Amelia’s Magazine | Music Listings: Sept 27th – Oct 4th

loverman-in-the-studio

Monday 28th September: Loverman, visit Ox.Eagle.Lion.Man, more about A Grave With No Name and Sunderbands, sale Hoxton Bar & Grill, London

Hotly tipped grunge punk trio Loverman launch their EP release via Young and Lost Club at Hoxton Bar & Kitchen tonight amongst a star studded line-up. Former Mr. Peaches fronted OELM and shoegaze grungers AGWNN are in support and rumours are, that the most hyped band of 2009, The Big Pink will also make a live appearance.

Florence and the machine

Tuesday 29th September: Florence & The Machine, Shepherd’s Bush Empire, London

What else is there to say about this young lady who has single-handedly made gospel cool? She headlines a sell out tour hitting most towns this month and with her effortless style and performance prowess it will no doubt be worth a look.

melodica melody and me

Wednesday 30th September: Climate Swoop Benefit, The Purple Turtle, London

This fundraiser for the Climate Swoop dangles a bunch of great acts in our faces; my favouritely named act Melodica, Melody & Me, Melbourne catchy rock trio The Spiral and the ska-tinged five-piece Five Working Days with Bonoestente bringing up the indie corner.

laura gibson live

Thursday 1st October: Laura Gibson, Peasant and Steve Abel, Café Oto, London

Celebrate the arrival of a new month with Portland autumnal songstress, Gibson. We’re still stuck on Beasts Of Season after catching her instore earlier this month. Her album launch sees her headline a Dalston night with Pennsylvania-based singer Peasant and mesmerising NZ singer songwriter, Abel.

stricken-city

Friday 2nd October: Stricken City, Pure Groove, London

We’re extra excited about this instore as we’ll be chatting to the band beforehand. Stricken City’s catchy post-punk pop has made them a fixture on our shuffle.

hackney colliery band

Saturday 3rd October: Stop Deportations Network Benefit Night, Rampart Social Centre, London

Nine-piece (including two drummers) brass band Hackney Colliery Band, traditional African beats of Kasai Masai and reggae dub outfit, One Drop provide the musical element of this night supporting asylum seekers and migrants threatened with deportation.

joanaspolicewoman

Sunday 4th October: Joan As A Policewoman, Union Chapel, London

Joan Wasser’s beautiful songcraft has previously caught the romantic attentions of Jeff Buckley and professional eye of The Wainwright’s. You can catch her alt bluesy ways in this godly setting.

Categories ,cafe oto, ,Climate Swoop, ,Florence and The Machine, ,florenceandthemachine, ,folk, ,gig, ,grunge, ,hackney colliery band, ,hoxton bar and kitchen, ,Indie, ,Joan As A Police Woman, ,kasai masai, ,laura gibson, ,listings, ,london, ,loverman, ,melodica melody and me, ,ox.eagle.lion.man, ,peasant, ,pop, ,punk, ,steve abel, ,Stricken City, ,the big pink, ,the purple turtle, ,union chapel

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Amelia’s Magazine | Music Listings: 17th August – 23rd August

Richard Hogg: Off The Wall

Concrete Hermit Gallery
Concrete Hermit?5a Club Row?
London?E1 6JX

Until 29th August
10am – 6pm Mon – Sat

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Off the wall is a simple story about happiness, order medicine freedom, check rebellion and its consequences, told across three pictures. Like a kind of triptych or a very simple comic. It forms the centrepiece of this show, Richards first since leaving Airside in 2007.

Candy Coated Canvas

http://www.londonmiles.com/
212 Kensington Park Road
Notting Hill, W11 1NR

Until 24th August
Tuesday & Wednesday : 10am to 6pm
Thursday : 11am to 8pm
Friday: 10am to 7pm
Saturday: 11am to 7pm

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CANDY COATED CANVAS is a themed group exhibition showcasing unique artworks by various established and emerging international talent. All artists have been asked to take inspiration from the title “Candy Coated Canvas” and create a unique art piece which is visually extremely colourful and playful, whilst sparking up memories of childhood, sweets, fantasy lands and those naughty but nice pleasures in life.
Scrumptious Delight (Canada)
Scrumptious Delight creates handmade plush dolls and sweets. All the toys are made to her original designs with much care and attention at her home in Canada. This is the first exhibition of Scrumptious Delights’ work in an art gallery setting and fits the Candy Coated theme perfectly.

