Amelia’s Magazine | An interview with Mike Gale of Co-Pilgrim and review of A Fairer Sea

Co Pilgrim by Gemma Cotterell
The Traveller by Gemma Cotterell. This illustration was inspired by the concept of a A Fairer Sea, title of Co-Pilgrim‘s album. The octopus is taming the sea with his melodic folk music.

Co-pilgrim is the new project from Mike Gale, who has enlisted various friends to join him on A Fairer Sea. The album opens with a rollicking beat before the more melancholic Trapeze takes over: songs are inspired by the difficulties of a trans-atlantic relationship, combining often sad lyrics with beautiful tunes and harmonies. Third in the beautiful title track A Fairer Sea makes copious use of slide guitar to create a gentle slice of Americana that belies the lovelorn words. Other highlights include the combination of upbeat chorus and lonely lyrics on I’m Going to the Country, and the final tune, No Guiding LIght, a spiritual questioning in times of woe. Mike Gale has successfully woven together different musical genres and personal experience to create a gorgeous album that deserves a wide audience.

Co-Pilgrim by Lucy Kirk
Co-Pilgrim by Lucy Kirk.

Why Co-pilgrim
My mum actually came up with the name, I just liked the sound of it. I didn’t want the project to be called Mike Gale. Co-pilgrim felt like a good name for a band that isn’t strictly a band in the traditional sense in that we don’t really have a fixed line up, people can come and go as they wish.

co pilgrim album art
I believe this is the most recent of many projects for all your members, what has been your musical trajectory so far and how did you end up here?
Everyone in the current line up apart from Claire ( vocals ) has known and worked with each other for at least 10 years or so. Myself, Andy ( bass ) and Tom ( drums ) were all in a band called Black Nielson. We were lucky enough to get picked up by Joe ( Slide, vocals, keys ) and his brother Robin’s label Truck records about 13 years ago and released some albums through them. I’ve worked on and off with both brothers since. After Black Nielson split I travelled around for a while and worked on Co-pilgrim songs with the people I met but when it came time to make A Fairer Sea I wanted to work with the people that I felt most comfortable with and had the biggest musical connection to, I was lucky enough that Joe, Tom and Andy wanted to do it. We’re also really lucky to have Claire, who is Joe’s wife, on board because her beautiful vocal harmony is exactly what we’ve been missing.

Co-pilgrim by Carley Chiu
Co-pilgrim’s ‘Surreal fantasy land‘ by Carley Chiu.

You are a fan of both Smog and the Beach Boys – how do these two influences manifest in your music?
I think that they both make music designed to get right into your soul. I know some people may consider Bill Callahan‘s music to be a bit miserable and The Beach Boys to be happy and full of sunshine but I think the opposite is often the case. Bill Callahan‘s lyrics are more often than not really funny where as a lot of Beach Boys songs are heartbreaking, especially the later stuff when Brian was losing his way. I guess the thing that I take from them both the most, apart from the harmonies is the idea that just because the feel of a song is happy or sad it doesn’t mean the lyrics need be the same, I really like that trick.

Co-Pilgrim by Carina Martina
Co-Pilgrim by Carina Martina. Co-Pilgrim’s album A Fairer Sea inspired my illustration with its aquatic references and dreamy melodies. 

Would it be fair to say that Co-pilgrim is a combination of folk and country, with a strong American influence? Why do you think British bands have taken Americana to heart in recent years? 
Yeah I suppose that’s fair, though the first bands that I really fell in love with were Stiff Little Fingers and The Jam, I still love them and they’ll always have an influence on me and my songs. I’m not sure It’s only been recently that British bands have been influenced by Americana, I think It’s been an influence for a while, maybe a few breakthrough artists have made it seem like a recent thing? To be honest I’m not really even sure what qualifies a band to be called Americana, it’s quite a broad genre.

co-pilgrim
A good melody is clearly very important to you, how do you write your tunes? 
Thanks, yep, the melody is definitely the most important part of any song for me, then the harmonies. My songwriting style is quite simple I guess. I just sit with my guitar for a while until I find a few chords I like and then try to mumble a melody over the top. I don’t always write a full song in one go, often I’ll have a bunch of little sections that will all end up in different songs. Lyrics always come second to the melody for me, though I really am trying to work harder on my words.

co-pilgrim
Is there a theme to the new album, and if so what is it?
Yeah, the main recurring theme of the album is a long distance relationship I was involved in a while ago with a woman from New York and the struggles we faced in trying to make it work. I moved over there to be with her but ultimately we couldn’t keep it going. It was nobody’s fault and she’s still a dear friend.

