Amelia’s Magazine | Drawlloween Artist Discovery: Mr. Walters of Nerfect Novelties

mr-walters-drawlloween-3
Well, Drawlloween 2016 has come to a close. Here is my “Trick ‘r Treat” piece.

It’s All Hallows’ Day and possibly my last Drawlloween discovery is the art of Mr. Walters of Nerfect Novelties, based out of Illinois in the USA. I can’t find out much about him, and the stuff he sells on Etsy seems quite different in flavour, but I just adore his painterly narrative pictures for Halloween. I think perhaps the stuff he writes to accompany his images describes his personality somewhat, and I love the way he presents them on a sparkly background. Oh, and all his artworks are for sale at just $40 each – contact him via social media to find out how you can buy one. Wonderful!

Follow Mr. Walters on instagram, Facebook and twitter.

mr-walters-drawlloween-4
According to the Drawlloween 2016 calendar, today was “Call of C’Thursday.” That of course, is a reference to the ancient one, Cthulhu. Happy C’Thursday, Cthulhu!

mr-walters-drawlloween-2
Today’s Mab’s Drawlloween Club assignment was “Cult Costume.” Luckily I’ve been designing the vestments for my new UFO space-love secret society.

mr-walters-drawlloween-5
What ho ol’ specter! It’s my “ghosts” piece for Mab’s Drawlloween Club.

mr-walters-drawlloween-1
‘Twas “Skulls & Skeletons” for Drawlloween 2016, so this appeared. I’ve found that I can’t play loosey-goosey with the singularity or plurality of an assignment title, thus the numerous skulls and skeletons.

Categories ,All Hallows’ Day, ,Drawlloween, ,etsy, ,Hallowe’en, ,hashtag, ,illustration, ,instagram, ,Mab’s Drawlloween Club, ,Mr Walters, ,Nerfect Novelties, ,Trick or Treat

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Amelia’s Magazine | Drawlloween Artist Discovery: Sam Dunn

black-cat-by-sam-dunn
Black Cat.

My next Drawlloween discovery is East London based artist Sam Dunn, represented by Blink Art. I totally love her Weenzine III which is a special fanzine she has created around the Drawlloween concept that comes with a lovely Trick or Treat patch and a pin. Want one! Order yours here.

vampire-by-sam-dunn
Vampire.

grave-by-sam-dunn
Grave.

mummy-by-sam-dunn
Mummy.

alien-by-sam-dunn
Alien.

About Sam Dunn:
She grew up in the northern town of Hartlepool and studied at Cleveland College of Art and Design, where she began creating Gig posters and T-shirts for both local and national bands. She continued to do this throughout her time at Central Saint Martins, graduating in 2011 with a first class honours in Graphic Design and Illustration. Now she designs for a huge range of clients which includes Adidas, Becks, Little White Lies, The British Heart Foundation and Women’s Aid.

weenzineiii_preview_sam-dunn
Weenzine III.

I found Sam Dunn on instagram, follow her here.

Categories ,Blink Art, ,Central Saint Martins College of Art and Design, ,Cleveland College of Art and Design, ,Drawlloween, ,Drawlloween2016, ,Hallowe’en, ,Hartlepool, ,illustration, ,Sam Dunn, ,Spooky, ,Tattoo Art, ,Trick or Treat

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Amelia’s Magazine | Drawlloween Artist Discovery: Sonia Lazo

sonia-lazo-drawlloween-phantom-friday
Phantom Friday

Sonia Lazo hails from El Salvador and is the latest artist I have discovered via the Drawlloween hashtag on instagram. From an online interview with Adobe I have learned that she dreamed of becoming a marine biologist before deciding to pursue illustration, incorporating her love of nature and its relationship with the spirit world. She loves to showcase her process on instagram and Facebook and often incorporates animation into her colourful art.

sonia-lazo-drawlloween-superstition-sunday
Superstition Sunday

sonia-lazo-drawlloween-witchcraft-wednesday
Witchcraft Wednesday

sonia-lazo-drawlloween-slimy-swamps-foggy-bogs
Slimy Swamps, Foggy Bogs

sonia-lazo-drawlloween-baturday-dance-off
Baturday Dance Off

Sonia Lazo creates brilliant characters such as her mournful cat, sad because no one will take him in because he is bad luck on Superstition Sunday, or her bats competing in a dance off. Enjoy!

You can buy her art on Etsy here and follow her on Facebook at Sonia Lazo, where she posts wonderful videos of how she creates her work. Follow her on twitter here and instagram here. Read a fantastic interview here.

Categories ,Adobe, ,Drawlloween, ,Drawlloween2016, ,El Salvador, ,etsy, ,Hallowe’en, ,illustration, ,Sonia Lazo

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Amelia’s Magazine | Eat Your Heart Out & The Pretox Potion – The world’s first adults only cake shop!


WAH Nails, approved illustrated by Yelena Bryksenkova

Unless you’ve been under a rock, you’ll have seen me banging on about Future Beauty: 30 Years of Japanese Fashion at the Barbican. I did a mammoth post about the exhibition last week; it’s one of my favourite fashion exhibitions ever, and I couldn’t wait to go back for a second look.

So I was delighted to attend the Beauty Party last Thursday. The name flooded my mind with images of middle-aged women guzzling Lambrini and exchanging salacious stories while passing underwear around a living room on a cul-de-sac somewhere in Huddersfield. The roster of participants was pretty alluring, though – Alex Box, Charlie le Mindu and WAH Nails to name a few.


All photography by Matt Bramford

I went to a Viktor & Rolf event like this a couple of years back and it isn’t the easiest thing to navigate – you have to seek out the various special events – they’re usually tucked away. In tiny rooms behind the exhibition itself, each of the aficionados of beauty had set up their wares. Nails, make-up and hair were covered. What exactly was I going to get anything out of this? I have very little hair, I bite my nails, and I rarely wear make-up. ‘This is for girls,’ I thought to myself. Well, here’s a little round-up of the night’s events:

Charlie le Mindu

I’d subconsciously blocked Charlie le Mindu out of my mind after fashion week’s debacle. I feel lucky to be alive after that display, and I thought I had at least six months to recover before braving his (what will undoubtedly be fabulous) show for A/W 2011. Thankfully there wasn’t an arse or tit (or, er, y’know – the other bit) insight this time.

Charlie had created, especially for the occasion, a sculptural creation from human hair that descended from the roof and featured a rider’s helmet with a huge, yellow horse tail that dropped to the ground. On its own, it was beautiful; hanging motionless from the ceiling, it looked like magic. Attendees were able to slip underneath the creation and have their photograph taken, with hilarious results… Some were too short, some were too tall, some just couldn’t make it balance on their heads, but oh, what fun!


