Amelia’s Magazine | 123 Bethnal Green Road: An interview with Ross Barry and Michelle Goggi

Gareth A Hopkins 123 SS2011
Tallest man on earth by Avril Kelly

Illustration by Avril Kelly

So it started on January 3rd, visit web I was in a bad mood. Well, it’s that whole palaver of taking the (now miserable) tree down, thinking about the enormity of work that needs to be done and the poor, defenseless body. It needs some very tender loving care. This day of January, after bathing in Pukka ‘Cleanse’ tea, going for a brisk walk on the Downs by my house and bemoaning the lack of vitamin D for my eyeballs, I cracked on the Mac. I had recently purchased The Tallest Man On Earth album, Wild Hunt (Dead Oceans). I was in need of something new to form some (wahoo 2011) fresh associations with. Whilst I mused about the flat, now was the time I decided, to dedicate to the giant man. Hopefully this would culminate in reaching up and putting my arms around his shoulders, prancing around the room, rather than immersing myself in 2010 nostalgia. Oh the perils of memory boxes, scrap books and photo archives.

thetallestmanonearthpress

Picture Source

Click and Bob Dylan growls came out. This was all very lovely, I had linked that before though and was waiting to get actually into The Tallest Man on Earth, rather than just wonder about the Dylan. Then Love Is All came on. Oh hello. This is BEAUTIFUL. The Tallest Man On Earth’s heart appeared to be unashamedly open to my grump self. I turned it up and continued to listen. Sometimes painfully honest in his thoughts, loves and admissions, he gently strums next to his musings. Akk, this was so bitingly raw, the crackling voice and simple notes, it was almost uncomfortably perfect.

Despite his Texan American country sounds, Kristian Matsson is from Dalarna, Sweden. And although he is called: The Tallest Man On Earth, Matsson in fact stands below the Swedish male average (nearly five foot eleven), at five foot five. The tallest person in medical history was Robert Pershing Wadlow, from Illonois, USA, who was eight foot and eleven inches tall.

robert-wadlow

Robert Pershing Wadlow; d.1940 Picture Source

The (slightly smaller than) Tallest Man On Earth plays the guitar, banjo and piano and has released two albums, Shallow Grave (Dead Oceans) and The Wild Hunt. He has also released two EPs, Sometimes The Blues Is Just A Passing Bird and self titled. The latter holds the song; Walk The Line, a foot -tapping, spindly, defiant number “you bring me down…I aint gonna walk the line”. It’s a mixture of nature’s thunderous activities, humans, animals and emotion; “all tomorrows parties will dance before my eyes”.

Matsson is utterly immersed in nature, similes transform him into an eagle, lizard, sparrow and gardener. Whilst his lovers are bluebirds and rivers. Seemingly unlike Britain in a snowfall, he is aware and respects mother nature’s ultimate power over us. He will sit upon the river, dance in the ocean and watch the birds. Honey Won’t You Let Me In; “As I knock your door, from inside once more, how I wish a sudden breeze would let me in, shake my tambourine at your glowing dreams, I said honey won’t you let me in.” The city in contrast, has no distinct sounds for him, and equally his heart leaves him lost, weather beaten and alone at times. Two harsh climes for our protagonist. Tangle In This Trample Wheat; “I get frightened I could never gather birds enough to carry round your heart”. But his soul seems distinctly free, he won’t be found.

tallest MAN on earth 2 by Avril Kelly

Illustration by Avril Kelly

Integrated into nature’s attributes is Matsson’s love of dreaming, and love itself. A Lion’s Heart; “he’s coming down the hills for you”. Accompanied by constant gentle guitar and banjo notes, the listener can not help but be thrust into a pure and new perspective. Importantly, he also makes many references to nature never stopping. And perhaps we need to appreciate this a little bit more ourselves. Indeed the traffic, economy and work never really halts, and 2011’s start may be all New Resolutions (blah), but nature never, EVER takes a break or crash diets suddenly because some poppers went off. Remember, outside, the hills, oceans and mountains are far prettier than flouro lighting (even if that flouro lights up the best dress you’ve ever seen). It also changes in considerably more interesting ways than the prices of your average baked beans can. Step outside. The Dreamer; “I’m just a dreamer, but I’m hanging on, though I am nothing big to offer, I watched the birds how they in then gone, it’s like nothing in this world’s ever still.”

So starting with melancholy, I was risen by eloquent exuberance and now I continue to travel along the mighty (and fast) river of 2011 and life. It’s Janurary 7 and I have barely listened to anything other than The Tallest Man On Earth. Both The Wild Hunt and Shallow Grave on the label Dead Oceans are available now.
Gareth A Hopkins 123 SS2011
123 illustrated by Gareth A Hopkins.

123 Bethnal Green Road recently opened shop after a lengthy renovation of its Victorian corner store in a prime position right at the top of Brick Lane in east London. Hosting three floors of own label designs as well as those of cult designer Noki, more about what exactly is this new fashion brand all about?

“Some people might think it foolhardy to open an eco-fashion concept store in the midst of the dreaded credit crunch, but so far the reception has been great,” says Ross Barry, co-owner with sister Michelle Goggi. Having abandoned their previous careers, in the city and in design and photography respectively, Ross and Michelle are now set to shake up the world of ethical fashion with their ‘sustainable canvas’ concept. “Ethical, sustainable, green and eco are all terms with very specific connotations. We wanted to do something new and exciting.”

With their 123 collection they have created a fresh look, starting with a sustainable (rather than blank) canvas. “Our aim is to make well-made, desirable, British clothing,” says Michelle. “We want to extinguish the belief that reusing and recycling materials is at the bottom of the fashion food chain.” This is a luxury store selling well designed products that just happen to be ethical as well; upcycled from waste garments and produced locally. Using vertical production methods, whereby an item of clothing can be taken from the cutting table to the store within a week, they are able to provide exactly what the customer is keen on; reacting and responding to new trends within a couple of weeks. Vertical production gives them incredible control over every element of the process and ensures a minute carbon footprint. 

LMB Textile Recycling was set up by Ross and Michelle’s father Lawrence, who also designed the ubiquitous green textile recycling banks that populate the streets of major cities. As youngsters Ross and Michelle were soon involved in the family business. “Other children got taken to the park at the weekend. We got taken to the sorting factory where we amused ourselves by jumping around in mountains of second hand clothing.” Their father’s motto was “where possible don’t pay someone else to do something you could do yourself” and this belief has clearly been taken to its natural conclusion with the creation of 123 Bethnal Green Road….

Read the rest of this interview in Amelia’s Compendium of Fashion Illustration, alongside interviews with 44 other ethical fashion designers and 30 fabulous fashion illustrators. You can buy the book here.

123 Bethnal Green Road host one of their legendary pick ‘n’ mix sales this weekend: full listing info here.

Categories ,123 Bethnal Green Road, ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Brick Lane, ,Dr Noki, ,Eco fashion, ,ethical, ,Gareth A Hopkins, ,green, ,launch party, ,LMB Textile Recycling, ,Michelle Goggi, ,Noki, ,Noki NHS, ,Ross Barry, ,sustainable, ,Sustainable Canvas

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Amelia’s Magazine | 123 Bethnal Green Road: An interview with Ross Barry and Michelle Goggi – Part 13

Gareth A Hopkins 123 SS2011
Tallest man on earth by Avril Kelly

Illustration by Avril Kelly

So it started on January 3rd, visit web I was in a bad mood. Well, it’s that whole palaver of taking the (now miserable) tree down, thinking about the enormity of work that needs to be done and the poor, defenseless body. It needs some very tender loving care. This day of January, after bathing in Pukka ‘Cleanse’ tea, going for a brisk walk on the Downs by my house and bemoaning the lack of vitamin D for my eyeballs, I cracked on the Mac. I had recently purchased The Tallest Man On Earth album, Wild Hunt (Dead Oceans). I was in need of something new to form some (wahoo 2011) fresh associations with. Whilst I mused about the flat, now was the time I decided, to dedicate to the giant man. Hopefully this would culminate in reaching up and putting my arms around his shoulders, prancing around the room, rather than immersing myself in 2010 nostalgia. Oh the perils of memory boxes, scrap books and photo archives.

thetallestmanonearthpress

Picture Source

Click and Bob Dylan growls came out. This was all very lovely, I had linked that before though and was waiting to get actually into The Tallest Man on Earth, rather than just wonder about the Dylan. Then Love Is All came on. Oh hello. This is BEAUTIFUL. The Tallest Man On Earth’s heart appeared to be unashamedly open to my grump self. I turned it up and continued to listen. Sometimes painfully honest in his thoughts, loves and admissions, he gently strums next to his musings. Akk, this was so bitingly raw, the crackling voice and simple notes, it was almost uncomfortably perfect.

