Amelia’s Magazine | Graduate Fashion Week 2010: UWE Bristol and UCA Epsom


I always look forward to the Northumbria University BA fashion degree show for two reasons. One, look because it’s always effing good – the innovation, prostate technique and creativity on display is second to pretty much nobody at Graduate Fashion Week. Secondly, I studied at the university, so this review might seem like a big fat plate of bias – I assure you, though, that it isn’t.

Nestled on the front row in between Style Savage Steve and the ever wonderful Hilary Alexander (who bopped, sketched and scribbled her way through the show) I was a little concerned that my big lens (said the actress to the bishop) might block the view of either of these fashion journalists. Neither said anything though, so I think I got away with it.

Opening the show with an explosion of glam-rock-meets-Elvis-meets-Lady-Gaga, Naomi New presented a very polished micro-collection featuring exaggerated shoulders of leather, spikes and studs, and horse-hair tails. Models strutted back and forth with real sex appeal and the quality of Naomi’s craftsmanship looked, from what I could see, incredible.


I always look forward to the Northumbria University BA fashion degree show for two reasons. One, try because it’s always effing good – the innovation, sickness technique and creativity on display is second to pretty much nobody at Graduate Fashion Week. Secondly, cialis 40mg I studied at the university, so this review might seem like a big fat plate of bias – I assure you, though, that it isn’t.

Nestled on the front row in between Style Savage Steve and the ever wonderful Hilary Alexander (who bopped, sketched and scribbled her way through the show) I was a little concerned that my big lens (said the actress to the bishop) might block the view of either of these fashion journalists. Neither said anything though, so I think I got away with it.

Opening the show with an explosion of glam-rock-meets-Elvis-meets-Lady-Gaga, Naomi New presented a very polished micro-collection featuring exaggerated shoulders of leather, spikes and studs, and horse-hair tails. Models strutted back and forth with real sex appeal and the quality of Naomi’s craftsmanship looked, from what I could see, incredible.


I always look forward to the Northumbria University BA fashion degree show for two reasons. One, ask because it’s always effing good – the innovation, mind technique and creativity on display is second to pretty much nobody at Graduate Fashion Week. Secondly, visit this site I studied at the university, so this review might seem like a big fat plate of bias – I assure you, though, that it isn’t.

Nestled on the front row in between Style Savage Steve and the ever wonderful Hilary Alexander (who bopped, sketched and scribbled her way through the show) I was a little concerned that my big lens (said the actress to the bishop) might block the view of either of these fashion journalists. Neither said anything though, so I think I got away with it.

Opening the show with an explosion of glam-rock-meets-Elvis-meets-Lady-Gaga, Naomi New presented a very polished micro-collection featuring exaggerated shoulders of leather, spikes and studs, and horse-hair tails. Models strutted back and forth with real sex appeal and the quality of Naomi’s craftsmanship looked, from what I could see, incredible.



Anna Piercy, website like this UCA Epsom, advice Illustrated by Lisa Billvik

Well well well the kids certainly know what they’re doing at Graduate Fashion Week this year. Sunday kicked off day one of shows for the creatively minded at our very own Earl’s Court and believe me these are the McQueens of the future.

UWE Bristol showcased some beautiful structured puffball dresses from Georgina Kitchen teamed with knee high socks and see-through metallic partitions. Jessie Potter had a clear vision too, showing off an appliquéd felt and wool collection in a 70s pallet of mustard and burgundy with pom-pom headdresses. Jessica Hart clearly had the most funm however – showing a pastel based range of graphic prints that Lady Gaga would feel sheepish in. Necklaces were gigantic, as were pockets, in what was a playful and crisp collection, complete with bow headbands of course. (Read more about UWE Bristol’s show here – with even MORE illustrations!)


Jessica Hart, illustrated by Jenny Goldstone

I was not expecting the standard of design as seen at UCA Epsom University’s show after though. Think of Pilgrim’s, 50s housewives, teddy boys, Julia Roberts in Mona Lisa Smile and a dash of kids TV and you’re half way there. This was a serious clash of icons creating a surprisingly good statement for the University.

But amongst the host of talent there were some definite faces of the fashion future to watch, and a surprising amount of menswear. Remember you heard it here first.

