Amelia’s Magazine | Kitty McCall: Creating Colourful Interior Textiles

Kitty McCall tropicalia washbags
Designer Catherine Nice is the brains behind Kitty McCall, a brilliant new interior textiles brand you should know about. Her work is inspired by the boldness of artists such as Matisse, Gauguin and Rousseau, featuring glorious patterns that will enliven any room. First discovered at Tent London 2014, I decided it was high time I caught up with the talented designer.

Kitty-McCall-artist-photo-AMELIAS-MAGAZINE
Your brand was named for your grandmother, what influence did she have on you?
She was great! She only started painting quite late in her life but she had a great eye for detail and colour. Every year I would send her a painting or drawing and she would always have something positive to say. I would say she contributed hugely to my interest in Art and design.

Kitty McCall tropicalia print
You have said that colour is the most important part of design: how do you put colours together and manipulate them into a final piece?
Colour is one of the most important things in my work as it helps spark my creativity and really helps me shape my ideas for a finished piece. I’m a hoarder of magazines, fabric swatches and generally anything that can be of used to inspire future design. When putting colour together I often use paper cutting and collages to get a feel for how they work together. Once I know the palette I match them with the Pantone colour system to ensure printing will be accurate.

Kitty-McCall-tropicalia-pouf Yeshen Venema Photography
Where did you study and what was the most important thing you took from your course?
I studied at Birmingham City University. I learnt never to stop absorbing ideas and to always take a moment to take in the world around me. It’s amazing what inspiration you can miss when you’re not paying attention to the every day. Having an interest in all areas of design also helps keeps the mind and ideas fresh.

Kitty McCall tropicalia letters
How did the idea for big fabric letters come about and how are they manufactured?
When my daughter Ruby was born I wanted some letters for her room but everything I found was a bit too pink or pretty, so I decided to get some made in my printed fabrics. Each Letter is hand made by a very talented lady I know!

Kitty-McCall-paradise-birds Yeshen Venema Photography
What relevant jobs did you have before setting up Kitty McCall?
After university I spent 6 years learning my craft as a print designer for a successful commercial studio.

Kitty McCall tropicalia cushions
Why did you decide to set up your own brand and what has been the hardest thing about doing so?
I wanted to have more control over how my designs were used. The hardest thing is probably working by myself, as you have to be your own critic in everything you do. When working in a studio environment, with a number of talented designers, we can be each other’s critical eye and spot what’s missing or not working in a design, so I always found this a helpful tool. I overcome this hurdle now by trying to take time to come back to designs, and see them with fresh eyes! It means the design process is a little longer but by doing this I can ensure I’m always happy with every finished piece.

And what is the best part about running your own brand?
Complete creative freedom and flexibility in my hours.

What are your hopes for the future of Kitty McCall?
To work on more collaborations with fellow designers and brands!

Categories ,Birmingham City University, ,Catherine Nice, ,Gauguin, ,interview, ,Kitty McCall, ,matisse, ,Rousseau, ,Tent London, ,Tent London 2014, ,Tropicalia

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Amelia’s Magazine | Louise Wilkinson Illustrations and Ceramics: an interview with the designer

Louise Wilkinson ceramics- Lemon Tree dinner plate lifestyle

I first encountered Louise Wilkinson’s inimitable ceramics designs at Tent London last September, and instantly fell in love. The likes of Liberty discovered her beautiful bone china early on, and she has more recently created bespoke illustrations for panelling in the shop at the V&A. I caught up with her to find out more about her career to date, where her inspiration comes from and how she set about putting her illustrations onto china.

Louise Wilkinson ceramics- jug lifestyle

I absolutely adore your debut Maple Collection, inspired by English gardens, Oriental china and a love of nature. How did you construct the designs and how long did the process take to apply them to so many different shapes?
I like to draw a few pencil sketches first on scraps of paper and then at a later stage I draw my artworks on the computer with a pen. I love to create intricate artworks with witty details, often with a narrative. The designs are then screen printed and hand decorated in Stoke on Trent. It took many months to consider the shapes and designs together and then to fit the artworks correctly.

How do you pick the colour ways for your designs?
For my Maple Collection, I chose to have navy blue as the main colour with bold, playful, pops of colours for highlights. I often kept to two colours per design, for instance I liked the combination of a citrus yellow accent with navy blue or a coral red with navy blue.

