Amelia’s Magazine | The Hung Parliament spells serious change for our government.

Democracy Village Amelia Wells
Democracy Village. All photography by Amelia Wells.

Parliament Square is currently home to the Democracy Village; a few tents, visit this site treatment a couple of marquees and a whole lot of passion. It was set up on May the First and will be there… until people leave, or for some, until the war is over. I went down on Election Day, since I couldn’t vote anyway having failed to register, to see what was going on at the Festival of Peace. I found a vibrant and close knit community of anarchists, doing what they colourfully could to challenge the establishment, promote democracy and bring the war that we’re still at to an end.

Democracy Village Amelia Wells

Banners were being painted and erected as I arrived, the most striking declaring ‘Capitalism Isn’t Working’ against the backdrop of Big Ben. Others encouraged peaceful feelings, demanded ‘TROOPS OUT’, and my favourite, ‘If Voting Changed Anything, It Would Be Illegal’ – a good point when you consider quite how opposed the establishment are towards those actions which do make changes, such as occupations, mass protests, swoops and other forms of direct action. In the name of protecting our security, of course. Strangely, the police sniffing around the set-up didn’t make me feel more secure.

Democracy Village Amelia Wells

The atmosphere in the Village was peaceful and playful, in spite of the threat to national security which we represented. Peace-mongering music was played and danced to, the lyrics encouraging politicians not to go to war and to love their fellow man, with some Rage thrown in to sate the more militant. I watched people paint their shoes and bags with Ghandi’s most famous quote while a girl called Cloud handed out homemade fairy cakes.

Democracy Village Amelia Wells

Eventually, the open mic picked up, starting with a chap standing up to remind everybody why we were there and what we stood for when he asked whether politicians represent our views, or if we do? He also pointed out that being peaceful is not equivalent to being apathetic. Anything but, in fact, in a country run by the power and conflict hungry, seeking peace is downright subversive. He was rightfully applauded and whooped for his impassioned speaking, after which a gent who had been filming the event and interviewing the Villagers stepped up to spout well-crafted words of poetry in the exact spirit of peace we need – calling out the hateful on their actions and encouraging us to make a difference. Next up, a red nosed, bewigged gentleman incited us to love, respect and welcome one and all. His motto; one world, one society.

Democracy Village Amelia Wells

The most controversial speaker was a mouthpiece for the Tories who encouraged us anarchists to register as such in return for mind-altering substances. A few Villagers didn’t seem to have a prior understanding of satire and became quite riled at the ‘Tory’s’ opinions; one lady began shouting about the Village being funded by oil and arms companies… and the Israelis. After a calming down period, he suggested that we find a child and ask its favourite colour, informing us that he was voting Lib Dem because his son likes yellow, and voting isn’t going to make a difference to how the country is run.

Democracy Village Amelia Wells

Herein lies my gripe with actions such as these. It’s so easy for activists embroiled in occupations and demonstrations to believe that the means to change are obvious to all, but the man-in-the-street being told that his vote is irrelevant will only feel more powerless, if they pay any attention at all. The act of occupation is an act of power – reclaiming public space – but is standard passer-by going to stop and ask what they can do instead of voting, or keep passing by and shake their heads at foolish hippies?

Democracy Village Amelia Wells

The true message is that we can take the power back through direct action, occupations, protests, swoops and marches. Camps like these do force people to consider, if only for the moment it takes to read a banner, that our political system lies to us about the importance of our vote while trying to make us believe it is the sole extent of our political voice, and therefore reducing our power and influence over them (long banner, eh?) . However, most won’t and don’t wander into places like these and ask what they CAN do. As the Tory said, ‘I’m preaching to the converted here’. The outreach didn’t seem to be reaching out. An occupation in Parliament Square is the perfect opportunity to reach hundreds of people every day, not just with a message, but with suggested actions which everyone can take to make those changes we so desire and need.

The Village is going on indefinitely, and there are also events this weekend at Kew Bridge Eco Village and Transition Heathrow as well. Get down there to Kew for some face painting fun, or get along to Grow Heathrow and get stuck into their work weekend.

