Amelia’s Magazine | Central Saint Martins: Ba Hons Jewellery Graduate Show 2011 Review

Jing Jing Cao headdress
Headdress by Jing Jing Cao.

The Central Saint Martin Ba shows were held for the last time this year in the iconic Charing Cross building, visit before the courses depart for new accommodation in Kings Cross. What will happen to the beautiful vaulted hallways when they go? The caretaker couldn’t tell me…

I can’t help but love jewellery – whilst I’ll happily bypass the graphic design stands if there’s a glint of precious gem I’m in there, help nosing around. The Ba Jewellery offering was a mixed bag – much of it did not appeal to me at all but the designs that did grabbed my attention good and proper. Below are the best designers I found.

Kerry Huff
I was attracted to Kerry Huff‘s rough gemstone jewellery based on natural patterns even before I realised that she had sourced all her materials ethically… and is also passionate about fair-trade practice. How joyous to find students tackling design with a firm grounding in the implications of their work.

Hee Jung Son
Hee Jung Son also worked with recycled lids to create a well presented range of colourful rings on silver bases.

Yung-Han Tsai
Central Saint Martins jewellery graduate exhibition 2011 Yung-Han Tsai
Yung-Han Tsai reappropriated everyday objects and transformed them into something new – in this case she clumped bundles of headphones (I’m hoping they were recycled or upcycled) into sculptural forms.

Bonnie Yiu
Bonnie Yiu did some strange and wonderful things with copper wire and paper which produced curvaceous necklaces and bangles with detailed patterns that bore closer examination.

Central Saint Martins jewellery graduate exhibition 2011 Wenhui Li
Wenhui Li pink ring
Wenhui Li
Wenhui Li showed a fabulous display of coloured mixed media rings featuring strange alienesque bulbous shapes. See more on Wenhui Li’s website.

Lauren Colover
I didn’t notice Lauren Colover‘s work when I was at the exhibition but the piece she has chosen for the catalogue is stunning – based on a Ginkgo Biloba leaf and encrusted on the underside with semi precious stones.

Min Yoo
Min Kjung Yoo created some amazing hybrid creatures from a mix of resin, precious metals and gems. Some were far more out there than this particular frog/dolphin specimen – see her website.

Jing Jing Cao
Jing Jing Cao produced stunning brass and acrylic ruffs that spread around the face like a stylised human frame.

Anna Heasman barter bangle
In her final year Anna has found herself questioning the meaning of jewellery as simply adornment but rather as a means of exchange. Inspired by primitive forms of exchange (or indeed, some might say the most postmodern way to live) Anna Heasman offered exhibition attendees the chance to Barter for a Bangle. How could I resist? I offered to write about her here if she gave me a particularly fetching gold twisted number. But I haven’t heard from her yet, and look, here I am writing about her anyway. Clearly I’m not so good at bartering.

Central Saint Martins jewellery graduate exhibition 2011 Anna Heasman Barter Bangles
One of the most intriguing things were the other barters on offer, everything from a list of herbal medicines to other bits of jewellery, cupcakes and a drink on the town. If it wasn’t so incredibly frowned upon to take photos at the CSM shows I would have taken more snapshots of the amazing array of offered goods and services. Some of them can be viewed on Anna Heasman’s Tumblr.

Still to come… my favourite finds from the Jewellery MA.

Categories ,2011, ,Acrylic, ,Anna Heasman, ,Barter Bangles, ,Bonnie Yiu, ,brass, ,Central Saint Martins, ,Copper, ,Eco-Design, ,ethical, ,fairtrade, ,Gems, ,Ginkgo Biloba, ,Graduate Shows, ,Hee Jung Son, ,Hybrid, ,jewellery, ,Jing Jing Cao, ,Kerry Huff, ,Lauren Colover, ,Min Kjung Yoo, ,paper, ,Precious Metal, ,recycled, ,Resin, ,review, ,Silver, ,Upcycled, ,Wenhui Li, ,Yung-Han Tsai

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Amelia’s Magazine | Central Saint Martins: MA Design Jewellery Graduate Show 2011 Review

Tourmaline Boa pendant by Gwyneth Harris
Tourmaline Boa pendant by Gwyneth Harris.

There were two jewellers that caught my eye from the MA Design course that covers Ceramics, information pills Furniture and Jewellery at Central Saint Martins. Gwyneth Harris‘s Boa Collection was absolutely exquisite: an exploration of surface qualities through shape, generic colour, tone and pattern, inspired by the sinuous lines of snakes. She used German lapidary experts to create her beautiful winding tourmaline pendant, which was first carved in wax. Everything was created in shifting shades of red, her favourite colour. Gorgeous, I wanted to wear every piece.

bite me pendant by Gabrielle Harris
Bite Me pendant by Gabrielle Rosanna Harris. Diamond, Topaz and Gold.

Gabrielle Rosanna Harris first trained in Paris, where she did a range of work experience in exclusive Parisian jewellery workshops such as Boucheron. It was in these joaillerie that she learnt the techniques for setting stones that have so influenced her final collection. I was most entranced by the way she has turned the settings upside down and back to front to achieve a bold new look for The High End Jewellery Etiquette, where the setting of the stone has become the most important part of the design.

It’s a real shame I can’t show you more of these jewellers’ work, but photos were not permitted in the exhibition and images were hard to come by. If you like this why not check out my previous blog about the Ba Jewellery show?