Look, it’s Amelia’s Magazine illustrator Naomi Law!


It’s Jenny, who isn’t an illustrator, but a friend nonetheless.

WAH Nails
I love how WAH Nails have single-handedly made nail art cool again. Their incredible designs have had so much press and attention since their debut in 2009. Most recently, they were part of the Eley Kishimoto Flash-On Week pop-up at the Shoreditch Studios, transforming nails with the iconic Flash pattern. Sadly, between the two of them, no matter how quickly the duo revamped nails it was clear the girls I’d gone with weren’t going to get a look in. The list to put your name on was full after fifteen minutes! Still, it was fascinating to watch the designs come to life.

Alex Box

Illustration by Emmeline Pidgen

I’ve been a fan of Alex’s for a while but I wasn’t sure what to make of a make-up demonstration. A world-famous make-up artist demonstrating her skills in make-up at the front of a cinema, for an hour and a half? Oh, go on then I thought – what’s the worst that can happen? It turns out it was one of the most mesmerising things I (and my pals) had ever seen. Resplendent in a vintage floor-sweeping red frock and fashion glasses that would make half of Shoreditch envious, Alex began creating the first look to the sound of haunting classical music. To see how quickly she works and how naturally it seems to flow was utterly hypnotising, and surprisingly relaxing. The first look was a Marie-Antoinette inspired ghostly creation, complete with a headpiece and fabrics that were added at the end – absolutely beautiful. The same poor model then had her face wiped before Look Two began – a more playful look with vibrant colours and jazzy fabrics. ‘Sometimes you have to go against the rules,’ relayed Alex, to a room full of gripped onlookers. A truly wonderful experience.

Illamasqua
Illamasqua’s team of make-up artists were on hand to provide makeovers. I couldn’t see much of what was going on here because a gaggle of excited teenage girls surrounded them in the hope of a dab of powder from one of these ‘world-famous’ experts. Nothing to see, here.

Of course amongst all this was a chance to see the incredible exhibition again, and it was equally as wonderful as the first time. I’d definitely recommend these evenings, and ooh look – there’s one tonight, starring Fred Butler amongst others!

See all the details here.


WAH Nails, prescription illustrated by Yelena Bryksenkova

Unless you’ve been under a rock, what is ed you’ll have seen me banging on about Future Beauty: 30 Years of Japanese Fashion at the Barbican. I did a mammoth post about the exhibition last week; it’s one of my favourite fashion exhibitions ever, and I couldn’t wait to go back for a second look.

So I was delighted to attend the Beauty Party last Thursday. The name flooded my mind with images of middle-aged women guzzling Lambrini and exchanging salacious stories while passing underwear around a living room on a cul-de-sac somewhere in Huddersfield. The roster of participants was pretty alluring, though – Alex Box, Charlie le Mindu and WAH Nails to name a few.


All photography by Matt Bramford

I went to a Viktor & Rolf event like this a couple of years back and it isn’t the easiest thing to navigate – you have to seek out the various special events – they’re usually tucked away. In tiny rooms behind the exhibition itself, each of the aficionados of beauty had set up their wares. Nails, make-up and hair were covered. What exactly was I going to get anything out of this? I have very little hair, I bite my nails, and I rarely wear make-up. ‘This is for girls,’ I thought to myself. Well, here’s a little round-up of the night’s events:

Charlie le Mindu

I’d subconsciously blocked Charlie le Mindu out of my mind after fashion week’s debacle. I feel lucky to be alive after that display, and I thought I had at least six months to recover before braving his (what will undoubtedly be fabulous) show for A/W 2011. Thankfully there wasn’t an arse or tit (or, er, y’know – the other bit) insight this time.

Charlie had created, especially for the occasion, a sculptural creation from human hair that descended from the roof and featured a rider’s helmet with a huge, yellow horse tail that dropped to the ground. On its own, it was beautiful; hanging motionless from the ceiling, it looked like magic. Attendees were able to slip underneath the creation and have their photograph taken, with hilarious results… Some were too short, some were too tall, some just couldn’t make it balance on their heads, but oh, what fun!


Look, it’s Amelia’s Magazine illustrator Naomi Law!


It’s Jenny, who isn’t an illustrator, but a friend nonetheless.

WAH Nails

I love how WAH Nails have single-handedly made nail art cool again. Their incredible designs have had so much press and attention since their debut in 2009. Most recently, they were part of the Eley Kishimoto Flash-On Week pop-up at the Shoreditch Studios, transforming nails with the iconic Flash pattern. Sadly, between the two of them, no matter how quickly the duo revamped nails it was clear the girls I’d gone with weren’t going to get a look in. The list to put your name on was full after fifteen minutes!

Still, it was fascinating to watch the designs come to life.

Alex Box

Illustration by Emmeline Pidgen

I’ve been a fan of Alex’s for a while but I wasn’t sure what to make of a make-up demonstration. A world-famous make-up artist demonstrating her skills in make-up at the front of a cinema, for an hour and a half? Oh, go on then I thought – what’s the worst that can happen? It turns out it was one of the most mesmerising things I (and my pals) had ever seen. Resplendent in a vintage floor-sweeping red frock and fashion glasses that would make half of Shoreditch envious, Alex began creating the first look to the sound of haunting classical music.

To see how quickly she works and how naturally it seems to flow was utterly hypnotising, and surprisingly relaxing. The first look was a Marie-Antoinette inspired ghostly creation, complete with a headpiece and fabrics that were added at the end – absolutely beautiful.

The same poor model then had her face wiped before Look Two began – a more playful look with vibrant colours and jazzy fabrics. ‘Sometimes you have to go against the rules,’ relayed Alex, to a room full of gripped onlookers. A truly wonderful experience.

Illamasqua

Illamasqua‘s team of make-up artists were on hand to provide makeovers. I couldn’t see much of what was going on here because a gaggle of excited teenage girls surrounded them in the hope of a dab of powder from one of these ‘world-famous’ experts. Nothing to see, here.

Of course amongst all this was a chance to see the incredible exhibition again, and it was equally as wonderful as the first time. I’d definitely recommend these evenings, and ooh look – there’s one tonight, starring Fred Butler amongst others!

See all the details here.


WAH Nails, patient illustrated by Yelena Bryksenkova

Unless you’ve been under a rock, you’ll have seen me banging on about Future Beauty: 30 Years of Japanese Fashion at the Barbican. I did a mammoth post about the exhibition last week; it’s one of my favourite fashion exhibitions ever, and I couldn’t wait to go back for a second look.