Despite his Texan American country sounds, Kristian Matsson is from Dalarna, Sweden. And although he is called: The Tallest Man On Earth, Matsson in fact stands below the Swedish male average (nearly five foot eleven), at five foot five. The tallest person in medical history was Robert Pershing Wadlow, from Illonois, USA, who was eight foot and eleven inches tall.

robert-wadlow

Robert Pershing Wadlow; d.1940 Picture Source

The (slightly smaller than) Tallest Man On Earth plays the guitar, banjo and piano and has released two albums, Shallow Grave (Dead Oceans) and The Wild Hunt. He has also released two EPs, Sometimes The Blues Is Just A Passing Bird and self titled. The latter holds the song; Walk The Line, a foot -tapping, spindly, defiant number “you bring me down…I aint gonna walk the line”. It’s a mixture of nature’s thunderous activities, humans, animals and emotion; “all tomorrows parties will dance before my eyes”.

Matsson is utterly immersed in nature, similes transform him into an eagle, lizard, sparrow and gardener. Whilst his lovers are bluebirds and rivers. Seemingly unlike Britain in a snowfall, he is aware and respects mother nature’s ultimate power over us. He will sit upon the river, dance in the ocean and watch the birds. Honey Won’t You Let Me In; “As I knock your door, from inside once more, how I wish a sudden breeze would let me in, shake my tambourine at your glowing dreams, I said honey won’t you let me in.” The city in contrast, has no distinct sounds for him, and equally his heart leaves him lost, weather beaten and alone at times. Two harsh climes for our protagonist. Tangle In This Trample Wheat; “I get frightened I could never gather birds enough to carry round your heart”. But his soul seems distinctly free, he won’t be found.

tallest MAN on earth 2 by Avril Kelly

Illustration by Avril Kelly

Integrated into nature’s attributes is Matsson’s love of dreaming, and love itself. A Lion’s Heart; “he’s coming down the hills for you”. Accompanied by constant gentle guitar and banjo notes, the listener can not help but be thrust into a pure and new perspective. Importantly, he also makes many references to nature never stopping. And perhaps we need to appreciate this a little bit more ourselves. Indeed the traffic, economy and work never really halts, and 2011’s start may be all New Resolutions (blah), but nature never, EVER takes a break or crash diets suddenly because some poppers went off. Remember, outside, the hills, oceans and mountains are far prettier than flouro lighting (even if that flouro lights up the best dress you’ve ever seen). It also changes in considerably more interesting ways than the prices of your average baked beans can. Step outside. The Dreamer; “I’m just a dreamer, but I’m hanging on, though I am nothing big to offer, I watched the birds how they in then gone, it’s like nothing in this world’s ever still.”

So starting with melancholy, I was risen by eloquent exuberance and now I continue to travel along the mighty (and fast) river of 2011 and life. It’s Janurary 7 and I have barely listened to anything other than The Tallest Man On Earth. Both The Wild Hunt and Shallow Grave on the label Dead Oceans are available now.
Gareth A Hopkins 123 SS2011
123 illustrated by Gareth A Hopkins.

123 Bethnal Green Road recently opened shop after a lengthy renovation of its Victorian corner store in a prime position right at the top of Brick Lane in east London. Hosting three floors of own label designs as well as those of cult designer Noki, more about what exactly is this new fashion brand all about?

“Some people might think it foolhardy to open an eco-fashion concept store in the midst of the dreaded credit crunch, but so far the reception has been great,” says Ross Barry, co-owner with sister Michelle Goggi. Having abandoned their previous careers, in the city and in design and photography respectively, Ross and Michelle are now set to shake up the world of ethical fashion with their ‘sustainable canvas’ concept. “Ethical, sustainable, green and eco are all terms with very specific connotations. We wanted to do something new and exciting.”

With their 123 collection they have created a fresh look, starting with a sustainable (rather than blank) canvas. “Our aim is to make well-made, desirable, British clothing,” says Michelle. “We want to extinguish the belief that reusing and recycling materials is at the bottom of the fashion food chain.” This is a luxury store selling well designed products that just happen to be ethical as well; upcycled from waste garments and produced locally. Using vertical production methods, whereby an item of clothing can be taken from the cutting table to the store within a week, they are able to provide exactly what the customer is keen on; reacting and responding to new trends within a couple of weeks. Vertical production gives them incredible control over every element of the process and ensures a minute carbon footprint. 

LMB Textile Recycling was set up by Ross and Michelle’s father Lawrence, who also designed the ubiquitous green textile recycling banks that populate the streets of major cities. As youngsters Ross and Michelle were soon involved in the family business. “Other children got taken to the park at the weekend. We got taken to the sorting factory where we amused ourselves by jumping around in mountains of second hand clothing.” Their father’s motto was “where possible don’t pay someone else to do something you could do yourself” and this belief has clearly been taken to its natural conclusion with the creation of 123 Bethnal Green Road….

Read the rest of this interview in Amelia’s Compendium of Fashion Illustration, alongside interviews with 44 other ethical fashion designers and 30 fabulous fashion illustrators. You can buy the book here.

123 Bethnal Green Road host one of their legendary pick ‘n’ mix sales this weekend: full listing info here.

Categories ,123 Bethnal Green Road, ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Brick Lane, ,Dr Noki, ,Eco fashion, ,ethical, ,Gareth A Hopkins, ,green, ,launch party, ,LMB Textile Recycling, ,Michelle Goggi, ,Noki, ,Noki NHS, ,Ross Barry, ,sustainable, ,Sustainable Canvas

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Amelia’s Magazine | 123 Bethnal Green Road: An interview with Ross Barry and Michelle Goggi – Part 2

Gareth A Hopkins 123 SS2011
Tallest man on earth by Avril Kelly

Illustration by Avril Kelly

So it started on January 3rd, visit web I was in a bad mood. Well, it’s that whole palaver of taking the (now miserable) tree down, thinking about the enormity of work that needs to be done and the poor, defenseless body. It needs some very tender loving care. This day of January, after bathing in Pukka ‘Cleanse’ tea, going for a brisk walk on the Downs by my house and bemoaning the lack of vitamin D for my eyeballs, I cracked on the Mac. I had recently purchased The Tallest Man On Earth album, Wild Hunt (Dead Oceans). I was in need of something new to form some (wahoo 2011) fresh associations with. Whilst I mused about the flat, now was the time I decided, to dedicate to the giant man. Hopefully this would culminate in reaching up and putting my arms around his shoulders, prancing around the room, rather than immersing myself in 2010 nostalgia. Oh the perils of memory boxes, scrap books and photo archives.

thetallestmanonearthpress

Picture Source

Click and Bob Dylan growls came out. This was all very lovely, I had linked that before though and was waiting to get actually into The Tallest Man on Earth, rather than just wonder about the Dylan. Then Love Is All came on. Oh hello. This is BEAUTIFUL. The Tallest Man On Earth’s heart appeared to be unashamedly open to my grump self. I turned it up and continued to listen. Sometimes painfully honest in his thoughts, loves and admissions, he gently strums next to his musings. Akk, this was so bitingly raw, the crackling voice and simple notes, it was almost uncomfortably perfect.

Despite his Texan American country sounds, Kristian Matsson is from Dalarna, Sweden. And although he is called: The Tallest Man On Earth, Matsson in fact stands below the Swedish male average (nearly five foot eleven), at five foot five. The tallest person in medical history was Robert Pershing Wadlow, from Illonois, USA, who was eight foot and eleven inches tall.

robert-wadlow

Robert Pershing Wadlow; d.1940 Picture Source

The (slightly smaller than) Tallest Man On Earth plays the guitar, banjo and piano and has released two albums, Shallow Grave (Dead Oceans) and The Wild Hunt. He has also released two EPs, Sometimes The Blues Is Just A Passing Bird and self titled. The latter holds the song; Walk The Line, a foot -tapping, spindly, defiant number “you bring me down…I aint gonna walk the line”. It’s a mixture of nature’s thunderous activities, humans, animals and emotion; “all tomorrows parties will dance before my eyes”.

