Amelia’s Magazine | Climate Rush Bike Rush

This Saturday, information pills pill The Land Is Ours collective will occupy some disused land near Hammersmith. An eco-village will take root, viagra sale peacefully reclaiming land for a sustainable settlement, and getting in touch with the local community about its aims. In a year when nearly 13,000 Britons lost their homes to repossessions in the first three months, eco-villages point the way to a more down-to-earth lifestyle.

Back in May 1996, the same collective took over a spot on the banks of the Thames in Wandsworth, in a land rights action that grew up over five and a half months into the Pure Genius community, based on sustainable living and protesting the misuse of urban land. Here are some photos from that project.

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The Land Is Ours channel the spirit of the Diggers , a group of 17-century radicals who picked out and dug over a patch of common land in St George’s Hill in Walton-upon-Thames back in the day. They were led by Gerard Winstanley, who thought any freedom must come from free access to the land.

Here’s a little more from ‘Gerard Winstanley’ about this weekend:

What’s the first thing you’ll do when you get there?
Have a meeting. One of the first priorities is to leaflet the local area in order to inform the local people of what we are doing. Another priority is the construction of compost toilets.

Do you have lots of plans for sheds, vegetable patches and compost toilets?

Yes. Due to the nature of the site (ex-industrial) we will likely be using raised beds to grow vegetables and buckets for potatoes. It being London, there should be a good supply of thrown away materials from building sites and in skips. Compost toilets are pretty essential.

?What kinds of people are you expecting to turn up?
All sorts. Hopefully a mixture of those keen to learn and those willing to teach. ??

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?I read the Chapter 7 manifesto. Have you notified the council or planning authority of your plans, or are you keeping to the idea that once you’re there, with homes under construction, it’s difficult to evict?
We haven’t notified the council yet- but we have a liaison strategy in place for when we’re in.

On that note, how long do you hope to be there?
The longevity of the Eco-village depends on how committed its residences and just as crucially how the local urban populus respond to our presence. If we receive the support we need, the council will likely think twice before embarking on an unpopular eviction (at least that’s the theory!).

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Could this realistically become a permanent residence, or is it more likely to be valuable simply as campaigning?
Hopefully it can be both. There is no reason why this site cannot sustain a core group of committed individuals and serve as a brilliant awareness raiser to the issue of disused urban land, lack of affordable housing and the a sustainable way of living that is friendly to people and planet and liberating.

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?Can I come along?
Of course, we are meeting at Waterloo Station at 10AM this Saturday (underneath the clock).

What might I need to do?
Bring a tent, sleeping bag and some food and water. You may be interested to read an article written by a journalist from the Guardian concerning the eco-village.

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So dig yourself out of bed this Saturday, and go discover the beginnings of London’s newest eco-village.
If the dark shades of under-duvet hideouts dominate the colour of your Sundays then you need to wake up and get greened. Arcola Theatre in East London hopes to be the first carbon neutral theatre in the world and has been appointed as the secretariat for the Mayor of London’s Green Theatre plan, this which aims to deliver 60 percent cuts in theatre carbon emissions by 2025.

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Illustration by Faye Katirai

As part of this environmental drive, the first Sunday of every month is a Green Sunday at Arcola Theatre. June’s event is part of Love London, the biggest green festival in Europe and looks at ethical consumption, promising ‘entertainment and inspiration for the ecologically curious’. From 3pm there’s a swap shop market plus cakes and tea to take you through the evening of Senegalese percussion, cool short and feature-length films, starting from 4.30pm. As the afternoon turns to evening, there will be a discussion with Neil Boorman, author of Bonfire Of The Brands, an account of his journey from shopping and brand addiction to a life free from labels. As part of the project, Neil destroyed every branded product in his possession, incinerating over £20,000 worth of designer gear in protest of consumer culture. This will be chaired by Morgan Phillips.

Neil and Morgan will later be joined by Richard King from Oxfam to talk about their 4-a-week campaign- encouraging shoppers to do their bit for sustainability each week.

Then at 7pm – Feature length film presented by Transition Town Hackney
A Crude Awakening: The Oil Crash

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I spoke to the sustainability projects manager at Arcola Theatre, Anna Beech, to find out more about Arcola’s arts world-changing philosophies:

All at Arcola must be extremely proud that a theatre founded only 9 years ago – and on credit cards! – is well on the way to becoming the first carbon neutral theatre in the world. Can you tell us a bit about how and why you made the decision to lead the green theatre movement?

Since 2007, Arcola has launched many high-profile green initiatives (including the pioneering use of LEDs and the on-site installation of a fuel cell to power bar and stage lighting). There are a number of reasons for this – because it contributes to reducing Arcola’s carbon emissions and resource use, because it makes financial sense – reducing energy bills; because it supports funding applications; because it integrates Arcola into the local community; allows Arcola to reach a wider audience and stakeholder base; and provides an effective platform upon which to publicise the name ‘Arcola’ – as a hub of creativity and sustainability.

Sustainability is part of Arcola’s core unique business model, alongside professional theatre and our youth and community programme.

Have you found that arts and science professionals are eager to integrate and come up with exciting ideas and actions or has it been difficult to bring the two fields together?

Arcola’s ArcolaEnergy has had considerable interest from technology companies and brokers, including the Carbon Trust. As a reocgnised innovator in sustainability in the arts, Arcola has been able to broker extremely advantageous relationships with private sector companies – who have provided the theatre with free green products, including LED lights – as well as other theatres and arts organisations (National Theatre, Arts Council, Live Nation, The Theatres Trust), and Government bodies like the DCMS and Mayor of London’s Office. Arcola’s reputation as a sustainable charity has created these partnerships and allowed them to grow and develop into mutually advantageous relationships. So this demonstrates that the arts and sustainability worlds can come together to form mutually advanteous relationships. However, there is plenty of work to be done.

So far, what has been the most successful pioneering energy practice you’ve introduced?

The installation of Arcola’s fuel cell in February 2008 made the venue the first theatre in the world to power its main house shows and bar/café on hydrogen. The Living Unknown Soldier gained reverence as London’s most ecologically sustainable show, with the lighting at a peak power consumption of 4.5kW, a reduction of 60 per cent on comparable theatre lighting installations.

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Previous Green Sunday events at the Arcola Theatre

Arcola’s ‘greening’ goes from the stage to the box office. Among other things, we produce ‘green’ newsletters for staff, we recycle, we provide free tap water to audiences (to lessen use of bottled water), we serve fairtrade, organic and local produce wherever possible (including organic vodka and whiskey!), we host Transition Town meetings, we installed a cycle enclosure for staff in 2009 and try to incentivise both staff and audiences to use public transport more and their cars less.

How do you think the technical creativity of sustainability has significantly shaped any of the plays Arcola has produced?

One example of the ‘greening’ of Arcola’s shows and working closely with production companies took place during the pre-production and staging of ‘Living Unknown Soldier‘ in 2008. The production explored the use of more energy efficient lanterns, including LED moving heads and batons (see Fig. 1) florescent tubes and some other filament lanterns such as low wattage source 4′s and par 16s. The crew tried to travel by public transport wherever possible, use laptops rather than PCs, limit phone use, source sustainable materials and managed to keep energy requirements low in order to use Arcola’s fuel cell to power the show.

‘‘The idea is that once you expose people to this stuff and they know you for doing it, they’ll gravitate towards you. Ultimately we should end up with some really good art about sustainability and some really good ideas about how to do art sustainably.” – Ben Todd, Executive Director and Founder of Arcola Energy.

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Illustration by David Elsley

Why do you think its particularly important for the arts to become more involved in green issues?

Because the arts have the power to influence behaviour change. Whilst the theatre industry itself has a relatively small carbon footprint (2% of total carbon emissions in London), and thus its capacity to deliver direct carbon emission reductions is relatively small; the power of theatre and the wider arts/cultural sectors to rapidly and effectively influence public behaviour and policy makers to drive significant indirect carbon emission reductions is very large (entertainment related activity accounts for up to 40% of travel emissions).

However, theatres and other arts venues must first address the ‘greening’ of their venues and practices in order to communicate climate change and environmental messages to audiences effectively and with impact.

Green Sundays is a great idea, how do you hope to see it develop in the future months?

We have a variety of themes in mind for future events, including a focus on the climate talks in Copenhagen in December, a water theme, ethical business, natural history and a Green Sunday programme tailored to children and young people.

So get over your hangover, get on your bike and cycle down to Dalston on Sunday to help spread the word about arts and sustainability coming together to communicate environmental messages to your local community.

To find out more about Green Sundays and the Arcola Theatre go to:

www.arcolatheatre.com
Continuing our odyssey of festival previews, page I bring you the amazing Green Man!

I don’t keep it secret that I’ve had a crush on Jarvis Cocker since I was 10 and first heard Common People, I suppose announcing it on a blog was just the next logical step in my snowballing lust for the bespectacled one. Imagine my delight when I saw he was headlining as a solo outfit at this year’s Green Man Festival.

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Green Man 2006

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Jarvis Cocker

All the other festivals will be green with envy over Green Man’s line-up, one of the most exciting and diverse of the summer. Alongside Jarv, Animal Collective will also be headlining and having seen them a couple of times over the past few years they are really not to be missed live, their shows can only be described as being in an underwater topsy-turvy world where you can feel the rhythm wash over you in waves.

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Animal Collective

Green Man is in no short supply of indie darlings and big names, with Wilco, Bon Iver, Gang Gang Dance, the delicious Beach House and Grizzly Bear; who I’m gagging to see live after finally getting a copy of their amazing second album Veckatimest. Not to be transatlantically out down; Green Man boasts an impressive array of home-grown talent- including Four-Tet, national treasures British Sea Power, and to woo the romantic in you; Camera Obscura.
Ex- member of my favourites Gorky’s Zygotic Mynki Euros Childs, Andrew Bird, 6 Day Riot and James Yuill also stand out as bands (as well as the above mentioned) not to be missed.

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Beach House

Whilst Green Man has managed to pull in such an awesome line-up, it has a reputation for a boutique-y intimacy and a friendly atmosphere. Green Man is most definitely a festival for music lovers, and one that I won’t be missing!

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Green Man Festival 2007

Green Man Festival takes place amidst the Breacon Beacons from 21st to 23rd August. Click here for ticket information.

Thumbnail by Roisin Conway
Some people have the knack for discovering those amazing pieces in charity shops – it’s generally the preserve of both the patient and the fashion-savvy who are content to rummage away until they emerge with some designer find that leaves you flapping your arms and wondering why it wasn’t you.
Now ten minutes in Topshop – that’s a quick fix. Why bother buying something old when you can buy something new? If last week’s Style Wars was only a half-formed idea, generic intent to float and suggest a concept, but not to follow through, TRAID (Textile Recycling for Aid and International Development) has articulated the remaking and reselling of used clothes as an ethical necessity. Citing the whopping £46 billion spent on clothes and accessories every year, TRAID highlights the colossal wastage resultant of constantly changing trends that are both cheap and easily available. The ease of shopping on the high street seems to problematise the feeling that the act of recycling is an almost paradoxical idea for an industry that is by name and nature grounded in an obsession with the new and the innovative.
Here lies the problem in normal charity shop shopping. The dowdy and stale image affixed to them is arguably (however unfortunately) justifiable, and TRAID has been taking the steps to rebrand the public perception of recycled clothing by actually joining the dots between the environment, recycling and fashion itself. Charity and fashion are practically mutually alienating concepts in most people’s minds. In short, charity shops aren’t trendy, so how do you turn that around? Chief Executive Maria TRAID recognises the problem and goes straight to the heart of it, saying “we have worked incredibly hard to change the face of charity retail by ensuring that our shops are stylish and affordable”, two words you might associate with the high street.

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TRAID has 900 textile recycling banks across the UK, and the company take the donations and sort by quality and style to then sell in one of their charity shops – clothes that are stained or torn are deconstructed and redesigned into a bespoke garment by the company’s own fashion label TRAIDremade.

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In a way it’s an absolute no-brainer: to take things people don’t want and make them something they do, especially as they follow high street trends, crafting sexy asymmetric dresses, bags cut from old leathers, signature hand printed tees and flirty dresses.

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Two weeks ago TRAID opened their tenth shop in their tenth year in Camden, which as well as being an area that’s a promising resource in terms of fashionable finds, is a landmark for a really inspirational company. To date TRAID has donated £1.4 million to help fight global poverty, supporting charities by funding projects in Malawi and Kenya amongst others. TRAID has ten shops located across London and Brighton, and TRAIDremade is available on getethical.co.uk.

Monday 8th June

The End of the Line

Imagine a world without fish. Released in cinemas across the country to coincide for World Ocean Day, medical an inconvenient truth about the devastating effect of overfishing.

Opens today, check your local cinema for screenings.

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Lambeth Green Communities Open Evening

Organised in partnership with Transition Town Brixton, Hyde Farm CAN and ASSA CAN, this is a chance to celebrate Lambeth’s Green Communities and be inspired to reduce your community’s environmental impact.

18.30-21.00 drop-in to Lambeth Town Hall, Brixton
Contact – Susan Sheehan, Ssheehan (at) lambeth.gov.uk

Tuesday 9th June

The Great British Refurb
Housing for a low carbon energy future – a talk at the The Royal Society

A talk by Professor Tadj Oreszczyn, chaired by Professor Chris Rapley. Theoretical carbon reductions have often been slow to materialise, new buildings can use up to twice the energy predicted, and energy use can actually go up when efficiency increases. This lecture will look at the possibilities for new building, and whether technology can solve our energy use problems. Tadj Oreszczyn is Professor of Energy and Environment and Director of the Energy Institute at UCL.

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This lecture is free – no ticket or booking required. Doors open at 5.45pm and seats are first-come first-served. Lecture starts at 6.30pm, The Royal Society

This lecture will be webcast live and available to view on demand within 48 hours of delivery at royalsociety.tv

Wednesday 10th June

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Illustration by Kerry Lemon

GM Crops and the Global Food Crisis

Dominic Glover, Erik Millstone, Peter Newell talk about possible solutions to the encroaching global food crisis – how will GM crops fit in to the struggle to raise yields, and could they be part of a truly sustainable answer?