Lucinda Ailes: One so patriotic, not to our fair Blighty mind, but all things American were emblazoned on everything through an array of stars and stripes. Models sported devoted shorts, leggings and maxi dresses but all was kept thoroughly wearable by grey mix-and-match pieces to wear back with the collection.

Katie Barret: A different kind of heritage was displayed in Barret’s show of menswear pieces. Thoroughly Scottish and proud of it, models sported full kilted dresses as well as the traditional skirts. The whole feel was very rugged using natural fabrics and even slightly drab colours. But each look was spiced up with a hint of tomato red, whether it be in a top or the waist detailing of said kilt instantly adding an extra something to the look.

Antonia Lloyd: Another one for the boys but this time not quite so manly. Lloyd made sure the boys sparkled in glittered tuxedo style shirts and knickerbockers to be proud of. There was something quite romantic about the look, with buttons done up to the neck and a palette of muted greys and navies.

Beata Gebka: I told you there were pilgrims and it came from Gebka’s show. Models sported traditional style long dresses accessorized with cloches and capes. As unwearable as it sounds, the pieces were surprisingly covetable, finished off with black ribbon detailing and even bib fronts. This may just be the new look come autumn and one that features heavily around the key muted pallet of greys and navies again.

Stency Kidega: Frills frills and more frills was what Kidega must have been dreaming of. They were added to the shoulders of jackets and the necklines of coats but wherever they were placed they looked beautiful. Kidega pulled off a very tailored collection, which isn’t always the most interesting, but the corset detailing on the dresses and the aforementioned jackets made sure that it was. Delicious.

Eve McDonald: McDonald definitely has a 50s housewife buried inside her otherwise she wouldn’t be able to produce such stunning floral shirts. But she’s also hiding a Teddy Boy too, as pieces were mixed with checked trousers and long shorts. Finished off with floral headscarves tied in oversized bows I almost wanted to pull on my espadrilles and listen to some good old Rock ‘n’ Roll.

Anna Piercy: It’s Piercy who brought the piece de résistance of the whole night for me. Piercey managed to create a collection based entirely around oversized letters. Seriously. Not that much to hear but the fabrics still flowed into beautiful a-line dresses with cut-out detailing. Even more intelligent was the use of panelling and sequins to create letters from the arms and body of a dress. And the finale – Piercey’s models came together to spell out the word ‘RANDOM.’ It was and yet I still liked it.


Illustrations by Lisa Billvik

How nice though that we got to see the faces behind the fashion as each designer (embarrassingly for most but certainly not all) walked the catwalk with one of their models. It was cheers and ovation all round from the crowd and do you know what…. they thoroughly deserved it.

Hear, hear!

Photographs courtesy of catwalking.com

Categories ,1950s, ,70s, ,americana, ,Anna Piercy, ,Antonia Lloyd, ,Beata Gebka, ,Earls Court, ,Eve McDonald, ,Georgina Kitchen, ,Graduate Fashion Week 2010, ,Jemma Crow, ,Jessie Potter, ,Julia Roberts, ,Katie Barrett, ,Kids TV, ,Lady Gaga, ,Lisa Billvik, ,Lucinda Ailes, ,McQueen, ,menswear, ,metallics, ,Pilgrims, ,scotland, ,Stency Kidega, ,Sunday, ,Teddy Boys, ,Tuxedo, ,UCA Epsom, ,UWE Bristol, ,Womenswear

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Amelia’s Magazine | Graduate Fashion Week 2010: UWE Bristol and UCA Epsom


I always look forward to the Northumbria University BA fashion degree show for two reasons. One, look because it’s always effing good – the innovation, prostate technique and creativity on display is second to pretty much nobody at Graduate Fashion Week. Secondly, I studied at the university, so this review might seem like a big fat plate of bias – I assure you, though, that it isn’t.

Nestled on the front row in between Style Savage Steve and the ever wonderful Hilary Alexander (who bopped, sketched and scribbled her way through the show) I was a little concerned that my big lens (said the actress to the bishop) might block the view of either of these fashion journalists. Neither said anything though, so I think I got away with it.

Opening the show with an explosion of glam-rock-meets-Elvis-meets-Lady-Gaga, Naomi New presented a very polished micro-collection featuring exaggerated shoulders of leather, spikes and studs, and horse-hair tails. Models strutted back and forth with real sex appeal and the quality of Naomi’s craftsmanship looked, from what I could see, incredible.