Categories ,Boa Collection, ,Boucheron, ,Central Saint Martins, ,Diamond, ,Diamonds, ,french, ,Gabrielle Rosanna Harris, ,Gold, ,jewellery, ,Lapidary, ,MA Design, ,paris, ,Snakes, ,The High End Jewellery Etiquette, ,Topaz, ,Tourmaline

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Amelia’s Magazine | An interview with jewellery designer and gemologist expert Milena Kovanovic

Milena Kovanovic by Laura Hickman
Milena Kovanovic by Laura Hickman.

I was blown away by the unusual jewels of Milena Kovanovic when I first discovered her at The Craft Market last year, curated by Megan Taylor as part of Tent London during the 2012 London Design Festival. It’s taken me awhile to catch up with this Central Saint Martins graduate, gemologist and self confessed hoarder, who explores ideas of science and antiquity to create her unique designs – but I didn’t forget her. Her new Ursula’s Hoard Collection features rough precious gems such as Lapis Lazuli, Carnelian and Baroque Pearls set in swathes of bubbled gold, all inspired by the potential spoils of a sunken galleon: forgotten gems that Milena Kovanovic imagines lie encrusted in coral reefs on the depths of the ocean floor. Customers with a very healthy budget can commission from her high end Luxe Reef collection, featuring even more exotic jewels. I spoke to Milena about her inspiration, design process and knowledge as a qualified gemologist.

Tent London Oct 2012-Milena Kovanovic gem
Tent London Oct 2012-Milena Kovanovic
Spessartine Garnet and Smokey Quartz necklace from the Krystalline collection. Discovered at Tent London 2012.

When did you first realise that you wanted to be a jewellery designer, and what has been the best thing about following this career path?
I came across jewellery design whilst doing my art and design foundation course, really enjoyed working in metal and decided I’d apply to the degree course after my tutor convinced me I’d be perfect for it. It must have been fate as I used to make jewellery as a teenager and sell it at Greenwich Market to earn some extra cash, though I never considered it as a career at the time. The best thing about following this career path is that it encompasses all the things I love – making and gems and minerals.

Milena Kovanovic Ursula's Hoard red gems
What was the best bit about studying at CSM?
For me the best part about studying at CSM was the freedom you got to explore and experiment within your degree course. It also have one of the best libraries for books and materials that is an invaluable resource for any designer.

Milena Kovanovic Jewelry by Veronica Rowlands
Milena Kovanovic Jewellery by Veronica Rowlands.

The Ursula’s Hoard collection features gems that are encrusted with molten gold that looks like coral – how did you achieve this effect?
I enjoy exploring new processes and techniques in my work, so for my last two collections I have been doing a lot of electroforming. This is a process which uses an electrical current to take metal in a solution and deposit/grow it onto the surface of whatever you want. This method was perfect for the Ursula’s Hoard collection as I wanted the pieces to look like they’d been under the sea for centuries, becoming encrusted in barnacles and corals.

Milena Kovanovic Ursula's Hoard La Belle Ring
La Belle Ring.

Where do you go for inspiration when you start designing a new collection?
Inspiration can come from anywhere, it’s all around us. I’m very visual and take a lot of photographs of things that catch my eye, especially focusing on the details. Sometimes it can be from something I’ve read or an exhibition I’ve seen. I also love to travel which is a great influence for new ideas.

Milena Kovanovic Ursula's Hoard Golden Hind Necklace
Golden Hind Necklace.

Where did you study and how long did it take you to become a qualified gemologist?
I trained as a gemmologist at the Gemmological Association of Great Britain in Hatton Garden. They have a fast track course which combines the foundation and diploma into a 1 year full time programme, which is what I did.

Milena Kovanovic Ursula's Hoard rings
What amazing and little known gemological fact can you share with us?
The gemstone Tourmaline is pyroelectric – meaning that when it is rubbed or heated, it will develop a static charge that attracts lightweight particles to its surface like dust. This effect could be one probable source of it’s name, which originates from the Sinhalese word Turmali which means both “coloured stone” and “attractor of ashes“.

Milena Kovanovic Ursula's Hoard Mayflower Ring
Mayflower Ring.

What are your favourite kind of gems to work with?
That’s a tough one, there are so many it’s hard to choose! I’m really drawn to vibrant coloured gems such as Rubellites, Spessartine Garnets and Emeralds to name but a few. The gems are always the starting point from which I will create a piece of jewellery as they usually inform the design.

Milena Kovanovic Ursula's Hoard earrings
How and when are you able to use your gemological expertise these days? (apart from in jewellery design)
I regularly utilise my gemmological knowledge to source and supply gemstones for clients and trade, as well as offering specialised training in gemstones and jewellery production to staff in retail businesses.

I can’t wait to see what the talented Milena Kovanovic designs next. Visit her website here to explore her wonderful world of gems.

Categories ,2012, ,Baroque Pearls, ,Carnelian, ,Central Saint Martins, ,electroforming, ,Emerald, ,Gemmological Association of Great Britain, ,Gemologist, ,Gems, ,Golden Hind Necklace, ,Greenwich Market, ,Hatton Garden, ,jewellery, ,Krystalline, ,La Belle Ring, ,Lapis Lazuli, ,Laura Hickman, ,London Design Festival, ,Luxe Reef, ,Mayflower Ring, ,Megan Taylor, ,Milena Kovanovic, ,pyroelectric, ,Rubellite, ,Sinhalese, ,Spessartine Garnet, ,Spessartine Garnet and Smokey Quartz necklace, ,Tent London, ,The Craft Market, ,Tourmaline, ,Turmali, ,Ursula’s Hoard Collection, ,Veronica Rowlands

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