So I was delighted to attend the Beauty Party last Thursday. The name flooded my mind with images of middle-aged women guzzling Lambrini and exchanging salacious stories while passing underwear around a living room on a cul-de-sac somewhere in Huddersfield. The roster of participants was pretty alluring, though – Alex Box, Charlie le Mindu and WAH Nails to name a few.


All photography by Matt Bramford

I went to a Viktor & Rolf event like this a couple of years back and it isn’t the easiest thing to navigate – you have to seek out the various special events – they’re usually tucked away. In tiny rooms behind the exhibition itself, each of the aficionados of beauty had set up their wares. Nails, make-up and hair were covered. What exactly was I going to get anything out of this? I have very little hair, I bite my nails, and I rarely wear make-up. ‘This is for girls,’ I thought to myself. Well, here’s a little round-up of the night’s events:

Charlie le Mindu

Illustration by Gemma Sheldrake

I’d subconsciously blocked Charlie le Mindu out of my mind after fashion week’s debacle. I feel lucky to be alive after that display, and I thought I had at least six months to recover before braving his (what will undoubtedly be fabulous) show for A/W 2011. Thankfully there wasn’t an arse or tit (or, er, y’know – the other bit) insight this time.

Charlie had created, especially for the occasion, a sculptural creation from human hair that descended from the roof and featured a rider’s helmet with a huge, yellow horse tail that dropped to the ground. On its own, it was beautiful; hanging motionless from the ceiling, it looked like magic. Attendees were able to slip underneath the creation and have their photograph taken, with hilarious results… Some were too short, some were too tall, some just couldn’t make it balance on their heads, but oh, what fun!


Look, it’s Amelia’s Magazine illustrator Naomi Law!


It’s Jenny, who isn’t an illustrator, but a friend nonetheless.

WAH Nails

I love how WAH Nails have single-handedly made nail art cool again. Their incredible designs have had so much press and attention since their debut in 2009. Most recently, they were part of the Eley Kishimoto Flash-On Week pop-up at the Shoreditch Studios, transforming nails with the iconic Flash pattern. Sadly, between the two of them, no matter how quickly the duo revamped nails it was clear the girls I’d gone with weren’t going to get a look in. The list to put your name on was full after fifteen minutes!

Still, it was fascinating to watch the designs come to life.

Alex Box

Illustration by Emmeline Pidgen

I’ve been a fan of Alex’s for a while but I wasn’t sure what to make of a make-up demonstration. A world-famous make-up artist demonstrating her skills in make-up at the front of a cinema, for an hour and a half? Oh, go on then I thought – what’s the worst that can happen? It turns out it was one of the most mesmerising things I (and my pals) had ever seen. Resplendent in a vintage floor-sweeping red frock and fashion glasses that would make half of Shoreditch envious, Alex began creating the first look to the sound of haunting classical music.

To see how quickly she works and how naturally it seems to flow was utterly hypnotising, and surprisingly relaxing. The first look was a Marie-Antoinette inspired ghostly creation, complete with a headpiece and fabrics that were added at the end – absolutely beautiful.

The same poor model then had her face wiped before Look Two began – a more playful look with vibrant colours and jazzy fabrics. ‘Sometimes you have to go against the rules,’ relayed Alex, to a room full of gripped onlookers. A truly wonderful experience.

Illamasqua

Illamasqua‘s team of make-up artists were on hand to provide makeovers. I couldn’t see much of what was going on here because a gaggle of excited teenage girls surrounded them in the hope of a dab of powder from one of these ‘world-famous’ experts. Nothing to see, here.

Of course amongst all this was a chance to see the incredible exhibition again, and it was equally as wonderful as the first time. I’d definitely recommend these evenings, and ooh look – there’s one tonight, starring Fred Butler amongst others!

See all the details here.


WAH Nails, adiposity illustrated by Yelena Bryksenkova

Unless you’ve been under a rock, you’ll have seen me banging on about Future Beauty: 30 Years of Japanese Fashion at the Barbican. I did a mammoth post about the exhibition last week; it’s one of my favourite fashion exhibitions ever, and I couldn’t wait to go back for a second look.

So I was delighted to attend the Beauty Party last Thursday. The name flooded my mind with images of middle-aged women guzzling Lambrini and exchanging salacious stories while passing underwear around a living room on a cul-de-sac somewhere in Huddersfield. The roster of participants was pretty alluring, though – Alex Box, Charlie le Mindu and WAH Nails to name a few.


All photography by Matt Bramford

I went to a Viktor & Rolf event like this a couple of years back and it isn’t the easiest thing to navigate – you have to seek out the various special events – they’re usually tucked away. In tiny rooms behind the exhibition itself, each of the aficionados of beauty had set up their wares. Nails, make-up and hair were covered. What exactly was I going to get anything out of this? I have very little hair, I bite my nails, and I rarely wear make-up. ‘This is for girls,’ I thought to myself. Well, here’s a little round-up of the night’s events:

Charlie le Mindu

Illustration by Gemma Sheldrake

I’d subconsciously blocked Charlie le Mindu out of my mind after fashion week’s debacle. I feel lucky to be alive after that display, and I thought I had at least six months to recover before braving his (what will undoubtedly be fabulous) show for A/W 2011. Thankfully there wasn’t an arse or tit (or, er, y’know – the other bit) insight this time.

Charlie had created, especially for the occasion, a sculptural creation from human hair that descended from the roof and featured a rider’s helmet with a huge, yellow horse tail that dropped to the ground. On its own, it was beautiful; hanging motionless from the ceiling, it looked like magic. Attendees were able to slip underneath the creation and have their photograph taken, with hilarious results… Some were too short, some were too tall, some just couldn’t make it balance on their heads, but oh, what fun!


Look, it’s Amelia’s Magazine illustrator Naomi Law!


It’s Jenny, who isn’t an illustrator, but a friend nonetheless.

WAH Nails

I love how WAH Nails have single-handedly made nail art cool again. Their incredible designs have had so much press and attention since their debut in 2009. Most recently, they were part of the Eley Kishimoto Flash-On Week pop-up at the Shoreditch Studios, transforming nails with the iconic Flash pattern. Sadly, between the two of them, no matter how quickly the duo revamped nails it was clear the girls I’d gone with weren’t going to get a look in. The list to put your name on was full after fifteen minutes!

Still, it was fascinating to watch the designs come to life.

Alex Box

Illustration by Emmeline Pidgen

I’ve been a fan of Alex’s for a while but I wasn’t sure what to make of a make-up demonstration. A world-famous make-up artist demonstrating her skills in make-up at the front of a cinema, for an hour and a half? Oh, go on then I thought – what’s the worst that can happen? It turns out it was one of the most mesmerising things I (and my pals) had ever seen. Resplendent in a vintage floor-sweeping red frock and fashion glasses that would make half of Shoreditch envious, Alex began creating the first look to the sound of haunting classical music.