I always look forward to the Northumbria University BA fashion degree show for two reasons. One, try because it’s always effing good – the innovation, sickness technique and creativity on display is second to pretty much nobody at Graduate Fashion Week. Secondly, cialis 40mg I studied at the university, so this review might seem like a big fat plate of bias – I assure you, though, that it isn’t.

Nestled on the front row in between Style Savage Steve and the ever wonderful Hilary Alexander (who bopped, sketched and scribbled her way through the show) I was a little concerned that my big lens (said the actress to the bishop) might block the view of either of these fashion journalists. Neither said anything though, so I think I got away with it.

Opening the show with an explosion of glam-rock-meets-Elvis-meets-Lady-Gaga, Naomi New presented a very polished micro-collection featuring exaggerated shoulders of leather, spikes and studs, and horse-hair tails. Models strutted back and forth with real sex appeal and the quality of Naomi’s craftsmanship looked, from what I could see, incredible.


I always look forward to the Northumbria University BA fashion degree show for two reasons. One, ask because it’s always effing good – the innovation, mind technique and creativity on display is second to pretty much nobody at Graduate Fashion Week. Secondly, visit this site I studied at the university, so this review might seem like a big fat plate of bias – I assure you, though, that it isn’t.

Nestled on the front row in between Style Savage Steve and the ever wonderful Hilary Alexander (who bopped, sketched and scribbled her way through the show) I was a little concerned that my big lens (said the actress to the bishop) might block the view of either of these fashion journalists. Neither said anything though, so I think I got away with it.

Opening the show with an explosion of glam-rock-meets-Elvis-meets-Lady-Gaga, Naomi New presented a very polished micro-collection featuring exaggerated shoulders of leather, spikes and studs, and horse-hair tails. Models strutted back and forth with real sex appeal and the quality of Naomi’s craftsmanship looked, from what I could see, incredible.



Anna Piercy, website like this UCA Epsom, advice Illustrated by Lisa Billvik

Well well well the kids certainly know what they’re doing at Graduate Fashion Week this year. Sunday kicked off day one of shows for the creatively minded at our very own Earl’s Court and believe me these are the McQueens of the future.

UWE Bristol showcased some beautiful structured puffball dresses from Georgina Kitchen teamed with knee high socks and see-through metallic partitions. Jessie Potter had a clear vision too, showing off an appliquéd felt and wool collection in a 70s pallet of mustard and burgundy with pom-pom headdresses. Jessica Hart clearly had the most funm however – showing a pastel based range of graphic prints that Lady Gaga would feel sheepish in. Necklaces were gigantic, as were pockets, in what was a playful and crisp collection, complete with bow headbands of course. (Read more about UWE Bristol’s show here – with even MORE illustrations!)


Jessica Hart, illustrated by Jenny Goldstone

I was not expecting the standard of design as seen at UCA Epsom University’s show after though. Think of Pilgrim’s, 50s housewives, teddy boys, Julia Roberts in Mona Lisa Smile and a dash of kids TV and you’re half way there. This was a serious clash of icons creating a surprisingly good statement for the University.

But amongst the host of talent there were some definite faces of the fashion future to watch, and a surprising amount of menswear. Remember you heard it here first.

Lucinda Ailes: One so patriotic, not to our fair Blighty mind, but all things American were emblazoned on everything through an array of stars and stripes. Models sported devoted shorts, leggings and maxi dresses but all was kept thoroughly wearable by grey mix-and-match pieces to wear back with the collection.

Katie Barret: A different kind of heritage was displayed in Barret’s show of menswear pieces. Thoroughly Scottish and proud of it, models sported full kilted dresses as well as the traditional skirts. The whole feel was very rugged using natural fabrics and even slightly drab colours. But each look was spiced up with a hint of tomato red, whether it be in a top or the waist detailing of said kilt instantly adding an extra something to the look.

Antonia Lloyd: Another one for the boys but this time not quite so manly. Lloyd made sure the boys sparkled in glittered tuxedo style shirts and knickerbockers to be proud of. There was something quite romantic about the look, with buttons done up to the neck and a palette of muted greys and navies.

