Amelia’s Magazine | Kate Stelmanis of Austra talks about touring Europe with her debut album Feel It Break

Austra by Karolina Burdon
Austra by Karolina Burdon.

Truth be said, pills I have been thoroughly wowed by the debut album from Austra. Maybe it’s the strong influence of The Knife, medicine a band I absolutely adore, malady or the sweetest of vocals from the classically trained Canadian lead singer Katie Stelmanis. Either way Feel It Break has been on repeat for many weeks or more. From the throbbing beats of Beat and the Pulse, with its 80s-esque gymnastic dance video, to the lush loops and yearning wails in Lose It, Austra has me hooked.

Austra Sleeve
I spoke with Kate Stelmanis, the Toronto-based brains behind Austra. A very independent lady: we like.

What was the best part about being a singer in the prestigious Canadian Children’s Opera Chorus and then the Canadian Opera Company?
Being in a choir was a very social thing for me. I loved my friends. But most importantly, it is such a powerful experience performing in a huge group like that. Standing in a choir and being surrounded by voices, each person singing their specific harmonies that all come together so unexpectedly was the most amazing thing for me.

Austra by Clive McFarland
Austra by Clive McFarland.

How has your voice changed, now that you sing dark electronica?
My voice has changed a lot since my training. I’ve basically abandoned all of it and over the years, being in lots of different types of bands, developed my own sound.

How have your inspirations shaped the way you sing and make music?
My greatest inspiration is classical music and opera. That is what I grew up on, and so that is what I am most familiar with. My music is very influenced by these genres.

Austra Kate Stelmanis

What has been the best and worst parts of managing your whole career independently?
I have had help from lots of people, the Blocks Recording Club provided me with the resources to learn how to be a band. And Mike from Fucked Up acted as my manager for years. He is more of a mentor really, I respect his opinion and his ideas immensely. Nowadays it’s becoming more difficult to stay on top of things, but I don’t want to chose a manager until I’m sure it’s the right fit. Essentially a manager is almost like another band member, so I will chose carefully.

YouTube Preview Image
Beat and the Pulse.

How does being based in Toronto affect your life and creation of music? Why are Canadians not as receptive to your music as Europeans?
I don’t think it’s that Canadians are not receptive to my music, I think its more so that because we are so sparsely populated and such a large country that it’s difficult to promote smaller sub-genres. Canada is known for its folk and rock music, not for its electronic scene. Though people here are ready for it it’s just difficult to grow in a country that isn’t set up to support that particular genre. Things will evolve though I’m sure. Toronto has been a great place to make music, mostly because of the huge amount of people making music successfully in the city – which is great inspiration and motivation to continue with my own project.

Capture-something-rare-by-Abi-Heyneke
Capture Something Rare by Abi Heyneke.

What do you most recommend a new visitor to do in Toronto?
You should visit Trinity Bellwoods Park, the Ossington restaurants, Kensington Market vintage shopping and make sure you check out the cheap eats.

YouTube Preview Image
Lose It.

What can an audience expect from your live performance?
I am currently performing as a six piece with two back up singers and an extra keyboard player. We play a mixture of analog and electronic instruments.

Kate Stelmanis of Austra

What have you learnt about Europe that has been most surprising, whilst on tour?
It’s terribly hard to find hummus in many parts of Europe, and far too easy to find cheese.

Feel It Break is out now on Domino Records. I strongly urge you to check it out! Kate Stelmanis and co will be on tour in the UK during July.

Categories ,80s, ,Abi Heyneke, ,album, ,Austra, ,Beat and the Pulse, ,Blocks Recording Club, ,canada, ,Canadian Children’s Opera Chorus, ,Canadian Opera Company, ,Clive McFarland, ,Domino Records, ,electronica, ,Feel It Break, ,Fucked Up, ,Karolina Burdon, ,Kate Stelmanis, ,Kensington Market, ,Lose It, ,opera, ,Ossington restaurants, ,The Knife, ,Toronto, ,Trinity Bellwoods Park

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Amelia’s Magazine | Meet Submotion Orchestra, a new musical collective from Leeds

Submotion Orchestra by Clive McFarland
Submotion Orchestra by Clive McFarland.

Submotion Orchestra are a Leeds based seven piece who fuse jazz, purchase dubstep and soul: a modern day musical collective in the style of those 90s greats: Soul 2 Soul and Massive Attack. Their debut album Finest Hour is a unique combination of these sounds and it comes out in June. Let’s find out more…

Submotion Orchestra by Gareth A Hopkins
Submotion Orchestra by Gareth A Hopkins.

You came together under curious circumstances. How does that work and how do you function as a large band? What are the ups and downs of this arrangement?
The band was started by Tommy Evans and Dom Ruckspin after an amazing commission at the Yorkminster in York which bought together classical musicians and dubstep for the first time. The hardest thing about being a pretty large band is rehearsing, no rx especially as we are now based between London and Leeds. We write and share a lot of ideas by email – throwing ideas around and demo-ing ideas etc. It seems to be working so far although if someone wants to lend us a private Carribean island to record the second album on then we wouldn’t say no.

Submotion Orchestra by Catherine Askew
Submotion Orchestra by Catherine Askew.

How has living in Leeds affected the way you work and create music?
The band was formed in Leeds and we owe a great deal to many people and places there. Leeds is a brilliant city which seems to attract amazing musicians and it’s an important place in the UK for jazz – without doubt seen as the city with the best scene outside of London, order and this is also the same of the dub and dubstep scenes.

Submotion_Orchestra

You’ve been likened to some pretty heavy duty bands, including Massive Attack and Soul 2 Soul. How do you feel about this? Do you think these are apt comparisons?
The idea of Submotion is that it sits somewhere in between jazz and soul, and dubstep. We have an infinite number of influences as everyone in the band is very different stylistically. The Massive Attack comparison has come up a few times which is incredibly flattering, as is Soul 2 Soul!

YouTube Preview ImageFinest Hour

What kind of venues do you perform at? And what are your favourite kind?
One of the most interesting things about the band, which we have learnt as we have developed, is that the music works in any kind of venue. We have played everything from jazz clubs to dubstep raves and everything in between and the music doesn’t seem out of place anywhere.

YouTube Preview ImageAll Night.

What are your plans for the upcoming year? What’s next for Submotion Orchestra?
Our debut album Finest Hour comes out on Exceptional Records at the start of June. We have a very exciting summer coming up with big shows at most of the UK and European festivals including Glastonbury, Big Chill, Secret Garden Party, Outlook, Jazz:Re:Found and Soundwave. We will be touring in October through in the UK and through Europe.

Categories ,All Night, ,Big Chill, ,Catherine Askew, ,Clive McFarland, ,Dom Ruckspin, ,dubstep, ,Finest Hour, ,Gareth A Hopkins, ,glastonbury, ,jazz, ,Jazz:Re:Found, ,leeds, ,Massive Attack, ,Outlook, ,Secret Garden Party, ,Soul 2 Soul, ,Soundwave, ,Submotion Orchestra, ,Tommy Evans, ,York, ,Yorkminster

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