Illustration by June Chanpoomidole

While Spring turns to Summer, generic London Fashion Week AW10 may fade in our memories, stomach but the designers that drew us in certainly won’t. One such designer that caught my eye at the Esthetica exhibition was ‘Makepiece’. The concept and techniques used were so intriguing that we couldn’t resist interviewing the owner, Beate Kubitz.

 Why did you choose to focus on eco-fashion? Why is it so important to you? 
Clothes are important to me.  I think what you’re wearing tells other people a lot about you, who you are and how you feel about yourself.  I don’t like the idea that something that makes me look great was complicit in damaging the environment or the people who made it.  You don’t want your favourite t-shirt to be dripping with pesticides, cause a water shortage or to be sewn up in a sweat shop.  But unless you’re very careful, it might be. 
There’s something wrong with the latest trend ‘buy, wear, chuck’ mentality – it’s a bit neurotic and it’s definitely bad for the planet.  We try and make clothes that are significant to the women that wear them and that they can feel really good about. 

How did the Makepiece brand begin?  
I’ve been keeping sheep for seven years now, met Nicola six years ago and Makepiece is now five. 
We’re located in Todmorden, a small town in the Pennines. It’s beautiful and has a long history of wool production so it feels like the right place to be doing it.  The landscape is scattered with mills built in the nineteenth century – but wool was being spun and woven in cottage industries and then transported to market or the Piece Halls on ponies travelling on packhorse tracks which still crisscross the moors. 

What techniques do you use in your clothing?
Knitting – with some knitted felt.  The important thing is stitch design – Nicola is the queen of 3D stitches that really sculpt the garments and give them their drama as well as their details. She uses hand operated knitting machines which give her scope to develop a stitch then apply it in loads of different ways so that it works on the body. Our knits tend to be more three-dimensional because they’re designed like this. Also, all our knits are fully fashioned (knitted to shape rather than cut out of a piece of knitted cloth) which looks better and wastes less yarn. 

What materials do you use in your clothing?
Wool – some of it undyed brown wool from our Shetland sheep, others fine Bluefaced Leicester wool, from the UK flock and English alpaca and mohair.


Illustration by Becky Glover

What was the inspiration behind your most recent collection? 
Romance, definitely. Nicola got married in the summer and the sense of romance seems to have seeped into and permeated the collection. There are lots of ruffles, little frills, translucency and volume – but not just ephemeral prettiness, really lovely things that you can adapt and keep forever. 

Do you have a favourite piece in the current collection? If so, what is it and why? 
There are a few things that are really adaptable – like the Manifold cardigan which has a ribbon tie which can be used to ruche it up to bolero length or left loose so that it’s a long, elegant cardigan. Our little Foxglove shrug also works as a summer scarf and the Manifold dresses can be styled in loads of ways so they let the wearer use her imagination. 

What are your future aims for the Makepiece brand?
We’ve really been growing our website so that people all over the country can buy our clothes but we’d like to be in more stores, for the people who are less confident with internet shopping or who like to try things on. 

Is it harder or easier to sell eco-fashion? Is there a lot of competition?
Because we make everything in the UK it’s more expensive to manufacture so that means that we have to do a good job in helping people understand.

What is so individual about the Makepiece brand?  
Style, humour and our flock of Shetland sheep.  We go from mud to mascara in a twinkling of an eye – never forgetting the roots of our fashion but always looking for beauty and grace in our designs. We try and be sustainable throughout the business – from the way we farm the sheep with the lowest impact possible (we’re just about to become part of a scheme to help protect twite – which is one of the most endangered British bird species) to buying green energy for the studio, recycling everything we can, using public transport as much as possible (I took our last collection to London Fashion Week on the train from Yorkshire – in the most enormous trunk – it was quite a feat), I even do some of the farming on my bike.   

The good thing about wool is that it is more or less a by-product from sheep farming so it’s not using up land or resources that should be in food production – and on upland farms like mine creating good grazing and farming sheep is one of the few productive things you can do (I tried vegetables once, but it was not a success!).  Compared to cotton, for example, which uses over 15% of the pesticides used in the world and vast amounts of water – so much that the irrigation of cotton has shrunk the size of the Aral Sea in Uzbekistan, wool is farmed much more sustainably (particularly in the UK where we have to look after the land as well as the animals and the government monitors your impact on the environment). 

