling, we found a spot, lay the blanket on the ground just in time for Laura Marling to take to the stage. ‘Afternoon everyone!’ Laura’s soothing voice echoed over the masses, ‘what a day!’…. people woo’d and clapped and cheered. In two years, Marling’s voice and lyrics have matured from pretty ditties to soulful folk… and her performance this weekend reeled in an eclectic crowd. Folk of all ages stood, eyes fixed and humming and Marling’s voice resonated. Songs from Marling’s latest album I Speak Because I Can mixed with original tracks from My Manic and I had us reminiscing, spinning around and singing-along.

Between sets we ate, drank and lay gazing into the brilliant blue ether… catching a bit of celebrity football, Mumford & Sons giving it their best. Seasick Steve was next up, and took to the stage with crowds-a-roaring. Unfortunately, due to minor sunstroke, we weren’t around for the whole set, but from what we saw, as always Seasick gave a cracking performance.

Mumford & Sons belted out there emotive country-inspired folk, now well-known from their vast radio coverage, and had the audience fixed. Looking and sounding the part, and slotting in perfectly to the Hop Farm scene.

Whilst queuing for a lamb kofta and chatting to a wonderful lady who lives on a pig farm in Cambridgeshire, who told me stories of her days as a festival queen in the 70s… (she was so small she used to crouch on the loo seat, feet on the seat – to avoid sitting on it… little ladies – take note!) Ray Davies performed and it came as pleasant surprise to hear the well-known Kinks records: Lola, You Really Got Me and all the rest. At the age of 66, Ray’s voice carried across fields, still very much in tact.

Last but not least, good old Bob Dylan appeared on stage, his (very) husky tones hooking the expectant field of fans, and taking them on a tumultuous journey through a plethora of songs steeped in sentiment.

Finally, an incredible set from Devendra Banhart ensued; no longer the long-haired folky-dolky guy that once plucked at our heartstrings, Devendra has completely reinvented his style: short-back-and-sides, checked shirt and long yellow cardie buttoned up; the sounds were funky and playful, his voice endearing and still with that jagged edge that made him famous. Even a few Roxy Music covers were thrown in to get us grooving. We danced until the cows came home.

All in all, a grand day out. Thank you Hop Farm!


Mia Farrow, visit illustrated by Natasha Thompson

Tall tales of cursed jewels are ten a penny.  From the classic novel The Moonstone to the very real Hope diamond, the story is pretty formulaic: huge gem is prised from eye socket of sacred statue; setting in motion a thousand misfortunes – like an Indiana Jones-style booby trap. The curse followed the Moonstone from exotic India to the English countryside; and the hapless Marie Antoinette is falsely rumoured to have lost her head wearing the huge Hope diamond. 

In fact there seems to be a sneaking suspicion that there can be hell to pay for gems with a murky past.  But the modern-day mystery surrounding supermodel Naomi Campbell and the blood diamond that actress Mia Farrow alleges she received from Charles Taylor, former president of Liberia and war criminal, over at Nelson Mandela’s pad, shows not only is truth stranger than fiction, but that mud – or should that be blood? – sticks. 

Since 2002 when The Kimberley Process “[an] … initiative to stem the flow of conflict diamonds – rough diamonds used by rebel movements to finance wars against legitimate governments.” was introduced, and with a little help from Leonardo DiCaprio’s 2006 box office hit, consumers have been keen to bag rocks with a clearer conscience. In fact the ethical jewellery movement has gained such momentum that this year’s London Jewellery Week (LJW) saw the launch of Essence, ‘an Ethical Jewellery Pavilion’.  Showcasing pioneering ethical luxury jewellery brands like CRED and Fifi Bijoux alongside cutting edge names, like Ute Decker who uses recycled silver and bio resin, and some future glitterati from London Metropolitan University experimenting with materials like nylon. 

Christian Cheesman, of CRED, speaking at the What is Ethical Jewellery? Debate at LJW said, for him, ethical jewellery means redefining luxury to encompass “inner or spiritual values”. But the union of spirit and sparkle is not an easy one.  Cyanide, the favoured poison of many an Agatha Christie murderer, is used to extract gold, with lethal leakages into local water supplies a potential by product. According to the No Dirty Gold (NDG) campaign a gold ring results in 20 tonnes of mine waste. And miners, often fleeced by manipulative middle men, live lacking life’s bare necessities.  Thus CRED The “world’s first Fair Trade jewellery retailer” uses Oro Verde green gold, “the most loved gold in the world”, to create its wedding rings.  Oro Verde gold being produced using an “environmentally sustainable, socially responsible form of artisanal mining”.   


Illustration by Jenny Costello

NDG’s slogan: ‘The more you know, the less gold glows.’ is exactly the knowledge Vivien Johnston, Director of Fifi Bijoux, is keen to harness.  Recently dubbed “The Fairest of Them All” by Harpers Bazaar, Fifi Bijoux highlights hot topics with discreet designs in ethically sourced materials: from the humming bird pendant ‘inspired by our fragile earth’ to the Little Acorn pendant with 10% of profits going to sponsor children at risk of exploitation in Ghanaian mines. When I suggest to Vivien it’s about ‘educating’ the consumer she corrects me, it’s about making an “informed choice”, whether that is ethical or not, she says. 

Which brings us to ‘Essence’, a curious name for a jewellery showcase? It evokes aromas and flavours, not twinkling trinkets.  But according to the Oxford English Dictionary ‘essence’ can also mean:”the intrinsic nature of something; the quality which determines something’s character.”.  And it’s this facet of the word which resonates with the ethical jewellery ethos. We buy jewellery to mark memorable moments in our lives; and the meaning attributed to these special pieces makes it all the more imperitive they be produced in the best possible way. Ute Decker, for example, influenced by the Japanese philosophy of wabi sabi, crudely ‘imperfect beauty’, makes a feature of the creative process itself so that “…each object carries a meaning beyond its functional use.”. 

