Amelia’s Magazine | Louise Wilkinson Illustrations and Ceramics: an interview with the designer

Louise Wilkinson ceramics- Lemon Tree dinner plate lifestyle

I first encountered Louise Wilkinson’s inimitable ceramics designs at Tent London last September, and instantly fell in love. The likes of Liberty discovered her beautiful bone china early on, and she has more recently created bespoke illustrations for panelling in the shop at the V&A. I caught up with her to find out more about her career to date, where her inspiration comes from and how she set about putting her illustrations onto china.

Louise Wilkinson ceramics- jug lifestyle

I absolutely adore your debut Maple Collection, inspired by English gardens, Oriental china and a love of nature. How did you construct the designs and how long did the process take to apply them to so many different shapes?
I like to draw a few pencil sketches first on scraps of paper and then at a later stage I draw my artworks on the computer with a pen. I love to create intricate artworks with witty details, often with a narrative. The designs are then screen printed and hand decorated in Stoke on Trent. It took many months to consider the shapes and designs together and then to fit the artworks correctly.

How do you pick the colour ways for your designs?
For my Maple Collection, I chose to have navy blue as the main colour with bold, playful, pops of colours for highlights. I often kept to two colours per design, for instance I liked the combination of a citrus yellow accent with navy blue or a coral red with navy blue.

Louise Wilkinson ceramics-Trees plate

What was the best bit about growing up in Yorkshire?
I loved growing up in the counrtyside, being able to spend a lot of time outside. We lived opposite a large field with lots of trees, me and my sister would often play and run around! I have lived in London over 10 years now, so it is nice to have the balance of London life and also visiting my family up north!

Louise Wilkinson Logo peacocks

You have already led a varied design career, studying illustration before moving into print and textiles for fashion. It sounds like the ideal career I never had! What was the highlight of those first years out of college?
I had always wanted to study Illustration so I took an Illustration degree at University. It was great to learn about the different aspects of image making, and after graduating my first job was working as an illustrator designing the prints, patterns and characters for children’s clothes, drawing everything by hand. I moved to London and worked in the fashion industry as a print and textiles designer, whilst also working on freelance book and magazine illustrations. I learnt a lot about working in different styles, techniques and applications to fabrics. It was great to get to know more about the commercial world and seasonal trends. Kids clothing is a fun area to work in!

Louise Wilkinson ceramics-Apple Tree dinner plate lifestyle

Why did you decide to create your own range and how did you effect that move?
I have been an illustrator and print and pattern designer for over a decade but I had always wanted to create my own artworks – to have a little more creative freedom and work for myself, creating timeless, playful and beautiful pieces. I launched my first collection in Liberty after attending the Best of British open day and it went from there!

Like me you are an avid fan of the illustrations found in children’s books, an aesthetic which I think comes through in your designs. Any favourites that you keep returning to?
Yes I do love children’s book illustrations, I always admired the painted collage technique used in the classic tale of The Hungry Caterpillar by Eric Carle, which is a classic. I also love Alain Gree’s cute illustrations and Russian fairy tales. I’m influenced by the traditional decorative arts, nature, exotic dreamlike places and often by different exhibitions I may visit in London. I love art and illustration, including Japanese and Chinese paintings, Matisse, Henri Rousseau, George Lepape….

Louise Wilkinson ceramics-Trees jug

What are your favourite pieces of homeware to design and why, and what is the hardest thing to design?
I love designing all the pieces, especially the plates and the cups and saucers. I like the flat surface area on a plate, which is like a blank canvas for artwork… and I like the little details you can add to cups and saucers. I’d say teapots can be harder to design for, as they are slightly more spherical.

What could we expect to find if we visited your work studio, can you describe it for us?
I am based in South East London where I have a large wooden desk with a Mac monitor and a pen tablet – it’s nice to have lots of surface area. There are lots of things around such as notebooks and pencil sketches, china samples, boxes, packing tape, bubble wrap, brochures, postcards! I have a lot of research in draws and on the walls. I also have lots of magazines and art books because I love looking in books for research rather than always using the internet. Oh and there is always a cup of tea on my desk, I drink too much!