6pm, Committee Room 10, Palace of Westminster.
Contact – c.matthews (at) ids.ac.uk

Thursday 11th June

Walking on the Edge of the City

Join a popular walking group on a stroll around this fascinating part of London. There’s no charge and no need to book. Do get there ten minutes before the start time, wear comfortable shoes and bring a small bottle of water.

11am – 12.15pm, meeting at St Luke’s Centre, 90 Central Street, London, EC1V

Clothes Swap at Inc Space

Daisy Green Magazine and ethical stylist Lupe Castro have teamed up to host what is hoped to be the UK’s biggest ever clothes swap. Nicola Alexander, founder of daisygreenmagazine.co.uk, said, “It’s like a fashion treasure hunt!”

The evening will kick off at 6.30 and, as well as the swish (apparently the ‘scene’ word for a clothes swap), it will feature an ethical styling demonstration by Lupe Castro, music from top green band, The Phoenix Rose, burlesque dancing and shopping opportunities from ethical fashion brands including Bochica, Makepiece, Bourgeois Boheme, and natural beauty company, Green People.

Tickets are £10 in advance and £15 on the door.
More information can be found on our facebook page
From 18:30 at INC Space in Grape Street, London WC2

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Illustration by David Elsley.

Friday 12th June

Compost Clinic and Recycling Roadshow

Redbridge Recycling Group are running a friendly information stand all day. Want to bin the bags and green your shopping habits? Fancy making your own compost or confused about packaging labels? Pop along any time of day to have your questions answered and find out how to make the future waste free.

11am – 4pm, Ilford High Road, opposite the Town Hall/Harrison Gibson

Saturday 13th June

World Naked Bike Ride

Taking place all over the country, all over the world, the World Naked Bike Ride protests against oil dependency and car culture, celebrating the power of our bikes and bodies. Every June, more than a thousand cyclists gather in London to take part. The easy 10 km route passes through London’s busiest and best known streets. Bring your bike and body (decorate both of these ahead of time)

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Assemble from 3pm in Hyde Park (South East section, near Hyde Park Tube) – east of the Broad Walk, south of the Fountain of Joy, and north of the Achilles Statue.

Saturday 13th and Sunday 14th June

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Sustainability Weekend

Celebrate the Love London, Love Your Planet Festival 2009 at the London Wetland Centre this weekend. Check out TFL’s new hybrid bus, see the Richmond shire horses and get a load of green tips and tricks. There will also be face painting for the kids, the Richmond cycling campaign and other environmentally friendly organisations.

11am-4pm, Saturday and Sunday
WWT London Wetland Centre, SW13 9WT
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Maaaan, pilule those bloomers are HOT!

My morning started bright and early on Monday 1st June: called upon as I was to document a Climate Rush action at Chatham House just as the E.ON sponsored conference began: Coal: An Answer to Energy Security? (like, drug duh… NO!)

As I was sitting in the very pleasant St James Square to avoid undue police annoyance (there were vehicles parked right outside the entrance) I found my eyes drawn to the undergrowth in the thicket of vegetation at the edge of the park. I should have been looking for activity outside the venue, but instead I found myself engaged in a dance between two Robins. I always thought Robins were solitary birds, but a quick google ascertains my reasoning that this pair must have been mates, although I’m fairly sure Robins don’t scavenge at ground level. There was also a young Blackbird, happily scrabbling around in the undergrowth for some nice tasty worms (I’m guessing… but that sounds like the perfect breakfast for a Blackbird) As I sat there wondering what was to pass in the street beyond I felt my heart sing. Here, even in the centre of our grubby and concreted capital city – nature finds a way. This is what I’m fighting for, I thought! The sheer joy of the natural world.

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a Blackbird in the undergrowth

And then, I noticed two coppers striding towards me. Would they find my Climate Rush badges? And pre-emptively arrest me for possible crimes against cotton with a badge pin? Asking why I was acting suspiciously by peering into the bushes I replied, “why, I’m taking photos of the birds” and showed the officers the photos on my camera playback. But they weren’t having it, and asked for my ID, which I refused. It’s not illegal to refuse to show your ID, but they took this as admission of guilt – a typical ploy of the police and one which I must check up on the legality of. They then searched me “because you must have something to hide if you don’t want to give us your name Angela Gregory” Ah!!! Clever officer! He’s been reading his little FIT watch spotter card and cribbing up on Climate Rush central. Only the trouble is, I’m not Angela Gregory – clever but not so clever officer. I’d love to see what they use as my mugshot – I hope it’s flattering.

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When I questionned the validity of their reason to search me, one officer told me that “you are believed to be a member of a group called Climate Action, no that’s not it… Climate Rush, and they have committed criminal damage on buildings.” Wrong again Mr. Officer! Our parliament gluers have been bailed away to return to charges of possible criminal damage, for one drop of glue that fell on the statue in parliament. Glue that washes away with one dab of a damp cloth. Like that’s got a rat’s chance in hell of standing up in court.

Still – they got my name right after a cursory search of my camera bag, which revealed an old business card that had been lurking in a side pocket for at least three years. But they didn’t find the badges, even though they were rattling like bastards. I knew they wouldn’t, the MET not being the brightest cookies in the biscuit jar. Oh, I will be in trouble the next time we meet! Woops! If they had discovered the badge stash they would have found not only climate rush badges but also E.ON F.OFF ones from the Climate Camp campaign – that would have got them very excited no doubt, given the sponsor of said Coal Conference.

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As usual I’ve gone off on a tangent… not long after the police accosted me there was a loud commotion the other side of the St James nature reserve, and the police and I were off like a flash to find out what was going on. Across the road a bunch of white clad people were trying to hold onto a bike sculpture, as the police tried to tussle it off them. Within moments the police had gained the upper hand, and instead the eleven protesters were trying to pull sashes from Deeds Not Words bags, and unfurl a lovely red banner reading No New Coal, before the police frogmarched them across the road and threw them into the “pen”.

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I dashed off home in the hopes of getting some images into the London papers – alas my speed was not rewarded with any success, but our actions did reach the attendees of the conference – one academic at the conference apparently spoke with a protester, and agreed that direct action was pushing matters in the right direction (he was a specialist in CCS, but held out little hope for it’s implementation, given the probable massive costs) Score one massive point to us! I hope that E.ON and their cronies were suitably rattled, even if the press didn’t feel see fit to publicise the action. In the end five activists were arrested but most were released within hours. One brave Climate Rusher was refused bail after glueing herself onto the Chatham House railings (you go girl!) and the judge at her hearing the next morning allegedly told her that our protest had been pointless, since it had not garnered any press – before slapping a massive 40 hours community service on her for aggravated trespass. We think not…

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the bike sculpture lies forlorn on the pavement

In recent weeks we’ve attracted a lot of interest from film makers, and by the time I arrived at Tamsin’s house to get ready for the Bike Rush that afternoon (and to hastily knock up one more pair of bloomers) there were cameras everywhere I turned. It’s not a sensation I particularly like, and have thus far managed to stay out of the current crop of films – leaving it to the more exhibitionist members of Climate Rush to hog the limelight. I worry that it is easy to manipulate our actions in the editing suite, and portray us in a way with which we will ultimately be unhappy and out of our control. But I guess it’s a situation that I need to grow used to – many of our sort – as well as being involved with an undoubtedly exciting group – are very attractive, garrulous and media savvy – an irresistable combination to a film maker. Me? I much prefer to stay behind the lens…

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finishing off the flags

As soon as the drawstring was threaded into the last pair of bloomers it was time to hit the high roads of Kilburn – seven of us on various bikes, none of which, I noted disappointingly, were even vaguely Edwardian-esque. Instead we had Geeky Rushette on a fold-out Brompton with a helmet. And we had Virgin Rushette with wispy blonde locks and billowing white damel-in-distress dress over her bloomers, and Not-Very-Good-on-a-Bike-in-London Rushette on a crappy mountain bike with a rusty chain that nearly fell off before we even set off.

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I was dressed in a simple black dress in the hope that my vintage hat from Hebden Bridge would be enough of a distraction and provide the right elegant touch – which was exciting as it tipped over both my eyes and my camera. We made a right merry site gunning down the bus lane towards Marble Arch, flags flapping behind as people turned to gawp at us. After taking a short cut through Green Park we traversed the Mall and came to a screeching halt at our destination, where we were seriously outnumbered by police. But blimey did we look good!

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gathered in Green Park as we approach!

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As we pulled sashes and t-shirts and badges and stickers from our panniers people began to arrive in their droves. The sun shone down as the cyclists spilled from the pen into the road and the police did little to resist.

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Tim cranked up Pedals, the bike sound system, and I chatted to people – it was great to discover that people had come from afar on the strength of joining our facebook group – ah, I do love to feel vindicated on the subject of social networking. I was also very pleased to see lots of children along for the ride, suitably togged up with sashes and of course helmets.

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maybe our youngest Rusher?

And a lot more customisation of sashes, which have suddenly found new lives as headbands on hats, ties around bike baskets, cumberbund style belts and a whole host more. Marina just opted to pile a whole load on, and looked a treat for it.

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a basket full of skipped flowers gets the sash treatment

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my fabulous vintage visor-meets-pie hat!

Then the Hare Krishnas arrived with a mighty noise that had the whole gathering swivelling their heads; a whole band seated in two trailers behind bicycles. I was astonished to see that a drum kit could indeed be transported this way (plus a rather large drummer).

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Once several hundred people had gathered in place there were a few false starts before it was time to take off for a ceremonial circuit of the square, wooping all the way before we stopped off at our first destination, just yards from the starting point – BP’s head offices – they of the infamous byline “Beyond Petroleum“. And fact fans, you’ll no doubt be interested to hear that BP have in fact spent more on the whole Beyond Petroleum (as if!) advertising campaign than they have in fact spent on alternative energy. Brilliant! Why pour money into researching renewables when you can instead rape and pillage the earth for a fraction of the cost? And spend any extra cash on greenwashing instead. Fabulous plan; congratulations BP.

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With that it was onwards on a winding route up to Piccadilly Circus, and from there up Charing Cross Road to Oxford Street, that grand bastion of consumerism -one of the biggest drivers of Climate Change. Tim gave a running commentary from the backseat of his tandem as we hollered our way down London’s flagship shopping street, before coming to a grand halt in the late evening sunshine smack bang in the middle of Oxford Circus. What a grand feeling! Many people seemed amused and even happy to see us, a grand diversion from the glittering goods in the windows.

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stopped in the centre of Oxford Circus

As we sailed downhill along Regent Street I spotted a Lush store, still with our Trains Not Planes banner proudly displayed in the window. A bike-bound copper looked on worriedly as someone went closer to take a look. Duh! They’re our friends – just take a look at the Evening Standard-alike banner outside the shop. We love Lush. We’re not about to do anything naughty!

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hmmm, the Queen’s residence ahead in the late evening sun…

On our second stop at Piccadilly Circus Tim cheekily waited until the lights went red “cos us cyclists always run red lights” before leading us across the main junction and down towards the Mall, where we sallied into the sunshine up to Buckingham Palace. I met the naked cyclists, who I’d been promised were attending. The girls had bikinis on and they all wore lots of paint, the better to cover up with, but they still looked rather fetching, if slightly less than wholely naked. And despite rumours to the contrary they were happy to sport a sash to protect their modesty as well.

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It was then but a short hop down to Victoria, where we paused to consider the headquarters of BAA – boooooooo. And then on past BERR, where, funnily enough, Neil “the weasel” FIT photographer was waiting for us. We all waved “hi” to him as he lowered his massive equipment and smiled slightly sheepishly at us. You know who we are Neil, and we all know who you are too. Why don’t you just get a better job? One in which you are helping to protect a better world for all, not just the interests of the few? Still, I have to commend the actions of the police who came along for the ride – for once they really did seem to be protecting the rights of protesters – having cross words with impatient drivers revving their engines and generally preventing overly aggressive behaviour from motorists.

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wave to Neil everyone!

Oh god, this has turned into a bit of an opus as usual, and I haven’t even mentioned all of our stopping off points! The fact is that unless you were right down the front near the sound system it was pretty impossible to hear the guided tour. And anyway, everyone was just so happy to be commandeering the streets of London – there’s nothing like reclaiming our public highways to feel empowered – that it didn’t matter if our tour was a little haphazard in the end (and we left our notes at home anyway, so it was a bit of an ad-lib).

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solidarity with the Tamils

And then we were at Parliament Square – the police momentarily blocked our entrance onto the roundabout, but then decided better as we filtered around them anyway. Soon we were level with the Tamils, who seemed somewhat bemused by our peace signs in solidarity. But oh what an inspiration they have been! Such tenacity. And then onwards to Westminster Bridge, where we turned in a big loop near the junction on the north side and stopped. Perhaps this would be an opportune place for that picnic we promised? A statement of our intent right next to the very seat of power that is failing us? The suggestion was met with amusement as it dawned on our riders that this was what we had in mind.

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that bike sign on the road has gotta mean “stop” right?

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Some clearly were not expecting it, but almost everyone was soon dropping their bikes to the road and pulling out their picnic blankets and food. As the sunset on Big Ben above us we raised our bikes aloft in joy, unfurled banners aplenty, and stood our ground. The police didn’t know what to do – FIT finally made it down from BERR, and climbed on top of a barrier right above where I’d left my bike. Weirdly the bamboo pole holding up my lovely Climate Rush flag was latter found snapped in two shortly afterwards. I hate to make accusations but…

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what a marvelous family!

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bike aloft

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As a bendy bus made an awkward 360 degree turn on the bridge passersby continued to stream past, snapping away and generally beaming at our audacity. A string of brightly coloured bunting cordoned off our blockade.

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fun with a bendy bus!

