Amelia’s Magazine | Live Review: Smoke Fairies and Sea of Bees at The Fleece, Bristol

Smokefairies Illustration
Smoke Fairies Illustration by Alice Potter

The violinist comes on stage. He’s very tall and his tailcoat, ask wide tie and long hair and mostasche are how I consider a more genteel England might be attired. He looks considerate and pensive in a poetic sense. The rest of the band come on stage. Then the two female singers who are Smoke Fairies quietly take their places at the front. They appear a little bashful, malady but they have determined stares as they attach their instruments and look out to the audience. Their small frowns and concentrated expressions make them appear like they have been thrust on stage and are finding themselves dazed by the lights. Starstruck by their situation. But also it feels like reassurance; the two, click dressed in black mini dresses, are focused and aware that they behold the potential to have an audience in the palm of their hand. They look out and they know that a mood can be changed by the unison of their voices. They’re not nervous. Because their music is blinding.

Smoke Fairies hels

The sound starts and the voices are slow. The guitars are played, fingers flickering on the notes, dancing in small circles. The electric strums are perfectly matched with the violin. The drums are hit and the two voices are joined and that’s the moment. This time it came earlier than expected. Charlie and I look at each other. A translation says; ‘this is good, I’m glad we came to this one’. Then following this is a quizzical eyebrow raise from him; ‘do we have their cd?’, before he spins me round, grabs my waist (bit annoying) and moves to the music. We try and get as lost as possible, which hopefully leads to synchronized swaying. Occasionally I look at him with my eyes wide: ‘This is EPIC’ (over use of this word through eyes/speech, noted). Oh how I love the difference between playing something off the old Mac and seeing the scenes played live. Even though it is of course a joy to sit/wallow/cry/smile/dance to tracks at home, some acts are just SO much more incredible in real life form. Like Smoke Fairies.

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Picture Source

I’m telling you when they play together live on stage, it feels, well… I will have to use a simile – here follows: You know that advert for Ireland, when the lady is singing in her Enya (is it her?) voice and the camera is sweeping over the ridiculously green fields and coastlines of Ireland? A bit cringe but you get the image, it feels like you are the sweeper – as in you are sweeping/flying over amazing landscapes. Possibly wearing some tweed, definitely a cape with a hood. The music is more The Cranberries than Enya, but the flying sensation fits.

They also have a hefty 90s twang. Reminding me of Alicia’s Attic and The Shakespeare Sisters (you must know Stay?) – a bit grungy but with a little folk and blues twist. Their name; ‘Smoke Fairies’, fits perfectly with their ethereal, rocky and fantastical sound. From interviews past, I read that it alludes to the summer mist that collects in the hedgerows of Sussex’s narrow lanes. Being a childhood Sussex girl myself, I know this mist well. The old railway tracks by my house are dusty aired heavens; the hours spent walking the lanes, their vision, scent, sound and feel make for ‘home’ in a snapshot. Jessica Davies and Katherine Blamire met at school in the fair county of Sussex. And (wisely) rather than 5ive, Wigfield etc. the pair preferred folk, classic rock and blues. So they got together and created their own sounds, moulding their preferences and harmonies. After school, they lived in New Orleans and Vancouver, before returning to go on tour with Brian Ferry in 2007. They have since received high acclaim from artists such as Richard Hawley and Jack White. The former took them on tour and the latter recording a single with the fairies.

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Smoke Fairies live highlights for me were; Summer Fades, Gastown, Hotel Room and Strange Moon Rising. As they played their guitars, their concentration and dedication to each note was mesmerizing. Although they seemed a little distant between tracks at times, their music was confident and heavenly. I highly recommend you listen. Their album, Through Low Light and Trees is out now on V2.

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Sea of Bees Illustration by Genie Espinosa

Sea of Bees supported Smoke Fairies. As you may already know, I think Julie Ann Bee is superb. You can see from my review of her album, Song for The Ravens, available on Heavenly Recordings. Seeing her live, she was even more endearing than I had hoped. Somewhat of a contrast to Smoke Fairies’ mysterious mood, Julie broadly smiled and chatted between songs. She seemed really happy to be on stage, declaring her love for the South West’s cider and mentioning that since she was a child, she had in fact deeply wanted to be English. I got the impression that she yearned for this through the sugared lens of Mary Poppins, when she mentioned the singing dreampop, in the same way that we all live in castles and are close friends with Prince Harry. Not that England isn’t splendid. Regardless, when she talked of the Isle she sounded genuine and almost childlike. I get the impression that she has a very vivid imagination and a warm heart, perhaps under appreciated, but certainly obvious tonight. And in all her music of course.

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Happily Julie’s singing on stage was as sweet as it is on her album, but with the high notes hitting the rooftops. Hearing her explain each song’s meaning was a delight not often had. And seeing her acting out the songs, her face frowning into the mid distance and then smiling… looking to the imaginary stars – made her album’s preconceived character a reality. Her feelings manifesting themselves in her music, she seems almost vulnerable, but utterly lovable.

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Sea of Bees Illustration by Genie Espinosa

She talks and sings of dreams and following them, of saying goodbye to past loves and the joy of friends. All that we can relate to, but that we could never articulate with such beautiful sounds as she does. As sugary as a sugar mouse, as heavenly as a glass of Peach Prosecco on a cloud. Song For The Ravens is out now on Heavenly Recordings.