And from next Valentine’s Day wearing your heart on your sleeve – or round your lover’s neck – will be made easier with the launch of Fairtrade Fairmined gold, the first ever third party independent certification for gold, developed by Fairtrade Labelling Organisations International (FLO) and the Alliance for Responsible Mining (ARM). The launch date seems to symbolise the need to ‘spread the love’ all the way from your luxury pad here to impoverished mining communities there; as well as emphasising ethics as a high priority consideration to privileged consumers. 


Naomi Campbell, illustrated by James Wilson

So as notorious Naomi hotfoots it to The Hague to testify at the U.N.-backed Special Court for Sierra Leone, to “…help clarify events in 1997.”, it seems hardly surprising that someone with a string of ethical boobs to her name – famously U-turning on her “I’d rather go naked than wear fur” campaign for PETA – may be embroiled in such a saga. However, perhaps, this time, the ever fascinating flawed star will pull in the punters the good and the green sometimes fail to reach, casting some light on an industry which often bedazzles and beguiles. Let’s just hope, this time, her heart is in the right place.   

Written by Helen Davis on Monday July 26th, 2010 12:36 pm

Categories ,Alliance for Responsible Mining, ,Blood Diamond, ,Charles Taylor, ,CRED, ,Diamonds, ,Essence, ,Ethical Jewellery, ,fairtrade, ,Fifi Bijoux, ,ghana, ,Hope Diamond, ,Indiana Jones, ,Jewels, ,Leonardo DiCaprio, ,Liberia, ,London Jewellery Week, ,London Metropolitan University, ,Marie Antoinette, ,Mia Farrow, ,Naomi Campbell, ,Nelson Mandela, ,No Dirty Gold, ,Oro Verde, ,Oxford English Dictionary, ,PETA, ,Sierra Leone, ,The Hague, ,The Kimberley Process, ,The Moonstone, ,Ute Decker, ,Vivien Johnston

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Amelia’s Magazine | Central St Martins BA Show

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Last night was the BA fashion show from the students of Central St Martins in a blisteringly hot Bethnal Green York Hall, hospital search where forty students had their work sent down the catwalk to an audience expecting nothing except the best and, web of course, the wackiest. With such a massive amount of creativity flying about it saw an awful lot of boxes being ticked, including (unfortunately) the prerequisite models who couldn’t make it down the runway without falling over the sheer volume of fabric they were swathed in.

It’s a strange and sometimes disconcerting sensation being hurtled straight into the centre of somebody imagination for only about a minute and a half, and some informed you of their vision more immediately and successfully than others. Particularly memorable was Caroline Jarvis’s menswear, a selection of loose knits, oversized jerseys, with a gorgeous fair isle cardigan and wooden birdbox accessories (a rucksack and a bumbag, as you ask).

birdbox.jpg

birdbox%20backpack.jpg

I found it a really well put together collection and that’s effortlessly wearable but also enduring, with relaxed, rural overtones that provided a welcome dose of rustic respite amidst a sea of harsh, futuristic designs, with the models lobbing a stone back and forth between them a likeable touch.

carolinejarvis.jpg

I especially like the roughly cut schoolboy shorts on the final look, and the velvet pantaloons combined with some knitted socks. At the opposite end of the spectrum was John Booth, whose pieces had the air of children let loose with a whole lot of psychedelic crayons and felt tips, with raincoats covered in cartoon patches, giant beads and more colour than I’ve ever seen anywhere, ever, in the world.

jboo.jpg

Apart from in Peter Bailey’s collection of course, which saw giant plasticated jewellery and rockabilly straw hats against clashing check and polka dot prints. Pessimism certainly had no place here.

pb1.jpg

pb2.jpg

Knitwear was a popular choice and cropped up in unlikely places, including some seriously thick knitted trousers (by Sorada Thaiwaranon) that had the roasting hot audience looking on aghast. In fact the revelation of the evening seemed to be influence of craft on many of the collections, showing how the sustainable act of making perhaps has become more current than ever. Included in this was runner up Luke Brooks whose models were in some cases almost entirely enclosed in basket-weave cocoons, and elsewhere there were enormous thatch pockets, woven string blouses, wire coats and basket shoulder-pads. The patchwork tulip dress by Tamaki Fujie was another favourite, accessorised with a neckscarf made of flowers and a feather headdress.

tam2.jpg

tamaki1.jpg

The most positive responses seemed to be generated by the pastoral – maybe expressing some sort of growing ambivalence towards urban life, now that things are perhaps a bit more austere than we would like.

The winning collection was Dutch fashion print student Marie Hill, who sent out a series of fluorescent-techno bodycon cocktail dresses, with the body divided by contour lines of delicate folds with spider webs taut at the back.

Marie3.jpg

The construction seemed to reveal a tension of ideas, and we found out afterwards from Marie that she was keen to do something technically impressive with the materials that had been donated by 3M. The fabrication certainly lent her designs a toughness, which I think successfully created a curious dialogue with the sophisticated evening silhouettes on show.

mh6.jpg

She actually changed her whole collection two weeks before the show because she wanted it to be more feminine so I wonder how the robust materials translated prior to the revamp. The reflective pieces were actually safety vests cut into thin strips, and like Olga Shishinka who appeared to use old tent material, it was an opportune foray into the reuse of materials.

Olga1.jpg

Obviously a lot of trends were pandered to here – there were more jumpsuits than you could shake a stick for instance. The only rule here as an audience member is never to raise an eyebrow: you never know what you might be wearing next year.

Photos: Catwalking.com

Written by Jonno Ovans on Wednesday June 3rd, 2009 6:28 pm

Categories ,catwalk, ,craft, ,graduate, ,graphic prints, ,knitwear, ,reusable fabrics

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Amelia’s Magazine | An interview with jewellery designer Daisy Knights

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Illustration by Emma Block

From student life to Vogue fame in one action packed year, page cure Daisy Knights’ creations have already been snapped up by our most loved style icons and proved that ethically responsible jewellery can still be achingly cool.  