Anthony Burrill: In A New Place

http://kemistrygallery.co.uk/
43 Charlotte Road, Shoreditch
London EC2A 3PD

Until 5th September

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For In a New Place, the exhibition presents Anthony’s exploration of industrial processes and materials with large scale laser–cut perspex pieces as well as digital prints. The subject of the exhibition focusses upon archetypal forms of nature, from rainbows to thunderstorms, all within Burrill’s uncomplicated and distinctive geometric style..

Jeff Koons : Popeye Series

http://www.serpentinegallery.org/
Kensington Gardens?
London W2 3XA

Open daily, 10am – 6pm
Free
Until 13th September

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The Serpentine Gallery presents an exhibition of the work of the celebrated American artist Jeff Koons, his first major exhibition in a public gallery in England.

Alexandre de Cunha

http://www.camdenartscentre.org/home/
Arkwright Road?
London NW3 6DG

Tuesday-Sunday 10am-6pm ?
Wednesday 10am-9pm ?
Closed Mondays & Bank Holidays
Until 13th September
Free

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Camden Arts Centre is proud to present an exhibition of newly commissioned work by London-based Brazilian artist Alexandre da Cunha. His dynamic, large-scale sculptures improvise on the concept of the readymade by reusing everyday objects: job lots from pound shops, surplus fabrics and recycled goods, reflecting on their specific histories and aesthetics.
Amelia’s Magazine have been pals with Finnish crafty-fan Outi from brilliant trashion blog Outsapop for a while now, sale and Outi has sent us over a piece which is an example of what she loves best – creating something new out of something old. Ladies and gentleman, information pills Amelia’s Magazine presents: the Outsapop Trashion t-shirt hobo bag tutorial – also for our Finnish readers, in Finnish! If you can speak both, well, there’s jolly well no excuse for not making this bag. Thanks to Outi!

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You´ll need:
2 same colored t-shirts (don´t have to be the same size)
scissors
sewing machine
needle and thread

STEP 1.

Cut the hem out from both t-shirts, about 1/4 inches from stitchings. Don´t cut the hem strips open, but keep them in one circular piece. Save these strips for later.

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STEP 2.
Cut sleeves and collar out. Save them.

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STEP 3.
Cut the sideseams out.

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STEP 4.
If the other t-shirt has a longer hem than the other, fold the longer bodice pieces in half and cut the hem curved like in the picture.

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STEP 5.
A) Pin the t-shirt pieces together (reverse sides out) from the sideseams. The shorter pieces will be sides and the pieces with curved hem will be bag front and bag back. B) Draw a slightly curved line from sideseam to shoulder. Sew all four seams.

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STEP 6.
Pin the curvy hem pieces together (reverse sides out) and sew.

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STEP 7.
A) Fold the sidepieces over (reverse sides out) the bag bottom and sew. B) Turn the bag right sides out.

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s7b.jpg

STEP 8.
Collar pieces will be our bag handles. If you want the handles to be short (like in my bag) take only one collar and cut it into two equal length pieces. If you want the handles to be longer, cut both collars open once to make each one handle.

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STEP 9.
Fold all t-shirt shoulders (8 fold layers each) to match the width of the collar pieces / handles. It does not have to be exact as the handle seams will be covered.

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STEP 10.
Place the collar/handle in between the folded shoulder layers and pin. Try the bag to see if the handles are placed correctly. Sew when ready.

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STEP 11.
Take the all hem strips, cut them into four pieces and tie each around one handle seam. Sew the strip ends by hand so they won´t unravel.

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STEP 12.

If you want inside pockets for your bag, make them by sewing the sleeve openings closed, and then attaching them inside the bag by sewing or with safety pins. My bag has no inside pockets but I kinda wished I had made them as the bag is big and small things get lost in it easily.

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You’re all done!

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Drawings by Outi
Photos courtesy of Mika Pollari

What would it be like to live just 37 metres from the gaping chasm of an opencast coal mine. Seems unimaginable eh? Surely it’s not possible? Who would choose to live this way?

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Well, viagra dosage noone as it goes. But for some there is no choice, diagnosis as shown in the aerial view above. The people of Merthyr Tydfil have no choice. Despite mass complaints from locals and a large scale direct action featuring polar bears and George Monbiot (a Welsh resident) it was decreed by politicians far away that coal would once again be mined from these hills. Last year the hilariously named ‘Ffos-y-fran Land Reclamation’ scheme began in earnest.

