Amelia’s Magazine | Lounge on the Farm 2013: Festival Review

Lounge on the Farm 2013 review
Way back in 2009 contributor Amelia Wells visited Lounge on the Farm in Kent for Amelia’s Magazine. She was duly wowed by this small scale family orientated music festival and wrote a glowing review, so I promised myself I would make it along one day too. It’s taken me a mere four years to fulfil that promise, but this year my little family finally made the trip down to Merton Farm near Canterbury, mega pop up tent in tow (Quechua 4.2 seconds family pop up tent since you asked: can’t recommend it enough). How things have changed for me since 2009! Back then it would have been all about the late night dancing. Now my festival needs are somewhat different – I’m looking for a laid back atmosphere with space to relax with my baby, plus lots of things to keep him entertained. Lounge on the Farm does this admirably, with a dedicated childrens area called the Little Lounge full of wonderful willow structures, yurts and a miniature big top playing host to entertainments aimed at the wee ones. All this and a wonderful space hosted by the local NCT group: a haven for breastfeeding and nappy changing.

Jennifer Dionisio Illustration Lounge on the Farm Review
Lounge on the Farm by Jennifer Dionisio.

We arrived on Friday evening, and were directed to pitch our tent in the ‘quiet area’ rather than in the designated ‘family area’ at the top of the hill. Camping in the quiet area was an unfortunate choice as it turned out, since it was also a cut through from every other part of the camp and during the first night it seemed as if half the festival tripped over our (dark coloured) guy ropes and nearly crashed wholesale onto our slumbering bodies. In between this and constant breastfeeding (he’s teething, that’s the latest reason at any rate) I didn’t get the greatest of sleeps. But enough of the griping, we had a wonderful time.

Lounge on the Farm 2013 review
Lounge on the Farm 2013 review
Lounge on the Farm 2013 review
Lounge on the Farm by Marianna Madriz
Lounge on the Farm by Marianna Madriz.

Once we’d unpacked we headed into the festival to see what was on offer, a big eyed Snarfle in tow. After an impromptu tour around the working part of the farm we feasted on Merton Farm burgers, 0 meat miles. These were cooked in a kitchen at The Farmhouse Restaurant staffed by chef Rob Cooper, one of the founding DJs, and coincidentally the brother of my NCT friend Christine. It’s a small world, and growing ever smaller: his wife Vicky founded the festival 8 years ago with her friend Sean and nowadays works closely with a lovely ex student and ex intern of mine, James Penfold, who books all of the bands.

Lounge on the Farm 2013 review
Lounge on the Farm 2013 review
Lounge on the Farm 2013 review
Lounge on the Farm by Emma Russell
Lounge on the Farm by Emma Russell.

Everything at Lounge on the Farm has been lovingly thought through: there was a full Victorian funfair with helter-skelter and big wheel, hay bales aplenty to relax against and artwork everywhere I looked: lasercut painted sculptures and brilliant illustrated cutouts of festival goers from wonderful illustrations by Maddy Vian. The main site was split across three fields bounded by striking beech hedges, with plenty of space to rollick around: I hate it when festivals get stupidly busy and this was never a risk, though the music stages became packed enough to generate the ideal atmosphere for good bands. All the food we ate was delicious and in the main organic and local as well as very reasonably priced. Special mention must go to the fantastically tasty wild venison and wild boar burgers served up with duck eggs by Phil the Gameskeeper at the Godmersham Game stand: all hunted from the wilds of the Kent countryside. At The Farmhouse Restaurant the beer and ale had all been produced from Kent hops. The festival aims to support ‘the local arts, culture, agriculture and economy‘ and does so admirably.

Lounge on the Farm 2013 review
Lounge on the Farm 2013 review
Lounge on the Farm 2013 review
Lounge on the Farm 2013 review
Lounge on the Farm by George Morton
Lounge on the Farm by George Morton.

I didn’t know many of the bands playing during the day time, but as always made some impressive discoveries: on Friday we were treated to Lucy Rose, a diminutive blonde with a guitar and a big voice. Sadly I missed the headliner Seasick Steve as it was early to bed for me: there was no way Snarfle was going to sleep with so much stimulation going on so we were tent bound by 8pm on both nights (and most handy when a huge thunderstorm struck on Saturday night).

Lounge on the Farm 2013 review
Lounge on the Farm 2013 review
Lounge on the Farm 2013 review
On Saturday my big discovery was the lilting sounds of a Southampton based outfit called Pale Seas on the Farm Folk Stage: I loved the combination of evocative melodies from the lead singer, with backing vocals contributed by the unassuming female drummer. My other big discovery was the astonishingly tasty fruity drinks at the Sunshine Smoothies van behind the NCT tent – who would have thought that lavender would work with cherry? We visited the NCT tent on numerous occasions, where Snarfle enjoyed the Baby Sensory classes and free access to bedtime books. Outside there were toys to play with, edible gardens to make, bushcraft shelter classes, drumming, juggling and much more. The film tent (complete with popcorn stand) hosted a singalong Jungle Book showing.

At The Playhouse we enjoyed comedy excellently compered by John Robbins and cabaret from Lekido, Lord of the Lobsters (above).

Lounge on the Farm 2013 review
Lounge On The Farm by Zo Bevan
Lounge On The Farm by Zo Bevan.

On Sunday I treated myself to a lovely massage in the obligatory Healing Fields, and enjoyed music by the Snowdown Colliery Band, Intensified and Aswad. I missed Margate based rapper Mic Righteous but heard good things. Sadly we missed Soul II Soul because after a long weekend of partying Snarfle was starting to fray at the seams. This was a massive shame since they are the sound of my youth (summer of 1989, ghetto blaster, Clapham Common, Brixton, The Fridge) and it would have been the perfect end to an absolutely glorious two days of sunshine, but we drove off into the Kentish night refreshed and just a little bit more in love with this beautiful and abundant part of the UK.