Matsson is utterly immersed in nature, similes transform him into an eagle, lizard, sparrow and gardener. Whilst his lovers are bluebirds and rivers. Seemingly unlike Britain in a snowfall, he is aware and respects mother nature’s ultimate power over us. He will sit upon the river, dance in the ocean and watch the birds. Honey Won’t You Let Me In; “As I knock your door, from inside once more, how I wish a sudden breeze would let me in, shake my tambourine at your glowing dreams, I said honey won’t you let me in.” The city in contrast, has no distinct sounds for him, and equally his heart leaves him lost, weather beaten and alone at times. Two harsh climes for our protagonist. Tangle In This Trample Wheat; “I get frightened I could never gather birds enough to carry round your heart”. But his soul seems distinctly free, he won’t be found.

tallest MAN on earth 2 by Avril Kelly

Illustration by Avril Kelly

Integrated into nature’s attributes is Matsson’s love of dreaming, and love itself. A Lion’s Heart; “he’s coming down the hills for you”. Accompanied by constant gentle guitar and banjo notes, the listener can not help but be thrust into a pure and new perspective. Importantly, he also makes many references to nature never stopping. And perhaps we need to appreciate this a little bit more ourselves. Indeed the traffic, economy and work never really halts, and 2011’s start may be all New Resolutions (blah), but nature never, EVER takes a break or crash diets suddenly because some poppers went off. Remember, outside, the hills, oceans and mountains are far prettier than flouro lighting (even if that flouro lights up the best dress you’ve ever seen). It also changes in considerably more interesting ways than the prices of your average baked beans can. Step outside. The Dreamer; “I’m just a dreamer, but I’m hanging on, though I am nothing big to offer, I watched the birds how they in then gone, it’s like nothing in this world’s ever still.”

So starting with melancholy, I was risen by eloquent exuberance and now I continue to travel along the mighty (and fast) river of 2011 and life. It’s Janurary 7 and I have barely listened to anything other than The Tallest Man On Earth. Both The Wild Hunt and Shallow Grave on the label Dead Oceans are available now.
Gareth A Hopkins 123 SS2011
123 illustrated by Gareth A Hopkins.

123 Bethnal Green Road recently opened shop after a lengthy renovation of its Victorian corner store in a prime position right at the top of Brick Lane in east London. Hosting three floors of own label designs as well as those of cult designer Noki, more about what exactly is this new fashion brand all about?

“Some people might think it foolhardy to open an eco-fashion concept store in the midst of the dreaded credit crunch, but so far the reception has been great,” says Ross Barry, co-owner with sister Michelle Goggi. Having abandoned their previous careers, in the city and in design and photography respectively, Ross and Michelle are now set to shake up the world of ethical fashion with their ‘sustainable canvas’ concept. “Ethical, sustainable, green and eco are all terms with very specific connotations. We wanted to do something new and exciting.”

With their 123 collection they have created a fresh look, starting with a sustainable (rather than blank) canvas. “Our aim is to make well-made, desirable, British clothing,” says Michelle. “We want to extinguish the belief that reusing and recycling materials is at the bottom of the fashion food chain.” This is a luxury store selling well designed products that just happen to be ethical as well; upcycled from waste garments and produced locally. Using vertical production methods, whereby an item of clothing can be taken from the cutting table to the store within a week, they are able to provide exactly what the customer is keen on; reacting and responding to new trends within a couple of weeks. Vertical production gives them incredible control over every element of the process and ensures a minute carbon footprint. 

LMB Textile Recycling was set up by Ross and Michelle’s father Lawrence, who also designed the ubiquitous green textile recycling banks that populate the streets of major cities. As youngsters Ross and Michelle were soon involved in the family business. “Other children got taken to the park at the weekend. We got taken to the sorting factory where we amused ourselves by jumping around in mountains of second hand clothing.” Their father’s motto was “where possible don’t pay someone else to do something you could do yourself” and this belief has clearly been taken to its natural conclusion with the creation of 123 Bethnal Green Road….

Read the rest of this interview in Amelia’s Compendium of Fashion Illustration, alongside interviews with 44 other ethical fashion designers and 30 fabulous fashion illustrators. You can buy the book here.

123 Bethnal Green Road host one of their legendary pick ‘n’ mix sales this weekend: full listing info here.

Categories ,123 Bethnal Green Road, ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Brick Lane, ,Dr Noki, ,Eco fashion, ,ethical, ,Gareth A Hopkins, ,green, ,launch party, ,LMB Textile Recycling, ,Michelle Goggi, ,Noki, ,Noki NHS, ,Ross Barry, ,sustainable, ,Sustainable Canvas

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Amelia’s Magazine | Amelia’s Compendium of Fashion Illustration (ACOFI) Launch Party – In Pictures – Night!


Illustrator Naomi Law and Amelia’s Mag contributor Jessica Furseth


The fabulous 6 Day Riot


6 Day Riot lead singer Tamara


The Scout Hut at 123 Bethnal Green Road


Illustrator Joana Faria


Amelia with Rachael and Louise from Prick Your Finger and Harriet and Rosie of Tatty Devine


Amelia’s Nina Dolcetti shoes


Illustrator Rachel de Ste. Croix


Kay McMahon from Wallpaper.com


Amelia’s Mag contributor Abi Renshaw! (on the right)


Francesca from Forward PR showing off with her illustration by Artist Andrea


Amelia cuts into the Lily Vanilli masterpiece!


Illustrator Emma Block


Nick from Forward PR


Will of the Mystery Jets with Madeleine from Dial M For Music


Lucy (right) from Forward PR


Illustrator Bex Glover!


Amelia with illustrator Antonia Parker


Me with Bex Glover. I’m clearly showing the effects of sleep deprivation and too much vodka.


Contributor Sally Mumby Croft


Illustrator Faye West gets her groove on…

Categories ,123 Bethnal Green Road, ,6 Day Riot, ,ACOFI, ,Amelia Gregory, ,Amelia’s Compendium of Fashion Illustration, ,Antonia Parker, ,Bex Glover, ,Dial M for Music, ,Emma Block, ,Faye West, ,Forward PR, ,Jessica Furseth, ,Jo Cheung, ,Joana Faria, ,June Chanpoomidole, ,launch party, ,Lily Vanilli, ,Matt Bramford, ,Mystery Jets, ,Naomi Law, ,Nina Dolcetti, ,Rachel De Ste. Croix, ,Sally Mumby-Croft, ,Severn Studios, ,The Pipettes, ,Wallpaper.com

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Amelia’s Magazine | Amelia’s Anthology of Illustration Launch Party at Concrete Hermit

Yellow and White mac 008Image courtesy of Christopher Raeburn

Christopher Raeburn
A designer whose name is never far from any eco fashion list is that of Christopher Raeburn, viagra sale who is famed for his high end, more about innovative and functional fashion created using re-appropriated military fabrics. Sourcing his material from de-commissioned military stock and hot-air balloon canvas among other materials Raeburn both redesigns and manufactures his groundbreaking garments ethically within the UK.

PB121954Image courtesy of Rachael Oku

Of his SS10 collection Christopher says: “This season presents a great opportunity to play with colour, page negative space and flowing lines; from its inception I wanted to create an upbeat, fresh and experimental collection.”
With the emphasis on rouching, contrasting geometric panels and colourful taped seams Raeburn utilises laser cutting techniques for the first time introducing repeat patterns of concentric circle cut-outs which are peppered throughout the collection cleverly hidden between panels and layered hoods and sleeves.

Parachute dress

Image courtesy of Christopher Raeburn

What is most striking about Raeburn’s new contemporary collection of dresses, ponchos, skirts and macs is how well his colour palette and themes work together with layer, light and silhouette being the main focuses. With the majority of fabric used being transparent it is Raeburn’s bright accents of colour and playful dots that really inject life into the garments, and are reminiscent of jellyfish.

Purple and White Jacket with matching bag 006

Image courtesy of Christopher Raeburn

Rather excitingly the new collection also features accessories for the first time, with Raeburn fusing woven netting with his trademark parachute fabric and cord to great effect adding to the high impact of this super functional range.

Lu Flux

PB121959Image courtesy of Rachael Oku

Another exciting designer who we’re predicting big things for next year is the lovely Lu Flux; who has just launched her debut collection after being named ‘London’s newest one to watch’ at Vauxhall Fashion Scout earlier in the year. What sets Lu’s designs apart is that her work is created using salvaged, vintage and organic fabrics, which she cleverly combines with traditional techniques such as knitting, pleating and patchwork.

PB121960Image courtesy of Rachael Oku

Lu’s witty and playful SS10 collection titled ‘The Eco Life of Riley’ is inspired by the ‘humble bluetit’ which is cleverly juxtaposed with bold jarring graphics throughout the collection. If developing her own eco brand wasn’t enough of a challenge Lu is also busy working on a project called Soko Kenya, which was conceived over two years ago when she visited the small coastal town of Ukunda in Kenya. The idea behind this project is to work in conjunction with local Kenyan tailors who attend the community owned Ukunda Youth Polytechnic, which offers basic vocational training to local residents at a low cost.

PB121962Image courtesy of Rachael Oku

This collaboration will see Soko invest a minimum of 5% gross earnings into the Polytechnic annually in addition to year-round fundraising to help acquire sewing machines and other essential equipment for the students. Additionally Soko are committed to providing support in the design and running of the Polytechnic’s existing tailoring department and syllabus according to international fair-trade and eco production standards.