Louise Wilkinson ceramics-Trees plate

What was the best bit about growing up in Yorkshire?
I loved growing up in the counrtyside, being able to spend a lot of time outside. We lived opposite a large field with lots of trees, me and my sister would often play and run around! I have lived in London over 10 years now, so it is nice to have the balance of London life and also visiting my family up north!

Louise Wilkinson Logo peacocks

You have already led a varied design career, studying illustration before moving into print and textiles for fashion. It sounds like the ideal career I never had! What was the highlight of those first years out of college?
I had always wanted to study Illustration so I took an Illustration degree at University. It was great to learn about the different aspects of image making, and after graduating my first job was working as an illustrator designing the prints, patterns and characters for children’s clothes, drawing everything by hand. I moved to London and worked in the fashion industry as a print and textiles designer, whilst also working on freelance book and magazine illustrations. I learnt a lot about working in different styles, techniques and applications to fabrics. It was great to get to know more about the commercial world and seasonal trends. Kids clothing is a fun area to work in!

Louise Wilkinson ceramics-Apple Tree dinner plate lifestyle

Why did you decide to create your own range and how did you effect that move?
I have been an illustrator and print and pattern designer for over a decade but I had always wanted to create my own artworks – to have a little more creative freedom and work for myself, creating timeless, playful and beautiful pieces. I launched my first collection in Liberty after attending the Best of British open day and it went from there!

Like me you are an avid fan of the illustrations found in children’s books, an aesthetic which I think comes through in your designs. Any favourites that you keep returning to?
Yes I do love children’s book illustrations, I always admired the painted collage technique used in the classic tale of The Hungry Caterpillar by Eric Carle, which is a classic. I also love Alain Gree’s cute illustrations and Russian fairy tales. I’m influenced by the traditional decorative arts, nature, exotic dreamlike places and often by different exhibitions I may visit in London. I love art and illustration, including Japanese and Chinese paintings, Matisse, Henri Rousseau, George Lepape….

Louise Wilkinson ceramics-Trees jug

What are your favourite pieces of homeware to design and why, and what is the hardest thing to design?
I love designing all the pieces, especially the plates and the cups and saucers. I like the flat surface area on a plate, which is like a blank canvas for artwork… and I like the little details you can add to cups and saucers. I’d say teapots can be harder to design for, as they are slightly more spherical.

What could we expect to find if we visited your work studio, can you describe it for us?
I am based in South East London where I have a large wooden desk with a Mac monitor and a pen tablet – it’s nice to have lots of surface area. There are lots of things around such as notebooks and pencil sketches, china samples, boxes, packing tape, bubble wrap, brochures, postcards! I have a lot of research in draws and on the walls. I also have lots of magazines and art books because I love looking in books for research rather than always using the internet. Oh and there is always a cup of tea on my desk, I drink too much!

Louise Wilkinson ceramics-Teacups

Why is it important for you to maintain strong relationships with UK suppliers?
I think its great to manufacture as much in the UK wherever possible to support the industry, and it is nice to meet the lovely team in Stoke on Trent who I work with.

When can we expect a new collection from you, and can you share any hints as to what that will be?
I will be selling my exclusive artworks which were created especially for my recent collaboration on the Christmas shop installation at the V&A. I’m also exhibiting at the Modern Show in Dulwich on March 16th 2014. I love this Mid Century design show, which it is local to where I live. I will also be exhibiting at Tent London again, during London Design Week in September.

Louise Wilkinson ceramics-Coral red plates

Do you have any plans to expand into other areas of design and if so what?
I love creating artworks and illustration and this can be applied to many different surface areas. So hopefully new things soon, I have lots of ideas.

Finally, do you have any exciting plans for 2014 – in either business or life – that you can share with us?
Hopefully a few nice trips away, perhaps to Copenhagen or Finland. I may also be getting married this year, which is exciting!

