Yorkshire

Amelia’s Magazine | Izzy Lane: an interview with ethical knitwear designer Isobel Davies

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Yelena Bryksenkova Izzy Lane AW 08-09
Izzy Lane A/W 2008 by Yelena Bryksenkova.

What was the path to setting up Izzy Lane? 
I started an organic food company when I became aware of the hundreds of permitted toxic chemicals used in food production that are wreaking devastation on our wildlife and natural world. Through my work with organic farmers I then discovered what was happening in the wool industry – that farmers were burying and burning their wool because they were paid such a pittance. Because we do not use wool as much as we used to the British textile industry, viagra dosage buy more about once the powerhouse of the nation, is on its knees – as are the communities it once supported. I had no training in fashion but I’d always had an interest in clothes which was nurtured when I lived in London as a singer and songwriter and playing in bands as a bass and saxophone player. If you are creative, you tend to be able to transfer that creativity across different media, and I became determined to start a label using British wool.

Your sheep are rescued from abattoirs – it all sounds very romantic, but how do you find them and rescue them? 
I physically don’t go to abattoirs. I think if I ever saw inside one I would never get over it for the rest of my life. I intervene before it gets that far. I am contacted by breeders who tell me what animals they are sending to slaughter and then I buy them at the market price. I can’t refuse any animals once I am aware of them – I feel it is my responsibility to rescue them. Thankfully the rate at which I am contacted has slowed. The shepherd who looks after them rolls his eyes when I tell him a new batch is arriving. He also gets annoyed that I am being made to pay the full price – some of the sheep arrive with health problems which need a lot of veterinary care.

Izzy Lane A/W 2008 by Yelena Bryksenkova
Izzy Lane A/W 2008 by Yelena Bryksenkova.

Where are you based now?
I moved up to Richmond, Yorkshire a few years ago and it took some adjusting to – I miss my favourite restaurants, the markets and the cosmopolitan buzz of London. However, I am living in the most stunningly beautiful landscape where I can drive for hours without seeing another car. I love walking in the hills with my black labrador, putting life into perspective, but I still go back to London to go shopping and see my friends. It would have been a different story ten years ago but thanks to technology I can do all my work from here.

How does the landscape and people affect the way that you design? 
I think that what one designs comes from many influences, both past and present – most that we are probably unaware of. For example, details of treasured garments from childhood, mother’s coat, old black and white films from the 50’s and 60’s. I am sure the colour palette of the moors feeds into my designs.

How did dairy farmer turned shepherd Ernest Ayre come to look after your sheep?
My first four sheep lived in a paddock at the end of the road but one day they vanished. Ernest, who had adjacent fields, appeared and offered to help find them. He followed their tracks and we found they had gone on an adventure in the woods. I think they’d got lost and found it a bit creepy in the forest at night so they happily followed us back. That is when Ernest fell for the Wensleydales and he offered to take them on… and the next 600.

What has been the most interesting or exciting fact that you have learnt about sheep, since you started working with them so closely? 
I find it really fascinating to observe how sheep are really no different to us. They hang around in gangs and sometimes they will single out one particular sheep to chase around the field – but it isn’t malicious, they just like larking around. I’m always moved by the bond between a lamb and its mother and siblings. They display real affection towards each other…

Read the rest of this interview and see more illustrations of Izzy Lane’s clothing in Amelia’s Compendium of Fashion Illustration, alongside interviews with 44 other ethical fashion designers and 30 fabulous fashion illustrators. You can buy the book here.

Written by Amelia Gregory on Tuesday January 25th, 2011 10:34 am

Categories ,Abattoir, ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,british, ,Dairy, ,Eco fashion, ,Ernest Ayre, ,Ethical Fashion, ,Isobel Davies, ,Izzy Lane, ,organic, ,Richmond, ,sheep, ,Shepherd, ,Wensleydales, ,wildlife, ,wool, ,Yelena Bryksenkova, ,Yorkshire

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Amelia’s Magazine | Fashion Interview: Gemma Marissa Designs

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Illustration by Jenny Robins

This could become confusing as I’m interviewing the fabulous Gemma Marissa, recipe more about designer of the most beautiful crocheted jewellery and accessories I have ever seen. Gemma (the designer) and Jemma (the interviewer), both from Yorkshire and both in love with all things crafty. I think I could have a newfound friend.