Louise Wilkinson ceramics-Teacups

Why is it important for you to maintain strong relationships with UK suppliers?
I think its great to manufacture as much in the UK wherever possible to support the industry, and it is nice to meet the lovely team in Stoke on Trent who I work with.

When can we expect a new collection from you, and can you share any hints as to what that will be?
I will be selling my exclusive artworks which were created especially for my recent collaboration on the Christmas shop installation at the V&A. I’m also exhibiting at the Modern Show in Dulwich on March 16th 2014. I love this Mid Century design show, which it is local to where I live. I will also be exhibiting at Tent London again, during London Design Week in September.

Louise Wilkinson ceramics-Coral red plates

Do you have any plans to expand into other areas of design and if so what?
I love creating artworks and illustration and this can be applied to many different surface areas. So hopefully new things soon, I have lots of ideas.

Finally, do you have any exciting plans for 2014 – in either business or life – that you can share with us?
Hopefully a few nice trips away, perhaps to Copenhagen or Finland. I may also be getting married this year, which is exciting!

Categories ,Alain Gree, ,Best of British, ,Bone China, ,Ceramic design, ,ceramics, ,Chinese, ,Designer Maker, ,Dulwich, ,Eric Carle, ,George Lepape, ,Henri Rousseau, ,interview, ,japanese, ,liberty, ,London Design Week, ,Louise Wilkinson, ,Maple Collection, ,matisse, ,Mid Century, ,Modern Show, ,Russian, ,Stoke-on-Trent, ,Tent London, ,The Hungry Caterpillar, ,va

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Amelia’s Magazine | Meet Yoko Furusho: Featured Artist from That Which We Do Not Understand

Yoko Furusho_TWWDNU
Yoko Furusho is a Japanese illustrator based in New York, and was featured in my first book, Amelia’s Anthology of Illustration. Since then she has worked with a long list of commercial clients, and featured in many exhibitions and books. She loves to draw details, textures and patterns with ink and acrylics. The Scenery of the Other Side was inspired by Japanese ideas of the afterlife, following the recent loss of her grandfather. ‘Souls must cross a huge river, and are first judged by the King of Hell. Cows and horses carry the good souls to heaven and my illustration shows what I think this might look like.’

Yoko_Furusho_flyer
Your artwork is titled Scenery of the Other Side – what elements does of this world did you decide to feature and why?
I wanted to focus on the after life world which we don’t understand. Since I lost my grandfather last year, I started to think about where we go after our life. I guess I was very lucky that until last year nobody around me has died, so I was very shocked to realize what happens at the funeral ceremony and when the souls go away.

Yoko_Furusho_scales
How did you create the artwork and what inspired the colour palette?
I always like using colours but I chose really happy colours to create the after life world, because I want the old souls (including my grandfather) to be happy.

Yoko_Furusho_landscape
It was inspired by the death of your grandfather, what did you learn about how death is dealt with in Japan, and what most surprised you?
In Japan, funeral ceremonies are very solemn. The funeral is usually on the day after the wake, and the procedure is similar to the wake, where incense is offered while a priest chants a sutra. At the end of the funeral ceremony, the guests and family may place flowers in the casket around the deceased’s head and shoulders before the casket is sealed and carried to the elaborately decorated hearse and transported to the crematorium. Actually I was very surprised about the funeral alter. The ceremonial alter is covered in flowers so that it looks like a palace in a flower field. Then I realized that is where my grandfather would go and live after he died. So I felt very weird. I was so sad that I lost my grandfather, but I thought that if he was going to live in such a place in the after life, then actually that wouldn’t be too bad.

Yoko_Furusho_lady
You contributed to my first illustration book several years ago, what has happened in your career since then?
Yes, Amelia’s Magazine was one of my first clients. I remember that I was so excited when I first saw the magazine on the news stand in New York. And I was even more excited when I realized that the magazine is based on open-briefs. In that point in my career it was a great opportunity to show my work to people who are excited about the sort of cute and colourful illustrations that I make. So I really appreciate the chance I was given by the magazine and I wanted to celebrate your 10th birthday with my art.