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Miller Argent is the company (funded by BT pension funds) responsible for scooping out the tops of these hills and delivering the low grade coal to the old coal fired power station at Aberthaw, more about which is now being run with 40% Ffos-y-fran coal. Tellingly, the environment section of the Miller Argent Ffos-y-fran website is empty; “under construction” whilst a photo of the mining ‘team’ lined up in front of their shiny new yellow diggers is given pride of place.

Of course there is plenty of space for company propaganda too, giving highly spurious reasons for destroying the landscape in the name of ‘reclamation’. But this was never ‘derelict’ land as Miller-Argent would have you believe – it was common land used widely by locals. As happens across the world, common or marginal land is seen as unimportant when in fact it often serves an important purpose to the populations close by. The truth of the matter is that this area has been prodded and mangled for its coal since it was first discovered – the hills are riddled with old mine workings. These were abandoned as economically redundant until new technology appeared on the scene and new government policies made it financially viable to crash into the landscape once more, just as it was recovering from centuries of destruction.

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As I climbed the hill towards Ffos-y-fran I cursed the wording on the website – “just 15 minutes walk from the station” it trumpeted. There were an awful lot of taxis passing me as I struggled towards a sign chalked enigmatically on the wall. “Getting There” it said. It lied. After another interminable uphill climb past rows of terraced houses I reached a roundabout. Not long after a huge neon yellow sign reading Clean Coal: Dirty Joke strung along the hedge revealed the entrance of Climate Camp Cymru. A van of Heddlu (Welsh for police) was parked idly on the other side of the road, but otherwise all was tranquil.

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I passed the familiar sight of the welcome tent and some solar panels atop a van, and came across someone I knew almost immediately, who offered me a tasty plate of vegan nosh.

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Perusing the beautiful and conclusive bilingual handbook about what workshops to do in which tent or “gwagle” I was massively cheered to see that Climate Camp Cymru had really taken Mia Overgaard‘s beautiful designs for the Climate Camp in London to heart (adapting the poster by adding some sheep and daffodils), and had used it on their handbook – sadly this hasn’t happened for the Climate Camp in London next week which, rather confusingly, seems to be using designs from multiple people. The perils of design by consensus…

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Once my tent was up I went on a tour of the site with my camera and found myself chatting to a pair of old biddies in a car at the back gate. They were keen to support us but felt unable to physically join us – I learnt that their parents were colliers and they thought they’d seen the last of the industry when it closed down last century.

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With some coyness they told me how they’d taken their placards into the council chambers when it was announced the ‘reclamation’ was reopening (dontcha just love the use of the word ‘reclamation’ – sounds like something to do with Shakespeare or have I got my history all muddled?!) I thought that was pretty impressive myself and told them as much.

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After dinner there was a plenary with a group of activists talking about community campaigns and how best to work with local residents. Activists from Plane Stupid, Rossport in Ireland, Mainshill in Scotland and Smash Edo in Brighton were joined by two members of RAF, or Residents Against Ffos-y-Fran. It was really thrilling to hear how similar everyone’s stories were and how possible it was to learn and grow stronger by offering solidarity with each other. By the end the tent was whooping and a plan had been hatched to go for a walk into the mine the next day.

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This was to be a hot topic of discussion at the neighbourhood and site wide meetings the next morning. Somehow, in a matter of hours, the word was put out amongst residents in town and by lunchtime we’d gathered our walkers. Joining us were members of the Rebel Clown Army, out of retirement after their costumes were confiscated at Kingsnorth last year, and the penguins from the Climate Caravan of 2008 – expert in the art of the waddle.

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We climbed over the gate with no problems but by the time we’d got to the roundabout a few confused police were attempting to curtail our progress. However, once the penguins had siddled around there was no stopping everyone else. We continued our ramble up towards the heart of the mine as locals slowed in their cars and their kids joined us. The clowns gamboled playfully around the police who hadn’t a clue what to do with these strange creatures, expert in the art of the carefully timed wind-up.

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And then we got to the intersection where the road continues through the centre of the great scar that is the mine. The police weren’t having it, even though it is a public highway, with a Section 12 (emergency restraint) being cited to stop us advancing any further. For our own safety mind you.