Categories ,Alain Gree, ,Best of British, ,Bone China, ,Ceramic design, ,ceramics, ,Chinese, ,Designer Maker, ,Dulwich, ,Eric Carle, ,George Lepape, ,Henri Rousseau, ,interview, ,japanese, ,liberty, ,London Design Week, ,Louise Wilkinson, ,Maple Collection, ,matisse, ,Mid Century, ,Modern Show, ,Russian, ,Stoke-on-Trent, ,Tent London, ,The Hungry Caterpillar, ,va

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Amelia’s Magazine | Meet Parris Wakefield: Featured Artist from That Which We Do Not Understand

Amelias_magazine_TWWDNU_Parris_Wakefield_order_outof_chaos
Sarah Parris has a background in environmental science and is one half of interiors design duo Parris Wakefield, who create colourful graphic textiles that I first fell in love with at Tent London last year. Order from Chaos was inspired by an interest in science, astronomy and nature, and ponders some big questions. ‘How did the universe begin? Why does the natural world follow the same mathematical patterns? Is it chance or some greater force at work, that brings such order from chaos?’ The geometric pattern follows the rules of the golden ratio and the Fibonacci sequence, which is applicable to the growth of every living thing.

ParrisWakefield-fabric rolls 480px 72dpi
Before becoming a designer you studied environmental science – how did this career evolve into your current one?
My career path has gone in several directions and ending up in design was really very much by luck. I had always intended to work in conservation. My first job was leading a summer holiday club at a country park. I loved it so, I went back to uni and got a PGCE in secondary school science, specialising in environmental education. After a few years though, I realised teaching in schools was not my calling and I needed to get out. Thankfully I met Howard who was looking for an admin and project manager at his design studio. He worked with world renowned designer Peter Saville, I slowly got more involved and was increasingly asked my opinion about colour and imagery which led to me creating my own digital imagery for the studio.

ParrisWakefield-zig zag cushion and shade 480px 72dpi
How did you research the geometric shapes for your piece Order from Chaos?
It is something I have always been amazed at, nature’s mathematical patterns are so fascinating and beautiful. A few years ago we worked on a graphic identity proposal for the Discovery Channel, which we based on the Fibonacci sequence, it didn’t go ahead but I learnt a lot about Fibonacci. This time, I didn’t want to simply recreate the classic spiral pattern, preferring the shapes based on the principles of the Golden section, Golden triangle and Fibonacci which are all interlinked.

Mia sofa by Jane Richards upholstered in Forget Me Not by Parris Wakefield 480px
What scientific ideas boggle your mind the most at the moment?
The fact that just yesterday a probe landed on a comet is quite mind boggling. The Rosetta spacecraft was launched more than 10 years ago, has travelled more than 6bn kilometres to catch up with the comet, which orbits the sun at speeds up to 135,000km/h. – wow!

studio photo Parris Wakefield
How do you create your unique patterns?
The patterns start with the colours, this is why I rarely recolour a pattern. I work with the selected colour palette straight away in photoshop, the pattern evolves quite organically, building up the pattern on different layers which we interact with each other. Working this way, I know how to manipulate the colours to get the effect I want, but also the unexpected can happen which is exciting.

Bliss-wallpaper-in-production-parris_wakefield
Your business is a partnership with your husband Howard, how easy is it to work together and what is your secret to a harmonious business relationship?
Working with Howard is the easiest most natural thing, we have been working together for 13 years and I wouldn’t want that to change. We are on the same wavelength but have different skills, I cannot do what he does and so I have a huge respect for his graphic design knowledge. Equally he couldn’t get on and focus on his work if I didn’t do all the invoicing, marketing admin side of things. Our patterns are always a collaboration between the two of us, we often sit together and work on the pattern or share the file and work on different layers and then together decide on which ones to use and interact. With Order from Chaos I was really happy with the ‘Big Bang’ background but couldn’t get the geometric shapes right, the final combination and position was thanks to Howard.

wildflowers
What has been the best bit of relocating to Suffolk?
Suffolk is such a beautiful county. We are very lucky to live surrounded by one of the few remaining large common lands that is still grazed and rich with wildflowers. The school is a short bike ride away and our studio is in the attic of our barn. Moving here has given us the best work life balance that we could imagine with the bonus of allowing us and the kids to get up close with nature.

marthe_parris_wakefield
What next for the Parris Wakefield design business?
There are many products I would like to have the opportunity to design and the idea of collaborating with other creatives is really exciting. One that is already in the pipeline is our collaboration with Camira Fabrics and printing one of our designs on to wool. But I would also love to do carpet and ceramic designs so any companies out there looking for a new collaboration do get in touch…

Read more about the Parris Wakefield print here and buy your limited edition gold leaf Order from Chaos here. It would make a beautiful addition to any wall!