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The soundsystem was commandeered by a variety of eloquent speakers and Mark played us a tune or two. Sadly the promised celidh didn’t happen – our erstwhile fiddler had failed to materialise yet again and I was too busy running around like a headless chicken (taking photos) to figure out an alternative. I do apologise – multitasking got the better of me again.

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astride Boudicca

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gawping at their nerve

And then three Rushettes mounted the huge emblematic Boudicca statue in their stripey bloomers! One climbed right up to place a sash around Boudicca’s neck, before returning to sit astride one of the great beasts in a gesture of defiant victory. The first attempt to fly a flag from the horses’ hooves failed, but no matter, we’d been prolific in our banner making and another one was soon unfurled. Deeds Not Words. I think that powerful queen would have approved.

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bike blockade

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on a tandem

Shortly before 9pm the police approached us politely and charmingly (someone must have had words with them in recent weeks) to say that they would eventually have to move us on. We decided that it would be best to go out on a high and declared our intentions to the crowd, with an accompanying recommendation to come join us in a nice pub on The Cut by Waterloo. As we cycled off across the bridge I was amused to find tourists sitting in the middle of the road – thrilled with the lack of cars and the unexpected reclamation for bipedal human use.

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enjoying the reclaimed bridge

At the pub we laid out our picnic blankets again and enjoyed the warm balmy night in the company of many new friends. I was particularly thrilled to speak with new Rushers and especially to those who had not expected our final destination to be quite so spikey, but who had welcomed the unexpected turn of events with open arms. Inspiring mass direct action – it’s what we do best… so join us on our next action against the dirty palm oil biofuel business; responsible for massive environmental degradation, huge contributions of CO2 to the atmosphere, and the loss of 90% of the orangutans since the Suffragettes first walked this land. Don’t let those in power decide the future of our planet!

Categories ,activism, ,Bikes Environment, ,Climate Rush, ,Coal, ,Direct Action, ,protest

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Amelia’s Magazine | Climate Rush Bike Rush – Part 36

This Saturday, information pills pill The Land Is Ours collective will occupy some disused land near Hammersmith. An eco-village will take root, viagra sale peacefully reclaiming land for a sustainable settlement, and getting in touch with the local community about its aims. In a year when nearly 13,000 Britons lost their homes to repossessions in the first three months, eco-villages point the way to a more down-to-earth lifestyle.

Back in May 1996, the same collective took over a spot on the banks of the Thames in Wandsworth, in a land rights action that grew up over five and a half months into the Pure Genius community, based on sustainable living and protesting the misuse of urban land. Here are some photos from that project.

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The Land Is Ours channel the spirit of the Diggers , a group of 17-century radicals who picked out and dug over a patch of common land in St George’s Hill in Walton-upon-Thames back in the day. They were led by Gerard Winstanley, who thought any freedom must come from free access to the land.

Here’s a little more from ‘Gerard Winstanley’ about this weekend:

What’s the first thing you’ll do when you get there?
Have a meeting. One of the first priorities is to leaflet the local area in order to inform the local people of what we are doing. Another priority is the construction of compost toilets.

Do you have lots of plans for sheds, vegetable patches and compost toilets?

Yes. Due to the nature of the site (ex-industrial) we will likely be using raised beds to grow vegetables and buckets for potatoes. It being London, there should be a good supply of thrown away materials from building sites and in skips. Compost toilets are pretty essential.

?What kinds of people are you expecting to turn up?
All sorts. Hopefully a mixture of those keen to learn and those willing to teach. ??

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?I read the Chapter 7 manifesto. Have you notified the council or planning authority of your plans, or are you keeping to the idea that once you’re there, with homes under construction, it’s difficult to evict?
We haven’t notified the council yet- but we have a liaison strategy in place for when we’re in.

On that note, how long do you hope to be there?
The longevity of the Eco-village depends on how committed its residences and just as crucially how the local urban populus respond to our presence. If we receive the support we need, the council will likely think twice before embarking on an unpopular eviction (at least that’s the theory!).

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Could this realistically become a permanent residence, or is it more likely to be valuable simply as campaigning?
Hopefully it can be both. There is no reason why this site cannot sustain a core group of committed individuals and serve as a brilliant awareness raiser to the issue of disused urban land, lack of affordable housing and the a sustainable way of living that is friendly to people and planet and liberating.

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?Can I come along?
Of course, we are meeting at Waterloo Station at 10AM this Saturday (underneath the clock).

What might I need to do?
Bring a tent, sleeping bag and some food and water. You may be interested to read an article written by a journalist from the Guardian concerning the eco-village.

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So dig yourself out of bed this Saturday, and go discover the beginnings of London’s newest eco-village.
If the dark shades of under-duvet hideouts dominate the colour of your Sundays then you need to wake up and get greened. Arcola Theatre in East London hopes to be the first carbon neutral theatre in the world and has been appointed as the secretariat for the Mayor of London’s Green Theatre plan, this which aims to deliver 60 percent cuts in theatre carbon emissions by 2025.

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Illustration by Faye Katirai

As part of this environmental drive, the first Sunday of every month is a Green Sunday at Arcola Theatre. June’s event is part of Love London, the biggest green festival in Europe and looks at ethical consumption, promising ‘entertainment and inspiration for the ecologically curious’. From 3pm there’s a swap shop market plus cakes and tea to take you through the evening of Senegalese percussion, cool short and feature-length films, starting from 4.30pm. As the afternoon turns to evening, there will be a discussion with Neil Boorman, author of Bonfire Of The Brands, an account of his journey from shopping and brand addiction to a life free from labels. As part of the project, Neil destroyed every branded product in his possession, incinerating over £20,000 worth of designer gear in protest of consumer culture. This will be chaired by Morgan Phillips.

Neil and Morgan will later be joined by Richard King from Oxfam to talk about their 4-a-week campaign- encouraging shoppers to do their bit for sustainability each week.

Then at 7pm – Feature length film presented by Transition Town Hackney
A Crude Awakening: The Oil Crash

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I spoke to the sustainability projects manager at Arcola Theatre, Anna Beech, to find out more about Arcola’s arts world-changing philosophies:

All at Arcola must be extremely proud that a theatre founded only 9 years ago – and on credit cards! – is well on the way to becoming the first carbon neutral theatre in the world. Can you tell us a bit about how and why you made the decision to lead the green theatre movement?

Since 2007, Arcola has launched many high-profile green initiatives (including the pioneering use of LEDs and the on-site installation of a fuel cell to power bar and stage lighting). There are a number of reasons for this – because it contributes to reducing Arcola’s carbon emissions and resource use, because it makes financial sense – reducing energy bills; because it supports funding applications; because it integrates Arcola into the local community; allows Arcola to reach a wider audience and stakeholder base; and provides an effective platform upon which to publicise the name ‘Arcola’ – as a hub of creativity and sustainability.

Sustainability is part of Arcola’s core unique business model, alongside professional theatre and our youth and community programme.

Have you found that arts and science professionals are eager to integrate and come up with exciting ideas and actions or has it been difficult to bring the two fields together?

Arcola’s ArcolaEnergy has had considerable interest from technology companies and brokers, including the Carbon Trust. As a reocgnised innovator in sustainability in the arts, Arcola has been able to broker extremely advantageous relationships with private sector companies – who have provided the theatre with free green products, including LED lights – as well as other theatres and arts organisations (National Theatre, Arts Council, Live Nation, The Theatres Trust), and Government bodies like the DCMS and Mayor of London’s Office. Arcola’s reputation as a sustainable charity has created these partnerships and allowed them to grow and develop into mutually advantageous relationships. So this demonstrates that the arts and sustainability worlds can come together to form mutually advanteous relationships. However, there is plenty of work to be done.

So far, what has been the most successful pioneering energy practice you’ve introduced?

The installation of Arcola’s fuel cell in February 2008 made the venue the first theatre in the world to power its main house shows and bar/café on hydrogen. The Living Unknown Soldier gained reverence as London’s most ecologically sustainable show, with the lighting at a peak power consumption of 4.5kW, a reduction of 60 per cent on comparable theatre lighting installations.

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Previous Green Sunday events at the Arcola Theatre

Arcola’s ‘greening’ goes from the stage to the box office. Among other things, we produce ‘green’ newsletters for staff, we recycle, we provide free tap water to audiences (to lessen use of bottled water), we serve fairtrade, organic and local produce wherever possible (including organic vodka and whiskey!), we host Transition Town meetings, we installed a cycle enclosure for staff in 2009 and try to incentivise both staff and audiences to use public transport more and their cars less.

How do you think the technical creativity of sustainability has significantly shaped any of the plays Arcola has produced?

One example of the ‘greening’ of Arcola’s shows and working closely with production companies took place during the pre-production and staging of ‘Living Unknown Soldier‘ in 2008. The production explored the use of more energy efficient lanterns, including LED moving heads and batons (see Fig. 1) florescent tubes and some other filament lanterns such as low wattage source 4′s and par 16s. The crew tried to travel by public transport wherever possible, use laptops rather than PCs, limit phone use, source sustainable materials and managed to keep energy requirements low in order to use Arcola’s fuel cell to power the show.

‘‘The idea is that once you expose people to this stuff and they know you for doing it, they’ll gravitate towards you. Ultimately we should end up with some really good art about sustainability and some really good ideas about how to do art sustainably.” – Ben Todd, Executive Director and Founder of Arcola Energy.

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Illustration by David Elsley

Why do you think its particularly important for the arts to become more involved in green issues?

Because the arts have the power to influence behaviour change. Whilst the theatre industry itself has a relatively small carbon footprint (2% of total carbon emissions in London), and thus its capacity to deliver direct carbon emission reductions is relatively small; the power of theatre and the wider arts/cultural sectors to rapidly and effectively influence public behaviour and policy makers to drive significant indirect carbon emission reductions is very large (entertainment related activity accounts for up to 40% of travel emissions).

However, theatres and other arts venues must first address the ‘greening’ of their venues and practices in order to communicate climate change and environmental messages to audiences effectively and with impact.

Green Sundays is a great idea, how do you hope to see it develop in the future months?

We have a variety of themes in mind for future events, including a focus on the climate talks in Copenhagen in December, a water theme, ethical business, natural history and a Green Sunday programme tailored to children and young people.

So get over your hangover, get on your bike and cycle down to Dalston on Sunday to help spread the word about arts and sustainability coming together to communicate environmental messages to your local community.

To find out more about Green Sundays and the Arcola Theatre go to:

www.arcolatheatre.com
Continuing our odyssey of festival previews, page I bring you the amazing Green Man!

I don’t keep it secret that I’ve had a crush on Jarvis Cocker since I was 10 and first heard Common People, I suppose announcing it on a blog was just the next logical step in my snowballing lust for the bespectacled one. Imagine my delight when I saw he was headlining as a solo outfit at this year’s Green Man Festival.

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Green Man 2006

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Jarvis Cocker

All the other festivals will be green with envy over Green Man’s line-up, one of the most exciting and diverse of the summer. Alongside Jarv, Animal Collective will also be headlining and having seen them a couple of times over the past few years they are really not to be missed live, their shows can only be described as being in an underwater topsy-turvy world where you can feel the rhythm wash over you in waves.

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Animal Collective

Green Man is in no short supply of indie darlings and big names, with Wilco, Bon Iver, Gang Gang Dance, the delicious Beach House and Grizzly Bear; who I’m gagging to see live after finally getting a copy of their amazing second album Veckatimest. Not to be transatlantically out down; Green Man boasts an impressive array of home-grown talent- including Four-Tet, national treasures British Sea Power, and to woo the romantic in you; Camera Obscura.
Ex- member of my favourites Gorky’s Zygotic Mynki Euros Childs, Andrew Bird, 6 Day Riot and James Yuill also stand out as bands (as well as the above mentioned) not to be missed.

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Beach House

Whilst Green Man has managed to pull in such an awesome line-up, it has a reputation for a boutique-y intimacy and a friendly atmosphere. Green Man is most definitely a festival for music lovers, and one that I won’t be missing!

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Green Man Festival 2007

Green Man Festival takes place amidst the Breacon Beacons from 21st to 23rd August. Click here for ticket information.

Thumbnail by Roisin Conway
Some people have the knack for discovering those amazing pieces in charity shops – it’s generally the preserve of both the patient and the fashion-savvy who are content to rummage away until they emerge with some designer find that leaves you flapping your arms and wondering why it wasn’t you.
Now ten minutes in Topshop – that’s a quick fix. Why bother buying something old when you can buy something new? If last week’s Style Wars was only a half-formed idea, generic intent to float and suggest a concept, but not to follow through, TRAID (Textile Recycling for Aid and International Development) has articulated the remaking and reselling of used clothes as an ethical necessity. Citing the whopping £46 billion spent on clothes and accessories every year, TRAID highlights the colossal wastage resultant of constantly changing trends that are both cheap and easily available. The ease of shopping on the high street seems to problematise the feeling that the act of recycling is an almost paradoxical idea for an industry that is by name and nature grounded in an obsession with the new and the innovative.
Here lies the problem in normal charity shop shopping. The dowdy and stale image affixed to them is arguably (however unfortunately) justifiable, and TRAID has been taking the steps to rebrand the public perception of recycled clothing by actually joining the dots between the environment, recycling and fashion itself. Charity and fashion are practically mutually alienating concepts in most people’s minds. In short, charity shops aren’t trendy, so how do you turn that around? Chief Executive Maria TRAID recognises the problem and goes straight to the heart of it, saying “we have worked incredibly hard to change the face of charity retail by ensuring that our shops are stylish and affordable”, two words you might associate with the high street.

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TRAID has 900 textile recycling banks across the UK, and the company take the donations and sort by quality and style to then sell in one of their charity shops – clothes that are stained or torn are deconstructed and redesigned into a bespoke garment by the company’s own fashion label TRAIDremade.

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In a way it’s an absolute no-brainer: to take things people don’t want and make them something they do, especially as they follow high street trends, crafting sexy asymmetric dresses, bags cut from old leathers, signature hand printed tees and flirty dresses.