Splitting her time between the simple life in the countryside and the rush of her production process, buy Daisy tells us a little bit more about the passion and inspiration behind her jewellery collections and what the future holds for this wonderfully British label. 

Your collection has taken off at incredible speed, viagra dosage how does that feel?
It’s great, I’m so happy that people want to buy and wear my designs! I saw my bracelets in Vogue this month and had a moment of “wow, this time last year, I was at university and now my jewellery is in Vogue!” 


Illustration by Holly Trill

Two of your pieces, the Oxidised Feather ring and the 22 Karat Skull ring have recently been worn by Daisy Lowe and Alexa Chung, two of the UK’s biggest style icons. Did they approach you personally or was it just a wonderful surprise?
Well, we share the same publicist who made them aware of my pieces and happily, they seemed to love them! 

Which inspirations lie behind your jewellery designs?
Every collection is named after a friend and I use them as a muse for that collection. I aim to embody that person in the collection, My new one is Talullah, after my friend Tallulah Harlech. 

You pride yourself on having an ethically responsible ethos throughout your collection, is this something you have always had a strong belief in?
My workshop is in Britain and even my pouches are made here. I really try to be responsible but it’s not possible yet to get everything transparent sourced, which is what I hope for one day! There are so many grey areas within the industry in regards to where things come from. Keeping things in Britain means I know every person working for me, I know exactly how things are made and every person in my workshop is a highly skilled craftsman/woman. It means that my prices are higher than if I used a factory in India or China but I think the kind of people who buy my jewellery respect that it is very high quality and British made. 


Illustration by Matilde Sazio

Each one of your pieces is hand made from recycled materials, which is becoming increasingly popular in a society where everything seems so disposable. Is this something you aim to maintain and something you think your buyers appreciate above anything else?
I don’t want the main aspect of my jewellery to be that it is recycled. For my brand, it’s about the design and the recycled silver is just a plus! Not every piece is recycled silver but the majority is. For example, the chain is not recycled because it’s not possible to obtain. I would love my jewellery to be made from ethically mined silver rather than recycled but right now, not enough is produced and I’m not even sure it is possible yet, so right now recycled is better than nothing. I do hope, however, for it to be ethically mined silver one day in the future. My fine jewellery and bespoke engagement rings are ethically mined gold and diamonds. 

You personally make one of your designs, the Studded Wrap Around ring, at your home workshop away from production, is there any particular reason as to why you chose this one to work on alone?
I don’t ever want to be separated from the making process and this is a very popular piece so it’s nice to feel involved. I also make the Michelle stacking rings and a few others. It keeps my skills up for when I make engagement rings and bespoke pieces! I hate being away from the bench and I’m constantly making new samples for collections or adding pieces to existing ones. 


Illustration by Cat Palairet

Are there any designers out there that you would compare yourself and your work to?
At this early stage in my career, (I only graduated from Central Saint Martins last year) I’m not sure I could compare myself to anyone yet! However, my favourite designer is Matthew Williamson and I like to think my jewellery matches his clothing quite well! 

 Which of your pieces are you the most fond of?
My favourite piece has to be the new skull ring that I’ve done in an exclusive collection for Urban Outfitters… it’s not out yet though so you will have to wait and see! 

What do you get up to in the spare time that you have away from designing?
I live in the Cotswolds and I love going for country walks with my boyfriend and our dog, Ace Ventura Pet Detective (Ace for short). There’s a great pub in my village called the Falcon Inn which serves amazing locally sourced food and I love sitting by the fire there. I also love to sail and surf and when my boyfriend is back from work (he’s a pilot in the RAF) we go on surf trips together. I also love going to the British Museum and the V&A. 

What does the future hold for Daisy Knights?
Well hopefully it holds a long and happy career. But for the immediate future keep your eyes peeled for my new Spring/Summer collection…

Written by Siobhan Fagan on Thursday January 13th, 2011 6:30 pm

Categories ,Ace Venturer Pet Detective, ,Alexa Chung, ,Britain, ,British Museum, ,Central Saint Martins, ,Cotswolds, ,Daisy Knights, ,daisy lowe, ,Diamonds, ,Emma Block, ,ethical, ,Falcon Inn, ,Feathers, ,Gold, ,jewellery, ,Matilde Sazio, ,Matthew Williamson, ,Silver, ,skulls, ,Talullah Harlech, ,Urban Outfitters, ,va, ,vogue

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Amelia’s Magazine | Dame Elizabeth Taylor 1932 – 2011

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THUMB Kee Boutique 2 Michelle Urvall Nyrén

Kee Boutique illustration by Faye West

Lately, salve I’ve been thinking a lot about what I want to do with myself. You know, life stuff. I am incredibly grateful for my job, especially as I have friends in dire unemployment situations but it doesn’t stop me from dreaming about the ‘what if’s’ and ‘one day’s’ . I don’t have a single dream job. I never have. I do however, In my slightly schizophrenic special way, harbour numerous secret career cravings. These range from the sublime (Anthropologist, midwife, Inventor) to the ridiculous (Pearly Queen, agony aunt, Riverdance star– seriously.) But most of all I hope that one day, once upon a time perhaps, I shall have the means and the balls to retreat from my office based 9-5 to own my own little handmade business. Something to do with sewing machines and being outside a lot and haberdasheries and old things and perhaps chickens and copper kettles and err, well I’m not sure what it is exactly yet or how on earth it would come together. But I always like meeting people who have taken the plunge to do something they love, so I was pretty intrigued to interview Keely for Amelia’s Magazine.

Kee Boutique by Michelle Urvall Nyren

Who are you and what floats your boat?!