To see how quickly she works and how naturally it seems to flow was utterly hypnotising, and surprisingly relaxing. The first look was a Marie-Antoinette inspired ghostly creation, complete with a headpiece and fabrics that were added at the end – absolutely beautiful.

The same poor model then had her face wiped before Look Two began – a more playful look with vibrant colours and jazzy fabrics. ‘Sometimes you have to go against the rules,’ relayed Alex, to a room full of gripped onlookers. A truly wonderful experience.

Illamasqua

Illamasqua‘s team of make-up artists were on hand to provide makeovers. I couldn’t see much of what was going on here because a gaggle of excited teenage girls surrounded them in the hope of a dab of powder from one of these ‘world-famous’ experts. Nothing to see, here.

Of course amongst all this was a chance to see the incredible exhibition again, and it was equally as wonderful as the first time. I’d definitely recommend these evenings, and ooh look – there’s one tonight, starring Fred Butler amongst others!

See all the details here.


All photography by Matt Bramford

When Ellen from The Real Runway emailed me to ask if I’d like to go to an erotic/spooky cake launch, abortion it took me about 4 seconds to answer. Eroticism? Cakes? Yes please!

The launch of The Evil Cake Shop was at the Maiden shop on Shoreditch High Street, It’s a grand little shop and the perfect place to dash into if you need a last minute gift (which I all too regularly do).

The queue stretched all along the pavement outside, and we were informed by people dressed in suggestive Halloween costumes that the basement, where the launch was, only held about ten people. I was absolutely baffled, but in the meantime, said folks walked up and down the line with cans of Alibi to keep our lips moist and a taster of some of the cupcakes. We missed the first batch, which featured a syringe stuck in the top containing absinthe. Dammit! However, what we did get was even better.

Cue ‘Two Girls, One Cupcake’ – a chocolate treat inspired by that video, featuring a huge dollop of edible faeces-looking icing on top. Well it was so incredible that I had to fight the urge to jump up and down. Two Girls, One Cupcake! Bahahaha!

The Evil Cake Shop is the brainchild of Miss Cakehead, purveyor of perverse cakes including vaginas with teeth. You heard me! You have to check out the website, which features an incredible shoot by Nathan Pask and costumes by Prangsta, who we featured recently. The idea behind the shop is to bring together these extraordinary cake-bakers, potion-makers and confectionary creators for an extra special Halloween treat. Inside, in the window, appeared these fab roadkill and dead-girl-in-bath cakes:

‘Is that CAKE?!’ we cried. Well, it is, believe it or not.

Downstairs, the dark dungeon glowed with red lights and was a showcase of the rest of the fabulous cakes on offer – all of which are infused with Alibi‘s pretox goodness. The ‘dungeon’ is absolutely tiny and actually did only hold about ten people – pretty tricky to navigate, particularly as everything was so exciting to look at.


Cookies by Alice Rose


‘The naughtiest vegan cakes in town’ by Ms. Cupcake


Cakes by Holly & The Icing

Models were banished behind bars in Halloween costumes – a little bit awkward considering the tiny space, but fun nonetheless.

When you’d viewed all the cakes, a PVC-clad dominatrix gave you a cupcake and sent you on your way. I got a lime-flavoured ‘phlegm’ cake (above) described on the menu as follows:

Phlegm is a viscous liquid secreted by mucous membranes of mammalians. How about having some in a cupcake? Lime-infused cupcake with a hearty heaping of gob’. It was delicious.


Cakes by Jen Wong, featuring lists like ‘Buy chainsaw’ and ‘Kill somebody’


My personal favourites. Clockwise from top left: a penis, a vagina, a pierced nipple, a wound, zits and an eyeball. More works of art than cakes, designed by Holly Andrews


Spoky fingers by The Curious Confectioner

The cake shop is open to the public from today until Sunday only. They’re flogging 666 cakes per day, and when they run out, it closes, so get down there early – you won’t be disappointed.

PVC onesie optional. Happy Halloween!

Categories ,2 Girls 1 Cup, ,666, ,Alibi, ,Cake, ,Cakey Pigg, ,Cupcake, ,Ellie’s Cakes, ,eroticism, ,Hallowe’en, ,Holly & The Icing, ,Holly Andrews, ,Jen Wong, ,Maiden, ,Miss Cakehead, ,Ms Cupcake, ,Nathan Pask, ,Naughty, ,Prangsta, ,Pretox, ,PVC, ,shoreditch, ,The Curious Confectioner, ,The Evil Cake Shop

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Amelia’s Magazine | An interview with The Miserable Rich about their spooky new album Miss You In The Days

The Miserable Rich by Kathryn Corlett
The Miserable Rich by Kathryn Corlett.

Miss You in the Days is the new album from The Miserable Rich, a fabulous collection of songs inspired by ghosts, ghouls… and possession. In other words, the perfect musical accompaniment for Halloween and beyond. I got in touch with lead singer James De Malplaquet to find out what inspired this theatrical tour de force.

The Miserable Rich bed
Why do you think your music is referred to as Chamber Pop and is there anything else you would prefer to be called or that you use to describe yourselves better?
It would seem a little churlish to deny that there are both pop and chamber music elements to our music – but the term ‘chamber pop’ is just one consonant away from ‘chamber pot’ – a little too close for comfort in my humble…. We certainly use some traditional chamber music instruments – violin, cello, double bass, that kind of thing. I’m told the idea of chamber music was that it went against the tyranny of the orchestral hall – it was music that could be played anywhere, in any room, or chamber. We certainly fit in with that, having played in all kinds of places from churches to parks, palaces to (I ‘kid’ you not) creches.

Taking the songs Pisshead, Hungover and Chestnut Sunday (about cocaine addiction), and our propensity for liquor, we started off calling it ‘bar-room chamber music’ – but that didn’t really fit with the song for my mother (I hope). We do think there’s a bit of intensity in the music and the lyrical subject matter though – a bit of fire in the belly – and so we’re toying with ‘fiery chamber music for (song) lovers’ at the mo. There’ll probably be a new one in a month or two, mind.