Categories ,#TWWDNU, ,Camira Fabrics, ,Discovery Channel, ,Fibonacci, ,Interior Design, ,Order from Chaos, ,Peter Saville, ,Rosetta, ,Sarah Parris, ,Suffolk, ,surface design, ,Tent London, ,Textile Design, ,That Which We Do Not Understand

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Amelia’s Magazine | Home London at Olympia, January 2015: Review

WOW_Home_london
WOW lighting from Pad Home.

This year I attended the January Home London show with toddler in tow, since needs must. He was very, erm, helpful, on the first leg… then promptly fell asleep in his buggy after lunch (something he never ever does) – giving me a good few hours to see more of the show and actually chat with the designers.

Ella_Doran_vintage_toy_car_wallpaper
First stop, vintage toy car wallpaper by Ella Doran went down especially well with Snarf.

Michael_Angove_Ary_Trays
Åry Trays is a Scandinavian manufacturer of birchwood trays who work with a host of designers including many UK based ones. I particularly liked quirky designs by RCA alumni Michael Angove.

Nazanin_Kamali_Minecraft_cushion
Shrimp_cushion_Nazanin_Kamali
Snarfle made a beeline for this Minecraft inspired beanbag by furniture designer turned artisanal textiles designer Nazanin Kamali. She had made it for her own son and was very tolerant of his desire to kick his shoes off and pretend sleep, and even helped bribe his removal with a handy chocolate coin. Her unusual embroidered shrimp cushion got a huge amount of love when I posted it on instagram – a sign, perhaps, that people are growing weary of the ubiquitous owls and foxes that still dominate current decorative designs. Find her cushions stocked in SCP.

Otago_design_beaded_pots
I discovered Otago Design at last year’s Tent London (about which I still planning some kind of review… unfortunately my Kickstarter campaign to produce a book got in the way of an earlier blog). I really love the way they marry African design sensibilities with contemporary design.

Toby_House_iridescent_lighting
One of my absolute favourite finds was this amazing iridescent flat pack lighting by the relatively new TOBYhouse from London based designer Toby Sanders. Having already wowed the world with super fun Beach Ball lights, this is his latest innovation.

Moomin_tile_arabia
Arabia make a whole host of Moomin ceramics that are just so darn cute… can’t wait for Snarf to get better with china!

Klaus_Haapaniemi_iitala_dancing_foxes
Klaus Haapaniemi does it again for Iitala with these gorgeous dancing foxes. His designs are out of this world, if only I could afford to own some.

Lush Designs_Beekeeper_Snarfle
Lush_Designs_unicorn_plate
Lush_designs_ceramic_kitty
Snarfle gave the thumbs up to the new Bee Garden fabric design by Lush Designs, and we were both enamoured with their lovely new range of melamine tableware for little ones, inspired by requests from customers with kids who frequent their East Dulwich shop. The unisex designs feature a unicorn and a lion, and Snarf promptly set up a play kitchen to make us cups of tea with the beakers. Also new to the range: these ceramic kitty money boxes.

Fanny_Shorter
This year the COADG curated area had grown, with some old names joined by new finds. Fanny Shorter textiles are always a winner, and I’m looking forward to her new collection, due for release later this year.

Laura_Slater_cushions
I am in no way surprised that designer Laura Slater has created a bespoke collection for Heals. Love these painterly designs!

Anna_Jacobs_lamps
These awesome hot pink flamingo lampshades are by Anna Jacobs.

Thorody
Thorody is the brain child of fine artists Vicky Putler and Theo Sykes, who are inspired by a combination of Modernism and South East London life. The resulting graphic designs are super slick and wearable for the home.

My Top Drawer review is coming up next!

Categories ,2015, ,Anna Jacobs, ,Arabia, ,Åry Trays, ,Beach Ball lights, ,Bee Garden, ,COADG, ,Ella Doran, ,Fanny Shorter, ,flamingo, ,Heals, ,Home London, ,Iitala, ,instagram, ,Kickstarter, ,kitty money boxes, ,Klaus Haapaniemi, ,Laura Slater, ,Lush Designs, ,Michael Angove, ,Minecraft, ,Moomin, ,Nazanin Kamali, ,Olympia, ,Otago Design, ,Pad Home, ,review, ,SCP, ,Snarfle, ,Tent London, ,Theo Sykes, ,Thorody, ,Toby Sanders, ,TOBYhouse, ,Top Drawer, ,Vicky Putler

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Amelia’s Magazine | Christmas Gift Ideas 2013: Homeware and Prints for the Wall

scout editions mistletoe in a bottle

Scout Editions: mistletoe in a bottle card.

