Amelia’s Magazine | A review of indie film Catfish

Amelia’s Compendium of Fashion-sm-Dem Collective
Amelia's Compendium of Fashion-cover

So, this the book is finally here and you should be able to find it at Tate Modern, health Magma, nurse Design Museum, Serpentine Gallery, Tatty Devine, Cornerhouse, Arnolfini and many other good independent book stores.

Tatty Devine Amelia's Compendium
Harriet of Tatty Devine takes receipt of her copies of Amelia’s Compendium of Fashion Illustration.

Amelia's Compendium Magma
On the shelves of Magma.

Or you can buy it online here for a reduced price and receive 12 unique Amelia’s Magazine postcards, plus a selection of bookmarks. This offer is EXCLUSIVE to my website. You can’t get these postcards anywhere else!

Amelia's Compendium postcards
Postcards come free with all orders of Amelia’s Compendium of Fashion Illustration made through this website.
Below are some pages from inside the book – which is the usual riot of colour and pattern for which I have become known.

The following up and coming fashion illustrators feature in Amelia’s Compendium of Fashion Illustration:
Abigail Daker, Abby Wright, Amy Martino, Andrea Peterson, Aniela Murphy, Antonia Parker, Bex Glover, Emma Block, Erica Sharp, Faye West, Gemma Milly, Jennifer Costello, Jenny Robins, Jo Cheung, Joana Faria, June Chanpoomidole, Katherine Tromans, Katie Harnett, Kellie Black, Krister Selin, Lesley Barnes, Lisa Stannard, Michelle Urvall Nyren, Naomi Law, Natasha Thompson, Natsuki Otani, Rachel de Ste Croix, Yelena Bryksenkova, Zarina Liew & Gareth A Hopkins.

The book features interviews with the following ethical fashion designers:
123 Bethnal Green Road, Ada Zanditon, Andrea Crews, Anja Hynynen, Beautiful Soul, By Stamo, Camilla Norrback, Christopher Raeburn, Ciel, Dem Collective, Edun, Emesha, Emma Ware, Fifi Bijoux, From Somewhere, Goodone, Gossypium, Henrietta Ludgate, Hetty Rose, Howies, Ivana Basilotta, Izzy Lane, Joanna Cave, Junky Styling, Little Glass Clementine, Lu Flux, Martina Spetlova, Maxjenny, Michelle Lowe-Holder, Minna, Nancy Dee, Nina Dolcetti, Noir, Noki, Oria, Partimi, People Tree, Pia Anjou, Prophetik, Romina Karamanea, Sägen, Satoshi Date, Tara Starlet, Ute Decker & Wilfried Pletzinger

Amelia's Compendium of Fashion-cover

So, pharmacy the book is finally here and you should be able to find it at Tate Modern, Magma, Design Museum, Serpentine Gallery, Tatty Devine, Cornerhouse, Arnolfini and many other good independent book stores.

Tatty Devine Amelia's Compendium
Harriet of Tatty Devine takes receipt of her copies of Amelia’s Compendium of Fashion Illustration.

Amelia's Compendium Magma
On the shelves of Magma.

Or you can buy it online here for a reduced price and receive 12 unique Amelia’s Magazine postcards, plus a selection of bookmarks. This offer is EXCLUSIVE to my website. You can’t get these postcards anywhere else!

Amelia's Compendium postcards
Postcards come free with all orders of Amelia’s Compendium of Fashion Illustration made through this website.

The following up and coming fashion illustrators feature in Amelia’s Compendium of Fashion Illustration:
Abigail Daker, Abby Wright, Amy Martino, Andrea Peterson, Aniela Murphy, Antonia Parker, Bex Glover, Emma Block, Erica Sharp, Faye West, Gemma Milly, Jennifer Costello, Jenny Robins, Jo Cheung, Joana Faria, June Chanpoomidole, Katherine Tromans, Katie Harnett, Kellie Black, Krister Selin, Lesley Barnes, Lisa Stannard, Michelle Urvall Nyren, Naomi Law, Natasha Thompson, Natsuki Otani, Rachel de Ste Croix, Yelena Bryksenkova, Zarina Liew & Gareth A Hopkins.