I am Keely Brightmore and my clothes are Kee Boutique. I love everything pretty and vintage. I like nothing better than rooting through flea markets and car boots for hidden gems, pieces of lace, broaches, fabrics, whatever I can find, then creating something beautiful from something on its last legs!

Where are you from – do you love it or hate it? and does it influence your work?

I am from Yorkshire, in the countryside, and now live in Leeds. The nature and beauty of home is very inspirational to my work, but I also love the buzz of the city.

Kee Boutique by Michelle Urvall Nyren

When did you start the shop and what made you want to start it?

I started it in July last year, just after I graduated from university. I have always been creative, designing and using my mum’s sewing machine as a child. I started selling my clothes online, in markets and in other people’s shops but always dreamt of having my own shop.

Where do you see your shop in 5 years time?

My shop is in a beautiful art deco building with several other independent shops and I firstly aim to help make the whole thing a great place to visit in Leeds. I also use my shop as a studio where customers can find me behind my sewing machine making my new garments to sell both in the shop, online and elsewhere. I would like to expand where my clothes are available but still using an ethical method of production.

Some might say It was very brave to launch a new fashion business in a recession;  how have you found it?

There were times at first when I was slightly doubtful in the current climate but if people like something they still seem to be able to afford it! This is a full time thing but the shop is only be part of it. I also sell my clothes in other shops and online – there’s a whole world of like-minded buyers!

Kee Boutique by Madi Illustrates

Do you have any advice or top tips for any other aspiring entrepreneurs who might be inspired by you?

If you love what you are trying to do then you just have to keep with it, visualise where you want to be, and, if it’s what you really want to do, then you will get there. I look for inspiration everywhere without thinking about it and, if it’s in you, you won’t doubt yourself or think of it as a job. Enjoy it!

What have been the best and worst moments in running your business so far?

The hardest part was at the beginning trying to get established, budgeting, not having enough time for everything, let alone time off! It’s all worth it though and my favourite parts of doing this are meeting new creative people who I can learn from, doing fashion shows and photoshoots and seeing the results of everyone’s hard work. I also love seeing people wearing my designs!

Who are your style inspirations?

I adore icons from the 20’s to now, in particular Bridget Bardot, Jane Birkin, Rita Heyworth, Kate Bush… I love the French style, Paris and Lolita… My favourite major designers are Chloe and Chanel…

Do you have a favourite vintage era?

The 40’s is probably my favourite style era with floral tea dresses, lace and pearls, very feminine and elegant, although I get inspiration from the best bits of different era’s.

What are your ethical motivations? What gets you really fired up?

I either make brand new clothes from vintage materials or rework unloved vintage clothes so it is very important that all my pieces are 100% ethical. I hate disposable fashion – with a little time and love you can always find a vintage piece that is the same as what you would find on the high street, except better quality, greener and way more interesting!

Do you have any secret career cravings?!

I do what I do because I love it so this is my career craving!

I think myself lucky to be passionate enough about something that can also be my living so it seemed natural for me to follow it. I think if people have a strong enough dream that can become reality they should be less fearful of following it, whether it is starting a business, travelling, providing for your family or exploring your talent.

Visit Kee Boutique Here

Kee Boutique illustration by Faye West

Lately, cheap I’ve been thinking a lot about what I want to do with myself. You know, viagra life stuff. I am incredibly grateful for my job, especially as I have friends in dire unemployment situations but it doesn’t stop me from dreaming about the ‘what if’s’ and ‘one day’s’ . I don’t have a single dream job. I never have. I do however, In my slightly schizophrenic special way, harbour numerous secret career cravings. These range from the sublime (Anthropologist, midwife, Inventor) to the ridiculous (Pearly Queen, agony aunt, Riverdance star– seriously.) But most of all I hope that one day, once upon a time perhaps, I shall have the means and the balls to retreat from my office based 9-5 to own my own little handmade business. Something to do with sewing machines and being outside a lot and haberdasheries and old things and perhaps chickens and copper kettles and err, well I’m not sure what it is exactly yet or how on earth it would come together. But I always like meeting people who have taken the plunge to do something they love, so I was pretty intrigued to interview Keely for Amelia’s Magazine.

Kee Boutique by Michelle Urvall Nyren

Who are you and what floats your boat?!

I am Keely Brightmore and my clothes are Kee Boutique. I love everything pretty and vintage. I like nothing better than rooting through flea markets and car boots for hidden gems, pieces of lace, broaches, fabrics, whatever I can find, then creating something beautiful from something on its last legs!

Where are you from – do you love it or hate it? and does it influence your work?

I am from Yorkshire, in the countryside, and now live in Leeds. The nature and beauty of home is very inspirational to my work, but I also love the buzz of the city.

Kee Boutique by Michelle Urvall Nyren

When did you start the shop and what made you want to start it?

I started it in July last year, just after I graduated from university. I have always been creative, designing and using my mum’s sewing machine as a child. I started selling my clothes online, in markets and in other people’s shops but always dreamt of having my own shop.

Where do you see your shop in 5 years time?

My shop is in a beautiful art deco building with several other independent shops and I firstly aim to help make the whole thing a great place to visit in Leeds. I also use my shop as a studio where customers can find me behind my sewing machine making my new garments to sell both in the shop, online and elsewhere. I would like to expand where my clothes are available but still using an ethical method of production.

Some might say It was very brave to launch a new fashion business in a recession;  how have you found it?

There were times at first when I was slightly doubtful in the current climate but if people like something they still seem to be able to afford it! This is a full time thing but the shop is only be part of it. I also sell my clothes in other shops and online – there’s a whole world of like-minded buyers!

Kee Boutique by Madi Illustrates

Do you have any advice or top tips for any other aspiring entrepreneurs who might be inspired by you?

If you love what you are trying to do then you just have to keep with it, visualise where you want to be, and, if it’s what you really want to do, then you will get there. I look for inspiration everywhere without thinking about it and, if it’s in you, you won’t doubt yourself or think of it as a job. Enjoy it!