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Categories ,5ive, ,Alice Potter, ,blues, ,Brian Ferry, ,bristol, ,california, ,England, ,Enya, ,Ethereal, ,Fairies, ,folk, ,Genie Espinosa, ,Heavenly Recordings, ,Helen Martin, ,ireland, ,Jack White, ,Jessica Davies, ,Katherine Blamire, ,Mary Poppins, ,moody, ,New Orleans, ,Prince Harry, ,richard hawley, ,Sea of Bees, ,Shakespeare Sisters, ,smoke fairies, ,Sussex, ,The Fleece, ,V2, ,Vancouver, ,Wigfield

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Amelia’s Magazine | Hannah Georgas: an interview with Hannah Georgas about her self-titled album

Hannah-Georgas-by-Morgane-Parma
Hannah Georgas by Morgane Parma.

We in England may not be too familiar with flame haired singer songwriter Hannah Georgas, but back home in Canada she has understandably been making major waves since she launched onto the scene with her debut album This is Good in 2010. In her new album she deftly combines a delicate acoustic feel with catchy melodies and a lush wall of electronic beats. From stunning opener Elephant, through the beautiful but revengeful Somebody to the thoughtful Robotic this whole record continues in an elegantly wonderful vein that perfectly suits Hannah’s crystal vocals. Here’s hoping she will return to visit us again soon.

Hannah Georgas_Tristan Casey
How did you learn to sing and make music?
My mom put me into piano lessons when I was very young. As soon as I started to figure out my way around my instrument I started writing songs. My dad was a really incredible blues piano player and was always playing and practicing his music in front of my family. I think his passion for music rubbed off on me.

Hannah Georgas by Rose Petal Deer (Emily Katherine Reader)
Hannah Georgas by Rose Petal Deer (Emily Katherine Reader).

For English readers who might not know you as well, what has been your career to date?
I’m a Canadian pop singer/ songwriter born and raised in Newmarket, Ontario. My music career was jump started where I’m now based in Vancouver, BC. I released my first ep in January of 2009 and since then I have followed up with 2 full length records. I’ve toured extensively over the years and especially this past while in support of my latest self-titled record. I made my latest record in Toronto, Ontario with an incredible producer named Graham Walsh (frontman of an electronic band called Holy Fuck). I’ve been really fortunate to collaborate and tour with artists I adore and admire.

Hannah Georgas by Antonia Parker
Hannah Georgas by Antonia Parker.

How has being a Vancouverite impacted your approach to music, and what is the scene like in your hometown?
Vancouver has inspired me in many ways. I was embraced by the music scene as soon as I started putting myself out there (open mics, recording, playing shows, etc..) CBC radio has been an incredible support for me and I’ve met many talented musicians that have become close peers. I’ve written the majority of my work in Vancouver. It seems to have an inspiring affect on me.

Hannah Georgas by Claire Kearns
Hannah Georgas by Claire Kearns.

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What was the treatment for the Somebody video and where was it shot?
I reached out to a production company based out of Vancouver called Amazing Factory and asked them if they would be interested in directing a music video for me. They do awesome work and I wanted them to try something for me. They sent me a treatment for Somebody that was an interesting and beautiful approach to the song. Their ideas consisted of having me perform in a variety of different reflections and film the reflected version of me. The piece was intended to be visually stunning, cinematic and simple in its presentation.

HANNAHGEORGAS_album cover
What inspired the lyrics on your self-titled new album?
I spent a solid few concentrated months writing this record. I made an effort to sit down as often as I could and just work on music. I would make time to practice almost everyday and hope that I could get the creative juices flowing. The lyrical content that came out was based a lot on what I was going through at that time. It’s often that I write music that comes from a personal place and if it’s not exactly about me, I’m affected by something and I make it personal. The record is reflective, introspective and dark at times but it’s also very hopeful. A little playful as well.

Hannah Georgas Elephant by Slowly The Eggs
Hannah Georgas: Elephant by Slowly The Eggs.

What was the highlight of working with Graham Walsh, a well known Canadian producer?
There are many highlights that I have working with Graham. He’s a lovely individual and I now consider him a great friend. He’s incredibly innovative and authentic and I learned a whole lot while working with him. He’s just a good guy. We just had a lot of fun hanging out together.

Hannah Georgas_Mark Cohene
Will you be visiting us anytime soon, and where can we catch up with you live?
I’m hoping to be back I’m the new year. I post news all the time on my website at www.hannahgeorgas.com and all of the other social media outlets we use these days. Hopefully we can catch up live again next time I’m back!

Hannah Georgas by Clementine Neild
Hannah Georgas by Clementine Neild.

Hannah Georgas by Hannah Georgas is out in the UK on 25th November 2013.

Categories ,Amazing Factory, ,Antonia Parker, ,BC, ,Canadian, ,CBC radio, ,Claire Kearns, ,Clementine Neild, ,Elephant, ,Emily Katherine Reader, ,Graham Walsh, ,Hannah Georgas, ,Holy Fuck, ,Morgane Parma, ,Newmarket, ,Ontario, ,Robotic, ,Rose Petal Deer, ,Slowly the Eggs, ,Somebody, ,This is Good, ,Toronto, ,Vancouver, ,www.hannahgeorgas.com

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