Yoko_Furusho_lady head
What has been you favourite commercial brief and why?
So far, I have worked on four childrens’ books in Europe and in Japan. Through working on these books, I have come to realize how much I like books. When I see children happily reading my books this is such a precious moment for me. Now that I am so passionate about books, my long-term goal is to have an exhibition featuring all of the books that I have published.

Yoko_Furusho_japanese lady
What else are you working on at present?
Currently, I’m working on my next children’s book, which is going to be published as my second original. At the same time, I liked the theme that I worked on for That Which We Do Not Understand so much that I have started to create a new series called The Scenery of the Other Side, which features the fantasy world of Japanese afterlife. You can see some of the images I have made so far in this blog post: I am going to include the hell side of the after life world as well!

Yoko_Furusho_dino
Lastly, was this work in any way cathartic to create? And if so what was the most cathartic part of the creation?
The concept came up easily because I have been interested in the theme since last year. So this imaginary afterlife world was just opened in my mind. I looked for Japanese rituals after the life and drew them straight to the end. I think it has been a good time for me to create my own series and I’m happy that I could end up with this image. Thank you!

Yoko describes her illustration in more detail here. You can pledge for her marvellous artwork, featuring gorgeous gold leaf highlights all over, on my Kickstarter campaign here. Just 5 days left to go to make your pledge!

Categories ,#TWWDNU, ,After life, ,Amelia’s Anthology of Illustration, ,Funeral, ,illustration, ,illustrator, ,interview, ,japanese, ,That Which We Do Not Understand, ,The Scenery of the Other Side, ,Yoko Furusho

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Amelia’s Magazine | A Million Cats: An interview with adult colouring book author Lulu Mayo

A Million Cats front cover by Lulu Mayo
I’ve spoken about my love of A Million Cats in my previous post highlighting my favourite colouring books of 2015, and now I am finally able to bring you an exclusive interview with the artist Lulu Mayo. This is Lulu’s debut book but the reception has been so fantastic that she is set to release another book geared towards dog lovers, called, yes you guessed it, A Million Dogs. Both books feature a plethora of cute animals in ridiculous situations, inspired by a childhood love of the infamous cat bus in cult Japanese animation My Neighbor Totoro. A must have for all the animal loving colorists out there.

A Million Cats by Lulu Mayo in a tree
A Million Cats by Lulu Mayo

I believe your first career involved numbers – what did you do and where?
After graduating from university, I worked as a sales and marketing personnel in a technology company in Taiwan. However, I quickly realised that it was not something I would like to pursue for my future career. So while working, I undertook a product design course to prepare for entry into art school. I was glad I did it and was happy to say it was the best decision I ever took in my life!

qubee-strawberry by lulu mayo
Strawberry by Lulu Mayo

Why did you decide to pursue your passion for illustration?
I had an amazing opportunity to undertake an Erasmus exchange program in France while studying international business. However, I wasn’t inspired by business management courses but arts and amazing architectures there. After I came back from France I decided to purse my love for arts. It wasn’t after a lot of trials and errors did I decide to purse my passion for illustration. Originally I thought I would be a product designer as I loved the idea of creating something practical and artistic. But later on I realised it was drawing that brought me the most joy. I am happy to say I don’t regret it at all now.

A Million Cats by Lulu Mayo adult colouring book
A coloured scene from A Million Cats by Lulu Mayo

Why did you decide to study in the UK and why did you chose Camberwell College of Arts?
I was drawn by hustle and bustle of big cities and London perfectly fit the bill. Tutors at Camberwell always gave us free rein to experiment with new themes and techniques. I have absolute creative license to produce artworks, so it was an obvious choice.