Miss You In The Days cover
Who inspires you musically – I think there’s a definite jaunt to your music that calls to mind the theatrical big band festival scene. Has this been a factor in your development?
I think you’re right; there is indeed a certain theatrical flourish to what we do. Not that we planned it – and apart from my soft spot for Kate Bush, Grace Jones and Peter Gabriel, it’s not really there in the bands that we like – Will loves Loney Dear, for example – hardly known for his overblown music or stage shows….. I don’t know – I guess it just sort of came out that way. I do remember talking to the band before some of our first shows and agreeing that it didn’t matter if we hit a few bum notes, as long as we put emotion into the playing. It’s probably ramping the emotion up that gives it this element of theatre. We might play one or two less bum notes nowadays (we might not), but we still try to maintain that level of intensity.On the other hand, it might just be because we’re an incorrigible bunch of drama queens, completely divorced from reality. Sounds much more fun that way.

The Miserable Rich by Beth Crowley
The Miserable Rich by Beth Crowley.

How big is the current incarnation of your band – and who plays all the different instruments?
We’ve always been a five piece, with Will Calderbank on cello and occasional piano, Mike Siddell on violin and Rhys Lovell on double bass. This is the first time Ricky Pritchard has joined us on guitar and piano, and we added a drummer (!) this time round. Last album, we made a rule that we all had to play at least two instruments and sing on the album, so we shared the drumming, but on this album we got a real live drummer – David ‘Badlace’ Schechtriemen – to pitch in and help out. Myself, I used to play bits of piano, guitar, percussion and mandolin on the records, but they’ve gradually wrestled all the toys off me and made it clear I should just stick to singing….. Spoil sports.

Your album Miss You in the Days is described as “a collection of witty mischievous ghost stories” and is being released on Halloween. Have you always been fans of the otherworldly and the paranormal, and how or why did this love come about?
It was just one of those •spooky• coincidences, really. If we were going to record another album, I wanted us to go away and have an adventure – and so I came up with this idea of going to a haunted house and writing an album based on ghost stories. I’d noticed that we English – myself in particular – found it difficult to write about sex and death, and I thought this might be a good way of exorcising those particular lyrical demons. After I’d sold the idea to the band, I started reading only ghost stores and went around on tours in the UK and Europe, telling anyone who’d listen our plan, hoping someone would say ‘Come record at my house – it’s haunted as hell‘. In the end, a friend who had offered her haunted attic suddenly ‘remembered’ she was living next to Britain’s most haunted stately home, the Jacobean Palace of Blickling Hall – birthplace of Anne Boleyn. Introductions were sought, deals were cut with the National Trust, and off we went, hope in our hearts and ghouls in our heads.

Two rough diamonds from The Miserable Rich by Rhiannon Ladd
Two rough diamonds from The Miserable Rich by Rhiannon Ladd.

You recorded parts of the album in the haunted Blickling Hall – any good stories from this period? Mysterious creaks, ghost sightings – or were the stories of the place enough to work on your imaginations? 
Blickling is an amazing place, incredibly beautiful and evocative. Visiting its lonely windswept and tree-lined roads on our first visit, seeing the palace loom out of the darkness, it was easy to imagine people losing their wits in the deep dark Winters. Perhaps we did ourselves. David said he saw faces at the window on more than one occasion, the mics kept picking up German voices, and though the caretaker once told us in thick Glaswegian tones ‘The only spirits you’ll find here are whiskey, vodka and gin‘, Ricky and our manager Howard will tell you something very different about the unexplained voice they recorded late one Friday night in the West Turret Bedroom…….

Anything’s Possible

TheMiserableRich_AnythingsPossible_1000
Anything’s Possible cover art by illustrator Stanley Chow.


How does the erotic element of the album present itself, and which songs is this felt in the most?
I had been thinking about how the word ‘possession’ is both a supernatural and a sexual term. We hope to possess or be possessed by our lovers, or by the act of lovemaking. I’d also been mulling a little playfully on the meaning of words like ‘moaning’ and ‘groaning’. If you hear someone moaning in an old, empty house, say, you might draw very different conclusions to those you might on hearing the same sound through a hotel room wall. These ideas, and the idea of ‘love across beyond the grave‘ are suggested in the songs Laid Up In Lavender, On A Certain Night, Honesty and True Love – but I hope it’s not too heavy-handed.

YouTube Preview Image

What is going on in On a Certain Night? The lyrics sound quite stalkerish… who or what inspired this tune, and whose house was the lucky venue for the video? 
My first love was possessed. Many may believe this of their own experience, but in my case, these were her own words. She told me that a bright shiny light would enter the room, enter her body (as I hoped to do myself, but in quite a different way), and tell her what to do. I wasn’t sure if I believed her, or if I thought it a brilliant and elaborate method of getting out of responsibility for one’s actions…. When we started writing the album, many years later, I remembered the story and thought I’d write a slightly disturbing pop song from the perspective of this possessing spirit. There may be a little revenge in this – he is quite a lascivious devil, isn’t he? As for the video, it was all shot in one night, after hours in our new favourite Brighton pub, The Chequer Inn, run by a lovely and accommodating couple who had come up to me in various other pubs and told me they loved the band, and once memorably giving me a packet of twiglets.

On a certain night cover
Some pretty nightmarish make up featured in the video too. Do you have any special plans for this Halloween and what will you be dressing up as?
Hideous, isn’t it? That’s what happens if I don’t have time to properly put my face on before going out……. At least it ensures the video doesn’t look like Losing My Religion…. Yes, there will indeed be a bit of dressing up – and for this tour we’ll be playing in some churches, crypts, castles and even palaces, so anyone who gets into the ‘spirit’ of the nights will get a special ‘ghost hour’ radio mix I’ve made. I think we’re going to be imprinting a lot of memories on this tour….

YouTube Preview ImageHungover

The new single On A Certain Night is out on 24th October and the album Miss You in the Days is out, fittingly, on 31st October. Both on Humble Soul. Not to be missed. Check out The Miserable Rich soon! There are a few free tracks to download on Facebook here.

Categories ,album, ,Anything’s Possible, ,Beth Crowley, ,brighton, ,Chamber Pop, ,David ‘Badlace’ Schechtriemen, ,Dramatic, ,gothic, ,Hallowe’en, ,Humble Soul, ,Hungover, ,interview, ,James De Malplaquet, ,Kathryn Corlett, ,Mike Siddell, ,Possession, ,pub, ,review, ,Rhiannon Ladd, ,Rhys Lovell, ,Spooky, ,Stanley Chow, ,The Chequer Inn, ,The Chequers, ,The Miserable Rich, ,Theatrical, ,Will Calderbank

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Amelia’s Magazine | The Kotki Dwa Comeback: just in time for Halloween

JoeWorricker_by_Sandra Dufour
You’ve just released Finger-waggers. What’s this song about and why the name?
I wrote Finger-Waggers when my hair was so shockingly large people used to pull at it in clubs and take the piss. It’s about the importance of self-love and not letting people tell you how to be. Each of us are only here for a short time and we should be whatever we want to be

What’s the idea behind the video?
It’s set at a tupperware party with posh ladies who are the finger-waggers. The director Lily Smith did a fantastic job, buy she has made it look amazing.