Because we make everything so locally we avoid the CO2 emissions from shipping things vast distances. We also employ people in our community and use a local dyer who has to comply with European dyeing regulations – the REACH standards; no azos, no heavy metals and irritants, effluent is stringently monitored so no emissions into the water system, and so on. 
We also only use recycled and sustainable paper in our labelling and packaging. 

You can find the brand at: www.makepiece.co.uk and selected eco-fashion stores.

Ballot Box Colourbox
Illustration by Matt Thomas.

So today’s the day: the day that I sprung out of bed at an ungodly hour with only one thing on my mind. Who will be our next prime minister? I’ve not been so excited about a general election since 1997, sickness when I memorably got so drunk dancing on the tables in a north London pub that I thew up in the gutter. Of course back then I was excited for a very different reason. Yes, buy hands up, I was one of many who voted Blair in – after years of Tory rule we were excited about a future under Labour. Oh how very chastened we now are 13 years later.

Solving Hung Parliament Val Woodhouse
Solving Hung Parliament by Val Woodhouse.

In 2010 it seems I am not the only one who has gotten swept up in the election. Even before the tales of queues at the polling stations I had a gut feeling there would be a high election turn out this year. Okay, so in my local Tescos the regular cashiers were overheard saying “Are you going to vote?” “Nah, they’re all the same aren’t they?” but when I walked through Camden yesterday I overheard lots of people talking about voting. It seems that we’ve finally managed to reawaken our democratic spirit.

Colourbox

Illustrations by Colourbox.

I think this can be attributed to a few things – the Leaders’ Debates on television have increased popular interest in politics and Twitter allows for lots of interesting conversations, but there’s more to it than that… We are now so thoroughly fed up with the current system that we’ve collectively become hungry for change. And I’m not talking the kind of rhetorical change that Cameron espouses every time a camera is pointed in his direction. I’m talking serious, deep systemic change. Most people have been complacent for so long for only one very good reason: like the cashiers in Tescos they don’t feel that their vote makes the blindest bit of difference.

creaturemag_hang parliament
Illustration by Creaturemag.
GordonBrown_GarethAHopkins
Gordon Brown by Gareth Hopkins.

And so, whilst the big party leaders have been spinning the same old shit about how we should avoid a hung parliament at all costs because what we most need now for our country is stability or the markets will fail (big bloody boohoo) it seems that for many voters this has been like a red rag to a bull. Not even copious riot porn from Greece has phased us. Okay we’ve said: bring it on. We want serious upheaval! Nobody I have spoken to has feared the result we now have; instead we’ve positively hoped for a hung parliament precisely because we may finally see some changes to our electoral system. Of course, I’m as thoroughly baffled as the next person when it comes to the many forms of proportional representation, and I know the argument that PR could lead to as many representatives of the BNP in government as there could be Greens, but frankly that doesn’t frighten me. Our current “democracy” quite clearly doesn’t work and so something else that better represents the wishes of voters has got to be worth giving a go.

informationisbeautiful
I love this clever graph from Information is Beautiful, showing up the glaring inadequacies of our current system.

Colourbox
Illustration by Colourbox.

I’m worried, of course, about what will happen if Cameron forces a Tory led government on us without sufficient recognition of the electoral reforms so many of us want. But actually I don’t really *fear* it – I think that if he does ignore the clear wishes of the voters then there will be widespread unrest and direct action of the kind that we saw just a glimpse of last night at polling stations across the country.

POLL Station Riots- abigaildaker
The Polling Station in Sheffield Hallam, illustration by Abigail Daker.