A Million Cats by Lulu Mayo townscape
A Million Cats by Lulu Mayo

How did A Million Cats become published? Did you take the concept to a publisher or did they approach you and if so when and where?
It all started when I received a fountain pen as a gift from my Dad. The pen itself was a gift from his senior officer dating back 40 years. I started to create a lot of hand drawn black and white ink artworks ever since.

A million cats cat mushroom field by Lulu Mayo
A coloured scene from A Million Cats by Lulu Mayo

Then one day I thought,“Why not combine my love of cats and ink?” So I came up with an idea of creating a colouring book, A Million Cats and started to approach to publishers. Luckily, the publishing director at Michael O’ Mara loved the concept and the rest was the history. They got many positive responses from their clients so I was commissioned by them with another project – A Million Dogs. I was very grateful that they took a chance on me.

A Million Cats by Lulu Mayo sofa
A Million Cats by Lulu Mayo

Your book features a lot of Japanese influenced patterns – why did you add this to the mix?
I have a profound interest in Ukiyo-e, pictures of the floating world. It is a genre of art that flourished in Japan from 1680s up until the year 1900. I love its unique characteristics, including its imaginative cropping of figures, exaggerated foreshortening, amazing storytelling and intriguing patterns. My artworks are deeply influenced by it. I think A Million Cats is a marriage of the quirky, the idiosyncratic and Ukiyo-e.

A-Million-Dogs-Cover by Lulu Mayo
When does A Million Dogs come out, and can you share a sneak peak of the artwork with us?
Of course, my pleasure! The publication date of A Million Dogs in UK is 14th of April. Inside are over 30 spreads of funny dogs, decorated with stress-relieving Japanese patterns and motifs, including cherry blossom, waves, hearts, maple leaves, and paisleys in various forms. It features different breeds of dogs in a range of surreal situations; riding a carousel, playing music, sneaking food, and flying a hot air balloon. I hope it can provide readers an escape from hectic modern life to a relaxing world of quirkiness and imagination.

A Million Dogs balloon by Lulu Mayo
A Million Dogs by Lulu Mayo

What do you love most about the craze for adult colouring?
What I love the most is that I can share my imaginative world with others. It’s amazing to see how others interpret my artworks in their own creative way. It is absolutely thrilling!

A Million Dogs 2 by Lulu Mayo
A Million Dogs by Lulu Mayo

What is your favourite animal and why?
My favourite animal is English bulldog and it has appeared on many pages in A Million Dogs. It descended from fighting mastiffs. Today, however, it only slightly resembles his ancestors in appearance. He is not ferocious any more, but of a sweet, and loving disposition. Such a contradictory makes him my favourite. He really inspires me with his goofy look.


Obviously you love cats, when did this interest begin and have you ever had a pet cat that has inspired your work?
When I was five years old, I watched my first Hayao Miyazaki’s film called My Neighbor Totoro. There was a magical cat character. Every time when Totoro summoned him, he transformed into a cat bus and drove people to their destination. As a child, it completely rocked my world and I always dreamt that I could be the passenger one day. Ever since I became an advocate of cats. I want to create whimsical cats that sparks people’s imagination. Unfortunately, in reality there is no such cat that inspires me… it’s absolutely impossible to have a pet as my Mum is a neat freak!

effiel-tower by lulu mayo
Eiffel tower by Lulu Mayo

What else are you working on?
I am working on an animal-themed colouring book. It will feature more than 20 different animals in a range of different circular patterns. I will infuse it with my love for Japanese patterns, flowers, and plants. Unlike A Million Cats and A Million Dogs, this time I will colour it up with readers. So watch out, animal lovers!

St-pancras-station by Lulu Mayo
St Pancras Station by Lulu Mayo

For my personal project, I am working on a rabbit counting book. It’s not just about 1, 2, 3 but a story of having a loving family and friends!

A Million Dogs mandala by Lulu Mayo
Thank you so much for answering my questions Lulu, I love your work! Follow Lulu Mayo on Twitter and Facebook.

