Amelia’s Magazine | My favourite finds from the Glastonbury Emerging Talent Competition 2014

Ellie Ford by Daria Hlazatova

Ellie Ford by Daria Hlazatova.

A few weeks ago the final showdown between 8 finalists was held at Pilton Working Men’s Club, with the ultimate winner of the 2014 Glastonbury Emerging Talent Competition announced as M+A with their super catchy tune Down the West Side, below.

When I wrote about my top picks for the Glastonbury Emerging Talent Competition I promised to also share some of the great bands and tunes that did not make it on to my short list. I was given a long list of 140 bands and musicians to listen to, from the genres of folk, country, dance, electronic, dance, indie, pop, acoustic and singer/songwriter – so obviously this selection reflects that choice. The eagle eyed amongst you may note that I was mainly given those bands with names starting in the early or late sections of the alphabet. I hope you’ll enjoy these finds as much as I did – you can hear all the tunes I like in no particular order on my soundcloud playlist, embedded directly below. I have a feeling I might be making more of these, and I am certain we’ll be hearing more from a few of these bands too.

I was really taken with the giddy oddity of Maxine, We’re Alive! by Liverpool duo A Lovely War. Unusual, weird and wonderful.

Sunsets is a great tune from Irish singer songwriter Wendy Jack, based in County Tyrone. Over the years she has worked widely to raise awareness of human rights and environmental issues.

Beautiful folk with a harp; Low is from Brighton based Ellie Ford, who is playing at this year’s Wood Festival (listing here).

Who Made Heaven is a beautiful slice of subtle country infused folk from Charlie Law, released through the The Davenport Collection folk label late last year. Despite a foundation in tune making of yesteryear the bittersweet lyrics tell a very modern tale of cross cultural love.

Bless is a slice of Japanese ambient electronica by Akisai.

Live For is a stunning banjo driven duet between Elvina and I.

Horses in Midstream by You, Me and Him was one of my favourite tracks, featuring a distinct 80s vibe in this epic tale of deception and greed.

Firewoodisland by Daria Hlazatova

Firewoodisland by Daria Hlazatova.

Simon is by the enigmatically named Firewoodisland, rollicking ‘celtic viking’ infused folk music made in Cardiff with a Norwegian lead singer.

A strummed guitar is the back bone of Stranger, a luscious slice of folk from Fenne Lily.

A harmonica opens a sweet little ditty called Back On The Bike by Four People.

Think Again is rollicking folk from Welsh singer Geraint Rhys.

And We Disappear is a prime example of 80s influenced dark wave electropop by AlterRed.

Alaskan Faction by Catherine Pape

Alaskan Faction by Catherine Pape.

We Disappear is super twinkly indie from Alaskan Faction.

A touch of the Cure, no? The Heart Transplant by Adam Clark has a subtle start but soon takes on their trademark wobbly vocals.

Like Ted Dexter by Alex Moir is feel good indie a-go-go with a psychedelic interlude!

Lost is by North Ireland based band Amidships.

Empty My Head by Youdid is a catchy piano tune with a female vocal from German singer Judith Severloh.

SwanSong is another cool indie tune featuring soaring vocals and a curling fiddle, from the London based Amberlandband.

There’s something about this that I quite like… Blackpool based Avishek Choudhury sings of the Journey Of A Lifetime in this jaunty tune featuring a female backing singer with bleeps and sirens set against a piano and driving electrobeat.

I like the jazzy big band sound and sultry vocals from rising star Ally Kemp in The Tardis.

Freya Roy is a very young Suffolk based singer songwriter with an ear for a bouncy tune, as shown in her entry Tomorrow.

Local Town comes from Brighton boy Ally Jowett.

They’re going to turn me into sushi & chips…” So goes The Whale Song by All At Sea… overly chirpy or an apt way to draw attention to a big issue?