Your sound is a pretty unique combination of pop, purchase indie and soul. How would you describe it and why?
The songs are Beatles, The Marvelettes, Debussy and Kate Bush mixed and the vocal is a weird soul voice I suppose. 

You’ve already been hailed as a new soul sensation – how does this feel? What do your mates mates say to you on the subject?
It’s an amazing feeling when someone appreciates your work. What’s important is how you feel about it. For my first album I’m proud and think I’ve set good starting ground for future things to come. My friends are really supportive and always come to my gigs.

When did you start singing, and how did you end up signed to Rough Trade?
I started singing to Disney songs when I was a baby and haven’t stopped since. When I was gigging round London some music peeps got talking, Rough Trade heard about me and came to watch me in Soho. They then invited me in and offered me a deal

What was it like growing up in Essex – did you live the life of a typical “essex boy”? PS what do you think of the new real life soap The Only Way is Essex – is this the Essex you knew? is it an apt representation of life in Essex?! or not at all….
I probably lived the Essex girl life more. Went out every weekend to binge drink underage with my girl mates and wore and still wear excessive amounts of fake tan. Although I get St Tropez now which is the best in the business, where then it was very cheap rub on tan; I’ve matured. I haven’t seen the show yet, but everyone has been banging on about it. Yes, there are people like the people you see on the programme for sure

X Factor: what’s your opinion? Did you ever enter any talent competitions as a teenager?
Talent competitions can be amazing platforms for people. Jennifer Hudson being the best example, who is totally sensational and may have never been discovered otherwise. I entered the X-Factor when I was 18. I didn’t get through though, I think they were scared of my voice.

Where are you living at the moment and why? 
Fitzrovia. I only live in areas where I can walk to Soho in 5 minutes or less
 
You’re a proactive twitter user – what do you use twitter for?
It’s good for letting people who are interested in your music know about gigs, singles and the generally rubbish you are getting up to. Perfect for potential stalkers.

When can people catch you live? What can they expect from a Joe Worricker live performance and why should they come to see you?
My London headline show at XOYO on 16th November in Old Street. They should come see me coz I’m better live and i’m extra gifted at talking rubbish between the songs

What makes the best kind of party?
Vodka, hilarious music, getting naked in the early hours

When can we expect a debut album, and have you got a name for it yet? go on… give us a bit of a clue…
It is released in the new year. It is the title of the 1st song I wrote for the album. The song is about a moment of profound beauty and clarity when every fear and worry about life fell out of my head and I could see the world clearly

Illustration by Lesley Barnes

Coco Chanel the name synonymous with French fashion, website like this so carefully cultivated by Karl Largerfield, he feels as if a caretaker at the same time as being an innovative fashion designer such is the call of the Chanel Staples. Each catwalk is a reinvention of the tweeds, the stars, the numbers, simplistic beauty is what Chanel conjures and it is what it achieves.

Justine Picardie is a journalist for the Telegraph and an author who produces both fiction and non fiction, for the last 13 years her side project has been researching Coco Chanel. Picard opened her talk on the publication of her Chanel Biography with the statement that the V&A is the heart of Fashion, forget Topshop!

Illustration by Joana Faria

How could I pass up the opportunity to find out more about this ever present, but ever distant fashion designer? Especially as I am yet to watch either of the recent films made about her early life…

It was the perfect talk – full of teasers about what the book contained alongside interesting insights into Coco’s design aesthetic – the monestry where she grew up the walls were embedded with stars, similar to what would later feature in her designs.

A talented speaker, Justine enraptured the audience with tales of Chanel’s rise from rags to riches polevaulting through French Society’s conventions that those born in a certain place – should stay on the rung of society they were born. Luckily, not only for Haute Couture but for women everywhere who wanted to wear trousers, Chanel made ignoring social conventions a habit of a lifetime.

Illustration by Kelly Angood

“Fashion is very dark, what we wear is what we cover up” Coco Chanel

Not for Chanel the corsets of early 1900′s France – no, the most striking thing about Chanel was seeing the pictures of her in a style that has inudated our subconscious – from the wearing of trousers to single handily popularising the Breton Stripe. Most importantly Chanel was an avid wearer of the flat show – not for her the gravity defying, walk preventing spindly heels that seem so popular not only on the catwalk but that shop which nestles within the heart of Oxford Street, Topshop.

Illustration by Maria del Carmen SmithAn aside, notice how Chanel sits on the horse in jodphurs, rather than side saddle, a fairly political statement at a time when most women were bound in corsets.

Chanel was funded by Boy Capell, the man in the above illustration, as soon as the Fashion House produced revenue, Chanel paid every last penny back. From the start Coco was to be an independent women.

Justine Picardie covered the usual ground of Chanel’s relationship with men, starting with Boy Capell and touching upon her life spent fishing in Scotland with the Duke of Westminister. Through whom Coco met Winston Churchill in the early 1920′s. The discovery of a picture of the two together lead Picard to the ministery of war archives, specifically the archives on Winston Churchill to explore Chanel’s reported relationship with a German Soldier may not have been what has so far been reported, the work of a traitor, but a (slightly naive…) plan -devised perhaps by Coco and regaled to Winston Churchill- to bring the war to an early end. This may seem rather glib, but to find out more and the outcome of Picardie trip to the archives? Sadly the author left this announcement within the pages of her book.

Illustration by Abby Wright

Picardie touched upon the inclusions of the number 5 etc and the use of stars… magical numbers were part of Chanel’s magical thinking… Tarot Cards. Chanel was interested in simple beauty. Justine attributes this magical thinking to her time spent as a child growing up in an ancient monastery, suggesting that the epoynmous chanel star was inspired by the mosiac’s made by Medieval Monks…

Illustration by Antonia Parker

Justine Picardie described fashion as “a series of Hauntings” and finished the talk with a wish for a book on the continuation of Chanel by Karl Largerfield, to conclude that such a book could only be written once Largerfield had left Chanel and quite possibly this planet… Coco Chanel, The Legend and the Life by Justine Picardie is on my christmas list!