PB121961Image courtesy of Rachael Oku depicting Soko Kenya products

Most importantly both parties are committed to working together to transform the Polytechnic into an eco institution by introducing a rainwater catchment system and working to create solar generated electricity. To find out more about this great project and where to buy Soko Kenya products head to their website.

Apron Dress and BodysuitImage courtesy of Julia Smith

Julia Smith
Another groundbreaking designer who caught our attention was Julia Smith, a designer who has graced the webpages of Amelia’s magazine a few times previously. Julia’s SS10 collection entitled ‘Nurture Me’ explores the idea of mixing beauty with function. Part inspired by the 1930′s and 1940′s, when loose shapes and function were paramount Julia’s collection also references the concept of underwear as outerwear. Created using tactile fabrics such as soy, bamboo and organic cotton and linen Julia cleverly juxtaposes these with recycled polyester which is made from recycled plastic (PET) bottles.

Lara Jacket and Power BodyImage courtesy of Julia Smith

What really sets Julia apart is her second line aptly titled ‘Julia Smith Made in Africa’, which supports lives in Ghana through the vision of Mrs. Marian Essel, a highly skilled batik printer from Ghana, West Africa. Having worked for the Global Mamas in Cape Coast, Marian and Julia Smith have now formed a co-operative in the suburbs of Accra, Ghana’s capital city, offering employment opportunities to the struggling community.

Made in Africa 1Image courtesy of Julia Smith depicting the Made in Africa collection

With Marian using all the proceeds of her work to employ disadvantaged adults as well as sponsoring children so that they can go to school, this is a fantastic initiative which aims to help everyone within the community get the best educational start in life. The ‘Julia Smith Made in Africa’ collection is stocked in Julia’s new flagship store in Marble Arch’s Connaught Village.

Matt and Nat
A new brand to Amelia’s magazine which is fast becoming a firm favourite is that of Matt & Nat, a pioneering vegan luxury accessories label who create animal free products for both men and women. Interestingly (which I’m hoping you’ll agree) Matt & Nat is not a design duo as the name would suggest but is instead founded by Inder Bedi who was challenged almost 20 years ago to forgo animal products for 30 days. Ever since he has made a conscious effort to use recycled and greener materials in his work steering clear of leather, wool and animal by-products.

For SS10 Matt & Nat are continuing where they left off last season with their 21 water bottles campaign which sees all the linings in their handbags and wallets created using 100% recycled plastic, with each accessory using an average of 21 bottles.

With the inspirations for their SS10 collection being biker chic and glam rock, each bag has been embellished differently with everything from studs to zip details. Made primarily from eel skin (incidentally the softest type of leather I have ever felt,) the colour palette of fiery scarlet, intense blue and blush pink bring a vintage feel to the pieces.

Henrietta Ludgate
A great designer who has already received quite a bit of media attention in 2009 is Henrietta Ludgate, who won the Ethical Fashion Forum ‘Fashion Innovation Award’ earlier in the year. Creating sustainable and sculptural garments from her studio in the remote Highlands of Scotland, Henrietta stays close to her Scotch roots by working primarily with Scottish linen.

With a brand ethos to support both the Scottish and British textile industry as a whole, all fabrics are sourced from within the British Isles with all pieces produced locally.

A champion of slow fashion, Henrietta’s minimalist silhouette remains hauntingly elegant and distinctive. For inspiration Henrietta often looks to Elsa Schiaparelli, and her vision of fashion as a type of architecture, and beliefs that clothing should be ‘closely connected to the frame of the body’.

With the recent opening of a swanky new showroom in London’s Covent Garden, things are looking bright for 2010.
Stay tuned for the second instalment tomorrow…
Yellow and White mac 008Image courtesy of Christopher Raeburn

Christopher Raeburn
A designer whose name is never far from any eco fashion list is that of Christopher Raeburn, cure who is famed for his high end, innovative and functional fashion created using re-appropriated military fabrics. Sourcing his material from de-commissioned military stock and hot-air balloon canvas among other materials Raeburn both redesigns and manufactures his groundbreaking garments ethically within the UK.

PB121954Image courtesy of Rachael Oku

Of his SS10 collection Christopher says: “This season presents a great opportunity to play with colour, negative space and flowing lines; from its inception I wanted to create an upbeat, fresh and experimental collection.”
With the emphasis on rouching, contrasting geometric panels and colourful taped seams Raeburn utilises laser cutting techniques for the first time introducing repeat patterns of concentric circle cut-outs which are peppered throughout the collection cleverly hidden between panels and layered hoods and sleeves.

Parachute dress

Image courtesy of Christopher Raeburn

What is most striking about Raeburn’s new contemporary collection of dresses, ponchos, skirts and macs is how well his colour palette and themes work together with layer, light and silhouette being the main focuses. With the majority of fabric used being transparent it is Raeburn’s bright accents of colour and playful dots that really inject life into the garments, and are reminiscent of jellyfish.

Purple and White Jacket with matching bag 006

Image courtesy of Christopher Raeburn

Rather excitingly the new collection also features accessories for the first time, with Raeburn fusing woven netting with his trademark parachute fabric and cord to great effect adding to the high impact of this super functional range.

Lu FluxPB121959Image courtesy of Rachael Oku

Another exciting designer who we’re predicting big things for next year is the lovely Lu Flux; who has just launched her debut collection after being named ‘London’s newest one to watch’ at Vauxhall Fashion Scout earlier in the year. What sets Lu’s designs apart is that her work is created using salvaged, vintage and organic fabrics, which she cleverly combines with traditional techniques such as knitting, pleating and patchwork.

PB121960Image courtesy of Rachael Oku

Lu’s witty and playful SS10 collection titled ‘The Eco Life of Riley’ is inspired by the ‘humble bluetit’ which is cleverly juxtaposed with bold jarring graphics throughout the collection. If developing her own eco brand wasn’t enough of a challenge Lu is also busy working on a project called Soko Kenya, which was conceived over two years ago when she visited the small coastal town of Ukunda in Kenya. The idea behind this project is to work in conjunction with local Kenyan tailors who attend the community owned Ukunda Youth Polytechnic, which offers basic vocational training to local residents at a low cost.

PB121962Image courtesy of Rachael Oku

This collaboration will see Soko invest a minimum of 5% gross earnings into the Polytechnic annually in addition to year-round fundraising to help acquire sewing machines and other essential equipment for the students. Additionally Soko are committed to providing support in the design and running of the Polytechnic’s existing tailoring department and syllabus according to international fair-trade and eco production standards.

PB121961Image courtesy of Rachael Oku depicting Soko Kenya products

Most importantly both parties are committed to working together to transform the Polytechnic into an eco institution by introducing a rainwater catchment system and working to create solar generated electricity. To find out more about this great project and where to buy Soko Kenya products head to their website.

Apron Dress and BodysuitImage courtesy of Julia Smith

Julia Smith
Another groundbreaking designer who caught our attention was Julia Smith, a designer who has graced the webpages of Amelia’s magazine a few times previously. Julia’s SS10 collection entitled ‘Nurture Me’ explores the idea of mixing beauty with function. Part inspired by the 1930′s and 1940′s, when loose shapes and function were paramount Julia’s collection also references the concept of underwear as outerwear. Created using tactile fabrics such as soy, bamboo and organic cotton and linen Julia cleverly juxtaposes these with recycled polyester which is made from recycled plastic (PET) bottles.

Lara Jacket and Power BodyImage courtesy of Julia Smith

What really sets Julia apart is her second line aptly titled ‘Julia Smith Made in Africa’, which supports lives in Ghana through the vision of Mrs. Marian Essel, a highly skilled batik printer from Ghana, West Africa. Having worked for the Global Mamas in Cape Coast, Marian and Julia Smith have now formed a co-operative in the suburbs of Accra, Ghana’s capital city, offering employment opportunities to the struggling community.

Made in Africa 1Image courtesy of Julia Smith depicting the Made in Africa collection

With Marian using all the proceeds of her work to employ disadvantaged adults as well as sponsoring children so that they can go to school, this is a fantastic initiative which aims to help everyone within the community get the best educational start in life. The ‘Julia Smith Made in Africa’ collection is stocked in Julia’s new flagship store in Marble Arch’s Connaught Village.

borrato

Matt and Nat
Image courtesy of Matt and Nat

A new brand to Amelia’s magazine which is fast becoming a firm favourite is that of Matt & Nat, a pioneering vegan luxury accessories label who create animal free products for both men and women. Interestingly (which I’m hoping you’ll agree) Matt & Nat is not a design duo as the name would suggest but is instead founded by Inder Bedi who was challenged almost 20 years ago to forgo animal products for 30 days. Ever since he has made a conscious effort to use recycled and greener materials in his work steering clear of leather, wool and animal by-products.

commix

Image courtesy of Matt and Nat

For SS10 Matt & Nat are continuing where they left off last season with their 21 water bottles campaign which sees all the linings in their handbags and wallets created using 100% recycled plastic, with each accessory using an average of 21 bottles.

hendrix blueImage courtesy of Matt and Nat

With the inspirations for their SS10 collection being biker chic and glam rock, each bag has been embellished differently with everything from studs to zip details. Made primarily from eel skin (incidentally the softest type of leather I have ever felt,) the colour palette of fiery scarlet, intense blue and blush pink bring a vintage feel to the pieces.