Beata Gebka: I told you there were pilgrims and it came from Gebka’s show. Models sported traditional style long dresses accessorized with cloches and capes. As unwearable as it sounds, the pieces were surprisingly covetable, finished off with black ribbon detailing and even bib fronts. This may just be the new look come autumn and one that features heavily around the key muted pallet of greys and navies again.

Stency Kidega: Frills frills and more frills was what Kidega must have been dreaming of. They were added to the shoulders of jackets and the necklines of coats but wherever they were placed they looked beautiful. Kidega pulled off a very tailored collection, which isn’t always the most interesting, but the corset detailing on the dresses and the aforementioned jackets made sure that it was. Delicious.

Eve McDonald: McDonald definitely has a 50s housewife buried inside her otherwise she wouldn’t be able to produce such stunning floral shirts. But she’s also hiding a Teddy Boy too, as pieces were mixed with checked trousers and long shorts. Finished off with floral headscarves tied in oversized bows I almost wanted to pull on my espadrilles and listen to some good old Rock ‘n’ Roll.

Anna Piercy: It’s Piercy who brought the piece de résistance of the whole night for me. Piercey managed to create a collection based entirely around oversized letters. Seriously. Not that much to hear but the fabrics still flowed into beautiful a-line dresses with cut-out detailing. Even more intelligent was the use of panelling and sequins to create letters from the arms and body of a dress. And the finale – Piercey’s models came together to spell out the word ‘RANDOM.’ It was and yet I still liked it.


Illustrations by Lisa Billvik

How nice though that we got to see the faces behind the fashion as each designer (embarrassingly for most but certainly not all) walked the catwalk with one of their models. It was cheers and ovation all round from the crowd and do you know what…. they thoroughly deserved it.

Hear, hear!

Photographs courtesy of catwalking.com

Categories ,1950s, ,70s, ,americana, ,Anna Piercy, ,Antonia Lloyd, ,Beata Gebka, ,Earls Court, ,Eve McDonald, ,Georgina Kitchen, ,Graduate Fashion Week 2010, ,Jemma Crow, ,Jessie Potter, ,Julia Roberts, ,Katie Barrett, ,Kids TV, ,Lady Gaga, ,Lisa Billvik, ,Lucinda Ailes, ,McQueen, ,menswear, ,metallics, ,Pilgrims, ,scotland, ,Stency Kidega, ,Sunday, ,Teddy Boys, ,Tuxedo, ,UCA Epsom, ,UWE Bristol, ,Womenswear

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Amelia’s Magazine | An interview with Stylusboy

Stylusboy by Giles Mead
Stylusboy by Giles Mead.

Sometimes I get contacted by wonderful musicians out of the blue, find and so it was with Steve Jones of Coventry. An email, a link to a website: sometimes that is all it takes. His new EP Whole Picture is out now: meet the beautiful sounds of Stylusboy...

Stylusboy_whole_picture_ep

What kind of bands did you play in before your Stylusboy creation?
I played in a few bands before starting to perform as Stylusboy. I was in a punk pop band at school which did pretty well and got played on Radio 1. I was in a three piece rock band, kind of Muse/Foos-ish and then a 7 piece trip hop style band. All great fun and I am in touch with them all! 

Stylusboy by Faye West
Stylusboy by Faye West.

Why the name Stylusboy?
The name came about a number of years ago when I was trying to create an email address. With a name like Steve Jones I was going to end up with a load of numbers in my address if I used my name. I wanted something easy to remember and at the time I was sat in front of a well known printer and thought ‘stylus’ sounded cool. I stuck boy on the end and created my email. Then when I started writing solo acoustic stuff I thought it would be more distinctive and memorable to perform as Stylusboy

StylusBoy by Jessie Potter
Stylusboy by Jessie Potter.

How has being from Coventry informed the way you create music?
Coventry has a great musical history, with bands like The Specials and The Selecter coming from here, and also more recently The Enemy. Plus there is a wonderful music scene with brilliant bands like Wes Finch and the Dirty Band, Shackletons and Shockparade playing around town. There is also a big acoustic scene with a great choice of nights to play at. Some very talented people who play regularly include Emma McGann, Al Britten and Atlum Schema to name just a few. I often play gigs around Coventry and have been playing house shows recently. 

StylusBoy by Sam Parr
Stylusboy by Sam Parr.