When my new website launches you’ll be able to find unique hand made designer items to suit all aspects of your life. Homeware and prints for the wall offer the perfect places to apply surface design and illustration, so why not delve in and be inspired? Here’s my round up of gift ideas for Christmas from a selection of those who will be selling on my new market place in the New Year.

Louise Wilkinson trees churn Jug plant lifestyle

Since I belatedly discovered fine bone china by illustrator Louise Wilkinson at Tent London I have fallen in love. Her large fine bone china jug is £26, and comes decorated with lots of friendly little birds hiding amongst the trees. The jugs are hand decorated in Stoke on Trent and are the perfect size for filling up with festive mulled wine, iced water or a sweet posy of flowers.

Anu Samarüütel STRIPY ONES
Anu Samarüütel Couture Girl fashion painting

Artist and designer Anu Samarüütel works between East London and Tallinn in Estonia. Her fabulous acrylic paintings of bubble cheeked girls will be available soon on my website, but in the meantime grab her great Couture Girls painting in black acrylic, available on etsy for £84.

beach-london-christmas-parra-vaso-di-culo

Beach London are currently hosting an exhibition of Malarkey artworks, Puppy Snatcher that is well worth a gander if you are wandering up Brick Lane. They also sell a range of unusual objects that should please the art lover in your life: I particularly like this Vaso Di Culo porcelain vase by Dutch Post-Pop artist Parra, an homage to the rounded bottom of the female figure, with black birds flying all over it. Available online for £175.

Dionne Sylvester Tropical Heat coffee cup set

I am a massive fan of abstract optical decorated tableware by Kent based Dionne Sylvester, also known as Paint Dee. For the coffee lover in your life I recommend this Tropical Heat bone china teacup, saucer and spoon set for just £15. You can read my recent interview with Dionne Sylvester here.

Tattoo Man by Eliza Fricker

Tattoos continue to be all the rage… perhaps that special someone in your life has got more than a few, or perhaps they aspire to a state of maximum body decoration. Either way they will probably love this colourful limited edition Tattoo Man screen print, yours for £50. It was produced by Eliza Fricker of the Baines and Fricker partnership done in collaboration with tattoo artist Adam Sage.

Melody Rose Kissing Couple Side Plate

Melody Rose offers a variety of super special items that would make the perfect gift. Is there someone you are romantically inclined towards? How about this lovely Kissing Couple Side Plate from the Modern SurRealist collection? It’s made out of fine bone china, and comes in three sizes, with a glorious gold edge, all gilded by hand. This side plate costs £30. Read my interview with designer Melanie Roseveare here.

Glow in the Dark Day of The Dead Skull by Typoretum

One of my favourite artworks on East End Prints is this Glow in the Dark Day of The Dead Skull by Typoretum. How cool would this look lighting up your living room at the end of a long day? At £60 this is a limited edition piece so grab a copy fast.

scout editions christmas in a bottle

Scout Editions were another find from the recent Renegade Craft Fair, where I was wowed by their eye catching risograph prints. These festive themed postcards make the perfect Christmas keepsake, at just £2.50 each.

Sian Elin cushions-yellow-grey

Sian Elin‘s colourful textile designs adorn cushions, wallpaper and more. Her Horseshoe Arch design is seen here on a grey and yellow cushion but comes in a limited edition red colour way especially for Christmas for £45.

Sit Furnishings Neon Nebula glassware

The duo behind Sit Furnishings create a range of unusual products to liven up the home, including this Neon Nebula blown glassware, a spectacular one off at £180.

Lastly, I will be sharing gift ideas for babies and young children. In the meantime catch up with my suggestions for fashionable gifts from emerging designers, and the best jewellery gift ideas to wow your loved one.