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Two weeks ago TRAID opened their tenth shop in their tenth year in Camden, which as well as being an area that’s a promising resource in terms of fashionable finds, is a landmark for a really inspirational company. To date TRAID has donated £1.4 million to help fight global poverty, supporting charities by funding projects in Malawi and Kenya amongst others. TRAID has ten shops located across London and Brighton, and TRAIDremade is available on getethical.co.uk.

Monday 8th June

The End of the Line

Imagine a world without fish. Released in cinemas across the country to coincide for World Ocean Day, medical an inconvenient truth about the devastating effect of overfishing.

Opens today, check your local cinema for screenings.

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Lambeth Green Communities Open Evening

Organised in partnership with Transition Town Brixton, Hyde Farm CAN and ASSA CAN, this is a chance to celebrate Lambeth’s Green Communities and be inspired to reduce your community’s environmental impact.

18.30-21.00 drop-in to Lambeth Town Hall, Brixton
Contact – Susan Sheehan, Ssheehan (at) lambeth.gov.uk

Tuesday 9th June

The Great British Refurb
Housing for a low carbon energy future – a talk at the The Royal Society

A talk by Professor Tadj Oreszczyn, chaired by Professor Chris Rapley. Theoretical carbon reductions have often been slow to materialise, new buildings can use up to twice the energy predicted, and energy use can actually go up when efficiency increases. This lecture will look at the possibilities for new building, and whether technology can solve our energy use problems. Tadj Oreszczyn is Professor of Energy and Environment and Director of the Energy Institute at UCL.

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This lecture is free – no ticket or booking required. Doors open at 5.45pm and seats are first-come first-served. Lecture starts at 6.30pm, The Royal Society

This lecture will be webcast live and available to view on demand within 48 hours of delivery at royalsociety.tv

Wednesday 10th June

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Illustration by Kerry Lemon

GM Crops and the Global Food Crisis

Dominic Glover, Erik Millstone, Peter Newell talk about possible solutions to the encroaching global food crisis – how will GM crops fit in to the struggle to raise yields, and could they be part of a truly sustainable answer?

6pm, Committee Room 10, Palace of Westminster.
Contact – c.matthews (at) ids.ac.uk

Thursday 11th June

Walking on the Edge of the City

Join a popular walking group on a stroll around this fascinating part of London. There’s no charge and no need to book. Do get there ten minutes before the start time, wear comfortable shoes and bring a small bottle of water.

11am – 12.15pm, meeting at St Luke’s Centre, 90 Central Street, London, EC1V

Clothes Swap at Inc Space

Daisy Green Magazine and ethical stylist Lupe Castro have teamed up to host what is hoped to be the UK’s biggest ever clothes swap. Nicola Alexander, founder of daisygreenmagazine.co.uk, said, “It’s like a fashion treasure hunt!”

The evening will kick off at 6.30 and, as well as the swish (apparently the ‘scene’ word for a clothes swap), it will feature an ethical styling demonstration by Lupe Castro, music from top green band, The Phoenix Rose, burlesque dancing and shopping opportunities from ethical fashion brands including Bochica, Makepiece, Bourgeois Boheme, and natural beauty company, Green People.

Tickets are £10 in advance and £15 on the door.
More information can be found on our facebook page
From 18:30 at INC Space in Grape Street, London WC2

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Illustration by David Elsley.

Friday 12th June

Compost Clinic and Recycling Roadshow

Redbridge Recycling Group are running a friendly information stand all day. Want to bin the bags and green your shopping habits? Fancy making your own compost or confused about packaging labels? Pop along any time of day to have your questions answered and find out how to make the future waste free.

11am – 4pm, Ilford High Road, opposite the Town Hall/Harrison Gibson

Saturday 13th June

World Naked Bike Ride

Taking place all over the country, all over the world, the World Naked Bike Ride protests against oil dependency and car culture, celebrating the power of our bikes and bodies. Every June, more than a thousand cyclists gather in London to take part. The easy 10 km route passes through London’s busiest and best known streets. Bring your bike and body (decorate both of these ahead of time)

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Assemble from 3pm in Hyde Park (South East section, near Hyde Park Tube) – east of the Broad Walk, south of the Fountain of Joy, and north of the Achilles Statue.

Saturday 13th and Sunday 14th June

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Sustainability Weekend

Celebrate the Love London, Love Your Planet Festival 2009 at the London Wetland Centre this weekend. Check out TFL’s new hybrid bus, see the Richmond shire horses and get a load of green tips and tricks. There will also be face painting for the kids, the Richmond cycling campaign and other environmentally friendly organisations.

11am-4pm, Saturday and Sunday
WWT London Wetland Centre, SW13 9WT
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Maaaan, pilule those bloomers are HOT!

My morning started bright and early on Monday 1st June: called upon as I was to document a Climate Rush action at Chatham House just as the E.ON sponsored conference began: Coal: An Answer to Energy Security? (like, drug duh… NO!)

As I was sitting in the very pleasant St James Square to avoid undue police annoyance (there were vehicles parked right outside the entrance) I found my eyes drawn to the undergrowth in the thicket of vegetation at the edge of the park. I should have been looking for activity outside the venue, but instead I found myself engaged in a dance between two Robins. I always thought Robins were solitary birds, but a quick google ascertains my reasoning that this pair must have been mates, although I’m fairly sure Robins don’t scavenge at ground level. There was also a young Blackbird, happily scrabbling around in the undergrowth for some nice tasty worms (I’m guessing… but that sounds like the perfect breakfast for a Blackbird) As I sat there wondering what was to pass in the street beyond I felt my heart sing. Here, even in the centre of our grubby and concreted capital city – nature finds a way. This is what I’m fighting for, I thought! The sheer joy of the natural world.

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a Blackbird in the undergrowth

And then, I noticed two coppers striding towards me. Would they find my Climate Rush badges? And pre-emptively arrest me for possible crimes against cotton with a badge pin? Asking why I was acting suspiciously by peering into the bushes I replied, “why, I’m taking photos of the birds” and showed the officers the photos on my camera playback. But they weren’t having it, and asked for my ID, which I refused. It’s not illegal to refuse to show your ID, but they took this as admission of guilt – a typical ploy of the police and one which I must check up on the legality of. They then searched me “because you must have something to hide if you don’t want to give us your name Angela Gregory” Ah!!! Clever officer! He’s been reading his little FIT watch spotter card and cribbing up on Climate Rush central. Only the trouble is, I’m not Angela Gregory – clever but not so clever officer. I’d love to see what they use as my mugshot – I hope it’s flattering.

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When I questionned the validity of their reason to search me, one officer told me that “you are believed to be a member of a group called Climate Action, no that’s not it… Climate Rush, and they have committed criminal damage on buildings.” Wrong again Mr. Officer! Our parliament gluers have been bailed away to return to charges of possible criminal damage, for one drop of glue that fell on the statue in parliament. Glue that washes away with one dab of a damp cloth. Like that’s got a rat’s chance in hell of standing up in court.

Still – they got my name right after a cursory search of my camera bag, which revealed an old business card that had been lurking in a side pocket for at least three years. But they didn’t find the badges, even though they were rattling like bastards. I knew they wouldn’t, the MET not being the brightest cookies in the biscuit jar. Oh, I will be in trouble the next time we meet! Woops! If they had discovered the badge stash they would have found not only climate rush badges but also E.ON F.OFF ones from the Climate Camp campaign – that would have got them very excited no doubt, given the sponsor of said Coal Conference.

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As usual I’ve gone off on a tangent… not long after the police accosted me there was a loud commotion the other side of the St James nature reserve, and the police and I were off like a flash to find out what was going on. Across the road a bunch of white clad people were trying to hold onto a bike sculpture, as the police tried to tussle it off them. Within moments the police had gained the upper hand, and instead the eleven protesters were trying to pull sashes from Deeds Not Words bags, and unfurl a lovely red banner reading No New Coal, before the police frogmarched them across the road and threw them into the “pen”.

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I dashed off home in the hopes of getting some images into the London papers – alas my speed was not rewarded with any success, but our actions did reach the attendees of the conference – one academic at the conference apparently spoke with a protester, and agreed that direct action was pushing matters in the right direction (he was a specialist in CCS, but held out little hope for it’s implementation, given the probable massive costs) Score one massive point to us! I hope that E.ON and their cronies were suitably rattled, even if the press didn’t feel see fit to publicise the action. In the end five activists were arrested but most were released within hours. One brave Climate Rusher was refused bail after glueing herself onto the Chatham House railings (you go girl!) and the judge at her hearing the next morning allegedly told her that our protest had been pointless, since it had not garnered any press – before slapping a massive 40 hours community service on her for aggravated trespass. We think not…

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the bike sculpture lies forlorn on the pavement

In recent weeks we’ve attracted a lot of interest from film makers, and by the time I arrived at Tamsin’s house to get ready for the Bike Rush that afternoon (and to hastily knock up one more pair of bloomers) there were cameras everywhere I turned. It’s not a sensation I particularly like, and have thus far managed to stay out of the current crop of films – leaving it to the more exhibitionist members of Climate Rush to hog the limelight. I worry that it is easy to manipulate our actions in the editing suite, and portray us in a way with which we will ultimately be unhappy and out of our control. But I guess it’s a situation that I need to grow used to – many of our sort – as well as being involved with an undoubtedly exciting group – are very attractive, garrulous and media savvy – an irresistable combination to a film maker. Me? I much prefer to stay behind the lens…

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finishing off the flags

As soon as the drawstring was threaded into the last pair of bloomers it was time to hit the high roads of Kilburn – seven of us on various bikes, none of which, I noted disappointingly, were even vaguely Edwardian-esque. Instead we had Geeky Rushette on a fold-out Brompton with a helmet. And we had Virgin Rushette with wispy blonde locks and billowing white damel-in-distress dress over her bloomers, and Not-Very-Good-on-a-Bike-in-London Rushette on a crappy mountain bike with a rusty chain that nearly fell off before we even set off.

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I was dressed in a simple black dress in the hope that my vintage hat from Hebden Bridge would be enough of a distraction and provide the right elegant touch – which was exciting as it tipped over both my eyes and my camera. We made a right merry site gunning down the bus lane towards Marble Arch, flags flapping behind as people turned to gawp at us. After taking a short cut through Green Park we traversed the Mall and came to a screeching halt at our destination, where we were seriously outnumbered by police. But blimey did we look good!

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gathered in Green Park as we approach!

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As we pulled sashes and t-shirts and badges and stickers from our panniers people began to arrive in their droves. The sun shone down as the cyclists spilled from the pen into the road and the police did little to resist.

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Tim cranked up Pedals, the bike sound system, and I chatted to people – it was great to discover that people had come from afar on the strength of joining our facebook group – ah, I do love to feel vindicated on the subject of social networking. I was also very pleased to see lots of children along for the ride, suitably togged up with sashes and of course helmets.

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maybe our youngest Rusher?

And a lot more customisation of sashes, which have suddenly found new lives as headbands on hats, ties around bike baskets, cumberbund style belts and a whole host more. Marina just opted to pile a whole load on, and looked a treat for it.

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a basket full of skipped flowers gets the sash treatment

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my fabulous vintage visor-meets-pie hat!

Then the Hare Krishnas arrived with a mighty noise that had the whole gathering swivelling their heads; a whole band seated in two trailers behind bicycles. I was astonished to see that a drum kit could indeed be transported this way (plus a rather large drummer).

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Once several hundred people had gathered in place there were a few false starts before it was time to take off for a ceremonial circuit of the square, wooping all the way before we stopped off at our first destination, just yards from the starting point – BP’s head offices – they of the infamous byline “Beyond Petroleum“. And fact fans, you’ll no doubt be interested to hear that BP have in fact spent more on the whole Beyond Petroleum (as if!) advertising campaign than they have in fact spent on alternative energy. Brilliant! Why pour money into researching renewables when you can instead rape and pillage the earth for a fraction of the cost? And spend any extra cash on greenwashing instead. Fabulous plan; congratulations BP.

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With that it was onwards on a winding route up to Piccadilly Circus, and from there up Charing Cross Road to Oxford Street, that grand bastion of consumerism -one of the biggest drivers of Climate Change. Tim gave a running commentary from the backseat of his tandem as we hollered our way down London’s flagship shopping street, before coming to a grand halt in the late evening sunshine smack bang in the middle of Oxford Circus. What a grand feeling! Many people seemed amused and even happy to see us, a grand diversion from the glittering goods in the windows.

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stopped in the centre of Oxford Circus

As we sailed downhill along Regent Street I spotted a Lush store, still with our Trains Not Planes banner proudly displayed in the window. A bike-bound copper looked on worriedly as someone went closer to take a look. Duh! They’re our friends – just take a look at the Evening Standard-alike banner outside the shop. We love Lush. We’re not about to do anything naughty!

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hmmm, the Queen’s residence ahead in the late evening sun…

On our second stop at Piccadilly Circus Tim cheekily waited until the lights went red “cos us cyclists always run red lights” before leading us across the main junction and down towards the Mall, where we sallied into the sunshine up to Buckingham Palace. I met the naked cyclists, who I’d been promised were attending. The girls had bikinis on and they all wore lots of paint, the better to cover up with, but they still looked rather fetching, if slightly less than wholely naked. And despite rumours to the contrary they were happy to sport a sash to protect their modesty as well.

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It was then but a short hop down to Victoria, where we paused to consider the headquarters of BAA – boooooooo. And then on past BERR, where, funnily enough, Neil “the weasel” FIT photographer was waiting for us. We all waved “hi” to him as he lowered his massive equipment and smiled slightly sheepishly at us. You know who we are Neil, and we all know who you are too. Why don’t you just get a better job? One in which you are helping to protect a better world for all, not just the interests of the few? Still, I have to commend the actions of the police who came along for the ride – for once they really did seem to be protecting the rights of protesters – having cross words with impatient drivers revving their engines and generally preventing overly aggressive behaviour from motorists.

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wave to Neil everyone!