What have been the best and worst moments in running your business so far?

The hardest part was at the beginning trying to get established, budgeting, not having enough time for everything, let alone time off! It’s all worth it though and my favourite parts of doing this are meeting new creative people who I can learn from, doing fashion shows and photoshoots and seeing the results of everyone’s hard work. I also love seeing people wearing my designs!

Who are your style inspirations?

I adore icons from the 20’s to now, in particular Bridget Bardot, Jane Birkin, Rita Heyworth, Kate Bush… I love the French style, Paris and Lolita… My favourite major designers are Chloe and Chanel…

Do you have a favourite vintage era?

The 40’s is probably my favourite style era with floral tea dresses, lace and pearls, very feminine and elegant, although I get inspiration from the best bits of different era’s.

What are your ethical motivations? What gets you really fired up?

I either make brand new clothes from vintage materials or rework unloved vintage clothes so it is very important that all my pieces are 100% ethical. I hate disposable fashion – with a little time and love you can always find a vintage piece that is the same as what you would find on the high street, except better quality, greener and way more interesting!

Do you have any secret career cravings?!

I do what I do because I love it so this is my career craving!

I think myself lucky to be passionate enough about something that can also be my living so it seemed natural for me to follow it. I think if people have a strong enough dream that can become reality they should be less fearful of following it, whether it is starting a business, travelling, providing for your family or exploring your talent.

Visit Kee Boutique Here

Kee Boutique illustration by Faye West

Lately, viagra sale I’ve been thinking a lot about what I want to do with myself. You know, illness life stuff. I am incredibly grateful for my job, especially as I have friends in dire unemployment situations but it doesn’t stop me from dreaming about the ‘what if’s’ and ‘one day’s’ . I don’t have a single dream job. I never have. I do however, In my slightly schizophrenic special way, harbour numerous secret career cravings. These range from the sublime (Anthropologist, midwife, Inventor) to the ridiculous (Pearly Queen, agony aunt, Riverdance star– seriously.) But most of all I hope that one day, once upon a time perhaps, I shall have the means and the balls to retreat from my office based 9-5 to own my own little handmade business. Something to do with sewing machines and being outside a lot and haberdasheries and old things and perhaps chickens and copper kettles and err, well I’m not sure what it is exactly yet or how on earth it would come together. But I always like meeting people who have taken the plunge to do something they love, so I was pretty intrigued to interview Keely for Amelia’s Magazine.

Kee Boutique by Michelle Urvall Nyren

Who are you and what floats your boat?!

I am Keely Brightmore and my clothes are Kee Boutique. I love everything pretty and vintage. I like nothing better than rooting through flea markets and car boots for hidden gems, pieces of lace, broaches, fabrics, whatever I can find, then creating something beautiful from something on its last legs!

Where are you from – do you love it or hate it? and does it influence your work?

I am from Yorkshire, in the countryside, and now live in Leeds. The nature and beauty of home is very inspirational to my work, but I also love the buzz of the city.

Kee Boutique by Michelle Urvall Nyren

When did you start the shop and what made you want to start it?

I started it in July last year, just after I graduated from university. I have always been creative, designing and using my mum’s sewing machine as a child. I started selling my clothes online, in markets and in other people’s shops but always dreamt of having my own shop.

Where do you see your shop in 5 years time?

My shop is in a beautiful art deco building with several other independent shops and I firstly aim to help make the whole thing a great place to visit in Leeds. I also use my shop as a studio where customers can find me behind my sewing machine making my new garments to sell both in the shop, online and elsewhere. I would like to expand where my clothes are available but still using an ethical method of production.

Some might say It was very brave to launch a new fashion business in a recession;  how have you found it?

There were times at first when I was slightly doubtful in the current climate but if people like something they still seem to be able to afford it! This is a full time thing but the shop is only be part of it. I also sell my clothes in other shops and online – there’s a whole world of like-minded buyers!

Kee Boutique by Madi Illustrates

Do you have any advice or top tips for any other aspiring entrepreneurs who might be inspired by you?

If you love what you are trying to do then you just have to keep with it, visualise where you want to be, and, if it’s what you really want to do, then you will get there. I look for inspiration everywhere without thinking about it and, if it’s in you, you won’t doubt yourself or think of it as a job. Enjoy it!

What have been the best and worst moments in running your business so far?

The hardest part was at the beginning trying to get established, budgeting, not having enough time for everything, let alone time off! It’s all worth it though and my favourite parts of doing this are meeting new creative people who I can learn from, doing fashion shows and photoshoots and seeing the results of everyone’s hard work. I also love seeing people wearing my designs!

Who are your style inspirations?

I adore icons from the 20’s to now, in particular Bridget Bardot, Jane Birkin, Rita Heyworth, Kate Bush… I love the French style, Paris and Lolita… My favourite major designers are Chloe and Chanel…

Do you have a favourite vintage era?

The 40’s is probably my favourite style era with floral tea dresses, lace and pearls, very feminine and elegant, although I get inspiration from the best bits of different era’s.

What are your ethical motivations? What gets you really fired up?

I either make brand new clothes from vintage materials or rework unloved vintage clothes so it is very important that all my pieces are 100% ethical. I hate disposable fashion – with a little time and love you can always find a vintage piece that is the same as what you would find on the high street, except better quality, greener and way more interesting!

Do you have any secret career cravings?!

I do what I do because I love it so this is my career craving!

I think myself lucky to be passionate enough about something that can also be my living so it seemed natural for me to follow it. I think if people have a strong enough dream that can become reality they should be less fearful of following it, whether it is starting a business, travelling, providing for your family or exploring your talent.