It seems Gemma has always been the creative type “making things with whatever she found in her mother’s sewing box” and was soon whisked off to the big city to attend the Chelsea College of Art & Design. Having worked her way from student to designer (in every position along the way), she started her own accessories label in the summer of 2008 and has been working on the line ever since. 

But lets rewind a little bit, how did she manage to get this rising empire up and running? 

As soon as I walked in to the knit room at Chelsea College, filled with different coloured yarns and knitting machines, I knew that was where I belong. After university, I worked all over, from the Channel Four Costume Department to designing for Luella Bartley. After leaving there in 2008, I decided I wanted to focus on my own designs and began selling pieces at Spitalfields and Portobello Road Markets. I was luckily spotted and commissioned by the London fashion label Neurotica, to produce their accessories for SS10 (sold at Beyond The Valley and shown at London Fashion Week), which was fantastic!

The nature inspired collection with Neurotica’s fabulous prints was so successful that I was asked to follow on with a  range of very different but playful pieces for AW10. I have also just finished my collection of accessories collaborating with designer Michelle Lowe Holder which is a great range that consists of delicate crocheted necklaces and bracelets made with Michelle’s wonderful ribbon weave work that will be available for AW10.” 

A busy bee and very clearly someone who is dedicated to her talent, I wondered what inspired Gemma to create these beautiful pieces instead of ‘normal’ jewellery? 

As a child, I was brought up in a very inspired environment and my mother and grandmother are both very ‘crafty’. My sister and I were always in clothes made by them from pieces in the sewing box (an odd assortment of everything from fabric and ribbon to wool and buttons.) My life in Yorkshire is another important inspiration; being surrounded by the countryside, with its flowers and wildlife, allowed me to wander off on adventures. I would sketch everything that I saw and most of these things can be seen in my work now which focuses on my love of insects such as bees, butterflies and ladybirds.” 

Is it just nature that has been her inspiration then or is there something else behind the Gemma Marissa magic? 

“As with any designer I’m constantly looking back at vintage fashions, as these were times of great femininity and the clothing and accessories were elegant and beautiful, particularly in the 1940s and early 1950s. I also take a lot of inspiration from my love of childhood stories (mainly fairytales and poetry) and one of my first collections was greatly inspired by The Secret Garden and filled with crocheted flowers, poppies and daisies; it’s something I hope I can go back to in the future.

I do take other inspirations from my favourite artists for their colour and texture (Gustav Klimt, Monet, Cezanne); illustrators for their simplicity and delicate antique feel (Kate Greenway, Beatrix Potter, Edmund Dulac); photographers for their joy and playfulness (Robert Doisneau, Tim Walker) and movies for the fun and fashion (Funny Face, Amelie) but I can equally find insights from objects seen whilst scouring charity shops, car boot sales and antique markets. I’m always on the look out whether I see embroidery on an old table cloth, a vintage toy or the pattern on a piece of crockery.” 

It seems then that there isn’t just one source of inspiration for Gemma’s designs but that ideas can come from anywhere. And it must be a glamorous life, one filled with lavish parties and free bars. Right? 

It can be glamorous yeah and I do get invited to shows and parties, which are wonderful and exciting; however it really does mean more to me that I get to live my life each day researching, experimenting and designing as art and creativity have always been part of my life. I don’t know who or where I’d be without it. I love to surround myself with beautiful, inspirational things and being able to design and create my accessories everyday really is a dream come true and I wouldn’t want to do anything else!


Illustration by Jenny Robins

I’m sure we’re not at all jealous (me? Turning green?) but when she’s not designing, does she look to for everyday inspiration in the clothes she wears? 

“I like to have simplicity and playfulness in my style so I admire a lot of French designers such as Chanel, Chloe and Sonia Rykiel (three ticks there from me) but I also like smaller designers like Creatures of the Wind (a new one to me but some stunning pieces online) and Erdem (the golden boy at Fashion Week).

There are also many celebrities who have styles that I greatly admire, especially Audrey Hepburn, Maggie Gyllenhal, Kirsten Dunst and Audrey Tatou.

So the girl has impeccable taste as well as a winning jewellery line, but I wonder what her best moment has been so far? 

