exhibition – Page 9 – AmeliasMagazine

Amelia’s Magazine | All I Want for Christmas is cards!

Illustration by Peskimo

The Christmas festive season is now upon us and many artists are selling festive products. However few are initiated to help the poor, physician the downtrodden and the destitute. All I Want For Christmas Cards 2009 is one such group of creatives whose latest project is in support of the Bristol based charity ‘Young Bristol’. 20 local artists’ and illustrators’ specific works for the project are being used to create a limited edition run of Christmas cards that will be sold as packs containing each of the 20 cards.A competition, information pills with the brief to create a piece of work based on the phrase ‘All I want for Christmas’ took place and after receiving an overwhelming response, information pills the final 20 artworks were chosen, each on their individual merits and included in the final 20 cards. Initially created with the idea of promoting the charity Young Bristol, All I Want For Christmas Cards has also brought together artists and illustrators local to Bristol for this exciting illustrative project. Here is an opportunity to support those who need! We are today interviewing a few of those illustrators who very kindly lent their creativity to a good cause.

Illustration by Sam Bevington

Valerie Pezeron: Hello all. I would like to know who came up with the idea for such a wonderful project and could they tell our readers a little bit about themselves?

Creator/Organiser Ben Steers: The idea for a project like this had been rolling around in my head for a while but I just didn’t know how to best implement the concept. After moving to Bristol to kick start my illustration career and spending some time building contacts with local artists and illustrators I realised the huge concentration of talent that Bristol had to offer and after doing some voluntary work for Young Bristol I saw the opportunity to launch the idea and bring established and aspiring artists together and at the same time help benefit a really worthwhile cause. We have been really blown away by the response from everyone involved and have thoroughly enjoyed the whole process and having the pleasure of meeting so many positive and friendly people.

VP: There are many charities out there? Why pick “Young Bristol” charity for this project? What is the aim of the charity?

Ben Steers: I have recently helped Young Bristol put together a quarterly magazine on volunteer work and events in the area. There are so many great charities out there doing outstanding work every day but I think in the case of Young Bristol I felt that I could offer my creative services in some way and they also focus on helping disadvantaged individuals of my sort of age through media and arts courses. They aim to give those who didn’t have the opportunities that a lot of us take for granted, the chance to further themselves in creative fields and I think that is really something.

VP: The competition was very popular. Was there a jury and how did you select the final 20?

B S: It was a really difficult selective process as we didn’t want to turn any of the designs away simply because people had made a real effort and in the end we had over 40 design submissions to choose from. We both sat down and went through all the designs trying to select 20 on their individual merits and on how well they would sit against the other 19 as a collection. We were very aware of how all 20 cards would look if we sat them all next to each other. In the end we were very lucky in the response we got and selected 20 great designs which are varied in both style and content.

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Illustration by Ben Newman

VP: What motivated you to apply for the competition?

Ben Steers: Ben’s enthusiasm made it very difficult to say no and it’s always fun to take part in Bristol projects especially when it’s for a good cause.

VP: Have any of you ever been involved with charities before?

Illustrator Ben Newman and former Amelia’s magazine contributor: I’ve been involved in a few charity projects raising money for hospitals and endangered animals but my involvement always depends on whether my other projects allow me enough time. I’m really pleased that sometimes I can use a skill to help raise money.

VP: It is so easy to fall into cliches when coming up with a concept for Christmas cards? Those cards are truly original and infused with humor. How did you find inspiration for those cards?

BN: My card was inspired by some of the designs on Record company advertising banners from the 1950’s.

VP: I know what I want for Christmas and it is to welcome lovely kittens into my home. What about you, lovely people?

BN: Booze, food, friends and lot’s of sleeping.

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Illustration by Bjorn Lie

Name of Illustrator: Bjorn Lie

VP: What motivated you to apply for the competition?

BL: The fact that it was for a local charity. I normally do work for clients in other countries, which is nice, but makes me feel a bit detached from where I actually am, Bristol. This was a chance to be a part of something positive, by just doing my own thing.

VP: Have any of you ever been involved with charities before?

BL: Not actively, no. I would like to do more of it in the future though.

VP: It is so easy to fall into cliches when coming up with a concept for Christmas cards? Those cards are truly original and infused with humor. How did you find inspiration for those cards?

BL: I’ve been doing a lot of wintry scenes recently for a picture book, so I was already in that frame of mind! My card features a guy on a “spark støtting’, which is an old school means of transportation back in Norway where I’m from.