Categories ,A Million Cats, ,A Million Dogs, ,Adult Coloring, ,Adult Colouring, ,Animal Colouring Book, ,Camberwell College of Arts, ,Cat Coloring Book, ,Cat Colouring Book, ,Coloring, ,Colouring for Adults, ,Hayao Miyazaki, ,interview, ,japanese, ,Lulu Mayo, ,Michael O’ Mara, ,My Neighbor Totoro, ,pattern, ,review, ,Taiwan, ,Ukiyo-e

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Amelia’s Magazine | An interview with Japanese embroidery artist Kaoru Hirota of HIPOTA

Lobster by Hipota

It wasn’t that long ago that I watched The Secret World of Arrietty (2010), the Japanese, Studio Ghibli refresh of Mary Norton’s The Borrowers, and looking at Hipota‘s petite, crafted edibles and teenie-tiny animals, I can’t help but be reminded of the film. These artworks are so real, and so little that they have a Honey, I Shrunk the Kids element to them.

Pineapple by Hipota Banana by Hipota

33 year old Japanese craft artist Kaoru Hirota makes intricate embroidery pieces under the name Hipota. Having stumbled across her creations on the web, I was completely captivated with the detail and lifelike feel of her embroidery, especially the bite-size fruit and vegetables, which bear a strong resemblance to the real thing. With some pieces doubling as purses and brooches, these are the ultimate twee fashion accessory and the pinnacle of hand-made craft items. Dinner-table yummies, including peppers that bear beads instead of seeds, make my eyes water, not with hunger, but with fascination. Alice in Wonderland style pansies and blood-red lobster are all part of the foray into a thread-composed natural world that you encounter when you look at Hipota’s unique work. The detail of the pieces is striking and they have a cartoon-esque quality which gives them an extra pizzazz. Kaoru has a real talent for bringing thread to life and each of her pieces has its own personality.

Hipota Illustration by Jo Cheung Hipota by Freddy Thorn
Kaoru Hirota illustrations by Jo Cheung (top) and Freddy Thorn (bottom)

Initially these pieces look like crochet and the dexterity of Kaoru‘s fingers and the imagination of these works, really give her crafts their own stamp. The beauty is in the meticulousness of these small and lovable creations. Hipota‘s works range from tiny, delicate flowers to adorable little toadstools and I can’t wait to see what she comes up with next! With swans donning regal, fingernail sized crowns and character-full monkeys, these are the equivalent of soft toys for adults. More importantly, many of then are fun pieces that could give a real hand-made addition to any ensemble, or make a statement home-ware piece.

Avocado by Hipota
Brocolli by Hipota Hipota's Peas by May van Millingen
Hipota's Peppers by May van Millingen
Illustrations of Hipota‘s peas and peppers by May Van Millingen

Hipota‘s work is more than just embroidery, it’s like crawling into a craft created world where everything is carved from thread. Avocados, frogs, zebras, her range is startling and the pieces themselves are captivating. The only real pitfall of writing this piece, is that I’m dangling an (embroidery) carrot in front of you that’s out of reach as these little gems are only available from stores in Japan.

Tiger Purse by Hipota Hipota by Levi Bunyan Shark Purse by Hipota Illustration of Hipota zebra purse by Levi Bunyan

Although Kaoru Hirota, the needle behind Hipota proved hard to get hold of, and there was a bit of a language barrier, it was worth the challenge to get a quick insight into her lovely, dwarf artworks.

How long have you been embroidering?
For seven years.

Why did you choose the name Hipota?
My name is Kaoru Hirota so I thought that I would use the brand name Hirota. I was learning Russian at the time, and in Russian, p expresses r. I thought this was really interesting. Therefore, I used the brand name of not Hirota but Hipota. The right pronunciation is actually “Hirota”. However, people often call me “Hipota”. Incidentally, in Russian Hipota is хи pota.

Monkey by Hipota
Guerilla by Hipota

How do you choose the subject of a new project?
I like to use embroidery to express well-known forms, for example: animals, vegetables, and the often seen thing.

Do you use any other crafts to make pieces?
I only embroider, I can’t knit!