Hmm if I had to choose one I would say that my work for Neurotica has been the most important and significant thing in my career; collaborating on design ethics really makes for exciting projects. It means your work evolves in to something different and brings new ideas and inspirations in your work. It also meant I got to show at London Fashion Week in the Neurotica showroom and was asked back to design a second collection for aw10.” 

I think it’s safe to say that the girl from Yorkshire has done more than good in the furious world that we call fashion, whilst managing to keep her feet firmly on the ground. Find out more on her website and if you’ve been inspired to invest then you can find her pieces here. This is definitely a designer to be watched.

Written by Jemma Crow on Monday March 15th, 2010 6:46 pm

Categories ,accessories, ,Crafty, ,Creatures of the Wind, ,crochet, ,Erdem, ,Gemma Marissa, ,Jenny Robins, ,jewellery, ,London Fashion Week, ,Neurotica, ,The Secret Garden, ,vintage, ,Yorkshire

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Amelia’s Magazine | Fashion Interview: Gemma Marissa Designs

by


Illustration by Jenny Robins

This could become confusing as I’m interviewing the fabulous Gemma Marissa, recipe more about designer of the most beautiful crocheted jewellery and accessories I have ever seen. Gemma (the designer) and Jemma (the interviewer), both from Yorkshire and both in love with all things crafty. I think I could have a newfound friend.

It seems Gemma has always been the creative type “making things with whatever she found in her mother’s sewing box” and was soon whisked off to the big city to attend the Chelsea College of Art & Design. Having worked her way from student to designer (in every position along the way), she started her own accessories label in the summer of 2008 and has been working on the line ever since. 

But lets rewind a little bit, how did she manage to get this rising empire up and running? 

As soon as I walked in to the knit room at Chelsea College, filled with different coloured yarns and knitting machines, I knew that was where I belong. After university, I worked all over, from the Channel Four Costume Department to designing for Luella Bartley. After leaving there in 2008, I decided I wanted to focus on my own designs and began selling pieces at Spitalfields and Portobello Road Markets. I was luckily spotted and commissioned by the London fashion label Neurotica, to produce their accessories for SS10 (sold at Beyond The Valley and shown at London Fashion Week), which was fantastic!

The nature inspired collection with Neurotica’s fabulous prints was so successful that I was asked to follow on with a  range of very different but playful pieces for AW10. I have also just finished my collection of accessories collaborating with designer Michelle Lowe Holder which is a great range that consists of delicate crocheted necklaces and bracelets made with Michelle’s wonderful ribbon weave work that will be available for AW10.” 

A busy bee and very clearly someone who is dedicated to her talent, I wondered what inspired Gemma to create these beautiful pieces instead of ‘normal’ jewellery? 

As a child, I was brought up in a very inspired environment and my mother and grandmother are both very ‘crafty’. My sister and I were always in clothes made by them from pieces in the sewing box (an odd assortment of everything from fabric and ribbon to wool and buttons.) My life in Yorkshire is another important inspiration; being surrounded by the countryside, with its flowers and wildlife, allowed me to wander off on adventures. I would sketch everything that I saw and most of these things can be seen in my work now which focuses on my love of insects such as bees, butterflies and ladybirds.” 

Is it just nature that has been her inspiration then or is there something else behind the Gemma Marissa magic? 

“As with any designer I’m constantly looking back at vintage fashions, as these were times of great femininity and the clothing and accessories were elegant and beautiful, particularly in the 1940s and early 1950s. I also take a lot of inspiration from my love of childhood stories (mainly fairytales and poetry) and one of my first collections was greatly inspired by The Secret Garden and filled with crocheted flowers, poppies and daisies; it’s something I hope I can go back to in the future.

I do take other inspirations from my favourite artists for their colour and texture (Gustav Klimt, Monet, Cezanne); illustrators for their simplicity and delicate antique feel (Kate Greenway, Beatrix Potter, Edmund Dulac); photographers for their joy and playfulness (Robert Doisneau, Tim Walker) and movies for the fun and fashion (Funny Face, Amelie) but I can equally find insights from objects seen whilst scouring charity shops, car boot sales and antique markets. I’m always on the look out whether I see embroidery on an old table cloth, a vintage toy or the pattern on a piece of crockery.” 