YouTube Preview Image
What is title track Fairer Sea about, and what was the idea behind the accompanying video? Who made it?
A Fairer Sea is again about that same relationship. It’s just about how with a bit more luck then maybe we could have made it. The sea is the distance we always had to fight against. Claire from the band and our friend Suzy made the video, it came out brilliantly and fits the theme of the song perfectly.

co-pilgrim
What can we expect next from Co-Pilgrim?
We are going to release a couple more singles from A Fairer Sea over the next few months. During that time we’ll also be starting to record the next album, I’m really excited about the new songs. We’ve got some festival appearances booked over the summer including my favourite little festival, Wood Festival. We’ll see you there!

A Fairer Sea by Co-pilgrim is out now on Battle Worldwide Recordings.

Categories ,A Fairer Sea, ,americana, ,Battle Worldwide Recordings, ,beach boys, ,Bill Callahan, ,Black Nielson, ,Carina Martina, ,Carley Chiu, ,Co-pilgrim, ,Gemma Cotterell, ,interview, ,Lucy Kirk, ,Mike Gale, ,new york, ,review, ,Stiff Little Fingers, ,The Jam, ,Truck records, ,Wood Festival

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Amelia’s Magazine | Girls – Album – A review

girls

In this oversaturated music world, visit you just have to turn your back for one minute and the band that has caught your aural interest lately have multiplied into twenty-seven acts churning out a similar chime. With this never-ending stream of new bands emerging and hungry for an audience, a band with a bit of a story is a music journalist’s dream. Gone are the days where I can rate a band purely on the basis of their musical output, I want more than that. I need edge.

Hence, I once read that one of San Francisco duo Girls, singer and songwriter Christopher Owens, grew up in a cult and that has kept them within my radar ever since. So when their debut album lands on my desk, my appetite to sample it is insatiable. My excitement was so much so, that I was half expecting the same disappointment I got when I naively counted down the days until The Strokes‘ second album release only to have my room not set on fire. Or when I heard the rumours that Mutya Buena wouldn’t be the last Sugababe to walk.

girls-image2

Alas, with Album, Girls have produced something even better than I had built it up to be. Maybe I am keeping their cult-reared background and talk of a drug past and present (not to be condoned obviously) in my mind’s eye upon listening, but this debut is an altogether beautifully alluring sound.

Not exactly the dirge you’d expect from a pair of Californian stoners, Owens sings like a wanton Elvis Costello. The sound of guitar riffs like they are being amplified through the exhaust pipe of a tractor are present however, in tracks like Summertime. It’s rare that I’d use this as a compliment, but the tracks go on too long. In fact, with 12 songs, album is two tracks over the archetypically perfect amount, but this doesn’t detract from its beauty. The sprawling, imperfect tracks are this band’s appeal. There’s no hit factory producer here. Girls recorded most of the album in rehearsals on broken equipment.

girls2

From the offset, they have me caught up in their rough-around-the-edges interpretation of a Beach Boys Californian 60s garage pop. Big Bad Mother Fucker airs as an ode Pet Sounds complete with “shoo wop” BVs. There is a hopeless romanticism throughout as the vocals cry out to various females – Laura and Lauren Marie to name two – their feelings of inadequacy and resentment. It’s not surprising to learn that most of the album was penned by Owens about a particularly painful break-up. Hear him sing mockingly in Lust For Life, “I wish I had a boyfriend/I wish I had a loving man in my life.” After listening to the sonic reference to the 80s ballads of Spandau Ballet in Headache it dawns on me that with Girls we are seeing the emergence of yet another regurgitated genre. Behold the nu-romantics.

