Amelia’s Magazine | Graphic love: Outline Editions expands Soho pop-up shop with ‘Love in the Forest’

Bust Craftacular cakes
Bust Craftacular
All photography by Amelia Gregory.

My ability to get out and about has been seriously curtailed over the past few weeks by the need to get my new book finished, sildenafil but last weekend (but one) I was pretty determined to make it along to the Bust Craftacular at Bethnal Green’s York Hall, search if only for a mad dash around the stalls.

Bust Craftacular-Bethnal Green

Inside the old Victorian hall it was absolutely heaving with craft enthusiasts – mainly women (many with small children in tow) but also a small peppering of arty looking boys. It was like entering a multi coloured kaleidoscopic alternative universe where crafting & handmade reigns supreme – bright things everywhere vying for my attention amidst a frantic din enhanced by a backdrop of very loud music.

So, I whipped around the regimented rows of stalls as quick as I could, taking notes of the best stuff I found so that if you didn’t manage to make it along you’ll be able to sniff out the best stuff online. Keep in mind those last minute Christmas gifts you might need to buy as you take a gander through this little lot:

Vic Lee

Vic Lee makes printed scenes of well known hipster (can I say that in the UK?) London districts such as Broadway Market and Kingsland Road. Perfect for the East End man in your life – because let’s face it, most of them feature East London. The limited edition prints are produced on cotton paper and screen printed with environmentally friendly water based acrylic inks. They look really stunning up close, and also caught the eye of Jessica Furseth when she visited the East London Design Show.

Bust Craftacular-Xiang Zeng

Xiang Zeng is a textile designer who has produced a range of lovely printed cushions and make your own soft toy bear kits. Really cute, they look pretty easy to make so would also be perfect for and a crafty friend or even a handy older kid.

Bust Craftacular-fabric nation

I picked up a business card for Seaside Sisters at the Fabric Nation stall… so I am not entirely sure who to credit these wonderful owls and cushions to. Their stall was a brilliantly over the top feast for the eyes in an already overwhelming place. Loved the stuff they make from old vintage fabrics.

Bust Craftacular-andrea garland

Andrea Garland fills old tins with natural skincare goodies: what an amazing idea but no doubt a huge amount of hard work to find all those fab tins. She’s a trained aromatherapist who makes all her products from scratch in Hackney with as many organic and fairtrade ingredients as possible and I am very pleased to learn that none are tested on animals – but I guess that scenario is far less likely when using these kind of ingredients anyway – just one more reason to buy natural beauty brands. She sells at Liberty, Urban Outfitters and at Tatty Devine, and Viola Levy also gives her a mention in her run down of top natural beauty brands earlier this week. What a find – it goes without saying that her stall was very busy.

Bust Craftacular-shop jill

Looking for a nice little purse, or perhaps a unique oyster card holder? Jill makes the perfect thing: I was utterly transfixed by her beautifully laid out stall, featuring an array of charming goodies with graphic printed animal designs that would suit a man too. She also did a nice line in limited edition screen prints.

Bust Craftacular-Dot your Teas and Cross your Eyes

Dot your Teas and Cross your Eyes is a fashion and accessories designer by the name of Chloe. Her bold spotted print designs embellished fabulous silky dresses and she also makes some fabulous recycled fabric pom pom fascinators.

Bust Craftacular-urban cross stitch

Now for the craft loving man in your life: Urban Cross Stitch create cross stitch Star Wars kits. A wonderful meeting of 80s pop culture and the noughties crafting craze: what better way to inspire a bloke to get into this most relaxing of traditional techniques.

Bust Craftacular-James Ward plates

Last but very much not least, just as I was rounding the corner to leave I chanced upon James Ward’s plates, featuring an assortment of friendly animal characters and some immortal phrases: perfect for the parents who have everything but would nevertheless quite like to add to their mound of amusing kitchen ware.

Bust Craftacular
All photography by Amelia Gregory.

My ability to get out and about has been seriously curtailed over the past few weeks by the need to get my new book finished, patient but last weekend (but one) I was pretty determined to make it along to the Bust Craftacular at Bethnal Green’s York Hall, discount if only for a mad dash around the stalls.

Bust Craftacular-Bethnal Green

Inside the old Victorian hall it was absolutely heaving with craft enthusiasts – mainly women (many with small children in tow) but also a small peppering of arty looking boys. It was like entering a multi coloured kaleidoscopic alternative universe where crafting & handmade reigns supreme – bright things everywhere vying for my attention amidst a frantic din enhanced by a backdrop of very loud music.

So, I whipped around the regimented rows of stalls as quick as I could, taking notes of the best stuff I found so that if you didn’t manage to make it along you’ll be able to sniff out the best stuff online. Keep in mind those last minute Christmas gifts you might need to buy as you take a gander through this little lot:

Vic Lee

Vic Lee makes printed scenes of well known hipster (can I say that in the UK?) London districts such as Broadway Market and Kingsland Road. Perfect for the East End man in your life – because let’s face it, most of them feature East London. The limited edition prints are produced on cotton paper and screen printed with environmentally friendly water based acrylic inks. They look really stunning up close, and also caught the eye of Jessica Furseth when she visited the East London Design Show.

Bust Craftacular-Xiang Zeng

Xiang Zeng is a textile designer who has produced a range of lovely printed cushions and make your own soft toy bear kits. Really cute, they look pretty easy to make so would also be perfect for and a crafty friend or even a handy older kid.

Bust Craftacular-seaside sisters owls
Bust Craftacular-fabric nation

I picked up a business card for Seaside Sisters at the Fabric Nation stall… so I am not entirely sure who to credit these wonderful owls and cushions to. Their stall was a brilliantly over the top feast for the eyes in an already overwhelming place. Loved the stuff they make from old vintage fabrics.

Bust Craftacular-andrea garland

Andrea Garland fills old tins with natural skincare goodies: what an amazing idea but no doubt a huge amount of hard work to find all those fab tins. She’s a trained aromatherapist who makes all her products from scratch in Hackney with as many organic and fairtrade ingredients as possible and I am very pleased to learn that none are tested on animals – but I guess that scenario is far less likely when using these kind of ingredients anyway – just one more reason to buy natural beauty brands. She sells at Liberty, Urban Outfitters and at Tatty Devine, and Viola Levy also gives her a mention in her run down of top natural beauty brands earlier this week. What a find – it goes without saying that her stall was very busy.

Bust Craftacular-shop jill

Looking for a nice little purse, or perhaps a unique oyster card holder? Jill makes the perfect thing: I was utterly transfixed by her beautifully laid out stall, featuring an array of charming goodies with graphic printed animal designs that would suit a man too. She also did a nice line in limited edition screen prints.

Bust Craftacular-Dot your Teas and Cross your Eyes

Dot your Teas and Cross your Eyes is a fashion and accessories designer by the name of Chloe. Her bold spotted print designs embellished fabulous silky dresses and she also makes some fabulous recycled fabric pom pom fascinators.

Bust Craftacular-urban cross stitch

Now for the craft loving man in your life: Urban Cross Stitch create cross stitch Star Wars kits. A wonderful meeting of 80s pop culture and the noughties crafting craze: what better way to inspire a bloke to get into this most relaxing of traditional techniques.