And…. the book features interviews with the following ethical fashion designers:
123 Bethnal Green Road, Ada Zanditon, Andrea Crews, Anja Hynynen, Beautiful Soul, By Stamo, Camilla Norrback, Christopher Raeburn, Ciel, Dem Collective, Edun, Emesha, Emma Ware, Fifi Bijoux, From Somewhere, Goodone, Gossypium, Henrietta Ludgate, Hetty Rose, Howies, Ivana Basilotta, Izzy Lane, Joanna Cave, Junky Styling, Little Glass Clementine, Lu Flux, Martina Spetlova, Maxjenny, Michelle Lowe-Holder, Minna, Nancy Dee, Nina Dolcetti, Noir, Noki, Oria, Partimi, People Tree, Pia Anjou, Prophetik, Romina Karamanea, Sägen, Satoshi Date, Tara Starlet, Ute Decker & Wilfried Pletzinger

Below are some pages from inside the book – which is the usual riot of colour and pattern for which I have become known.

Amelia's Compendium of Fashion-sm-From Somewhere
From Somewhere illustrated by Rachel de Ste Croix.

Amelia's Compendium of Fashion-sm-By Stamo
By Stamo illustrated by Krister Selin.

Amelia's Compendium of Fashion-sm-Christopher Raeburn
Christopher Raeburn illustrated by Gemma Milly.

Amelia's Compendium of Fashion-sm-Edun
Edun illustrated by Katherine Tromans.

Amelia's Compendium of Fashion-sm-Dem Collective
Dem Collective illustrated by Michelle Urvall Nyren.

Amelia's Compendium Aniela Murphy
Aniela Murphy’s pages in the content proofs.

Amelia's Compendium Antonia Parker
Antonia Parker’s pages in the content proofs.

Please note that I will not be posting any orders out until the 4th January 2011. Have a very merry Christmas!
Amelia's Compendium of Fashion-cover

So, diagnosis the book is finally here and you should be able to find it at Tate Modern, side effects Magma, cialis 40mg Design Museum, Serpentine Gallery, Tatty Devine, Cornerhouse, Arnolfini and many other good independent book stores.

Tatty Devine Amelia's Compendium
Harriet of Tatty Devine takes receipt of her copies of Amelia’s Compendium of Fashion Illustration.

Amelia's Compendium Magma
On the shelves of Magma.

Or you can buy it online here for a reduced price and receive 12 unique Amelia’s Magazine postcards, plus a selection of bookmarks. This offer is EXCLUSIVE to my website. You can’t get these postcards anywhere else!

Amelia's Compendium postcards
Postcards come free with all orders of Amelia’s Compendium of Fashion Illustration made through this website.

The following up and coming fashion illustrators feature in Amelia’s Compendium of Fashion Illustration:
Abigail Daker, Abby Wright, Amy Martino, Andrea Peterson, Aniela Murphy, Antonia Parker, Bex Glover, Emma Block, Erica Sharp, Faye West, Gemma Milly, Jennifer Costello, Jenny Robins, Jo Cheung, Joana Faria, June Chanpoomidole, Katherine Tromans, Katie Harnett, Kellie Black, Krister Selin, Lesley Barnes, Lisa Stannard, Michelle Urvall Nyren, Naomi Law, Natasha Thompson, Natsuki Otani, Rachel de Ste Croix, Yelena Bryksenkova, Zarina Liew & Gareth A Hopkins.