Who plays with you on the EP? Is it pretty much a solo affair, in which case what instruments do you play?
Tim Bowes, who is a good friend, plays the drums and percussion. Chris Smith, who recorded the EP, plays the keys. Rachel sings the harmonies. I played all the guitars, bass, glockenspiel and banjo on one song.

Stylusboy camera photo
Beyond the Flags

How did you hook up with singer Rachel Grisedale? Does she have other projects she is working on?
I met Rachel through mutual friends and we played together at various church events. When I recorded my first EP Fingerprint I asked if she would sing on it. She kindly agreed and it went from there. We sometimes perform live together and collaborate on a few songs. Rachel does sometimes write her own songs but she rarely performs them! 
 
Left to Hide

What was the process of creating this EP?
The process was alot of hard work but also alot of fun. I recorded the songs in my friend Chris’ studio in his garage in the evenings over several months. We recorded all the drum tracks with my friend Tim and then played all the bass, guitar, glockenspiel and banjo parts before Rachel and I recorded the vocals. Dave’s song was recorded live in one take as I really wanted to capture the vibe of the song. Chris (who recorded the EP) played the keys parts. Chris and I spent a long time mixing the songs, listening to the mixes in our cars and different places before we were happy.

Stylusboy hipstamatic photo
Something Worth Keeping

In terms of the song writing every song was different really. Whole Picture was written quite a while ago. Beyond the Flags was a song I wrote with Rachel. We played the first version live a few times and weren’t happy with it so we cut it up and changed sections until it is the song you hear today. Something Worth Keeping is a simple song where I wrote the verse and Rachel and I wrote the chorus. Left to Hide is reworked from a song I used to sing in my louder rock band. Gunfight is a cover of a song by my friend Andy Mort and Dave’s Song was a song I wrote in one hour late one night. So all very different processes.

Gunfight at the OK Corral

What inspired the lyrics? How do you sit down and write them?
All sorts of different things have inspired the lyrics. Whole Picture is inspired by a day I went swimming with my little girl. She spent the whole time holding on to a football which eventually slipped out from under her and she got a little bit worried but then found out she would float. The lyrics talk about how I want to be able to guide her in her life but also let her find her own way and become her own person. Beyond the Flags is inspired by a story of an Australian open water swimmer who was part of a club where the leaders always told him to stay inside the flags. After a while he started to question why he needed to do this and eventually left the club and started swimming beyond the flags and when he did he found more freedom. So the lyrics talk about the idea of doing things differently and not always doing things the way they have always been done. 

Stylusboy photo
Dave’s Song

Left to Hide is a song about forgiveness and moving on from mistakes that have been made. Something Worth Keeping is inspired by having my house in chaos after my neighbour had a flood last Christmas. Gunfight at the OK Corral is a cover and the song is about keeping going in hard times and the fact that as humans we are all the same when we loose everything. Dave’s Song is about a friend of mine who past away. I wrote it when I had the message he only had hours to live. 

YouTube Preview Image

What was the idea behind the video for Whole Picture and who helped you make it?
My good friend Andy Mort (the man is very talented) made it with me. The idea of the video was that I am trying to find the answer to something. I start by looking in books and then find envelopes scattered around where I find pieces of something. It is the idea of finding pieces and then having to place them altogether to make the Whole Picture.

Stylusboy whole picture cover_image

You can download or order the limited edition hand made EP from the very comprehensive Stylusboy website for a pay what you want price. Each EP sports a hand made cover by Steve and with each bought copy you’ll get a second copy to pass on to a friend. Follow Stylusboy on Twitter and Like him on Facebook.

Categories ,Al Britten, ,Andy Mort, ,Atlum Schema, ,Beyond the Flags, ,Chris Smith, ,Coventry, ,Dave’s Song, ,Emma McGann, ,Facebook, ,Faye West, ,Fingerprint, ,Giles Mead, ,Gunfight, ,Jessie Potter, ,Left to Hide, ,Rachel Grisedale, ,Sam Parr, ,Shackletons, ,Shockparade, ,Something Worth Keeping, ,Steve Jones, ,Stylusboy, ,The Enemy, ,The Selecter, ,The Specials, ,Tim Bowes, ,twitter, ,Wes Finch and the Dirty Band, ,Whole Picture

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