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Name of Illustrator: Rich T

VP: What motivated you to apply for the competition?

Rich T: I thought it was a great idea for a project, a good brief and most importantly fun. If you want people to do stuff for free you have to make it fun, you can’t rely on good will. Kids today….

VP: Have any of you ever been involved with charities before?

Rich T: I have donated artwork for charity auctions in the past.

VP: It is so easy to fall into cliches when coming up with a concept for Christmas cards? Those cards are truly original and infused with humor. How did you find inspiration for those cards?

Rich T: I didn’t want to draw anything to do with Christmas so for me the opposite of Christmas is probably Pepsi, always forgotten in the festive period along with Jesus, job done.

VP: I know what I want for Christmas and it is to welcome lovely kittens into my home. What about you, lovely people?

Rich T: All I want for Christmas is loads of expensive gifts, preferably ones I can sell on E bay, and a dog but I don’t want it forever, just Christmas.

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Name of Illustrator: Chris Dickason

CD: More than anything else the brief sounded like a fun way to spend some time away from commercial work and a chance to get a little Christmas over nostalgic whilst I looked for inspiration. There’s a fantastic wealth of talent in Bristol and consistently the artists and designs here produce work that’s as innovative as it is clever, funny and engaging. I’m really interested in being involved with projects that help promote the city as a creative hub. And obviously it’s great to be involved with a local charity as well.

VP: Have any of you ever been involved with charities before?

CD: I’ve worked commercially for charities and raised a bit of money from sponsorship for just about plodding myself around some marathons but I’d been looking for a project that consolidated my own discourse and a worthy cause. The ‘All I Want for Christmas’ project ticked a lot of boxes in my head when I received the email. It’s very much a win-win situation for the artists. Projects like this offer creative freedom are chance to see work viewed along side your contemporaries as well as providing a healthy dose of the ‘feel good factor’ as you get to support a charity to boot.

VP: It is so easy to fall into cliches when coming up with a concept for Christmas cards? Those cards are truly original and infused with humor. How did you find inspiration for those cards?

CD: Christmas is a great time of year because it provides some very personal memories but these experiences are similar to that shared by most other people. I was motivated to create an image that was based on occurrences that are typical of my Christmas experiences (over indulgence, goodnatured gluttony, sharing & caring) and hoped that these ideas would resonate with the audience.

VP: I know what I want for Christmas and it is to welcome lovely kittens into my home. What about you, lovely people?

CD: The main thing I want for Christmas is in fact free and that is a nice chunk of uninterrupted sleep. If I had my may I’d turn into a big grizzly bear and snooze all winter long and wake back up when the temperature is back in double figures. Alas I’m yet to master this skill.

So now you know what these chaps all want for Christmas. How about you? You might just want to escape the usual uninspiring, tacky and overdone festive art on display this season and treat yourself to fun, cheeky and sustainable charity cards. The Christmas card packs are a limited edition of 500, each containing 20 cards individually designed by 20 of Bristol’s finest illustrators, litho printed on 100% recycled card, 20 envelopes and an A2 poster. They cam be purchased on www.alliwantforchristmascards.com. Price per pack: £15 + £2.99 p&p

Written by Valerie Pezeron on Tuesday November 24th, 2009 6:51 pm

Categories ,art, ,charity cards, ,craft, ,exhibition, ,illustration, ,illustrator, ,interview, ,london, ,Young Bristol

Amelia’s Magazine | Allcast Leather Duck Boots, Kew Gardens and David Nash Sculptures in the Snow

A few weeks ago, as you may have noticed, it snowed. And like everyone else I did my best to enjoy our short lived winter wonderland, getting out and about with baby in tow, wearing my comfy new Crocs Allcast Leather Duck Boots. Think you know Crocs? Think again… the brand encompasses much more than the well known flip-flop that has as many foes as fans.

Crocs Allcast Leather Duck Boot
The design of these big cosy boots was inspired by equestrian styles, with sealed seams, water resistant stitching and a fleecy Sherpa lining. Croslite is used to construct the super comfortable base and rubber soles provide great grip so you won’t slip on the ice. Perhaps the best bit about these boots (apart from their amazing comfort factor) is their lightness: most snow boots are pretty heavy but these feel as light as a pair of trainers.

David Nash temperate house
David Nash exhibition Kew Gardens
David Nash in the snow. Utterly fabulous.