It seems then that there isn’t just one source of inspiration for Gemma’s designs but that ideas can come from anywhere. And it must be a glamorous life, one filled with lavish parties and free bars. Right? 

It can be glamorous yeah and I do get invited to shows and parties, which are wonderful and exciting; however it really does mean more to me that I get to live my life each day researching, experimenting and designing as art and creativity have always been part of my life. I don’t know who or where I’d be without it. I love to surround myself with beautiful, inspirational things and being able to design and create my accessories everyday really is a dream come true and I wouldn’t want to do anything else!


Illustration by Jenny Robins

I’m sure we’re not at all jealous (me? Turning green?) but when she’s not designing, does she look to for everyday inspiration in the clothes she wears? 

“I like to have simplicity and playfulness in my style so I admire a lot of French designers such as Chanel, Chloe and Sonia Rykiel (three ticks there from me) but I also like smaller designers like Creatures of the Wind (a new one to me but some stunning pieces online) and Erdem (the golden boy at Fashion Week).

There are also many celebrities who have styles that I greatly admire, especially Audrey Hepburn, Maggie Gyllenhal, Kirsten Dunst and Audrey Tatou.

So the girl has impeccable taste as well as a winning jewellery line, but I wonder what her best moment has been so far? 

Hmm if I had to choose one I would say that my work for Neurotica has been the most important and significant thing in my career; collaborating on design ethics really makes for exciting projects. It means your work evolves in to something different and brings new ideas and inspirations in your work. It also meant I got to show at London Fashion Week in the Neurotica showroom and was asked back to design a second collection for aw10.” 

I think it’s safe to say that the girl from Yorkshire has done more than good in the furious world that we call fashion, whilst managing to keep her feet firmly on the ground. Find out more on her website and if you’ve been inspired to invest then you can find her pieces here. This is definitely a designer to be watched.

Written by Jemma Crow on Monday March 15th, 2010 6:46 pm

Categories ,accessories, ,Crafty, ,Creatures of the Wind, ,crochet, ,Erdem, ,Gemma Marissa, ,Jenny Robins, ,jewellery, ,London Fashion Week, ,Neurotica, ,The Secret Garden, ,vintage, ,Yorkshire

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Amelia’s Magazine | An interview with paper artist Rebecca J Coles

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Rebecca J Coles

All photos provided courtesy of Rebecca J Coles

Where did you grow up, and are there aspects of your childhood which you see as being influential on your work?
I was born in Bath, we moved to Yorkshire a few years later until I was ten, and then returned to Wiltshire which is where I grew up. The only aspect from my childhood which I can see as being influential to my work is that I was always creative as a child. My mother was an infant school teacher and very artistic, so it was natural to be making something whether it was a den in the garden or cutting out paper and making collages.

Rebecca J Coles
You now live in Frome, Somerset – what is it like to be living and working as an artist there?
Frome is a wonderful town, and is quite the creative hub. There are artists of all disciplines, musicians and writers who live here, and we are lucky enough to have two theatres, the Black Swan Arts and Rook Lane Arts, both of which continually host new exhibitions, the artisan market that is held monthly, along with independent boutique shops which all make the town quite special, encouraging a genuine interest in the artistic field.

Rebecca J Coles
With a Masters in Constructed Textiles from the Royal College of Art, London and a specialisation in woven textiles, how did your studies inform your later work?
In response to my current work, a friend from the Royal College of Art said ‘well that makes sense‘. Referring to the comparison in that my work is still labour intensive and repetitive. As a weaver, threading the loom was a process you either enjoyed or hated. I loved the process. It was somewhat therapeutic, even though viewed as tedious, and that repetitive notion is ever apparent in my current paper art… cutting out hundreds, if not thousands of butterflies, then pinning them, then positioning them onto their specific heights on the pins, and then positioning them on the board where they will stay.

Rebecca J Coles
How would you describe what you do as an artist?
I’m an artist who creates paper assemblages which are encased in box frames. I focus on the reinvention of entomological cataloguing, display and the play of shapes.