Oh god, this has turned into a bit of an opus as usual, and I haven’t even mentioned all of our stopping off points! The fact is that unless you were right down the front near the sound system it was pretty impossible to hear the guided tour. And anyway, everyone was just so happy to be commandeering the streets of London – there’s nothing like reclaiming our public highways to feel empowered – that it didn’t matter if our tour was a little haphazard in the end (and we left our notes at home anyway, so it was a bit of an ad-lib).

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solidarity with the Tamils

And then we were at Parliament Square – the police momentarily blocked our entrance onto the roundabout, but then decided better as we filtered around them anyway. Soon we were level with the Tamils, who seemed somewhat bemused by our peace signs in solidarity. But oh what an inspiration they have been! Such tenacity. And then onwards to Westminster Bridge, where we turned in a big loop near the junction on the north side and stopped. Perhaps this would be an opportune place for that picnic we promised? A statement of our intent right next to the very seat of power that is failing us? The suggestion was met with amusement as it dawned on our riders that this was what we had in mind.

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that bike sign on the road has gotta mean “stop” right?

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Some clearly were not expecting it, but almost everyone was soon dropping their bikes to the road and pulling out their picnic blankets and food. As the sunset on Big Ben above us we raised our bikes aloft in joy, unfurled banners aplenty, and stood our ground. The police didn’t know what to do – FIT finally made it down from BERR, and climbed on top of a barrier right above where I’d left my bike. Weirdly the bamboo pole holding up my lovely Climate Rush flag was latter found snapped in two shortly afterwards. I hate to make accusations but…

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what a marvelous family!

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bike aloft

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As a bendy bus made an awkward 360 degree turn on the bridge passersby continued to stream past, snapping away and generally beaming at our audacity. A string of brightly coloured bunting cordoned off our blockade.

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fun with a bendy bus!

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The soundsystem was commandeered by a variety of eloquent speakers and Mark played us a tune or two. Sadly the promised celidh didn’t happen – our erstwhile fiddler had failed to materialise yet again and I was too busy running around like a headless chicken (taking photos) to figure out an alternative. I do apologise – multitasking got the better of me again.

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astride Boudicca

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gawping at their nerve

And then three Rushettes mounted the huge emblematic Boudicca statue in their stripey bloomers! One climbed right up to place a sash around Boudicca’s neck, before returning to sit astride one of the great beasts in a gesture of defiant victory. The first attempt to fly a flag from the horses’ hooves failed, but no matter, we’d been prolific in our banner making and another one was soon unfurled. Deeds Not Words. I think that powerful queen would have approved.

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bike blockade

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on a tandem

Shortly before 9pm the police approached us politely and charmingly (someone must have had words with them in recent weeks) to say that they would eventually have to move us on. We decided that it would be best to go out on a high and declared our intentions to the crowd, with an accompanying recommendation to come join us in a nice pub on The Cut by Waterloo. As we cycled off across the bridge I was amused to find tourists sitting in the middle of the road – thrilled with the lack of cars and the unexpected reclamation for bipedal human use.

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enjoying the reclaimed bridge

At the pub we laid out our picnic blankets again and enjoyed the warm balmy night in the company of many new friends. I was particularly thrilled to speak with new Rushers and especially to those who had not expected our final destination to be quite so spikey, but who had welcomed the unexpected turn of events with open arms. Inspiring mass direct action – it’s what we do best… so join us on our next action against the dirty palm oil biofuel business; responsible for massive environmental degradation, huge contributions of CO2 to the atmosphere, and the loss of 90% of the orangutans since the Suffragettes first walked this land. Don’t let those in power decide the future of our planet!

Categories ,activism, ,Bikes Environment, ,Climate Rush, ,Coal, ,Direct Action, ,protest

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Amelia’s Magazine | Climate Rush Bike Rush

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On Thursday the bath-time lovelies at Lush supported one of my great loves, by staging Climate Rush themed picnics outside all 89 of their UK stores.

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As was detailed by Cari in a previous post, my local Lush store just happens to be in Liverpool Street Station. Chosen as the flagship store for this event the picnic was attended by Lush superstar campaigners Sean and Andrew, who have together helped us out in a very big way.

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I sent the interns ahead on foot and arrived to find a fetching gingham tablecloth – bearing the timely ‘Climate Change is No Picnic’ slogan – being spread and upon it a yummy selection of vegan cake and cookies laid out for passersby to enjoy.

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A trio of violins led by the Rush’s very own Deborah (her of sticky-fingers-in-parliament fame) struck up a tune as the lovely Lush girls, dressed in full Edwardian garb, handed out Trains Not Planes sashes to business men passing by and even managed to engage some climate change denialists in some productive conversation.

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The police, as ever, were present. In fact I swear I recognised one of them from the “Riot Gate” at Kingsnorth during Climate Camp last year. Unlike then, they were eager to smell the soaps (all packaged in recyclable paper – Lush tries not to use excess packaging, just one of the reasons we love ‘em) and chat to the pretty shop girls. I wonder if they’ll be so nice to us on Monday…

As Tamsin did her best to butter up the passersby in those famous suffragette must-haves, fishnet tights and a miniskirt, we were pounced on by a person dressed up as a giant mobile phone.

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A slightly surreal experience to say the least, as the Lush shop girls tried to dress the ungainly thing in some bright red sashes, whilst Sean did his best to engage the phone in conversation about how many times a year it flies. My interns finally arrived and proceeded to pose marvelously for the camera. We’ve been joking that Jonno and Roisin are evil twins – just check them out!

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Over the weekend there has been a flurry of Climate Rush activity, both promotional and creative – we’ve flyered the South Bank twice, and approached friendly looking cyclists left, right and centre.

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It seems that if you ride a bike you are generally a friendly soul, and all of them were happy to hear about Climate Rush bar a particularly unpleasant yuppie couple with a pair of fold out Bromptons that no doubt only see the light of day when the sun shines at the weekend. Fairweather cyclists, who’d have ‘em?!

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In between accosting cyclists we have managed to print a mammoth amount of sexy sashes and flags to attach to the back of bikes.

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I’ve discovered that I can still sew, and managed to knock up 5 pairs of fetching bloomers in record time (just don’t look too closely at the sewing, I was in a hurry okay?!) Made out of red and white striped fabric with lacey ruffles on the legs they look part clown and more than a little bit burlesque, but then whoever said we take the Edwardian theme too seriously?! I can’t wait to see what everyone else dons for out bike ride tomorrow.

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Bring it on…. let’s show the government and big corporations that we won’t let them get away with business as usual when it comes to Climate Change. Collectively we can stop this beautiful world of ours from being buggered over, so make sure you come along and enjoy a stylish Bike Rush with a purpose. This is one cycle ride you’re sure to remember…

Read a past blog about this event here. What do you think about direct action over Climate Change? Let us know your views.

Categories ,activism, ,Bikes, ,Climate Rush, ,Coal, ,Direct Action, ,Environment, ,Lush

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Amelia’s Magazine | UK Uncut, Green & Black Cross, Black Bloc & the March for the Alternative.

buy purchase _Another_Level, approved _4x4x3m,_mixed_media_including_reclaimed_wood,_glass_flowers,_taxidermied_bird,_flower_pots,_2009_courtesy_the_artist_and_EB&Flow” width=”480″ height=”320″ class=”aligncenter size-full wp-image-38966″ />
Katie Louise Surridge, Another Level. Mixed media including reclaimed wood, glass flowers, taxidermied bird, flower pots.

Amidst the renovations and general detritus that inevitably comes when you do a top to toe renovation of a two floored building, Nathan Englebrecht and Margherita Berloni are guiding me around the former print works in Leonard Street, EC2 which will soon form the light-filled gallery space for EB&Flow. In the run up to the April 2nd opening, the gallery founders – both twenty somethings who met on an art business course – seem as cool as a proverbial cucumber and in good spirits as we tour the premises, chatting all the while about their vision for the space and how it will serve and suit their artists in residence. While art galleries are certainly not hard to come by in this neck of the woods, there is something very noteworthy about this particular endeavor, and that is the galleries extensive level of support to the artists who will exhibit in their gallery. Their aim is to cultivate long term relationships with the artists in residency, and share an ethos that they will try to make anything happen for them; advising them on their careers, placing them in collections, even paying for material costs if necessary.


A selection of works by some of the 10 artists who will be exhibiting at the group show Since Tomorrow
Gemma Anderson
Albemarlensis, Pahoehoe Lava


Ketil by Shannah Bupp.


Silent Are The Echoes by Nicholas Mcleod

During the time that their work is exhibited at EB&Flow, they are also given studio space within the gallery. (After a period, the walls will be removed and the studio becomes an exhibition in itself). It soon becomes clear that Nathan and Margherita feel passionately about this, discussing at length something which is somewhat of a current hot topic – the sense that artists are not provided with enough support and advice during their time at art school with regards to the business of art; (a subject that was recently discussed in Jessica Furseth’s article here). “We never felt that artists had the right platform in which to exhibit and the support that was needed to develop their careers”, Nathan explains. Born out of this is an additional feature of the gallery; an educational programme kicking off at the end of April that will discuss issues such as collecting, curatorial practice and artist professional development. They list a few of the topics that will be covered, such as the legality issues of selling art, re-sell rights, how to store art, how to do art fairs…..all things relevant and vital to a burgeoning artists career. It’s worth mentioning that these courses and lectures will be open to all. Check the EB&Flow website for further details.


Margeherita and Nathan, EB & Flow.

I ask Margherita and Nathan what they are looking for in an artist, and what type of work will feature at EB&Flow. “There is a certain aesthetic line going through our choice of artists”, Nathan explains, with Margherita adding “we steer away from very conceptual stuff and minimalist art; we want something rich and interesting to look at”. Their first collection is entitled Since Tomorrow, curated by Attilia Fattori Franchini and features work (using disciplines such as installation, painting, sculpture and photography) from ten emerging artists exploring the dynamics of space and providing responses to the question ‘ what is the space we are living at the moment and how do we represent it?’. Work will be shown by Briony Anderson, Gemma Anderson, Neil Ayling, Ross M. Brown, Shannah Bupp, Sue Corke, Dylan Culhane, Alessandro Librio, Nicholas McLeod, Katie Louise Surridge and Cristian Zuzunaga.


A Beautiful Struggle by Katie Louise Surridge

Amongst the core group of artists whose work will be opening the gallery is Katie Louise Surridge, a Slade School of Fine Art graduate. (She will also go on to have a residency at the EB&Flow gallery). Her work will particularly resonate with anyone who lives in grimy, rubbish strewn London because Katie has the ability to make something beautiful out of the underbelly of the city. Her installations use found objects which she sources during scavenging missions done mainly along the Thames, creating a utopia out of what has been left behind and discarded. While I was talking with Nathan and Margherita, Katie was busy getting a sense of the space that will feature her (very big) installation. She works mostly with natural materials, such as aged wood and metal; “natural materials that have been used in this urban scheme, and then reverted back to being natural again”. “I have this fascination with what’s left behind”, she continues, “I like the aesthetic of what the river washes up – it’s been there for a long time and it’s aged and it feels like its got a bit of history behind it”. Discovering Katie’s work makes me realise how little I know about what gets discarded in big cities, and how much waste washes up around us.


So Over by Katie Louise Surridge

It’s impossible not to warm to Katie, especially after discovering the following facts about her:
– She once found an S+M style gag washed up in the river and took it to the pub, thinking that it was a dog collar.
– She was in the Boy Scouts as a child (not the Brownies)
– She is a self confessed obsessive hoarder
– Her beloved dog is going to be featured on a ‘Dog Borstal’ style TV show
– She is saving up to buy a metal detector to assist her scavenging expeditions.

Since Tomorrow: Exhibition Dates, 2 April – 26 May.


Dylan Culhane, and his work Mechanotron which will feature in Since Tomorrow.

March 26 2011-UK UncutUK Uncut gathers on the South Bank on Saturday 26th March 2011. All photography by Amelia Gregory.

Unless you have been living under a rock you will be aware that there was a huge anti-cuts March for the Alternative on Saturday 26th March 2011. In the days since then the press has been dominated with both outrage from the government that “hooligans” should be allowed to roam the streets, order and on the other side, order shock at the way in which once again the police and media have mistreated protestors. As anyone who was following me on Twitter will know I was involved on the UK Uncut action, pharmacy which involved an occupation of Fortnum & Mason… yet another large corporation culpable of massive tax avoidance: This action led to by far the largest numbers of arrests and charges on the day: a staggering 138 of the 149.

March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory

March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory

On my way through London I saw the most enormous amount of creativity, from pound coin shields to a Trojan Horse cunningly installed at the centre of Oxford Circus – and of course plenty of banners bursting with witty one liners: included in this blog post are just a few of the amazing sights from the day. With a march numbering possibly half a million and upwards (something the government has been quick to downplay) there were surely many great ones that I missed – especially the legendary message “I was told there would be biscuits” carried by a small child on someone’s shoulders. I broke away from the march early on to take part in UK Uncut actions on Oxford Street and then at Fortnum & Mason.

March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory

Demonised by the press for their behaviour, UK Uncut have been quick to fight back with their version of events: really, the police and media should know better. Both UK Uncut and Green & Black Cross – the support network that provided legal observers and arrestee support – have grown out of Climate Camp networks and ways of organising to take on completely new identities of their own. As a result some of those involved are no strangers to wrongful arrest, police brutality and political policing: remember Heathrow, Kingsnorth, G20 and Ratcliffe anyone? These people know what they are doing; naturally the unfair arrests of UK Uncut was filmed and immediately shared, the footage unsurprisingly making the front page of the Guardian.

March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory

Some people might wonder what on earth the links between the anti-cuts movement and Climate Camp are, but Climate Camp has always been rooted in a desire to address the social inequalities of capitalism – for example a breakaway group in London is currently looking at ways to campaign around fuel poverty. One of the favourite slogans at the COP15 Climate conference was System Change not Climate Change – we can’t cure the problem with simple quick fix answers, but rather by tackling the whole global neoliberal system. A brutal plan to cut services such as libraries and the NHS will undermine the fabric of a just society, affecting the poor most. Meanwhile the rich are able to avoid huge tax bills at a time when we desperately need to start building a green economy that is not based on endless profit. Clearly these inequalities are something that green activists are keen to tackle.