And…. the book features interviews with the following ethical fashion designers:
123 Bethnal Green Road, Ada Zanditon, Andrea Crews, Anja Hynynen, Beautiful Soul, By Stamo, Camilla Norrback, Christopher Raeburn, Ciel, Dem Collective, Edun, Emesha, Emma Ware, Fifi Bijoux, From Somewhere, Goodone, Gossypium, Henrietta Ludgate, Hetty Rose, Howies, Ivana Basilotta, Izzy Lane, Joanna Cave, Junky Styling, Little Glass Clementine, Lu Flux, Martina Spetlova, Maxjenny, Michelle Lowe-Holder, Minna, Nancy Dee, Nina Dolcetti, Noir, Noki, Oria, Partimi, People Tree, Pia Anjou, Prophetik, Romina Karamanea, Sägen, Satoshi Date, Tara Starlet, Ute Decker & Wilfried Pletzinger

Below are some pages from inside the book – which is the usual riot of colour and pattern for which I have become known.

Amelia's Compendium of Fashion-sm-From Somewhere
From Somewhere illustrated by Rachel de Ste Croix.

Amelia's Compendium of Fashion-sm-By Stamo
By Stamo illustrated by Krister Selin.

Amelia's Compendium of Fashion-sm-Christopher Raeburn
Christopher Raeburn illustrated by Gemma Milly.

Amelia's Compendium of Fashion-sm-Edun
Edun illustrated by Katherine Tromans.

Amelia's Compendium of Fashion-sm-Dem Collective
Dem Collective illustrated by Michelle Urvall Nyren.

Amelia's Compendium Aniela Murphy
Aniela Murphy’s pages in the content proofs.

Amelia's Compendium Antonia Parker
Antonia Parker’s pages in the content proofs.

Please note that I will not be posting any orders out until the 4th January 2011. Have a very merry Christmas!
Amelia's Compendium of Fashion-cover

So, thumb the book is finally here! You can find it at Tate Modern, Magma, Design Museum, Serpentine Gallery, Tatty Devine, Cornerhouse, Arnolfini and many other good independent book stores across the UK and by early 2011 around the world.

Tatty Devine Amelia's Compendium
Harriet of Tatty Devine takes receipt of her copies of Amelia’s Compendium of Fashion Illustration.

Amelia's Compendium Magma
On the shelves of Magma.

Or you can buy it online here for a reduced price and receive 12 unique Amelia’s Magazine postcards, plus a selection of bookmarks. This offer is EXCLUSIVE to my website. You can’t get these postcards anywhere else!

Amelia's Compendium postcards
Postcards come free with all orders of Amelia’s Compendium of Fashion Illustration made through this website.

The following up and coming fashion illustrators feature in Amelia’s Compendium of Fashion Illustration:
Abigail Daker, Abby Wright, Amy Martino, Andrea Peterson, Aniela Murphy, Antonia Parker, Bex Glover, Emma Block, Erica Sharp, Faye West, Gemma Milly, Jennifer Costello, Jenny Robins, Jo Cheung, Joana Faria, June Chanpoomidole, Katherine Tromans, Katie Harnett, Kellie Black, Krister Selin, Lesley Barnes, Lisa Stannard, Michelle Urvall Nyren, Naomi Law, Natasha Thompson, Natsuki Otani, Rachel de Ste Croix, Yelena Bryksenkova, Zarina Liew & Gareth A Hopkins.

And…. the book features interviews with the following ethical fashion designers:
123 Bethnal Green Road, Ada Zanditon, Andrea Crews, Anja Hynynen, Beautiful Soul, By Stamo, Camilla Norrback, Christopher Raeburn, Ciel, Dem Collective, Edun, Emesha, Emma Ware, Fifi Bijoux, From Somewhere, Goodone, Gossypium, Henrietta Ludgate, Hetty Rose, Howies, Ivana Basilotta, Izzy Lane, Joanna Cave, Junky Styling, Little Glass Clementine, Lu Flux, Martina Spetlova, Maxjenny, Michelle Lowe-Holder, Minna, Nancy Dee, Nina Dolcetti, Noir, Noki, Oria, Partimi, People Tree, Pia Anjou, Prophetik, Romina Karamanea, Sägen, Satoshi Date, Tara Starlet, Ute Decker & Wilfried Pletzinger

Below are some pages from inside the book – which is the usual riot of colour and pattern for which I have become known.