Illustration by Lesley Barnes

Coco Chanel, ampoule the name synonymous with fashion, website like this Paris or otherwise has been so carefully cultivated by Karl Largerfield, he feels at times, as if a gentle caretaker – such is the call of the Chanel Staples. Each season’s Largerfield’s catwalk has produced -whilst channelling his own creative designs- a small reinvention of the tweeds, the stars, the monochrome, the pearls or maintained the simplistic beauty, the word Chanel brings to mind. Chanel is coveted, and her sense of style has embedded itself amongst the designs of the high street, during the talk I found myself playing spot the influence, from the cropped bobs to the presence of stripes on pratically every other member of the audience who found themselves at the V&A that blustery Friday night.

The talk was held by Justine Picardie in celebration of the publication of her new book; Coco Chanel: The Legend and the Life. Picardie is a journalist for the Telegraph, an author who writes fiction and non fiction and who has spent the last 13 years researching the life of Coco Chanel. This was an opportunity to discover the person behind the label, that was too good too miss.

Illustration by Joana Faria

A talented speaker, Justine enraptured the audience with tales of Chanel’s rise from rags to riches polevaulting through French Society’s conventions that those born in a certain place – should stay on the rung of society they were born. Luckily, not only for Haute Couture but for women everywhere who wanted to wear trousers, Chanel made ignoring social conventions a habit of a lifetime.

Not for Chanel the corsets of early 1900′s France – no, the most striking photographs of Chanel shown at the talk, documented her investment in a shocking departure from the norm, in the form of trousers and the aforementioned Breton top. Importantly (I am speaking here as someone who despises how reliant high heels make me on those I am travelling with) Chanel was an avid wearer of the flat show – not for her the gravity defying, walk preventing spindly heels that are oh so popular not only on the catwalk but that shop nestling within the heart of Oxford Street; Topshop.

Illustration by Kelly Angood

“Fashion is very dark, what we wear is what we cover up” Coco Chanel

Justine Picardie covered the usual ground of Chanel’s relationship with men, starting with Boy Capell and touching upon her life spent fishing in Scotland with the Duke of Westminister. Through whom Coco met Winston Churchill in the early 1920′s. The discovery of a picture of the two together lead Picard to the ministery of war archives, specifically the archives on Winston Churchill to explore Chanel’s reported relationship with a German Soldier may not have been what has so far been reported, the work of a traitor, but a (slightly naive…) plan -devised perhaps by Coco and regaled to Winston Churchill- to bring the war to an early end. This may seem rather glib, but to find out more and the outcome of Picardie trip to the archives? Sadly the author left this announcement within the pages of her book.

Illustration by Maria del Carmen SmithAn aside, notice how Chanel sits on the horse in jodphurs, rather than side saddle, a fairly political statement at a time when most women were bound in corsets.

It was the perfect talk – full of teasers about the book’s contents alongside interesting insights into the development of the identity of Coco Chanel – from the influence of the monestry where she grew up, to her meeting Boy Capel and Duke of Westminister (with whom she travelled to Scotland and discovered the Scottish Mills who produced the now famous Chanel Tweed).

Chanel was funded by Boy Capell, the man seated on the horse in the above illustration, however, as the Fashion House began to produce revenue, Chanel paid back every penny. From the start Coco was to be an independent women – an undeniably lucky, for her connections with Boy helped her attract clients, but a financially independent one nevertheless.

Illustration by Abby Wright

Picardie touched upon the importance to Chanel of the numbers her perfumes were named after (5,19) etc to the constant use and development of the star motif. In a picture of Chanel’s apartment, Picardie touched upon the presence of tarot cards and the importance of magical thinking alongside Chanel’s training as a seamstress in the creation of the House’s style. Justine attributes this ‘magical thinking’ to her time spent as a child growing up in an ancient monastery, suggesting that the epoynmous Chanel star was inspired by the star mosaics made by the Medieval Monks who originally inhabited the monastery. For more detail, I’m afraid you are going to have to read the book!

Illustration by Antonia Parker

During the talk (which occur weekly on a Friday evening) Justine Picardie described fashion as “a series of Hauntings” and finished the talk with a wish for a book on the continuation of Chanel by Karl Largerfield, to conclude that such a book could only be written once Largerfield had left Chanel and quite possibly this planet…

Coco Chanel, The Legend and the Life by Justine Picardie is on my christmas list!

Illustration by Lesley Barnes

Coco Chanel, buy more about the name synonymous with fashion, tadalafil Paris or otherwise has been so carefully cultivated by Karl Largerfield, he feels at times, as if a gentle caretaker – such is the call of the Chanel Staples. Each season’s Largerfield’s catwalk has produced -whilst channelling his own creative designs- a small reinvention of the tweeds, the stars, the monochrome, the pearls or maintained the simplistic beauty, the word Chanel brings to mind. Chanel is coveted, and her sense of style has embedded itself amongst the designs of the high street, during the talk I found myself playing spot the influence, from the cropped bobs to the presence of stripes on pratically every other member of the audience who found themselves at the V&A that blustery Friday night.

The talk was held by Justine Picardie in celebration of the publication of her new book; Coco Chanel: The Legend and the Life. Picardie is a journalist for the Telegraph, an author who writes fiction and non fiction and who has spent the last 13 years researching the life of Coco Chanel. This was an opportunity to discover the person behind the label, that was too good too miss.

Illustration by Joana Faria

A talented speaker, Justine enraptured the audience with tales of Chanel’s rise from rags to riches polevaulting through French Society’s conventions that those born in a certain place – should stay on the rung of society they were born. Luckily, not only for Haute Couture but for women everywhere who wanted to wear trousers, Chanel made ignoring social conventions a habit of a lifetime.

Not for Chanel the corsets of early 1900′s France – no, the most striking photographs of Chanel shown at the talk, documented her investment in a shocking departure from the norm, in the form of trousers and the aforementioned Breton top. Importantly (I am speaking here as someone who despises how reliant high heels make me on those I am travelling with) Chanel was an avid wearer of the flat show – not for her the gravity defying, walk preventing spindly heels that are oh so popular not only on the catwalk but that shop nestling within the heart of Oxford Street; Topshop.

Illustration by Kelly Angood

“Fashion is very dark, what we wear is what we cover up” Coco Chanel

Justine Picardie covered the usual ground of Chanel’s relationship with men, starting with Boy Capell and touching upon her life spent fishing in Scotland with the Duke of Westminister. Through whom Coco met Winston Churchill in the early 1920′s. The discovery of a picture of the two together lead Picard to the ministery of war archives, specifically the archives on Winston Churchill to explore Chanel’s reported relationship with a German Soldier may not have been what has so far been reported, the work of a traitor, but a (slightly naive…) plan -devised perhaps by Coco and regaled to Winston Churchill- to bring the war to an early end. This may seem rather glib, but to find out more and the outcome of Picardie trip to the archives? Sadly the author left this announcement within the pages of her book.