I called in late to my polling station in Bacon Street just off Brick Lane, and there was no one to impede my progress to the ballot box. However I was lucky, and people up and down the country are quite rightly furious that they were unable to vote thanks to a higher than predicted election turnout and antiquarian voting methods which have allegedly shocked even our visiting developing world adjudicators. I was as incredulous as ever. “You mean you don’t need to take my polling card as proof I am me?” It is utterly nuts that we don’t need proof of identity to vote. Next to me a boy, surely not a day over 15, was pushing his papers into the box. Who was he voting for? Just days ago a huge amount of voter fraud was uncovered in my constituency of Bethnal Green and Bow. In fact, it was uncovered on my own street – visible from my studio window is a building in my estate that allegedly houses 18 Bengalis, all registered for a postal vote.

melsimoneelliott
mel simone elliott
Illustrations by Mel Simone Elliott.

In demonstration against our fraudulent system the Whitechapel Anarchists got together to spoil their ballots with great fanfare in Altab Ali Park, the Space Hijackers took their campaign bus on the road with the banner “Voting Only Encourages Them” and the Democracy Village is camped out in Parliament Square. There’s definitely a faint whiff of revolution in the air. That or the right to vote in a more democratic way.

caroline-lucas-election-2010-antonia-parker
Caroline Lucas by Antonia Parker.

Despite this unrest, I was absolutely ecstatic to hear that Caroline Lucas has become the first ever MP for the Green Party in the district of Brighton Pavilion. I met her when we did the first Climate Rush on Parliament in 2008 and I’ve been keeping my fingers and toes crossed that she would win this seat for some time now. If some form of electoral reform goes ahead there’s the thrilling prospect of yet more Greens in Parliament to represent my views. In the meantime, there’s always a nice bit of Direct Action to force change far more quickly than our government seems capable of. Climate Camp is targeting RBS this year. We look forward to making a big impact on our corrupt financial systems, whether or not change is decreed from on high.

carolinelucas_currentstate
Caroline sees green by Currentstate.

Brighton-lazaroumterror
Brighton-lazaroumterror
Illustrations by Lazarou Monkey Terror.

Categories ,Abigail Daker, ,Antonia Parker, ,Bethnal Green, ,BNP, ,Brick Lane, ,Caroline Lucas, ,Climate Camp, ,Climate Rush, ,Colourbox, ,creaturemag, ,Currentstate, ,David Cameron, ,Direct Action, ,Electoral Reform, ,Gareth Hopkins, ,Greece, ,Green Party, ,Hung Parliament, ,Leaders’ Debate, ,Matt Thomas, ,Mel Simone Elliott, ,parliament, ,politics, ,Proportional Representation, ,RBS, ,Riots, ,Tescos, ,Tony Blair, ,twitter, ,Val Woodhouse

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Amelia’s Magazine | Creauremag Festival Edition

peggy%20sue%20film.jpg

“It’s nice everyone getting dressed up and making an effort, hospital stomach round Christmas time ‘n that”, generic slurred an old man at the bar after telling me this was his local. Halloween did he mean? A gaze and a nod.

Peggy Sue (there were some pirates but they’ve long since fled to the Caribbean to find themselves) have a knack of adding a distinct flavour to everything they do. Brewed in soulfulness and peppered with giggles, they are an intoxicating concoction of many lovely things; compared to the likes of Lauryn Hill and Regina Spektor in a single breath, all manner of genres tossed in their direction.

But references aside, that tend to reduce everybody to something regurgitated, there’s lots of other good stuff – like a compilation CD released for every month (100 copies only, complete with artwork), like how their voices emulate astonishing power and soft effortlessness all at once; or that their low-fi sound is brought together with honeyed harmonies, punctuated Spektor-like noises and an unending supply of bizarre percussion instruments. It is finally exquisitely tied together with lyrics that detach our body-parts as things to be stolen, tell stories of the woes of superheroes, and give life to ‘those fragile little things’ that live inside. It all feels very refreshing, and nicely homemade – ‘Peggy Who?’ asks the drum-face.

The Horror Movie Marathon had the Peggy stamp all over it, made apparent in its details. A projection screen hung behind them playing classic horror gems; a new horror song, complete with screams had been written for the occasion; and the widely acclaimed ‘superman’ was illustrated by a live puppet-show on stage. The wide-eyed Alessi’s Ark and feet-shuffling Derek Meins were there to support, marking the beginning of the Triptych Tour – one bus, two weeks, three acts. Catch them if you can in a venue near you! But what oh what does Triptych mean?

beinspired%20copy.jpg

Be Prepared, sildenafil long the motto of the Scouts, is now being added to by The London Climate Camp Social Group with Be Inspired and Be Involved. A series of nights around town broadly divided into these three headings encouraging all to socialise and fund-raise for Climate Camp.