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Some people stayed on the road but the majority of walkers just decided to follow the penguins up onto the hill on the other side. I passed a large van of aggressive sounding police dogs, all the better to chase trespassers across mines huge opencast mines I hear.

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Despite the deployment of two large police horses as well as the dogs we failed to provide the running targets the police might have liked after three tense and boring days of sitting in their vans. Instead we wandered around the hilltop with the clowns and the penguins, taking in the full enormity of the mine and being given a potted history by the locals.

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As the drizzle moved back in again we descended the hill to head home for tea and discovered that one man had been arrested shortly after being bitten by a police dog for trying to break through the lines on the road. He was taken into custody and held for over forty hours during which he successfully contested bail conditions which meant he could not attend Climate Camp in London next week.

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The police were notabley absent on the walk back to camp, contrary to a statement released to the press stating that they escorted us home. I guess we didn’t provide the excitement they might have liked at the top of the hill and they lost interest. We even passed a few cheeky scoundrels who had managed to climb the low fence into the mine with apparent ease.

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“We set out to police this event, in a manner which reflected the needs of the protestors to lawfully protest… We are pleased that we achieved this aim and were able to avoid scenes in trend at other protests in the UK,” said South Wales police in a statement released yesterday. I had no idea we were ‘on trend’ as they like to say in the fashion world!

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Before dinner we went on a mission to buy some beer from the local store (cider of all cheap varieties is a must in this town if the shelves are to be believed) and a local lady kindly gave us a lift back up the hill – on the way she told of how she’s just had to install new windows because the dust has got so bad between the panes of glass. It’s a common refrain with locals, who suffer from all kinds of complaints due to the dust and noise coming from the mine, which, unbelievably, is open from 7am to 11pm six days a week. This in a town which already has the second highest incidence of chest complaints in Britain. But that’s okay! Because Miller-Argent is regulating pollution emissions. Well, self-regulating if you’re being picky. Self-regulating and under no obligation to share the information if you’re being particularly pushy. Understandably the locals aren’t exactly happy with this situation.

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The folks from Bicycology had a small bike generator with which to power films, so I spent much of that night glued to the screen, which showed, amongst other things, a film about mountain top removal for coal in Virginia in the USA. The mountains are literally blown off to reveal the coal, and the remnants are slung into the surrounding valleys – forever altering not just the entire ecosystem but the actual topography of the landscape. How can this kind of insanity be allowed to continue when we know what we know now? The USA is dependent on coal for over half it’s power, but at what cost? Not just to climate change but to the incredibly delicate ecosystems that support life on our planet.

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In Virginia there have been huge and devastating floods in the valleys below the mined areas, which have lost their topsoil and are no longer able to soak up rainfall. The companies responsible have of course abdicated all responsibility but I remember Geography GCSE! Back then I learnt that if you screw with the ability of the earth to soak up water there will be consequences. Could the same thing happen in the steep valley of Merthyr Tydfil? It seems highly likely if opencast mining continues.

On Sunday I went on a workshop to learn more about plants in the area, and was delighted to discover that the yellow berries packed tightly onto the branches of Sea Buckthorn are edible; tiny and tangy they are the richest source of vitamin sea after rosehips. I’ve brought a bag home to soak in some vodka – and wouldn’t you know it I discovered that the berries are used in a favourite Danish schnapps recipe.

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After lunch the final plenary looked at how the Climate Camp movement can go ahead in Wales and how relations with Merthyr Tydfil will continue going forward. There was a real feel of excitement in the air as it was decided that Climate Camp Cymru would have it’s first official national gathering within the next six weeks and many people seemed more determined than ever to make it down to the Climate Camp in London next week. Tat down, (clear up of the camp) continued apace afterwards and I left feeling extremely happy that I’d made the effort to travel up to Wales and take part in the camp.

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I’m now getting even more excited about the week long Climate Camp in London which starts next Wednesday 26th August with a city-wide “swoop” on our yet-to-be-revealed site. If you care about the planet you live upon (and you should, it’s the only one we’ve got!) come and join us this year. There will be hundreds of workshops on sustainability, direct action and how the financial system is affecting our environment – not to mention a diverse program of evening entertainments. We’ll be camping over the Bank Holiday weekend so why not come visit? It could be the life-changing experience it was for me at Heathrow in 2007.