Leeks by Hipota
Onion by Hipota
Hipota Pea Brooches by Sam Parr Hipota pea brooches by Sam Parr

A lot of your work is fruit, vegetables, animals and flowers, is there a reason you focus on nature?
As in nature, results differ, so I can’t make the same thing twice. For example, if two strawberries are made, both strawberries would be completely different. I think that we can say the same thing about vegetables and animals!

What are your plans for the future?
I will continue only with embroidery from now on.

Hipota by Jo Cheung
Strawberry by Hipota
Hipota by Suky Goodfellow Illustration of Hipota strawberry by Jo Cheung and illustration of Hipota toadstools by Suky Goodfellow

How do you make the pieces so small? In such detail?
I observe things intently and I strive to express a colour and a form as it is. It’s mainly through trial and error that I learnt to do it. If you look at the work I did seven years ago you would be surprised!

What needle do you use?
It is a very ordinary needle. It is a thing called “nuibari” in Japanese.

Where can people buy your products?
I don’t have a webshop but you can buy my work in some stores in Japan. At Bazar et Garde-Manger and Tote.

Sea creatures by Claire Kearns
Illustration of Hipota‘s sea creatures by Claire Kearns

When I was little my grandmother would knit cuddly toys for me. These inanimate friends were different to my other soft companions, not because they were knitted, but because they had been made with love. Looking at Hipota‘s creations makes me feel a genuine sense of wonder at the power of human creativity that I thought was all but lost with childhood. Not just that, but I feel she really manages to put a part of herself into her art, especially as she mentions that each piece is unique. Just like the lovely, loyal cuddlies my grandma knitted for me as a kid, these pieces have stolen my heart, and hopefully, yours too.

Crab by Hipota
Seahorse by Hipota
Fish by Hipota

All photography courtesy of Kaoru Hirota

Categories ,animals, ,Bazar et Garde-Manger, ,Brooches, ,craft, ,crochet, ,embroidery, ,Freddy Thorn, ,Fruit, ,handmade, ,Hipota, ,Honey, ,I Shrunk the Kids, ,japan, ,japanese, ,Jessica Cook, ,Jo Cheung, ,Kaoru Hirota, ,knit, ,Levi Bunyan, ,nature, ,Purses, ,Russian, ,sea creatures, ,sewing, ,Suky Goodfellow, ,The Borrowers, ,The Secret World of Arrietty, ,thread, ,Tiny, ,Tote, ,vegetables

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Amelia’s Magazine | An interview with Nanae Kawahara: Amelia’s Colourful Colouring Companion featured artist.

06-Nanae-Kawahara
Nanae Kawahara is yet another talented Camberwell College of Arts graduate who has produced art for my colouring book. Her imaginative underwater scene features mermaids and all the creatures of the sea… Find her art in Amelia’s Colourful Colouring Companion, funding on Kickstarter now!

01-Nanae-Kawahara
Why is Japanese culture so full of images and tales of the sea?
I never thought about how Japanese culture is full of images and tales of the sea… maybe because I am Japanese? I guess Japan is full of nature and technology and it has never been dominated by other countries, so Japanese people have a very different character… it’s hard to answer this!

16-Nanae-Kawahara-ColouringBook-for-web
What is happening in your fantastical colouring book artwork?
Firstly I started just drawing like brightness on the surface, and then… I could see this is in the ocean with star lights of water. Then I started seeing mermaids like ‘The Little Mermaid’. I imagined a girl… a mermaid who is shy. The ocean is so colourful, with lots of creatures living in there. There is a festival in the ocean, they enjoy dancing, eating, singing… it is a very peaceful world. A shy mermaid is so quiet, but her friends try to make her join in… the mermaid diva calls her and then they enjoy all day… I just had a dream that everyone welcomes everyone, and it makes happiness. I coloured it in like a watercolour painting to illustrate ‘in the ocean’, and the drawing is tidy to show sensitive creatures.