Amelia's Compendium of Fashion-sm-From Somewhere
From Somewhere illustrated by Rachel de Ste Croix.

Amelia's Compendium of Fashion-sm-By Stamo
By Stamo illustrated by Krister Selin.

Amelia's Compendium of Fashion-sm-Christopher Raeburn
Christopher Raeburn illustrated by Gemma Milly.

Amelia's Compendium of Fashion-sm-Edun
Edun illustrated by Katherine Tromans.

Amelia's Compendium of Fashion-sm-Dem Collective
Dem Collective illustrated by Michelle Urvall Nyren.

Amelia's Compendium Aniela Murphy
Aniela Murphy’s pages in the content proofs.

Amelia's Compendium Antonia Parker
Antonia Parker’s pages in the content proofs.

Please note that I will not be posting any orders out until the 4th January 2011. Have a very merry Christmas!

Image courtesy of Rogue

Initiating a relationship over the Internet is an age-old tale and I have friends who have successfully trodden this path, ed but not without some initial trepidation. There’s always the joke about boys being deluded about their height, cheapest often adding an inch or four to their profiles (or being axe-murderers), seek and girls uploading old photos when they were a good few pounds lighter (or being bunny boilers). But beyond the aesthetics, how much do you really know about your online confidante? And on the flipside, how far are you willing to stretch the truth to ensure that you are presenting yourself in the best light?

Produced by filmmaker Andrew Jarecki, who directed the brilliant docufilm “Capturing the Friedmans” in 2003, Catfish is the directorial feature film debut of Ariel Schulman and Henry Joost, who explore these themes, human psychology and the modern technological landscape as a medium for communication, closely following a ‘virtual’ relationship as it unfolds over Facebook and phone calls. Made with a budget of only around $30,000, the film was an unlikely hit at the Sundance Film Festival last year, which had audience members and critics alike hyperventilating with excitement.


Illustration courtesy of Avril Kelly

When I received my invite to the press screening, I was urged to read as little about Catfish as possible to avoid spoiling my experience of the film. As I would urge you to do the same, I can tell you that writing this review is going to prove difficult but here goes…

Filmed using a grainy handheld camera, the story revolves around the film’s protagonist, Nev Schulman, a young, charismatic, sleepy-eyed New-York based photographer who becomes involved, via Facebook, with an eight-year-old art prodigy named Abby in Michigan. Abby approaches Nev to ask for his permission to use a photograph for a painting and a fraternal relationship ensues between Nev and Abby, which becomes increasingly complex as Nev becomes involved with the rest of her family: Abby’s mother, Angela, and Abby’s attractive horse-riding, guitar-playing, party-loving 19-year-old sister, Megan, along with Megan’s intricate network of friends.  Needless to say, a less fraternal relationship develops between Nev and Megan and before we know it, they are “sexting”, amalgamating naked photos of themselves and speaking every night via the plethora of the networking tools that we have at our disposal today. Nothing, however, is quite as it seems as the film takes several unexpected twists and turns to reach a not entirely surprising yet poignant conclusion. 


Illustration courtesy of Avril Kelly

One of the film’s key strengths lies in Nev’s engaging hopeless romantic, drawing empathy from his viewers as we are taken on a journey of his evolving feelings for Megan and her family. Throughout the course of the film, we see Nev experience infatuation, doubt, anger, disappointment, betrayal and then sympathy – feelings of which are all doubtless familiar to us, whether in the virtual or real world. The way in which the film is shot, where Nev talks about his thoughts and feelings directly to the camera as if we were talking to a family member or a close friend (fitting really seeing as Schulman is Nev’s brother and Joost is one of his best friends), makes us feel as if we are sharing a very private experience with Nev, helping us to bond and identify with his character.