Categories ,2013, ,accessories, ,Adam Sage, ,Anu Samarüütel, ,Baines and Fricker, ,Beach London, ,Christmas, ,Couture Girls, ,Dionne Sylvester, ,East End Prints, ,Eliza Fricker, ,Fine bone china, ,Gift ideas, ,Glow in the Dark Day of The Dead Skull, ,Homeware, ,Horseshoe Arch, ,Kissing Couple Side Plate, ,Louise Wilkinson, ,Malarkey, ,Melanie Roseveare, ,Melody Rose, ,Modern SurRealist, ,Neon Nebula, ,Paint Dee, ,Parra, ,Prints for the Wall, ,Scout Editions, ,Sian Elin, ,Sit Furnishings, ,Stoke-on-Trent, ,Tableware, ,Tattoo Man, ,Tent London, ,Tropical Heat, ,Typoretum, ,Vaso Di Culo

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Amelia’s Magazine | Alfred & Wilde: an interview with designer Simon Mitchell

Heart London lifestyle -Alfred&Wilde
I have had my eye on the Alfred & Wilde brand since I first discovered the bold graphic designs of founder Simon Mitchell at the 2014 Tent London exhibition in September last year, and I then convinced him to contribute a special piece about the Platonic Solids for That Which We Do Not Understand, my 10th anniversary book. I caught up with Simon again at the recent Top Drawer at Olympia, and marvelled at the latest additions to his collection: bespoke jewellery created in collaboration with the Wolf & Moon jewellery brand. Here’s the low down on his wonderful style.

Simon Mitchell - Alfred & Wilde
What inspired you to turn from fine art to graphic design?
My fine art practice at university tended to use a lot of graphic design – I created advertising-style posters and lightboxes for my degree show – but the art world never appealed long-term. However, after a few years with an office job I realised I needed a creative outlet, and figured that designing cards and prints might provide this, while also potentially providing a more steady income than being an artist.

Yeshen Venema Photography
How long have you lived in Hackney and how does the area affect your work ethos and design?
I have lived in the area for nearly 7 years now, having lived in North London for four years before that. Both areas – like most of London – have a brilliant mix of people from all over the world, with all the variation in food, music and culture that goes with that. But you really can’t beat Hackney for arts and culture. Hackney Wick is home to the largest community of artists in Europe and Clapton and London Fields are full of the world’s fashion crowd. The city provides constant mental and creative stimulation and is always pushing you to up your game and be better than your peers. I’m not sure how I’d manage if I moved somewhere quieter!

Plywood (black and white) print-Alfred&Wilde
Yeshen Venema Photography  Icosahedron-tea-towel-AlfredWilde
Why are you so enamoured of the Platonic Solids?
I’ve always been a bit of a science geek – I studied natural sciences before fine art – so was keen to reference this in my designs. I was drawn to the Platonic Solids because they have a historical and mathematical significance that is intricately linked to what they look like. The geometric shapes were studied by the ancient Greeks but still manage to look like contemporary graphic designs when printed today.

Platonic-Solid-mugs-AlfredWildePlatonic-Solid-mugs-AlfredWilde
What is the process of creating your designs?
I’ve got a box full of cuttings and postcards and bit and pieces, plus Pinterest boards, that I use for ideas. But most of my designs are sketched out on my Mac using an open source version of Illustrator called Inkscape. The software can be a bit limiting which has probably helped shape the style Alfred & Wilde style – less is more!

Cube Brooch-Alfred Wilde
How did the collaboration with Wolf and Moon come about?
I thought the Platonic Solids designs would be perfect for jewellery so was on the look out for someone to collaborate with. Luckily a friend of a friend put me in touch with Hannah from Wolf & Moon who loved the idea. It has been great to team up with a fellow Hackney brand with such a strong focus on geometric shapes. They’ve been amazing to work with.

London notebook-Alfred&Wilde
What was the highlight of your recent Top Drawer outing? Any exciting new retail outlets you can share?
Top Drawer was a great platform for Alfred & Wilde and I had interest from some really well respected retailers. I’m particularly pleased about getting new stockists outside of London in places like Brighton. And I’ll soon be stocked in the Southbank Centre shop in London – that’s pretty exciting!

Gold-Power-Station-lifestyle-AlfredWilde
How hard is it to run a business alongside another job, and do you have any tips for other designers in a similar situation?
I never seem to have enough time for Alfred & Wilde which is difficult, and my to-do list seems endless. But keeping my job on a part-time basis has given me an invaluable financial safety net and I couldn’t have started Alfred & Wilde without it. I think its important to have a job that can be really flexible. I’ve been really lucky that if I have an important event or need to wait in for a delivery I can change my days I’m in the office.

Home-Is-Where-The-Heart-Is-lifestyle-AlfredWilde
What do you hope for the future of Alfred & Wilde?
Whenever I am asked this question I always give the same answer: my dream is to have an Alfred & Wilde HQ in a canalside warehouse in Hackney Wick, with studio space, print facilities, and a cafe, bar and gallery. From there I can run the global design empire!