11-Nanae-Kawahara
How would you describe the style of your work?
At first, I can say it is vividly colourful and sweet cutie characters. Recently I recognised my works are loved by each different type of people, according to attend to art events. Adults, young, kids, men and women… some of my fans gave me the comment which mentions first impression of my works is cute, and then other aspects permeates like pleasure, fear, anger etc. I gather my feelings and memories then express them on my works, so there are full of my mind to communicate with people.

04-Nanae-Kawahara
In what way do your feelings and memories manifest in your illustrations?
Be positive whenever I feel fear.
Keep going whenever I am sad.
Remember everyone around me.
Remember everyone around me died.
Keep my feelings when I am impressed.
Do not forget what I feel.

09-Nanae-Kawahara
It sounds as though you like the cute and the Kawaii but also the dark and the gothic – in what way do you try to combine both these inspirations in your artwork? 
I quite like fashion illustration (but I am now on Fashion Illustration FILE here), and am often inspired by artworks in fashion magazines or on cosmetic products. I was very shocked when I saw art by Rene Gruau, Hiroshi Tanabe and Antonio Lopez a long long time ago (maybe I was 12 or 13) because they were so refreshing to look at. On the other hand, I was attracted to cute works by Rodney Alan Greenblat and Dick Bruna. They give me lots of fun and happiness to live. My dream is that my illustration could be loved by many people and categories – I know it is difficult, but I try to show something special in my illustration. I am also influenced by my feelings and memories. As you can see by my favourite artists and my work, I love colourful stuff, shiny stars and some kawaii imagery like animals and girls. On the other hand, I also like the dark side of gothic, horror, suspense and monsters. I recently noticed they are related to death as I have experienced deaths of my relatives and pets (also animation characters – e.g. the final story of Sailor Moon) from my childhood. I often felt weird someone suddenly died as he or she was alive just a short time ago. I don’t want to think about the deep meaning of death, I believe that everyone is always alive and glowing.

03-Nanae-Kawahara
02-Nanae-Kawahara
What work featured in your recent exhibition Colourful Colourful and where was it held?
Yes I have just had my exhibition in Tokyo, the title was ‘Colourful Colourful’ and the theme was colourful elements in a negative scene. Lots of feelings compared with monsters and scenes. The artworks were darker than my previous work, but I want you to enjoy my new world. And also… I have just taken part in a group show called ‘Imo Hori’ with Hiromi Kado and Natsuko Oshima. (Imo=Potato / Hori=digging – so it means ‘Find good arts!’) If someone is in Tokyo, please visit us!

08-Nanae-Kawahara
Is the big white poodle yours? Is she/he a muse? What is their name, can you tell us more?!
Yes! I sometimes post photos of my dog Nana, she is a Standard Poodle, coloured white with a little brown, female, age 7. Actually this dog is the third in my family, the previous dog was also called Nana and she came from a divorced couple. She was mixed breed and had black hair so we call her Black Nana as opposed to White Nana. We gave the same name because Black Nana was so kind and beautiful but suddenly dead by cancer, and I hoped the next one would also be a good dog. Muse..! I do not think Nana is a muse. But thanks for that. She is just normal and my best friend! Her power is so strong and she always punches me.

05-Nanae-Kawahara
Why did you head to the UK for your MA in illustration and what was the best part of studying at Camberwell?
After my BA I still wanted to research illustration with an MA, so I thought I should go to another country to study and chose the UK for its mixed culture. Art and design in London are similar to Tokyo (but Japan is more chaotic and closer). I also think there is a quite friendly and mysterious atmosphere which Japan does not have. I chose Camberwell College of Arts because it gives great freedom for creative works and it has an illustration course. I felt I had enough of graphic design as I studied it for my BA at Tama Art University, Tokyo. Camberwell gave me the freedom to re-think how to create my illustration.

10-Nanae-Kawahara
Why do you feel it is important to raise your profile abroad and how do you set about doing so?
I longed to go overseas to see the reaction to my illustrations in another country. I think there are no borders in the creative world, but it is not possible to feel another place by just communicating on the internet. I needed to be in there.