Visit Kee Boutique Here

Kee Boutique illustration by Faye West

Lately, diagnosis I’ve been thinking a lot about what I want to do with myself. You know, viagra dosage life stuff. I am incredibly grateful for my job, especially as I have friends in dire unemployment situations but it doesn’t stop me from dreaming about the ‘what if’s’ and ‘one day’s’ . I don’t have a single dream job. I never have. I do however, In my slightly schizophrenic special way, harbour numerous secret career cravings. These range from the sublime (Anthropologist, midwife, Inventor) to the ridiculous (Pearly Queen, agony aunt, Riverdance star– seriously.) But most of all I hope that one day, once upon a time perhaps, I shall have the means and the balls to retreat from my office based 9-5 to own my own little handmade business. Something to do with sewing machines and being outside a lot and haberdasheries and old things and perhaps chickens and copper kettles and err, well I’m not sure what it is exactly yet or how on earth it would come together. But I always like meeting people who have taken the plunge to do something they love, so I was pretty intrigued to interview Keely for Amelia’s Magazine.

Kee Boutique by Michelle Urvall Nyren

Who are you and what floats your boat?!

I am Keely Brightmore and my clothes are Kee Boutique. I love everything pretty and vintage. I like nothing better than rooting through flea markets and car boots for hidden gems, pieces of lace, broaches, fabrics, whatever I can find, then creating something beautiful from something on its last legs!

Where are you from – do you love it or hate it? and does it influence your work?

I am from Yorkshire, in the countryside, and now live in Leeds. The nature and beauty of home is very inspirational to my work, but I also love the buzz of the city.

Kee Boutique by Michelle Urvall Nyren

When did you start the shop and what made you want to start it?

I started it in July last year, just after I graduated from university. I have always been creative, designing and using my mum’s sewing machine as a child. I started selling my clothes online, in markets and in other people’s shops but always dreamt of having my own shop.

Where do you see your shop in 5 years time?

My shop is in a beautiful art deco building with several other independent shops and I firstly aim to help make the whole thing a great place to visit in Leeds. I also use my shop as a studio where customers can find me behind my sewing machine making my new garments to sell both in the shop, online and elsewhere. I would like to expand where my clothes are available but still using an ethical method of production.

Some might say It was very brave to launch a new fashion business in a recession;  how have you found it?

There were times at first when I was slightly doubtful in the current climate but if people like something they still seem to be able to afford it! This is a full time thing but the shop is only be part of it. I also sell my clothes in other shops and online – there’s a whole world of like-minded buyers!

Kee Boutique by Madi Illustrates

Do you have any advice or top tips for any other aspiring/fledgling business entrepreneurs?

If you love what you are trying to do then you just have to keep with it, visualise where you want to be, and, if it’s what you really want to do, then you will get there. I look for inspiration everywhere without thinking about it and, if it’s in you, you won’t doubt yourself or think of it as a job. Enjoy it!

What have been the best and worst moments in running your business so far?

The hardest part was at the beginning trying to get established, budgeting, not having enough time for everything, let alone time off! It’s all worth it though and my favourite parts of doing this are meeting new creative people who I can learn from, doing fashion shows and photoshoots and seeing the results of everyone’s hard work. I also love seeing people wearing my designs!

Who are your style inspirations?

I adore icons from the 20’s to now, in particular Bridget Bardot, Jane Birkin, Rita Heyworth, Kate Bush… I love the French style, Paris and Lolita… My favourite major designers are Chloe and Chanel…

Do you have a favourite vintage era?

The 40’s is probably my favourite style era with floral tea dresses, lace and pearls, very feminine and elegant, although I get inspiration from the best bits of different era’s.

What are your ethical motivations? What gets you really fired up?

I either make brand new clothes from vintage materials or rework unloved vintage clothes so it is very important that all my pieces are 100% ethical. I hate disposable fashion – with a little time and love you can always find a vintage piece that is the same as what you would find on the high street, except better quality, greener and way more interesting!

Do you have any secret career cravings?!

I do what I do because I love it so this is my career craving!

I think myself lucky to be passionate enough about something that can also be my living so it seemed natural for me to follow it. I think if people have a strong enough dream that can become reality they should be less fearful of following it, whether it is starting a business, travelling, providing for your family or exploring your talent.

Visit Kee Boutique Here

Kee Boutique illustration by Faye West

Lately, visit web I’ve been thinking a lot about what I want to do with myself. You know, life stuff. I am incredibly grateful for my job, especially as I have friends in dire unemployment situations but it doesn’t stop me from dreaming about the ‘what if’s’ and ‘one day’s’ . I don’t have a single dream job. I never have. I do however, In my slightly schizophrenic special way, harbour numerous secret career cravings. These range from the sublime (Anthropologist, midwife, Inventor) to the ridiculous (Pearly Queen, agony aunt, Riverdance star– seriously.) But most of all I hope that one day, once upon a time perhaps, I shall have the means and the balls to retreat from my office based 9-5 to own my own little handmade business. Something to do with sewing machines and being outside a lot and haberdasheries and old things and perhaps chickens and copper kettles and err, well I’m not sure what it is exactly yet or how on earth it would come together. But I always like meeting people who have taken the plunge to do something they love, so I was pretty intrigued to interview Keely for Amelia’s Magazine.

Kee Boutique by Michelle Urvall Nyren

Who are you and what floats your boat?!

I am Keely Brightmore and my clothes are Kee Boutique. I love everything pretty and vintage. I like nothing better than rooting through flea markets and car boots for hidden gems, pieces of lace, broaches, fabrics, whatever I can find, then creating something beautiful from something on its last legs!

Where are you from – do you love it or hate it? and does it influence your work?

I am from Yorkshire, in the countryside, and now live in Leeds. The nature and beauty of home is very inspirational to my work, but I also love the buzz of the city.

Kee Boutique by Michelle Urvall Nyren

When did you start the shop and what made you want to start it?

I started it in July last year, just after I graduated from university. I have always been creative, designing and using my mum’s sewing machine as a child. I started selling my clothes online, in markets and in other people’s shops but always dreamt of having my own shop.