Lounge on the Farm 2013 review
Lounge on the Farm 2013 review
Lounge on the Farm by Rose Hudson
Lounge on the Farm by Rose Hudson.

What I love about festivals such as Lounge on the Farm is how they happily cater to all age groups – this was certainly the perfect boutique festival for London and Kent based families, but it was also thoroughly enjoyed by a younger local crowd. As night fell it seemed as if half the teenagers of Canterbury were thronging around the dance orientated Hoe Down tent in heightened hormonal anticipation. I may have seen far fewer bands than I would have done in years past (Snarfle was not always a keen wearer of protective headphones) but I had a wonderful time adapting our visit to the needs of a little one. We definitely plan to return next year, need I say more?

Categories ,2013, ,Amelia Wells, ,Aswad, ,Baby Sensory, ,Breastfeeding, ,Brett Anderson, ,Canterbury, ,Child Friendly, ,children, ,Emma Russell, ,Families, ,Family Orientated, ,Farm Folk Stage, ,George Morton, ,Godmersham Game, ,Healing Fields, ,Hoe Down, ,Intensified, ,James Penfold, ,Jennifer Dionisio, ,John Robbins, ,Jungle Book, ,kent, ,Lekido, ,Little Lounge, ,Lord of the Lobsters, ,LOTF, ,Lounge on the Farm, ,Lucy Rose, ,Maddy Vian, ,Margate, ,Marianna Madriz, ,Merton Farm, ,Mic Righteous, ,NCT, ,Pale Seas, ,Phil the Gameskeeper, ,Pop-Up Tent, ,Quechua, ,review, ,Rob Cooper, ,Rose Hudson, ,Seasick Steve, ,Snarfle, ,Snowdown Colliery Band, ,Soul II Soul, ,Sunshine Smoothies, ,The Farmhouse Restaurant, ,The Playhouse, ,Victorian funfair, ,Vine, ,Zo Bevan

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Amelia’s Magazine | Haiku Salut introduce the new video for Train Tracks For Wheezy, from album Tricolore

Haiku Salut by George Morton

Haiku Salut by George Morton*

Baroque post pop girl band Haiku Salut release an eerily beautiful video to accompany ‘Train Tracks For Wheezy‘ from the Tricolore album on the How Does It Feel To Be Loved? label. The video features the band’s music set to a homemade film of a steam train ride through the Canadian rockies, shot in 1926. Ian from the record label explains how the video to accompany the track came about…

When we released the Haiku Salut album last year, some of the reviews declared that the band compose music for an imaginary soundtrack. “Quite what the film itself is all about,” said Mojo, “is entirely down to you.” For the video for Train Tracks For Wheezy, we decided to let fate do the screenwriting for us. We typed “steam train video youtube” into Google, and then searched for a film that was roughly the same length as the song. Up they sprang, our hopeful contenders: the Stradbally steam railway in Ireland, the Shibanxi railway in China, the Steamrail snow train in Australia, the list went on. All shot lovingly in glorious technicolour, but none of them quite right.

Then we found something very different. Shot in 1926, this black and white home movie of tourists on a Canadian Pacific steam train felt like a ghostlike transmission from another era – it flickered like the old silent movies of the time, pulsed as the almost 90-year-old film surrendered to being digitised for the modern world. And there was no music, no sound at all, just an eerie flow of images – images that felt all the more otherworldly for being of something so everyday. Tourists on a train gazing at the snowy Canadian mountains. A snippet of a life and lives long gone.

Rockies by Will Long

Rockies by Will Long. ‘When I watched the video I was thinking about the diminutive status of humans in relation to nature, in particular, to these mountain ranges and forests. I like it that way around. So I think that probably made its way into my work subconsciously.

When we laid the music over the film, it felt like something clicked. Not only were the visuals and the music a perfect match – the twinkling electronics and soaring orchestration following the course of the train journey – but there were also some lovely moments of synchronicity. The accordion coming in just as the mountains were shown for the first time. The metronome starting as the journey picked up pace. A billow of steam bursting from the train as the song reaches its crescendo. And there were fifteen seconds of footage left at the end of the song, which we let run out without accompaniment – as if the time travel was over and the film was back in 1926.

It was all so perfect we were almost scared to write asking for permission to use the footage, in case we were given a polite no, and this new, suddenly complete, film would never get to see the light of day. Thankfully, Reel Nostalgia gave the go ahead – and do check out their other films on youtube – and our imaginary movie came to life.

haiku salut

Haiku Salut play two live shows next month. On Saturday February 1st, they play inside the 3D Gravity Exhibition at Quad in Derby. On Friday February 21st, they play Kings Place in London, with support from Ed Dowie. More info on the Kings Place show here. Read our full interview with the band and a review of Tricolore here.

*George Morton explains the inspiration behind the Haiku Salut illustration that opens this blog: What I loved about the music and video was the contrast of new and old, and how they suited each other so well despite being created centuries apart. I wanted to convey this in my illustration so I combined pencil drawing with more bold, modern shapes and colours. Also I liked the idea of nature meeting industrial man-made objects like trains which is why in my illustration the mountains are being held up by a very man-made looking platform.

Categories ,Canadian Pacific, ,George Morton, ,Haiku Salut, ,How Does It Feel To Be Loved?, ,Reel Nostalgia, ,Shibanxi, ,Steamrail, ,Stradbally, ,Train Tracks For Wheezy, ,Tricolore, ,Will Long

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