Until then…

See more of my photos on the Climate Camp Cymru flickr site
Hear my phone blogs that I uploaded live whilst on the walk to Ffos-y-Fran here

Monday 17th August
The XX and Trailer Trash Traceys
Hoxton Hall, page London

Prepare to ponder life’s big questions against a white noise soundtrack from melancholic pop rockers, The xx, who are cornering the market with their sterling recent debut LP release and newcomers Trailer Trash Traceys.

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Tuesday 18th August
Pearl Jam and Gomez
O2 Arena, London

Some say we’re due nu-grunge as a genre?! Whether this be the case or not, a bit of nostalgic singing along to Pearl Jam, from behind your greasy fringe never goes out of style. Feel free to be less enthusiastic about their support, Gomez.

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Wednesday 19th August
Junior Boys
The Garage, London

Canadian electro-bleepists, Junior Boys, fulfil a demand for the intellectual and underground whilst producing a tune that the best of us can tap our toes to.

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Thursday 20th August
Animal Collective and Gang Gang Dance
Brixton Academy, London

Ahead of headlining Green Man (look out for the festival review next week) this weekend, the epically fantastic Animal Collective are kind enough to treat London to one of their amazing live outings. With NYC art-noisers Gang Gang Dance – genius programming!

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Friday 21st August
Beach House, Vetiver and The Papercuts
Union Chapel, London

Lush girl-boy Baltimore duo, Beach House fill this church venue with their spine chillingly beautiful pop, and with the equally atmospheric Vetiver and The Papercuts on the bill, you’ll be sure to have a spiritual experience.

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Saturday 22nd August
Duke Garwood and The Ladywoodsmen, The Exploits of Elaine and Sixtoes
Café Oto, London

Continuing our love of all things Dalston, spooky blues man Duke Garwood gives us a delectable excuse to return to E8. The avant-folk support acts, of Elaine and Sixtoes, only add to the allure.

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Sunday 23rd August
Alabama 3, Kate Miller-Heidke and Sam Lewis
Open Air Theatre, London

Provided the weather is grand, this should be a fine weekend closer with A3 providing swamp rock, bluegrass, Aussie alt songstress Miller-Heidke pulling up the pop corner and Nashville’s Lewis sprinkling some country-soul.

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Categories ,electro, ,folk, ,green man festival, ,grunge, ,indie

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Amelia’s Magazine | Girls – Album – A review

girls

In this oversaturated music world, visit you just have to turn your back for one minute and the band that has caught your aural interest lately have multiplied into twenty-seven acts churning out a similar chime. With this never-ending stream of new bands emerging and hungry for an audience, a band with a bit of a story is a music journalist’s dream. Gone are the days where I can rate a band purely on the basis of their musical output, I want more than that. I need edge.

Hence, I once read that one of San Francisco duo Girls, singer and songwriter Christopher Owens, grew up in a cult and that has kept them within my radar ever since. So when their debut album lands on my desk, my appetite to sample it is insatiable. My excitement was so much so, that I was half expecting the same disappointment I got when I naively counted down the days until The Strokes‘ second album release only to have my room not set on fire. Or when I heard the rumours that Mutya Buena wouldn’t be the last Sugababe to walk.

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Alas, with Album, Girls have produced something even better than I had built it up to be. Maybe I am keeping their cult-reared background and talk of a drug past and present (not to be condoned obviously) in my mind’s eye upon listening, but this debut is an altogether beautifully alluring sound.

Not exactly the dirge you’d expect from a pair of Californian stoners, Owens sings like a wanton Elvis Costello. The sound of guitar riffs like they are being amplified through the exhaust pipe of a tractor are present however, in tracks like Summertime. It’s rare that I’d use this as a compliment, but the tracks go on too long. In fact, with 12 songs, album is two tracks over the archetypically perfect amount, but this doesn’t detract from its beauty. The sprawling, imperfect tracks are this band’s appeal. There’s no hit factory producer here. Girls recorded most of the album in rehearsals on broken equipment.

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From the offset, they have me caught up in their rough-around-the-edges interpretation of a Beach Boys Californian 60s garage pop. Big Bad Mother Fucker airs as an ode Pet Sounds complete with “shoo wop” BVs. There is a hopeless romanticism throughout as the vocals cry out to various females – Laura and Lauren Marie to name two – their feelings of inadequacy and resentment. It’s not surprising to learn that most of the album was penned by Owens about a particularly painful break-up. Hear him sing mockingly in Lust For Life, “I wish I had a boyfriend/I wish I had a loving man in my life.” After listening to the sonic reference to the 80s ballads of Spandau Ballet in Headache it dawns on me that with Girls we are seeing the emergence of yet another regurgitated genre. Behold the nu-romantics.