Where David Fincher and Aaron Sorkin’sThe Social Network” is about the creation of Facebook, Catfish is a film about the consequences of such creations, which may explain why its subject matter has resonated so strongly with audiences, seeing as approximately 5 billion of us across the globe are subscribed to a mobile phone contract and 500 million of us are active users of Facebook (although I exclude myself from the latter).


Illustration courtesy of Avril Kelly

At the risk of revealing too much, “Catfish” goes far deeper than simply being “another film about Facebook”. It throws up moral questions such as to what extent one can indulge in what superficially appears to be harmless innocent fantasies before we start to infringe on the wellbeing of others. This issue, however, is not strictly confined to the realms of an online environment, although it can be argued that modern technological advances, especially social networking, has made this deception somewhat easier to play out and sustain.

There has been much debate about the authenticity of “Catfish” and I for one am not completely convinced that we are not being taken for a ride, however, regardless of whether the movie is a hoax, Catfish is an absorbing, thought-provoking and affecting indie about hope, crushed dreams and the society that we live in where social media and modern technology provides a platform for our inner-narcissist, potential to deceive or desire to escape reality to a fictional world where life is more kind. In Joost’s own words, “Our profiles are a chance to present ourselves to the world in a way we can completely control – unlike face-to-face interaction”.

Read our exclusive interview with the director of Catfish, Henry Joost, here.

Catfish is currently showing at selected cinemas across the UK and available on DVD from today.  

Categories ,Aaron Sorkin, ,Andrew Jarecki, ,Ariel Schulman, ,Capturing the Friedmans, ,Catfish, ,David Fincher, ,Facebook, ,Henry Joost, ,Kat Phan, ,Nev Schulman, ,The Social Network

Similar Posts:






Amelia’s Magazine | An interview with film director Henry Joost of Catfish


Ariel “Rel” Schulman (left) and Henry Joost (right); illustration courtesy of Matilde Sazio

The co-directors of Sundance favourite Catfish, viagra 40mg   Ariel Schulman and Henry Joost, met in high school and have been filmmaking partners since 2006. Together they founded the New York City production company Supermarché and have produced award-winning advertisements and documentaries for well-known companies and institutions, including Nike, American Express, Harvard Business School, Pitchfork Media and The National Scrabble Association. As an acknowledgement of their talent, the duo’s web short “What’s the Big Idea“, starring Danny DeVito, was nominated for a Webby in 2008.

Born in Frankfurt, Germany, Joost spent most of his childhood travelling the world with his mother, a photographer, and his father, an international banker. He is still an avid traveller and collector of cameras, which he uses to capture both film and still.

To celebrate the release of Catfish, Joost talks exclusively to Amelia’s Magazine about the inspiration behind the film, his views on social networking and the emotional rocky road he shared with the Schulman brothers (Nev, the film’s protagonist and Ariel, co-director), from the moment the cameras started rolling…


Illustration courtesy of Matilde Sazio

How was the initial idea for ‘Catfish’ conceived? What made you start filming Nev in the first place?
From my perspective the film began as one of Rel’s pet projects that I became increasingly interested in. When Nev and Abby’s story became like a living soap opera I joined in, filming Nev as well. We have a deal with each other and with our friends that it’s ok to film all the time. We keep a personal record of our lives with these little HD cameras we keep in our pockets. Sometimes it turns into something but more often than not the footage lives on a hard-drive, unwatched.

Did you have any expectations when you started filming?
Rel had an instinct that he was shooting what could become a charming short film about two artists meeting on the internet and inspiring each other. Or just another strange episode in his brother’s life. That’s enough for us to go on. It was only after 8 months of filming sporadically in the midst of our busy lives, that we realized that true nature of the story we were telling.