Anyway, I had a great time bounding around in my Duck Boots. We took these photos on a visit to Kew Gardens, the wintery weather ensuring we had the grounds virtually to ourselves. How fab do the David Nash sculptures look covered in a sprinkling of snow? This renowned artist carves huge lumps of wood with a chainsaw and an axe, sometimes using fire to char the results. There are lots of large sculptures dotted around the grounds of Kew and many more to discover nestled amongst the greenery of the Temperate House. The exhibition is on until 14th April 2013 and is well worth a visit.

David Nash exhibition Kew Gardens Snarfle
So many cool David Nash sculptures in the The Temperate House at Kew. This one was perfectly placed amongst the foliage behind Snarfle.

David Nash exhibition Kew Gardens David Nash wooden plait #kew
A David Nash wooden plait.

David Nash Kew Gardens review
Smaller David Nash sculptures from the indoors exhibition, which features lots of paper artwork and video installations too.

David Nash exhibition Kew Gardens
The tree walkway at Kew. Looming over us like some kind of menacing tripod in the wintery sky – brrrrrrrrr.

David Nash exhibition Kew Gardens peacock
A cold peacock sheltering near the entrance.

You can see many of my photos first on instagram, follow me @ameliagregory here.

Written by Amelia Gregory on Thursday January 31st, 2013 7:13 pm

Categories ,Allcast Leather Duck Boots, ,Boots, ,Crocs, ,Croslite, ,David Nash, ,exhibition, ,footwear, ,instagram, ,Jelly Egg, ,Kew Gardens, ,review, ,sculpture, ,Sherpa, ,shoes, ,Snarfle, ,Temperate House, ,The Temperate House, ,Walkway, ,Winter

Amelia’s Magazine | Alternative Risk Transfer: Interview with Eugene Perera

Photography by Egene Perera

Artists Eugene Perera, viagra dosage Eiko Honda and Christopher Thomas set up the A.R.T Organization or “Art Casino” in an attempt at initiating reflection on the nature of value of art, pill comodification and risk taking in the art market. Jessica Stokes talks to artist Eugene Perera about “after hours” poker sessions.

Photograph courtesy of A.R.T

Jessica Stokes: Where did you get the idea for this casino?

Eugene Perera: The idea for Alternative Risk Transfer came out of my interest in art and poker. Poker is a game of skill, risk and chance where an experienced player, whilst having no control over the cards they are dealt, is nevertheless able to gain an all important edge through the skilful manipulation of risk in the form of bets. It struck me that this was in some way relevant to my own art practice where I was constantly assessing the risks within a particular course of action and working out what to invest in that action. By investment here I do not necessarily mean economic but time, thought, ideas, effort and skill and so on. As an artist, I wanted to highlight this and ask whether such a way of working which potentially derisks is appropriate to the creative process and whether instead we should be working in such a way that failure is an ever-present possibility. As I began to think about the relevance of poker and how it might illuminate art practice and how artists negotiate the art market, I wondered whether it might be possible to create a work involving art and poker within the context of a wider exhibition. That is the impetus behind this show; it’s a form of ongoing research really.

Image courtesy of A.R.T

JS: What is your background?

EP: I have been creating art for around five years now following a Masters in Art History. Before this, I used to work in media where I set up a number of music and arts radio stations. Working in the media business environment exposed me to constant considerations of risk and as I progressed I noticed how I was better able to assess and manage risk, much like in poker and in art practice. The question now though is not so much how do I minimize risk but how do I explore risk. The exhibition Alternative Risk Transfer is an unknown to me and that in itself is inherently risky and my experience cannot fully prepare me for what might happen! That’s interesting to me!

amber-cowan-image

Photograph courtesy of Mark McGowan

JS: Who are the artists that will be taking part?

EP: We have a highly diverse range of artists taking part in the show ranging from the extremely new to the established such as Mark McGowan and Anthony Gross. There is also a strong international strand to the show with Japanese, Taiwanese and US artists alongside a strong London presence. The show encompasses video, sculpture, photography, painting and performance and there are a quite a few interactive gaming works such as the nightly poker games and a 24-hour chess performance created by Patrick Goddard. Many of the participating artists are creating work outside of their normal comfort zones that is commendable in this risk adverse environment. Furthermore, they are willing to stake their work in the nightly poker games in order to better understand how they respond to situations of risk.

JS: Is it important to be aware of the connotations of gambling and the encouragement thereof in today’s climate?