Henrietta Ludgate
A great designer who has already received quite a bit of media attention in 2009 is Henrietta Ludgate, who won the Ethical Fashion Forum ‘Fashion Innovation Award’ earlier in the year. Creating sustainable and sculptural garments from her studio in the remote Highlands of Scotland, Henrietta stays close to her Scotch roots by working primarily with Scottish linen.

4Image courtesy of Henrietta Ludgate

With a brand ethos to support both the Scottish and British textile industry as a whole, all fabrics are sourced from within the British Isles with all pieces produced locally.

image15

A champion of slow fashion, Henrietta’s minimalist silhouette remains hauntingly elegant and distinctive. For inspiration Henrietta often looks to Elsa Schiaparelli, and her vision of fashion as a type of architecture, and beliefs that clothing should be ‘closely connected to the frame of the body’.

image12Image courtesy of Henrietta Ludgate

With the recent opening of a swanky new showroom in London’s Covent Garden, things are looking bright for 2010.
Stay tuned for the second instalment tomorrow…
DAT

French electro ensemble DAT Politics are coming to little old London town to headline the fourth installment of Mofofest this month. Taking place December 12th, treat My Tiger Timing and Bright Light Bright Light are also part of the jam packed line up. Ahead of this rare UK performance from the group, cheapest Politicians Claude and Gaëtan talked to Amelia’s about how their material comes together, this web Mofofest and the perfect DAT Politics party.

France seems to produce the crème de la crème of electro acts, why is this? Is there something in the water?
G: There is definitely a strong connection between electronic music and pop culture in France. It seems to be a historic thing, for at least fifty years the French electronic artists have produced dance music influenced by sound research and pop. Now, it’s a kind of collective spirit, the number of electro acts is massive but the best ones have a specific sound.

DAT Politics have been established for 10 years now, what have been the highlights of your decade in the industry?
G: Maybe our “Plugs Plus” album because it was a decisive step in our career. We switched from instrumental music to electro pop songs with lyrics, verses and a chorus. This choice gave us a lot of freedom and possibilities; it was like opening a new toolbox and breaking the walls in the house. Something very fresh, and the best part is that we’re still working on it!

What new acts excite you?
G: Not that new, but some tracks from Diplo with Rye Rye or Major Lazer are pretty amazing in the fucked up dance music register.

What older acts still have your attention?
C: Daft Punk, Peaches, Sonic youth, Kraftwerk

I’m really interested as to how your songs come together? They seem like they are made in the dark of night? I can’t imagine you work together during the day?
G: Actually, more like late afternoon with the curtains drawn and a pink neon light on.
C: When we decide to work on a new album we meet everyday for several weeks. We build up some tracks together. One comes with an idea for the beats for instance, one the synth lines, one the samples or the vocals. Gaëtan and I write the lyrics. Then we are just the 3 of us in front of the computer trying to assemble each piece. At some point each of us keeps the demo version of the tracks to listen to them and we meet again with new ideas and new material to finish. The process will be the same till we agreed on the final version of the track.

DAT1

What is the most unusual thing that has been used on a track?
G: One time, we used a coffee grinder for a NWA remix, also a talking bird which made some strange sounds. We can use any kind of unusual sources to set a specific atmosphere. It’s like the cherry on the cake but the main part of the track is done with classic electronics like synths and beats.

You obviously use computers a lot, Are you a PC or a Mac?
C: At the beginning, the project was based on laptops’ jamming so several laptops have been through our hands. We’ve been using both. They have the same abilities nowadays. But we’re mainly using Mac which are more stable.

When most people are on computers they get distracted by Facebook, does this happen to you?!
C: Of course, those social networks are easy to get addicted to, but we try to adjust and also concentrate on our activities.

The Artwork/Graphics/Visual side of things are important to you? Where does this come from?
C: We’ve been studying in art school, we are movie freaks, and read a lot of comics as well. Everything is potentially an influence. Our artistic universe is sonic and visual at the same time. It’s hard to imagine one without the other. Since the beginning, we design our own covers, it’s like we know better what fits to our sound, a kind of D.I.Y tradition: have fun with some parallel media like photography, drawings, videos…

DAT3

So you come to London for Mofofest…
C: It ‘s always good to play in London! And we know the girls from Mofofest, their parties are always great !! People always look so trendy! I like that a lot! The London crowd is often very sexy!!

Anything particularly special planned?
C: We’re excited to play “Mad Kit” for the first time in London, we played it many times everywhere else, It went very well, so we expect a lot of positive energy!

Are you excited for the rest of the line up?
C:Yes! always good to discover new bands/acts.

People should defiantly wear their dancing shoes when they come to see you, yes?
C: Of course ! Ballet shoes, sneakers, high heels, moonboots any outfits/shoes they are comfortable in !!

DAT2

How do you prepare for live shows?
C: We have a studio where we rehearse all together till we find the good compromise between the tracks on the album and how we should perform them live.
G: It’s important to set the gear in a space with a real PA and play loud to see how the things are gonna work for the audience during the show.

Where on earth do you find energy for this type of performance?!
C: We are working out a bit. But I guess that the audience is very important too. It really pulls you up! That’s a bit cliché but it’s so nice to see people react to your music!

I can imagine it is not easy to unwind after a live show?
C: That’s a weird feeling because before the show it’s hard to relax, and it’s difficult to appreciate what’s going on… Then we go on and when the show is over and went well, we are usually really high, and ready to party!!

Now for some quick fire party themed questions to find out what a DAT Politics party would be like…
Party song?
C: “Rectangle” from Jacno

Party food?
C: Ceviche

Party city?

C: Berlin / Paris/ Buenos Aires/ London/ Tokyo….

Party game?

C: Hide and Seek

Party drink?

C: Champagne

Party trick?
G: Oddibil (anti-hangover)

Party hat?
C: No hat

Party partner?

C: A good looking and funny young man

Party pants?
C: Shinny tights and high heels boots

Party like a celebrity?

G: I wanna party like Peter Sellers.

You can party with DAT Politics this Saturday at Bardens Boudoir, 38 Stoke Newington Road, Dalston, 8pm – 4am. Click here for more details
Yellow and White mac 008Image courtesy of Christopher Raeburn

Christopher Raeburn
A designer whose name is never far from any eco fashion list is that of Christopher Raeburn, illness who is famed for his high end, pill innovative and functional fashion created using re-appropriated military fabrics. Sourcing his material from de-commissioned military stock and hot-air balloon canvas among other materials Raeburn both redesigns and manufactures his groundbreaking garments ethically within the UK.

PB121954Image courtesy of Rachael Oku

Of his SS10 collection Christopher says: “This season presents a great opportunity to play with colour, look negative space and flowing lines; from its inception I wanted to create an upbeat, fresh and experimental collection.”
With the emphasis on rouching, contrasting geometric panels and colourful taped seams Raeburn utilises laser cutting techniques for the first time introducing repeat patterns of concentric circle cut-outs which are peppered throughout the collection cleverly hidden between panels and layered hoods and sleeves.

Parachute dress

Image courtesy of Christopher Raeburn

What is most striking about Raeburn’s new contemporary collection of dresses, ponchos, skirts and macs is how well his colour palette and themes work together with layer, light and silhouette being the main focuses. With the majority of fabric used being transparent it is Raeburn’s bright accents of colour and playful dots that really inject life into the garments, and are reminiscent of jellyfish.

Purple and White Jacket with matching bag 006

Image courtesy of Christopher Raeburn

Rather excitingly the new collection also features accessories for the first time, with Raeburn fusing woven netting with his trademark parachute fabric and cord to great effect adding to the high impact of this super functional range.

Lu FluxPB121959Image courtesy of Rachael Oku

Another exciting designer who we’re predicting big things for next year is the lovely Lu Flux; who has just launched her debut collection after being named ‘London’s newest one to watch’ at Vauxhall Fashion Scout earlier in the year. What sets Lu’s designs apart is that her work is created using salvaged, vintage and organic fabrics, which she cleverly combines with traditional techniques such as knitting, pleating and patchwork.

PB121960Image courtesy of Rachael Oku

Lu’s witty and playful SS10 collection titled ‘The Eco Life of Riley’ is inspired by the ‘humble bluetit’ which is cleverly juxtaposed with bold jarring graphics throughout the collection. If developing her own eco brand wasn’t enough of a challenge Lu is also busy working on a project called Soko Kenya, which was conceived over two years ago when she visited the small coastal town of Ukunda in Kenya. The idea behind this project is to work in conjunction with local Kenyan tailors who attend the community owned Ukunda Youth Polytechnic, which offers basic vocational training to local residents at a low cost.