Bust Craftacular-James Ward plates

Last but very much not least, just as I was rounding the corner to leave I chanced upon James Ward’s plates, featuring an assortment of friendly animal characters and some immortal phrases: perfect for the parents who have everything but would nevertheless quite like to add to their mound of amusing kitchen ware.

Bust Craftacular cakes
Gratuitous cake photo…. yum yum.
Bust Craftacular
All photography by Amelia Gregory.

My ability to get out and about has been seriously curtailed over the past few weeks by the need to get my new book finished, tadalafil but last weekend (but one) I was pretty determined to make it along to the Bust Craftacular at Bethnal Green’s York Hall, visit this if only for a mad dash around the stalls.

Bust Craftacular-Bethnal Green

Inside the old Victorian hall it was absolutely heaving with craft enthusiasts – mainly women (many with small children in tow) but also a small peppering of arty looking boys. It was like entering a multi coloured kaleidoscopic alternative universe where crafting & handmade reigns supreme – bright things everywhere vying for my attention amidst a frantic din enhanced by a backdrop of very loud music.

So, viagra order I whipped around the regimented rows of stalls as quick as I could, taking notes of the best stuff I found so that if you didn’t manage to make it along you’ll be able to sniff out the best stuff online. Keep in mind those last minute Christmas gifts you might need to buy as you take a gander through this little lot:

Vic Lee

Vic Lee makes printed scenes of well known hipster (can I say that in the UK?) London districts such as Broadway Market and Kingsland Road. Perfect for the East End man in your life – because let’s face it, most of them feature East London. The limited edition prints are produced on cotton paper and screen printed with environmentally friendly water based acrylic inks. They look really stunning up close, and also caught the eye of Jessica Furseth when she visited the East London Design Show.

Bust Craftacular-Xiang Zeng

Xiang Zeng is a textile designer who has produced a range of lovely printed cushions and make your own soft toy bear kits. Really cute, they look pretty easy to make so would also be perfect for and a crafty friend or even a handy older kid.

Bust Craftacular-seaside sisters owls
Bust Craftacular-fabric nation

I picked up a business card for Seaside Sisters at the Fabric Nation stall… so I am not entirely sure who to credit these wonderful owls and cushions to. Their stall was a brilliantly over the top feast for the eyes in an already overwhelming place. Loved the stuff they make from old vintage fabrics.

Bust Craftacular-andrea garland

Andrea Garland fills old tins with natural skincare goodies: what an amazing idea but no doubt a huge amount of hard work to find all those fab tins. She’s a trained aromatherapist who makes all her products from scratch in Hackney with as many organic and fairtrade ingredients as possible and I am very pleased to learn that none are tested on animals – but I guess that scenario is far less likely when using these kind of ingredients anyway – just one more reason to buy natural beauty brands. She sells at Liberty, Urban Outfitters and at Tatty Devine, and Viola Levy also gives her a mention in her run down of top natural beauty brands earlier this week. What a find – it goes without saying that her stall was very busy.

Bust Craftacular-shop jill

Looking for a nice little purse, or perhaps a unique oyster card holder? Jill makes the perfect thing: I was utterly transfixed by her beautifully laid out stall, featuring an array of charming goodies with graphic printed animal designs that would suit a man too. She also did a nice line in limited edition screen prints.

Bust Craftacular-Dot your Teas and Cross your Eyes

Dot your Teas and Cross your Eyes is a fashion and accessories designer by the name of Chloe. Her bold spotted print designs embellished fabulous silky dresses and she also makes some fabulous recycled fabric pom pom fascinators.

Bust Craftacular-urban cross stitch

Now for the craft loving man in your life: Urban Cross Stitch create cross stitch Star Wars kits. A wonderful meeting of 80s pop culture and the noughties crafting craze: what better way to inspire a bloke to get into this most relaxing of traditional techniques.

Bust Craftacular-James Ward plates

Last but very much not least, just as I was rounding the corner to leave I chanced upon James Ward’s plates, featuring an assortment of friendly animal characters accompanied by immortal phrases such as ‘I eat my cake in my pants’. Perfect for the parents who have everything but would nevertheless quite like to add to their piles of amusing kitchen ware.

Bust Craftacular cakes
Gratuitous cake photo…. yum yum.
Bust Craftacular
All photography by Amelia Gregory.

My ability to get out and about has been seriously curtailed over the past few weeks by the need to get my new book finished, order but last weekend (but one) I was pretty determined to make it along to the Bust Craftacular at Bethnal Green’s York Hall, visit this site if only for a mad dash around the stalls.

Bust Craftacular-Bethnal Green

Inside the old Victorian hall it was absolutely heaving with craft enthusiasts – mainly women (many with small children in tow) but also a small peppering of arty looking boys. It was like entering a multi coloured kaleidoscopic alternative universe where crafting & handmade reigns supreme – bright things everywhere vying for my attention amidst a frantic din enhanced by a backdrop of very loud music.

So, I whipped around the regimented rows of stalls as quick as I could, taking notes of the best stuff I found so that if you didn’t manage to make it along you’ll be able to sniff out the best stuff online. Keep in mind those last minute Christmas gifts you might need to buy as you take a gander through this little lot:

Vic Lee

Vic Lee makes printed scenes of well known hipster (can I say that in the UK?) London districts such as Broadway Market and Kingsland Road. Perfect for the East End man in your life – because let’s face it, most of them feature East London. The limited edition prints are produced on cotton paper and screen printed with environmentally friendly water based acrylic inks. They look really stunning up close, and also caught the eye of Jessica Furseth when she visited the East London Design Show.

Bust Craftacular-Xiang Zeng

Xiang Zeng is a textile designer who has produced a range of lovely printed cushions and make your own soft toy bear kits. Really cute, they look pretty easy to make so would also be perfect for and a crafty friend or even a handy older kid.

Bust Craftacular-seaside sisters owls
Bust Craftacular-fabric nation

I picked up a business card for Seaside Sisters at the Fabric Nation stall… so I am not entirely sure who to credit these wonderful owls and cushions to. Their stall was a brilliantly over the top feast for the eyes in an already overwhelming place. Loved the stuff they make from old vintage fabrics.

Bust Craftacular-andrea garland

Andrea Garland fills old tins with natural skincare goodies: what an amazing idea but no doubt a huge amount of hard work to find all those fab tins. She’s a trained aromatherapist who makes all her products from scratch in Hackney with as many organic and fairtrade ingredients as possible and I am very pleased to learn that none are tested on animals – but I guess that scenario is far less likely when using these kind of ingredients anyway – just one more reason to buy natural beauty brands. She sells at Liberty, Urban Outfitters and at Tatty Devine, and Viola Levy also gives her a mention in her run down of top natural beauty brands earlier this week. What a find – it goes without saying that her stall was very busy.

Bust Craftacular-shop jill

Looking for a nice little purse, or perhaps a unique oyster card holder? Jill makes the perfect thing: I was utterly transfixed by her beautifully laid out stall, featuring an array of charming goodies with graphic printed animal designs that would suit a man too. She also did a nice line in limited edition screen prints.

Bust Craftacular-Dot your Teas and Cross your Eyes

Dot your Teas and Cross your Eyes is a fashion and accessories designer by the name of Chloe. Her bold spotted print designs embellished fabulous silky dresses and she also makes some fabulous recycled fabric pom pom fascinators.

Bust Craftacular-urban cross stitch

Now for the craft loving man in your life: Urban Cross Stitch create cross stitch Star Wars kits. A wonderful meeting of 80s pop culture and the noughties crafting craze: what better way to inspire a bloke to get into this most relaxing of traditional techniques.

Bust Craftacular-James Ward plates

Last but very much not least, just as I was rounding the corner to leave I chanced upon James Ward’s plates, featuring an assortment of friendly animal characters accompanied by immortal phrases such as ‘I eat my cake in my pants’. Perfect for the parents who have everything but would nevertheless quite like to add to their piles of amusing kitchen ware.

Bust Craftacular cakes
Gratuitous cake photo…. yum yum. Now what are you waiting for? Get shopping and support these talented artists and makers…
Bust Craftacular
All photography by Amelia Gregory.

My ability to get out and about has been seriously curtailed over the past few weeks by the need to get my new book finished, for sale but last weekend (but one) I was pretty determined to make it along to the Bust Craftacular at Bethnal Green’s York Hall, if only for a mad dash around the stalls.

Bust Craftacular-Bethnal Green

Inside the old Victorian hall it was absolutely heaving with craft enthusiasts – mainly women (many with small children in tow) but also a small peppering of arty looking boys. It was like entering a multi coloured kaleidoscopic alternative universe where crafting & handmade reigns supreme – bright things everywhere vying for my attention amidst a frantic din enhanced by a backdrop of very loud music.

So, I whipped around the regimented rows of stalls as quick as I could, taking notes of the best stuff I found so that if you didn’t manage to make it along you’ll be able to sniff out the best stuff online. Keep in mind those last minute Christmas gifts you might need to buy as you take a gander through this little lot:

Vic Lee

Vic Lee makes printed scenes of well known hipster (can I say that in the UK?) London districts such as Broadway Market and Kingsland Road. Perfect for the East End man in your life – because let’s face it, most of them feature East London. The limited edition prints are produced on cotton paper and screen printed with environmentally friendly water based acrylic inks. They look really stunning up close, and also caught the eye of Jessica Furseth when she visited the East London Design Show.

Bust Craftacular-Xiang Zeng

Xiang Zeng is a textile designer who has produced a range of lovely printed cushions and make your own soft toy bear kits. Really cute, they look pretty easy to make so would also be perfect for and a crafty friend or even a handy older kid.

Bust Craftacular-seaside sisters owls
Bust Craftacular-fabric nation

I picked up a business card for Seaside Sisters at the Fabric Nation stall… so I am not entirely sure who to credit these wonderful owls and cushions to. Their stall was a brilliantly over the top feast for the eyes in an already overwhelming place. Loved the stuff they make from old vintage fabrics.

Bust Craftacular-andrea garland

Andrea Garland fills old tins with natural skincare goodies: what an amazing idea but no doubt a huge amount of hard work to find all those fab tins. She’s a trained aromatherapist who makes all her products from scratch in Hackney with as many organic and fairtrade ingredients as possible and I am very pleased to learn that none are tested on animals – but I guess that scenario is far less likely when using these kind of ingredients anyway – just one more reason to buy natural beauty brands. She sells at Liberty, Urban Outfitters and at Tatty Devine, and Viola Levy also gives her a mention in her run down of top natural beauty brands earlier this week. What a find – it goes without saying that her stall was very busy.

Bust Craftacular-shop jill

Looking for a nice little purse, or perhaps a unique oyster card holder? Jill makes the perfect thing: I was utterly transfixed by her beautifully laid out stall, featuring an array of charming goodies with graphic printed animal designs that would suit a man too. She also did a nice line in limited edition screen prints.

Bust Craftacular-Dot your Teas and Cross your Eyes

Dot your Teas and Cross your Eyes is a fashion and accessories designer by the name of Chloe. Her bold spotted print designs embellished fabulous silky dresses and she also makes some fabulous recycled fabric pom pom fascinators.

Bust Craftacular-urban cross stitch

Now for the craft loving man in your life: Urban Cross Stitch create cross stitch Star Wars kits. A wonderful meeting of 80s pop culture and the noughties crafting craze: what better way to inspire a bloke to get into this most relaxing of traditional techniques.

Bust Craftacular-James Ward plates

Last but very much not least, just as I was rounding the corner to leave I chanced upon James Ward’s plates, featuring an assortment of friendly animal characters accompanied by immortal phrases such as ‘I eat my cake in my pants’. Perfect for the parents who have everything but would nevertheless quite like to add to their piles of amusing kitchen ware.

Bust Craftacular cakes
Gratuitous cake photo…. yum yum. Now what are you waiting for? Step away from the High Street and support these talented artists and makers this Christmas…
Bust Craftacular
All photography by Amelia Gregory.

My ability to get out and about has been seriously curtailed over the past few weeks by the need to get my new book finished, erectile but last weekend (but one) I was pretty determined to make it along to the Bust Craftacular at Bethnal Green’s York Hall, if only for a mad dash around the stalls.

Bust Craftacular-Bethnal Green

Inside the old Victorian hall it was absolutely heaving with craft enthusiasts – mainly women (many with small children in tow) but also a small peppering of arty looking boys. It was like entering a multi coloured kaleidoscopic alternative universe where crafting & handmade reigns supreme – bright things everywhere vying for my attention amidst a frantic din enhanced by a backdrop of very loud music.

So, I whipped around the regimented rows of stalls as quick as I could, taking notes of the best stuff I found so that if you didn’t manage to make it along you’ll be able to sniff out the best stuff online. Keep in mind those last minute Christmas gifts you might need to buy as you take a gander through this little lot:

Vic Lee

Vic Lee makes printed scenes of well known hipster (can I say that in the UK?) London districts such as Broadway Market and Kingsland Road. Perfect for the East End man in your life – because let’s face it, most of them feature East London. The limited edition prints are produced on cotton paper and screen printed with environmentally friendly water based acrylic inks. They look really stunning up close, and also caught the eye of Jessica Furseth when she visited the East London Design Show.

Bust Craftacular-Xiang Zeng

Xiang Zeng is a textile designer who has produced a range of lovely printed cushions and make your own soft toy bear kits. Really cute, they look pretty easy to make so would also be perfect for and a crafty friend or even a handy older kid.

Bust Craftacular-seaside sisters owls
Bust Craftacular-fabric nation

I picked up a business card for Seaside Sisters at the Fabric Nation stall… so I am not entirely sure who to credit these wonderful owls and cushions to. Their stall was a brilliantly over the top feast for the eyes in an already overwhelming place. Loved the stuff they make from old vintage fabrics.

Bust Craftacular-andrea garland

Andrea Garland fills old tins with natural skincare goodies: what an amazing idea but no doubt a huge amount of hard work to find all those fab tins. She’s a trained aromatherapist who makes all her products from scratch in Hackney with as many organic and fairtrade ingredients as possible and I am very pleased to learn that none are tested on animals – but I guess that scenario is far less likely when using these kind of ingredients anyway – just one more reason to buy natural beauty brands. She sells at Liberty, Urban Outfitters and at Tatty Devine, and Viola Levy also gives her a mention in her run down of top natural beauty brands earlier this week. What a find – it goes without saying that her stall was very busy.

Bust Craftacular-shop jill

Looking for a nice little purse, or perhaps a unique oyster card holder? Jill makes the perfect thing: I was utterly transfixed by her beautifully laid out stall, featuring an array of charming goodies with graphic printed animal designs that would suit a man too. She also did a nice line in limited edition screen prints.

Bust Craftacular-Dot your Teas and Cross your Eyes

Dot your Teas and Cross your Eyes is a fashion and accessories designer by the name of Chloe. Her bold spotted print designs embellished fabulous silky dresses and she also makes some fabulous recycled fabric pom pom fascinators.

Bust Craftacular-urban cross stitch

Now for the craft loving man in your life: Urban Cross Stitch create cross stitch Star Wars kits. A wonderful meeting of 80s pop culture and the noughties crafting craze: what better way to inspire a bloke to get into this most relaxing of traditional techniques.

Bust Craftacular-James Ward plates

Last but very much not least, just as I was rounding the corner to leave I chanced upon James Ward’s plates, featuring an assortment of friendly animal characters accompanied by immortal phrases such as ‘I eat my cake in my pants’. Perfect for the parents who have everything but would nevertheless quite like to add to their piles of amusing kitchen ware.

Bust Craftacular cakes
Gratuitous cake photo…. yum yum. Now what are you waiting for? Step away from the High Street and support these talented artists and makers this Christmas… they are only a click away.

Heart / Target by Patrick Thomas. All images courtesy of Outline Editions.

Outline Editions’ pop-up shop is tucked away behind the stalls on Berwick Street Market, page but the bright shop front is still hard to miss. Decorated by graphics wunderkind Kate Moross, web inside the shop is a virtual “who’s who” of Britain’s graphic art world. This was part of what founders Camilla Parsons and Bill Tuckey wanted to achieve – having both spent years commissioning art works for music and print, they saw a gap in the market for a place where these artists and illustrators could show their work in a more permanent manner. ‘We have taken the high-end graphic artists and put them under one roof,’ says Camilla Parsons.

And the list of contributors to Outline Editions really does demonstrate that these are some very sought-after graphic artists and illustrators. Starting with Kate Moross, whose name is known from Dazed & Confused, Topshop and Vogue – all the way to Anthony Burrill, the so-called godfather of graphic arts. Widely known for his ‘Work Hard and Be Nice to People’ poster, his work has been seen everywhere from Tate Modern to the Underground.


By Kate Moross

The temporary shop on Berwick Street in Soho shows a mixture of works from the newly commissioned love-theme, which was unveiled on 2 December, and works from ‘Into the Forest’, which opened in November. The shop also has prints from last summer’s London-themed show.

‘We have commissioned a range of graphic artists and illustrators who work in music and pop culture,’ says Parsons, as she shows me around the space. ‘Many of these are unique works only available from Outline Editions, all signed and in limited edition.’ She shows me the works by by David Foldvari; ‘he’s a very big name, you’ll recognise his style as you open a paper or magazine’, and HelloVon; ‘we chose him as his thing is animals. Look at it – it’s incredibly detailed and realistic, but also a bit spooky.’


Bird by HelloVon

The works commissioned by Outline Editions were themed, but Parsons says the artists appreciated the chance to create works with a large degree of freedom. ‘They do a lot of commercial work and this was unrestricted, so they found it exciting.’

Also on the wall is works by Supermundane; ‘he’s very prolific’, Kate Moross; ‘the girl of the graphic art scene’, and Klaus Haapaniemi; ‘he does very high end work.’ We stop a while next to Takayo Akiyama’s nautical chart of London, an intriguing little piece which shows the detail of the world that is London, set out on a globe as if it were the only place on the planet. For those of us who live here it feels like that sometimes, doesn’t it.


Love Geometry by Anthony Burrill

While initially focused on established names in the graphic world, Parsons doesn’t rule out the possibility of taking on more unknown artists. ‘As time goes on we will start to encompass lesser known names. The main thing is to make sure the work is accessible. We cover all forms of graphic arts. The cement is that they all work in music, fashion and pop culture.’ The accessibility also extends to pricing: works start at £15 and go up to £185.


By James Joyce.

The Central London location for the pop-up shop was a deliberate move to bring the graphics genre to a wider audience. ‘There are lots of print collectives in East London. We wanted to bring it out West, to take it to a new audience. … We wanted to incorporate people with a variety of styles as well, to show something to everyone’s taste.’

‘Our premise is to keep it exciting and fresh, and to keep doing new things,’ says Parsons. She already has a few aces up her sleeve for Outline Editions’ next projects. She makes me promise not to say too much, but it’s hard – it sounds unique and intriguing and I for one can’t wait to see what comes next.


Pelican by Jamie Portch

‘Love in the Forest’ runs until 31 January at 94 Berwick Street, Soho, London W1. The works are also available on the Outline Editions website. For more information see our listing.

Categories ,Anthony Burrill, ,Berwick Street Market, ,Bill Tuckey, ,Camilla Parsons, ,David Foldvari, ,Dazed & Confused, ,Graphic Art, ,Hellovon, ,illustration, ,Into the Forest, ,James Joyce, ,Jamie Portch, ,Kate Moross, ,Klaus Haapaniemi, ,london, ,Love in the Forest, ,Outline Editions, ,Patrick Thomas, ,Soho, ,Supermundane, ,Takayo Akiyama, ,topshop, ,vogue

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Amelia’s Magazine | Graphic love: Outline Editions expands Soho pop-up shop with ‘Love in the Forest’


Heart / Target by Patrick Thomas. All images courtesy of Outline Editions.

Outline Editions’ pop-up shop is tucked away behind the stalls on Berwick Street Market, but the bright shop front is still hard to miss. Decorated by graphics wunderkind Kate Moross, inside the shop is a virtual “who’s who” of Britain’s graphic art world. This was part of what founders Camilla Parsons and Bill Tuckey wanted to achieve – having both spent years commissioning art works for music and print, they saw a gap in the market for a place where these artists and illustrators could show their work in a more permanent manner. ‘We have taken the high-end graphic artists and put them under one roof,’ says Camilla Parsons.

And the list of contributors to Outline Editions really does demonstrate that these are some very sought-after graphic artists and illustrators. Starting with Kate Moross, whose name is known from Dazed & Confused, Topshop and Vogue – all the way to Anthony Burrill, the so-called godfather of graphic arts. Widely known for his ‘Work Hard and Be Nice to People’ poster, his work has been seen everywhere from Tate Modern to the Underground.


By Kate Moross

The temporary shop on Berwick Street in Soho shows a mixture of works from the newly commissioned love-theme, which was unveiled on 2 December, and works from ‘Into the Forest’, which opened in November. The shop also has prints from last summer’s London-themed show.

‘We have commissioned a range of graphic artists and illustrators who work in music and pop culture,’ says Parsons, as she shows me around the space. ‘Many of these are unique works only available from Outline Editions, all signed and in limited edition.’ She shows me the works by by David Foldvari; ‘he’s a very big name, you’ll recognise his style as you open a paper or magazine’, and HelloVon; ‘we chose him as his thing is animals. Look at it – it’s incredibly detailed and realistic, but also a bit spooky.’


Bird by HelloVon

The works commissioned by Outline Editions were themed, but Parsons says the artists appreciated the chance to create works with a large degree of freedom. ‘They do a lot of commercial work and this was unrestricted, so they found it exciting.’

Also on the wall is works by Supermundane; ‘he’s very prolific’, Kate Moross; ‘the girl of the graphic art scene’, and Klaus Haapaniemi; ‘he does very high end work.’ We stop a while next to Takayo Akiyama’s nautical chart of London, an intriguing little piece which shows the detail of the world that is London, set out on a globe as if it were the only place on the planet. For those of us who live here it feels like that sometimes, doesn’t it.


Love Geometry by Anthony Burrill

While initially focused on established names in the graphic world, Parsons doesn’t rule out the possibility of taking on more unknown artists. ‘As time goes on we will start to encompass lesser known names. The main thing is to make sure the work is accessible. We cover all forms of graphic arts. The cement is that they all work in music, fashion and pop culture.’ The accessibility also extends to pricing: works start at £15 and go up to £185.


By James Joyce.

The Central London location for the pop-up shop was a deliberate move to bring the graphics genre to a wider audience. ‘There are lots of print collectives in East London. We wanted to bring it out West, to take it to a new audience. … We wanted to incorporate people with a variety of styles as well, to show something to everyone’s taste.’

‘Our premise is to keep it exciting and fresh, and to keep doing new things,’ says Parsons. She already has a few aces up her sleeve for Outline Editions’ next projects. She makes me promise not to say too much, but it’s hard – it sounds unique and intriguing and I for one can’t wait to see what comes next.


Pelican by Jamie Portch

‘Love in the Forest’ runs until 31 January at 94 Berwick Street, Soho, London W1. The works are also available on the Outline Editions website. For more information see our listing.

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Amelia’s Magazine | Anorak Magazine presents the diaries of Oscar Kirk, circa 1919


‘Chanel No.5′ designed by Jean Helleau. Illustration by Sandra Contreras

When Freud pondered the question of ‘what women want, viagra ’ someone should have told him that there are few things more desirable than a beautiful bottle of scent. Since the early 20th century, the perfume flaçon (small bottle) has taken on many weird and wonderful guises – some of which have gone on to become cultural artefacts and artist’s muses. By no means a comprehensive list, here is a small selection of some of the most jaw-dropping flaçons you’ll ever encounter – some of which even manage to upstage the scents they contain.

Chanel Nº 5
“I always launch my collection on the 5th day of the 5th month, so the number 5 seems to bring me luck – therefore, I will name it Nº 5,” proclaimed Mademoiselle Chanel after putting her initial doubts to one side and deciding to branch out into fragrance. The name itself summed up the scent’s abstract nature, and was a two-fingered salute to the other flowery perfume names at the time. Launched in 1921, No. 5 made greater use of synthetic ingredients, resulting in a blend of rose and ylang ylang that is rich, intoxicating but decidedly ‘unfloral.’ The first bottle was designed by the lady herself, modelled on the Charvet toiletry bottle that once belonged to her then-lover Captain Arthur ‘Boy’ Capel. The resulting flaçon we know and love was created in 1924 by Jean Helleau, and went on to become the subject of Andy Warhol’s famous ‘pop art’ prints, as well as being on permenant display in New York’s Musuem of Modern Art (MOMA) since 1959. The rich gold coloured liquid seen vividly through the glass of the minimalist square bottle, with its simple black letters and jewel-like stopper simply screams luxury. 86 years on, it is still capable of stopping women’s hearts – my fair own included.

Shalimar by Guerlain
Named after the Shalimar Gardens in Lahore, and meaning ‘temple of love’ in Sanskrit, you could half expect a genie to emerge from this fan-shaped bottle with sapphire-coloured stopper, but the sweet vanilla fragrance inside is just as mesmerising. Designed by Raymond Guerlain in 1925 and manufactured by Cristal Baccarat (who along with Lalique, first turned the perfume flaçon into an objet d’art) the design was inspired by the fountains one might find in Indian palaces, and was displayed at the Decorative Arts Exhibition in the same year. The bottle has recently been given a modern make-over by jewellery designer/socialite Jade Jagger, who hasn’t strayed that far from the original, and produced a slightly sleeker version that Raymond himself would have been happy with.

http://www.guerlain.com/int/en/base.html#/en/home-parfum/catalogue-parfums/women-fragrances/women-fragrances-range-shalimar/

www.lalique.com
archnet.org/library/sites/one-site.jsp?site_id=8861
www.baccarat.com
www.jadejagger.co.uk/

‘Shalimar’ designed by Raymond Guerlain. Illustration by Stephanie Thieullent

Flower by Kenzo
I love the beautiful simplicity of this bottle – how the tall thin glass leans gracefully to one side like a delicate stem in a summer breeze, echoing the sweet floral fragrance within – with a trompe l’oeil image of a flower appearing as if it were inside the bottle itself. Launched in 2000, the flaçon was designed by Serge Mansau, a French glass sculptor and stage decorator, who had already honed his craft designing flaçons for the likes of Dior and Hermés. He was given the concept of a flower by Kenzo’s artistic director Patrick Geudj, who wanted to highlight it as a powerful symbol for peace, and was particularly inspired by photographer Marc Ribaud’s image March in Washington (21st of October 1967) in which a girl holds a flower in front of a gun that is being pointed at her. Who knew a perfume could be political?

http://www.flowerbykenzo.com/

www.beautrading.nl/pdf/artist/Mansau_Serge_GB.pdf

(link to Marc Ribaud image!)

http://www.google.com/imgres?imgurl=http://www.fenimoreartmuseum.org/files/images/exhibitions/049.jpg&imgrefurl=http://www.fenimoreartmuseum.org/node/1704&usg=__riNSXWw_0TeVv4OXO1ET0RqfaJ4=&h=300&w=461&sz=85&hl=en&start=0&sig2=vQA2jbaWUtkmQmQaWcPHZQ&zoom=1&tbnid=P3jXZNjzw5fyeM:&tbnh=95&tbnw=146&ei=XenPTOX-EcSJ4Qb7r6mcBg&prev=/images%3Fq%3Dmarc%2BRiboud%2BMarch%2Bin%2BWashington%26um%3D1%26hl%3Den%26sa%3DN%26biw%3D1260%26bih%3D837%26tbs%3Disch:1&um=1&itbs=1&iact=rc&dur=172&oei=XenPTOX-EcSJ4Qb7r6mcBg&esq=1&page=1&ndsp=35&ved=1t:429,r:0,s:0&tx=74&ty=40

‘Flower by Kenzo’ designed by Serge Mansau. Illustration by Kayleigh Bluck.

Shocking by Schiaparelli
Inspired by a bust of Mae West, who was one of Schiaparelli’s major clients, 1937’s “Shocking” was designed by Argentine painter Leonor Fini, and best exemplifies Schiaparelli’s role in the surrealist movement (her designs included her famous lobster dress, and a hat in the shape of high heeled shoe.) The name was inspired by Cartier’s famous ‘shocking pink’ diamond the Tête de Belier (Ram’s Head) and Shocking’s encasing box was dyed in the same pink shade to match. In an era where few fashion houses were releasing perfume, ‘Shocking’ was Schiaparelli’s attempt to compete with her nemesis Chanel (although sadly unlike her rival, the label did not adapt to the changes brought about by WWII and closed in 1954.) The scent itself – a rather dry powdery bouquet of honey rose and jasmine – may not be to everyone’s taste, but the bottle still remains a little piece of perfume history.
en.wikipedia.org/wiki/Mae_West
www.cfmgallery.com/Leonor-Fini/leonor-fini.html

http://en.wikipedia.org/wiki/Cartier_SA

‘Schiaparelli’s Shocking’ designed by Leonor Fini. Illustration by Joana Faria.

Alien by Thierry Mugler
Designed by Mugler himself, this bright amethyst and gold flaçon, made to appear like a ‘sacred stone’ brings to mind 1980’s sci-fi films such as Blade Runner and Tron –  and is a good example of the designer’s flamboyant, theatrical style (check out Beyonc’s motorcycle corset for a better idea). Alien was Mugler’s second fragrance, which he described as a nod to ‘ultra-feminity’ and contains notes of sambac jasmine and cashmeran wood, creating a soft woody- amber bouquet. The flaçon according to the designer “symbolises thoughtfulness and peace of mind” despite appearing as if it’s going to hatch a new life form on a mission to destroy all humanity as we know it, HG Wells-style.
www.thierrymugler.com/us/en/6-fragrances/284-alien

www.imdb.com/title/tt0083658/  (Bladerunner link)

http://www.chicagonow.com/blogs/motorcycle-sarah/assets_c/2010/02/Beyonce%20Motorcycle-thumb-281×293-86226.jpg

us.boutique.thierrymugler.com/…/perfumes_fragrance-for-women-angel_-1_10151_11201_44503__2_1_1

‘Alien’ designed by Thierry Mugler. Illustration by Karolina Burdon.


‘Chanel No.5′ designed by Jean Helleau. Illustration by Sandra Contreras

When Freud pondered the question of ‘what women want, more about ’ someone should have told him that there are few things more desirable than a beautiful bottle of scent. Since the early 20th century, look the perfume flaçon (small bottle) has taken on many weird and wonderful guises – some of which have gone on to become cultural artefacts and artist’s muses. By no means a comprehensive list, here is a small selection of some of the most jaw-dropping flaçons you’ll ever encounter – some of which even manage to upstage the scents they contain.

Chanel Nº 5
“I always launch my collection on the 5th day of the 5th month, so the number 5 seems to bring me luck – therefore, I will name it Nº 5,” proclaimed Mademoiselle Chanel after putting her initial doubts to one side and deciding to branch out into fragrance. The name itself summed up the scent’s abstract nature, and was a two-fingered salute to the other flowery perfume names at the time. Launched in 1921, No. 5 made greater use of synthetic ingredients, resulting in a blend of rose and ylang ylang that is rich, intoxicating but decidedly ‘unfloral.’ The first bottle was designed by the lady herself, modelled on the Charvet toiletry bottle that once belonged to her then-lover Captain Arthur ‘Boy’ Capel. The resulting flaçon we know and love was created in 1924 by Jean Helleau, and went on to become the subject of Andy Warhol’s famous ‘pop art’ prints, as well as being on permenant display in New York’s Musuem of Modern Art (MOMA) since 1959. The rich gold coloured liquid seen vividly through the glass of the minimalist square bottle, with its simple black letters and jewel-like stopper simply screams luxury. 86 years on, it is still capable of stopping women’s hearts – my fair own included.

Shalimar by Guerlain

‘Shalimar’ designed by Raymond Guerlain. Illustration by Stephanie Thieullent

Named after the Shalimar Gardens in Lahore, and meaning ‘temple of love’ in Sanskrit, you could half expect a genie to emerge from this fan-shaped bottle with sapphire-coloured stopper, but the sweet vanilla fragrance inside is just as mesmerising. Designed by Raymond Guerlain in 1925 and manufactured by Cristal Baccarat (who along with Lalique, first turned the perfume flaçon into an objet d’art) the design of Shalimar was inspired by the fountains one might find in Indian palaces, and was displayed at the Decorative Arts Exhibition in the same year. The bottle has recently been given a modern make-over by jewellery designer/socialite Jade Jagger, who hasn’t strayed that far from the original, and produced a slightly sleeker version that Raymond himself would have been happy with.

Flower by Kenzo

‘Flower by Kenzo’ designed by Serge Mansau. Illustration by Kayleigh Bluck

I love the beautiful simplicity of Flower by Kenzo – how the tall thin glass leans gracefully to one side like a delicate stem in a summer breeze, echoing the sweet floral fragrance within – with a trompe l’oeil image of a flower appearing as if it were inside the bottle itself. Launched in 2000, the flaçon was designed by Serge Mansau, a French glass sculptor and stage decorator, who had already honed his craft designing flaçons for the likes of Dior and Hermés. He was given the concept of a flower by Kenzo’s artistic director Patrick Geudj, who wanted to highlight it as a powerful symbol for peace, and was particularly inspired by photographer Marc Ribaud’s image March in Washington (21st of October 1967) in which a girl holds a flower in front of a gun that is being pointed at her. Who knew a perfume could be political?

Shocking by Schiaparelli

Schiaparelli’s ‘Shocking’ designed by Leonor Fini. Illustration by Joana Faria

Inspired by a bust of Mae West, who was one of Schiaparelli’s major clients, 1937’s “Shocking” was designed by Argentine painter Leonor Fini, and best exemplifies Schiaparelli’s role in the surrealist movement (her designs included her famous lobster dress, and a hat in the shape of high heeled shoe.) The name was inspired by Cartier’s famous ‘shocking pink’ diamond the Tête de Belier (Ram’s Head) and Shocking’s encasing box was dyed in the same pink shade to match. In an era where few fashion houses were releasing perfume, ‘Shocking’ was Schiaparelli’s attempt to compete with her nemesis Chanel (although sadly unlike her rival, the label did not adapt to the changes brought about by WWII and closed in 1954.) The scent itself – a rather dry powdery bouquet of honey rose and jasmine – may not be to everyone’s taste, but the bottle still remains a little piece of perfume history.

Alien by Thierry Mugler

‘Alien’ designed by Thierry Mugler. Illustration by Karolina Burdon

Designed by Mugler himself, Alien is a bright amethyst and gold flaçon, made to appear like a ‘sacred stone’ brings to mind 1980’s sci-fi films such as Blade Runner and Tron –  and is a good example of the designer’s flamboyant, theatrical style (check out Beyoncé’s motorcycle corset for a better idea). Alien was Mugler’s second fragrance, which he described as a nod to ‘ultra-feminity’ and contains notes of sambac jasmine and cashmeran wood, creating a soft woody- amber bouquet. The flaçon according to the designer “symbolises thoughtfulness and peace of mind” despite appearing as if it’s going to hatch a new life form on a mission to destroy all humanity as we know it, HG Wells-style.


‘Chanel No.5′ designed by Jean Helleau. Illustration by Sandra Contreras

When Freud pondered the question of ‘what women want, clinic ’ someone should have told him that there are few things more desirable than a beautiful bottle of scent. Since the early 20th century, the perfume flaçon (small bottle) has taken on many weird and wonderful guises – some of which have gone on to become cultural artefacts and artist’s muses. By no means a comprehensive list, here is a small selection of some of the most jaw-dropping flaçons you’ll ever encounter – some of which even manage to upstage the scents they contain.

Chanel Nº 5
“I always launch my collection on the 5th day of the 5th month, so the number 5 seems to bring me luck – therefore, I will name it Nº 5,” proclaimed Mademoiselle Chanel after putting her initial doubts to one side and deciding to branch out into fragrance. The name itself summed up the scent’s abstract nature, and was a two-fingered salute to the other flowery perfume names at the time. Launched in 1921, No. 5 made greater use of synthetic ingredients, resulting in a blend of rose and ylang ylang that is rich, intoxicating but decidedly ‘unfloral.’ The first bottle was designed by the lady herself, modelled on the Charvet toiletry bottle that once belonged to her then-lover Captain Arthur ‘Boy’ Capel. The resulting flaçon we know and love was created in 1924 by Jean Helleau, and went on to become the subject of Andy Warhol’s famous ‘pop art’ prints, as well as being on permenant display in New York’s Musuem of Modern Art (MOMA) since 1959. The rich gold coloured liquid seen vividly through the glass of the minimalist square bottle, with its simple black letters and jewel-like stopper simply screams luxury. 86 years on, it is still capable of stopping women’s hearts – my fair own included.

Shalimar by Guerlain

‘Shalimar’ designed by Raymond Guerlain. Illustration by Stéphanie Thieullent

Named after the Shalimar Gardens in Lahore, and meaning ‘temple of love’ in Sanskrit, you could half expect a genie to emerge from this fan-shaped bottle with sapphire-coloured stopper, but the sweet vanilla fragrance inside is just as mesmerising. Designed by Raymond Guerlain in 1925 and manufactured by Cristal Baccarat (who along with Lalique, first turned the perfume flaçon into an objet d’art) the design of Shalimar was inspired by the fountains one might find in Indian palaces, and was displayed at the Decorative Arts Exhibition in the same year. The bottle has recently been given a modern make-over by jewellery designer/socialite Jade Jagger, who hasn’t strayed that far from the original, and produced a slightly sleeker version that Raymond himself would have been happy with.

Flower by Kenzo

‘Flower by Kenzo’ designed by Serge Mansau. Illustration by Kayleigh Bluck

I love the beautiful simplicity of Flower by Kenzo – how the tall thin glass leans gracefully to one side like a delicate stem in a summer breeze, echoing the sweet floral fragrance within – with a trompe l’oeil image of a flower appearing as if it were inside the bottle itself. Launched in 2000, the flaçon was designed by Serge Mansau, a French glass sculptor and stage decorator, who had already honed his craft designing flaçons for the likes of Dior and Hermés. He was given the concept of a flower by Kenzo’s artistic director Patrick Geudj, who wanted to highlight it as a powerful symbol for peace, and was particularly inspired by photographer Marc Ribaud’s image March in Washington (21st of October 1967) in which a girl holds a flower in front of a gun that is being pointed at her. Who knew a perfume could be political?

Shocking by Schiaparelli

Schiaparelli’s ‘Shocking’ designed by Leonor Fini. Illustration by Joana Faria

Inspired by a bust of Mae West, who was one of Schiaparelli’s major clients, 1937’s “Shocking” was designed by Argentine painter Leonor Fini, and best exemplifies Schiaparelli’s role in the surrealist movement (her designs included her famous lobster dress, and a hat in the shape of high heeled shoe.) The name was inspired by Cartier’s famous ‘shocking pink’ diamond the Tête de Belier (Ram’s Head) and Shocking’s encasing box was dyed in the same pink shade to match. In an era where few fashion houses were releasing perfume, ‘Shocking’ was Schiaparelli’s attempt to compete with her nemesis Chanel (although sadly unlike her rival, the label did not adapt to the changes brought about by WWII and closed in 1954.) The scent itself – a rather dry powdery bouquet of honey rose and jasmine – may not be to everyone’s taste, but the bottle still remains a little piece of perfume history.

Alien by Thierry Mugler

‘Alien’ designed by Thierry Mugler. Illustration by Karolina Burdon

Designed by Mugler himself, Alien is a bright amethyst and gold flaçon, made to appear like a ‘sacred stone’ brings to mind 1980’s sci-fi films such as Blade Runner and Tron –  and is a good example of the designer’s flamboyant, theatrical style (check out Beyoncé’s motorcycle corset for a better idea). Alien was Mugler’s second fragrance, which he described as a nod to ‘ultra-feminity’ and contains notes of sambac jasmine and cashmeran wood, creating a soft woody- amber bouquet. The flaçon according to the designer “symbolises thoughtfulness and peace of mind” despite appearing as if it’s going to hatch a new life form on a mission to destroy all humanity as we know it, HG Wells-style.


‘Chanel No.5′ designed by Jean Helleau. Illustration by Sandra Contreras

When Freud pondered the question of ‘what women want, ampoule ’ someone should have told him that there are few things more desirable than a beautiful bottle of scent. Since the early 20th century, order the perfume flaçon (small bottle) has taken on many weird and wonderful guises – some of which have gone on to become cultural artefacts and artist’s muses. By no means a comprehensive list, here is a small selection of some of the most jaw-dropping flaçons you’ll ever encounter – some of which even manage to upstage the scents they contain.

Chanel Nº 5
“I always launch my collection on the 5th day of the 5th month, so the number 5 seems to bring me luck – therefore, I will name it Nº 5,” proclaimed Mademoiselle Chanel after putting her initial doubts to one side and deciding to branch out into fragrance. The name itself summed up the scent’s abstract nature, and was a two-fingered salute to the other flowery perfume names at the time. Launched in 1921, No. 5 made greater use of synthetic ingredients, resulting in a blend of rose and ylang ylang that is rich, intoxicating but decidedly ‘unfloral.’ The first bottle was designed by the lady herself, modelled on the Charvet toiletry bottle that once belonged to her then-lover Captain Arthur ‘Boy’ Capel. The resulting flaçon we know and love was created in 1924 by Jean Helleau, and went on to become the subject of Andy Warhol’s famous ‘pop art’ prints, as well as being on permenant display in New York’s Musuem of Modern Art (MOMA) since 1959. The rich gold coloured liquid seen vividly through the glass of the minimalist square bottle, with its simple black letters and jewel-like stopper simply screams luxury. 86 years on, it is still capable of stopping women’s hearts – my fair own included.

Shalimar by Guerlain

‘Shalimar’ designed by Raymond Guerlain. Illustration by Stéphanie Thieullent

Named after the Shalimar Gardens in Lahore, and meaning ‘temple of love’ in Sanskrit, you could half expect a genie to emerge from this fan-shaped bottle with sapphire-coloured stopper, but the sweet vanilla fragrance inside is just as mesmerising. Designed by Raymond Guerlain in 1925 and manufactured by Cristal Baccarat (who along with Lalique, first turned the perfume flaçon into an objet d’art) the design of Shalimar was inspired by the fountains one might find in Indian palaces, and was displayed at the Decorative Arts Exhibition in the same year. The bottle has recently been given a modern make-over by jewellery designer/socialite Jade Jagger, who hasn’t strayed that far from the original, and produced a slightly sleeker version that Raymond himself would have been happy with.

Flower by Kenzo

‘Flower by Kenzo’ designed by Serge Mansau. Illustration by Kayleigh Bluck

I love the beautiful simplicity of Flower by Kenzo – how the tall thin glass leans gracefully to one side like a delicate stem in a summer breeze, echoing the sweet floral fragrance within – with a trompe l’oeil image of a flower appearing as if it were inside the bottle itself. Launched in 2000, the flaçon was designed by Serge Mansau, a French glass sculptor and stage decorator, who had already honed his craft designing flaçons for the likes of Dior and Hermés. He was given the concept of a flower by Kenzo’s artistic director Patrick Geudj, who wanted to highlight it as a powerful symbol for peace, and was particularly inspired by photographer Marc Ribaud’s image March in Washington (21st of October 1967) in which a girl holds a flower in front of a gun that is being pointed at her. Who knew a perfume could be political?

Shocking by Schiaparelli

Schiaparelli’s ‘Shocking’ designed by Leonor Fini. Illustration by Joana Faria

Inspired by a bust of Mae West, who was one of Schiaparelli’s major clients, 1937’s “Shocking” was designed by Argentine painter Leonor Fini, and best exemplifies Schiaparelli’s role in the surrealist movement (her designs included her famous lobster dress, and a hat in the shape of high heeled shoe.) The name was inspired by Cartier’s famous ‘shocking pink’ diamond the Tête de Belier (Ram’s Head) and Shocking’s encasing box was dyed in the same pink shade to match. In an era where few fashion houses were releasing perfume, ‘Shocking’ was Schiaparelli’s attempt to compete with her nemesis Chanel (although sadly unlike her rival, the label did not adapt to the changes brought about by WWII and closed in 1954.) The scent itself – a rather dry powdery bouquet of honey rose and jasmine – may not be to everyone’s taste, but the bottle still remains a little piece of perfume history.

Alien by Thierry Mugler

‘Alien’ designed by Thierry Mugler. Illustration by Karolina Burdon

Designed by Mugler himself, Alien is a bright amethyst and gold flaçon, made to appear like a ‘sacred stone’ brings to mind 1980’s sci-fi films such as Blade Runner and Tron –  and is a good example of the designer’s flamboyant, theatrical style (check out Beyoncé’s motorcycle corset for a better idea). Alien was Mugler’s second fragrance, which he described as a nod to ‘ultra-feminity’ and contains notes of sambac jasmine and cashmeran wood, creating a soft woody- amber bouquet. The flaçon according to the designer “symbolises thoughtfulness and peace of mind” despite appearing as if it’s going to hatch a new life form on a mission to destroy all humanity as we know it, HG Wells-style.

supermundane
Illustration by Supermundane.

Anorak Magazine in collaboration with a bunch of my favourite illustrators, price presents a show based on the diaries written by a London teenager nearly 100 years ago? Yes please! Tell me more, page Cathy Olmedillas… the brains behind the whole shebang….

How did you come across the Oscar Kirk diary, and why were you inspired to create artwork for an exhibition to accompany it?
I am an avid Twitter user and a big fan of the Museum of London Docklands. I discovered that they had serialized on their website and on their twitter feed the 1919 diary of a 14 year old London messenger boy. I fell in love with Oscar’s mischievous tone and thought it would be lovely to bring it life with illustrations. I asked the Museum whether we could publish and illustrate some of his entries and they kindly accepted. Supermundane, Anorak’s art director, went on commissioning illustrators and when they saw their lovely artwork, they decided to exhibit it for a month, next to Oscar’s actual diary.??

michael kirkham
Illustration by Michael Kirkham.

How did you chose which sections should be illustrated and was there any art direction on how they should approach the subject??
Picking only 11 entries out of a whole year’s worth was quite a task! I picked a selection of entries that were either touching (brought Lilac to his friend), or funny (like the one where he call his dad a beast), or those that told something about history (like the riot in the Strand) and finally those that carried the most visually striking elements. (such as him going to the armless and legless lady show!) Supermundane picked illustrators who all had very different styles and they were given complete freedom to bring the entry to however it inspired them.

eleni karlokoti
Illustration by Eleni Karlorkoti.

?What will captivate children in this exhibition??
I think that finding out how people lived hundreds of years ago is always captivating to children. Hopefully with this beautiful artwork it will convey things about Oscar and the 1900s in a modern visual language they understand. You can watch historical re-enactments, or special effects movies that give you a feeling of travelling back in time but you can’t replace history told by someone who lived it on a daily basis. A kid can relate to him because he goes through the same things as a kid these days (throwing a football over the neighbour’s fence) but also they can discover that in the 1900s you could see shows with four feet man!!

?Why should more institutions such as the Museum of London collaborate with illustrators??
Through drawing I think you can convey so many amazing things because it involves tapping into imagination and creativity. If you want to bring to life certain aspects of history illustration is a very vivid way of doing that. I think (hopefully modestly!) that we have given this diary a new lease of life and have made it contemporary to kids and adults alike. It also shows how different illustrators interpret words differently, I find that fascinating. For example, Supermundane stayed away from actually drawing the armless lady, choosing to focus instead on Oscar and in contrast, Adrian Fleet boldly drew a man with four feet!

adrian fleet
Illustration by Adrian Fleet.

?What are you favourite bits of life in 1919?
I love the care Oscar takes of his uniform, polishing his leather satchel and his shoes every day. It’s a bit quaint but I think it shows the great pride he had in working at the Port London Authority.

??Where are Oscar’s family now, and how did you track them down?
Oscar’s Diary was brought to the Museum of London Docklands by Oscar’s daughter. They have moved away from the Docklands. John from the Museum was saying it would be really lovely if we could find out more about the people who are mentioned in Oscar’s Diary, such as Robert Fulcher. So if anyone knows about Robert Fulcher, get in touch! ??

gemma correll
Illustration by Gemma Correll.

Has Anorak got any other exhibitions in the pipeline, or other exciting collaborations you can tell us about?
We are currently really busy finishing a food book for kids, which we are trying to get to the printers before Christmas. We have a couple of in store events lined up with H&M (and Letter Lounge) just before Christmas. ??

Why should people download the Anorak iphone app? Is it aimed at adults or children?
Our iPhone App is 100% aimed at kids but we hear some adults play the games too! It carries stories, drawing games and a couple of mad colourful games. We have just updated it with Oscar Diary for our friends overseas who can’t come to the exhibition.

How can interested illustrators get involved with Anorak magazine?
The best thing to do is email us examples of your portfolio via our site. We look at every portfolio and do reply to all emails! I must admit though that right now, we have commissioned everything we need to for this year so don’t despair if you don’t get commissioned quickly from us.

You can read the diary in full here and catch the exhibition which is on until the 29th of November.

Categories ,Adrian Fleet, ,Anorak Magazine, ,Cathy Olmedillas, ,Eleni Karlokoti, ,Eleni Karlorkoti, ,Gemma Coleell, ,illustration, ,Jack Teagle, ,Michael Kirkham, ,Michale Kirkham, ,Museum of London Docklands, ,Oscar Kirk, ,Oscar Kirk’s 1919 Diary, ,Supermundane

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