If I turn my back for one minute, Girls will most probably be fronting an army of nu-romantics. In this millisecond of music history though, let’s just enjoy Girls.

Categories ,beach boys, ,california, ,elvis costello, ,girls, ,grunge, ,Indie, ,pop, ,spandau ballet

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Amelia’s Magazine | We Choose To Jamboree!

Having been sent out to document the subterranean goings on of a typical East London night out; pop up speakeasies, medications purchase hypertrendy bars that inexplicably merit write ups in the New York Times, order warehouses and disused car parks that receive a midnight makeover to become party locations for the coolest of the cool, it’s natural to be a bit… over it sometimes. When every venue starts competing to out-hype the next one, and the prospect of turning up at a bar where you don’t feel obliged to state your credentials and connections to be allowed entry seems like it’s too much to ask, the urge to just call it a night and go home often seems overwhelming. Until I discovered You Choose Jamboree, that is.

Refreshingly, You Choose Jamboree would fit into none of the categories above. Instead, it’s more like an organic, self-sustaining music and social enterprise that often feels as if it’s powered by good will and community spirit. Essentially, the premise is simple and back to basics. A secret, not revealed until the night venue plays host to musicians who have been previously voted for on the events website; if you want to come to the night, you get to choose the music. The genres of musicians who perform are diverse and eclectic; West African string, cello, experimental folk, acapella choir and jazz fusion are all styles that have already taken to the stage. For an event that is still in its infancy, it has already introduced Londoners to a range of artists and bands that were crying out for exposure. When I pitched up at You Choose Jamborees November outing, I (along with 300 others) was serenaded with the gentle acapella harmonies of Stac and her all-female choir, treated to a typically gorgeous and lush set from Laura J Martin (which had the crowd so hushed and mesmerised that you could hear a pin drop) and finished the night with a rousing performance from Nick Mulvey, normally part of the Mercury Award shortlisted Portico Quartet, but for this occasion he only needed his guitar to create chords that blended Malian blues and Flamenco and had everyone cheering for more.

There is something else that sets You Choose Jamboree apart from the rest London’s frenetic nights out; it’s unbelievably friendly and completely free of pretension and attitude. It’s apparent the moment you step into the door – to actually be cheerfully welcomed into a venue – what’s that all about? There is a reason for this, and it lies in the roots of You Chooses genesis. The night began as a house party in the wilds of Muswell Hill; home to the three Jamboree creators, Chris, Phil and Barney. The trio run firmly under the radar, and normally shy away from drawing attention to themselves, preferring to let the night speak for themselves. However, being incredibly inquisitive sort of girl, I wanted details!

“We used to put on house parties in our flat, and we had musician friends who were of an incredibly high calibre like Portico Quartet play in our lounge ” Chris explained, adding that there is only so long that a (loud) party like that will go unnoticed by the council. By the time said authorities had put a stop to the merriment, the guys had accumulated a motley crew of friends, fans, and musicians who had no intention of breaking up the fun; so when a perfect setting was literally stumbled upon one boozy night in Dalston, You Choose Jamboree got its break into the big wide world. The venue might have expanded, but the ethos remained the same; ” It’s an extension of our lounge” Chris adds;  “our house has always had an open door policy.” Staying true to this theme, the guys pitch up at the beginning of a You Choose Jamboree night with the contents of their lounge and decorate the space with lamps, plants,fairy lights and rugs. While it remains a word of mouth enterprise, and technically a secret one of that, the night is resolutely inclusive and welcome to all. Although they are loathe to over-brand this home brewed venture, they are happy to introduce it to new pastures. This summer, they will be involved with Hackney Council who are running a ‘Parks For Life’ programme to get local residents back into local parks. In typical Jamboree fashion, they are charmingly old-school with their ideas. “We want to reuse bandstands and just rock up with a PA system and a generator and put musicians on” Phil tells me, and outlines plans for various dates in Stoke Newingtons’ Springfield Park, London Fields and Shoreditch Park. (More details will be revealed when we get them).

