Amelia’s Magazine | Welcome to the unique world of Tobacco and Leather- part one

double mode JPGlImagery throughout courtesy of Tobacco and Leather.

As we all know, site the internet is awash with fashion blogs with many focusing upon the fashion choices of the blogs’ author. This is where Tobacco and Leather (aka Abbey Watkins) differs. An incredibly talented illustrator, recipe Tobacco and Leather posts her work alongside some of the most pioneering fashion editorials being produced across the world.

Fashion illustration really is due a resurgence, as it is the antithesis of “Fast Fashion” with a rich heritage, that provides influence for designers creating clothes today. You only need to look at the many Vogue covers created by Eduardo Benito or George W Plank in the 1920’s to see how powerful an illustration can be at portraying the magic of fashion.

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Fashion is, by its own admission a world of fantasy and imagination. Illustration, it could be argued is a stronger medium with which to represent this creativity than the photograph, which no matter how elaborate, reworked or altered still represents a captured moment in reality, whereas illustration is as free as the imagination of the artist.

Hi Abbey, Could you tell our readers a little bit about yourself?
I study Textile Design for Fashion at Manchester Metropolitan University. I’m in my second year now and am really enjoying it. Manchester really is a great city and is a different world to where I grew up in Herefordshire.

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I found out about you through your AMAZING blog; Tobacco and Leather, which I have been following for the past 5 months. How long have you been blogging for, and what made you start?
Well first of all, thank you! I really appreciate it when people get in touch, it makes having a blog all the more worth while. I started blogging a little over a year ago now. I was told by my tutors at university that I would one day need a blog to get my work out into the world and although it wasn’t an immediate necessity I decided I wanted one right away! That’s how Tobacco and Leather came about. It soon started to become more about the editorials and the fashion world than my work, but I like to think there’s a good enough mix.

Your blog is definitely my favorite, as it is mix of high end editorial, the cream of the crop of fellow bloggers, plus you are a very talented illustrator yourself! What other blogs do you rate? What are your top five?
There are so many amazing blogs out there these days. To be someone’s favourite is a huge compliment! A top five is going to be hard to list. I like my blogs a bit arty, a bit mixed up and a little bit weird. Putting them in order would be impossible so here are 5 that I can’t keep away from at the moment; 30 Doradus, 00888 (previously known as I love psycho), In a Fraction of a Second, Panache and Viktor Vauthier.

Roksanda Illincic

In your Illustration, you are heavily influenced by the beauties and the models of the fashion world, when did you start with illustration? What/who else are your influences?
Since the day I learnt to hold a pencil, I have always been drawing, I guess it’s the thing that comes naturally to me. I remember my mum having to take me to work and she would just sit me in the corner with a pen and some paper and that would keep me quiet for hours! But I really got into fashion illustration and started finding my niche when I went to Art College to do a foundation year. That was about 3 years ago now. My influences? Well I clearly have a little obsession with beautiful models! Such as Abbey Lee, Claudia Schiffer, Natasha Poly, Jessica Stam and the greats. A more recent influence of mine is fantasy art and the creatures of mythology; I love how mystical it all is. I love how you can write it yourself and make up the rules. Look out for part two coming tomorrow…

Categories ,00888, ,30 Doradus, ,Abbey Lee, ,Claudia Schiffer, ,Eduardo Benito, ,Elizabeth Johnson, ,George W Plank, ,In a Fraction of a Second, ,Jessica Stam, ,Manchester Metropolitan University, ,Natasha Poly, ,Panache, ,Tobacco and Leather, ,Viktor Vauthier

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Amelia’s Magazine | Glastonbury Festival’s 2014 Emerging Talent Competition: My Top Three Acts

Alev Lenz memphis video still

I was very flattered, when, thanks to a recommendation from Stay Loose music PR, I was asked to be one of the judges for the first round of Glastonbury Festival’s 2014 Emerging Talent Competition. The panel is made up of ‘about 40 of the UK’s top online music writers’ that includes the likes of Drowned in Sound, TLOFBF and Breaking More Waves, so I am indeed in good company. Together we have compiled a long list of 120 acts from around 8000 entries (with the selection sent to me predominantly consisting of folk, electronic, acoustic and pop acts, at my request), from which the second stage judges must pick the 8 finalists and then the final winner. Over the years I have frequently been very impressed with the bands that have been highlighted by this competition as ones to watch, and so it was a real honour to be included in the early stages. The Emerging Talent Competition gives new and unsigned artists a chance to showcase their wares on a main stage at the festival, and previous entrants have gone on to great things, including Stornoway and Treetop Flyers.

