Popshot is a wonderful poetry and illustration magazine and editor Jacob Denno once wrote for me, what is ed so when he contacted me recently about his new limited edition print range it seemed the perfect opportunity to find out a bit more about his inspiring ventures.
Print by City Abyss.
What inspired you to set up Popshot magazine and what was your aim?
The magazine was born out of a slight frustration at the way in which poetry magazines were presenting themselves and ultimately, presenting poetry. I loved reading poetry but couldn’t find a single magazine on the shelves of Borders that was stimulating that passion. Most of them were a dark sea of Times New Roman font that made poetry really difficult to engage with. The aim was to create a magazine that I thought could engage with younger readers and dispel the myth that poetry was a bunch of outdated bollocks that had no footing in the modern day. I think there’s still a long way to go…
Print by Devin Mcgrath.
Have you always been into poetry… what decides which poems make the magazine?
As far back as I can remember, I’ve always had an interest in poetry. My mum used to stick up poetry quotations all over the downstairs toilet in our house so that you could memorise poetry while you were doing your thing, so it’s probably all thanks to her! As for what poems make it into the magazine – they have to be an original and interesting idea, thoughtful, beautifully written and full of imagery that allows the reader to dip into the poem’s world for the 25 lines or less. I love short poems because they’re so saturated with ideas and imagery. It’s like a shot of tequila instead of a bottle of wine.
Print by Esra Røise.
How do you find your illustrators and what are you looking for in your choice of illustrators? Any top tips for places to seek out great illustration talent…
We scour blogs, websites, agencies, magazines, newspapers and exhibitions for new illustrators, as well as sorting through the hundreds of portfolios that we get sent. I could still do a better job of seeking out the relatively unknown illustrators but it’s almost a full time occupation searching for them! As for what we’re looking for – it’s usually editorial illustrators that have a knack of condensing an entire poem into one all encompassing image. It’s an art form to be able to take a story or poem or article and pull all the sentiment from it into one image. Very few people can do it well but I’ve had the pleasure of working with some of those that can. I also have a massive soft spot for illustrators who are influenced by photo realism but are able to produce pretty much anything that you can think up.
Print by Mydeadpony.
You once wrote for Amelia’s Magazine – do you still write and do you write for other journals besides your own? And I have to ask, are you also a poet?
Most of the writing I’m doing at the moment is more informative and practical, such as updating the blog and writing the editorial etc. I don’t write for any other journals although I wouldn’t mind writing a column for The Guardian or something! I do write poetry although when you’re reading through about 4000 poems per issue, it can drain you of all your poetic inspiration so I haven’t written anything for a while. It’s such a beautiful way to use language though so whenever I get the chance or inspiration to, I love trying to condense a whirlwind of thoughts into one short poem.
As a little side note, I think seeing my name in the last printed issue of Amelia’s Magazine played a large part in my desire to be involved in magazines and print. So thanks for that!
Print by Sam Green.
You have six prints in your new print shop – how did you decide which ones to use?
The idea was to take six of the finest illustrations from the last 5 issues of Popshot, which meant we had a little over 100 illustrations to choose from. However, what makes for a brilliant piece of editorial illustration doesn’t necessarily make for a brilliant print, so in the end, there were only about 15 illustrations to choose from. The ones we ended up going for were the images that we felt were the most powerful, thought provoking and told a story even without the poem sitting next to them. In fact, some of them take on a whole new meaning once they’re popped onto a 675 x 550mm canvas and mounted on a wall.
Print by Tom Hovey.
Please can you tell us a little bit more about each of the featured artists and the poems they illustrated.
But of course! Sam Green‘s image accompanied a poem called The Aftershock by Mike Swain which looked at the redefinition of the male role in modern society, and the slight death of the hunter/gatherer role. Mydeadpony‘s image was created in response to Rosie Allabarton‘s poem …and this is what we call liberation which challenged the theory that pornography liberates women by breaking down taboos. Devin McGrath‘s image illustrated MDMA by Daniel Sluman which was an attempt to write a poem about drugs without glorifying or demonising it. Tom Hovey‘s piece was in response to If Black Could Shine by Mai’a Williams which spoke of the difficulties Sudanese refugees were facing in Egypt. City Abyss‘s image was actually the cover illustration for Issue two’s Us & Them issue and Esra Røise‘s image accompanied a poem called Sleepovers by Bethan Parker-Luscombe, which was a snapshot memory of a childhood spent indulging in sleepovers.
You can buy these prints from the Print Shop on the Popshot Magazine website. The prints are produced in limited edition runs of 150 each and cost just £45 apiece.
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