In the meantime they are happy to let the Jamboree naturally evolve into new directions. “We are learning as we go along” Phil happily admits. “The main aim is to make sure that everyone is enjoying themselves, but also to be really respectful towards the audience and the musicians.”  “Until I think we have done a perfect gig, where everything falls into place we will keep persevering.” adds Chris.  “It’s a magic equation that we are always trying to look for.” You Choose are all for encouraging more audience involvement; they have a page on their website called “The Hat”, where anyone can contribute ideas. One particular concept that they are keen to run with is where the audience, i.e us, curate the night. So if anyone wants to have a event with say, all Malian music, or even a barn dance, the guys will gladly put it together.  This Saturday sees the next installment of the Jamboree; having won the votes this round are  Moulettes, who describe themselves as a ‘folk-stomping, barn-storming swingin’ quartet, featuring an orchestra of cellos, bassoons, guitars, kazoos and five-part harmonies’. Also headlining are the Amber States, who are slightly more sedate in the musical style, but no less delightful. Made up of Southern style harmonising vocals, as well as guitars and cellos (it must be a cello night!), The Amber States are definitely my band to watch in the upcoming months. If you haven’t managed to get your name on the guest-list, check out their Facebook page on ways that you might be able to squeeze your way in (they really are ever so thoughtful). If not, then just keep an eye on their website for all the upcoming dates. It’s a big shame if you have missed out on You Choose Jamboree so far, but at least you know now.

Categories ,dalston, ,folk, ,friends, ,fun, ,live, ,london, ,portico quartet, ,shoreditch, ,you choose jamboree

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Amelia’s Magazine | Ill Ease

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One thing is certain on listening to Swollen and Small; Viking Moses is utterly in love with Neutral Milk Hotel. He knows the songs inside out, for sale information pills upside down, and has grown up learning to play along with Jeff Mangum’s melancholic ponderings on life, the universe and everything.

This EP is a collection of four NMH covers, all played uniquely but strangely similar to the original tracks, with the emotion and devotion of a true disciple of the band he obviously so loves.

Having played with the rock stars of the alt-folk movement over the last five years (Devendra Banhart, Will Oldham, Cat Power), Moses has finally decided to do the self indulgent thing of strumming away his favourite songs for all to hear… And I’m damn happy that he did. It’s an interesting selection of songs he has decided to cover, three from the lesser known On Avery Island, and the dance floor filler Holland 1945 (from In the Aeroplane over the Sea), all of which are done justice.

Viking Moses has the same sort of off -beat, powerful and delicate voice as his idol and pulls off the long high drawn out notes in a wonderful, same-but-different manner from the originals. His rendition of Holland 1945 is truly spectacular, edging away from the rollicking, percussion driven original and opting for a quieter and all together gentler rendition which allows for the heartbreak of the lyrics to really come through.

It’s basically a one man and his guitar affair with occasional slide guitar and harmonica, percussion coming from the pounding of palm on guitar, working particularly well on Gardenhead/Leave Me Alone; a brilliant original and a worthy cover. As goes for the rest of the record.

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This debut single from hotly-tipped Cardiff students Los Campesinos! suffers from the same problem as past efforts from the very similar Leeds band The Research and Bristol-based Kid Carpet. Namely, more about the whole thing reeks of a kind of contrived wackiness. I’m all for simple pop – The Ramones, shop for instance – but there’s simple pop and then there’s children’s music, and this – so sugary and kooky, veers towards the latter. And yes, the Americans say “math” – how amusing.

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The press release for this EP not only offers the terrifying prospect of a “jazz flute” but also the use of something called a “shlang dan”. Thankfully, purchase the prospect of a muso jamming session – high on fannying about, viagra sale low on actual tunes – fails to materialise. That’s not to say, however, that Born Ruffians are particularly tuneful – they’re not. They play an ultimately frustrating kind of country rock reminiscent of Neil Young at his most MOR. What’s more, Luke LaLonde’s singing voice is so whiny it makes the vocals of infinitely annoying Clap Your Hands Say Yeah front man Alec Ounsworth sound like Johnny Cash.

If you weren’t sure with the term ‘neon done well’, pill this could have been your crash course. If you mix ‘indie’ and ‘rave’ apparently this is the uniform! Brilliant, price I got given three glow bracelets from an almost-nuclear guy at the bar. That’ll do nicely.

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