What are your ethical motivations? What gets you really fired up?

I either make brand new clothes from vintage materials or rework unloved vintage clothes so it is very important that all my pieces are 100% ethical. I hate disposable fashion – with a little time and love you can always find a vintage piece that is the same as what you would find on the high street, except better quality, greener and way more interesting! [preach it Keely!]

Where do you see your shop in 5 years time?

My shop is in a beautiful art deco building with several other independent shops and I firstly aim to help make the whole thing a great place to visit in Leeds. I also use my shop as a studio where customers can find me behind my sewing machine making my new garments to sell both in the shop, online and elsewhere. I would like to expand where my clothes are available but still using an ethical method of production.

Some might say It was very brave to launch a new fashion business in a recession;  how have you found it?

There were times at first when I was slightly doubtful in the current climate but if people like something they still seem to be able to afford it! This is a full time thing but the shop is only be part of it. I also sell my clothes in other shops and online – there’s a whole world of like-minded buyers!

Kee Boutique by Madi Illustrates

Do you have any advice or top tips for any other aspiring/fledgling entrepreneurs?

If you love what you are trying to do then you just have to keep with it, visualise where you want to be, and, if it’s what you really want to do, then you will get there. I look for inspiration everywhere without thinking about it and, if it’s in you, you won’t doubt yourself or think of it as a job. Enjoy it!

What have been the best and worst moments in running your business so far?

The hardest part was at the beginning trying to get established, budgeting, not having enough time for everything, let alone time off! It’s all worth it though and my favourite parts of doing this are meeting new creative people who I can learn from, doing fashion shows and photoshoots and seeing the results of everyone’s hard work. I also love seeing people wearing my designs!

Who are your style inspirations?

I adore icons from the 20’s to now, in particular Bridget Bardot, Jane Birkin, Rita Heyworth, Kate Bush… I love the French style, Paris and Lolita… My favourite major designers are Chloe and Chanel…

Do you have a favourite vintage era?

The 40’s is probably my favourite style era with floral tea dresses, lace and pearls, very feminine and elegant, although I get inspiration from the best bits of different era’s.

Do you have any secret career cravings?!

I do what I do because I love it so this is my career craving!

I think myself lucky to be passionate enough about something that can also be my living so it seemed natural for me to follow it. I think if people have a strong enough dream that can become reality they should be less fearful of following it, whether it is starting a business, travelling, providing for your family or exploring your talent.

Visit Kee Boutique Here

Kee Boutique illustration by Faye West

Lately, information pills I’ve been thinking a lot about what I want to do with myself. You know, life stuff. I am incredibly grateful for my job, especially as I have friends in dire unemployment situations but it doesn’t stop me from dreaming about the ‘what if’s’ and ‘one day’s’ . I don’t have a single dream job. I never have. I do however, in my slightly schizophrenic special way, harbour numerous secret career cravings. These range from the sublime (Anthropologist, midwife, Inventor) to the ridiculous (Pearly Queen, agony aunt, Riverdance star– seriously.) But most of all I hope that one day, once upon a time perhaps, I shall have the means and the balls to retreat from my office based 9-5 to own my own little handmade business. Something to do with sewing machines and being outside a lot and haberdasheries and old things and perhaps chickens and copper kettles and err, well I’m not sure what it is exactly yet or how on earth it would come together. But I always like meeting people who have taken the plunge to do something they love, so I can briefly live vicariously through them.  So I was pretty intrigued to interview Keely, the owner of a vintage and handmade boutique for Amelia’s Magazine.

Kee Boutique by Michelle Urvall Nyren

Who are you and what floats your boat?!

I am Keely Brightmore and my clothes are Kee Boutique. I love everything pretty and vintage. I like nothing better than rooting through flea markets and car boots for hidden gems, pieces of lace, broaches, fabrics, whatever I can find, then creating something beautiful from something on its last legs!

Where are you from – do you love it or hate it? Does it influence your work?

I am from Yorkshire, in the countryside, and now live in Leeds. The nature and beauty of home is very inspirational to my work, but I also love the buzz of the city.

Kee Boutique by Michelle Urvall Nyren

When did you start the shop and what made you want to start it?

I started it in July last year, just after I graduated from university. I have always been creative, designing and using my mum’s sewing machine as a child. I started selling my clothes online, in markets and in other people’s shops but always dreamt of having my own shop.

What are your ethical motivations? What gets you really fired up?

I either make brand new clothes from vintage materials or rework unloved vintage clothes so it is very important that all my pieces are 100% ethical. I hate disposable fashion – with a little time and love you can always find a vintage piece that is the same as what you would find on the high street, except better quality, greener and way more interesting! [preach it Keely!]

Where do you see your shop in 5 years time?

My shop is in a beautiful art deco building with several other independent shops and I firstly aim to help make the whole thing a great place to visit in Leeds. I also use my shop as a studio where customers can find me behind my sewing machine making my new garments to sell both in the shop, online and elsewhere. I would like to expand where my clothes are available but still using an ethical method of production.

Some might say It was very brave to launch a new fashion business in a recession;  how have you found it?

There were times at first when I was slightly doubtful in the current climate but if people like something they still seem to be able to afford it! This is a full time thing but the shop is only be part of it. I also sell my clothes in other shops and online – there’s a whole world of like-minded buyers!

Kee Boutique by Madi Illustrates

Do you have any advice or top tips for any other aspiring/fledgling entrepreneurs?

If you love what you are trying to do then you just have to keep with it, visualise where you want to be, and, if it’s what you really want to do, then you will get there. I look for inspiration everywhere without thinking about it and, if it’s in you, you won’t doubt yourself or think of it as a job. Enjoy it!

What have been the best and worst moments in running your business so far?