07-Nanae-Kawahara
What do you hope for in the coming year?
I hope I can do more new things; challenges and find new opportunities for work. This year I have done illustrations for books and magazines, fashion and greeting cards. I wish I could do covers for magazines, books, and also illustration for advertisements. I think there is no limit for the possibility of illustration. I want to try anything, so my work can keep developing.

12-Nanae-Kawahara
13-Nanae-Kawahara
Nanae Kawahara is featured in Amelia’s Colourful Colouring Companion alongside 40 other artists, make sure you grab your early bird copy for just £12 on Kickstarter now!

15-Nanae-Kawahara
14-Nanae-Kawahara

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Amelia’s Magazine | Gurun Gurun featuring Cuushe: Atarashii hi video – an interview with director Cristina Maldonado

Gurun Gurun kon_b-cover
The Japanese influenced Czech group Gurun Gurun return with a new video featuring Cuushe (read more about the Japanese singer in our 2012 interview here). The EP features a host of remixes by well known Japanese artists and all the money is going to the Tenohasi NPO who help the homeless in Tokyo, and is followed by the album Kon B in May featuring Cuushe, Cokiyu, and Miko. We caught up with director Cristina Maldonado to find out more about this trippy video.

Gurun Gurun ft. Cuushe – Atarashii hi from Home Normal on Vimeo.

I am not a video maker, but a video performer, in most of my work I relate to the video in live time, and the action itself is a big part of the sense of it. I am not interested in the final visual effects, but in the challenge of relating in a very physical way to the projection which is practically immaterial, its interesting to see how the body and ordinary objects can bring a lot of magic into this relationship, therefore I don’t use any digital effects, it is all handmade. Jara’s (from Gurun Gurun) invitation to make a video with this principle was quite challenging because I never tried to present this kind of work without the live part, so I was curious if it would actually work. He sent the lyrics of the song which I immediately liked because they seemed to talk about stuff I experience in my video interventions: ‘In the dark beautiful light I try to put out my hand / Let’s make a new day world of paper’… somehow I took that as a good omen. Then he asked for some scary poltergeist stuff and sent the image of their ghost album cover…

Gurun Gurun video 2
Gurun Gurun video
Cristina Maldonado
I started looking for archive-free-copyright stuff…not much ghosts covered in a bed sheet. Then moved on to the beginning of cinema, some cult films with evil characters and devils but it was definitely too old and too well known, then went into B movies, especially the ones dealing with monsters which were too narrative and too cheap really. This definitely needed something abstract, I concluded I would cut a bunch of dark shadowy scenes of suspense and tension where you actually don’t see anything and put them together, and when I started to select films for that I found the black eyes, and somehow it felt to me it was totally matching the music of Atarashii hi, as they were mysterious, hypnotic, and dark, yet there was a sweet persuasive invitation, unclear to what exactly, but mesmerizing and evil.

Asuna (Jp): 100 Toys, Gurun Gurun (Cz)
Gurun_Gurun_photo_by_Libor-Galia_2
I made two versions, Gurun Gurun chose one and gave me feedback for couple of small editing details, and that was it. It was cool to work with them, I felt that we appreciated similar things, which brings a specific satisfaction. I think in the end the video was a proper match for this single, Cuushe’s voice at times seems to belong to the evil black eyes, at times to the dizzying victim, at times to my own hands, and sometimes she seems just to be narrating the whole thing. It all together is a trippy gentle wicked spell.

Gurun Gurun Cuushe video 3
Gurun Gurun Cuushe video 4
Gurun Gurun Cuushe video 1
Gurun Gurun Cuushe video 2
Gurun Gurun‘s new album Kon B is released on 8th of May, 2015 on Home Normal. Listen to the entire Atarashii hi EP here on band camp. See more work by Cristina Maldonado at www.cristinamaldonado.com

Categories ,Atarashii hi, ,Cokiyu, ,Cristina Maldonado, ,Cuushe, ,Czech, ,director, ,Gurun Gurun, ,Home Normal, ,interview, ,japanese, ,Kon B, ,Miko, ,Tenohasi NPO, ,tokyo, ,video

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