Be Prepared nights fund-raise with bands, djs and comedy. It’s one to bring your friends who may not be into all the “eco stuff” but would be interested in finding out more about Climate Camp.
Be Inspired focuses on what’s going on at the moment. Film screenings, speakers and debates wil inform people what is happening and why Climate Camp is doing what its doing.
Be Involved is the actions based adventures, such as Climate Rush, the forthcoming Day of Action and what ever else happens in the future.

The first one is tomorrow and is a Be Inspired night held at The Old Crown, 33 New Oxford St starting at 19:00. The line up consists of Alistair James playing music, Leo Murray introducing his excellent animation Wake Up, Freak out and Get A Grip, a short presentation from Climate Camp about what is being done right now and where it’s going and why, including two ladies instrumental in organising Climate Rush. Plus plenty of music to dance the night away.

The Old Crown
33 New Oxford St (corner of Museum street),
London WC1A 1BH.
Between Holborn and Tottenham Court road tube station.

Tracey%20Emin%20Hotel%20International%201993%20a4.jpg
Hotel International 1993

Dear Tracey, discount

It wasn’t so long ago that I really thought I’d had it up to my neck with you. I think it was one of your columns in the Independent that did it. You’d had a bad day, page you know, one of those ones when you don’t particularly feel like getting out of bed in the morning and then when you do, you burn your toast, or scald yourself in the shower or something. And instead of having a quick cry, or swearing, or generally getting on with things as most people might do, your especially bad day led you toward one overarching question: ‘did my dad ever really love me?’ I thought it was a tad dramatic. So upon hearing about your retrospective at the Scottish National Gallery of Modern Art I was expecting 20 years of torment in the space of a few rooms. And you didn’t disappoint. But what I wasn’t expecting was that I was going to leave the exhibition liking you. Feeling for you, maybe. Being critical of you, definitely. But actually liking you? No, I wasn’t expecting that. But there is a reason that we hear so much about you Tracey, because you know what, you’re actually a pretty good artist.

Emin’s exhibition opens much like one would expect it to, throwing the viewer head-first into the deep-end. The first work we encounter is a tribute to her deceased grandmother; the second, a graphic description of a traumatic abortion. All the staple Emin classics are here: the neon signs, the tapestries, expressionist etchings, and of course, the infamous bed. And yet after the piss-stains, the used condoms, the confessional video diaries, the purging of torment and the sheer tragedy of it all, something beautiful remains. Emin’s letter to her uncle Colin is a striking example of this. Lucid and incredibly moving, Emin succinctly describes her emotions as she learns of the horrific accident that caused her beloved uncle’s death. Exploration of the Soul, a work comprised of 32 sheets of handwritten text, is similar in its expressive eloquence. You may baulk at the several spelling mistakes, shudder at the sadness of other people’s lives or smile at the moments of humanity within it; Emin will fail to leave you unmoved.

Tracy%20Emin%20My%20Bed%201998.jpg
My Bed 1998

The further we continue through the exhibition the more we feel as though we are Emin’s confidante; her scars are ours now and they are weighing us down. To enter, toward the end, a room removed of much of the abject excess of the others, comes as welcome relief. Two sculptures in particular reveal the diversity of Emin’s talent as an artist. Self Portrait (Bath) comprises a rusty bath filled with bamboo, barbed wire, chicken wire and a contorted neon streak entwined to create a work of great textual interest. In the same room a rollercoaster of reclaimed wood, It’s Not The Way I Want to Die from 2005, dominates the space. Constructed entirely from old crates, the past life of the wood seems to echo Emin’s own (one plank retaining it’s FRAGILE label), but is here reworked into a somewhat rickety yet undeniably beautiful piece.