PB121962Image courtesy of Rachael Oku

This collaboration will see Soko invest a minimum of 5% gross earnings into the Polytechnic annually in addition to year-round fundraising to help acquire sewing machines and other essential equipment for the students. Additionally Soko are committed to providing support in the design and running of the Polytechnic’s existing tailoring department and syllabus according to international fair-trade and eco production standards.

PB121961Image courtesy of Rachael Oku depicting Soko Kenya products

Most importantly both parties are committed to working together to transform the Polytechnic into an eco institution by introducing a rainwater catchment system and working to create solar generated electricity. To find out more about this great project and where to buy Soko Kenya products head to their website.

Apron Dress and BodysuitImage courtesy of Julia Smith

Julia Smith
Another groundbreaking designer who caught our attention was Julia Smith, a designer who has graced the webpages of Amelia’s magazine a few times previously. Julia’s SS10 collection entitled ‘Nurture Me’ explores the idea of mixing beauty with function. Part inspired by the 1930′s and 1940′s, when loose shapes and function were paramount Julia’s collection also references the concept of underwear as outerwear. Created using tactile fabrics such as soy, bamboo and organic cotton and linen Julia cleverly juxtaposes these with recycled polyester which is made from recycled plastic (PET) bottles.

Lara Jacket and Power BodyImage courtesy of Julia Smith

What really sets Julia apart is her second line aptly titled ‘Julia Smith Made in Africa’, which supports lives in Ghana through the vision of Mrs. Marian Essel, a highly skilled batik printer from Ghana, West Africa. Having worked for the Global Mamas in Cape Coast, Marian and Julia Smith have now formed a co-operative in the suburbs of Accra, Ghana’s capital city, offering employment opportunities to the struggling community.

Made in Africa 1Image courtesy of Julia Smith depicting the Made in Africa collection

With Marian using all the proceeds of her work to employ disadvantaged adults as well as sponsoring children so that they can go to school, this is a fantastic initiative which aims to help everyone within the community get the best educational start in life. The ‘Julia Smith Made in Africa’ collection is stocked in Julia’s new flagship store in Marble Arch’s Connaught Village.

borrato

Matt and Nat
Image courtesy of Matt and Nat

A new brand to Amelia’s magazine which is fast becoming a firm favourite is that of Matt & Nat, a pioneering vegan luxury accessories label who create animal free products for both men and women. Interestingly (which I’m hoping you’ll agree) Matt & Nat is not a design duo as the name would suggest but is instead founded by Inder Bedi who was challenged almost 20 years ago to forgo animal products for 30 days. Ever since he has made a conscious effort to use recycled and greener materials in his work steering clear of leather, wool and animal by-products.

commix

Image courtesy of Matt and Nat

For SS10 Matt & Nat are continuing where they left off last season with their 21 water bottles campaign which sees all the linings in their handbags and wallets created using 100% recycled plastic, with each accessory using an average of 21 bottles.

hendrix blueImage courtesy of Matt and Nat

With the inspirations for their SS10 collection being biker chic and glam rock, each bag has been embellished differently with everything from studs to zip details. Made primarily from eel skin (incidentally the softest type of leather I have ever felt,) the colour palette of fiery scarlet, intense blue and blush pink bring a vintage feel to the pieces.

Henrietta Ludgate
A great designer who has already received quite a bit of media attention in 2009 is Henrietta Ludgate, who won the Ethical Fashion Forum ‘Fashion Innovation Award’ earlier in the year. Creating sustainable and sculptural garments from her studio in the remote Highlands of Scotland, Henrietta stays close to her Scotch roots by working primarily with Scottish linen.

4    Image courtesy of Henrietta Ludgate

With a brand ethos to support both the Scottish and British textile industry as a whole, all fabrics are sourced from within the British Isles with all pieces produced locally.

image15

A champion of slow fashion, Henrietta’s minimalist silhouette remains hauntingly elegant and distinctive. For inspiration Henrietta often looks to Elsa Schiaparelli, and her vision of fashion as a type of architecture, and beliefs that clothing should be ‘closely connected to the frame of the body’.

image12Image courtesy of Henrietta Ludgate

With the recent opening of a swanky new showroom in London’s Covent Garden, things are looking bright for 2010.
Stay tuned for the second instalment tomorrow…

People crowding into Concrete Hermit for my launch party

The super busy Concrete Hermit at my Amelia’s Anthology of Illustration book launch


So, approved last night was party night… and after months of very little sleep it was time to celebrate the official launch of my first book. Hurrah! Concrete Hermit very kindly offered to host the launch and I decided it would be nice to daub their walls with a some of the renewable technologies imagined by illustrators in the book, dosage so Sunday was spent bombing between Climate Camp in Trafalgar Square and sort of overseeing how the collaboration went (which featured contributions from Saffron Stocker, price  Craig YameyHannah LewisLiv BargmanChris CoxBarbara Ana GomezJess WilsonLeona ClarkeKarolin Schnoorand Andrew Merritt) but mainly involved me gobbling cheese and humous sandwiches and not being very helpful at all.

Super busy outside Concrete Hermit: thank god it didn't rain!

Super busy outside Concrete Hermit: thank god it didn’t rain!

Thanks to the power of twitter I managed to secure some booze sponsorship at the last minute (you know how crazy people talk about sending your wishes out into the universe by writing notes to angels and the suchlike – well with twitter it actually works, people listen!) A lovely lady heard my plea and offered me the best beer ever – Adnams East Green carbon neutral ale, which was really delightful and the perfect accompaniment to the evening. We also got another sponsorship at the last minute – a yummy New Zealand beer – which as some helpful friend of mine pointed out probably totally wrote off all our smug carbon neutral credentials in one feel swoop. Oh well!

Checking out Amelia's Anthology of Illustration

Checking out Amelia’s Anthology of Illustration

I arrived a wee bit late, as I am wont to do (took me ages to do my make up – I decided on a glitter-on-eyelashes look at the last minute which was fun to achieve) and the place was already hopping. It remained fairly rammed both inside and out for the entire stretch of night, and I felt less stressed than I normally do at such occasions, possibly because many of my good friends did actually come along – which has been a rarity at most recent magazine launch parties. And I am generally in a better mood these days, what with heartbreak being quite a long way away (3 years; I know, it takes me awhile) As well there were loads of other lovely folks – many of whom I didn’t know, and lots of the featured illustrators came along with friends and family, or alone, as did uber-typologist and endpaper queen Lesley Barnes – who travelled all the way down from Scotland on the train for the event.

Lesley Barnes and Amelia Gregory, with Valerie Pezeron filming in the background

Lesley Barnes and Amelia Gregory, with Valerie Pezeron filming in the background


My parents came (who were massively helpful during the making of the book – my father having researched all the technologies, and my mother having subbed all the writing from their caravan whilst on holiday in New Zealand) and my cousin Camilla, though my cousin Matt who works at RBS didn’t – he sent a text message saying “Amelia hates me because I work for the most evil bank in the world.” Haha! No I don’t!

But you really should change jobs.

Checking out the book: Amelia's Anthology of Illustration

Checking out the book: Amelia’s Anthology of Illustration

To be honest it was all a bit of a whirl, so I think I’ll just leave you with a bunch of photos to tell the story better than I can. We ended the night at that artists’ favourite (and mine, for the ten years I have lived in the area) The Owl and Pussycat, just around the corner in Redchurch Street, and a fabulous time was had by all, including my trusty interns Jermaine and Grace, who did a sterling job keeping the place clean and clearing away the bottles – it was my biggest fear that they would get broken and mashed into the pavement like they oft times are during gallery openings in the area. Valerie is working on a little video of the whole thing, so watch out for that in the coming weeks. In the meantime, enjoy! It were like a proper book launch, with books laid out on the table and everyfink. Get me!

Satu Fox and Sally Mumby-Croft, who helped with interviews in the book

Satu Fox and Sally Mumby-Croft, who helped with interviews in the book

Craig Yamey, featured in Amelia's Anthology of Illustration

Craig Yamey, featured in Amelia’s Anthology of Illustration

with my parents and cousin

with my parents and cousin

Andrew Merritt

Andrew Merritt

Fred Butler and friends, looking as fabulous as ever

Fred Butler and friends, looking as fabulous as ever

Amelia Gregory, with featured illustrators Barbara Ana Gomez and Thereza Rowe

Amelia Gregory, with featured illustrators Barbara Ana Gomez and Thereza Rowe

Leona Clarke with her brother, also an illustrator!

Leona Clarke with her brother, also an illustrator!