Rebecca J Coles
Previously, you have mentioned your fascination with the process by which three-dimensional forms materialise from flat sheets of paper – can you tell us more about this transformation? And how did you decide on paper as your medium of choice?
Using paper was such an intuitive decision. It is such a malleable medium, and the childhood practice of folding a piece of paper in half and cutting out a butterfly to show symmetry seemed apt when experimenting for my current work. I used to cut out sections of my sketch books at college, and became interested in seeing how you, as the viewer, can be made to observe something that’s not actually there, or focusing on a small section of the overall image which becomes a different when it’s dissected. Using pages from magazines became quite integral to my work….

Rebecca J Coles
Tell us about the process of creating your pieces, are they carefully planned with distinct stages, or do they come together organically?
It depends! Some are very much planned from the colour palette, size and shape, and the end result depicts the original idea. Others are organic. Most start with a colour story….I collect the paper to be used, and then start cutting out the butterflies. I then decide whether I think the butterflies should be positioned on the base, or at the top of the pins, and then I start to build the piece. If I am creating a series of work, such as ‘Stamps’, because they require butterflies of all shapes and sizes, I may spend a week solely cutting them out, to then create the pieces later.

Rebecca J Coles
Butterflies feature across the art of many cultures – how did you come to choose them as one of the focuses of your work, what do they symbolise for you?
I’m afraid they don’t symbolise anything for me apart from being a beautiful silhouette to work with. I used to work in a boutique that sold feathered butterfly garlands, so when I started to cut out paper, I started cutting out an incredibly naive butterfly silhouette… and when I returned to this idea, I started to focus on their true shape.

Rebecca J Coles
Your pieces are obviously delicate, involving a great deal of repetition and close attention to detail – what are the challenges associated with this, and how do you manage?
I once suffered with RSI (repetitive strain injury) which made me realise that I must alternate my work and that I can’t cut out all the time for long periods of time. I just alternate the processes of my work now.

Rebecca J Coles
Are there any particular artists whose work you admire or turn to for inspiration?
Artists I admire would include Wycliffe Stutchbury and Helen Beard. I wish I had her illustrative skills…..

You have exhibited extensively throughout the UK over the past year. How did you begin exhibiting your work and what have been some of the highlights?
I approached a gallery in Bath who accepted my work, and have continued to showcase my art since. I then exhibited at Origin (the Contemporary Craft Fair in London) last year which led a lot of galleries approaching me. I was fortunate enough to have the London gallery, Mark Jason, select some of my work to take to the art fairs, which has been great.

Rebecca J Coles
Do you have a particular goal or hope for the pieces you produce?
My only goal is to continue selling my work, and that I continue to push forward my ideas. I hope to work on a much larger scale whether it be framed pieces or an installation piece.

Are you able to share with us any plans for 2012?
I am hoping to exhibit in Australia earlier this year, which would be a great opportunity to showcase my work internationally…. and I do have several ideas for new work….so watch this space….

Visit Rebecca’s website www.rebeccajcoles.co.uk for further details.

Written by Caitlin Sinclair on Wednesday January 18th, 2012 2:17 pm

Categories ,Bath, ,Black Swan Arts, ,Butterflies, ,Contemporary Craft Fair, ,Frome, ,Helen Beard, ,interview, ,Mark Jason, ,Paper Art, ,Rook Lane Arts, ,Royal College of Art, ,Wiltshire, ,Wycliffe Stutchbury, ,Yorkshire

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Amelia’s Magazine | A Summer Punch Up at Sutton House: Kotki Dwa Staycations Album Launch Party Review

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Kotki Dwa Staycations CD bundle by Sam Glynn
Kotki Dwa Staycations CD bundle by Sam Glynn

Staycations. A word us Brits are getting more and more used to: when the sun shines, there is honestly just no place like home. Great Britain has been the centre of attention this summer. After all, if it’s good enough for world record holders and a Queen, it’s good enough for us. The beautiful rolling green hills, still blues lakes and near-empty endless beaches. We’re spoilt for these spots, everywhere. So why not celebrate them? Forget the rain and embrace our terrain right? Right. Amelia’s Magazine music favourites, Kotki Dwa, well and truly do. So much so, Staycations is the title of their follow-up album. But wait… Here comes a very interesting tale.

While fans sat patiently waiting for second record news, the boys Alex, Tom and Tristan, were hatching quite the plan. An idea long in the making, came true this summer on 2nd July, the release date of the album. And this plan? To ask the National Trust to be their record label. They gave a firm yes!