March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory

Climate Camp has also always been a broad mix of liberalism and radicalism, so it’s no surprise that UK Uncut is as well. The very name Green & Black Cross indicates how the group combines the more autonomous anarchist streaks of activism with the skills, infrastructure and ideologies built up within the green movement. It supports grassroots social struggles in the UK and during the March for the Alternative the Green & Black Cross provided Legal Support, Action Medics and Action Kitchens. They even had a basic compost portaloo roaming the streets in a supermarket trolley – but in the event it was never used: it’s hard to get into a kettle once it is formed. They will be independently advising on all arrests during the day at a defendants’ meeting on Saturday 2nd April and were generally out in force to offer biscuits and legal advice as soon as arrestees were released.

March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory

Since the arrests UK Uncut activists have had to field a barrage of commentary from the media, which has been ever quick to notice the anarchic element of their protest. Their sit in at Fortnum & Mason was largely peaceful – protestors ate their own sandwiches and listened to performances and speeches – but on Newsnight a spokesperson was asked to denounce all protestor violence. She did a marvellous job of neither condoning nor condemning it: there were people from all backgrounds in Fortnum & Mason. For some it will have been their first experience of direct action (read this shocking report of the arrest of a 15 year old girl) and others were part of the Black Bloc earlier in the day – the two are not mutually exclusive. UK Uncut has an incredibly loose non-hierarchical structure, and to be successful it must somehow find a place for those of all backgrounds.

March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia GregoryInside Fortnum & Mason. They look super scared don’t they?

Most UK Uncutters recognise that there is more to successful activism than a simplistic black and white damnation of violence, but the more liberal end of the spectrum may well be new to the idea that damage to property is not considered violence by many activists – see here for a definition – so there is going to be a rapid need to redefine and educate as soon as possible. Most of the targets for property damage on Saturday were well thought through – big banks that avoid tax, Topshop, BHS and so on. Who threw paint, and who broke windows? It’s not clear, but the targets were clear enough. Some people, whether you agree with it or not, think it is more effective to inflict damage on a well selected target than to simply march from A-B and then listen to speeches. After all, what did it ever do to stop the Iraq war? Direct action through the ages has proven that targeting property can be highly effective – the Suffragettes were never afraid of inflicting collateral damage. Last year at Climate Camp windows were smashed at the RBS head offices in Edinburgh to demonstrate concern against their continued investment in fossil fuels.

March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory

By Trafalgar Square at night some rogue elements (possibly pissed up) were clearly provoked into throwing glass bottles at police, never something I would recommend however bad police brutality gets (and by all accounts it did get REALLY bad) because I personally don’t believe that violence against people is ever acceptable. But I do believe that the Black Bloc as a considered and thoughtful tactic is something that our movement needs: people who are willing to put their bodies and actions on the front line to stop those who are damaging the fabric of our “democratic” society. Many of them were very young, possibly disaffected veterans of kettling at the student demos last year – others were highly organised groups who came to join the march from across the country. Those involved will undoubtedly have slightly different views as to process and outcome but recent online dialogues prove that diverse parts of the movement are keen to work together. Rather than dismiss Black Bloc actions as the nihilistic work of masked “hooligans” we would do well to consider the underlying reasons why this is seen as an appealing tactic utilised by at least a thousand people last weekend. After all, we’re all in this together… and this is just the beginning of our future.

March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory

Further reading:
Why Fortnum & Mason?
Video footage from the UKuncut action
An open letter from the Brighton Solidarity Federation of Anarcho-Syndicalists
People are worth less than property
A night in the cells is nothing to a lifetime imprisoned by cuts
Reasons why the cuts are a bad idea
Dominic Campbell experiences police brutality in Trafalgar Square
Political Dynamite: We should use the word violence with the greatest care.
Leah Borromeo: Protestors can’t disown the “violent minority”.
Why the UKuncut arrests threaten future protests
What is the Black Bloc? Information page.
Laurie Penny – What really happened in Trafalgar Square
My UK Uncut arrest made me a political prisoner
Climate Camp 2010 in Edinburgh – my commentary
Climate Camp 2009 in Copenhagen – my commentary part one, part two and part three.
G20 Climate Camp in the City – my commentary
Ratcliffe: Did PC Mark “Flash” Kennedy ensure my arrest as one of the Ratcliffe 114 ?- my commentary
Climate Camp at Kingsnorth in 2008.
One of the first UK Uncut protests: Sir Philip Green and his Topshop billions get the UK Uncut treatment.
The Third Estate: A message to Critical UK Uncut activists.
Latent Existance: a report by the 15 year old who was arrested.

Categories ,Anarchism, ,Anarcho-Syndicalists, ,Anti-capitalism, ,Anti-cuts, ,Banners, ,BHS, ,Black Bloc, ,capitalism, ,Climate Camp, ,COP15 Climate conference, ,Cuts, ,Democratic, ,Direct Action, ,Dominic Campbell, ,economy, ,Fortnum & Mason, ,g20, ,Green & Black Cross, ,Green New Deal, ,Green Party, ,Hooligans, ,kingsnorth, ,Liberal, ,March for the Alternative, ,Neoliberalism, ,Newsnight, ,NHS, ,Oxford Circus, ,police, ,Political Dynamite, ,Ratcilffe, ,Suffragettes, ,Tax Avoidance, ,The Third Estate, ,topshop, ,Trafalgar Square, ,Trojan Horse, ,UK Uncut, ,Veggies, ,Violence

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Amelia’s Magazine | UK Uncut, Green & Black Cross, Black Bloc & the March for the Alternative.

March 26 2011-UK UncutUK Uncut gathers on the South Bank on Saturday 26th March 2011. All photography by Amelia Gregory.

Unless you have been living under a rock you will be aware that there was a huge anti-cuts March for the Alternative on Saturday 26th March 2011. In the days since then the press has been dominated with both outrage from the government that “hooligans” should be allowed to roam the streets, and on the other side, shock at the way in which once again the police and media have mistreated protestors. As anyone who was following me on Twitter will know I was involved on the UK Uncut action, which involved an occupation of Fortnum & Mason… yet another large corporation culpable of massive tax avoidance: This action led to by far the largest numbers of arrests and charges on the day: a staggering 138 of the 149.

March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory

March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory

On my way through London I saw the most enormous amount of creativity, from pound coin shields to a Trojan Horse cunningly installed at the centre of Oxford Circus – and of course plenty of banners bursting with witty one liners: included in this blog post are just a few of the amazing sights from the day. With a march numbering possibly half a million and upwards (something the government has been quick to downplay) there were surely many great ones that I missed – especially the legendary message “I was told there would be biscuits” carried by a small child on someone’s shoulders. I broke away from the march early on to take part in UK Uncut actions on Oxford Street and then at Fortnum & Mason.

March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory

Demonised by the press for their behaviour, UK Uncut have been quick to fight back with their version of events: really, the police and media should know better. Both UK Uncut and Green & Black Cross – the support network that provided legal observers and arrestee support – have grown out of Climate Camp networks and ways of organising to take on completely new identities of their own. As a result some of those involved are no strangers to wrongful arrest, police brutality and political policing: remember Heathrow, Kingsnorth, G20 and Ratcliffe anyone? These people know what they are doing; naturally the unfair arrests of UK Uncut was filmed and immediately shared, the footage unsurprisingly making the front page of the Guardian.

March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory

Some people might wonder what on earth the links between the anti-cuts movement and Climate Camp are, but Climate Camp has always been rooted in a desire to address the social inequalities of capitalism – for example a breakaway group in London is currently looking at ways to campaign around fuel poverty. One of the favourite slogans at the COP15 Climate conference was System Change not Climate Change – we can’t cure the problem with simple quick fix answers, but rather by tackling the whole global neoliberal system. A brutal plan to cut services such as libraries and the NHS will undermine the fabric of a just society, affecting the poor most. Meanwhile the rich are able to avoid huge tax bills at a time when we desperately need to start building a green economy that is not based on endless profit. Clearly these inequalities are something that green activists are keen to tackle.

March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory

Climate Camp has also always been a broad mix of liberalism and radicalism, so it’s no surprise that UK Uncut is as well. The very name Green & Black Cross indicates how the group combines the more autonomous anarchist streaks of activism with the skills, infrastructure and ideologies built up within the green movement. It supports grassroots social struggles in the UK and during the March for the Alternative the Green & Black Cross provided Legal Support, Action Medics and Action Kitchens. They even had a basic compost portaloo roaming the streets in a supermarket trolley – but in the event it was never used: it’s hard to get into a kettle once it is formed. They will be independently advising on all arrests during the day at a defendants’ meeting on Saturday 2nd April and were generally out in force to offer biscuits and legal advice as soon as arrestees were released.

March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory

Since the arrests UK Uncut activists have had to field a barrage of commentary from the media, which has been ever quick to notice the anarchic element of their protest. Their sit in at Fortnum & Mason was largely peaceful – protestors ate their own sandwiches and listened to performances and speeches – but on Newsnight a spokesperson was asked to denounce all protestor violence. She did a marvellous job of neither condoning nor condemning it: there were people from all backgrounds in Fortnum & Mason. For some it will have been their first experience of direct action (read this shocking report of the arrest of a 15 year old girl) and others were part of the Black Bloc earlier in the day – the two are not mutually exclusive. UK Uncut has an incredibly loose non-hierarchical structure, and to be successful it must somehow find a place for those of all backgrounds.

March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia GregoryInside Fortnum & Mason. They look super scared don’t they?

Most UK Uncutters recognise that there is more to successful activism than a simplistic black and white damnation of violence, but the more liberal end of the spectrum may well be new to the idea that damage to property is not considered violence by many activists – see here for a definition – so there is going to be a rapid need to redefine and educate as soon as possible. Most of the targets for property damage on Saturday were well thought through – big banks that avoid tax, Topshop, BHS and so on. Who threw paint, and who broke windows? It’s not clear, but the targets were clear enough. Some people, whether you agree with it or not, think it is more effective to inflict damage on a well selected target than to simply march from A-B and then listen to speeches. After all, what did it ever do to stop the Iraq war? Direct action through the ages has proven that targeting property can be highly effective – the Suffragettes were never afraid of inflicting collateral damage. Last year at Climate Camp windows were smashed at the RBS head offices in Edinburgh to demonstrate concern against their continued investment in fossil fuels.

March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory

By Trafalgar Square at night some rogue elements (possibly pissed up) were clearly provoked into throwing glass bottles at police, never something I would recommend however bad police brutality gets (and by all accounts it did get REALLY bad) because I personally don’t believe that violence against people is ever acceptable. But I do believe that the Black Bloc as a considered and thoughtful tactic is something that our movement needs: people who are willing to put their bodies and actions on the front line to stop those who are damaging the fabric of our “democratic” society. Many of them were very young, possibly disaffected veterans of kettling at the student demos last year – others were highly organised groups who came to join the march from across the country. Those involved will undoubtedly have slightly different views as to process and outcome but recent online dialogues prove that diverse parts of the movement are keen to work together. Rather than dismiss Black Bloc actions as the nihilistic work of masked “hooligans” we would do well to consider the underlying reasons why this is seen as an appealing tactic utilised by at least a thousand people last weekend. After all, we’re all in this together… and this is just the beginning of our future.

March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory
March 26 2011-UK Uncut. Photography by Amelia Gregory

Further reading:
Why Fortnum & Mason?
Video footage from the UKuncut action
An open letter from the Brighton Solidarity Federation of Anarcho-Syndicalists
People are worth less than property
A night in the cells is nothing to a lifetime imprisoned by cuts
Reasons why the cuts are a bad idea
Dominic Campbell experiences police brutality in Trafalgar Square
Political Dynamite: We should use the word violence with the greatest care.
Leah Borromeo: Protestors can’t disown the “violent minority”.
Why the UKuncut arrests threaten future protests
What is the Black Bloc? Information page.
Laurie Penny – What really happened in Trafalgar Square
My UK Uncut arrest made me a political prisoner
Climate Camp 2010 in Edinburgh – my commentary
Climate Camp 2009 in Copenhagen – my commentary part one, part two and part three.
G20 Climate Camp in the City – my commentary
Ratcliffe: Did PC Mark “Flash” Kennedy ensure my arrest as one of the Ratcliffe 114 ?- my commentary
Climate Camp at Kingsnorth in 2008.
One of the first UK Uncut protests: Sir Philip Green and his Topshop billions get the UK Uncut treatment.
The Third Estate: A message to Critical UK Uncut activists.
Latent Existance: a report by the 15 year old who was arrested.

Categories ,Anarchism, ,Anarcho-Syndicalists, ,Anti-capitalism, ,Anti-cuts, ,Banners, ,BHS, ,Black Bloc, ,capitalism, ,Climate Camp, ,COP15 Climate conference, ,Cuts, ,Democratic, ,Direct Action, ,Dominic Campbell, ,economy, ,Fortnum & Mason, ,g20, ,Green & Black Cross, ,Green New Deal, ,Green Party, ,Hooligans, ,kingsnorth, ,Liberal, ,March for the Alternative, ,Neoliberalism, ,Newsnight, ,NHS, ,Oxford Circus, ,police, ,Political Dynamite, ,Ratcilffe, ,Suffragettes, ,Tax Avoidance, ,The Third Estate, ,topshop, ,Trafalgar Square, ,Trojan Horse, ,UK Uncut, ,Veggies, ,Violence

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Amelia’s Magazine | Craftivism Direct Action against the Tar Sands: an interview with artist Lucy Sparrow

Image by UK Tar Sands Network, artist Lucy Sparrow, designer Daniel Sliwka

Yesterday I was alerted to an inspiring direct action designed to draw attention to the ongoing destruction involved with the extraction of oil from the Tar Sands in Canada. Together with the UK Tar Sands Network artist Lucy Sparrow created a large scale felted artwork. Lucy describes how she put her plan in action…

Image by UK Tar Sands photo by You and I Films

After nine intense days of frantic sewing and knitting, I made my way with the guys from the UK Tar Sands Network to Canada House to protest against the Canada Europe Energy Summit which brought together Canadian ministers and heads of big oil companies planning how to push highly polluting oil onto the world. Ironically, there was also an exhibition on embroidery happening at the same time within Canada House so they were surrounded by fabric from all angles.