Tracy%20Emin%20It%27s%20Not%20the%20Way%20I%20Want%20to%20Die%2C%202005.jpg
It’s Not The Way I Want to Die 2005

Emin is a chameleon, expressing herself in several mediums and seemingly mastering them all. Love or loathe her – you won’t easily forget her, and to my mind, that’s what makes her continue to be worth talking about.

Tracy%20Emin%20The%20Perfect%20Place%20to%20Grow%2C%202001.jpg
The Perfect Place to Grow 2001

Images courtesy of Scottish National Gallery of Modern Art

September marked the official UK launch of the new shopping/networking website, ampoule ShopStyle. Already popular amongst fashion followers in the US, viagra the best way to describe this new digital phenomenon would be a ‘Google for fashion with a MySpace twist‘. Shopstyle offers a unique online shopping experience, which enables users to browse the rails of thousands of brands through a simple search box option. Just like Google, ShopStyle carries out all the hard work trawling through shopping sites in order to bring you any matching items to your keywords. Users can also narrow down their searches by price, brand, store and size so only the most relevant results are displayed.

The site proved to be heaven sent in my own hunt to unearth a descent pair of gladiator heels, presenting me with options from new and smaller brands that I wouldn’t usually consider in my shopping choices.

ShopStyle’s nifty social networking twist means even those of us a little strapped for cash can still muzzle in on the spirit of fashion. The StyleBook tool allows users to play around and create their own fashion look books based on their own personal tastes and styles. These can be viewed by fellow users who are free to comment and discuss ideas. Unlike other virtual stores, ShopStyle embraces a love for fashion and creativity, moving beyond the simple idea of consumption.

ShopStyle_image.jpg

Keep an eye out next month as three emerging designers, selected by stylist to the stars, Bay Garnett, get the opportunity to display their collection on the site.

creaturemag%20fest%20edition.jpg

Creaturemag sets out to bring together artists from all around the world, adiposity and produce an online publication, which works as one big collaboration. Being the arty literate types that they are, they’ve also created a sort of character out of the Creaturemag concept. This has led to an entertaining, if not ever so slightly confusing, interview with themselves, or Creaturemag – you kind of have to read it to understand.

They have just released Creaturemag festival edition – a diary of their activities over the summer. Its content though is a little more in depth than trudging through mud and drinking cider though. The wonderful cover has been done by long time Amelia’s contributor Nikki Pinder! It also features interviews with up and coming musical geniuses Alessi and Zombie Zombie.

Being the creative types that they are though, no pages go without a little artistic decoration. A group of top notch illustrators have contributed – bringing the entire thing to life.

creaturemag%20pirate.jpg
Crafty pirate

creature%20mag%20creatures.jpg

Floating from festival to festival over the summer, the creatives behind Creaturemag have compiled pieces on the more out there festivals like Secret Garden Party and End Of The Road. The festival edition acts as a sort of guide to how they have often created their own arty fun at festivals this year. Perhaps the most intriguing of which is the feature on concrete mushrooms that were taken to festival all over the country. It is also a testament to how devoted they are to their art. The idea of dragging massive concrete mushrooms on top of the mounds of bags and tents I always end up hauling to campsite doesn’t appeal to me.

creature%20mag%20mushroom.jpg
Concrete mushrooms

creature%20mag%20drawing3.jpg

The whole thing just makes it look like the guys behind it have had the best summer ever, and it really makes me want to go back to a festival.

Categories ,Alessi, ,Blog, ,Creaturemag, ,End of the Road, ,Festival, ,Illustrators, ,Nikki Pinder, ,Secret Garden Party, ,Zombie Zombie

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Amelia’s Magazine | Creauremag Festival Edition

peggy%20sue%20film.jpg

“It’s nice everyone getting dressed up and making an effort, hospital stomach round Christmas time ‘n that”, generic slurred an old man at the bar after telling me this was his local. Halloween did he mean? A gaze and a nod.

Peggy Sue (there were some pirates but they’ve long since fled to the Caribbean to find themselves) have a knack of adding a distinct flavour to everything they do. Brewed in soulfulness and peppered with giggles, they are an intoxicating concoction of many lovely things; compared to the likes of Lauryn Hill and Regina Spektor in a single breath, all manner of genres tossed in their direction.