Given so much talent I found it incredibly hard to make my final three choices, and in the end based much of my decision on the professionalism of the acts and the need to pick a balanced offering. So I choose my very favourite best tunes – the ones that had me hit the virtual rewind time and again – and then I looked for a good stage presence since this is essential in a festival setting (this was sadly a let down with a few acts that I really liked) and finally an aptitude for self promotion, as I feel this is vital today (again, too many acts had not really thought this through, which I feel shows a lack of ambition or belief, both of which are necessary to survive). It is perhaps no surprise that my top act is coincidentally one that had previously (before the competition) contacted me to cover their music, which I did, you can read my post here: I love a bit of get go in a creative!

Here, without further ado, are my top three choices: I hope at least one of them makes the final cut! And I hope to write a further blog post recommending some of the other great bands I found but which sadly did not make my final three. Click on the titles to hear the tracks on soundcloud.

1. Arthur Rigby & the Baskervylles – Moonlit Strangers

Arthur Rigby

Arthur Rigby & The Baskervylles - Moonlit Strangers By Warren Clarke

Arthur Rigby & The Baskervylles – Moonlit Strangers By Warren Clarke.

On Moonlit Strangers the Leeds based band Arthur Rigby & the Baskervylles employ lush orchestration and multi-layered vocals to tell a tale of loneliness and heartbreak. It’s a brilliant showcase for their exuberant melodies, with a folksy violin curling around the lead vocals, all backed by an enthusiastic brass section. The anthemic tunes and sing-a-long choruses are perfect for the Glastonbury crowd. (NOTE: between the time of writing this blog and the announcement of the long list Arthur Rigby sadly announced their demise… so it seems I did not pick a good horse after all. Here’s hoping that my other two choices fare better in the cut throat music world. I wish I could have given someone else a chance.)

2. Alev Lenz – Memphis

Alev Lenz, photo by VIKTOR VAUTHIER

Alev Lenz, photo by Viktor Vauthier.

Alev Lenz by Hannah Boothman

Alev Lenz by Hannah Boothman.

The opening notes of Memphis bear the woozy electronic hallmarks of German/Turkish singer Alev Lenz’s collaboration with acclaimed Finnish drummer Samuli Kosminen (Múm, Hauschka, Kronos Quartet, Jónsi). Her swooping vocals carry a beautiful melody of heartbreak and dreams across softly twinkling keys, a style which is further showcased on Song No.1. In other tracks she effortlessly combines classical influences with electronica to create a unique and engaging sound. I think Alev Lenz is an exciting new talent that we will hear much more from. 

3. George Boomsma – How High The Mountain

George Boomsma

George Boomsma by Angela Lamb

George Boomsma by Angela Lamb.

How High The Mountain is a simple slice of folk which showcases swoonsome vocals from North Yorkshire’s George Boomsma, all bound together by an elegiac violin. I found his live version of the song absolutely mesmerising and feel it would be sure to turn heads and gain fans at Glastonbury. I was also impressed by further tracks, with rollicking tunes and plentiful harmonies. 

I hope you will help me spread the word about these talented musicians, all of whom deserve further recognition x

Categories ,Alev Lenz, ,Angela Lamb, ,Arthur Rigby, ,Arthur Rigby & the Baskervylles, ,Breaking More Waves, ,competition, ,Drowned In Sound, ,Emerging Talent, ,George Boomsma, ,Glastonbury Festival, ,Hannah Boothman, ,How High The Mountain, ,Memphis, ,Moonlit Strangers, ,Samuli Kosminen, ,Song No.1, ,SoundCloud, ,Stay Loose, ,Stornoway, ,TLOFBF, ,Treetop Flyers, ,Viktor Vauthier, ,Warren Clarke

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