Kotki Dwa Cakes by Abi Renshaw
Kotki Dwa rice paper printed jam cupcakes by Abi Renshaw

So we’ve all been to a National Trust property right? Yes? Well there are over two hundred historic houses open to the public. Your folks probably took you to an endless amount as a kid. Visiting these properties seemed like a staple part of growing up. Now I’ve hopefully got you reminiscing, it’s filled you with fond memories hasn’t it. The pristine gardens (with a maze if you were lucky), the delicious dairy ice cream from the café, the views from high above. Kotki Dwa thought the same. Dreamt up by the boys, which must feel like an awfully long time ago now, was this rather genius idea. Once they secured the all-important ‘yes’, the possibilities became endless. They knew exactly that this would open all kinds of (historic and stately) doors – to be inspired by, write about and record in.

A Summer Punch Up on Saturday 14th July was their big night. The album was out there, glowing reviews were flowing from Pitchfork, the Guardian and the BBC. This launch party was set to go off. Plus, the venue was quite special in it’s own right. Many ran through the doors bang on 7pm into Sutton House, Hackney’s oldest house and a National Trust gem. So much so, Alex spilled they wrote a track based on its ghost. Buried deep in Homerton, 80 lucky people got to party in this property, built in 1535 by a prominent courtier of Henry VIII. WOW. The Summer (it was raining) Punch Up started with the twilight punch picnic.

Cucumber triangle sandwiches, scotch eggs, jam filled cupcakes with their Polish name on rice paper (lovely touch and too pretty to eat) and flower cakes fashioned in plant pots with Oreo ‘soil’. Delicious.

Kotki Dwa Summer Punch by Edie OP
The Summer Punch Up cocktails menu by Edie OP

They even had themed cocktails after three of their songs. Outside in the bunting-filled courtyard was an ice cream cart. Pay a donation for a scrummy pot of Taywell and cover it in their home-made Pimms syrup. Yeah!

Supporting Kotki Dwa were two fantastic bands, Glaciers and Niteflights. Each surrounded by Kotki Dwa’s British holiday themed set of picnic hampers, hay bales and a snorkel. Once the twilight picnic had gone down and the dancing to both bands over, it was to be their finest hour. The first quarter of the hall filled with the 80 strong crowd. I’m pretty small in height so was pleased with my wing position right by the grand piano, oohhh. The room was beautiful, with its red walls and high beams. Sticking to songs solely from Staycations, you could just see it in their faces, how happy they were they’d got to here. The idea had become an album, and it was rattling that ghost upstairs no doubt. I very much enjoyed the heavily loud instrumental ending of The Wolf, and the single Poison required some serious dancing. The absolute highlight for me was during the song Staycations. A girl dressed in a crab costume was throwing beach balls into the crowd to lyrics such as ‘you la la like it when we go away’ and ‘didn’t I read that sunshine repairs your sanity’. A fantastic night ending with a disco hosted by DJs Midnight A-Go-Go and NZCA/LINES.

Kotki Dwa King Crab by Dan Morison
King Crab by Dan Morison

Oh to re-live that night all over again, yes please! I did the next best thing, I quizzed singer Alex about how they bagged the National Trust as their label and where you can see them play live this summer: read my interview with Alex Ostrowski here.

Written by Abi Renshaw on Friday August 3rd, 2012 9:43 pm

Categories ,A Summer Punch Up, ,Abi Renshaw, ,Alex Ostrowski, ,Bandcamp, ,BBC, ,Beach balls, ,Box Hill, ,bunting, ,Crab costume, ,Dan Morison, ,Edie OP, ,Geoffrey Taylor, ,Ghost, ,Glaciers, ,Great Britain, ,hackney, ,Halloween video, ,Harpsichord, ,Hattie Newman, ,Homerton, ,Ice Cream, ,Kotki Dwa, ,Lake District, ,Limited edition CDs, ,Lunch EP, ,National Trust, ,Niteflights, ,Picnic hampers, ,Pimm’s, ,Pitchfork, ,Polish, ,Queen, ,Recording, ,Robin’s Clogs, ,Sam Glynn, ,Sam Parr, ,Scotch eggs, ,Staycations, ,Sun shine, ,Sutton House, ,Taywell, ,The Guardian, ,Triangle sandwiches, ,Twilight picnic punch, ,World record holder, ,YCN, ,Yorkshire, ,Yorkshire Dales