Kids from the Sky by Young Stadium Club features jangly guitars aplenty in a soaring tune that features a veritable choir of backing vocals.

A Drastic Love by Younger Hall features a grungy baseline combined with a pounding piano. They hail from St Andrews in Scotland.

I loved the soaring Ten Years by Baby Gold, a duo from Leeds, but for some inexplicable reason it’s a private link on soundcloud so you will have to trust me on that one. Their lack of an online presence is a serious down point, but I look forward to hearing more from these guys.

Similarly I can’t share Only One by Devon based Alice Jemima, featuring a lovely breathy vocal over carefully picked chords and a nice little beat.

Finally, I can’t finish without including my favourites: firstly the clever Memphis by Alev Lenz.

George Boomsma by Simon McLaren.

George Boomsma by Simon McLaren.

And the wonderful folk sounds of George Boomsma in How High the Mountain.

Sadly my first choice disbanded just as I chose them to go through (brilliant timing!), hence my renewed desire to give some promotion to all the other bands that impressed me.

Categories ,2014, ,A Drastic Love, ,A Lovely War, ,acoustic, ,Adam Clark, ,Akisai, ,Alaskan Faction, ,Alev Lenz, ,Alex Moir, ,Alice Jemima, ,All At Sea, ,Ally Jowett, ,Ally Kemp, ,AlterRed, ,Amberlandband, ,Amidships, ,And We Disappear, ,Avishek Choudhury, ,Baby Gold, ,Back On The Bike, ,Best Of, ,Bless, ,Catherine Pape, ,Charlie Law, ,country, ,dance, ,Daria Hlazatova, ,Down the West Side, ,electronic, ,Ellie Ford, ,Elvina and I, ,Empty My Head, ,Fenne Lily, ,Firewoodisland, ,folk, ,Four People, ,Freya Roy, ,George Boomsma, ,Geraint Rhys, ,Glastonbury Emerging Talent Competition, ,Horses in Midstream, ,How High The Mountain, ,Indie, ,Journey Of A Lifetime, ,Judith Severloh, ,Kids from the Sky, ,Like Ted Dexter, ,Live For, ,Local Town, ,Lost, ,low, ,ma, ,Maxine We’re Alive!, ,Memphis, ,Only One, ,Pilton Working Men’s Club, ,pop, ,Simon, ,Simon Mclaren, ,singersongwriter, ,Stranger, ,sunsets, ,SwanSong, ,Ten Years, ,The Davenport Collection, ,The Heart Transplant, ,The Tardis, ,The Whale Song, ,Think Again, ,Tomorrow, ,We Disappear, ,Wendy Jack, ,Who Made Heaven, ,Wood Festival, ,You Me and Him, ,Youdid, ,Young Stadium Club, ,Younger Hall

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Amelia’s Magazine | Brainlove Festival 2012: Live Review

Brainlove Festival by Ed J Brown

Brainlove by Ed J Brown

What a day for a birthday! After what seemed like an interminably wet few weeks, the weather was cooking nicely for a trip to Brixton Hill. As has become custom on what is usually a Bank Holiday weekend, the venerable Windmill played host to the Brainlove Festival, organised by that defiantly square peg in the round hole of mainstream indie music, Brainlove Records. Today, though, was an extra special day, as the festival reached the five year milestone (though, ironically, main man John Brainlove was in danger of missing his own festival, having been stranded in Iceland!).

The first act I caught was AK/DK, helped out by Amelia’s Magazine favourite Napoleon IIIrd. Comprising of duo Graham Sowerby and Ed Chivers, they built up from programmed synth loops to various (often seemingly improvised) patterns, layered with different effects, distorted vocals, Napoleon IIIrd’s guitar and some serious drumming action, creating a very pleasing noise.

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I popped out to the beer garden, which was doubling as an outdoor stage, to catch some poetry in the sun, and heard tales of manga, Zooey Deschanel and what you really shouldn’t do with a jar of peanut butter!