I created a fabric oil spill that would seem like it was spilling out of the building scattered with dead animals, toxic waste and a big stitched oil refinery. I think that often the best way to get people’s attention is in the most visual way possible which also acts as a way to soften the blow for serious subject matter. It was an installation as well as a performance piece that lasted just over an hour and caught the attention of all the people arriving for the meeting. We thought that by placing the oil spill on every doorway, it would create an inconvenient obstacle and truth to those entering. It was an amazing collaboration to be involved in and really highlighted some important issues through the medium of felt and wool.

Image ℅ UK Tar Sands Network, artist Lucy Sparrow photo by Scott Cadman 4

What images and ideas inspired your craftivism piece?
I was particularly inspired by the vast landscapes of pure ruined earth. It’s that level of destruction that you can’t even fathom without having been there. It makes you feel very small, like a tiny ant in this huge colony of devastation.

How did you construct your artwork?
The main oil spills were made out of plain black cotton that I bought in a huge 100 metre roll. I then split this into three sections to sew together so I’d have a spill for each doorway that people visiting the meeting could possibly go through. We really wanted to cover all bases so that it would be symbolic of a dirty mess that you can’t escape.

Image ℅ UK Tar Sands Network, artist Lucy Sparrow photo by Scott Cadman

How long have you been involved in craftivism and how did you first get involved with the Tar Sands Network?
I think my work has always been involved with tackling big issues but I’d like to think that I go about it in a kind of ridiculous and humorous way. I think people underestimate the power of humour when approaching big subjects because anything else can seem preachy and hard to swallow. I’ve always made big things that demand people to look at them. They’re always very blatant, a little child-like and have faces. I think you can’t get outraged at something with a cute face. Suzanne Dhaliwal from UK Tar Sands Network and I met through a mutual friend and on first introduction, within 10 minutes, we were planning to make enormous felt seagulls to chuck off buildings in central London. I think it was inevitable that we would join forces eventually.

Image ℅ UK Tar Sands Network, artist Lucy Sparrow photo by Scott Cadman.jpg 3

What were the biggest issues you encountered in taking you art to Canada House?
The whole thing had to be kept incredibly secret so it was really hard creating all this stuff and not being able to talk about it but I think that served us well in that the Canada House security were probably expecting us to turn up with banners and signs. The police were there when we arrived but generally everyone was very accepting of what we were trying to do and I hope that in our creativity, we brought a smile to their faces and made them think a little.

What do you hope that this act of craftivism will achieve?
I hope that it will inspire people to accept that protest comes in all different forms. It’s not always a group of angry people with placards. When you meet anger with anger, the only thing that’s achieved is that you crash against each other. We’re simply offering them an alternative viewpoint which is sugar-coated so that they can accept the harsh realities of what they’re decisions are doing.

Image ℅ UK Tar Sands Network, artist Lucy Sparrow photo by Scott Cadman.jpg

Any other projects in the pipeline?
Many… so many. I’ve just completed a grant for the Arts Council today so I’ve got my fingers and toes crossed because if that goes ahead, it’ll be wall-to-wall felt for a good while. I’ve also just completed a series of buildings out of felt in a series called Ministructures with Time Out London so I’m hoping to take that to other cities… New York ideally…. although that will involve sewing a lot of windows…

Follow Lucy Sparrow on @sewyoursoul and the UK Tar Sands Network on @notarsands

Categories ,@notarsands, ,@sewyoursoul, ,Arts Council, ,Canada Europe Energy Summit, ,Canada House, ,Craftivism, ,Direct Action, ,Felt Artist, ,Lucy Sparrow, ,Ministructures, ,Suzanne Dhaliwal, ,Tar Sands, ,Time Out London, ,UK Tar Sands Network, ,You and I Films

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Amelia’s Magazine | Climate Camp at Glastonbury 2010: Line up information

Glastonbury-June-2009-Climate Camp
Can it really be a year since the last Glastonbury? In 2009, try for the first time, for sale Climate Camp was given it’s very own space in the Dragon Field just above the Craft Field as you wend your way down to Shangri La. This year we’re back to once again educate and entertain festival goers at our beautiful site only a few minutes walk from the Old Railway Line.

Glastonbury-June-2009-Climate Camp workshop
Glastonbury-June-2009-Climate Camp paddling pool
Glastonbury-June-2009-First Aid Kit
Workshops, illness at play, and First Aid Kit playing at the Climate Camp Tripod Stage in 2009.

In 2010 Climate Camp is targeting the Royal Bank of Scotland, which has been bailed out with £50 billion of public money that is now being used to finance the extraction of fossil fuels across the world, with no regard for climate change or the destruction of communities that it causes. We will be camping near the RBS global headquarters in Edinburgh, Scotland, between 19th-25th August, but in the meantime to find out more about why we decided to focus on RBS this year come along and take a look at our exhibition at Glastonbury, then pick up a copy of our Never Mind The Bankers newspaper to peruse over a cup of tea or share with friends. We will be running DIY screenprinting workshops where you can learn how to screenprint your clothing with an anti RBS slogan. Simply bring your own or print onto one of our tshirts or bags. A great activity for kids! There will also be a chance to take part in Tripod Training: Tripods are used to blockade and secure a space on a direct action protest; come find out how to put them up and climb them safely. Good fun, and no previous experience or skills required.

Glastonbury-June-2009-tripod training
Glastonbury-June-2009-tripod training
Tripod Training.

Then of course there is our fabulous music, poetry and comedy line up, put together by yours truly. Read on to find out who will be gracing our Tripod Stage…. Pyramid Stage eat your heart out, this is where the real talent is.

Green-Kite-Midnight
Green Kite Midnight.

When I wrote up about the Climate Camp presence at Glastonbury in 2009 in my blog I talked about my hope that my band Green Kite Midnight would be able to play as the Climate Camp house band in 2010, so I’m very excited to report that we will be doing daily gigs this year. Five years ago I co-founded the barndance troupe Cutashine out of a desire to make traditional collective dancing more fun: after all, what’s better than a dance where you get to meet other people and really work up a sweat?

YouTube Preview Image

With Cutashine I played at gigs all over Glastonbury for several years, then left to start Green Kite Midnight through my contacts in Climate Camp; a band that supports and plays at direct action protests. Our first gig was at the Climate Camp in Bishopsgate during the G20 in April last year, we played to 800 people at the Blackheath Climate Camp in August 2009, and more recently we went on a 10 day solidarity bike ride together to play gigs to support the struggle against the Shell gas pipeline at Rossport in Ireland. With myself as emcee (I’m a gobby shite, so turn your mind away from those boring barn dances you might have attended as a child) we can teach anyone how to barn dance, so please come and join us.

And now for the rest of our fabulous line-up:

anna log
Anna Log
My Luminaries
My Luminaries, photography by James Dean White.

On Thursday we kick off four days of renewably powered music with a fabulous folky female. Anna Log – singer with pop folk band We Aeronauts – will be doing a solo set accompanied by her trusty uke. After our first ceilidh Glastonbury Emerging Talent winners My Luminaries round the evening off with a special semi-acoustic set of their epic indie rock.

Kirsty Almeida
Kirsty Almeida
Danny and the Champions of the World
Danny and the Champions of the World

On Friday Kirsty Almeida opens for us with her bass heavy soulful Bayou blues, then we’re pleased to welcome the epic musical dreamscapes of Newislands, described as Pink Floyd meets Depeche Mode. After that it’s time for some other Climate Camp regulars, Danny Chivers, Claire Fauset and Merrick, to grace the stage with their “triple-headed tag team political poetry extravaganza”. They’re all friends of mine that I’ve seen perform before so I highly recommend their set, which will be repeated on Sunday afternoon. As a closer we have the country-tinged big band folk of Danny and the Champions of the World.

kyla la grange
Kyla la Grange
Patch William
Patch William
The Federals
The Federals
Dry the River
Dry the River

To kick the day off on Saturday we welcome an exclusive Glastonbury appearance from a talented newcomer with a stunning voice; Kyla La Grange creates soaring melodies and is nearing completion of her debut album. Then comes Patch William – the dreamy lovechild of Nick Drake and Jimi Hendrix, who are followed by the scuzzy rock sound of York boys The Federals, described as a cross between the White Stripes and The Beatles. Then, time for a very special guest. Following my interview with Robin Ince a few weeks he very kindly promised to come by and do us a *special secret set* which will be a must see for all comedy fans at the festival. Tell all your friends! And come on by for a very intimate set from this well known comedian. Dry the River end the day with their beautiful melodic folk, singing songs of religion, history and community to rival those of Fleet Foxes and Mumford & Sons.

Pete the Temp
Pete the Temp
Pete Lawrie
Pete Lawrie
Get Cape. Wear Cape. Fly.
Get Cape. Wear Cape. Fly.
Robinson
Robinson

On Sunday we’ve got another packed day to end the festival. Pete the Temp returns to wow us with his comedic eco-political music and spoken word, then we look forward to hearing the bittersweet gospel blues of latecomer Pete Lawrie, who confirmed just as our flyer had gone to print. I am particularly pleased to welcome Get Cape. Wear Cape. Fly. the official moniker of singer songwriter Sam Duckworth. He will be showcasing music from his new album due for release later this year, and I’ve got a soft spot for him because he appeared in the print version of Amelia’s Magazine. Robinson will play a gypsy cajun folk set before we round off the festival with our GRAND RAFFLE. If you see our outreach team out and about please give generously to support Climate Camp and come along to our grand prize giving, which will be hosted by the inimitable Danny Chivers.

Glastonbury-June-2009-Grand Raffle presented by Danny Chivers
The Grand Raffle presented by Danny Chivers in 2009.

Don’t forget to follow myself and Climate Camp on twitter to find out how the festival is going; we can always live in hope that 3G reception will be better than it was last year! But most of all, don’t forget to come and visit us… and bring your friends along with you. I will of course write up a full report on my return. For a reminder of what to expect read my blog from last year here.

For a map and full timing information for all bands and workshops see this listings page.

Categories ,Anna Log, ,blues, ,Climate Camp, ,Danny and the Champions of the World, ,Danny Chivers, ,Depeche Mode, ,Direct Action, ,diy, ,Dry the River, ,Fleet Foxes, ,folk, ,g20, ,Get Cape. Wear Cape. Fly., ,glastonbury, ,Green Fields, ,Green Kite Midnight, ,Jimi Hendrix, ,Kirsty Almeida, ,Kyla la Grange, ,Mumford and Sons, ,Newislands, ,Nick Cave, ,Patch William, ,Pete Lawrie, ,Pete the Temp, ,Pink Floyd, ,Pyramid Stage, ,RBS, ,Robin Ince, ,Robinson, ,Rossport, ,screenprinting, ,Shangri La, ,Shell, ,soul, ,the beatles, ,The Federals, ,Tripod Stage, ,Tripod Training, ,twitter, ,We Aeronauts, ,White Stripes

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Amelia’s Magazine | Amelia’s Compendium of Fashion Illustration Launch Party: The Movie

Cooperative Designs 2011. Photography by Amelia Gregory
Cooperative Designs A/W 2011 by Natsuki Otani
Cooperative Designs A/W 2011 by Natsuki Otani.

Last season I was incredibly gutted to miss the Cooperative Designs presentation – such were the glowing reports on our website. But in my enthusiasm I actually turned up too early this time, viagra buy got turned away, buy ate a Pret sandwich… and then missed most of what turned out to actually be a catwalk show on repeat.


Cooperative Designs A/W 2011. Photography by Tim Adey.

Descending some stairs we were asked to sit in a darkened vault but my photographer’s sixth sense directed me instead to stand in a separate photographers box, where the models paused for a few seconds in somewhat brighter conditions.

Cooperative Designs A/W 2011 by Jane Young
Cooperative Designs A/W 2011 by Jane Young.

This was a collection inspired by 90s rave culture, Drum n Bass and the contemplative industrial photography of Thomas Struth, which meant that the oversized silhouette of Cooperative Designs came in industrial tones of grey and beige stripes combined with fluoro highlights in tie detailing, visors and threaded hair accessories.

Cooperative Designs A/W 2011. Photography by Tim Adey.
Cooperative Designs A/W 2011. Photography by Tim Adey.

Cooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia Gregory
Cooperative Designs A/W 2011. Photography by Amelia Gregory.

There was lots of asymmetrical patterning, floppy hooded jumpers, boxy baggy tops and knit dresses tiered with baggy pouches. Lacy see through knitwear recalled the combat trouser shapes so beloved of 90s dancers. Hats by Noel Stewart were tall and floppy like a gnome’s or featured ear flaps and visors – questionable styles that were somehow rendered infinitely desirable. A wide knitted skirt was particularly cute, and were the little boots by Flip Flop, customised by Cooperative Designs with extravagant orange soles.

Cooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia Gregory
Cooperative Designs A/W 2011. Photography by Amelia Gregory.

Of any designers that I love I can actually imagine myself wearing Cooperative Designs. Their clever knitwear by it’s very nature being supremely flattering to the shape of a real women. Thankfully, they make a point of picking their models to reflect their customer.

On my way out I was given a brilliant press release: informative, well written and protected in a cardboard envelope that even I would struggle to lose. Best of all, it came with my very own piece of painted plywood jewellery by Corrie Williamson, as featured in the collection. More designers could learn from such professionalism on the press release frontier.

You can read Naomi Law’s excellent review here.