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Amelia’s Magazine | Kotki Dwa Staycations Album Launch Interview with Alex Ostrowski

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Kotki Dwa at Sutton House by Sam Parr
The band at their Sutton House album launch by Sam Parr

Your 5 track EP ‘Lunch‘ came out in November 2011. Before that, It had been a wee while since you put any music out other than your Halloween video and exclusive Amelia’s Mag song for the USB Issue. Did this help you prepare for writing and recording Staycations, plus getting you back into performing live no doubt?

Yes we tend to leave quite big gaps in between our major projects. This time around it gave us the chance to develop our sound in the ways we’d been wanting to. The Lunch EP was kind of a ‘study’ to try out some new ways of doing things, moving forwards from our first album. We’d been working out how to be more economical with our part writing, so that things slotted together more deftly. Hopefully that comes through on the new album.

Great videos have always featured pretty heavily with your singles. I was locked in when I watched Robin’s Clogs! You all look like you have a lot of fun making them. As the three of you are all a creative bunch, this must be a pretty great extension of making music right?

We do love making videos and tend to have a lot of fun making them, perhaps too much sometimes! It’s good having a different outlet for ideas.

Kotki Dwa tied to their cardboard keyboard
Kotki Dwa tied to their cardboard keyboard

Love the new video directed by Hattie Newman for the song Staycations. Plus she just played flute for a track at your gig. Where did you film this?

It was actually directed by Geoffrey Taylor but art directed by Hattie Newman (she worked with Geoffrey on all the styling and made some cool props). We’re pretty good friends the lot of us, so we all mucked in. To make the video we went on a jaunt around Great Britain, trying to take in the jaw dropping sights of the National Trust’s properties around the country, whilst also changing battery packs, avoiding parking tickets and generally trying to make a music video on the fly with only a few warm scotch eggs to fuel us.

Everyone loves a scotch egg. I’m sure many bands are kicking themselves that they didn’t come up with approaching the National Trust. Are they doing exactly as any other record label would?

We approached the National Trust a long time ago with our ideas. They’ve been great sports and have supported us with many of the resources that a record label might sort out — space to record in, help promoting the album etc. Fundamentally the setup has enabled us to operate very independently and do everything exactly how we’ve wanted to, which is good fun and never disappointing.

All the teapots inside Sutton House
All the teapots inside Sutton House

So, as you started to formulate a plan to approach the National Trust, how did you do it? I imagine no one had ever asked them to be their record label before. Did they sit and think on it or jump at the chance to be involved? You must have been dying to tell everyone…

It was tempting to tell people about it in the early stages but we kept schtum. We approached the National Trust very carefully and very directly as a band. We knew exactly what we wanted to ask, and we knew exactly what the reasons were for them to say yes, so we explained everything with as much clarity as possible so that they would understand what we were on about. They got it pretty quickly and it took a couple of months to put the plan in place, but we got there!

How did this lightning bolt idea arise? I’d love to think you were just in a castle and thought, hey, imagine recording a track in here!

We wanted to partner with somebody other than a label for the release, because we thought it would throw up some interesting challenges. We’d already decided upon the title of our new album – Staycations – which we chose for its bittersweet connotations. And so, the National Trust sprang to mind because they look after so much of the British outdoors and so many weird & wonderful places for us to record in.

Alex from Kotki Dwa at the making of the video for Staycations
Alex from Kotki Dwa at the making of the video for Staycations

How many places did you visit up and down Great Britain in all? Do you have a favourite one? Did you write the album before or after these visits?

I think we’ve lost count. We’ve been to the Yorkshire Dales, Borrowdale and Upper Wharfedale in the Lake District, Heysham Head on the West Coast, Arnside Knott, Box Hill in Surrey, Pulpit Woods, Pitstone Windmill, plenty of the London properties including Fenton House, 2 Willow Road and Sutton House – the oldest house in Hackney! We really enjoyed visiting Malham Tarn in Yorkshire, where we had a relaxing boat ride.