It was time to head back inside, as Brainlove stalwart Andrew Paul Regan was about to come on. Previously known as Pagan Wanderer Lu, he still totes guitar, keyboard and laptop to create buzzed up *indietronica*, flavoured with a dash of witty, acerbic lyrics. Prefacing each song (from soon-to-be released new album, The Signal and the Noise) with ‘just pretend that you’re not in the Brixton Windmill..’ Regan weaved his darkly humorous tales.

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Out in the sun, Abi Makes Music regaled us with tales of accidentally being locked in the Hackney Picturehouse overnight, before her set of slightly twisted synth pop (which reminded me of You Will Always Find Me In The Kitchen At Parties era Jona Lewie). Despite an interruption from some random sweary local making his way to the barbecue, she won over the assembled onlookers. Also, I discovered that Abi’s partner is someone I know through work! Small world, eh?

Abi Makes Music by Sam Parr

Abi Makes Music by Sam Parr

Back on the indoor stage, London three-piece (and self-described “techno rock band”) Tall Stories were getting underway. With a keytar sporting bass player, they rocked out the crowd with their spiky, punk-referencing sound. I also noticed, later on, drummer Scott Vining helping out on the barbecue outside. Obviously a versatile sticksman!

Tall Stories by Scott Nellis

Tall Stories by Scott Nellis

One of the highlights from last year’s Brainlove Festival, Mat Riviere was occupying a spot in the beer garden. Crouched down with his keyboard , guitar and various effects, and using (amongst other things) one of the tables as extra percussion, he purveyed some haunting, discordant melodies.

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Guitar and drums duo Crushed Beaks let rip with their wall of noise before Dad Rocks! slowed things down a little with some acoustic led melodies. Fronted by Denmark-dwelling Icelander, Snævar Njáll Albertsson, and backed with some trumpet and viola, Dad Rocks! treated us to some lovely lo-fi, almost country tinged tunes, and they also welcomed home the intrepid explorer John Brainlove, as he finally made it to the Windmill.

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Continuing the Nordic flavour, as is traditional at Brainlove events, Estonian band Väljasõit Rohelisse took to the stage. Meaning ‘roadside picnic‘ and named after a Russian short story, they were bathed in darkness, save for a green lamp projecting on to one wall, with only guitarist Lauri Tikerpe’s back visible. The music was as dark as the stage, with sampled dialogue, reverb-laden vocals, fractured guitar, brooding bass and drums. There was a very post-punk vibe going on.

In complete contrast, headliner Enjoyed (aka dance music producer Peter Evans-Pritchard) offered up some blissful beats (joystep, as he calls it), which got some of the festival die-hards dancing. There was even, unless my ears were deceiving me, a remix of the old Mark Morrison floor-filler, Return Of The Mack. Didn’t see that one coming!

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And so, another Brainlove Festival drew to a close. As ever, it was a rich and varied selection of artists, a contrast of styles and genres that marks Brainlove Records out from the crowd. Wandering out into the South London night, I’m sure I wasn’t the only person thinking ‘roll on festival number six!

Categories ,Abi Makes Music, ,AK/DK, ,Andrew Paul Regan, ,Brainlove Festival, ,Brainlove Records, ,country, ,Crushed Beaks, ,Dad Rocks!, ,dance music, ,Denmark, ,Ed J Brown, ,Enjoyed, ,Estonia, ,Hackney Picturehouse, ,iceland, ,indie music, ,indietronica, ,Jona Lewie, ,joystep, ,Lo-fi, ,Manga, ,Mark Morrison, ,Mat Riviere, ,Napoleon IIIrd, ,Pagan Wanderer Lu, ,Post Punk, ,Russia!, ,Sam Parr, ,Scott Nellis, ,Synth-Pop, ,Tall Stories, ,Väljasõit Rohelisse, ,Windmill Brixton, ,Zooey Deschanel

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