EP: I think it is important to be aware of what one is doing when you’re risking something in a gaming or betting situation. Unaware gambling is potentially harmful and we all know the consequences. With the Alternative Risk Transfer show at The Rag Factory, we are attempting to provoke discussion around what it means when we risk something so I think that has to be a useful contribution.

How about chance, skill and risk-taking in an unusual twist on the debate over the value of art? Give free rein to risky behavior at The Rag Factory 16-18 Heneage street, London E1 5LJ. The exhibition is on from the 10^th to 13^th of December from 12 to 10 pm. Why not come to the preview on the 9^th of December from 6 to 9 pm?

Written by Jessica Stokes and Valerie Pezeron on Wednesday November 25th, 2009 1:54 pm

Categories ,Alternative Risk Transfer, ,art, ,Brick Lane, ,Christopher Thomas, ,East London, ,Eiko Honda, ,Eugene Perera, ,exhibition, ,gig, ,installation, ,interview, ,live, ,london, ,music, ,the rag factory

Amelia’s Magazine | Amelia’s Anthology of Illustration Book Launch

Everything we do at Amelia’s Magazine is a collaborative and creative endeavor, viagra and this extends to the upcoming book launch of Amelia’s Anthology of Illustration (released this week) and the subsequent exhibition of 10 of the books illustrators. Seeing that the book takes pride in championing fresh new talent in the world of illustration, it makes sense that we would want Tuesdays book launch at Concrete Hermit in East London to reflect this. Letting our illustrators run riot, Concrete Hermit has turned its gallery space, and their walls over to them to bring their illustrations of renewable technologies from the Anthology to life. The results can be seen from Tuesday, 8th December onwards, and the exhibition will run until January 1st 2010.

Our dedicated illustrators pitched up this Sunday to lend their unique talents to this project. Given that the gallery space is pretty compact, and that at any given time there were roughly ten illustrators, as well as Amelia’s staff on hand to document the day and decorate the outside window, the atmosphere was relaxed, friendly and supportive – even if space was definitely at a premium! I was especially pleased to see some of the illustrators that I had been given the opportunity to interview for the Anthology, such as Jess Wilson, Craig Yamey and Chris Cox. While David Bowie played on the radio, coffee was consumed and cookies and cheese bagels were munched for much needed sustenance. I watched as white walls were transformed into bright and colourful ecological utopias, adorned with mythical creatures, talking whales and flying kites. Interesting and unexpected collaborations unfolded between many of the illustrators who were meeting each other for the first time; for example, when Chris Cox, Barbara Ana Gomez and Jess Wilson realised that their illustrations about renewable technologies all featured bodies of water such as lakes and the sea, they decided to share a large wall space, and while the illustrations are kept separate, they also seamlessly blend in with one another, each one complimenting the other. On another wall space, Karolin Schnoor (who was illustrating underwater technologies) and Andrew Merritt (whose work featured above water tech) shared the top and bottom half of the wall to weave their respective illustrations together.

Illustrating a wall space on a tight time span is a very different process to how the illustrators are used to working; while Jess revealed that the process was ”less stressful than I thought it was going to be”, others were conscious of the fact that they only had one take. Despite this, all were incredibly proud of their work for the Anthology and were delighted to be able to showcase their work at the gallery. By 5pm, there was the slightly worrying fact that due to unforeseen circumstances, part of one of the main walls still stood glaringly untouched. Undeterred, Craig, Barbara Ana and Amelia stepped in to collaborate on what was quickly termed the ‘mad panic corner’. Despite the time constraints, everyone was in good spirits, and I look forward to see how the mad panic corner has taken shape!

Leona Clarke adds some finishing touches

Saffron Stocker gets to grips with her piece of the wall.

If you are London based, please come along to the launch, which starts at 6.30 and runs until 9.30pm. Once here, you can pick up a copy of the book which will be signed by Amelia. There will also be carbon neutral beer provided by Adnams and Macs Gold Malt Lager by Madison on hand. If you can’t make it on Tuesday evening, you have a few more weeks to see the work of our super talented illustrators adorn the walls of Concrete Hermit. We are expecting it to get very busy on Tuesday night, so please turn up early!

Written by Cari Steel on Monday December 7th, 2009 6:51 pm

Categories ,book launch, ,Concrete Hermit, ,exhibition, ,exhibitionreview, ,Gallery, ,illustration, ,illustrators

Amelia’s Magazine | All I Want for Christmas is cards!

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