Sabrina Morrison and Cari Steel (star interns who helped with the book) and Jermaine Gallacher

Sabrina Morrison, Cari Steel and Jermaine Gallacher (star interns who helped with the book)

Amelia Gregory and Craig Yamey, one of the most lovely people I know

me and Craig Yamey, one of the most lovely people I know

A proper launch for Amelia's Anthology of Illustration

A proper launch for Amelia’s Anthology of Illustration

My friend Jamie Rory Lucy on the floor at the end of the night - look how much we drunk!

My friend Jamie Rory Lucy on the floor at the end of the night – look how much we drunk!


Categories ,Amelia Gregory, ,Amelia’s Anthology of Illustration, ,Barbara Ana Gomez, ,Concrete Hermit, ,Craig Yamey, ,exhibition, ,launch party, ,Lesley Barnes, ,Thereza Rowe

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Amelia’s Magazine | Amelia’s Compendium of Fashion Illustration Launch Party: The Movie

Cooperative Designs 2011. Photography by Amelia Gregory
Cooperative Designs A/W 2011 by Natsuki Otani
Cooperative Designs A/W 2011 by Natsuki Otani.

Last season I was incredibly gutted to miss the Cooperative Designs presentation – such were the glowing reports on our website. But in my enthusiasm I actually turned up too early this time, viagra buy got turned away, buy ate a Pret sandwich… and then missed most of what turned out to actually be a catwalk show on repeat.


Cooperative Designs A/W 2011. Photography by Tim Adey.

Descending some stairs we were asked to sit in a darkened vault but my photographer’s sixth sense directed me instead to stand in a separate photographers box, where the models paused for a few seconds in somewhat brighter conditions.

Cooperative Designs A/W 2011 by Jane Young
Cooperative Designs A/W 2011 by Jane Young.

This was a collection inspired by 90s rave culture, Drum n Bass and the contemplative industrial photography of Thomas Struth, which meant that the oversized silhouette of Cooperative Designs came in industrial tones of grey and beige stripes combined with fluoro highlights in tie detailing, visors and threaded hair accessories.

Cooperative Designs A/W 2011. Photography by Tim Adey.
Cooperative Designs A/W 2011. Photography by Tim Adey.

Cooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia Gregory
Cooperative Designs A/W 2011. Photography by Amelia Gregory.

There was lots of asymmetrical patterning, floppy hooded jumpers, boxy baggy tops and knit dresses tiered with baggy pouches. Lacy see through knitwear recalled the combat trouser shapes so beloved of 90s dancers. Hats by Noel Stewart were tall and floppy like a gnome’s or featured ear flaps and visors – questionable styles that were somehow rendered infinitely desirable. A wide knitted skirt was particularly cute, and were the little boots by Flip Flop, customised by Cooperative Designs with extravagant orange soles.

Cooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia Gregory
Cooperative Designs A/W 2011. Photography by Amelia Gregory.

Of any designers that I love I can actually imagine myself wearing Cooperative Designs. Their clever knitwear by it’s very nature being supremely flattering to the shape of a real women. Thankfully, they make a point of picking their models to reflect their customer.

On my way out I was given a brilliant press release: informative, well written and protected in a cardboard envelope that even I would struggle to lose. Best of all, it came with my very own piece of painted plywood jewellery by Corrie Williamson, as featured in the collection. More designers could learn from such professionalism on the press release frontier.

You can read Naomi Law’s excellent review here.

I totally missed out the East 17 reference…
Cooperative Designs A/W 2011 by Natsuki Otani
Cooperative Designs A/W 2011 by Natsuki Otani.

Last season I was incredibly gutted to miss the Cooperative Designs presentation – such were the glowing reports on our website. But in my enthusiasm I actually turned up too early this time, mind got turned away, ate a Pret sandwich… and then missed most of what turned out to actually be a catwalk show on repeat.


Cooperative Designs A/W 2011. Photography by Tim Adey.

Descending some stairs we were asked to sit in a darkened vault but my photographer’s sixth sense directed me instead to stand in a separate photographers box, where the models paused for a few seconds in somewhat brighter conditions.

Cooperative Designs A/W 2011 by Jane Young
Cooperative Designs A/W 2011 by Jane Young.

This was a collection inspired by 90s rave culture, Drum n Bass and the contemplative industrial photography of Thomas Struth, which meant that the oversized silhouette of Cooperative Designs came in industrial tones of grey and beige stripes combined with fluoro highlights in tie detailing, visors and threaded hair accessories.

Cooperative Designs A/W 2011. Photography by Tim Adey.
Cooperative Designs A/W 2011. Photography by Tim Adey.

Cooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia Gregory
Cooperative Designs A/W 2011. Photography by Amelia Gregory.

There was lots of asymmetrical patterning, floppy hooded jumpers, boxy baggy tops and knit dresses tiered with baggy pouches. Lacy see through knitwear recalled the combat trouser shapes so beloved of 90s dancers. Hats by Noel Stewart were tall and floppy like a gnome’s or featured ear flaps and visors – questionable styles that were somehow rendered infinitely desirable. A wide knitted skirt was particularly cute, and were the little boots by Flip Flop, customised by Cooperative Designs with extravagant orange soles.

Cooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia Gregory
Cooperative Designs A/W 2011. Photography by Amelia Gregory.

Of any designers that I love I can actually imagine myself wearing Cooperative Designs. Their clever knitwear by it’s very nature being supremely flattering to the shape of a real women. Thankfully, they make a point of picking their models to reflect their customer.

Cooperative Designs 2011. Photography by Amelia Gregory
Plywood jewellery by Corrie Williamson for Cooperative Designs 2011. Photography by Amelia Gregory.

On my way out I was given a brilliant press release: informative, well written and protected in a cardboard envelope that even I would struggle to lose. Best of all, it came with my very own piece of painted plywood jewellery by Corrie Williamson, as featured in the collection. More designers could learn from such professionalism on the press release frontier.

You can read Naomi Law’s excellent review here. You can see more of Natsuki Otani’s work in Amelia’s Compendium of Fashion Illustration.
Cooperative Designs A/W 2011 by Natsuki Otani
Cooperative Designs A/W 2011 by Natsuki Otani.

Last season I was incredibly gutted to miss the Cooperative Designs presentation – such were the glowing reports on our website. But in my enthusiasm I actually turned up too early this time, drug got turned away, order ate a Pret sandwich… and then missed most of what turned out to actually be a catwalk show on repeat.


Cooperative Designs A/W 2011. Photography by Tim Adey.

Descending some stairs we were asked to sit in a darkened vault but my photographer’s sixth sense directed me instead to stand in a separate photographers box, where the models paused for a few seconds in somewhat brighter conditions.

Cooperative Designs A/W 2011 by Jane Young
Cooperative Designs A/W 2011 by Jane Young.

This was a collection inspired by 90s rave culture, Drum n Bass and the contemplative industrial photography of Thomas Struth, which meant that the oversized silhouette of Cooperative Designs came in industrial tones of grey and beige stripes combined with fluoro highlights in tie detailing, visors and threaded hair accessories.

Cooperative Designs A/W 2011. Photography by Tim Adey.
Cooperative Designs A/W 2011. Photography by Tim Adey.

Cooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia Gregory
Cooperative Designs A/W 2011. Photography by Amelia Gregory.

There was lots of asymmetrical patterning, floppy hooded jumpers, boxy baggy tops and knit dresses tiered with baggy pouches. Lacy see through knitwear recalled the combat trouser shapes so beloved of 90s dancers. Hats by Noel Stewart were tall and floppy like a gnome’s or featured ear flaps and visors – questionable styles that were somehow rendered infinitely desirable. A wide knitted skirt was particularly cute, and were the little boots by Flip Flop, customised by Cooperative Designs with extravagant orange soles.

Cooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia Gregory
Cooperative Designs A/W 2011. Photography by Amelia Gregory.

Of any designers that I love I can actually imagine myself wearing Cooperative Designs. Their clever knitwear by it’s very nature being supremely flattering to the shape of a real women. Thankfully, they make a point of picking their models to reflect their customer.

Cooperative Designs 2011. Photography by Amelia Gregory
Plywood jewellery by Corrie Williamson for Cooperative Designs 2011. Photography by Amelia Gregory.

On my way out I was given a brilliant press release: informative, well written and protected in a cardboard envelope that even I would struggle to lose. Best of all, it came with my very own piece of painted plywood jewellery by Corrie Williamson, as featured in the collection. More designers could learn from such professionalism on the press release frontier.

You can read Naomi Law’s excellent review here. You can see more of Natsuki Otani’s work in Amelia’s Compendium of Fashion Illustration.
Cooperative Designs A/W 2011 by Natsuki Otani
Cooperative Designs A/W 2011 by Natsuki Otani.