But references aside, that tend to reduce everybody to something regurgitated, there’s lots of other good stuff – like a compilation CD released for every month (100 copies only, complete with artwork), like how their voices emulate astonishing power and soft effortlessness all at once; or that their low-fi sound is brought together with honeyed harmonies, punctuated Spektor-like noises and an unending supply of bizarre percussion instruments. It is finally exquisitely tied together with lyrics that detach our body-parts as things to be stolen, tell stories of the woes of superheroes, and give life to ‘those fragile little things’ that live inside. It all feels very refreshing, and nicely homemade – ‘Peggy Who?’ asks the drum-face.

The Horror Movie Marathon had the Peggy stamp all over it, made apparent in its details. A projection screen hung behind them playing classic horror gems; a new horror song, complete with screams had been written for the occasion; and the widely acclaimed ‘superman’ was illustrated by a live puppet-show on stage. The wide-eyed Alessi’s Ark and feet-shuffling Derek Meins were there to support, marking the beginning of the Triptych Tour – one bus, two weeks, three acts. Catch them if you can in a venue near you! But what oh what does Triptych mean?

beinspired%20copy.jpg

Be Prepared, sildenafil long the motto of the Scouts, is now being added to by The London Climate Camp Social Group with Be Inspired and Be Involved. A series of nights around town broadly divided into these three headings encouraging all to socialise and fund-raise for Climate Camp.

Be Prepared nights fund-raise with bands, djs and comedy. It’s one to bring your friends who may not be into all the “eco stuff” but would be interested in finding out more about Climate Camp.
Be Inspired focuses on what’s going on at the moment. Film screenings, speakers and debates wil inform people what is happening and why Climate Camp is doing what its doing.
Be Involved is the actions based adventures, such as Climate Rush, the forthcoming Day of Action and what ever else happens in the future.

The first one is tomorrow and is a Be Inspired night held at The Old Crown, 33 New Oxford St starting at 19:00. The line up consists of Alistair James playing music, Leo Murray introducing his excellent animation Wake Up, Freak out and Get A Grip, a short presentation from Climate Camp about what is being done right now and where it’s going and why, including two ladies instrumental in organising Climate Rush. Plus plenty of music to dance the night away.

The Old Crown
33 New Oxford St (corner of Museum street),
London WC1A 1BH.
Between Holborn and Tottenham Court road tube station.

Tracey%20Emin%20Hotel%20International%201993%20a4.jpg
Hotel International 1993

Dear Tracey, discount

It wasn’t so long ago that I really thought I’d had it up to my neck with you. I think it was one of your columns in the Independent that did it. You’d had a bad day, page you know, one of those ones when you don’t particularly feel like getting out of bed in the morning and then when you do, you burn your toast, or scald yourself in the shower or something. And instead of having a quick cry, or swearing, or generally getting on with things as most people might do, your especially bad day led you toward one overarching question: ‘did my dad ever really love me?’ I thought it was a tad dramatic. So upon hearing about your retrospective at the Scottish National Gallery of Modern Art I was expecting 20 years of torment in the space of a few rooms. And you didn’t disappoint. But what I wasn’t expecting was that I was going to leave the exhibition liking you. Feeling for you, maybe. Being critical of you, definitely. But actually liking you? No, I wasn’t expecting that. But there is a reason that we hear so much about you Tracey, because you know what, you’re actually a pretty good artist.

Emin’s exhibition opens much like one would expect it to, throwing the viewer head-first into the deep-end. The first work we encounter is a tribute to her deceased grandmother; the second, a graphic description of a traumatic abortion. All the staple Emin classics are here: the neon signs, the tapestries, expressionist etchings, and of course, the infamous bed. And yet after the piss-stains, the used condoms, the confessional video diaries, the purging of torment and the sheer tragedy of it all, something beautiful remains. Emin’s letter to her uncle Colin is a striking example of this. Lucid and incredibly moving, Emin succinctly describes her emotions as she learns of the horrific accident that caused her beloved uncle’s death. Exploration of the Soul, a work comprised of 32 sheets of handwritten text, is similar in its expressive eloquence. You may baulk at the several spelling mistakes, shudder at the sadness of other people’s lives or smile at the moments of humanity within it; Emin will fail to leave you unmoved.