I totally missed out the East 17 reference…
Cooperative Designs A/W 2011 by Natsuki Otani
Cooperative Designs A/W 2011 by Natsuki Otani.

Last season I was incredibly gutted to miss the Cooperative Designs presentation – such were the glowing reports on our website. But in my enthusiasm I actually turned up too early this time, mind got turned away, ate a Pret sandwich… and then missed most of what turned out to actually be a catwalk show on repeat.


Cooperative Designs A/W 2011. Photography by Tim Adey.

Descending some stairs we were asked to sit in a darkened vault but my photographer’s sixth sense directed me instead to stand in a separate photographers box, where the models paused for a few seconds in somewhat brighter conditions.

Cooperative Designs A/W 2011 by Jane Young
Cooperative Designs A/W 2011 by Jane Young.

This was a collection inspired by 90s rave culture, Drum n Bass and the contemplative industrial photography of Thomas Struth, which meant that the oversized silhouette of Cooperative Designs came in industrial tones of grey and beige stripes combined with fluoro highlights in tie detailing, visors and threaded hair accessories.

Cooperative Designs A/W 2011. Photography by Tim Adey.
Cooperative Designs A/W 2011. Photography by Tim Adey.

Cooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia Gregory
Cooperative Designs A/W 2011. Photography by Amelia Gregory.

There was lots of asymmetrical patterning, floppy hooded jumpers, boxy baggy tops and knit dresses tiered with baggy pouches. Lacy see through knitwear recalled the combat trouser shapes so beloved of 90s dancers. Hats by Noel Stewart were tall and floppy like a gnome’s or featured ear flaps and visors – questionable styles that were somehow rendered infinitely desirable. A wide knitted skirt was particularly cute, and were the little boots by Flip Flop, customised by Cooperative Designs with extravagant orange soles.

Cooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia Gregory
Cooperative Designs A/W 2011. Photography by Amelia Gregory.

Of any designers that I love I can actually imagine myself wearing Cooperative Designs. Their clever knitwear by it’s very nature being supremely flattering to the shape of a real women. Thankfully, they make a point of picking their models to reflect their customer.

Cooperative Designs 2011. Photography by Amelia Gregory
Plywood jewellery by Corrie Williamson for Cooperative Designs 2011. Photography by Amelia Gregory.

On my way out I was given a brilliant press release: informative, well written and protected in a cardboard envelope that even I would struggle to lose. Best of all, it came with my very own piece of painted plywood jewellery by Corrie Williamson, as featured in the collection. More designers could learn from such professionalism on the press release frontier.

You can read Naomi Law’s excellent review here. You can see more of Natsuki Otani’s work in Amelia’s Compendium of Fashion Illustration.
Cooperative Designs A/W 2011 by Natsuki Otani
Cooperative Designs A/W 2011 by Natsuki Otani.

Last season I was incredibly gutted to miss the Cooperative Designs presentation – such were the glowing reports on our website. But in my enthusiasm I actually turned up too early this time, drug got turned away, order ate a Pret sandwich… and then missed most of what turned out to actually be a catwalk show on repeat.


Cooperative Designs A/W 2011. Photography by Tim Adey.

Descending some stairs we were asked to sit in a darkened vault but my photographer’s sixth sense directed me instead to stand in a separate photographers box, where the models paused for a few seconds in somewhat brighter conditions.

Cooperative Designs A/W 2011 by Jane Young
Cooperative Designs A/W 2011 by Jane Young.

This was a collection inspired by 90s rave culture, Drum n Bass and the contemplative industrial photography of Thomas Struth, which meant that the oversized silhouette of Cooperative Designs came in industrial tones of grey and beige stripes combined with fluoro highlights in tie detailing, visors and threaded hair accessories.

Cooperative Designs A/W 2011. Photography by Tim Adey.
Cooperative Designs A/W 2011. Photography by Tim Adey.

Cooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia Gregory
Cooperative Designs A/W 2011. Photography by Amelia Gregory.

There was lots of asymmetrical patterning, floppy hooded jumpers, boxy baggy tops and knit dresses tiered with baggy pouches. Lacy see through knitwear recalled the combat trouser shapes so beloved of 90s dancers. Hats by Noel Stewart were tall and floppy like a gnome’s or featured ear flaps and visors – questionable styles that were somehow rendered infinitely desirable. A wide knitted skirt was particularly cute, and were the little boots by Flip Flop, customised by Cooperative Designs with extravagant orange soles.

Cooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia Gregory
Cooperative Designs A/W 2011. Photography by Amelia Gregory.

Of any designers that I love I can actually imagine myself wearing Cooperative Designs. Their clever knitwear by it’s very nature being supremely flattering to the shape of a real women. Thankfully, they make a point of picking their models to reflect their customer.

Cooperative Designs 2011. Photography by Amelia Gregory
Plywood jewellery by Corrie Williamson for Cooperative Designs 2011. Photography by Amelia Gregory.

On my way out I was given a brilliant press release: informative, well written and protected in a cardboard envelope that even I would struggle to lose. Best of all, it came with my very own piece of painted plywood jewellery by Corrie Williamson, as featured in the collection. More designers could learn from such professionalism on the press release frontier.

You can read Naomi Law’s excellent review here. You can see more of Natsuki Otani’s work in Amelia’s Compendium of Fashion Illustration.
Cooperative Designs A/W 2011 by Natsuki Otani
Cooperative Designs A/W 2011 by Natsuki Otani.

Last season I was incredibly gutted to miss the Cooperative Designs presentation – such were the glowing reports on our website. But in my enthusiasm I actually turned up too early this time, ailment got turned away, ate a Pret sandwich… and then missed most of what turned out to actually be a catwalk show on repeat.


Cooperative Designs A/W 2011. Photography by Tim Adey.

Descending some stairs we were asked to sit in a darkened vault but my photographer’s sixth sense directed me instead to stand in a separate photographers box, where the models paused for a few seconds in somewhat brighter conditions.

Cooperative Designs A/W 2011 by Jane Young
Cooperative Designs A/W 2011 by Jane Young.

This was a collection inspired by 90s rave culture, Drum n Bass and the contemplative industrial photography of Thomas Struth, which meant that the oversized silhouette of Cooperative Designs came in industrial tones of grey and beige stripes combined with fluoro highlights in tie detailing, visors and threaded hair accessories.

Cooperative Designs A/W 2011. Photography by Tim Adey.
Cooperative Designs A/W 2011. Photography by Tim Adey.

Cooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia Gregory
Cooperative Designs A/W 2011. Photography by Amelia Gregory.

There was lots of asymmetrical patterning, floppy hooded jumpers, boxy baggy tops and knit dresses tiered with baggy pouches. Lacy see through knitwear recalled the combat trouser shapes so beloved of 90s dancers. Hats by Noel Stewart were tall and floppy like a gnome’s or featured ear flaps and visors – questionable styles that were somehow rendered infinitely desirable. A wide knitted skirt was particularly cute, as were the little boots by Flip Flop, customised by Cooperative Designs with extravagant orange soles.

Cooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia Gregory
Cooperative Designs A/W 2011. Photography by Amelia Gregory.

Of any designers that I love I can actually imagine myself wearing Cooperative Designs. Their clever knitwear is by it’s very nature supremely flattering to the shape of a real women. Thankfully, they make a point of picking their models to reflect their customer.

Cooperative Designs 2011. Photography by Amelia Gregory
Plywood jewellery by Corrie Williamson for Cooperative Designs 2011. Photography by Amelia Gregory.

On my way out I was given a brilliant press release: informative, well written and protected in a cardboard envelope that even I would struggle to lose. Best of all, it came with my very own piece of painted plywood jewellery by Corrie Williamson, as featured in the collection. More designers could learn from such professionalism on the press release frontier.

You can read Naomi Law’s excellent review here and you can see more of Natsuki Otani’s work in Amelia’s Compendium of Fashion Illustration.
Sally Mumby-Croft at the ACOFI launch with Jonno and Matt. Illustration by Naomi Law
Sally Mumby-Croft at the ACOFI launch with Jonno and Matt. Illustration by Naomi Law.

Former Amelia’s Magazine art editor Sally Mumby-Croft put together this stunning movie reminder of the launch party for ACOFI with a little help from 6 Day Riot. I hope you enjoy a tour of Amelia’s Compendium of Fashion Illustration, rx as seen at the Bunker Cafe and Scout Hut at 123 Bethnal Green Road on Friday 28th January 2011. It features Susie Bubble, troche cakes by Lily Vanilli, sneak peaks inside the book and lots of sketching by the illustrators who helped out on the day.

YouTube Preview Image

I asked Sally a few questions about how she put the movie together:

What where you looking for when you filmed this?
When filming I’m often looking for the quiet moments in between moments of action, whether this be an illustrator lost in concentration, the movement of a pen, the simple action of making tea or a DJ pressing play. I wanted to capture the moments which were unique to an Amelia’s Magazine book launch.

What was your favourite moment of the party?
Apart from assisting Amelia and Matt Bramford with the set up in the morning and watching 123 heave under the number of guests who turned up for the book launch, my favourite moment of the party was when Amelia and Harriet (of Tatty Devine) cut the fantastic cake made by Lily Vanilli and we had a chance to taste the prettiest cake I’ve ever seen!

Sally Mumby-Croft. Photography by Liz Johnson-Artur.
Sally Mumby-Croft. Photography by Liz Johnson-Artur.

Who else have you made short videos for?
Recently I’ve been really lucky to work with the photographer and filmmaker Ben Toms, over the past three months I’ve worked on videos for JW Anderson, Edun and Craig Lawrence.



Outside of fashion film, I’ve worked with the fantastic team behind the upcoming documentary Just Do It: get off your arse and change the world and assisted on the editing of their Grow Heathrow short:

YouTube Preview Image

What else are you working on at the moment?
I’m thinking about the possibility of expanding upon Edgeland, a short documentary I made with Xavier Zapata in 2009. Edgeland consists of a series of interviews with Hackney residents who have been displaced by the Olympic development site in Stratford. Apart from that I have an idea for a new short film…

There’s a reason why I heart Sally big time. She’s incredibly talented, knowledgeable and she cares about the world around us. You can follow Sally on twitter here, and keep up with her on her Vimeo channel here.

Categories ,123 Bethnal Green Road, ,6 Day Riot, ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Ben Toms, ,Bunker Cafe, ,Craig Lawrence, ,Direct Action, ,Edgelands, ,Edun, ,goldsmiths, ,Grow Heathrow, ,hackney, ,Harriet Vine, ,Just Do It, ,JW Anderson, ,launch party, ,Lily Vanilli, ,Liz Johnson-Artur, ,Matt Bramford, ,Naomi Law, ,Olympics, ,Sally Mumby-Croft, ,Scout Hut, ,Stratford, ,Susie Bubble, ,Tatty Devine, ,Xavier Zapata

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Amelia’s Magazine | Amelia’s Compendium of Fashion Illustration Launch Party: The Movie

Sally Mumby-Croft at the ACOFI launch with Jonno and Matt. Illustration by Naomi Law
Sally Mumby-Croft at the ACOFI launch with Jonno and Matt. Illustration by Naomi Law.

Former Amelia’s Magazine art editor Sally Mumby-Croft put together this stunning movie reminder of the launch party for ACOFI with a little help from 6 Day Riot. I hope you enjoy a tour of Amelia’s Compendium of Fashion Illustration, as seen at the Bunker Cafe and Scout Hut at 123 Bethnal Green Road on Friday 28th January 2011. It features Susie Bubble, cakes by Lily Vanilli, sneak peaks inside the book and lots of sketching by the illustrators who helped out on the day.

YouTube Preview Image

I asked Sally a few questions about how she put the movie together:

What where you looking for when you filmed this?
When filming I’m often looking for the quiet moments in between moments of action, whether this be an illustrator lost in concentration, the movement of a pen, the simple action of making tea or a DJ pressing play. I wanted to capture the moments which were unique to an Amelia’s Magazine book launch.

What was your favourite moment of the party?
Apart from assisting Amelia and Matt Bramford with the set up in the morning and watching 123 heave under the number of guests who turned up for the book launch, my favourite moment of the party was when Amelia and Harriet (of Tatty Devine) cut the fantastic cake made by Lily Vanilli and we had a chance to taste the prettiest cake I’ve ever seen!

Sally Mumby-Croft. Photography by Liz Johnson-Artur.
Sally Mumby-Croft. Photography by Liz Johnson-Artur.

Who else have you made short videos for?
Recently I’ve been really lucky to work with the photographer and filmmaker Ben Toms, over the past three months I’ve worked on videos for JW Anderson, Edun and Craig Lawrence.

http://www.vimeo.com/20191792
http://www.vimeo.com/20191533
http://www.vimeo.com/18878998

Outside of fashion film, I’ve worked with the fantastic team behind the upcoming documentary Just Do It: get off your arse and change the world and assisted on the editing of their Grow Heathrow short:

YouTube Preview Image

What else are you working on at the moment?
I’m thinking about the possibility of expanding upon Edgeland, a short documentary I made with Xavier Zapata in 2009. Edgeland consists of a series of interviews with Hackney residents who have been displaced by the Olympic development site in Stratford. Apart from that I have an idea for a new short film…

http://www.vimeo.com/5191789

There’s a reason why I heart Sally big time. She’s incredibly talented, knowledgeable and she cares about the world around us. You can follow Sally on twitter here, and keep up with her on her Vimeo channel here.

Categories ,123 Bethnal Green Road, ,6 Day Riot, ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Ben Toms, ,Bunker Cafe, ,Craig Lawrence, ,Direct Action, ,Edgelands, ,Edun, ,goldsmiths, ,Grow Heathrow, ,hackney, ,Harriet Vine, ,Just Do It, ,JW Anderson, ,launch party, ,Lily Vanilli, ,Liz Johnson-Artur, ,Matt Bramford, ,Naomi Law, ,Olympics, ,Sally Mumby-Croft, ,Scout Hut, ,Stratford, ,Susie Bubble, ,Tatty Devine, ,Xavier Zapata

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