What makes Nev compelling as a protagonist? Why should we care what happens to him?
Nev is compelling to me because he’s one of my best friends and plays a huge part in my life. I think he has a natural charisma that people connect with.  He wears his heart on his sleeve and he’s not afraid to expose himself, which people respect. In Catfish he’s an everyman. We’re all looking for connections online, hoping to find love, friendship, or inspiration.

How did you find your directorial relationship with Ariel evolve over the course of filming? Were there any debates at any stage in how you wanted to approach things?
Rel and I have been working together for about 6 years now, so we have a natural and largely unspoken dynamic. I think our personalities complement each other and we rarely disagree. My role was often to keep the peace between the two brothers.


Illustration courtesy of Matilde Sazio

What was the most challenging thing about filming ‘Catfish’?
The most difficult thing for me was balancing making the film with fear for my personal safety, although that fear turned out to be unfounded. There is a moment in the film that was the scariest of my life, but I felt emboldened by the camera and knowing that we were on a quest for truth.

Has Nev’s experience made you more cautious of social networking?
I was cautious about social networking to start with, so this has only confirmed my suspicions. Although the contradictory effect of the film is that I’m also much more open to people I meet online now, because those people could turn out to be real friends or collaborators.

Do you think social networking has served to strengthen or weaken the depth of the relationships that we build with people?
I don’t think it’s possible to have more than a few close friends with or without Facebook.  Social networking has allowed us to maintain more superficial relationships than ever before with incredible speed and ease, but I don’t think it particularly affects our few real relationships.

I don’t have a Facebook account – can you give me one fool-proof reason why I should join?
Wouldn’t you like to know what your boyfriend from 8th grade looks like now?

SPOILER ALERT!! READ ON ONLY IF YOU HAVE SEEN THE FILM…


Illustration courtesy of Aysim Genc

Prior to the revelatory moment where Nev discovers that ‘Megan’ has uploaded Suzanna Choffel’s version of Tennessee Stud as her own, did you at any point have any suspicions about Megan and her family? Did anything seem odd to you?
We did have suspicions at first. It seemed strange that this artist was giving her valuable paintings away for free. But suspicions about a potential financial scam were assuaged when Angela sent Nev a check for $500 – half of the winnings from an art contest Abby won with a painting of one of Nev’s photos. Suspicions were always addressed in a clever way or buried under a mountain of contradictory evidence.


Illustration courtesy of Aysim Genc

What were you most surprised about when you first met Angela?
I was completely surprised by Angela. We imagined a lot of scenarios, but in my wildest imagination I don’t think I could have ever conjured up Angela in all of her complexity. More surprising still was how well we all got along so well.

What were your own feelings towards Angela initially and did they change as you got to know her better?
I expected to meet some kind of villain behind all of this deception, so it was a relief to meet Angela. We found her to be fun, smart, and engaging and were happy that she and Vince really welcomed us into their lives.


Illustration courtesy of Aysim Genc

Is there a message you’d like viewers to go away with after having seen ‘Catfish’?
I think one of the great things about the film is that everyone brings their own experiences into the theater with them, and walks away with a different message. I would hate to color that in any way with my own personal opinion.

Do you think there is an element of Angela in all of us in how we go about presenting ourselves in the ‘virtual world’?
I think we all curate our online personae and what Angela did is incredibly relatable. Who among us has not de-tagged a photo, or agonized about our “interests” or “relationship status” on Facebook? Our profiles are a chance to present ourselves to the world in a way we can completely control – unlike face-to-face interaction.

Read our review of Catfish here.

Catfish is currently showing at selected cinemas across the UK and available on DVD from today.

Categories ,Ariel Schulman, ,Catfish, ,Danny DeVito, ,Henry Joost, ,Kat Phan, ,Nev Schulman, ,Sundance, ,Supermarché

Similar Posts: