Amelia’s Magazine | Alela Diane: An Interview

London has had many guises over the millennia, cheapest website like this and what we Londoners (born and bred in my case) consider essential and iconic about it varies wildly from what foreigners do, buy information pills whether they be from the Welsh borders or much further afield. Some outsiders hate London and all it stands for – everyone knows someone from outside who refuses to ever come to the Big Town because it is so “noisy and dirty, and everyone is so rude”.

Of course it is! It’s a big, bad mess of a place. It’s also much more than the sum of Oxford Street and Madame Tussauds, where lots of visitors start their London experience, missing out on the more personal, human aspect of the city because it’s all just too overwhelming. Admittedly, sometimes London feels like an overpriced dump, but it’s our dump. So how to make outsiders see what we see?

Mayor Boris has issued a competition to ad agencies to give London a new identity, presumably with an eye on the Olympics, and branding agency Moving Brands has decided to take its bid public. It’s inviting submissions from all of us to suggest ideas and images in the hope of coming up with something that’s quintessentially Londonic, something Londoners might actually like and want to look at, as well as luring more tourists to the banks of the Thames. There’s a lot of logos already defining some of London’s attributes, some more popular than others:

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London needs its brand identity to unite all the different facets of city life in the capital. The new face of London can’t be all shiny and perky because we aren’t in America; it shouldn’t be too “yoof” or urban because huge swathes of London is preppy and upper-crust. But we also don’t want to see any references to Shakespeare or any mythical past golden age. London has street markets, opera houses, a Queen, gay clubs, curry houses, Fashion Week, Soho and more scenes than you could count. Why not have a go at designing something that does justice to the London you know and love?

The project is also an interesting peek into the journey a brand goes through during development. Moving Brand’s blog is essentially the brainstorm phase played out in public, where everyone can see the false starts and evolving ideas. There’s quite a few interesting submissions up on their blog already, which could form the basis of the agency’s tender, and they’re getting feedback on everything via Twitter and Facebook. One of these images might become very familiar some time soon.

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Jeans for Genes day was once the highlight of the primary school calendar: one of only a few days when our joyous little selves can don our own clothes and ditch our school uniforms (of course inspiring the mini divas in each of us to spend hours deciding what combo to go with to best impress our school-kid counterparts, order or was that just me?!) Synonymous with freedom, this site equality and embracing the American way of the Western frontier, denim has always held associations with youthful hope. Becoming popular in the James Dean era with 1950s teenagers everywhere, jeans have become symbolic of casual dress, ‘devil-may-care’ attitudes and rebellion. Perhaps that’s why they make an excellent choice for supporting this charity for Genetic Disorders; giving kids a chance to make a difference through self-expression. Whilst providing adults a chance to embrace their inner child, wear their jeans with pride and be optimistic about making a change for a day in our doom-and-gloom world.

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At the same time as raising money for children and families affected by genetic disorders, the charity donates funds to groundbreaking research into cures for the disorders it supports such as sickle cell anemia and cystic fibrosis. Frequently funding research into many unknown disorders enables small projects to receive help they would scarcely be able to generate on their own. By simply donating a bit of dosh each year to help change a life on Jeans for Genes day millions of people are ‘allowed’ to wear jeans to work and school. And this year is no different, with the event taking place on Friday 2nd October across the country.

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With supporters such as Project Catwalk‘s Nick Ede and Donna Ida, of Dona Ida’s denim boutique, Jeans for Genes is well-known in the fashion world. Frequently running other initiatives to unite the fashion and charity spheres, including a t-shirt design competition at London College of Fashion. This year the competition was won by Asha Joneja, a London College of Fashion student for her gold foil double helix design.

Donna Ida summarises the case for Jeans for Genes rather fittingly: “Fashion speaks to such a wide audience that I thought it important to use that platform to gain awareness for a great charity, and Jeans for Genes was the perfect fit,” using the mass-appeal of the fashion industry to generate money for a good cause, rather than personal profit or greed.

Moreover Jeans for Genes are not the only ones with this attitude. It seems this ethic is spreading at the moment; with other charitable organisations tied to fashion springing up and stomping their heels in the name of raising money. One such event, Fit for a Princess, will be held on 26th September 2009 at the Bentall shopping centre in Kingston. Endeavoring to fuse the worlds of fashion and charity, the shopping centre states that it champions the event because it is giving back to the local community with a kick-ass fashion punch.

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Helena Bonham Carter

The event’s exhibition is run by the Princess Alice Hospice, a local charity with 25 years of experience caring for its patients, providing free, excellent quality support in a modern setting; it’s income is largely generated by charitable donations such as this event promises to secure.

Undeniably, the event has drawn much fashionista support in the form of Twiggy, Trinny Woodall and Fern Cotton. Each celebrity will showcase their personal party outfits in shop windows throughout the centre, promising to exhibit sassy personal styling as well as trend and designer knowledge. Giving a new meaning to the term ‘window shopping’, shoppers will be able to bid on their favourite celebrities’ stylings on eBay from the 19th October. To locate the clothes type ‘fit for a princess’ in to the site’s search engine.

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Fearne Cotton

Key pieces featuring in the exhibition include an Alberta Ferretti sequin skirt and top worn by Helena Bonham-Carter at the Planet of the Apes premier, and a body con dress by current fascination and legend of the eighties, Hervé Leger, donated by Beverly Knight. It seems that fashion, despite its bad rep as heartless and money-grabbing, can also use its power for good… watch this space for more events that Amelia’s Magazine thinks you should be involved with.

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Beverley Knight
Over the last few years, there the British summer has seen the festival crescendo. Featuring initially as a mere whisper in the background of our holiday activities to an overwhelming, generic near inaudible screech with festivals popping up bigger and louder than ever before. We all need to take a long hard look at ourselves and ‘STOP!’ Not everything needs to grow to epic, brand-lavished proportions, things can remain at a small, intimate size. In our economic c*****e (excuse the blasphemy), let’s take it DIY…

An antidote to all things grotesquely commercial, this weekend I ventured to Mellow Croft Farm in the idyllic hills of South Wales to check out the fifth annual CWM event, hosted by South London arts collective, Utrophia.

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In place of queue foreboding portaloos, were handmade huts where excrement was neatly disposed of with a layer of pine needles. To be ethically turned into manure by the landowner in two years time. There was no sign of any beer sponsored, overprized bars. Instead a table offering £2 pints of local ale and organic cider via, at times, an honesty box system. Not to mention the fire-heated open-air bath to wash off the festival fun. But best of all, the festival goers consisted of around 200 like-minded music lovers and the organisers intend to keep it that way.

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“Using the word ‘festival’ to describe these events is debatable, as we like to think they mimic the outdoor gatherings that had occurred pre-Woodstock. You know the ones you never heard of, where folk came from near and far to share their goods and entertain one another, ” says the collective.

Something charming about such an intimate event is that you don’t have that (self-coined) ‘Clashtonbury’ moment, where after desiring no bands all morning, you are forced to choose between seeing your two favourite acts, billed simultaneously. At Cwmback, the schedule was as organic as their cider, with announcements of acts made by a cowbell assisted role call from around the campsite. In between acts, was an obligatory regroup at the bar tent or campfire where gems of entertainment were born out of idle moments; the ‘communal hair washing’ incident and ‘crisp eating to music’ event to name just two.

Rather than a main stage live experience that is more like watching BBC iplayer for all you can see of the bands, Cwmback’s live music setting was built within a snug pine forest which handily provided shelter from the rain when those Welsh skies opened – which they love to do.

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So what of the music? A cast made up mostly of friends of friends, there was an eclectic mix of the obscure to the bizarre, but never a weak link. Jame Dudy Dench delighted on the opening night with a comical Hip-Hopera, more in a vein of a satirical Beastie Boy than R. Kelly. Staying on the ironic end of the spectrum, duo Ginger & Sorrel, opened Sunday night’s entertainment blending Fairground keyboard phrases with beer sipped in comedy timing and a rap about tarpaulin, which was also a component of their outfits.

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Gentleman’s Relish brought an air of Sinatra, if he’d have gotten lost on the way to Vegas and found himself in a sweaty indie club. The lead singer croons over a mire of guitar riffs and in ‘Wolves and Monkeys’, chimpanzee noises.

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The Human Race managed to overcome technical obstacles in the form of a broken amp/guitar and eventual loss bass guitar string mid-performance to deliver a stomping set – nothing like staring into the face of adversity to up your musical prowess.

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The lo-fi element of the weekend came in the form of girl/boy folk duo, Mouth 4 Rusty who had the audience clicking and clapping along to stripped back simple songs of love forlorn.

A personal hightlight were Limn, an instrumental 4-piece who play in a revolving drum/guitar rectangle, communicating in call and response riffs that transport you to an old Batman cartoon series.

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Pop crooner, Mon Fio, was joined by a trombone player in an appropriately, Sunday afternoon, ad hoc fashion from the depths of the pine forest location. Such was the desire for an encore (and hangover), songwriter Jon, simply repeated the last song in the set to an audience who had broken out into a line dancing formation.

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Please paid a fleeting visit to the farm to play a full throttle performance at dusk which had the most timid of music listeners moshing at the front. Festival closer, Pseudo Nippon donned African prints and tropical inspired outfits to screech over a Gameboy backing track, in a Japanese accent and individually hug every member of the audience several times throughout their set. We were charmed.

If you like to enjoy your festival from the confines of your bourgeois motorhome, then this may not be the one for you. If, however, you’ve given up on the scene, loathing everything about Reading Festival and its conglomerate cousins, then Cwmback, because you may well have met your match. Maybe next year avoid the big punchers of the festival circuit, take a leaf out of the Utrophia book and Do It Yourselves.

As previously mentioned in this week’s music listings, you can conveniently find the crop of these bands at Shunt in London Bridge this Friday.

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Raised on a diet of sun-drenched, price rural, buy more about Californian folk, about it Alela Diane came from relative obscurity, initially self-releasing her albums in paper and lace sleeves with hand lettering, before finally getting noticed by the world’s music press. Only to have one of the most critically acclaimed albums of 2007 with her debut, ‘Pirate’s Gospel’. Amelia’s Magazine finds out that she’s still keeping it all in her stride, as we chat on the phone with the down to earth lady, from her house in Portland, Oregon, before she crosses the Atlantic to tour her latest release, ‘To Be Still.’ Here’s how it went…

Amelia’s Magazine: After such a successful debut, how does it feel to release an album with all eyes on you?

Alela Diane: Well I guess I don’t always really realise that all eyes are on me if they are. I try to maintain a low profile. But it is nice to put out another record knowing that people are going to hear it.

AM: Are you excited to bring it to the UK?

AD: It will be nice to do a few more dates in the UK… We’ve been on tour so much this year and part of me is, ‘oh I haven’t been home at all’, but… we haven’t done a lot of touring this album in the UK so that’ll be nice. We’ve done lots of UK festivals with this album but not many smaller venues yet.

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AM: Your music lends itself to an intimate setting, do you enjoy those smaller gigs more for that reason?

AD: It’s really difficult to compare the two. They both have a unique energy. At a festival people are out to have a great time. It’s just so different in a smaller venue. I enjoy both. But sometimes you can really get into the feeling of the music in a smaller setting.

AM: There is a fuller arrangement of the tracks on ‘To Be Still’ compared with your first album. Will you be joined by a full band on tour?

AD: I have a drummer and a bass player and back up singers. And my dad is touring with me also, playing electric guitar and mandolin. Yeah it is more full than I’m used to.

AM: Is that something that makes you feel proud to have your dad touring with you?

AD: My dad is an amazing musician and it really is great having him with me. It keeps me grounded. Makes away feel more homey.

AM: Is he responsible for getting you into music and writing it yourself?

AD: When I really started writing songs and began to perform… that was a thing I kind of did on my own. But my whole life growing up with my parents, my dad is a performer so it was a massive part of my upbringing.

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AM: Michael Hurley‘s vocals in ‘Age Old Time’ off the new album really capture the raw, nostalgia present in a lot of your music. Was that a conscious decision?

AD: He was really fitting for that song because I wrote that song about my Grandma’s dad. He’d written all these songs for my grandma when she was little. So the song would resonate we really wanted a voice that sounded from another time. I’d met Michael living in Portland and gave him a record. His voice really captured what that song was about. It was one of those magical little moments of the record.

AM: Tell me about Headless Heroes, it was such a favourite album of mine… Is that ever to be repeated?

AD: I really don’t know. It was one of those somewhat random projects, which I was invited to be a part of and what I did on that project was really just sing. I didn’t have anything to do with picking the songs or really much else other than lending my voice. But it was kind of liberating and a lot of fun to just do it and not be responsible for every other detail of that recording. In some ways it allowed me to just really experiment with my voice and have a great experience. I think I learned a lot from doing it and perhaps in the future I will do more projects like that.

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AM: So back to your own music, do you write mainly at home in Portland, Oregon or on tour? Where is most condusive for you?

AD: For ‘To Be Still’ I wrote most of them when I was living in this little cabin in Nevada City and I wrote some of them up in Portland when I was living there. Lately because I have been on the road so much I have started to write a lot more lyrics without having the chance to develop the songs yet. But I have a bunch of words that are waiting to become songs. And I never did that before. I was writing at home where I could make it a song right away. But I don’t have the time and space to do that on tour because I’m around people all the time or in a van. But in a way it’s nice because it’s given me a chance to really develop the words before they become songs. I think once I’m home after this tour I’ll get chance to find the music and the melodies for them.

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AM: So it sounds like there could be quick turnaround…

AD: Yeah I think so. I’m feeling like there is good stuff there and I can’t wait to develop it.

AM: What do you listen to yourself?

AD: Well… I listen to a lot of older stuff – I guess I’m sitting in front of my vinyl collection right now… the one on the top is a Johnny Cash record.

AM: Which one?

AD: He’s older on the front and it just says CASH… Unchained! Erm… I’ve been pretty into Fleetwood Mac lately and Fairport Convention. I think Sandy Denny has my actual favourite voice. She’s my favourite vocalist.

AM: Is there anything modern that ever catches your ear?

AD: It has been a while… I have friends who I definitely appreciate. My friend Mariee Sioux, I love her music. She does something very different and special. I heard the Fleet Foxes last summer and really, really liked that. For a while I was a bit sceptical because they had been so hyped up and I was like, ‘yeah, yeah.’ But then when I actually heard it, I realised they were very, very talented.

AM: There’s definitely a folk explosion apparent with bands like Fleet Foxes in the US and much in what is coming out of the UK at the moment. Are there any countries that have gripped onto your music that have surprised you?

AD: Yeah. I’ve been a France and lot. And something about my music seems to be really liked in France. I don’t necescarily understand it but I think in a way it is so foreign to them. It’s coming from a place that is so unlike France. The things I sing about…

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AM: Will the next album see any new collaborations?

AD: I’ve been thinking a lot about this lately. Because I’ve been touring with the band so much… my dad, my good friend Lena sings the back up vocals. She’s been writing a lot of songs. My boyfriend is the bass player in the band and the four of us are starting to collaborate and working on the idea of what we can do writing together. So that is something that may end up happening.

AM: Is that a first for you then?

AD: Up to this point, all the songs have been written by me and then the studio arrangement… The songs come together from an idea from me or an idea from my dad. But the actual writing with a group like that, exploring ideas, I’ve never done that. And the little that we’ve done together is really inspiring and it feels really different and good. So we’ll see what happens. Everybody has a little different of thing to bring to the table and it’s working out to be pretty groovy.

You can catch Alela Diane with dad in tow on her UK tour this month in these places:

Cambridge (09/09),
Bristol (10/09),
Cardiff (11/09),
Exeter (13/09),
Birmingham (16/09),
London (Shepherd’s Bush Empire) (17/09)

Categories ,alela diane, ,california, ,fairport convention, ,fleet foxes, ,fleetwood mac, ,folk, ,joanna newsom, ,joni mitchell, ,pop

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Water Kerry Lemon thumb
Water Natasha-Thompson-Water-Umbrella-Editorial

It’s been sticky, viagra sale hasn’t it? The sunshine is all well and good whilst you are within spitting distance of a garden or beer garden (or a patch of pavement if you frequent the majority of London pubs), drug but battling with public transport, malady with people so far in your space that they may as well be inside you is no party. Some trains still seem to have the heating on and we are incessantly reminded to consider carrying a bottle of water with us which, curiously, makes me want to punch the drivers face in. Moving in any way other than a slow glide is ghastly in the heat. As one friend put it yesterday, ‘its like moving through hummus’.

Water Fritha Strickland

Where is this tirade taking us, you wonder? It is taking us to water. Or rather the lack of it. We have all seen the adverts that contain images of people in faraway countries using buckets to scoop putrid, fly-ridden water into canisters to use as drinking and cooking water. But the reality is that these images have become so pervasive in our consciousness that they simply cease to shock us. What’s that got to do with us? Whilst we are nowhere near the poverty of many countries with minimal access to safe drinking water, as the population rises and industrialisation increases, water will become more and more precious in all parts of the world.

WaterNatasha-Thompson-Water-Bath-Editorial

The northern, ironically much wetter, half of the country was aghast last month when the prospect of a hosepipe ban was floated before them. The rule only legislates against the equipment and not the water use, i.e. you could still tip the same amount of water over your garden, as long as you are not using the pipe. Oh, and it’s still ok to top up your swimming pool and wash the caravan. That repeated banging sound is my head hitting the table.

Water Kerry Lemon

With our once or even twice daily showering, long, luxurious bath’s, dishwashers, washing machines and hosepipes; We are a nation addicted to water. The government estimates that we each use about 150 litres of water a day, and rising. And right now? We couldn’t imagine our hot, hummusy lives without easy access to a glass of cold water and a cool shower. It’s a human right, right? The reality is that water is a finite resource. The days of using it with merry abandon are coming to an end, and we need to stop wasting it.

Water Michelle Urvall Nyrén

There are some glaring absurdities in our liberal water use. Whilst almost a billion people on the planet only have access to dirty, unsafe water, we flush our toilets with drinking water. This is bonkers. Most of our homes are un-metered too, meaning water is charged at a set rate. This means there is no financial incentive to reduce water use. Ofwat stats show that metered homes use much less water and save tons of money. (So, water powers that be, and Mr Cameron, please change that.)

Water Michelle Urvall Nyrén

Over the past year I have been trying to do my bit to save water, but I would also be very interested to hear your suggestions too, if you have them.

• Buy a non plastic bottle and refill it before you leave the house.
• If you have a garden, consider putting a water butt somewhere to collect water.
• If you own your house, would you consider harvesting rainwater (or greywater) to water your plants and flush your loo? Do you already do this?
• You don’t always need to flush after you wee. You probably saw this coming a mile off, but, all together now…if it’s yellow, let it mellow, if its brown, flush it down!
• Save any unfinished water dregs and pour them into a watering can or jug near the sink. Next time you need to water the plants you won’t have to fill the jug up as much.
• Instead of running the tap for ages to get cold water, put water straight out of the tap and into big bottles in the fridge.
• If you don’t have a double flush toilet you can get free water bags from Thames Water that fill up and save tons of water. Or you can just stick an old brick into the cistern.

So what’s your take on it? Are you a twice-daily-showerer, or a proud twice-a-weeker? Do you think it’s all pointless unless the government and authorities make changes? Do you already try to preserve water, and, if so, how? Couldn’t give two hoots, or are you a ‘be the change’ kinda person?

P.S. To learn more see Treehugger’s list of the top 5 documentaries to watch to understand the water crisis

Water Natasha-Thompson-Water-Umbrella-Editorial

It’s been sticky, erectile hasn’t it? The sunshine is all well and good whilst you are within spitting distance of a garden or beer garden (or a patch of pavement if you frequent the majority of London pubs), treat but battling with public transport, this with people so far in your space that they may as well be inside you is no party. Some trains still seem to have the heating on and we are incessantly reminded to consider carrying a bottle of water with us which, curiously, makes me want to punch the drivers face in. Moving in any way other than a slow glide is ghastly in the heat. As one friend put it yesterday, ‘its like moving through hummus’.

Water Fritha Strickland

Where is this tirade taking us, you wonder? It is taking us to water. Or rather the lack of it. We have all seen the adverts that contain images of people in faraway countries using buckets to scoop putrid, fly-ridden water into canisters to use as drinking and cooking water. But the reality is that these images have become so pervasive in our consciousness that they simply cease to shock us. What’s that got to do with us? Whilst we are nowhere near the poverty of many countries with minimal access to safe drinking water, as the population rises and industrialisation increases, water will become more and more precious in all parts of the world.

WaterNatasha-Thompson-Water-Bath-Editorial

The northern, ironically much wetter, half of the country was aghast last month when the prospect of a hosepipe ban was floated before them. The rule only legislates against the equipment and not the water use, i.e. you could still tip the same amount of water over your garden, as long as you are not using the pipe. Oh, and it’s still ok to top up your swimming pool and wash the caravan. That repeated banging sound is my head hitting the table.

Water Kerry Lemon

With our once or even twice daily showering, long, luxurious bath’s, dishwashers, washing machines and hosepipes; We are a nation addicted to water. The government estimates that we each use about 150 litres of water a day, and rising. And right now? We couldn’t imagine our hot, hummusy lives without easy access to a glass of cold water and a cool shower. It’s a human right, right? The reality is that water is a finite resource. The days of using it with merry abandon are coming to an end, and we need to stop wasting it.

Water Michelle Urvall Nyrén

There are some glaring absurdities in our liberal water use. Whilst almost a billion people on the planet only have access to dirty, unsafe water, we flush our toilets with drinking water. This is bonkers. Most of our homes are un-metered too, meaning water is charged at a set rate. This means there is no financial incentive to reduce water use. Ofwat stats show that metered homes use much less water and save tons of money. (So, water powers that be, and Mr Cameron, please change that.)

Water Michelle Urvall Nyrén

Over the past year I have been trying to do my bit to save water, but I would also be very interested to hear your suggestions too, if you have them.

• Buy a non plastic bottle and refill it before you leave the house.
• If you have a garden, consider putting a water butt somewhere to collect water.
• If you own your house, would you consider harvesting rainwater (or greywater) to water your plants and flush your loo? Do you already do this?
• You don’t always need to flush after you wee. You probably saw this coming a mile off, but, all together now…if it’s yellow, let it mellow, if its brown, flush it down!
• Save any unfinished water dregs and pour them into a watering can or jug near the sink. Next time you need to water the plants you won’t have to fill the jug up as much.
• Instead of running the tap for ages to get cold water, put water straight out of the tap and into big bottles in the fridge.
• If you don’t have a double flush toilet you can get free water bags from Thames Water that fill up and save tons of water. Or you can just stick an old brick into the cistern.

So what’s your take on it? Are you a twice-daily-showerer, or a proud twice-a-weeker? Do you think it’s all pointless unless the government and authorities make changes? Do you already try to preserve water, and, if so, how? Couldn’t give two hoots, or are you a ‘be the change’ kinda person?

P.S. To learn more see Treehugger’s list of the top 5 documentaries to watch to understand the water crisis

Water Natasha-Thompson-Water-Umbrella-Editorial

It’s been sticky, visit this site hasn’t it? The sunshine is all well and good whilst you are within spitting distance of a garden or beer garden (or a patch of pavement if you frequent the majority of London pubs), seek but battling with public transport, with people so far in your space that they may as well be inside you is no party. Some trains still seem to have the heating on and we are incessantly reminded to consider carrying a bottle of water with us which, curiously, makes me want to punch the drivers face in. Moving in any way other than a slow glide is ghastly in the heat. As one friend put it yesterday, ‘its like moving through hummus’.

Water Fritha Strickland

Where is this tirade taking us, you wonder? It is taking us to water. Or rather the lack of it. We have all seen the adverts that contain images of people in faraway countries using buckets to scoop putrid, fly-ridden water into canisters to use as drinking and cooking water. But the reality is that these images have become so pervasive in our consciousness that they simply cease to shock us. What’s that got to do with us? Whilst we are nowhere near the poverty of many countries with minimal access to safe drinking water, as the population rises and industrialisation increases, water will become more and more precious in all parts of the world.

WaterNatasha-Thompson-Water-Bath-Editorial

The northern, ironically much wetter, half of the country was aghast last month when the prospect of a hosepipe ban was floated before them. The rule only legislates against the equipment and not the water use, i.e. you could still tip the same amount of water over your garden, as long as you are not using the pipe. Oh, and it’s still ok to top up your swimming pool and wash the caravan. That repeated banging sound is my head hitting the table.

Water Kerry Lemon

With our once or even twice daily showering, long, luxurious bath’s, dishwashers, washing machines and hosepipes; We are a nation addicted to water. The government estimates that we each use about 150 litres of water a day, and rising. And right now? We couldn’t imagine our hot, hummusy lives without easy access to a glass of cold water and a cool shower. It’s a human right, right? The reality is that water is a finite resource. The days of using it with merry abandon are coming to an end, and we need to stop wasting it.

Water Michelle Urvall Nyrén

There are some glaring absurdities in our liberal water use. Whilst almost a billion people on the planet only have access to dirty, unsafe water, we flush our toilets with drinking water. This is bonkers. Most of our homes are un-metered too, meaning water is charged at a set rate. This means there is no financial incentive to reduce water use. Ofwat stats show that metered homes use much less water and save tons of money. (So, water powers that be, and Mr Cameron, please change that.)

Water Michelle Urvall Nyrén

Over the past year I have been trying to do my bit to save water, but I would also be very interested to hear your suggestions too, if you have them.

• Buy a non plastic bottle and refill it before you leave the house.
• If you have a garden, consider putting a water butt somewhere to collect water.
• If you own your house, would you consider harvesting rainwater (or greywater) to water your plants and flush your loo? Do you already do this?
• You don’t always need to flush after you wee. You probably saw this coming a mile off, but, all together now…if it’s yellow, let it mellow, if its brown, flush it down!
• Save any unfinished water dregs and pour them into a watering can or jug near the sink. Next time you need to water the plants you won’t have to fill the jug up as much.
• Instead of running the tap for ages to get cold water, put water straight out of the tap and into big bottles in the fridge.
• If you don’t have a double flush toilet you can get free water bags from Thames Water that fill up and save tons of water. Or you can just stick an old brick into the cistern.

So what’s your take on it? Are you a twice-daily-showerer, or a proud twice-a-weeker? Do you think it’s all pointless unless the government and authorities make changes? Do you already try to preserve water, and, if so, how? Couldn’t give two hoots, or are you a ‘be the change’ kinda person?

P.S. To learn more see Treehugger’s list of the top 5 documentaries to watch to understand the water crisis

Water Natasha-Thompson-Water-Umbrella-Editorial

It’s been sticky, recipe hasn’t it? The sunshine is all well and good whilst you are within spitting distance of a garden or beer garden (or a patch of pavement if you frequent the majority of London pubs), this web but battling with public transport, stuff with people so far in your space that they may as well be inside you is no party. Some trains still seem to have the heating on and we are incessantly reminded to consider carrying a bottle of water with us which, curiously, makes me want to punch the drivers face in. Moving in any way other than a slow glide is ghastly in the heat. As one friend put it yesterday, ‘its like moving through hummus’.

Water Fritha Strickland
Illustration by Fritha Strickland

Where is this tirade taking us, you wonder? It is taking us to water. Or rather the lack of it. We have all seen the images of people in faraway countries using buckets to scoop putrid, fly-ridden water into canisters to use as drinking and cooking water. But the reality is that these images have become so pervasive in our consciousness that they simply cease to shock us. What’s that got to do with us? Whilst we are nowhere near the poverty of many countries with minimal access to safe drinking water, as the population rises and industrialisation increases, water will become more and more precious in all parts of the world.

WaterNatasha-Thompson-Water-Bath-Editorial
Illustration by Natasha Thompson

The northern, ironically much wetter, half of the country was aghast last month when the prospect of a hosepipe ban was floated before them. The rule only legislates against the equipment and not the water use, i.e. you could still tip the same amount of water over your garden, as long as you are not using the pipe. Oh, and it’s still ok to top up your swimming pool and wash the caravan. That repeated banging sound is my head hitting the table.

Water Kerry Lemon
Illustration by Kerry Lemon

With our once or even twice daily showering, long, luxurious bath’s, dishwashers, washing machines and hosepipes; We are a nation addicted to water. The government estimates that we each use about 150 litres of water a day, and rising. And right now? We couldn’t imagine our hot, hummusy lives without easy access to a glass of cold water and a cool shower. It’s a human right, right? The reality is that water is a finite resource. The days of using it with merry abandon are coming to an end, and we need to stop wasting it.

Water Michelle Urvall Nyrén
Illustration by Michelle Urvall Nyrén

There are some glaring absurdities in our liberal water use. Whilst almost a billion people on the planet only have access to dirty, unsafe water, we flush our toilets with drinking water. This is bonkers. Most of our homes are un-metered too, meaning water is charged at a set rate. This means there is no financial incentive to reduce water use. Ofwat stats show that metered homes use much less water and save tons of money. (So, water powers that be, and Mr Cameron, please change that.)

Water Michelle Urvall Nyrén
Illustration by Michelle Urvall Nyrén

Over the past year I have been trying to do my bit to save water, but I would also be very interested to hear your suggestions too, if you have them.

• Buy a non plastic bottle and refill it before you leave the house.
• If you have a garden, consider putting a water butt somewhere to collect water.
• If you own your house, would you consider harvesting rainwater (or greywater) to water your plants and flush your loo? Do you already do this?
• You don’t always need to flush after you wee. You probably saw this coming a mile off, but, all together now…if it’s yellow, let it mellow, if its brown, flush it down!
• Save any unfinished water dregs and pour them into a watering can or jug near the sink. Next time you need to water the plants you won’t have to fill the jug up as much.
• Instead of running the tap for ages to get cold water, put water straight out of the tap and into big bottles in the fridge.
• If you don’t have a double flush toilet you can get free water bags from Thames Water that fill up and save tons of water. Or you can just stick an old brick into the cistern.

So what’s your take on it? Are you a twice-daily-showerer, or a proud twice-a-weeker? Do you think it’s all pointless unless the government and authorities make changes? Do you already try to preserve water, and, if so, how? Couldn’t give two hoots, or are you a ‘be the change’ kinda person?

P.S. To learn more see Treehugger’s list of the top 5 documentaries to watch to understand the water crisis

Water Natasha-Thompson-Water-Umbrella-Editorial
Illustration by Natasha Thompson

It’s been sticky, approved hasn’t it? The sunshine is all well and good whilst you are within spitting distance of a garden or beer garden (or a patch of pavement if you frequent the majority of London pubs), cure but battling with public transport, page with people so far in your space that they may as well be inside you is no party. Some trains still seem to have the heating on and we are incessantly reminded to consider carrying a bottle of water with us which, curiously, makes me want to punch the drivers face in. Moving in any way other than a slow glide is ghastly in the heat. As one friend put it yesterday, ‘its like moving through hummus’.

Water Fritha Strickland
Illustration by Fritha Strickland

Where is this tirade taking us, you wonder? It is taking us to water. Or rather the lack of it. We have all seen the images of people in faraway countries using buckets to scoop putrid, fly-ridden water into canisters to use as drinking and cooking water. But the reality is that these images have become so pervasive in our consciousness that they simply cease to shock us. What’s that got to do with us? Whilst we are nowhere near the poverty of many countries with minimal access to safe drinking water, as the population rises and industrialisation increases, water will become more and more precious in all parts of the world.

WaterNatasha-Thompson-Water-Bath-Editorial
Illustration by Natasha Thompson

The northern, ironically much wetter, half of the country was aghast last month when the prospect of a hosepipe ban was floated before them. The rule only legislates against the equipment and not the water use, i.e. you could still tip the same amount of water over your garden, as long as you are not using the pipe. Oh, and it’s still ok to top up your swimming pool and wash the caravan. That repeated banging sound is my head hitting the table.

Water Kerry Lemon
Illustration by Kerry Lemon

With our once or even twice daily showering, long, luxurious bath’s, dishwashers, washing machines and hosepipes; We are a nation addicted to water. The government estimates that we each use about 150 litres of water a day, and rising. And right now? We couldn’t imagine our hot, hummusy lives without easy access to a glass of cold water and a cool shower. It’s a human right, right? The reality is that water is a finite resource. The days of using it with merry abandon are coming to an end, and we need to stop wasting it.

Water Michelle Urvall Nyrén
Illustration by Michelle Urvall Nyrén

There are some glaring absurdities in our liberal water use. Whilst almost a billion people on the planet only have access to dirty, unsafe water, we flush our toilets with drinking water. This is bonkers. Most of our homes are un-metered too, meaning water is charged at a set rate. This means there is no financial incentive to reduce water use. Ofwat stats show that metered homes use much less water and save tons of money. (So, water powers that be, and Mr Cameron, please change that.)

Water Michelle Urvall Nyrén
Illustration by Michelle Urvall Nyrén

Over the past year I have been trying to do my bit to save water, but I would also be very interested to hear your suggestions too, if you have them.

• Buy a non plastic bottle and refill it before you leave the house.
• If you have a garden, consider putting a water butt somewhere to collect water.
• If you own your house, would you consider harvesting rainwater (or greywater) to water your plants and flush your loo? Do you already do this?
• You don’t always need to flush after you wee. You probably saw this coming a mile off, but, all together now…if it’s yellow, let it mellow, if its brown, flush it down!
• Save any unfinished water dregs and pour them into a watering can or jug near the sink. Next time you need to water the plants you won’t have to fill the jug up as much.
• Instead of running the tap for ages to get cold water, put water straight out of the tap and into big bottles in the fridge.
• If you don’t have a double flush toilet you can get free water bags from Thames Water that fill up and save tons of water. Or you can just stick an old brick into the cistern.

So what’s your take on it? Are you a twice-daily-showerer, or a proud twice-a-weeker? Do you think it’s all pointless unless the government and authorities make changes? Do you already try to preserve water, and, if so, how? Couldn’t give two hoots, or are you a ‘be the change’ kinda person?

P.S. To learn more see Treehugger’s list of the top 5 documentaries to watch to understand the water crisis


Illustration by Abi Daker

A while back I happened to catch a performance by Lissie at the Old Queens Head in Angel. I hadn’t planned on watching her – truth be told, viagra 40mg I was there to check out the band before her; but my curiosity was piqued as I watched the room fill up with an expectant and excited audience, view all craning their necks and standing on their tippy toes to get a better view of the girl serenading us. It’s been a while since I saw someone so captivating. Golden haired, freckled and just a slip of a thing, Lissie entranced the room who in turn treated her to a hushed and reverential silence, punctuated only by bursts of spirited applause and cheers. I watched the audience watching her. Everyone seemed transported out of their location; away from the top room of a pub on grimy old Essex Road and into the world that Midwestern native come Californian girl Lissie inhabits, laced with the scent of orange blossom, filled with wide open skies, winding rivers and smokey mountains, and night-times spent on porches with nothing but a guitar, a couple of beers and a pack of Marlboro Reds . No wonder we were all enchanted.

A couple of weeks later, I got to meet the busy Lissie. In the time between, Lissie had appeared on Jools Holland, toured around Europe, duetted with Ellie Goulding at The Great Escape, and graced the airwaves, all in the name of the hectic promotion of her debut album, Catching a Tiger (hot on the heels of the release of last years Why You Runnin’ EP). The phrase ‘riding a juggernaut’ comes to mind with Lissie; bursting into our consciousness with the brightest of starts. The day we met was a rare moment of down time; her touring schedule is in a constant state of flux – stretching to accommodate gigs that are being added on a daily basis, and Lissie had only just made it back from the previous nights gigs in Manchester and Newcastle. Curled up wearing her newest acquisition – a red jacket with white piping brought from a charity shop up North which made her look, she remarked cheerily, like “Santa Claus”, she lamented the ever decreasing amount of free time but was laughingly quick to note that it’s “a quality problem- it’s only busy because it’s going well, if no-one liked the music then there wouldn’t be things for me to do!” As Amelia’s Magazine is nothing if not versatile in its roles, I was happy to take on the guise of English Tourist Board representative, and suggest a list of places to visit when she finally gets a day off; though when that day will be, we will never know! ( FYI, Lissie was especially keen on the visit to Hampton Court Palace idea). As she munched on a healthy beetroot salad – my lunch advice was a visit to Jerk City in Soho for some fattening salt fish patties; probably best that not all of my suggestions get listened to) – I decided to find out just where this free-spirited songbird got her start in life.

“I always loved to sing, I was a pretty outspoken, strong willed little kid! I got a little shyer and more introverted when I got older but as a kid I used to stomp my feet when I walked (swings arms in a very determined manner), I was always talkin’… My family were really sweet and encouraging, but at school I would get into a lot of trouble because I would talk back, I always knew what was best for me, and when other people used to tell me what was best for me, I would be like “uh oh! Not gonna do it!” (laughs) I loved to sing, so becoming a songwriter was a great way for me to express my feelings, you know. I wasn’t always great at talking about things, and so I could write these little melodies…. even as a little kid, I would sing my feelings. I sang to my sister; I do recall tape recording this mean song about her, and leaving a tape recorder about her under her bedroom door and then pressing play and running away! (laughs) And then in high school I went through my phase of being more introverted – I pierced my nose, got a tattoo, started smoking,….I did my own thing cause I didn’t really fit in to any particular group. I started writing music, taught myself guitar and then started working at this coffee shop where I could play.”

What type of music were you listening to then?
Music wise, when I was younger I was into folk, Americana, musical theatre, and then in high school I was into country and gangsta rap

Those are two very different genres!
You wouldn’t think that these are similar in any way, but when you listen to either country or rap, it’s people telling their story. Indie rock can be more obtuse or obscure. Country and rap is some one speaking in the first person, you know? It’s more like, “this is my story, this is my experience.”

Do you respond to music that is more heartfelt and honest?
Totally, but I like all kinds of stuff. Although I don’t really listen to music to get inspired for my own music.

Did you move to California immediately after high school?
First I went to Colorado, to go to study at Colorado State. I was playing music and sang with a DJ there, and he ended up getting our song placed on tv shows. That was a catalyst for me; I realised that I could make a living making music, maybe eventually a good living! And then I went and did a semester of school (our version of uni) in Paris. I was singing there as well; I met a woman who helped me get shows in bars, and I also got some stuff played on college radio. After that I dropped out of school, and moved to LA – only cause I figured that that’s where you go when you want to be a singer!


Illustration by Abi Daker

Comparisons have been made to the hazy and bohemian rock n’ roll that came out of Laurel Canyon in the 70′s (think Joni Mitchell, The Doors, and Stevie Nicks). Lissie’s 2010 version is honed from living in an area not more than a mile or two away; Beachwood Canyon, a creative hub of artists and musicians and a world away from the plastic glamour and sheen of Beverly Hills. Los Angeles is known for chewing up and spitting up many a wide eyed starlet and ingenue, but strong-willed Lissie was never going to be one of the victims….
I don’t know if it’s me being stubborn, or being from the Mid West, but….I’m not bullshit, I don’t want bullshit in my life. I’m still nice, you know? I was never tempted by (the LA madness.) I always knew what I wanted to do. And I wasn’t immediately successful… I had figured that by 22 I was gonna make a record, and I didn’t make one till I was 26. But I was never like “I’m never going to be successful, maybe I need to be skinnier, or prettier, or I need to start doing drugs!

A year ago (while dealing with the messy end of a relationship) Lissie made a decision – part gut instinct, part cosmic order – to leave LA and head north to the tranquil town of Ojai, a place that she had never even stepped foot in…

Do you get inspired by the peace of Ojai?
Unfortunately I was more inspired to write when I was in Hollywood, because there was more to get worked up about. (sighs) There was this guy that I dated…… we broke up and our breakup process was drawn out and painful, which gave me a lot of material (laughs). Part of the reason why I moved was because it felt like my family was broken, and I needed a change. I put it out there; I was on a plane coming back from Tennessee and…. sometimes I just say what I want, and try to have faith that it will happen, and this is the weird thing; I found myself sitting next to two people who lived in Ojai, and I told them that I was heading back to LA, and they suggested I visit Ojai. So I got back to LA and instantly knew that I couldn’t be there; there was something in me that said “you have to move to Ojai, even though I had never been there before!” I went online, and found this house that cost less than my apartment in LA . I put down a deposit and moved, gone! And it was the best thing for me. I totally healed my heart there, and got myself in a position where I could really focus on myself, and what I need to do. I live alone, with my dog, I go for walks – it’s so peaceful.

While you’re here, you have a summer of touring in England?
Yeah, every day we get a revised schedule. We’re (Lissie and her band) doing festivals for the next few months, and in October, November and December there will be at least one thing a month going on in England, so it’s unclear whether we will just stay here or start our momentum in the States, ’cause I still have to go promote my album over there. I don’t exactly know what’s going to be happening, but it’s all good.

Categories ,album, ,americana, ,blues, ,california, ,Ellie Goulding, ,folk, ,glastonbury, ,Joni Mitchell, ,Jools Holland, ,Lissie, ,The Great Escape Festival, ,tour

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Amelia’s Magazine | Album Review: The Like, Release Me.

It has been five long years since the release of The Like’s debut album Are You Thinking What I’m Thinking? and it has not been an easy time for the girl group from Los Angeles, medications California.

The release of their impressive debut was tainted by an unforgiving press that refused to overlook the fact that lead singer Elizabeth Berg’s father is a former Geffen Records producer and bassist Charlotte Froom’s father was the drummer for Elvis Costello. Despite generally positive reviews, there was a feeling that many believed The Like only got a record deal because of their parent’s influential connections. Various line up changes and a painfully public break up involving Berg and a member of Razorlight have meant that creating a sophomore album has been more difficult for this group than most.

The new and improved quartet, now featuring Annie Munroe and Laena Geronimo, have undergone a major transformation both musically and aesthetically. Are You Thinking What I’m Thinking? wonderfully moody indie gems June Gloom and You Bring Me Down have been replaced by a collection of 60s girl group anthems, created with the help of the painfully hip soul revivalists Sharon Jones and The Dap-Kings. The ladies also look the part with an elegant vintage wardrobe and matching hairstyles. Their new album, Release Me, shows that The Like has not only progressed since their 2005 debut, they have essentially recreated themselves.

The album opens with Wishing He Was Dead, a seductive femme fatale narrated tale of a woman scorned. Berg warns her straying lover “I just can’t forgive and forget” and you get the sense that whoever she is talking about better watch out. The mood is set with the aid of classic funk organ touches and British invasion era guitars that will have you tapping along whether you want to or not.

Walk of Shame’s wonderfully explicit narrative depicts the regret of going to a party only to wake up the next morning in someone else’s bed with fragmented memories of the night before. The beauty of this song is that it will strike a chord with anyone who has made the same mistake but manages to skilfully avoid the pitfall of being sexually gratuitous. Lady Gaga, take note.

There are only a couple of blemishes on what is essentially a well executed retro girl group record. The first appears on When Love is Gone as the guitar riffs fall foul of vintage pop, sounding like some misguided attempt at high paced bluegrass with accompanying lyrics that are so obvious they appear to be written by a naive teenager. How this made the final song selection is a complete mystery as it just doesn’t seem to fit with the style of the album at all.

In the End is an equally painful listen due to a laughable chorus that states: “The world is upside down and we’re walking on our hands.” It may be an infectiously simple sing along anthem but the shallow theme and unimaginative lyrics show a rare moment of weakness in Berg’s song writing ability.

Fortunately these flaws are remedied on Narcissus in a Red Dress, as Berg tells the tale of a friend that steals her lover. The delightfully wicked pop song ends with Berg advising, “High school skinny fades away.” Only Lily Allen can execute this kind of bittersweet storytelling with the same level of wit.

Unsurprisingly, the album was produced by Mark Ronson, an obvious choice considering he has become the ‘go to guy’ for artists wanting to make a commercially successful retro record. Regardless, Berg’s incredibly candid storytelling means that you are unlikely to hear a more fun pop rock album all year.

Watch Release Me here:
YouTube Preview Image

Categories ,60s, ,album review, ,california, ,Girl-Groups, ,L.A., ,pop, ,Pop-Rock, ,The Like, ,vintage

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Amelia’s Magazine | Sea of Bees: Songs for the Ravens – Album Review

sea-of-bees

In autumn nature is vibrant, story drug but also gently muffled, dosage there as it whispers within the trees and slowly looks away from the warmer month’s naivety and brash explosions. These later, brown, red and golden months are melancholic and self defining. The blurriness of the previous heated moments become filed in nostalgia and glorious knitwear is exposed. The perfect music to announce this new phase, both outside your window and inside your stirring consciousness, is sweet, sensitive and yet, triumphant. Determination backing you up like a personal yoga instructor. Sea of Bees is the music you long for. Trust in Californian, Julie Ann Bee, to drift over in her ship and sail you away to a reflective, inspirational paradise.

Sea of Bees is ethereal in her folk sound. Her pitch is high and her instruments hark out in a manner less like ho-down festivity, more like modest little eruptions. There is an element of Decoder Ring, Laura Marling and Joanna Newsom in Julie. This is mixed with a distinct Californian, hippie edge. Despite a voice of sweeties personified (flying saucers), she has more bite than a girly girl, achieving this impression through her guitars, drums and confidence in her flowing notes. She’s that girl you see dancing with her eyes closed, oblivious, absorbed in her own thoughts and allowing her feelings to be shown like the cider in her hand.

sea of bees julie
Julie Ann Bee.

She must do this because Sea of Bees lyrics are so full of raw emotion, it’s like listening to someone’s heart beating, particularly, It Won’t be Long and Skinnybone. She is wistful, glorious and powerful. Just crack on Marmalade right now, I implore you, (available as a free download right here) and embrace the birth of something marvellous.

The new album Songs for the Ravens is out now on Crossbill Records in the USA and Heavenly Recordings in Europe. Sea of Bees is currently touring in the USA. You can check out her myspace here.

Categories ,album review, ,california, ,Crossbill Records, ,Decoder Ring, ,Ethereal Folk, ,folk, ,Heavenly Recordings, ,joanna newsom, ,Julie Ann Bee, ,Laura Marling, ,Sea of Bees, ,Songs for the Ravens

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