If I turn my back for one minute, Girls will most probably be fronting an army of nu-romantics. In this millisecond of music history though, let’s just enjoy Girls.

Categories ,beach boys, ,california, ,elvis costello, ,girls, ,grunge, ,Indie, ,pop, ,spandau ballet

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Amelia’s Magazine | Album Review: She & Him – A Very She & Him Christmas

She & Him by HoBoJoBo
She & Him by HoBoJoBo.

Generally the realm of fluffy instrumentals and cheesy lyrics, it’s hard to take a Christmas album too seriously. But the joy of A Very She & Him Christmas is that Zooey Deschanel (She) and M. Ward (Him) contribute knowingly to an escapist genre and this is obvious right from the getgo. The album’s cover photography features hilarious shots of the duo in matching Yuletide get-up, complete with Santa hats, tartan prints, and a toy reindeer. It’s also worth noting that Ward first discovered Deschanel after hearing her sing on the 2003 comedy Elf.

She & Him by Barb Royal
She & Him by Barb Royal.

M. Ward puts She & Him’s music in context on their website: ‘I believe good production should be like a good photograph, which is a great contrast between dark and light… Somehow it all evens out, creating this perfect picture of life. Because life is not always sunny, it’s not always dark—it’s somewhere in between.’ And so it is that the album’s smiley lyrics are sometimes complemented by skeletal accompaniments or underscored by minor keys, making this a somewhat darker addition to the musical Christmas family.

She & Him by Autumn de Wilde
The Christmas Waltz is the opening track, a gentle number with delicate acoustic guitar, piano and vocals. It’s a whimsical entrance that signals a sparser sound compared with the duo’s earlier albums, Volume 1 and Volume 2 (read Ian Steadman’s lovely Volume 2 review for Amelia’s Magazine here).

Christmas Waltz

What hasn’t changed is the influence 1950s and 60s pop music has had on the pair, and their cover of the Beach Boys’ Christmas Day is an excellent example, where catchy guitar solos and multilayered backing vocals abound.

She & Him by Barb Royal
She & Him by Barb Royal.

The interesting bass line and arpeggiated chords of Have Yourself a Merry Little Christmas, coupled with even more applaudable backing vocals make this feel like one of the most sincere songs on the album, while the sleigh bells and lovely rising outro of I’ll be Home for Christmas formed an upbeat reinterpretation of the classic tune.

She & Him by Autumn de Wilde
She & Him by Autumn de Wilde.

Christmas Wish is where your ears will really perk up though, as you hear the contrast between M. Ward and Zooey Deschanel’s voices. His is gravely and hers has an edgy timbre—combined, the result is magic. Again on Baby, It’s Cold Outside, the whistling, and effortless call and response between the duo make the track sound like it’s born from two people who are musically perfectly attuned to one another. My personal favourite is Silver Bells, stripped back to vocals and a simple ukulele strum, which draws our attention to the lyrics and the pauses between phrases.

Little Saint Nick, whose lyrics can irritate even the most avid Christmas carol lover, takes the Beach Boys influence to further glorious heights with gorgeous vocal harmonies, inspired key changes and a beat contagious enough to have you singing along in a West Coast frame of mind. A Very She & Him Christmas paints a quirky picture in darkness and light, and I’d recommend it for anyone in need of a winter pick-me-up: out now on Domino Records.

Categories ,A Very She & Him Christmas, ,Autumn de Wilde, ,Baby It’s Cold Outside, ,Barb Royal, ,beach boys, ,Christmas Wish, ,domino, ,Elf, ,Have Yourself a Merry Little Christmas, ,HoBoJoBo, ,I’ll be Home for Christmas, ,Little Saint Nick, ,M. Ward, ,She & Him, ,Silver Bells, ,The Christmas Waltz, ,Volume 1, ,Volume 2, ,Zooey Deschanel

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