Last season I was incredibly gutted to miss the Cooperative Designs presentation – such were the glowing reports on our website. But in my enthusiasm I actually turned up too early this time, ailment got turned away, ate a Pret sandwich… and then missed most of what turned out to actually be a catwalk show on repeat.


Cooperative Designs A/W 2011. Photography by Tim Adey.

Descending some stairs we were asked to sit in a darkened vault but my photographer’s sixth sense directed me instead to stand in a separate photographers box, where the models paused for a few seconds in somewhat brighter conditions.

Cooperative Designs A/W 2011 by Jane Young
Cooperative Designs A/W 2011 by Jane Young.

This was a collection inspired by 90s rave culture, Drum n Bass and the contemplative industrial photography of Thomas Struth, which meant that the oversized silhouette of Cooperative Designs came in industrial tones of grey and beige stripes combined with fluoro highlights in tie detailing, visors and threaded hair accessories.

Cooperative Designs A/W 2011. Photography by Tim Adey.
Cooperative Designs A/W 2011. Photography by Tim Adey.

Cooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia Gregory
Cooperative Designs A/W 2011. Photography by Amelia Gregory.

There was lots of asymmetrical patterning, floppy hooded jumpers, boxy baggy tops and knit dresses tiered with baggy pouches. Lacy see through knitwear recalled the combat trouser shapes so beloved of 90s dancers. Hats by Noel Stewart were tall and floppy like a gnome’s or featured ear flaps and visors – questionable styles that were somehow rendered infinitely desirable. A wide knitted skirt was particularly cute, as were the little boots by Flip Flop, customised by Cooperative Designs with extravagant orange soles.

Cooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia GregoryCooperative Designs A/W 2011. Photography by Amelia Gregory
Cooperative Designs A/W 2011. Photography by Amelia Gregory.

Of any designers that I love I can actually imagine myself wearing Cooperative Designs. Their clever knitwear is by it’s very nature supremely flattering to the shape of a real women. Thankfully, they make a point of picking their models to reflect their customer.

Cooperative Designs 2011. Photography by Amelia Gregory
Plywood jewellery by Corrie Williamson for Cooperative Designs 2011. Photography by Amelia Gregory.

On my way out I was given a brilliant press release: informative, well written and protected in a cardboard envelope that even I would struggle to lose. Best of all, it came with my very own piece of painted plywood jewellery by Corrie Williamson, as featured in the collection. More designers could learn from such professionalism on the press release frontier.

You can read Naomi Law’s excellent review here and you can see more of Natsuki Otani’s work in Amelia’s Compendium of Fashion Illustration.
Sally Mumby-Croft at the ACOFI launch with Jonno and Matt. Illustration by Naomi Law
Sally Mumby-Croft at the ACOFI launch with Jonno and Matt. Illustration by Naomi Law.

Former Amelia’s Magazine art editor Sally Mumby-Croft put together this stunning movie reminder of the launch party for ACOFI with a little help from 6 Day Riot. I hope you enjoy a tour of Amelia’s Compendium of Fashion Illustration, rx as seen at the Bunker Cafe and Scout Hut at 123 Bethnal Green Road on Friday 28th January 2011. It features Susie Bubble, troche cakes by Lily Vanilli, sneak peaks inside the book and lots of sketching by the illustrators who helped out on the day.

YouTube Preview Image

I asked Sally a few questions about how she put the movie together:

What where you looking for when you filmed this?
When filming I’m often looking for the quiet moments in between moments of action, whether this be an illustrator lost in concentration, the movement of a pen, the simple action of making tea or a DJ pressing play. I wanted to capture the moments which were unique to an Amelia’s Magazine book launch.

What was your favourite moment of the party?
Apart from assisting Amelia and Matt Bramford with the set up in the morning and watching 123 heave under the number of guests who turned up for the book launch, my favourite moment of the party was when Amelia and Harriet (of Tatty Devine) cut the fantastic cake made by Lily Vanilli and we had a chance to taste the prettiest cake I’ve ever seen!

Sally Mumby-Croft. Photography by Liz Johnson-Artur.
Sally Mumby-Croft. Photography by Liz Johnson-Artur.

Who else have you made short videos for?
Recently I’ve been really lucky to work with the photographer and filmmaker Ben Toms, over the past three months I’ve worked on videos for JW Anderson, Edun and Craig Lawrence.



Outside of fashion film, I’ve worked with the fantastic team behind the upcoming documentary Just Do It: get off your arse and change the world and assisted on the editing of their Grow Heathrow short:

YouTube Preview Image

What else are you working on at the moment?
I’m thinking about the possibility of expanding upon Edgeland, a short documentary I made with Xavier Zapata in 2009. Edgeland consists of a series of interviews with Hackney residents who have been displaced by the Olympic development site in Stratford. Apart from that I have an idea for a new short film…

There’s a reason why I heart Sally big time. She’s incredibly talented, knowledgeable and she cares about the world around us. You can follow Sally on twitter here, and keep up with her on her Vimeo channel here.

Categories ,123 Bethnal Green Road, ,6 Day Riot, ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Ben Toms, ,Bunker Cafe, ,Craig Lawrence, ,Direct Action, ,Edgelands, ,Edun, ,goldsmiths, ,Grow Heathrow, ,hackney, ,Harriet Vine, ,Just Do It, ,JW Anderson, ,launch party, ,Lily Vanilli, ,Liz Johnson-Artur, ,Matt Bramford, ,Naomi Law, ,Olympics, ,Sally Mumby-Croft, ,Scout Hut, ,Stratford, ,Susie Bubble, ,Tatty Devine, ,Xavier Zapata

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Amelia’s Magazine | Amelia’s Compendium of Fashion Illustration Launch Party: The Movie

Sally Mumby-Croft at the ACOFI launch with Jonno and Matt. Illustration by Naomi Law
Sally Mumby-Croft at the ACOFI launch with Jonno and Matt. Illustration by Naomi Law.

Former Amelia’s Magazine art editor Sally Mumby-Croft put together this stunning movie reminder of the launch party for ACOFI with a little help from 6 Day Riot. I hope you enjoy a tour of Amelia’s Compendium of Fashion Illustration, as seen at the Bunker Cafe and Scout Hut at 123 Bethnal Green Road on Friday 28th January 2011. It features Susie Bubble, cakes by Lily Vanilli, sneak peaks inside the book and lots of sketching by the illustrators who helped out on the day.

YouTube Preview Image

I asked Sally a few questions about how she put the movie together:

What where you looking for when you filmed this?
When filming I’m often looking for the quiet moments in between moments of action, whether this be an illustrator lost in concentration, the movement of a pen, the simple action of making tea or a DJ pressing play. I wanted to capture the moments which were unique to an Amelia’s Magazine book launch.

What was your favourite moment of the party?
Apart from assisting Amelia and Matt Bramford with the set up in the morning and watching 123 heave under the number of guests who turned up for the book launch, my favourite moment of the party was when Amelia and Harriet (of Tatty Devine) cut the fantastic cake made by Lily Vanilli and we had a chance to taste the prettiest cake I’ve ever seen!

Sally Mumby-Croft. Photography by Liz Johnson-Artur.
Sally Mumby-Croft. Photography by Liz Johnson-Artur.

Who else have you made short videos for?
Recently I’ve been really lucky to work with the photographer and filmmaker Ben Toms, over the past three months I’ve worked on videos for JW Anderson, Edun and Craig Lawrence.

http://www.vimeo.com/20191792
http://www.vimeo.com/20191533
http://www.vimeo.com/18878998

Outside of fashion film, I’ve worked with the fantastic team behind the upcoming documentary Just Do It: get off your arse and change the world and assisted on the editing of their Grow Heathrow short:

YouTube Preview Image

What else are you working on at the moment?
I’m thinking about the possibility of expanding upon Edgeland, a short documentary I made with Xavier Zapata in 2009. Edgeland consists of a series of interviews with Hackney residents who have been displaced by the Olympic development site in Stratford. Apart from that I have an idea for a new short film…

http://www.vimeo.com/5191789

There’s a reason why I heart Sally big time. She’s incredibly talented, knowledgeable and she cares about the world around us. You can follow Sally on twitter here, and keep up with her on her Vimeo channel here.

Categories ,123 Bethnal Green Road, ,6 Day Riot, ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Ben Toms, ,Bunker Cafe, ,Craig Lawrence, ,Direct Action, ,Edgelands, ,Edun, ,goldsmiths, ,Grow Heathrow, ,hackney, ,Harriet Vine, ,Just Do It, ,JW Anderson, ,launch party, ,Lily Vanilli, ,Liz Johnson-Artur, ,Matt Bramford, ,Naomi Law, ,Olympics, ,Sally Mumby-Croft, ,Scout Hut, ,Stratford, ,Susie Bubble, ,Tatty Devine, ,Xavier Zapata

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