I wish Simon the best of luck with his plans for the future: let’s hope they happen!

Categories ,2014, ,Alfred & Wilde, ,hackney, ,Hackney Wick, ,Inkscape, ,Pinterest, ,Platonic Solids, ,Simon Mitchell, ,Southbank centre, ,Tent London, ,That Which We Do Not Understand, ,Top Drawer, ,Wolf & Moon

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Amelia’s Magazine | An interview with Furniture Designer and Maker Anthony Hartley

Anthony Hartley
I discovered the colourfully unique work of furniture designer and ‘jumped-up joinerAnthony Hartley at Tent London back in September 2011. In this catch up interview I discover how the Yorkshire based artisan has developed his style over the years, from early training on the job to a university degree in design in the year 2000.

Anthony Hartley Edna drawer unit
Anthony Hartley Edna drawer unit.

You launched your latest colourful range at Tent London in 2011, what was the response and what have you been up to since then?
The response I got at tent was slightly overwhelming to be honest, the reactions and comments were all very positive. The thing I liked the most about Tent London was the different crowds over the four days, but the best was the students’ day; the genuine reaction of the enthusiastic and relatively non-cynical youth just can’t be matched.

Anthony Hartley edna close up
Anthony Hartley Edna close up.

You describe yourself as a ‘jumped-up joiner‘ which is a pretty fabulous term. Where did you grow up and how did you learn to design furniture? Was it something that fascinated you from a young age and if so why?
The ‘jumped-up joiner’ thing comes from the mixed feelings of pride and yet utter frustration at being a joiner fitting kitchens and laying floors while yearning to have my own workshop and make the furniture that I had been creating in my head for years. After mentioning this in a conversation to a group of site workmen one particularly sarcastic sparky turned round and said ‘Who does he think he is, the bloody jumped-up joiner?‘ I think it was very soon after that when I started my three years at Leeds College of Art and Design where I had the time a resources to explore my ideas.

Anthony Hartley Frank and Mrs Frank
Anthony Hartley Frank and Mrs Frank.

You only went to art college in 2000, many years after starting to design furniture, how has this influenced your design process since and what did you do in the intervening years before launching your own range in 2010?
From leaving college to getting the workshop took almost another 7 years joinery work to achieve and is still an ongoing thing as I am currently on the the move again to the third (and hopefully final) workshop in 4 years. The choice of machinery (traditional salvaged machines from the mills of the Pennines) comes from the need for reliable, robust yet affordable and easy maintenance pieces of kit that will go on and on for years.

Anthony Hartley Mr Smith the Second chair
Anthony Hartley Mr Smith the Second chair.

Your signature piece is Mr Smith the Second. which I understand is inspired by the iconic stripes so beloved of Paul Smith. Are you a Paul Smith fan when it comes to dressing? And have you had any response from Paul Smith himself?
Mr Smith was a development of the original Frank chair (inspired by the architect Frank Gehry), the response I got was mainly ‘Is that a Paul Smith chair?‘ so I decided to go with it, you never know, it may get noticed by the man himself and generate a sale at least! As to buying his tailoring?? If only!! I’d need a few more orders for Mr Smith to be able to afford it.

Anthony Hartley closeup
What is the design and making process that goes into your furniture and what inspires your bright and beautiful colour palette?
The design and making process is one of trial and error: models, drawings and full size mock ups. The use of colour is a personal thing and no matter how I try it always comes creeping back in the end. Used in the right way, colour can do wonderful things to a piece of furniture and transform and lift something very mundane into something pretty spectacular, whether it be a single colour or a combination.

Anthony Hartley Sidney shelf
Anthony Hartley Sidney shelf.

What can your fans expect in 2012? any exciting new pieces you’d like to unveil?
2012 brings a range of furniture that is very simplistic and more geared towards CNC manufacture than anything I have designed before, prototypes are in place and ready to go as we speak!! So watch this space!!

Categories ,2011, ,Anthony Hartley, ,CNC, ,colour, ,designer, ,Frank Gehry, ,Furniture, ,interview, ,Jumped-up Joiner, ,Leeds College of Art and Design, ,Mr Smith, ,Mr Smith the Second, ,Paul Smith, ,Tent London

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