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My Bed 1998

The further we continue through the exhibition the more we feel as though we are Emin’s confidante; her scars are ours now and they are weighing us down. To enter, toward the end, a room removed of much of the abject excess of the others, comes as welcome relief. Two sculptures in particular reveal the diversity of Emin’s talent as an artist. Self Portrait (Bath) comprises a rusty bath filled with bamboo, barbed wire, chicken wire and a contorted neon streak entwined to create a work of great textual interest. In the same room a rollercoaster of reclaimed wood, It’s Not The Way I Want to Die from 2005, dominates the space. Constructed entirely from old crates, the past life of the wood seems to echo Emin’s own (one plank retaining it’s FRAGILE label), but is here reworked into a somewhat rickety yet undeniably beautiful piece.

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It’s Not The Way I Want to Die 2005

Emin is a chameleon, expressing herself in several mediums and seemingly mastering them all. Love or loathe her – you won’t easily forget her, and to my mind, that’s what makes her continue to be worth talking about.

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The Perfect Place to Grow 2001

Images courtesy of Scottish National Gallery of Modern Art

September marked the official UK launch of the new shopping/networking website, ampoule ShopStyle. Already popular amongst fashion followers in the US, viagra the best way to describe this new digital phenomenon would be a ‘Google for fashion with a MySpace twist‘. Shopstyle offers a unique online shopping experience, which enables users to browse the rails of thousands of brands through a simple search box option. Just like Google, ShopStyle carries out all the hard work trawling through shopping sites in order to bring you any matching items to your keywords. Users can also narrow down their searches by price, brand, store and size so only the most relevant results are displayed.

The site proved to be heaven sent in my own hunt to unearth a descent pair of gladiator heels, presenting me with options from new and smaller brands that I wouldn’t usually consider in my shopping choices.

ShopStyle’s nifty social networking twist means even those of us a little strapped for cash can still muzzle in on the spirit of fashion. The StyleBook tool allows users to play around and create their own fashion look books based on their own personal tastes and styles. These can be viewed by fellow users who are free to comment and discuss ideas. Unlike other virtual stores, ShopStyle embraces a love for fashion and creativity, moving beyond the simple idea of consumption.

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Keep an eye out next month as three emerging designers, selected by stylist to the stars, Bay Garnett, get the opportunity to display their collection on the site.

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Creaturemag sets out to bring together artists from all around the world, adiposity and produce an online publication, which works as one big collaboration. Being the arty literate types that they are, they’ve also created a sort of character out of the Creaturemag concept. This has led to an entertaining, if not ever so slightly confusing, interview with themselves, or Creaturemag – you kind of have to read it to understand.

They have just released Creaturemag festival edition – a diary of their activities over the summer. Its content though is a little more in depth than trudging through mud and drinking cider though. The wonderful cover has been done by long time Amelia’s contributor Nikki Pinder! It also features interviews with up and coming musical geniuses Alessi and Zombie Zombie.

Being the creative types that they are though, no pages go without a little artistic decoration. A group of top notch illustrators have contributed – bringing the entire thing to life.

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Crafty pirate

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Floating from festival to festival over the summer, the creatives behind Creaturemag have compiled pieces on the more out there festivals like Secret Garden Party and End Of The Road. The festival edition acts as a sort of guide to how they have often created their own arty fun at festivals this year. Perhaps the most intriguing of which is the feature on concrete mushrooms that were taken to festival all over the country. It is also a testament to how devoted they are to their art. The idea of dragging massive concrete mushrooms on top of the mounds of bags and tents I always end up hauling to campsite doesn’t appeal to me.

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Concrete mushrooms

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The whole thing just makes it look like the guys behind it have had the best summer ever, and it really makes me want to go back to a festival.

Categories ,Alessi, ,Blog, ,Creaturemag, ,End of the Road, ,Festival, ,Illustrators, ,Nikki Pinder, ,Secret Garden Party, ,Zombie Zombie

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