Illustration by Maria del Carmen SmithAn aside, notice how Chanel sits on the horse in jodphurs, rather than side saddle, a fairly political statement at a time when most women were bound in corsets.

It was the perfect talk – full of teasers about the book’s contents alongside interesting insights into the development of the identity of Coco Chanel – from the influence of the monestry where she grew up, to her meeting Boy Capel and Duke of Westminister (with whom she travelled to Scotland and discovered the Scottish Mills who produced the now famous Chanel Tweed).

Chanel was funded by Boy Capell, the man seated on the horse in the above illustration, however, as the Fashion House began to produce revenue, Chanel paid back every penny. From the start Coco was to be an independent women – an undeniably lucky, for her connections with Boy helped her attract clients, but a financially independent one nevertheless.

Illustration by Abby Wright

Picardie touched upon the importance to Chanel of the numbers her perfumes were named after (5,19) etc to the constant use and development of the star motif. In a picture of Chanel’s apartment, Picardie touched upon the presence of tarot cards and the importance of magical thinking alongside Chanel’s training as a seamstress in the creation of the House’s style. Justine attributes this ‘magical thinking’ to her time spent as a child growing up in an ancient monastery, suggesting that the epoynmous Chanel star was inspired by the star mosaics made by the Medieval Monks who originally inhabited the monastery. For more detail, I’m afraid you are going to have to read the book!

Illustration by Antonia Parker

During the talk (which occur weekly on a Friday evening) Justine Picardie described fashion as “a series of Hauntings” and finished the talk with a wish for a book on the continuation of Chanel by Karl Largerfield, to conclude that such a book could only be written once Largerfield had left Chanel and quite possibly this planet…

Coco Chanel, The Legend and the Life by Justine Picardie is on my christmas list!

Kotki Dwa by Alex Edouard
Kotki Dwa by Alex Edouard. Set design by Hattie Newman.

As anyone who knows me well will know I get VERY excited about Halloween. And so I was even more excited to discover that the bouncy Kotki Dwa have just released a comeback single and accompanying video titled especially for the occasion. I thought I’d better catch up and get the low down on all this Halloween business…. and anyway what precisely have Kotki Dwa been up to?

So, viagra dosage the first question has to be, where have you been? You’ve been very quiet since we last featured you in Amelia’s Magazine!
We’ve been very busy indeed! Alongside our music we’re passionate about other things – Tom is a zoologically trained ecologist working for The National Trust in Yorkshire, Alex is a graphic designer working in London, and Tristan is studying ‘interdisciplinary design’ in Bristol. Aside from that, we’ve been working on new music together – which we’re now ready to start sharing with people!

Your comeback single is titled Halloween and is cunningly released this week…. just before Halloween. What inspired you to do such a thing?
The song’s lyrics were actually written around last Halloween, but it’s taken us a year to get round to finishing and releasing it! So really, it’s a SPOOKY COINCIDENCE…

YouTube Preview Image

Can you tell us more about the video – it looks really fun. How was it made and by whom?
We had lots of fun making the video with our friends Carmel & Harry aka Loopshapers. Alex met Carmel at Art College and they collaborated on our previous video Robin’s Clogs as well. This time we decided to use this cool old Super 8mm camera to try and get some creepy 1950s B-Movie style results, to go with the Halloween theme! Carmel & Harry carefully processed the film with chemicals by hand, which makes it lovely and scratchy. The people in the video are loads of our friends, most of whom were making their acting debut.

Any funny stories from on set that you can share with us?
There were quite a few silly moments – you get some funny looks walking through Peckham dressed like a zombie in a dicky bow and bright red show jacket! At one point we accidentally stumbled through a Sunday family fairground and scared a few children – we had our guitars over our shoulders and one man even thought we were going to play on the stage! Oh, also some of the footage got ruined during processing. Actually, that wasn’t funny at all.

I love the press photo of you all covered in yarn – who’s behind this? it reminds me of the really fun image we had of you in the bathtub for issue 9 of Amelia’s Magazine.
Thank you! We thought it would be a fun idea – set making extraordinaire Hattie Newman made us magical cardboard keyboard, with all the wool coming out the back like wires. The photo was taken by Alex Edouard in Hattie’s studio.

Kotki Dwa portrait

How will you be celebrating Halloween this year? and what will you be dressing up as?
We won’t be together unfortunately, but separately we’ll but getting up to some ghoulish antics for sure. Alex is going to a bonkers veterinary themed party with live stuffed-critter operations! Also definitely going to be watching a LOT of horror movies this weekend. Developed a bit of an addiction during early teenage years and still love a good bit of fright!

Any top Halloween tips?
Just make the most of it because you only get one chance a year. Do everything – carve a pumpkin, apple bob, turn the lights off, scream, gel your hair so hard that it feels like it could crack, stock up on sweets for the trick-or-treaters, eat them all, watch Hocus Pocus and probably fall asleep in your cape.

And finally… What next for Kotki Dwa?
We’re playing two London gigs in November – Saturday 20th at The Stag’s Head in Dalston, and Thursday 25th at The Lexington in Angel. We’ll have three more new songs up our sleeves to share, so come on down! We’ll also continue to develop our new material and get on with releasing more of it – so stay tuned. Fangs for having us Amelia…

Categories ,Alex Edouard, ,dalston, ,Hallowe’en, ,Hattie Newman, ,Hocus Pocus, ,Kotki Dwa, ,Loopshapers, ,Peckham, ,Robin’s Clogs, ,Super8, ,The Lexington, ,The Stag’s Head

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Amelia’s Magazine | Happy Halloween! Flights of Helios: Succubus

Flights of Helios Succubus Still Grace split
I’ve just hosted a toddler Halloween party and I could not for the life of me locate a suitable playlist for them to jump around to in skeleton costumes. However, I do have one great new song that suits the occasion: Succubus from Oxford based Flights of Helios is just the ticket this All Hallows’ Eve. ‘Succubus was inspired by folk myths from various traditions, and the kind of corrosive obsession that only leads to catastrophe.‘ Enjoy!


Fabulous video by Nicola Armitage.

Flights of Helios Succubus Still Chris Sea
SUCCUBUS cover
The striking artwork for Succubus is based on an image produced from a synesthesiac system of mapping the sound frequencies of the track to the visible colours of the light spectrum by renowned physicist Ben Outram. Graphics formatted and typset by Greg Orrom Swan.

Succubus from Flights of Helios is released today.

Categories ,Ben Outram, ,Flights of Helios, ,Greg Orrom Swan, ,Hallowe’en, ,Nicola Armitage, ,Oxford, ,Succubus

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