The hardest part was at the beginning; trying to get established, budgeting, not having enough time for everything, let alone time off! It’s all worth it though and my favourite parts of doing this are meeting new creative people who I can learn from, doing fashion shows and photoshoots and seeing the results of everyone’s hard work. I also love seeing people wearing my designs!

Who are your style inspirations?

I adore icons from the 20’s to now, in particular Bridget Bardot, Jane Birkin, Rita Heyworth, Kate Bush… I love the French style, Paris and Lolita… My favourite major designers are Chloe and Chanel…

Do you have a favourite vintage era? Why?

The 40’s is probably my favourite style era with floral tea dresses, lace and pearls, very feminine and elegant, although I get inspiration from the best bits of different era’s.

Do you have any secret career cravings?!

I do what I do because I love it so this is my career craving!

I think myself lucky to be passionate enough about something that can also be my living so it seemed natural for me to follow it. I think if people have a strong enough dream that can become reality they should be less fearful of following it, whether it is starting a business, travelling, providing for your family or exploring your talent.

Thanks Keely!

Visit Kee Boutique Here

Illustration by Matilde Sazio

It came as a bit of a shock on Tuesday when I heard the news that Love Sensation superstar Loleatta Holloway had died. I remember my mum playing her records when I was a kid, pharmacy and I am still to this day astounded by her powerhouse vocals that sit on the right side of terrifying. Black Box’s Ride on Time, prescription which naughtily duplicated her mesmerising vocals, cemented her as part of music history forever.


Illustration by Faye West

So when I heard that Dame Elizabeth Rosemond Taylor had passed away the following day, it almost pushed me over the edge. Two women, icons for their respective achievements, had gone.


Illustration by Maria del Carmen Smith

Elizabeth Taylor was one of the few remaining genuine stars. In a world where everybody is a celebrity, she came from that golden era where few stood out – only the most beautiful, talented and sophisticated women made it in Hollywood. In 1999, the American Film Institute published its Legends list – an archive of the greatest movie stars to have ever lived. Taylor came in seventh – the top six are all gone (the Hepburns, Monroe, Garbo) and now, as of Wednesday, only three of the 25 women listed remain – Shirley Temple, Lauren Bacall and Sophia Lauren.


Illustrations by Daria Hlazatova

She was nominated in four consecutive years for the Best Actress Oscar, winning the latter for her performance in Butterfield 8 in 1960, and again in 1966 for Who’s Afraid of Virginia Woolf?. Fewer than 15 actresses have ever been awarded the honour twice in the award ceremony’s 80 year history.


Illustration by Maria Papadimitriou, aka Slowly the Eggs


Illustration by Daria Hlazatova

Born in England to an art dealer and an actress, Taylor was whisked away to Los Angeles by her parents and it would be here where Hollywood people “saw a movie future for every pretty face” and her mother would be urged to have Elizabeth screen tested. At the age of 9 she appeared in There’s One Born Every Minute and the rest, as they say, is history.


Illustration by Anna Roberts

Film after film followed – I could write a list but I’m sure you know, and if you didn’t you’ve probably read about them in every other tribute. I have to confess, I haven’t seen that many – I can never endure the whole of the week-long Cleopatra (somebody needs to edit it) but Taylor’s classic beauty and power as an actress resonates through even the film stills.


Illustration by Genie Espinosa

Taylor was also one of the reasons we’re so obsessed with celebrities’ private lives. She fascinated the general public with her addiction to marriages. This is a woman who married the same man twice, for God’s sake! She counted him – Richard Burton – as one of the two loves of her life, along with Michael Todd, her only marriage not to result in divorce (he tragically died in a plane crash).


Illustration by Rebecca Strickson

So how to remember Taylor? From silver screen legend, cavorting with cameras in black and white stills; to the 1980s in jewel-encrusted power dresses; to the Noughties when, even when she couldn’t walk she was covered in diamonds, Elizabeth Taylor was one of the most glamorous women to have ever lived. She embraced fashion and used it to her advantage – her dark complexion and olive skin always making her stand out in a sea of Hollywood blondes.


Illustrations by Jaymie O’Callaghan

Her marital record will of course go down in history, as should her genuine compassion for others. When her good friend Rock Hudson died from an AIDS related illness, she was one of the first major personalities to acknowledge the disease and spent the rest of her life raising awareness and founded the American Foundation for AIDS Research. So many people’s lives are better because of her efforts.


Illustration by Eleazer Renée


Illustration by Avril Kelly

In a typical fashion, I’ll finish with a quote – yes I know it’s the cheesiest possible ending, but this one is so good I couldn’t resist. No, not the one about not having tomorrow, or “big girls need big diamonds”. It’s this:

“If someone’s dumb enough to offer me a million dollars to make a picture, I’m certainly not dumb enough to turn it down.”


Illustration by Janneke de Jong

Written by Matt Bramford on Friday March 25th, 2011 1:30 pm

Categories ,1980s, ,AIDS, ,America, ,American Film Institute, ,American Foundation for AIDS Research, ,Anna Roberts, ,Audrey Hepburn, ,Best Actress, ,Black Box, ,Butterfield 8, ,Cleopatra, ,Dame Elizabeth Taylor, ,Daria Hlazatova, ,Diamonds, ,Eleazer Renée, ,England, ,Faye West, ,Genie Espinosa, ,Hollywood, ,Janneke de Jong, ,Jaymie O’Callaghan, ,Katherine Hepburn, ,Lauren Bacall, ,Liz Taylor, ,Loleatta Holloway, ,london, ,Los Angeles, ,Maria del Carmen Smith, ,Maria Papadimitriou, ,Marilyn Monroe, ,marriage, ,Matilde Sazio, ,Michael Todd, ,Naomi Law, ,Oscars, ,Rebecca Strickson, ,Richard Burton, ,Rock Hudson, ,Shirley Temple, ,Slowly the Eggs, ,There’s One Born Every Minute, ,Who’s Afraid of Virginia Woolf?

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