Any plans to do anything further with them? I guess they’re helping you by stocking it in their NT shops now right? How many did you press?

We’ve just done a launch show at Sutton House, which the National Trust look after. We also put on a special exhibition at YCN on Rivington Street which showed some National Trust bits including some amazing old postcards which show some of the places they still look after today. We have stocked the album in a handful of their shops too which is nice, only fifty special physicals in existence.

Yes I have one. It’s hand bound in cloth with a lyric-postcard set and 4-colour risograph poster. Staycations has had good things written about it by the Guardian and Pitchfork. It couldn’t have gone much better!

It’s very flattering and we’re truly delighted by the response. We’ve been working on this for so long so it’s great to hear that people are enjoying the results. Hopefully if people enjoy the album they’ll buy it via our website!

During the making of Staycations video
During the making of Staycations video

Yes, it’s great you are selling it through Bandcamp. You all must be super chuffed with how well it’s all going. Especially as your loyal fans got to snap up just 50 limited edition CDs. Your original artwork or unusual features have been a pretty strong USP for Kotki Dwa. For instance, with the yellow Robin’s Clogs vinyl, I got the CD single, a flower pressed badge and fold out poster with lyrics. You really do think about the whole package, where many bands just don’t. Do you enjoy providing all these touches on the side of your music or is it just as important?

Yeah we enjoy making the whole thing as perfect as we can. We’re a fairly small operation so when we do something we do it wholeheartedly. I work as a designer at YCN so that comes in handy on the packaging front.

For me it makes it more treasured. Plus you obviously want your fans at your gigs to know the lyrics. For instance, with the Staycations MP3 version, I’m shown the lyrics on my iPhone! Don’t think I’ve ever seen this before!

Really? Cool, didn’t know that!

The sold out limited edition Staycations bundle
The sold out limited edition Staycations bundle

Well what a nice surprise! The album launch for Staycations: A Summer Punch Up, how did it go?

We had a really great time! We recorded some of the album at Sutton House so it was nice to revisit for a party. We had some great other bands playing too — Glaciers, fronted by brilliant illustrator Nic Burrows, and Niteflights who are an impressive new 4 piece well worth a listen.

Have you had to abide by a load of restrictions, like no noise after 10pm and you have to wear white cotton gloves?

National Trust visiting hours tend to be from 11 until 5 we’ve found, although we’ve bent a few rules like that over the past year! I did have to audition in order to be allowed to borrow one of the Trust’s oldest harpsichords though. Luckily I passed the audition and got to record with it — it’s on the album!

Inside the limited edition Staycations
Inside the limited edition Staycations

Oh great! Have you pencilled in a UK tour for this year? Any other events planned like your Polish paper-cutting workshop?

Well we’re playing Midnight A-Go-Go in London on 25th August, which will be fun. Let’s see what else comes up…

You can catch Kotki Dwa playing at Midnight A-Go-Go on Saturday 25th August at The Waiting Room (underneath The Three Crowns) on Stoke Newington High Street. 9pm – 4am and tickets are just £5. Read my review of the Staycations launch at Sutton House here.

Written by Abi Renshaw on Friday August 3rd, 2012 9:50 pm

Categories ,A Summer Punch Up, ,Abi Renshaw, ,Alex Ostrowski, ,Bandcamp, ,BBC, ,Beach balls, ,Box Hill, ,bunting, ,Crab costume, ,Dan Morison, ,Edie OP, ,Geoffrey Taylor, ,Ghost, ,Glaciers, ,Great Britain, ,hackney, ,Halloween video, ,Harpsichord, ,Hattie Newman, ,Homerton, ,Ice Cream, ,Kotki Dwa, ,Lake District, ,Limited edition CDs, ,Lunch EP, ,National Trust, ,Niteflights, ,Picnic hampers, ,Pimm’s, ,Pitchfork, ,Polish, ,Queen, ,Recording, ,Robin’s Clogs, ,Sam Glynn, ,Sam Parr, ,Scotch eggs, ,Staycations, ,Sun shine, ,Sutton House, ,Taywell, ,The Guardian, ,Triangle sandwiches, ,Twilight picnic punch, ,World record holder, ,YCN, ,Yorkshire, ,Yorkshire Dales

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